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Charles Mingus - Mingus
Charles Mingus
Mingus
LP | 1961 | US | Reissue (Candid)
30,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond. The same group featured on the 1960 Candid release, Charles Mingus Presents Charles Mingus. The Mingus album, also recorded that year, features one track, "Stormy Weather," recorded with that same quartet, and two tracks recorded with a larger group featuring piano and additional horns. Of note, "mdm (Monk Duke & Me)” consumes the majority of this album. The piece consists of three intertwining themes - Duke Ellington's “Main Stem”, Thelonious Monk's “Straight, No Chaser”, and Mingus' “Fifty First Street Blues.” Released in 1961, and recorded in the fall of 1960 by Candid A&R and Producer Nate Hentoff at the Nola Penthouse Sound Studios. The LP includes extraordinary liner notes written by Hentoff, giving a context and insight that adds to the experience of hearing these magnificent performances.
Don Ellis - How Time Passes
Don Ellis
How Time Passes
LP | 1961 | US | Reissue (Candid)
27,89 €* 30,99 € -10%
Release: 1961 / US – Reissue
Genre: Organic Grooves
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A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis. Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York City’s post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus’ Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among others, the Glenn Miller Orchestra, Lionel Hampton, and Woody Herman. On subsequent albums, Ellis would take an even wilder direction. Here, on his first recoding date as a band leader, the experimentation begins. Ellis stretches the boundaries of bop-based jazz playing with time, tempo and meter. It is the start of his exploration of Third Stream - a fusion of jazz and contemporary classical music. The album title itself - How Time Passes - was taken from an article written by the controversial German composer Karlheinz Stockhausen on the “function of time.” The exceptional section features Ron Carter on bass, the underrated Jaki Byard on piano and saxophone, and Charlie Persip on drums. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and noted musician, historian and writer Gunther Schuller - the originator of the term “Third Stream” - giving a context and insight that adds to the experience of hearing these extraordinary performances.
Johnny Lytle - The Loop
Johnny Lytle
The Loop
LP | 1966 | UK | Reissue (Bgp / Tuba)
26,99 €*
Release: 1966 / UK – Reissue
Genre: Organic Grooves
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Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cuts 'Selim' and 'The Man' being anthems of the scene.

The Ohio-born player’s first album as a leader was on the Jazzland label in 1962 with “Nice And Easy”. His second, three years later, on Riverside, "The Village Caller", made him a star in the jazz world. When Riverside encountered difficulties, co-owner Orrin Keepnews collaborated with Lytle on two albums which came out on the Detroit label, Tuba.

The first of these, "The Loop", featured his regular trio partners, organist Milt Harris and drummer “Peppy” Hinnant. This line-up was augmented on some tracks by former Miles Davis pianist Wynton Kelly and bassist George Duvivier. A 7” version of the title track actually spent five weeks in the Billboard Hot 100 in January 1966. As for the album, as well as the acid jazz cut 'The Man', it features a stunning version of Duke Pearson's 'Cristo Redentor' and the dancefloor-friendly 'Possum Grease' and 'Hot Sauce'. The band also stretch out on extended track ‘The Shyster’.

"The Loop” is a classic album and Ace’s pressing is the first time it has been legally reissued on vinyl.
The Don Ellis Orchestra - 'Live' At Monterey !
The Don Ellis Orchestra
'Live' At Monterey !
LP | 1967 | US | Original (Pacific Jazz)
6,79 €* 7,99 € -15%
Release: 1967 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Charlie Parker - Vol 3 Groovin' High
Charlie Parker
Vol 3 Groovin' High
LP | 1966 | UK | Original (Saga Eros)
7,99 €*
Release: 1966 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Arthur Prysock - The Best Of Arthur Prysock Number 2
Arthur Prysock
The Best Of Arthur Prysock Number 2
LP | 1968 | US | Original (Verve)
13,59 €* 15,99 € -15%
Release: 1968 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Vinyl with a couple of light scuffs
Count Basie Orchestra - Basie Meets Bond
Count Basie Orchestra
Basie Meets Bond
LP | 1966 | US | Original (United Artists)
12,99 €*
Release: 1966 / US – Original
Genre: Organic Grooves, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG
Mel Tormé - Sings Sunday In New York And Other Songs About New York
Mel Tormé
Sings Sunday In New York And Other Songs About New York
LP | 1964 | US | Original (Atlantic)
9,34 €* 10,99 € -15%
Release: 1964 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Bud Shank - Bud Shank And The Sax Section
Bud Shank
Bud Shank And The Sax Section
LP | 1966 | US | Original (Pacific Jazz)
7,64 €* 8,99 € -15%
Release: 1966 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Eero Koivistoinen Kvintetti & Sekstetti - Odysseus Black Vinyl Edition
Eero Koivistoinen Kvintetti & Sekstetti
Odysseus Black Vinyl Edition
LP | 1969 | EU | Reissue (Svart)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Masterful Finnish jazz available on wax again!

Odysseus, Eero Koivistoinen's first proper jazz album, gets its title from the wandering spirit of its songs, traveling from one mood to another. Performed by the Eero Koivistoinen Quintet & Sextet, because Koivistoinen wanted to extend his standard quartet (Koivistoinen-Sarmanto-Laine-Hietanen) to a quintet and invited trumpetist Bertil Lövgren to join. Also Juhani Aaltonen is questing on two tracks. Odysseus is an excellent, youthful package of forward-thinking jazz played by ambitious young jazz superstars-to-come. The compositions are at times lyrical, at others furious and complex, but ever captivating.

The original Odysseus LP, released by the book publisher Otava Kustannus in 1969, is among the ten most expensive pieces of Finnish vinyl. Jazzpuu/Sähkö Recordings reissued Odysseus in 2006 as did we in 2016, yet both of these releases have been hard to find ever since. This time around Svart brings the masterful album back on the market on a limited Svart exclusive transparent red vinyl edition, classic black vinyl and CD.
Byard Lancaster - It's Not Up To Us
Byard Lancaster
It's Not Up To Us
LP | 1968 | US | Reissue (Superior Viaduct)
26,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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Byard Lancaster was a composer/multi-instrumentalist born in Philadelphia in 1942. He started playing alto saxophone at an early age and later took up flute and bass clarinet. While attending Berklee College of Music, Lancaster and pianist Dave Burrell organized late-night jam sessions with fellow students and touring musicians. In 1965, he moved to New York and quickly became part of the city's burgeoning scene – playing with jazz luminaries such as Archie Shepp, Sunny Murray, Bill Dixon and Marzette Watts. It's Not Up To Us, Lancaster's 1968 debut as a leader, was originally released on Vortex, a subsidiary of Atlantic responsible for first albums by Chick Corea, Keith Jarrett and Sonny Sharrock. Featuring guitarist Sharrock (another Berklee alum), It's Not Up To Us is true fire music – fusing elements of free jazz, soul/R&B and traditional folk song. On the opening title track, Lancaster's luminous flute draws the listener in, while bassist Jerome Hunter grounds the tune with a simple descending theme over Keno Speller and Eric Gravatt's syncopated rhythms. "John's Children," a reference to the group's status as post-Coltrane players, showcases the modal strumming of Sharrock's steady drones as Lancaster cries into the void. After repeated listens, Lancaster's original compositions become visceral aural memories ingrained in the ear, while the standards ("Misty" and "Over The Rainbow") sound the most avant-garde pieces on the album. This first-time vinyl reissue is recommended for fans of Albert Ayler, Don Cherry and Pharoah Sanders.
Volker Kriegel - With A Little Help From My Friends
Volker Kriegel
With A Little Help From My Friends
LP | 1968 | EU | Reissue (Cinedelic)
23,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Volker Kriegel is considered the pioneering Jazz-rock and Fusion guitarist from Europe. 1968 was a crucial year for his career as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist Claudio Szenkar. The covers performed are the two by Lennon-McCartney 'With A Little Help From My Friends' and 'Norwegian Wood’, and the traditional Brazilian 'Nãnã Imborô'. Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over 9 minutes and featuring Tony Scott on Clarinet and Gustl Mayr on Tenor Sax. Over the years, Kriegel would go on to participate in over 200 albums.
Albert Ayler - In Greenwich Village
Albert Ayler
In Greenwich Village
LP | 1967 | US | Reissue (Superior Viaduct)
27,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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In the mid-'60s, Albert Ayler found himself at the center of major transformations within jazz. On his albums for ESP-Disk', his delivery was radically aggressive and his tone blistering – aiming for something beyond the New Thing. His music would be further energized when (at the behest of John Coltrane) Bob Thiele signed him to Impulse! As Ayler told The Plain Dealer at the time, "It's not about notes anymore. It's a sound – a feeling. The approach we're taking will discontinue the use of the word 'jazz.'" In Greenwich Village, Ayler's first LP on Impulse!, perfectly captures the Cleveland-born saxophonist's radiant intensity. Sourced from a pair of live engagements – February '67 at the Village Theatre on New York's Lower East Side and December '66 at the Village Vanguard – these recordings show an improved clarity in production and performance. Both sets feature two basses (including Alan Silva and Henry Grimes) which allowed the ensemble to go in different harmonic directions while maintaining an organic unity. Of particular interest are "For John Coltrane," a tribute to Ayler's mentor who would pass later that year, and "Truth Is Marching In" where trumpeter Donald Ayler joins his brother to celebrate and ultimately deconstruct several jazz traditions to stunning effect. Vibrant in sound and vision, Albert Ayler's In Greenwich Village is a landmark statement in free jazz and a career high-point for this truly original artist. Superior Viaduct is honored to present this classic album on vinyl for the first time domestically in 30 years.
Roy Ayers - Virgo Vibes
Roy Ayers
Virgo Vibes
LP | 1967 | US | Reissue (Nature Sounds)
28,99 €*
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Long before becoming an icon of funk, acid jazz, and R&B, Roy Ayers was a promising young jazz vibraphonist. Originally released in 1967, Virgo Vibes was Ayers' second album, and his debut for Atlantic. With five cool, funky jazz tracks, the LP features talented musicians like Joe Henderson, Charles Tolliver, Bruno Carr, Jack Wilson and the mysterious pianist Ronnie Clark (Herbie Hancock playing under a pseudonym). A rare treasure infused with the relaxed, sunny vibe that defined Ayers’ stellar career, Virgo Vibes is now available again on vinyl.
Eric Dolphy - At The Five Spot Volume 1 Clear Vinyl Edtion
Eric Dolphy
At The Five Spot Volume 1 Clear Vinyl Edtion
LP | 1961 | EU | Reissue (Sowing)
24,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Recorded live by Rudy Van Gelder this is one of a pair of Dolphy's albums documenting the 1961 historical residency at the Five Spot, the New York's major temple of the early avantgarde. This is timeless music performed by one of the essential lineups in modern Jazz. A marvelous quintet featuring the great Booker Little on trumpet and the amazing rhythm section of Mal Waldron — piano, Richard Davis — double bass and Ed Blackwell — drums plus, of course, master Eric Dolphy on alto saxophone, bass clarinet and flute. "All forward thinking and challenged listeners need to own these epic club dates" Allmusic
Donald Byrd - Royal Flush
Donald Byrd
Royal Flush
LP | 1961 | EU | Reissue (Culture Factory)
24,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Amalgam - Prayer For Peace
Amalgam
Prayer For Peace
LP | 1969 | EU (Trading Places)
21,99 €*
Release: 1969 / EU
Genre: Organic Grooves
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While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts’ spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is jazz improv at its most melodic, an unpredictable album of varying shades, with three unique takes of the song ‘Judy’s Smile.’
Gloria Lynne - Where It's At!
Gloria Lynne
Where It's At!
LP | 1966 | US | Original (Fontana)
5,99 €*
Release: 1966 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Michel Portal - Our Meanings And Our Feelings
Michel Portal
Our Meanings And Our Feelings
LP | 1969 | EU | Reissue (Le Très Jazz Club)
33,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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On June 27th, 1969, Michel Portal pushed the door of the Pathé Marconi studios. With him were drummers Jacques Thollot and Aldo Romano, bassist Jean-François Jenny-Clark and pianist Joachim Kühn. They hadn"t rehearsed anything, as if entering the studio to record an album without any plan was something normal. The musicians were obviously very used to playing with each other, as the five tracks on Our Meanings And Our Feelings seem to flow perfectly without any hint of improvisation. The zokra, an oriental clarinet that Michel Portal plays on "Walking through the land" and "Dear old Morocco" brings a singular touch to this album. This singularity is transcended by Joachim Kühn"s ability to easily go from the piano to the saxophone alto, from supporting to soloing, before playing the bells, then the tambourine, opening the soundscape. Our Meanings And Our Feelings may not be the first French free jazz record - as it was preceded by the fantastic Free Jazz by François Tusques, released in 1965 and on which Michel Portal plays as well - but it remains one of the most important. Its incredible outburst of sounds and melodies is completely free yet never turns into cacophony. 44 years after its release, it is still urgent to listen to Our Meanings And Our Feelings and what these five talented musicians had to tell us.
The New Stan Getz Quartet Featuring Astrud Gilberto - Getz Au Go Go
The New Stan Getz Quartet Featuring Astrud Gilberto
Getz Au Go Go
LP | 1964 | US | Original (Verve)
33,99 €*
Release: 1964 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Sticker on Gatefold cover.
Mamie Lee - Once In A Lifetime
Mamie Lee
Once In A Lifetime
LP | 1966 | US | Original (MGM)
6,29 €* 8,99 € -30%
Release: 1966 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+. Cover with open seam splits on top and bottom spines. Punch hole.
Nina Simone - Nina Simone With Strings Clear Vinyl Edtion
Nina Simone
Nina Simone With Strings Clear Vinyl Edtion
LP | 1966 | EU | Reissue (Destination Moon)
21,99 €*
Release: 1966 / EU – Reissue
Genre: Organic Grooves
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The singer-songwriter and pianist Nina Simone came to prominence in the late 1950s after she signed to the Bethlehem label for her debut album, Little Girl Blue. Her move to Coolpix Records, the audio subsidiary of Columbia Pictures, allowed her near total artistic control of her material and her lengthy tenure with the company brought plenty of popular album releases. The 1966 oddity Nina With Strings was issued by Coolpix a couple of years after she left the company to begin recording for Philips; a strange mix of live recordings and studio outtakes, released without her knowledge or permission where the presence of orchestral strings on several tracks gives the album its title and overriding theme.
Ken Mcintyre / Eric Dolphy - Looking Ahead Clear Vinyl Edtion
Ken Mcintyre / Eric Dolphy
Looking Ahead Clear Vinyl Edtion
LP | 1961 | EU | Reissue (Sowing)
24,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Looking Ahead is the debut album by American jazz musician Ken McIntyre, recorded with fellow alto saxophonist Eric Dolphy in 1960 and released on the New Jazz label in January 1961. From the beginning Mr. McIntyre considered himself part of the avant-garde or ''new thing'' movement in jazz, as spearheaded by musicians like Ornette Coleman, Bill Dixon and Cecil Taylor, although his own music was considerably more traditionally melodic than theirs. He played a whole fleet of reed instruments, including oboe, bassoon, bass clarinet and saxophones. In 1964, on the album ''Way, Way Out,'' he recorded bouncing, urgent jazz tunes with chilly, dissonant string arrangements; in 1966, he accompanied Mr. Taylor on the album ''Unit Structures,'' a landmark recording of the jazz avant-garde.
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