Jazz | Fusion 166 Items

180g 1LP Gatefold Sleeve

In 2001, Norah Jones debuted with the now classic album "Come Away With Me", which fused jazz, pop, blues and a touch of country in a very unique way, and made it to multi-platinum status and several Grammy awards.



Norah Jones, who had achieved worldwide fame almost overnight, did not slavishly stick to the successful concept in the years to come, but tried out different sounds and styles again and again, to the delight of her fans. In 2011 she appeared as a guest singer of Danger Mouse and Daniele Luppi for their album "Rome". Inspired by this collaboration, Norah Jone' album "Little Broken Hearts" was created the following year in collaboration with Danger Mouse.



In June, for its 10th anniversary, in addition to the remastered version of the original album, a deluxe edition on 3 LPs or 2 CDs will be released. Additionally to the 12 original songs eight alternative versions and remixes are included and also a complete live recording of the album repertoire, which Norah Jones recorded in 2012 in Austin City Limits, Texas.

After two solid albums, both of which earned Grammy nominations, Gregory Porter made his Blue Note debut with "Liquid Spirit" in 2013.

The strength of "Liquid Spirit" lies in Porter's songs, based upon personal experiences with a relatable and emotional immediacy. Even more, his hooky melodies penetrate instantly.



Hailed by public and critics alike, "Liquid Spirit" won the Grammy Award for Best Jazz Vocal Album in 2014. Platinum in the UK and Germany, gold in France, the Netherlands and Austria, the album has sold over a million copies worldwide.

“Porter makes the transition between genres with apparently effortless ease—he's a singer and a songwriter at the top of his game and 'Liquid Spirit' is an inspiration.” – All About Jazz, 2013

“Gregory Porter’s largely self-penned major label debut is an artful and free-spirited blend of love songs, social commentary and reflections on life.” Financial Times, 2013



Marking the 10th anniversary of the album, Blue Note presents a special vinyl edition bringing together the original album on 2LP and a disc of bonus tracks and remixes, with 5 tracks available on vinyl for the first time.



Gregory Porter: vocals / Albert Crawford Jr.: piano / Glenn Patscha: organ, piano / Aaron James: bass / Emanuel Harrold: drums / Yosuke Sato: alto saxophone / Tivon Pennicott: tenor saxophone / Curtis Taylor: trumpet

Before No Wave there was China and after China there was Mars. For the first time on vinyl the complete 'Rehearsal Tapes and Alt​-​Takes NYC 1976​-​1978', an incredible document from this era. The rehearsal tapes are a chronological record of the 3 years of Mars' existence, the first year of which was spent forming their sound and musical identity, starting out with a lineup of upright piano, bass, acoustic guitar and percussion before going electric with guitars, bass and drums.

Why you'll love it...
Monk was dealing with a bevy of health problems at the time, so it’s perhaps understandable that the show in Paris was like a capstone or Greatest Hits. But thanks to Monk’s indelible ability to make everything emotional and poignant, his ace band and a bonus appearance from Philly Joe Jones, the set has an enchanting electricity. It captured Monk swinging through his greatest works and adding flourishes that sent the crowd into multiple tizzies. Listen as he takes on his standards and remakes them for their moment.

The album includes 12 new recordings made especially for the film and soundtrack plus an existing recording by Dave Van Ronk. Also featured is a never-before-released version of Bob Dylan performing his song “Farewell,” which was recorded during the sessions for his album The Times They Are A-Changin' and is available exclusively on this soundtrack.

Why you'll love it...
Baltimore, an album originally made for the jazz label CTI, is a deep cut in Nina Simone's catalog. It's truly a lost sound found and we're proud to feature it here in celebration of her 90th birthday.

Limited to 2000 copies, the VMP exclusive version of Nina Simone's Baltimore is pressed on (AAA) 180g Red Marble vinyl at GZ Vinyl. The 1LP will arrive in a gatefold, tip-on, foil-stamped and numbered jacket. The (AAA) lacquers were cut from tapes by Ryan Smith at Sterling Sound.

A collection of previously unreleased recordings, rehearsals, demos and alternate takes from the personal archive of the brilliant French jazz innovator Jef Gilson. Tip!

With his 2012 album Black Radio, Robert Glasper laid out a new paradigm for creative music, reaching beyond entrenched genre boundaries to create a singular vision that drew from all reaches of contemporary black music with his Experiment band and a rollcall of special guests including Erykah Badu, yasiin bey, Lupe Fiasco, Bilal, Lalah Hathaway, Meshell Ndegeocello and others. The 10th Anniversary Deluxe Edition includes the original album plus 3 bonus tracks and the remix EP Black Radio Recovered.

Unique Direct-To-Disc Recordings

Limited edition for Record Store Day 2013!

180gram vinyl

Limited edition for Record Store Day 2013!

Rare recordings from the NDR Jazz Archive!

Vintage jazz grooves!

Opportunity: In April 2013 the pre-eminent free-jazz saxophone player of our times, Ivo Perelman, comes down to the Stone, John Zorn's experimental music club on Manhattan's Lower East Side, to hear the drummer play with Slobber Pup, a thunderously intense band featuring Morris on distortion-laced guitar, Trevor Dunn on electric bass and Jamie Saft on keyboards.

Exclusively remastered.
180g audiophile vinyl pressing.

Limited edition for Record Store Day 2013!

Eddie Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s. This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label.

As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.

Another great comp on the Late Night Tales imprint feat. Rahsaan Roland Kirk, Koushik, Gravediggaz, Madvillain, Fairport Convention!

Horizontal Structures is palpably a more open, more expressive album than the previous studio recording, Vertical Ascent. There is more contrast, more light and shade. St Hilaire and Muellbauer add fresh drama and swing to the intimate tonal and rhythmic interactions of the core grouping.

As then, calypso carries the swing. There are four more Lord Kitchener songs — in consideration of his wife leaving him for a GI, cricket umpires, a fling onboard an ocean-liner and West Indian poultry — besides a hot mambo cash-in, cross-bred under his supervision, and an uproarious, teasing Ghanaian tribute to him in Fanti by London visitors The Quavers.
Other calypsos range compellingly from the devaluation of the pound through jiu jitsu, big rubbery instruments, football fans, heavyweight champ Joe Louis and the sexual allure of English women police. The Mighty Terror contributes the woe-begotten, cautionary tale of his beloved Patricia's change of heart: 'I cannot believe, not for one moment / She gone with Millicent... / You may think I am jocular / But this really happened in Manchester / I felt so ashamed, my friends laughed at me / I had to take a train for London city.'
Ambrose Campbell is back, with six more shots of prodigal, limber, melancholic, visionary West African highlife. Also the Rolling Stones' favourite Ginger Johnson, with a percussive Latin scorcher; and Mona Baptiste, with some wonderful, soulful exotica.
Jamaican mento makes its first entry in the series, with a brace by Tony Johnson: a drily witty drinking-song, and a love-letter to Marilyn Monroe. Also finally getting some dues, the path-breaking Latin-African-jazz experiments of Ghanaian drummer and percussionist Buddy Pipp, with spine-tingling playing by the great Jamaican saxophonist Joe Harriott.
Expert jazz idioms course sophisticatedly through all the selections, which include a straight-up, South London version of Duke Jordan's Jordhu, something from Dizzy Reece's soundtrack — brokered by Kenneth Tynan — to the British crime film Nowhere To Go, and a trio of magnificently hybrid, hard-swinging instrumentals led in turn by master-guitarist Fitzroy Coleman, Kitch's innovative arranger Rupert Nurse, and trumpeter Shake Keane — named after Shakespeare because of his love of poetry — from St. Vincent.

Prelude to Heart is a Lotus is a 1968 BBC Jazz in Britain recording now released for the first time. Pianist and composer Michael Garrick was 35 years old and together with close associates - saxophonist Don Rendell and trumpeter Ian Carr - was defining innovative new directions in British jazz. Prelude to Heart is a Lotus is the precursor to the Argo Records Heart is a Lotus studio album which was released two years later, and this remarkable music shines a new light on an extraordinary period of creativity in Garrick’s long career.

+ 4 Bonustracks