Jazz | Fusion 144 Items

Jorge Ben is a name that any lover of Brazilian music will be very familiar with. He is widely regarded as the James Brown of Brazilian music and is famed for writing the Brazilian anthem ‘Mas Que Nada'. For the duet ‘Carolina, Carol Bela' he teamed up with the singer and guitarist Toquinho. Toquinho is best known for his collaborations, as composer and performer, with bossa nova poet Vinicius de Moraes.

'Carolina, Carol Bela' featured on the album Toquinho by Toquinho. It was originally released in 1970 on the small independent Brazilian label, RGE. The song was sampled by DJ Marky and XRS for their Drum & Bass track ‘lk’ (V Recordings, 2002). This went on to be a huge chart hit across the world, and a number one hit in the UK.

João Donato is a Brazilian jazz and bossa nova pianist. He has collaborated with many of the greats of Brazilian Music, including Tom Jobim, Astrud Gilberto and Gilberto Gil. He was one of the few Brazilian artists who went over to perform in the States during the bossa nova boom of the late 60’s. The song ‘A Rã’ was originally released on his seminal album Quem é quem, (emi, 1973), an album that is full of great tracks and was considered as one of the 100 best albums of all time by the Rolling Stone magazine.

Edition on 180-gram vinyl, limited to 240 copies. 'Sluimer' (Slumber) is a collaboration between Dirk Serries, Martina Verhoeven, René Aquarius and Otto Kokke.

Earlier this year, Micha Acher and his band The Notwist returned with their latest full-length “Close To The Glass” and received rave reviews around the globe. Yet, it’s not the only album he’s going to release this year, since Acher’s about to introduce his latest musical entity – the Alien Ensemble. It’s an all-acoustic line-up, devoid of electronic enhancements. And even though all members have a background in jazz, this is no classic “jazz music” either – there’s simply no need to show off technical skills… Since you’ll hear anything from Minimal Music to Krautrock influences, from delicate brass sections to the sound of New Orleans, it’s pretty much impossible to pigeonhole Alien Ensemble’s sound or slap a genre term on it.

180g vinyl including one bonus track!

"Full Moon Wizard” by Massive Suits Quartet (MSQ) is a personal journey by it’s creator Grégoire Marty (aka Dandy Teru) delving into his love of original movie soundtracks and various composers. Crafting a sonic and aural odyssey for a
movie that exists only in his mind and imagination. Tip!

Includes a bonus track.

Emotional Rescue celebrates its 10th Anniversary with a repress of one of its most cherished reissues, in the first ever collection of works from Spanish song writer Javier Bergia. As a member of Finas Africae his name is finally coming to prominence, now with this selection of his music from 1985 to today, the depths of his acoustic, folk and balearic writing can be heard. Born in Madrid to a family steeped in both classical and Spanish traditional music, Javier 's mastery of guitar, percussion, voice, poetry and composition is drawn from both this grounding and upon his lifelong musical inquisitiveness'. Since 1980 he has been an integral part of the ancient music group 'Atrium Musicae', while in 1984 he founded, with Juan Alberto Arteche and Luis Delgado, the groundbreaking group 'Finis Africae' as a sonic investigation into a fusion of diverse ethnic musical forms incorporating both indigenous instruments and electronic elements. As a solo artist, his career blossomed when, in 1985, he recorded his first LP, the acclaimed 'Recoletos' and with Luis Delgado he recorded the now classic album 'La Fl or De Piedra' under the name Ishinohana Erc025). Today Javier is active, participating in the Sephardic music groups 'Halilem' and 'Alquibla', as well as diverse alternative chamber music groups, as well as working around as composer, arranger and producer and appears regularly with Manolo HH on Radio Nacional de Espana.

180g vinyl including two bonus tracks!

Includes four bonus tracks.

John Cassavetes’ directorial debut Shadows was a largely improvised film set in the bohemian jazz scene of 1950s New York; often referred to as the first truly independent film of American cinema, it featured a brief disjointed soundtrack improvised by Charles Mingus and his saxophonist Shafi Hadi, with various percussionists slotting in, including Phineas Newborn Jr. Gloriously messy, reportedly unfinished and referred to with scorn by Mingus, the Shadows soundtrack sketches ultimately yielded the great ‘Nostalgia In Times Square’ ‘Alice’s Wonderland’ and ‘Self-Portrait In Three Colours,’ all included here – astounding!

Afro Latin Vintage Orchestra’s (ALVO) new album Pulsion delves deeper into spiritual jazz, library and film music. The result is a heavier, more progressive and darker sound albeit
with their signature funk and groove remaining intact as the foundation.

The Epic is a 172-minute, three-volume set that includes a 32-piece orchestra, a 20-person choir, and 17 songs overlaid with a compositional score written by Washington.

Florian Pellissier, keyboard player of Guts' live band, comes around with a stunning sophomore album via Heavenly Sweetness, including cover versions of Jef Gilson & Wayne Shorter tracks.

Established in 2013 by Valentina Magaletti and Tom Relleen, the duo operated until 2020 as a creative laboratory for the London-based musicians to explore beyond their traditional musical endeavours. They sought to deconstruct their usual sonic frameworks, venturing into a novel and unfamiliar auditory landscape. Their work seamlessly integrated various forms of multi-instrumentalism, traversing the realms of industrial, jazz, psychedelia and minimalism.

In celebration of the 10th anniversary of Tomaga's debut album, 'Futura Grotesk', Hands in the Dark are re-releasing the long sold out record in a limited edition of 500 copies. The reissue will be accompanied by the first-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and 300 units available.

STUFF. is a 5 piece live band that brings a crossgenre groove, spanning from broken hiphop to more electronic and jazz influenced future funk. Believers are amongst others PLAID, Kev Beadle, Kutmah, Lefto and Jamie Woon.

Compilation of 13 original 70's Killer tracks from the legendery Cavendish Music Library UK Label selected by Mister Modo & Ugly Mac Beer p&c 2023 Cavendish under licence to Beatsqueeze Records, All tracks published by Cavendish

Limited edition for Record Store Day 2014

Tropical rhythms from Latin America and the Caribbean. Meridian Brothers are back with a new studio album, the bizarre and wonderful ‘Salvadora Robot’. Heading deeper into the tropical rhythms of Latin America and the Caribbean each song on the album focuses on a different style and playfully twists it into Meridian Brothers’s surreal landscape.

Brand new vinyl re-issue for the 2015 album ! While most ensembles are driven by personalities, the Necks are powered by an idea. A very large and simple idea - which now seems completely obvious…. but only because the Necks thought of it and made it work. Now their pleasure (and ours) is sequentially to re-imagine and explore that idea – the prime directive of which seems to be to be that each unfolding step and every passing detail of any performance be allowed to evolve organically out of the musical conditions established at its moment of departure. In other words, we are in the territory of chaos and catastrophe theory; of hurricanes and butterfly wings… And, since one can never step twice into the same river, each beginning has led to wildly unpredictable and variant outcomes; and imperceptibly: you never hear the changes until somehow they have already happened. “We end up, Lloyd Swanton writes, ‘in a very different place from whatever our initial notion … had been.” In the case of Vertigo, we are dropped straight into an almost Feldmanesque musical universe, in which sounds - seemingly disconnected - are already there; creating space rather than inhabiting it. Then, without trying, they mutate. Not mechanically and not according to any pre-determined process - because it’s always clear that what we hear is being played by human beings; that it’s music. A special kind of music that is not pushy or demanding or demonstrative, but rather co-operative, spatial, ambiguous. A music that leaves room for its listeners.

Matana Roberts is one of the most acclaimed, socio-politically conscious and aesthetically intrepid avant-jazz practitioners of the 21st century. Following the critical accolades that the first two Coin Coin chapters have thus far received, the past year has been marked by further career-defining recognition for her body of iconoclastic work: Roberts was a recipient of both the Herb Alpert Award in the Arts and the Daisy Duke Impact Award in 2014.

Roberts has long employed the phrase “panoramic sound quilting” to describe the process surrounding her Coin Coin work. The third chapter in her Coin Coin series finds Roberts implementing this metaphor most explicitly, constructing a sound art tapestry from field recordings, loop and effects pedals, and spoken word recitations, alongside her saxophone and singing voices. Coin Coin Chapter Three: river run thee could arguably be considered first and foremost a vocal work, and notwithstanding its experimental and esoteric structure, a deeply narrative work as well.

Ken Vandermark, reeds. Christof Kurzmann, electronics [loopp], Jasper Stadhouders, bass. Tim Daisy, drums.
One of the "main" groups of saxophonist extraordinaire. Ken Vandermark!
New album, new bassist; and even more energetic. Made to Break's live performances amazed audiences all over Europe and North America, which will continue this fall, accompanied by their new record "Before The Code". Quartet instrumentation constituting the basis for improvisation of unprecedented flexibility and immediacy, making Made to Break a unique act in the world of free jazz. Recorded by Christoph Amann, on November 11th, 2014, at Amann Studios, Vienna. Mixed by Christoph Amann, Christof Kurzmann and Ken Vandermark. Mastered by Christoph Amann.

Leo Kottke, Bob James, James Last, Map Of Africa, Massive Attack, Outkast & others are featured. Another tasty selection!

Indigos is a seminal Jazz album by big band superstar Duke Ellington, originally released in 1958. Ellington chose a set of easy listening ballads to be performed by his ace Big Band, putting less emphasis on the uptempo and danceable Swing the group was revered for. A timeless classic!

180g vinyl.

Limited edition, celebrating 15 years of Gondwanan records!