Jazz | Fusion 800 Items

The Centaur And The Phoenix

LP | 1960 | EU | Reissue (Jazz Workshop)

22,79 €* 23,99 € -5%

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Psychicemotus Verve By Request Edition

LP | 1966 | EU | Reissue (Impulse)

35,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Yusef Lateef & Doug Watkins

Imagination! Clear Vinyl Edition

LP | 1960 | EU | Reissue (Sowing)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Another legendary Lateef session cut in 1960 for the New Jazz imprint. The co-leader - bassist Doug Watkins - died tragically in a car accident in 1962 at the age of 27. However, prior to his early demise, he recorded dozens of wonderful sessions with some of the greatest jazzmen of his time, among them Sonny Rollins, Art Blakey’s Jazz Messengers and the Horace Silver Quintet. Imagination ! marked his second and final album as a leader, and features Watkins on cello instead of bass. The use of cello - and oboe on some numbers - makes the date stand out a bit from the usual hard bop sessions of the period and straight-ahead jazz fans will want to get this.

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Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

LP | 1969 | UK | Reissue (Arc Records)

43,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Cry! - Tender Clear Vinyl Edtion

LP | 1960 | EU | Reissue (Sowing)

LP | 1965 | EU | Reissue (Elemental)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! In 1959, at the time of this recording session, Yusef Lateef was already approaching a new and more open form of Jazz. A sophisticated, spiritual yet urban music form informed by non western languages and cultures. Cry Tender! is a deeply inventive, mostly contemplative album inspired by an original cosmopolitan vision of Jazz and based on masterful playing from a bunch of solid Jazz musicians including among others: Wilbur Harden – flugelhorn, Hugh Lawson – piano, Herman Wright – bass and Oliver Jackson – drums, percussion, all under the direction of master of ceremonies Yusef Lateef on tenor sax, flute and oboe.

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Wynton Kelly

Smokin' At The Half Note

LP | 1960 | US | Reissue (Vee Jay)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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An American jazz critic once said that Wes Montgomery was the "best thing that could happen to a guitar." Grand words, one might say quickly racking one's brains to come up with other great names. But after only a few minutes of listening to this live recording made in 1965 at the Half Note in New York, you will forget your brain-storming and concentrate on the unfused performance of this brilliant guitarist and the superb Wynton Kelly Trio. The music which gets down to the nitty-gritty, is always cool and straight with no fuss or frills getting in the way; the message comes over clearly--and it makes the blood surge through one's veins! This legendary session was recorded at a New York nightclub. It captures Montgomery at the height of his improvisational powers. Many consider it the best performance on record by one of the most inventive guitarists in jazz history.

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Wynton Kelly

Kelly Great

LP | 1964 | US | Reissue (Vee Jay)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1964 US reissue.

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Wynton Kelly

Kelly Great

23,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1961 | EU | Reissue (Jazz Wax)

So Much Guitar!

18,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | JP | Original (A&M)

Road Song

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Movin' Wes

15,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Seam split. Original US mono pressing.

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Movin' Wes

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Movin' Wes

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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LP | 1960 | EU | Reissue (Jazz Wax)

Montgomeryland

16,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (20th Century Masterworks)

Incredible Jazz Guitar

18,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | JP | Reissue (Verve)

California Dreaming

Release: 1966 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1977 reissue. Cover and vinyl are close to NM. With insert. OBI is missing.

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LP | 1965 | EU | Reissue (Verve)

Bumpin'

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Blue Note)

Wayne Shorter

The All Seeing Eye

49,99 €*

Speak No Evil Blue Vinyl Edition

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many marks, scuffs, hairlines and deeper scratches, plays with grainy background noise. Cover with completely open top and bottom spine, shelf wear

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Wayne Shorter

LP | 1964 | EU | Reissue (Blue Note)

LP | 1964 | Reissue (Blue Note)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”

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Wayne Shorter

Juju

Release: 1964 / Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Verve)

Walter Wanderley Trio

Cheganca

LP | 1960 | Reissue (Culture Factory)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Gatefold cover has a damaged corner, drill hole in bottom left corner. Vinyl side 1 is VG+. Original US pressing.

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Walter Davis Jr.

Davis Cup

Release: 1960 / Reissue

Genre: Organic Grooves

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A Charlie Brown Christmas Deluxe Edition

Vince Guaraldi Trio

2LP | 1965 | EU | Reissue (Craft)

43,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves, Christmas

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Love Me With All Your Heart

Victor Feldman

LP | 1964 | US | Original (Vee Jay)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1961 | US | Original (Riverside)

The Soul Of Jazz - 1961

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has splits in seams.

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LP | 1965 | US | Original (Impulse!)

The New Wave In Jazz

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is Close to VG

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LP | 1966 | US | Original (VSP)

The Art Of The Ballad

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Punch hole, slightly stained cover.

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LP | 1965 | DE | Original (HÖR ZU)

Stereo Extrem

3,99 €*

Release: 1965 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Stereo Demonstration Record

7" | 1964 | JP | Original (Victor)

Release: 1964 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover slightly yellowed.

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LP | 1969 | DE | Original (Multitrack)

Schaut Auf Diese Stadt

5,99 €*

Release: 1969 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1962 | EU | Reissue (Dialogo)

Passaporto Per L'italia

58,19 €* 96,99 € -40%

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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LP | 1969 | CS | Original (Supraphon)

Night Club 68

16,99 €*

Release: 1969 / CS – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1966 | DE | Original (Marcato)

Nichts Für Zarte Seelen

Release: 1966 / DE – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | DE | Original (Schwann AMS Studio)

Neue Geistliche Lieder

Release: 1969 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with tear on the front. Vinyl close to VG+

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LP | 1966 | GDR | Original (AMIGA)

Modern Jazz Studio Nr. 2

Release: 1966 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1964 | GDR | Original (AMIGA)

Modern Jazz Studio Nr. 1

13,99 €*

Release: 1964 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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2LP | 1961 | JP | Original (Top Rank International)

Modern Jazz Gallery

49,99 €*

Release: 1961 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1969 | US | Original (Atlantic)

Jazz Super Hits

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with punch hole

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LP | 1964 | US | Original (Limelight)

I/We Had A Ball

12,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Gatefold cover has a taped top spine. Stereo pressing.

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LP | 1966 | FR | Original (Disques Vogue)

52nd Street

Release: 1966 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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3/27/65 Charlie Parker 10th Memorial Concert

7,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1961 | US | Reissue (Candid)

Toshiko Mariano

Toshiko Mariano Quartet

LP | 1961 | JP | Original (Reprise)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Toshiko Mariano Quartet is the 1961 album from fourteen time Grammy Nominated pianist and composer Toshiko Akiyoshi - then known as Toshiko Mariano. Women have long been denied the credit they deserve in jazz. It must be noted that as a Japanese women in jazz, Akiyoshi had to battle for acceptance on many fronts. Jazz has been a patriarchy community from the beginning, and even critical praise of her playing could not help but take note of her gender. Leonard Feather, for example, writing at the time in the Encyclopedia of Jazz called out Akiyoshi’s playing as “fiery, powerfully articulated and exceptionally fluent,” but added that there was “nothing delicately feminine.” Even today it is still hard for people to see Jazz in any other way. We are pleased to be a part of shifting the narrative and shine a spotlight on this talented artist and this wonderful album. While she was later to compose using themes, harmonies, and instruments connected to her Japanese heritage, this album captures the pianist early in her career playing a straight ahead, harp bop style. This was already her 7th album as a band leader, and it is a shining example of her confidence and mastery of her instrument and as a band leader. Recorded at the Nola Penthouse Studios in New Your City in December of 1960, the LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff giving a context and insight that adds to the experience of hearing these extraordinary performances.

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Tony Williams

Sings His Greatest Hits

7,99 €*

LP | 1961 | JP | Original (Reprise)

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing with OBI!

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Tony Williams

Sings His Greatest Hits

Release: 1961 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Music For Zen Meditation And Other Joys

Tony Scott

LP | 1964 | EU | Reissue (Verve)

35,99 €*

2LP | 1962 | US | Reissue (Analogue Productions)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Mostly improvised by clarinettist Scott, backed by Hozan Yamamoto and Shinichi Yuize — on the Japanese instruments shakuhachi and koto — this 1964 album is a precursor to later movements in ambient and new age music, from in and out of the jazz world.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

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Tony Bennett

At Carnegie Hall

69,99 €*

LP | 1964 | US | Original (Gregory Records)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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Tommy Wills Combo

Man With A Horn

Tommy James & The Shondells

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

label variation

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The Best Of Blue Vinyl

LP | 1969 | US | Reissue (Friday Music)

65,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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The only one of tenor saxophonist Tina Brooks’ albums as a leader to be released during his too-brief lifetime, 1960’s True Blue is a hard bop masterpiece featuring Brooks’ distinctive compositions performed by an exceptional quintet with Freddie Hubbard on trumpet, Duke Jordan on piano, Sam Jones on bass, and Art Taylor on drums.

Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

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LP | 1960 | Reissue (Waxtime)

25,99 €*

Release: 1960 / Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Culture Factory)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Reissue (Blue Note)

38,99 €*

LP | 1961 | US | Reissue (Culture Factory)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. tiny wear. Vinyl is close to NM. US "Scorpio" reissue from the 2000s.

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Three Sounds

Here We Come

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Two Hours With Thelonious

2LP | 1969 | US | Reissue (Riverside)

15,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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LP | 1965 | US | Reissue (Prestige)

The Golden Monk

Release: 1965 / US – Reissue

Genre: Organic Grooves

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The Best Of Thelonious Monk

LP | 1969 | US | Original (Riverside)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Punch hole in cover and promo sticker on front.

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LP | 1965 | US | Original (Columbia)

Monk.

49,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

It's Monk's Time Translucent Vinyl Edition

LP | 1964 | EU | Reissue (Music On Vinyl)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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180 GRAM AUDIOPHILE VINYL
HIS 1964 ALBUM FEATURING “STUFFY TURKEY”
RECORDED WITH BUTCH WARREN, BEN RILEY, CHARLIE ROUSE,
AND TEO MACERO

60TH ANNIVERSARY EDITION OF 1500 INDIVIDUALLY NUMBERED
COPIES ON TRANSLUCENT RED COLOURED VINYL

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LP | 1964 | US | Reissue (Columbia)

It's Monk's Time

Release: 1964 / US – Reissue

Genre: Organic Grooves

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180 Gram Vinyl

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LP | 1960 | US | Reissue (Analogue Productions)

At The Blackhawk

46,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Riverside)

The Wes Montgomery Trio

LP | 1966 | US | Original (Riverside)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Tape on cover.

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The Wes Montgomery Trio

Portrait Of Wes

The Universal-International Orchestra Conducted By Joseph Gershenson And Louis Armstrong And His All-Stars

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines, closer to VG. Cover with shelf wear

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Music From The Sound Track Of The Universal-International Motion Picture The Glenn Miller Story

LP | 1961 | DE | Original (Brunswick)

Release: 1961 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1961 | US | Original (Blue Note)

The Three Sounds

Here We Come

66,99 €*

LP | 1969 | UK | Reissue (Be! Jazz)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split

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The Three Out

Sittin' In

25,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Back By Demand: In Concert

The Soulful Strings

LP | 1969 | US | Original (Cadet)

Back By Demand: In Concert

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Cover with seam split on top spine, closer to VG

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The Soulful Strings

LP | 1969 | US | Original (Cadet)

The Shelly Manne Quintet And Big Band

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines. Cover close to VG+

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Manne-That's Gershwin!

LP | 1965 | US | Original (Capitol)

LP | 1966 | US | Reissue (Tower)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with promo stam/indentation on corner

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The Sérgio Mendes Trio

In The Brazilian Bag

16,99 €*

LP | 1969 | JP | Reissue (P-Vine)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl with scuffs and hairlines, Cover with seam split and writing

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The Sahib Shihab Quintet

Seeds

34,99 €*

LP | 1969 | EU | Reissue (Rearward)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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In 1969, Sahib Shihab and five leading members of the Clarke-Boland Big Band, including Francy Boland, Jimmy Woode, Kenny Clarke, and Fats Sadi, recorded this album for West Germany's Vogue label. The album features the exquisite Latin jazz track "Seeds," the waltz number "Peter's Waltz" dedicated to his son, and the modal piece "Mauve." Each track is highly stylish and sophisticated, showcasing a pinnacle of European jazz that could only be achieved by this exceptional lineup.

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The Sahib Shihab Quintet

Seeds

21,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The In Crowd

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Writing on cover.

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LP | 1960 | US | Original (Argo)

Stretching Out

6,99 €*

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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LP | 1961 | US | Original (Argo)

More Music From The Soil

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Hang On Ramsey!

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record has some hairlines and a few superficial scratches.

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Hang On Ramsey!

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Hang On Ramsey!

6,95 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Original (Argo)

At The Bohemian Caverns

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Reissue (Argo)

At The Bohemian Caverns

The Queen's Hall Light Orchestra / The Accordion Ensemble

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Original US Argo Mono pressing.

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Chappell Recorded Music

LP | 1960 | UK | Original (Chappell)

12,99 €*

The Poll Winners Exploring The Scene

Release: 1960 / UK – Original

Genre: Organic Grooves, Classical Music, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Original UK Library LP!

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The Poll Winners

LP | 1960 | US | Original (Contemporary)

LP | 1960 | US | Original (HiFi Jazz)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with tape on spines and writing

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The Paul Horn Quintet

Something Blue

46,99 €*

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tear in spines

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LP | 1962 | US | Reissue (Verve)

West Side Story

Release: 1962 / US – Reissue

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Foxing on back cover.

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LP | 1962 | US | Original (Verve)

West Side Story

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

US original.
Sleeve has seam-split.

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LP | 1965 | US | Original (Verve)

We Get Requests

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Trio (Live From Chicago)

LP | 1961 | US | Original (Verve)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+. Cover has seam split/tear

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The Oscar Peterson Trio Plays

LP | 1964 | JP | Original (Verve)

31,99 €*

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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LP | 1965 | JP | Original (Mercury)

Release: 1965 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Pop-up book cover in beautiful condition just some small writings on front and back cover.

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The Oscar Peterson Trio / Clark Terry

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Record is close to VG. Released in a pop-up book cover.

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+ One

LP | 1964 | JP | Reissue (Fontana)

Release: 1964 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Oscar Peterson Trio / Clark Terry

+ One

LP | 1964 | JP | Reissue (Fontana)

20,99 €*

Release: 1964 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue. Slightly stained cover. OBI is missing.

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Canadiana Suite

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Ornette Coleman Quartet

This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

56,99 €*

The Ornette Coleman Double Quartet

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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Free Jazz

LP | 1961 | EU | Reissue (Speakers Corner)

35,99 €*

LP | 1969 | EU | Reissue (Endless Happiness)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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The term 'free jazz' was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album "Free Jazz", however, was intended to lend its name to a quite different style of jazz. 'Free' playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal. Coleman thought big: he brought two quartets into the studio at the same time, both with two wind instruments and no piano, and let them play together for 36 minutes without a break – a collective improvisation. There aren’t any precise themes, although short, fanfare-like motifs do exist in which the winds come together. A continuous dense rhythmic beat underlies the music almost throughout – and the pulse is felt rather than heard. One musician after the other comes into the foreground to improvise, almost like at a jam session. First Coleman, then Dolphy, then the two trumpeters. The other winds, however, never remain silent, then make comments and support one another continually – the energy level is immense the whole time (it was cold in the studio ...). Only when it is the turn of the bass and drum players do the winds remain silent for about eleven minutes. This album is not only a historic caesura, but a truly great experience over and over again.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: December 1961 in A&R Studios, New York City, by Tom Dowd Production: Nesuhi Ertegun

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The Orient Express

22,99 €*

The New Stan Getz Quartet Featuring Astrud Gilberto

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Orient Express' sole LP from 1969 stands today as an early experiment in world fusion - and a pretty successful one at that, at least artistically. Guitarist Guy Duris is a Frenchman who became enamored with the oud, a classical Arabian guitar. Belgian Bruno Giet is a bass player with a rock background. Iranian Farshid Golesorkhi is an award-winning percussionist in the Persian tradition. As a trio, they only left 35 minutes for posterity, but these minutes are filled with interesting ideas and kitschy songs, all originals.

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Getz Au Go Go

Western Reunion London 1965

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing.

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The New Jazz Orchestra

LP | 1965 | EU | Reissue (Mad About)

LP | 1969 | EU | Reissue (Decca)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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British Jazz Masterpiece from 1965 featuring Neil Ardley, Ian Carr, Barbara Thompson and John Hiseman

180 gram black vinyl. Reissue for the first time Worldwide In the mid-60’s London scene, the NJO was one of those unavoidable and big-band groups (originally started as Clive Burrows Orchestra), where almost everyone who was anyone on the scene or almost transited through the group, which was normally the vehicle for composer Neil Ardley. You’ll find in the WR album, among others, stellar names like Ian Carr (of RCQ and Nucleus fame), Barb Thompson, Tony Reeves, John Hiseman (all three of future Colosseum fame), Trevor Watts (future Amalgam) plus a bunch more of lesser-known, but no-less gifted musicians like Paul Rutherford, etc. The line-up would fluctuate to include many other household names.

The New Jazz Orchestra was formed in December 1963, its name reflecting both the youth of its members - their average age was only 23 - and their mission to perform the new kind of orchestral jazz that was then developing in America but still to be heard in Britain. The personnel included such (then) non-jazz instruments as flute, horn and tuba in addition to the standard brass, saxes and rhythm line-up of the big band. This is the NJO's first album, recorded in March 1965 before an invited audience to make the young band feel at ease. The NJO was the offspring of a popular weekend jazz club, the "Jazzhouse" based at the Green Man, Blackheath (demolished to make way for Allison Close) where the "house" band was the Ian Bird Quintet (initially comprising Ian Bird, tenor sax; Clive Burrows, baritone sax; Johnny Mealing, piano; Tony Reeves, bass and Trevor Tomkins, drums - Mealing and Tomkins left to join the newly formed Rendell-Carr Quintet and were succeeded by Paul Raymond and Jon Hiseman respectively. The ensemble featured many London-based jazz musicians, such as Harry Beckett, Jack Bruce, Ian Carr, Dave Gelly, Michael Gibbs, Dick Heckstall-Smith, Jon Hiseman, Henry Lowther, Don Rendell, Frank Ricotti, Paul Rutherford, Barbara Thompson, Trevor Tomkins, Michael Phillipson, Les Carter, Tom Harris, Trevor Watts and Lionel Grigson. Ardley, Gibbs, Carter, Rutherford, Michael Garrick, and composer Mike Taylor all contributed pieces and arrangements.

Under exclusive license of Universal Music Portuga

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The New Jazz Orchestra

Le Dejeuner Sur L'herbe