Jazz | Fusion 1994 Items

Release: 2019 / EU – Original

Genre: Organic Grooves

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Elvis Presley

Debut Album

Release: 2019 / EU – Original

Genre: Organic Grooves

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James Brown

Please. Please. Please

Release: 2019 / EU – Original

Genre: Organic Grooves

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John Coltrane

Lush Life

Release: 2019 / EU – Original

Genre: Organic Grooves

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Jazz At Massey Hall - Limited Edition In Solid Yellow Colored Vinyl.

Charlie Parker

LP | 2018 | EU | Original (Waxtime)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Italian Movie Soundtracks

LP | 2018 | EU | Original (Waxtime)

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Waxtime)

Billie Holiday

All Or Nothing At All

Release: 2018 / EU – Original

Genre: Organic Grooves

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Krzysztof Sadowski And His Hammond Organ

Krzysztof Sadowski

LP | 2019 | EU | Reissue (Polskie Nagrania)

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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LP | 2019 | EU | Original (Impulse)

Roy Haynes

Out Of The Afternoon

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Squama)

Fazer

Nadi

Release: 2019 / EU – Original

Genre: Organic Grooves

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Jones Jones & Larry Ochs / Mark Dresser / Vladimir Tarasov

A Jones In Time Saves Nine

LP | 2018 | EU | Original (No Business)

Bobby Bradford / Hafez Modirzadeh / Roberto Miranda / Vijay Anderson

Release: 2018 / EU – Original

Genre: Organic Grooves

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300 LP copies limited edition. All compositions created collectively by Mark Dresser (Del Dresser Music/ASCAP), Larry Ochs (Trobar/ASCAP/BMG) and Vladimir Tarasov (LATGAA)
Tracks Twelve Angry Jones and Three Jones Outside Ebbing, Missouri recorded live by Art Granoff in Berkeley, California, at the home of Harry Bernstein and Caren Meghreblian on May 28th, 2016
Other tracks recorded live by Tim Pinch in San Diego, California, at The Loft on May 24th, 2016
Mastered by Arūnas Zujus at MAMAstudios
Front cover photos by Peter Gannushkin /
Design by Oskaras Anosovas

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Live At The Blue Whale

LP | 2018 | EU | Original (No Business)

LP | 2018 | EU | Original (Staatsakt)

Release: 2018 / EU – Original

Genre: Organic Grooves

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500 LP copies limited edition. Composition FREE THE IDEA is variations on Ornette Coleman Theme
Recorded live on 15th January, 2017 at the Blue Whale, Los Angeles
Recorded, edited and mixed by Andersonix.com
Mastered by Arūnas Zujus at MAMAstudios
Design by Oskaras Anosovas
Diagram by Hafez Modirzadeh
Produced by Hafez Modirzadeh

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Jens Friebe

Fuck Penetration

Release: 2018 / EU – Original

Genre: Organic Grooves

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You've Got To Have Freedom / Got To Give It Up

Pharoah Sanders

12" | 2018 | EU | Original (Expansion)

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | UK | Original (Motema)

Donny McCaslin

Blow.

Release: 2018 / UK – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Soundway)

Felbm

Tape 1 / Tape 2

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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In the Felbm project, Dutch multi-instrumentalist Eelco Topper steps away from his previous synthesiser-laden sounds as Falco Benz, towards a much looser, simpler and sketch-like approach. Picking up a number of acoustic instruments, he began experimenting with a Tascam 4-track tape recorder and allowed these sketches to flourish.
The result is Tape 1 and Tape 2, a two-part project stretching across fifteen tracks - encompassing fluttering piano melodies, subtle jazz drums, rumba rhythms and soothing ambience. The jazz element links back to Topper’s childhood. “I grew up playing drums, switched to playing piano at sixteen and in the meantime I produced hip-hop beats,” he recalls. “I went to study jazz piano at the Utrecht Conservatory, which I finished with pain and effort… I was interested more in electronic and present-day music.”
This mix of being rooted in traditional jazz composition whilst searching for something more contemporary is the perfect encapsulation of these recordings. Tape 1’s jazz roots are palpable and as things move into Tape 2, it takes on a neo-classical, psychedelic soundscape and cinematic quality.

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Ascenseur Pour L'Echafaud Green Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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At Last! Transparent Blue Vinyl Edition

Etta James

Jazz Samba Yellow Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes four bonus tracks.

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Stan Getz & Charlie Byrd

Little Girl Blue Transparent Green Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes one bonus track.

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Nina Simone

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes one bonus track.

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Birth Of The Cool Transparent Red Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Kind Of Blue Blue Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Blue Train Transparent Red Vinyl Edition

John Coltrane

Moanin' In The Moonlight Red Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes one bonus track.

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Howlin' Wolf

Ella Fitzgerald & Louis Armstrong

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes two bonus tracks.

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Ella & Louis Again Green Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Lady In Satin Blue Vinyl Edition

Billie Holiday

Release: 2018 / EU – Original

Genre: Organic Grooves

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Portrait In Jazz Green Vinyl Edition

Bill Evans Trio

Art Blakey And The Jazz Messengers

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes one bonus track.

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Moanin' Transparent Red Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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What A Difference A Day Makes! Gatefold Sleeve Edition

Dinah Washington

Release: 2018 / EU – Original

Genre: Organic Grooves

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Jazz At Ann Arbor Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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My Funny Valentine Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Sings Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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For Lovers Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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2x7" | 2018 | EU | Original (Dynamite Cuts)

Norman Connor

Slewfoot Collection

Midori Takada & Lafawndah

Release: 2018 / EU – Original

Genre: Organic Grooves

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One of the outstanding Jazz fusion album from the late 70s includes timeless classic and Jazz dance anthem. Dynamite Cuts releases a quality limited edition double pack release which gives you 4 of those masterpieces, all are first time on 7”!

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Le Renard Bleu Etched Single Sided Edition

LP | 2018 | EU | Original (!K7)

Johannes Enders & Micha Acher

Release: 2018 / EU – Original

Genre: Organic Grooves

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It is said that every generation casts its mind back to a previous era in times of crisis; the resources that will allow us to decode the questions of our moment may lie in the myths of another era. Le Renard Bleu, the new musical and cinematic collaboration between Lafawndah and composer Midori Takada, and filmmakers Partel Oliva, takes a cross- generational echo as ground zero for recovering a crucial myth for uncertain times: the blue fox. As transmitted by Takada, the fox appears in both ancient Senegalese and Japanese folktales as the trickster archetype; belonging both to the heavens and to the earth, the fox is the agent of chaotic good, shaking the world up when its energy has become stagnant. Above all else, the fox is famous for its cunning nature. Renard Bleu marks the first new music released by Takada in nearly twenty years; it would be difficult to overstate the importance of her return to the public eye. Her first solo record, 1983's Through the Looking Glass, has been rediscovered and heralded as a lost classic; the influence of her percussion trio, the Mkwaju Ensemble, continues to permeate and inspire a new generation entranced by its lucid beauty, playfulness, and sensual patience. Takada has performed in numerous film score orchestras, including the ensemble for Akira Kurasawa’s Dreams, coincidentally a key influence on Renard Bleu.

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Brookland Suite

LP | 2018 | EU | Original (Alien Transitor)

LP | 2017 | EU | Original (Lullabies For Insomniacs)

Release: 2018 / EU – Original

Genre: Organic Grooves

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‘Brookland Suite’ is inspired by Micha Acher travels to New Orleans and Johannes Enders’ admiration for Gil Evans soundscapes. The unique instrumentation and the rough sound make Brookland a very special Suite for lovers of deep sounds. Johannes Enders is a saxophone player with his own distinguished voice, and a rich international performing experience, covering gigs with artists as diverse as Donald Byrd, Jeff Watts, Roy Hargrove, Vincent Herring, George Cables, Lester Bowie and Jamaaladeen Tacuma.

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Million Brazilians

Red Rose And Obsidian

Mingus Ah Um - Jean-Pierre Leloir Collection

Release: 2017 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Millions Brazilians formed in Portland, Oregon in 2006. Founding members Grant Corum and Suzanne Stone have been central to the band since it’s inception, while a rotating line-up backs them depending on the latest vision for the sound. TIP!
.

The band carry out their own interpretation of a genre bending ethos that has evolved throughout the American underground. Drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence.

Their next installment Red Rose and Obsidian was recorded in Maine and engineered by Big Blood’s Caleb Mulkerin. Both he and the band deliver a powerful yet fragile and personal release. The mythical and evocative recordings are inspired by Maine's rugged coastlines; mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. Electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of Suzanne Stone who leads the listeners into the magical world of the Million Brazilians.

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Charles Mingus

LP | 2016 | EU | Original (Jazz Images)

Release: 2016 / EU – Original

Genre: Organic Grooves

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Plays Ballads - Jean-Pierre Leloir Collection

LP | 2016 | EU | Original (Jazz Images)

Release: 2016 / EU – Original

Genre: Organic Grooves

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Sings - Jean-Pierre Leloir Collection

LP | 2016 | EU | Original (Jazz Images)

Release: 2016 / EU – Original

Genre: Organic Grooves

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Slow Grind Fever Volume 5

V.A.

LP | 2015 | EU | Original (Stag-O-Lee)

Release: 2015 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Kenny Clarke, Francy Boland & Co

The Golden Eight Encore!

LP | 2010 | EU | Original (Rearward)

LP | 2019 | Reissue (20th Century Masterworks)

Release: 2010 / EU – Original

Genre: Organic Grooves

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never released before!

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Sidney Bechet

Plays Sidney Bechet

Release: 2019 / Reissue

Genre: Organic Grooves

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LP | 2019 | EU | Original (Less)

Tom Blankenberg

Atermus

Release: 2019 / EU – Original

Genre: Organic Grooves

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Daniel Casimir & Tess Hirst

These Days

LP | 2019 | UK | Original (Jazz Re:Freshed)

Questo Sogno E' Vita White Vinyl Edition

Release: 2019 / UK – Original

Genre: Organic Grooves

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Award-winning bassist Daniel Casimir and vocalist Tess Hirst release their debut album via pioneering London-based record labe Jazz re:freshed

Following the success of Daniel Casimir's critically acclaimed debut EP 'Escapee' which featured Hirst on vocals and fellow rising stars on the scene Moses Boyd, Joe Armon-Jones and Shirley Tetteh, this album - 'These Days' is inspired by the duo's London surroundings, delivering thought-provoking lyricism, neo-soul and modern jazz

Casimir, a former Birmingham Conservatoire student, has collaborated with Julian Joseph, Jason Rebello, Benet McLean, Lonnie Liston Smith, Nathan Facey, Shane Forbes, Chihiro Yamanaka, Ashley Henry, David Lyttle, Nubya Garcia, The Tracey Quintet (Meantime Jubilation), Tom Harrison (Unfolding In Tempo), Jasmine Power (Stories And Rhymes), Camilla George and Art Blakey Jazz Messenger saxophonist, Jean Toussaint

Named Young Jazz Musician of the Year by the Musicians' Company in 2016, Casimir has received plaudits for his arrangements and recital, while Hirst has made a name for herself with her vocals on the jazz circuit having moved between London, Leeds and LA to hone her craft. What sets Hirst apart as a musician is not only the originality of her music but her perspective of herself as an artist. She is an Ethnomusicology Graduate of Soas and her writing style walks us through her upbringing in West London and down the halls of academia

Casimir and Hirst fuse traditional jazz sounds into beautiful compositions, narrating their way through a political and cultural landscape across these twelve tracks. The frenzied groove heavy'Security' addresses the need to trust one another and how we protect ourselves personally, while the rich atmospherics of 'Freedom' combined with Hirst's vocals, explore liberation and the rejection of duty - from a female perspective.

At the heart of 'These Days', Casimir plays with a passion and power that resonates throughout each composition. His knack for complex chord changes are highlighted in 'What Did I Do', bringing an energy and enthusiasm to the track while Hirst decries our changing capital. Elsewhere, references to John Agard's poem 'Listen Mr. Oxford Don' in 'The Magic Money Tree', explore the past and its relevance to now while a re-imagining of Charles Mingus' 'Fables Of Faubus' further ensures this theme remains central to the essence of the album.

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Statuto

LP | 2022 | EU (Onde Italiane)

The Hottest New Group In Jazz

Release: 2022 / EU

Genre: Organic Grooves, Rock & Indie

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Recorded in Florence in May 1991, the concert is part of the tour between "Senza di Lei" in 1990 and "Zighidà", which will be released in 1992 after Sanremo festival. Three days after the concert the group will enter the recording studio (the Westlink in Pisa) to record the single for EMI "Qui non c'è il mare / Noi duri" with the production of Gianni Maroccolo. Classic lineup with Oskar on vocals, Naska on drums, Alex Loggia on guitar, Rudy Ruzza on bass and Senior on keyboards with in addition a wind section made up of trumpet, saxophone and trombone. 300 hand-numbered copies on white vinyl.

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Lambert Hendricks & Ross

LP | 2012 | Reissue (Jazz Images)

Release: 2012 / Reissue

Genre: Organic Grooves

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Daniel Carter / Evan Strauss / 5-Track / Sheridan Riley

The Uproar In Bursts Of Sound And Silence

LP | 2022 | US | Original (577)

19,19 €* 31,99 € -40%

Jac Berrocal, David Fenech, Vincent Epplay

Release: 2022 / US – Original

Genre: Organic Grooves

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The Uproar in Bursts of Sound and Silence is a sort of emergent collage that came together over four years of composition, improvisation and production. The foundations for this album were initially recorded in 2018 by producer/engineer Jack Endino (Nirvana, Soundgarden, Mudhoney, Skinyard) at Soundhouse in Seattle, WA with myself (Evan Strauss, electric bass and upright bass), 5-Track (Guitar) and Sheridan Riley (Drums). The initial foundations of this music consisted of my long-form graphically notated conceptual compositions based on the calls of the Veery songbird (Catharus fuscescens), the astrological transits at the precise time of the recording session and some thematic elements from Ursula K. Le Guin’s novel The Dispossessed. In 2019 the album was given the working title Bird Songs for the Stars and I commissioned the cover art, Night Fisher, from Jeane Cohen. Also around this time, Daniel Carter had emphatically told me, “I’m going to become a rapper by the time I turn 90.” So, a few weeks later Daniel and I were hanging out, recording music and eating stir fry in my Ditmas Park apartment and I convinced him to make some progress on his goals by recording his voice into a microphone. Daniel began by recording an excerpt from Virginia Woolf’s The Waves and continued by recording some of his own poetry. The recordings of Daniel from that afternoon would eventually make their way onto this album alongside my own experimentations in production inspired by Lee Scratch Perry, J Dilla and Ingram Marshall. I have since come to believe that this music was waiting for Daniel’s voice and music. Over the next couple of years I experimented with production techniques, renamed the album The Uproar in Bursts of Sound and Silence after an excerpt from The Waves (“wind blows the uproar in bursts of sound and silence across the court / now again they are smashing the china / that is the convention”), moved to the pacific northwest, corresponded with the estate of Virginia Woolf, mastered the entire project onto a cassette tape and convinced 577 records to release it. I hope you enjoy it as much as I have! -Evan Strauss, February 2022

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Transcodex

LP | 2022 | EU | Original (Akuphone)

19,19 €* 23,99 € -20%

CD | 2022 | UK | Original (BBE)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Jac Berrocal, David Fenech and Vincent Epplay are back with a true gem of an album: Transcodex. Turning more towards pop than in their beginnings, this fourth record follows the footsteps of their previous album, Exterior Lux. The trio seems limitless: they experiment with a large variety of styles (pop, dub, electronica, dark jazz), always colored by their very own touch. Jac Berrocal’s trumpet, richer than ever, plays over an ever-changing sonic landscape engineered by the duet of musicians/producers Vincent Epplay and David Fenech.

For this album, they invited two amazing musicians. Jah Wobble (founding member of Public Image Ltd and collaborator of African Head Charge, Brian Eno, Holger Czukay, Jaki Liebezeit, Evan Parker, Sinéad O'Connor) plays deep bass lines on two tracks. Jean-Hervé Peron (founding member of the German band Faust, and who recorded with Tony Conrad, Nurse With Wound, Pascal Comelade) brings his prowess to two tracks as well. Peron writes lyrics in French, German and Russian — and plays the French Horn like no one else.

The closing track of the A side is a tribute to Christophe Bevilacqua (1945-2020), friend to Jac Berrocal. The song summons the place Bevilacqua used to live in: an Art Deco flat on Boulevard du Montparnasse, Paris.

Even if its intentions are clear, Transcodex does not reveal all its secrets right away. It’s up to you to find the solution, the key, the Transcodex yourself. It must be revisited over and over again for its beauty to be fully revealed.

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Koichi Matsukaze Trio

At The Room 427

19,49 €* 25,99 € -25%

Release: 2022 / UK – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Sonorama)

Werner Müller Orchestra

Jazz Mutations

19,57 €* 21,99 € -11%

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Ekster)

Georgia

Immute

19,79 €* 21,99 € -10%

LP | 2022 | UK | Original (Actions For Free Jazz)

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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The New York duo of Brian Close and Justin Tripp have been releasing music from their Chinatown studio, since 2012. Under the alias Georgia they make a sound which combines tech and tradition. Their compositions created by two hits of improvisation. Where live jams are further edited and processed. Gracing labels such as Belgium’s Meakusma, and London`s FTD. Producing super limited cassettes for France`s Good Morning Tapes, and Kashual Plastik in Germany. These global collaborations reflecting Georgia’s particular reworking of the “World Music” genre. Their approach resulting in the acclaimed All Kind Music, on NYC`s Palto Flats, and participation in Emotional Response`s respected Schleißen Series. Now comes Immute, for Ekster.

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Signe Emmeluth

19,94 €* 20,99 € -5%

LP | 2013 | Original (Ozella)

Release: 2022 / UK – Original

Genre: Organic Grooves

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“Micro tonal poetry” - Mats Gustafsson 'Its an honor for the AFJ-Series to introduce the self-titled debut album by Danish Oslo resident Signe Emmeluth. Recorded at Flerbruket, in the forest an hour outside of Oslo - Emmeluth alone in a room with her alto and tenor saxophones.

A fantastic session of sax solo ecstasies recorded by Magnus Hemnes Nergård. Much like Joe McPhee’s Tenor and Peter Brötzmann’s 14 Love Songs, this album share the same beautiful intimacy. It is close, sparse, poetic and raw at the same time. Minimalist and soulful free music.

Signe Emmeluth is a Danish saxophonist and composer educated by the Jazz Department in Trondheim and is currently based in Oslo. Emmeluth has recently become a rising star on the international scene for improvised music. She has her own quartet Emmeluth’s Amoeba and has worked with Trondheim Jazzorkester, John Edwards, Tony Buck, Paal Nilssen-Love, Mats Gustafsson and Mette Rasmussen to name a few.'

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Maximilian Geller

Alpenglühen

19,94 €* 20,99 € -5%

Release: 2013 / Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Green Cookie)

Souled Out

Sunny Side Up

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Xxim)

GoGo Penguin

Between Two Waves

Release: 2022 / EU – Original

Genre: Organic Grooves

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Live Cookin' With Blue Note At Montreux

Donald Byrd

LP | 2022 | EU | Original (Blue Note)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Blue Note Records will release the first-ever official release of Donald Byrd Live: Cookin’ with Blue Note at Montreux on what would have been the legendary trumpeter’s 90th birthday: December 9, 2022. The LP of the dynamic 1973 live set is all-analog cut directly from the original analog master tapes.

In July 1973, Blue Note Records headed to Montreux, Switzerland to showcase several of the label’s stars at the Montreux Jazz Festival. Produced by Blue Note President George Butler, live albums all titled Live: Cookin’ with Blue Note at Montreux followed from vibraphonist Bobby Hutcherson, organist Ronnie Foster, flutist Bobbi Humphrey, and vocalist Marlena Shaw, but one of the performances by trumpeter Donald Byrd remained unreleased in the Blue Note vaults, until now.

Donald Byrd: trumpet, flugelhorn, vocals - Fonce Mizell: trumpet, vocals - Allan Barnes: tenor saxophone, flute - Nathan Davis: tenor & soprano saxophone - Kevin Toney: electric piano - Larry Mizell: synthesizers - Barney Perry: electric guitar - Henry Franklin: electric bass - Keith Killgo: drums, vocals - Ray Armando: congas, percussion

Original recordings produced by George Butler

Recorded live by Chris Penycote at Montreux Jazz Festival, Montreux, Switzerland, July 5, 1973

Mixed by Qmillion at EastWest Studios Los Angeles, CA

1-lp, 180g, unprinted polylined paper inner sleeve.

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Hakon Kornstad

Im Treibhaus

Release: 2019 / NO – Original

Genre: Organic Grooves

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Einar Flaa

Silent String

Release: 2019 / NO – Original

Genre: Organic Grooves

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Paal Flaata & Vidar Busk & Stephen

The Gospel Album

Release: 2019 / NO – Original

Genre: Organic Grooves

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Gurls

Run Boy Run

Release: 2019 / NO – Original

Genre: Organic Grooves

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Svein Rikard Mathisen & John Derek

Calm Brutalism

LP | 2022 | NO | Original (Grappa)

Release: 2022 / NO – Original

Genre: Organic Grooves

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Movies & Stories Like This

Asbjornsen & Aarum

LP | 2022 | EU | Original (Musikkoperatore)

Release: 2022 / EU – Original

Genre: Organic Grooves

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CD | 2022 | JP | Original (EM)

Roland P. Young

Spontaneous Bounce

Nautilus / Anna Sato X Toshiyuki Sasaki

Release: 2022 / JP – Original

Genre: Organic Grooves

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EM Records celebrates Roland P. Young’s 80th adventurous year on the planet with “Spontaneous Bounce”, the sixth RPY solo release on the label. After a musical youth in Kansas City followed by audio activities in San Francisco and New York and elsewhere, he began releasing self-produced solo music in 1980 with “Isophonic Boogie Woogie”, the title of which hints at the forward-thinking yet earthy nature of his sound, a soulful and spiritual multi-world avant-music, drawing on elements of ambient, jazz, soul, new age and electronic music. His ‘Isophonic Music’ concept crystallizes these elements through a comprovisational use of soprano sax, keyboards, drum machines and the possibilities of the recording studio. This release features 13 new pieces, a diverse array of appealing and joyful celebrations of music and life. Come and join the celebration!

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Introducing

LP | 2022 | EU | Original (Oonops Drops)

Welcome To Anxiety Group Red Vinyl Edtion

Release: 2022 / EU – Original

Genre: Organic Grooves

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Welcome to the Flip Series. It's a new series where a group or an artists are sharing an album together.

Japanese Jazz trio Nautilus are starting with the A-Side. Label head Oonops is working with them since 2017 and this is their eighth common project. He selected two of his favourite tunes from Nautilus back archive which are called »In The Rain« - a cover version of an old soul classic by The Dramatics from 1971 as well as »Kudu« by Eddie Henderson from 1976 (both previously only available on the Japanese market). Additionally there are three new cover versions which Oonops desired to get arranged: »Manhã« by Azymuth, »The Bottle« by Gil Scott-Heron and »Be Thankful For What You Got« by William DeVaughn! All classics and new reinterpreted in the typical Nautilus way.

For the flip side Oonops selected his favourite tunes by traditional Japanese singer Anna Sato & Nautilus drummer Toshiyuki Sasaki. They released two common digital albums named »Message & Message 2 - Reincarnation« and now found on this mini sampler on 12"-vinyl for the first time.

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Drone Operator

12" | 2022 | UK | Original (Participant)

Rolf & Joachim Kühn Quartet

Release: 2022 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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“There is a German satellite falling to earth!” a woman’s voice urgently announces. “She says, what if it hits me? Welcome to anxiety group.” A dense cloud on the horizon heralds a fresh onslaught from that infamous swarm of free jazz killer bees, a new project from self-described “conceptual kleptomaniac post digital free jazz outfit” Drone Operatør. Riding hard along the line between experimental electronics, blockbuster sound design and the loosest jazz improvisation, this rogue’s gallery of players, headed up by art world provocateurs Paul Barsch and Tilman Horning, take the fevered pulse of the relentlessly flattened now and note down four key observations which presented together make up Welcøme TO Anxiety Group. Coaxing lively theatricality from a continually provoked altercation between acoustic instrumentation and synthetic sound, each of the project’s four tracks provides a new perspective on what it means to improvise through technological mediation. “Here we are now,” write Drone Operatør. “22 after 2k. mp4 flex to 32bit float. The sax - the heart. The quadcopter - the brain. Duo d'Allemagne not wasting a life time learning jazz standards.” To open proceedings, our faithful operatør whips up exquisite dissonance with ‘Bot Møther’, smashing together squalls of saxophone and ripples of percussion with the sounds of sci-fi artillery, like an amphetamine-fuelled, midnight jam hammered out oblivious to an ongoing alien invasion. Slowing to a furtive creep for ‘German Satellite’, picking out keenly felt anxiety in suggestive plucks, stuttering clacks and strained wails, their cosmic warning signalling a neurotic climax before settling back into a post-coital skitter, flourishes of keys, both digital and analogue, harmonising with Drone Operatør’s weary welcome to the group. Eschewing the electronic completely for the cacophonous gallop of ‘Røhrstøck’, we’re invited to hold on for dear life during a mad scramble towards the ‘The Vessel,’ a staggering sequence of tumbling synthetic chimes, embellished with peals of ornate sax that flare up and out to illuminate the track’s irregularity, alternately submerged and retrieved through a subtle manipulation of filters. It’s a session that has to be heard to be believed, crammed with as much difficulty and as much revelation as any good therapy should. As Drone Operatør describe: “From iconic spamming to intellectual nonsense. Always never predictable, never not cheesy. Battery life cycles full of joy. You say you like free jazz. We don’t believe you.” Welcøme to Anxiety Group will be released on July 29th, 2021 by Participant, on limited edition clear red vinyl, and digital download via the Participant Bandcamp. The release will be accompanied by a series of films by Drone Operatør, featuring editing, FX, and CGI by digital artist Darío Alva. Text by: Henry Bruce Jones Participant is a record label and creative studio run by filmmaker William Markarian-Martin and conceptual artist Richie Culver

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Lifeline Limited Edition

2LP | 2012 | EU | Reissue (Impulse)

Release: 2012 / EU – Reissue

Genre: Organic Grooves

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LP | 2019 | EU | Original (Résolut Diffusion)

Soultime

Unspoken Stories

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Wagram)

V.A.

Nu Jazz

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Alien Transistor)

Fuchs

LP | 2022 | EU | Original (Rotary Phono Lab)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Fuchs is a band that never was. It vanished as quickly as it appeared in the picture, much like the animal that can be seen on this album and after whom it was named. In 2005, Kante singer and guitarist Peter Thiessen travelled to Weilheim to visit Markus and Micha Acher in their studio, where they were joined, among others, by Notwist-affiliated musicians like Cico Beck, Robert Klinger, Carl Oesterhelt and Stefan Schreiber. Spirits were high, but schedules were full: after a week of improvised sessions, everyone went their own way. The recordings gathered dust until Markus Acher found them again in 2021 while cleaning out his studio. After carefully re-evaluating the rough mixes, the musicians decided to finally release them. The resulting album comprises six tracks that musically draw on jazz, aesthetically lean on dub techniques and ideologically pick up on krautrock: there’s no solos to be heard on this record, just a few equally skilled and open-minded musicians listening to each other carefully, providing each other with space in which to unfold. »Fuchs« is a document of egos dissolving in a collective spirit. Thiessen and the Acher brothers met in the 1990s and bonded not only over their shared background in hardcore music and the DIY ethos in which it was rooted, but also over their love for jazz. »If you look at those two things combined, you will eventually become convinced that you don’t have to be formally trained to make music that at least resembles jazz«, says Thiessen today. He invited Micha Acher to join his band Kante on flügelhorn in 2004 for a tour that saw the expanded group play unusual encores after the official concert was over. »Micha had taught us some dixie pieces, so night after night we would play a freestyle dixieland ska set in front of the remaining audience!« Naturally, the Acher brothers didn’t have to ask twice when they invited him for a visit in Weilheim to further explore their mutual interests in a studio setting. »I got on my way immediately and took two or three loose ideas, a tape echo and a guitar on whose headplate you could create fantastic sounds with me«, says Thiessen. Between immersing themselves in books by the photographer Leonore Mau, cooking together and drinking the occasional fruit schnapps, the trio went into the studio. Says Thiessen, »Micha brought his flügelhorn and some wonderful ideas with him, Markus an Indian harmonium and a plan, Carl Oesterhelt came with a glockenspiel and a Chinese zither and a bunch of amazing jazz musicians joined in, too.« He considers the resulting recording sessions to be a kind of attempt at musically translating their conversations during those days. They discussed different approaches to jazz, whether sampling and musical miscitations can unlock ecstatic potentials and the possible parallels between syncretistic religions and pop music. »There’s traces of glossolalia, it's like a blurry séance«, adds Thiessen in regard to the sessions. It is especially this spirit that managed to live on even though the recordings themselves were abandoned. »What we all liked most when listening back to the recordings is probably their marginal and fragmentary character, the empty spaces—the moments in which the virtuoso solo never comes, in which the centre remains empty.« The six pieces on »Fuchs« are chock-full of exactly these moments. When at one instant, the players seem to disperse and improvise freely, they always meet again on common ground a short time later, continuing on their way together. There are no conventions or even previous agreements that guide them, just a shared will to explore a vast range of curious sounds and unusual rhythms together as a truly unified constellation of very different musicians. Fuchs is a band that never was. Its ideas still reverberate vividly even 17 years later.

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3 Zvo

One

LP | 2022 | UK | Original (Go Deep)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Catchy melodies are gleaming through a colorful cloud of sounds and spheres, constantly driven by extensive grooves.

Andrej Ugoljew and his 3 ZVO crew carry along and invite you into an energized world between hip-hop, afro funk and a nu jazz aesthetic, containing a lot of nodding and little pathos.

The music floats. It is modern, fresh and astonishingly free of clichés. Cinematic trip jazz.

3 ZVO is a septet led by jazz musician and composer Andrej Ugoljew. Very well known and in great demand as a sideman and studio musician, Andrej has worked with Tony Allen, Salif Keita, Nils Frahm, Andromeda Mega Express, WDR Bigband, Megaloh, The Omniversal Earkestra and many more.

A brand new Berlin brew, the band features guitar virtuoso Keisuke Matsuno, bassmaster Thomas Stieger, violin player Johanna Burnheart, percussionist Max Klaas, saxophonist Bastian Duncker, grooving drummer Hanno Stick and Andrej Ugoljew on trombone and keyboards.

A1. 3 ZVO - Easy Does It A2. 3 ZVO - Blue Doc A3. 3 ZVO - Dunkelgold

B1. 3 ZVO - Terre Battue B2. 3 ZVO - Morning B3. 3 ZVO - Ballad From The East

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Fish Go Deep

This Bit Of Earth

LP | 2022 | EU (JazzSick)

Release: 2022 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Greg Dowling and Shane Johnson return to the Go Deep label for their third album, ‘This Bit of Earth’. Beginning work in the relative normality of 2019 and finishing over the strange summer of 2020, the resulting music mirrors the thoughts that such upheaval brings out - our world and our place in it - while also functioning as a kind of travelogue of journeys past and planned, real and imaginary.

Mixing samples with modular synths, programmed drums with jazz loops, and quirky plugins with outboard gear, the album ranges far and wide while retaining a warm, natural core sound.

The title track opens proceedings on an ambiguous note. A simple double bass motif weaves around a misheard vocal sample, layers of piano and vibraphone take up the call, and the whole thing gradually spins off axis to a distorted, disjointed finish. ‘Suburban Key’ follows on a groove of busy drum work and deep sub bass, the stately piano and strings setting the stage for an undulating synth solo.

Further in, ‘Alice on Jupiter’ takes a deep breath and blends field recordings, gently swelling pads, modular bursts and a recurring picked melody.

‘Back Trace Dub’ strolls the imagined streets of Irish author Kevin Barry’s ‘City of Bohane’, noting the “taint of badness” in the air and revelling in the tense, dub-noir atmosphere. Later on, the spoken word intro of ‘I Could See’ expresses the dread of confinement and the relief and ecstasy of release, a theme the music reflects as it steadily builds to a joyful climax.

And closing the album on an optimistic note, the languid, emotional Culatra Ferry remembers better, beautiful days in the sun and looks hopefully forward to more.

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Philipp Van Endert

Moon Balloon

Release: 2022 / EU

Genre: Organic Grooves

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Oilly Wallace & Johannes Wamberg

Mosaique

LP | 2022 | EU | Original (April)

LP | 2022 | EU | Original (Zephyrus)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Oilly Wallace (b. 1996) and Johannes Wamberg (b. 1991) are celebrated as two of the greatest young talents on the contemporary Danish jazz scene, but before the public found them, they had already found each other. They have known each other for years and their friendship comes through in their truly special symbiotic interplay. It is as if their sound reflects a true friendship; a place in which there is space for both playfulness and sensitivity, melancholia and pure joy. In October 2016 they released their critically acclaimed debut LP, ‘Easy Living’, which was one of the most played records on Danish Radio P8 Jazz and they have now been in the studio yet again and a whole new record, consisting of their own compositions, alongside carefully selected standards, now finally sees the light of day, here in October 2020, by way of April Records. This new album is entitled ‘Mosaïque’ and is produced by Oilly Wallace, Johannes Wamberg and Jonathan Bremer and is recorded at Bremer’s Voodoo Bug Studios. Describing the record in their own words, the two young musicians say: “Our new record is the fruit of one year’s work in the studio, where we have refined our consonance and our repertoire, and pursued the narrative that lies within our musical vision. One could say that we have cut to the bone and have dived deeper into our own sound.” And in the leftover bone there is a marrow. And its substance there are mature blood cells. Boys have become men and the music has aged, just like good wine.

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Hands In Motion

Dawn

Why Is It They Say A City Like Any City

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Darbuka, gongs, berimbaus, kalimbas, pandeiro, riqq, doholla, bendirs, udu,… These are just some of the instruments that make up the sound universe of Hands in Motion. This percussion trio brings together musicians Simon Leleux (Fabrizio Cassol / I Silenti, Refugees for Refugees), Robbe Kieckens (Lamekan Ensemble, Myrddin De Cauter) and Falk Schrauwen (Compro Oro, Echoes of Zoo) who create a sound universe that does not knows any limits.

From Senegal to Eastern Europe, from Brazil to India, from the classical conservatory to nomadic people, it is nourished by all their influences that Hands in Motion juggles with the codes of tradition to create a new space of expression, resolutely current and innovative.

Minimalist sound layers, captivating grooves, acoustic trance, their music is organic, contrasting, deep and subtle at the same time. They alternately create melodies and textures that might as well make you think of Philip Glass, Mammal Hands or Why the Eye?. The atmospheres they create invite movement and sharing.

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Ale Hop

LP | 2022 | EU | Original (Karl)

LP | 2019 | EU | Reissue (Eskapaden)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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A download code is included.

The new album by the Peruvian-born / Berlin-based experimental artist Ale Hop was conceived in a context of immobility and provides six sonic vignettes that wonder about location, circularity, rootedness and experience. In collaboration with Ana Quiroga, Concepcion Huerta, Daniela Huerta, Elsa M’balla, Felicity Magan, Fil Uno, Ignacio Briceño, KMRU, Manongo Mujica, Moises Horta, Nicole L’huillier, Raul Jardín, Sukitoa Onamau, Tomas Tello.

Following her explorations on music's inherent fixation to geographic space and time, be it through the longing of home ("Apophenia" 2019) or scientific magnification of invisible worlds ("The Life of Insects" 2020), Berlin-based Peruvian-born experimental composer Ale Hop's fourth album, "Why Is It They Say a City Like Any City?", was conceived in a context of immobility. During the lockdown months, she started a process of remote collaboration, by sending messages, posted from various cities along a South American trip, to thirteen musicians from around the world. She journaled her impressions upon these places to an intimate fictional character while reflecting on matters of time, sound, space, cosmology and colonial memory. The thirteen musicians dialogued with this voice by
taking upon the challenge of responding to the messages with sound collaborations.

Field recordings, mouth drumming, drone cellos, electronic loops, arrhythmic rhythms and voices came back from this experiment. Ale assembled them, by layering, twisting and turning, into sonic vignettes that wonder about location, circularity, rootedness and experience, making it the first time she's set her guitar aside. Expect no answers to the album's title question, but an innermost psychedelic rumination.

"Despite the technological resources that appear to dilute distances, the simulation of closeness mirrored on the digital space is an emptied body, a state of precarity, a flat surface; unable to withhold an experience of exchange," Ale states. "So, I began this project by asking myself, how can we escape from the reduced experience of the virtual? The idea behind this experiment was that my messages and the places they describe could drive the composition, be a catalyzer, a score. Thus, to use geography as a tool to remember and imagine, to allow new soundscapes to emerge."

"Memory, diffuse and divergent, sometimes reaches out to the future in its search for form, taking shape from the reflections and echoes that come back … like throwing a rock in a pond and having a rock thrown back at you." The release of "Why Is It They Say a City Like Any City?" is accompanied by a 50-min audiovisual installation that will premiere at CTM 2022 Exhibition in January, which was created in collaboration with the Mexican technologist and artist Moises Horta. For this piece, an Artificial Intelligence multi-modal neural network was fed with readings of the messages written by Ale, synthesizing them into free-flowing images. The visual imagery resembles the way memory works
when triggered by words, by traveling freely through mental images unfolding them into openended assemblages of spaces and temporalities.

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Sepalot Quartet

A New Cycle

Edward Ka-Spel / Steven Stapleton, Colin Potter / Quentin Rollet

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Following a wide variety of solo albums, sepalot released his two-part series of albums “hide&” and “seek” in 2017. with this exceptional release the Foundation to an additional musical passion was laid and with the help of his newly established quartet, his studio antics made it to the big stage.
“The issue was always: How could I transport my work as a producer and beatmaker on to a stage? How can something, that is happening behind locked doors in the studio, emerge into a live experience?” With this vivacious live quartet, he has found his answer.
Songs from a productive solo career spanning a period of over 10 years, Sepalot has a wide variety of songs to pick and choose from. Even in the live set up, his ove for electronic music remains unaffected and the subtle in uence of Hip Hop is undeniable. Despite this being the ini- tial state of the project, a distinctive sound has evolved from jamming together in dark rehearsal rooms. The different characters compliment each other like a puzzle on stage, though Sepalot’s part as producer and svengali is undisputable.
The electronic beats, the pulsating bass, Sepalot’s enthusiasm for ambient sound design – all this remains unchanged and is garnished with the element of jazz. A unique, unequalled sound that strives for high- er ideals and has immense international potential.
In 2018 the quartet performed in Cannes for a an established automotive trade show, at the “Jazz Week” (London), at the “Jazz in allen Gassen” (Dachau) and and in September at the “Reeperbahn festival” (Hamburg). In the beginning of 2019 a tour all the way through Germany is in the making.

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The Man Who Floated Away / The Closer You Are To The Center, The Further You Are From The Edge

LP | 2018 | EU | Original (Bisou)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2018 | EU | Original (Okeh)

Thomas Quasthoff

Nice 'N' Easy

Release: 2018 / EU – Original

Genre: Organic Grooves

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La Recette De L'amour Fou

Serge Gainsbourg

LP | 2019 | EU (Primitiv Sounds)

Release: 2019 / EU

Genre: Organic Grooves

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2LP | 2019 | EU | Original (Universal)

Wieder, Gansch & Paul

Menage A Trois

Release: 2019 / EU – Original

Genre: Organic Grooves

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Gilbert Artman & Etienne Jaumet

Martis

LP | 2019 | EU | Original (Besides)

LP | 2019 | EU | Original (Zephyrus)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Nice collaboration between Etienne Jaumet (half of Zombie Zombie, member
of James Holden's Animal Spirits) and Gilbert Artman (french 70's
underground legend, leader of Lard Free and Urban Sax), this LP is what
we call Cosmic-jazz! Progressive tracks with electronics, synth and
saxophones!

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Jamaican Jazz Orchestra

Rain Walk

LP | 2019 | EU | Original (My Bags)

Release: 2019 / EU – Original

Genre: Organic Grooves

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(180 Vinyl LP) With their authentic formula - jazz musicians in a Jamaican-wise context - Jamaican Jazz Orchestra come with a second album that feels like a fresh dive in the lake on a humid tropical day.High quality musicianship and clever compositions recorded analog on tape, guided by producer Tom Callens (Lady Linn, Lester's Blues, South of the Border, Tiny Legs Tim)...

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Sauce Combo

Crash Test

Joe Mcphee And Paal Nilssen-Love

Release: 2019 / EU – Original

Genre: Organic Grooves

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Sauce Combo is a powerful and dynamic jazz trio lead by Marcjean, saxophonist from Bestown (Besançon), sided by the mercenary drummer Tom Moretti and the melodious Victor Pierrel on bass. The trio's music takes place in the modern jazz renewing coming especially from England and the USA. France has now a champion.
Inspirated by vintage african and west indies jazz, 70's jazz funk and fusion but also 90's drum & bass, broken beat and hip hop, the repertoire is a rich jazz bomb exploding to the ears. Each second brings its his new colorful burst to admire. The band's brilliant game makes it a living listening experience. The music is rich and versatile but cohesive and united. Why?
Crash Test came to light in one day during a single 7 hours recording session at the Honey For Bear laboratories. Arnaud Bataillard, the sound's engineer, wanted to try several new tubes and audio gears added in his studio set up. The trio went to test it in a crash test session. All the recordings could have been compromise somewhere but... What was before planned as a try ended into a fantastic album. The mental disposition, while playing when you know that all can be lost in a minute, gave the musicians the proper dimension to express their feelings in a total freedom. They were playing for pleasure and without any pressure. It was for all, but it could have been also for nothing. And we can literally feel that.
This unique record had to be release as soon as possible to transmit the freshness of this beautiful impact to the listeners. Above all, Clément Laurentin's "Equilibre Précaire VI" achieves this album, offering a painting with four figures at the edge of the fall, in a constant imbalance, playing with time and gravity. It's the perfect allegory for the three band's members plus the engineer while making this record.

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Lift Every Voice And Sing

LP | 2019 | UK | Original (Smalltwon Supersound)

LP | 2019 | EU | Original (Super Bad Disco / HHV)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Recorded in Oslo’s small and intimate St. Edmund’s Church the 13th of December 2017, this LP features compositions by James Weldon Johnson, Thelonious Monk and Joe McPhee plus two by McPhee and Nilssen-Love.

The album was mixed, edited and mastered by Lasse Marhaug and is vinyl only, no digital. 500 copies made and no re-press. Artwork by Kim Hiorthøy.

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Athletic Progression

Dark Smoke

Music Is The Most Beautiful Language In The World: Yiddisher Jazz In Londons East End 1920s To 1950s

Release: 2019 / EU – Original

Genre: Hip Hop, Organic Grooves

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"Dark Smoke" is the debut release from the Danish Jazz & Hip Hop outfit Athletic Progression. 9 tracks with the help of Minna Forouzandeh, Isatta Sheriff and Blacc El.

"When we recorded Dark Smoke in late 2016, Athletic Progression was a quartet featuring our main man Ole Koefoed Larsen on guitar. Our group composition and sound has changed since then, but reflecting our common background in hiphop, Dark Smoke is where our story began, and a fitting introduction to our musical universe." - Athletic Progression

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V.A.

LP | 2018 | EU | Original (JWM)

LP | 2018 | EU | Original (Western Vinyl)

Release: 2018 / EU – Original

Genre: Organic Grooves

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New label JWM Records launch with the selection 'Music is the Most Beautiful Language in the World'. A vibrant soundtrack to the Cockney Jewish experience, starting when the swinging hot dance bands were still all the rage, and the Yiddish language was spoken on the streets of Whitechapel, in London’s East End. For some, music or acting was a potential way out of the poverty experienced by these first and second generation refugees.

Sounds from long-forgotten 78 rpm discs only recently unearthed, reveal a host of recording artists, united here for the first time. Klezmer fused very easily with jazz, a connection that becomes apparent in these recordings. Hear the legendary dance band figures of the era like Bert Ambrose and his Orchestra, and Lew Stone and his Monseigneur Band, to the relatively unknown Jewish speciality acts like Johnny Franks and his Kosher Ragtimers, and Rita Marlowe, the siren of Yiddish song. Delight in the cheeky street patter of the incomparable slapstick drummer Max Bacon, rejoicing in the East Enders' love affair with ‘Beigels’; celebrate the world famous Petticoat Lane street market with not one, but two fox-trots - but also shed a tear with Leo Fuld, the remarkable Dutch Yiddish singer, whose recordings in post-war London were haunting reminders of a way of life decimated by the Holocaust.

‘Music is the most Beautiful Language in the World’ is compiled by Alan Dein, multi-award winning radio documentary presenter, whose own family harks back to the major wave of immigrants fleeing the pogroms in Eastern Europe from the end of the 19th century. The album title is inspired by a 1920s Yiddish slogan of an East London gramophone record shop, from a time when Whitechapel was a fertile breeding ground for singers, musicians, proprietors of record shops and club owners - according to Dein “their stories are now entwined with the development of the British recorded music industry. But for the first time ever, we can the discover the remarkable sounds of Jewish-themed jazz recorded in London between the 1920s and the 1950s - which thankfully had been preserved within the grooves of ancient discs”.

Designed by Will Bankhead, the LP comes with a fold-out insert, the slip-case CD with a 24 page booklet, both including a detailed essay by Dein, illustrated with rare photos and memorabilia. This release is co-compiled by Howard Williams, who has released a series of compilations spanning Moondog (The Viking of Sixth Avenue), Killing Melody (Japanese gangster soundtracks), cult Japanese jazz singer Maki Asakawa, and several other Japanese retrospectives.

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Joseph Shabason

Anne Black Vinyl Edition

LP | 2018 | EU | Original (Growing Bin)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Anne, the second album By Toronto saxophonist and composer Joseph Shabason, is
a tonal essay on degenerative illness. Delicately and compassionately woven with
interviews of Shabason's mother from whom the album takes its name, Anne finds
its creator navigating a labyrinth of subtle and tragic emotions arising from his
mother's struggle with Parkinson's disease. Across the nine vivid postcards of jazzladen
ambience that comprise the album, Shabason unwraps these difficult themes
with great care and focus revealing the unseen aspects of degenerative diseases that
force us to re-examine common notions of self, identity, and mortality. Shabason's
uncanny ability to manoeuvre through such microscopic feelings is mirrored by his
capacity to execute a similar tightrope-walk through musical genres. His music
occupies a specific space that is as palpable as it is difficult to pin labels to. R.I.Y.L.
Brian Eno, Jon Hassell, Beverly Glenn-Copeland, Laraaji, Robert Rich, Harold Budd

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Singu

Siki

LP | 2018 | EU | Original (Music From Memory)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2022 repress

Free your mind and float away, you’re now entering the mode of the Growing Bin. Hamburg’s centre for audio enlightenment is back with another sublime sensory experience, this time from the land of the rising sun.
Keen to get another stamp on his passport, Basso reached out to Japanese duo Singu, two open minded cats who just love to jam. Marrying Kiyo’s free drumming with Keta Ra’s melodic mastery of keyboard and guitar, the two-piece fuse free jazz, post-rock, kosmische and ambient into immersive and esoteric improvisations. Free from any compositional concerns, the Hiroshima outfit trade in energy, emotion and expression.
The frenetic percussion and ephemeral melodies of opener ‘Aurora Gate’ instantly transport you to the breathless churn of a Tokyo crossroads, where thousands of people rush by but you stand still in the eye of the storm. Though they may be explosive, the drums sit back in the mix, offering a soft intensity behind the shimmering wall of melody. A nimble and nuanced affair, ‘Bop’ brings rapid fire rhythm, slick syncopation and hypnotic piano refrains. Cool bass rolls along like KDJ’s ‘Rectify’, as Singu update the acid jazz template like Toshio Matsuura covering Carl Craig. Singu journey from far out to Furthur on Aside closer ‘Nagebu’, strapping in for psychedelic synth wig out which is heavy on the resonance and free on the filter.
Blooming out of the darkness on the B1, Basso favourite ‘Fazaria’ soothes and moves you with its twinkling keys, nebulous wave forms and delicate guitar, leaving you wide eyed in wonder as the drum fills burst like fireworks across a star-filled sky. ‘828’ sweeps into abstraction as Kiyo and Keta Ra combine snapping glitches and aquatic electronics with fractal guitar tones and woozy bass, pushing through a portal to see what’s beyond. An a-grade wall melter, this trip makes great use of tension as the crisp machine drums stand in sharp contrast to the whirring, blurring guitars. Finally ’44’ carries you home on a downbeat drift, a flawless fusion of buzzing electronics, misty pads and relentless percussion played with perfect poise. Turn on, tune in and trip out, Singu bring you music from the moment that you’ll love for a lifetime.

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Gunther Beckers

Walkman

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Derek Bailey & Jamie Muir

Dart Drug

LP | 2018 | UK | Original (Honest Jons)

Sven-Ake Johansson & Alexander Von Schlippenbach

Release: 2018 / UK – Original

Genre: Organic Grooves

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Percussionist Jamie Muir was a member of King Crimson during the recording of Larks’ Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.

There’s no shortage of great percussionists in the brief history of free improvised music but on the strength of Dart Drug alone Jamie Muir deserves a place at High Table. Unlike for example Han Bennink and John Stevens, though, you can’t hear echoes of any particular jazz drummer in Muir’s playing, even if he has expressed appreciation for Milford Graves (who himself sounded like nobody else who’d come before him).

What on earth did Muir’s kit consist of? Some instruments are clearly identifiable (bells, gongs, chimes, woodblocks); others could be… well, anything. Old suitcases thwacked with rolled up newspapers? Tin cans and hubcaps inside a washing machine? Who cares? It sounds terrific – but if you’re the kind of person who faints at the sound of nails scraping a blackboard, you might want to nip out and put the kettle on towards the end of the title track.

Dart Drug is consistently thrilling, and often very amusing – but it’s certainly not easy listening. In music we talk about playing with other musicians, whereas in sport you play against another opponent (or with your team against another team). Why not play against in music, too? That’s precisely what happens very often in improvised music, and Bailey was particularly good at it. How can a humble acoustic guitar hope to compete with a Muir in full flight? Sometimes Bailey’s content to sit on those open strings, teasing out yet another exquisite Webernian constellation of ringing harmonics and wait for the dust to settle in Muir’s junkyard, but elsewhere he sets off into uncharted territory himself.

“The way to discover the undiscovered in performing terms is to immediately reject all situations as you identify them (the cloud of unknowing) – which is to give music a future.” Bailey evidently concurred with this spoken statement by Muir, including it in his book Improvisation.

Derek Bailey is no longer with us, of course, and Muir gave up performing music back in 1989. All the more reason for seeking out this magnificent, wild album.

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Schraubenlieder

LP | 2017 | EU | Original (Trost)

LP+CD | 2017 | EU | Original (Schema)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Previously unreleased songs from 1988, recorded by Radio DRS in Bern. We hear Sven-Ake Johansson on vocals, and Alexander von Schlippenbach playing piano.

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Rovi (Piero Umiliani)

Discomusic

LP+CD | 2017 | EU | Original (Schema)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Considering the incredibly wide range of styles adopted by Piero Umiliani during his career, it will come as no surprise for you to know that he also produced disco. At that time in Italy disco had still an exotic appeal and was considered apt to accompany a genre of movies that was at once erotic and comic. “Discomusic” is some sort of a white version of a sound that is inherently black, a unique record within Umiliani‘s discography. The track “Discomania” became popular as the closing theme of 90° Minuto, a famous Italian football TV show.

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Gino Conte

Nell’Anno Della Luna

LP | 2017 | EU | Original (Waxtime)

Release: 2017 / EU – Original

Genre: Organic Grooves

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A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ensemble I 4+4, led by Nora Orlandi) represent a more adventurous side of this soundtrack.

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Thelonious Monk

Alone In San Francisco

Township Jive & Kwela Jazz Volume 4

Release: 2017 / EU – Original

Genre: Organic Grooves

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Includes one bonus track.

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Various

LP | 2016 | EU | Original (Ubuntu Publishing)