Jazz | Fusion 215 Items

Another Madlib's Yesterdays New Quintet alias, another piece of smoked out electronic Jazz by Otis Jackson Jr.!

The second album from WAH, the collaborative effort led by guitarist Simon Henneman (Diminished Men) and drummer Gregg Keplinger (master drummer and Charles Gocher's doppelganger). WAH have created a modern masterpiece of modal, spiritual and free expression. Coming off like a late, classic RVG session for Impulse, Travellers Station is snarled with the force of a pummeling rock band by two artful leaders of Seattle's underground jazz scene. Travellers Station boasts ten musicians including bassists Luke Bergman and Carmen Rothwell, vibraphonists Bob Rees and Jacques Willis, horn players Ray Larson and Neil Welch, vocalist Katie Jacobson, and percussionist and co-producer Dave Abramson. The breathtaking energy of WAH's legendary NW performances is captured here with razor sharp production that finds room for fiery free jazz, psychedelic drone, big belting rhythms, and cosmic anthems. Fans of the classic era of '68-'78 (Strata-East/Human Arts/Sonny Sharrock/private/spiritual/BYG/loft) jazz scenes in America and France will dig immensely.

On this great compilation you’ll find 16 early vocal & jazzy tunes from the Golden Age of Jive & Kwela in South Africa. All released originally on fragile shellac discs only, which is a very delicate material but the music survived thanks to the archives of ILAM. A truly great source of South African music is being preserved here for new generations, to inspire young and hopeful musicians and singers from all over the world. These treasures of musical genius were recorded in the glory years of Jive and Kwela, the years 1940-1965.
On side A it is not very difficult to recognize the similarities to American popular music like R&B and small combo close harmony singing. But most of all notice that typical South African swing, that Jive, that incredible smooth form of African Jazz on side B; Kwela!

The rarest and most treasured finds are collected here, some with the original spoken intros, ‘sketches’ as these were called. Characteristic conversations between the musicians, often in a humoristic slang, always extremely funny. The record is pressed to 180gram vinyl.

Contains 3 classic "Three Blind Mice" albums on 45 by Isao Suzuki Trio/Quartet and Tsuyashi Yamamoto Trio. Tip!

The first instalment in our new ‘Mr Bongo Record Club’ compilation series – a
selection of favourites, recent discoveries and sought after obscurities, which
form the basis of our DJ sets and our radio show of the same name. Including
cuts by Claudia, Cortex, Dave Pike Set, Fruko, Neno Exporta Som, Connie
Laverne, Barbosa and more.
The original concept for ‘Mr Bongo Record Club’ was a radio show that allowed
us to air our treasured record collections, recorded and broadcast once a
month. We wanted to create an outlet free from any genre or BPM restrictions,
not constrained by the need to beat-mix every record, a space where we could
play latest finds alongside favourites. The only self-imposed rule being that
it had to be played from vinyl.
We have always DJ’d across-the-board, but playing in an eclectic way hasn’t
always been easy. Recently DJ’s such as MCDE, Floating Points, Nick The Record,
Leon Vynehall, Four Tet, Jeremy Underground, Antal (Rush Hour), Sassy J and
Young Marco – to name a few – have opened things up with very diverse sets to
younger audiences; Brazilian samba-rock, next to modern soul, highlife, disco,
boogie, jazz, house, techno and beyond.
We’re seeing a rare groove like sensibility. A shift towards the attitude of
legendary club nights hosted by the likes of Mr Scruff and Gilles Peterson,
where you could hear house, hip hop, Turkish funk, boogie, jazz, dub and Latin
back to back. At the same time it isn't a nostalgic or retro movement, people
have a progressive attitude and a thirst for new-old music. It is a vibrant and
exciting time – we are proud to be a part of it.

Compilation of 13 original 70's Killer tracks from the legendery Cavendish Music Library UK Label selected by Mister Modo & Ugly Mac Beer p&c 2023 Cavendish under licence to Beatsqueeze Records, All tracks published by Cavendish

Killer-Funk Compilation voller Highlights aus den Musikarchiven von Josef Weinberger Ltd. in London, mit 16 Tracks von seltenen Library-LPs auf Labels wie JW (Josef Weinberger/ Theme Music), IA (Impress) oder PM (Programme Music). Erste Auswahl unbekannter Titel von Toni Campo, Midas Touch, Trevor Bastow, Sidney Dale oder Vick Flick, zwischen Jazz-Funk, Soul Music, Proto Techno und arabischen Disco-Sounds - mit Open Drum-Breaks, fetten Basslinien und jeder Menge Brass/ Wah-Wah /Orgeln /Vibes /Flöten und elektronischen Effekten.Vergleichbar mit den besten Sounds von KPM, De Wolfe oder Bosworth.

Theodore Lee Croker is an American jazz trumpeter, composer, producer and vocalist. He is a Grammy Award nominee, three-time Echo Award nominee, as well as a Theodore Presser Award recipient. As the grandson of trumpeter Doc Cheatham, Theo Croker has jazz music in his DNA. Escape Velocity is his fourth studio album, originally released in 2016. He was discovered by singer Dee Dee Bridgewater, who became his mentor and can also be heard on this album (“Love from the Sun”). Croker thinks big and plays big, along with his equally talented band. His songs are full of interesting twists and turns but remains very cohesive, ensuring that this album never gets boring. Escape Velocity is available as a limited edition on crystal clear vinyl and includes an insert with liner notes.

Brand new vinyl re-issue for the 2015 album ! While most ensembles are driven by personalities, the Necks are powered by an idea. A very large and simple idea - which now seems completely obvious…. but only because the Necks thought of it and made it work. Now their pleasure (and ours) is sequentially to re-imagine and explore that idea – the prime directive of which seems to be to be that each unfolding step and every passing detail of any performance be allowed to evolve organically out of the musical conditions established at its moment of departure. In other words, we are in the territory of chaos and catastrophe theory; of hurricanes and butterfly wings… And, since one can never step twice into the same river, each beginning has led to wildly unpredictable and variant outcomes; and imperceptibly: you never hear the changes until somehow they have already happened. “We end up, Lloyd Swanton writes, ‘in a very different place from whatever our initial notion … had been.” In the case of Vertigo, we are dropped straight into an almost Feldmanesque musical universe, in which sounds - seemingly disconnected - are already there; creating space rather than inhabiting it. Then, without trying, they mutate. Not mechanically and not according to any pre-determined process - because it’s always clear that what we hear is being played by human beings; that it’s music. A special kind of music that is not pushy or demanding or demonstrative, but rather co-operative, spatial, ambiguous. A music that leaves room for its listeners.

The immense output of Sun Ra and his many backing bands, coupled with the limited production of many of his releases has long defied dedicated collectors. Parallel to a vast list of LP releases, Sun Ra released numerous 45 RPM singles; one-off meteorites from his prolific cosmic journey. Working closely with Sun Ra LLC and Art Yard Records, it is with great pride that Strut presents a definitive collection of the rare singles released by Sun Ra across his illustrious career, spanning 1952 to 1991.

Released prolifically during the 1950s and more sporadically thereafter, primarily on the Saturn label, the 45s trace the development of Sun Ra’s forward-thinking “Space-Bop” and his unique take on jazz and blues traditions which remains unlike anything else from the period. As with his LPs, most 45s were only pressed in small runs and have since become extremely rare and sought after. Some have only been discovered in physical form in recent years; some were planned and penciled but allegedly never made it to vinyl and some appeared as one-off magazine singles and posthumous releases.

‘Singles: The Definitive 45 Collection’ will be released in two volumes on vinyl across two release dates. All formats feature fully remastered tracks, rare photos, poster artwork, extensive sleeve notes by Francis Gooding, an interview with Saturn Records founder Alton Abraham by John Corbett and detailed track by track and session notes by Paul Griffiths.

Following up on last year’s collection In The Orbit Of Ra we’re diving headfirst back into the vast universe of Sun Ra with a a newly curated set from the Ra’s immense 125 LP back catalog, compiled by Gilles Peterson. The BBC 6Music / Worldwide DJ is a long-time champion of Ra’s music and the UK’s leading tastemaker for jazz-based sounds. It serves as perhaps the best introduction yet to the music of Sun Ra for a whole new generation of converts.

For the CD version, Peterson picks personal favourites, classics and unreleased tracks and weaves them into a flowing piece across 2CDs, showcasing the incredible variety of Ra’s work. The 2LP version features full-length versions of selected tracks from the mix (and also includes the full CD mixed version), while the digital version features a full unmixed selection with Peterson’s mix available within the album bundle. Sleeve notes on physical formats come from Gilles Peterson with a full Ra career biography by author Robert L. Campbell. The album also features previously unseen photos from the archives of Val Wilmer alongside full musician line-ups and session details.

STUFF. is a 5 piece live band that brings a crossgenre groove, spanning from broken hiphop to more electronic and jazz influenced future funk. Believers are amongst others PLAID, Kev Beadle, Kutmah, Lefto and Jamie Woon.

Raised on opposite sides of the Atlantic, these two artists have combined their talents to compose “Lost Myself.” This musical voyage blends New York hard-bop aesthetics and Reggae-inspired elements with the jazz of today for a fresh spin on jazz classics and original compositions.

Vocalist Shola Adisa-Farrar, a native of Oakland, California, was born into a family of artists and intellectuals. Shola began singing at the age of eight, influenced by her Jamaican upbringing and the soul and jazz classics that played in her home. At a young age, Shola garnered attention for her distinct raspy voice, which enabled her to perform a variety of musical styles as well as secure radio spots as a voice-over artist. After living in New York City for eight years where she earned a Bachelors degree in Music, she is now an established resident in Paris. Shola spends her time travelling internationally to perform and developing her musical style. This album is her exploration into Jazz.

Florian Pellissier, Parisian pianist and composer, is known for the authenticity and hard-bop style he brings to his music. A graduate of The New School for Jazz and Contemporary Music, Florian has spearheaded his own quintet along with the release of two successful albums: Le diable et son train (2012) and Biches Bleues (2014). Florian has also contributed his musical talent, which includes his command of the “Rhodes,” to jazz and funk projects such as Setenta, Camarao Orkestra, Chevere Que Son, Cotonete and GUTS.

During Shola’s year-long residence as a performer for Le Reservoir’s Sunday Jazz brunch, Hot Casa Records’ DJ duo introduced Shola to Florian, sensing the two artists would musically compliment each other. In July 2013, their musical collaboration began. Bonding over their love of jazz autobiographies, swapping music, and improvising together, a studio collaboration was born in the hidden basement of Colorblind Studio on Paris’s Left Bank.

The result is eight spiritually-tinged jazz tracks recorded live on analog equipment to maintain the “traditional” quality of the music, from sultry introspections to rhythmic compositions grounded in intense emotion. Included are jazz classics such as Feeling Good and I Have A Dream, a tribute to the music of Herbie Hancock that has influenced Florian since his formative years in New York, to which Shola penned lyrics.

This is a stand-out performance by Carla Bley.

Warm and dark, psychedelic and yet grounded, uplifting but at times somber - Seu Jorge & Almaz self-titled album for Now Again.

180g audiophile vinyl.

Raphael Rogiński’s Plays John Coltrane and Langston Hughes is an expanded reissue of his 2015 album, previously unreleased on vinyl and long out of print on CD. It has only grown in stature over the years, for Rogiński’s solo guitar interpretations – or reimaginings – of John Coltrane, which draw on the guitarist's unique and immediately recognizable style, rooted in jazz, blues and global folk idioms. Part of a series called Populista, the album was originally released by Warsaw imprint Bôłt Records. Curator Michał Libera describes the series as “dedicated to mis- or over-interpretation of existing music”. Rogiński’s Plays John Coltrane and Langston Hughes fits perfectly into the concept, given the distance that the guitarist travels from the original form of Coltrane’s compositions, although, as Libera notes, it was “simply handed to me as a finished work”. Approaching Coltrane’s singular, spirited music with a perspective formed outside the jazz tradition, Rogiński slowed the songs down, extracting polyphonic tensions, and striving for an intimacy and mysticism that transcends genre. The way the music turned out struck the guitarist as a revelation. “Suddenly these songs became full of glowing moving pictures, with a melancholy, but also with something like promise,” he says. Rogiński says, “At that time, I lived in an apartment with the branches of a fig tree growing into it. I sat in 35-degree heat under its leaves, on the carpet, and discovered the polyphony of this music. I met a broken person on the street around this time. She moved in with me for a few days, a victim of an ultra-religious family from which she had escaped. She slept on the couch recovering, and I started playing. As if for her. I had to breathe light into her life and I did what I do best, and that is how this music came into being.”

Raphael gets the Gilles treatment and the people love it as well.

A fresh project from the Nilamaye crew — crossing currulao, art-rock and jazz.

The 4th Solo Album by Reknown Danish Film Music Compose Pederknow for Releases on Mo Wax, Ninjatune, Grand Royal, Ubiquity Records and his Scores , “Breaking Bad” Amongst Others. The New ALbum featues and Instrumental “original” Part and a 2nd Guest Version LP featuring Peders favorite danish singers: Coco from Quadron, Jonas Bjerre from Mew, Oh Land, Mikael Simpson, Jacob Bellens, Sleep Party People and more. The record is a return to more dusty and crunchy sound of his awardwinning debut “And He just Pointed to The Sky” from 2007 released on Ubiquity Records. Peder began his career as a scratch DJ, household remixer for the Beastie Boys and one half of legendary danish Comedy team “Gramsespektrum” (who released grammy awardwinning platinum albums in Denmark). Now he’s a singer that makes dusty David Lynchian 50s music from your sweet nightmare and a filmcomposer with music featured in “Breaking Bad". Plus as a director he was chosen for Saatchi & Saatchi’s New Directors Showcase, Cannes Lions 2014.. This is his 4th solo album and his first on vinyl The record includes an original version and a guest version hidden inside with allmost the excat same layout.

Limited edition for Black Friday RSD 2016!