Jazz | Fusion 2576 Items

LP | 1981 | JP | Original (A&M)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi and insert.

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Quincy Jones

The Dude

Chaka Khan / Freddie Hubbard / Joe Henderson / Chick Corea / Stanley Clarke / Lenny White

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi, includes insert | Faintest edge wear, close to NM

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Echoes Of An Era

LP | 1982 | JP | Original (Elektra)

16,99 €*

2LP | 1985 | EU | Reissue (ECM)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Includes OBI and insert.

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Mark Turner

Return From The Stars

34,99 €*

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Discovers Hoagy Carmichael's Music Shop Black Friday Record Store Day 2022 Edition

Stark Reality

2LP | 1970 | US | Reissue (Now-Again)

36,99 €*

LP | 1982 | JP | Original (JVC)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Late arrival, coming next week.
Black Friday Record Store Day 2022 Reissue. Color: Black. Limitation: The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” For RSD Black Friday, Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.

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Eric Gale

Blue Horizon

12,99 €*

LP | 1973 | US | Reissue (We Are Busy Bodies)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI. Copy close to VG+

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Virgilio Armas

Espejismo

33,99 €*

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (We Are Busy Bodies)

Virgilio Armas

De Repente

33,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1985 | US | Original (Discovery)

Guy Pastor

This Is It

5,99 €*

East Coasting Clear Vinyl Edition

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with stickers on the front and punch hole.

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Charlie Mingus

LP | 1975 | EU | Reissue (Sowing)

Itinerario Beat Limited Clear Blue Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Recorded in 1957 this is one of Charles Mingus's lesser known sessions. Here the master was at the head of an awesome band including some of his regular sidemen. Jimmy Knepper - trombone, Shafi Hadi - alto saxophone, tenor saxophone and Dannie Richmond - drums, along with nothing but Bill Evans on piano! This is dense, lyrical and very stimulating music deeply rooted in the bop tradition yet with an open ear to other sound territories.

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Rigol / The Blue Sharks

LP | 1973 | EU | Reissue (Redi)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Ella Fitzgerald With Ellis Larkins

Ella - Songs In A Mellow Mood

LP | 1973 | JP | Original (MCA)

LP | 1983 | EU | Reissue (Little Butterfly)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing, no Obi.

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Jorge Galemire

Segundos Afuera

LP | 1977 | US | Reissue (Blue Note)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Directly connected with the universe of America Invertida, Jorge Galemire's second album, recorded and released in 1983, is considered a landmark of 80s Uruguayan music. Candombe, rock and jazz shake hands with singer- songwriter vibes, creating a sophisticated pop with South American roots and equal doses of groove and psychedelia. A forgotten gem reissued for the first time since its original release. '

Description

Segundos afuera was recorded at La Batuta, the first recording studio in Uruguay to have 16 channels. The sound engineer (and partly music co-producer) was again Dario Ribeiro.

Ribeiro was instrumental in the album's sonic experimentations, encouraging Galemire's ideas. The textures achieved with backward tapes in "Sin saber por qué" and "Un son", the overlapping female voices (performed by the trio Travesía) in that song, the three drums added in "Kublai Kan" and its male choral canon are a sample of these searches, unusual until that moment in Uruguayan music.

Segundos afuera had a generous studio budget for the time. It was recorded in about 300 hours, when it was usual for the Orfeo label to assign a maximum of 100 hours for these projects. Despite that fact, it’s surprising how Galemire and Ribeiro achieved a work so stylized taking the best of Uruguayan studios technical limitations.

The rhythm section of Segundos afuera was the same as the previous record: Andrés Recagno on bass (who also played synthesizers, backing vocals and some arrangements) and Gustavo Etchenique on drums, plus Carlos "Boca" Ferreira on percussion.

More than thirty musicians are featured in the album. Among them are some of Galemire's artistic heroes such as Osvaldo Fattoruso, Eduardo Mateo and Dino.

All played the best out of them, maybe at Galemire's influx or just for the joy of participating in such an attractive project.

Segundos afuera was released at the end of 1983 and went almost unnoticed by the general audience. However, it became an instant classic in the Uruguayan music scene from the very moment of its release. The sophistication of its sound; the unique way of combining pop, rock, jazz, candombe, milonga and murga; the search for moods and textures; the lyrics that mixed common themes and existential reflection dazzled and influenced different generations of artists.

Galemire released only three studio albums after Segundos afuera. None of them were as ambitious as this one. Its cult status was reinforced when it became inaccessible. After a first release of a few hundred vinyl and cassette copies, the album was never reissued in any format. The few copies available became a prized collector's item in Uruguay and abroad. It was only in 2020 that the album was released on streaming sites.

This mythical, but almost unknown album is now sounding again, showing its beauty intact.

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Jimmy Smith

The Sermon!

Odyssey Of The Oblong Square Gold Vinyl Edition

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

1977 US reissue, "white" B Blue Note label.
Cover with seam split on top spine and shelf wear.

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Steve Reid

2LP | 1977 | UK | Reissue (Soul Jazz)

29,99 €*

Pastor T.L. Barrett & The Youth For Christ Choir

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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New special one-off pressing limited-edition gold vinyl edition (and one-off pressing limited-edition gold CD edition) of this deep spiritual jazz classic. Drummer extraordinaire and legend, Vietnam conscientious objector, ex-Black Panther, Reid has played with everyone from James Brown to Sun Ra, Fela Kuti and Miles Davis, friend of John Coltrane, worked at Motown, and, in the latter part of his career, worked extensively with Kieran Hebden, following his path of a radical, revolutionary music up until his untimely death in 2010. Soul Jazz Records are re-releasing this rarest release of deep heavyweight jazz by Steve Reid and The Master Brotherhood, entitled ‘Odyssey of the Oblong Square’ first released over thirty five years ago on Steve Reid’s own Mustevic Sound record label (where it came out in an edition of 1000 copies) and has been a serious collectors album ever since. These special gold vinyl and CD editions are both one-off pressings, which, like the original, are limited to 1000 copies worldwide.
Steve Reid became known worldwide for his radical collaborations with Kieran Hebden after they first recorded together on the Steve Reid Ensemble album Spirit Walk, released on Soul Jazz in 2005, releasing five joint releases together in the following years. Steve Reid is steeped in musical history and a true pioneer of US deep left-field jazz. He played in Sun Ra’s Arkestra, was a Motown session drummer and backed James Brown at the Apollo! He was a Black Panther, imprisoned during the Vietnam war as a conscientious objector and lived in Africa in the early 1970s. Reid worked with Freddie Hubbard, Gary Bartz, Ornette Coleman, Lester Bowie, Fela Kuti, Leon Thomas, Miles Davis and many more in his long illustrious and groundbreaking career

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Like A Ship Without A Sail Ice Wind Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

26,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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No Message Blue Vinyl Edtion

Art P

LP | 1985 | EU | Reissue (The Outer Edge)

20,39 €* 23,99 € -15%

LP | 1978 | US | Original (Columbia)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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We are proud to present the first ever vinyl release of “No Message” by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On “No Message”, originally released in 1985, we hear the band’s most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.

The two artists from Bremen, the second largest city in Northern Germany after Hamburg, initially met in early 1982 due to a small add in a local newspaper when Grotelüschen was selling his Roland 101 synthesizer. Wegener became the new owner of the machine, the two kept in touch and soon became friends. When Grotelüschen was on holiday for a while he was nice enough to borrow his TR 808 drum machine as well as his Jupiter 4 synth to Wegener. During those six weeks he composed about 6 to 7 tunes that amazed his newly found partner, so that they decided to work together. Art Programming was born and from then on the two electronic music enthusiasts combined forces and released music on various projects. On their first album, the self titled “Art Programming” (1983), they worked with instruments like the Korg Mono/Poly which they mainly used for their bass sounds, a Roland Tb-303 as well as a Fricke sequencer. Later, newer synths like the Yamaha Dx-9 came into play.

We initially discovered Art P on the tape compilation “berlincassette 2-85” a couple of years ago. Their contribution, the title track from their second and last album “No Message”, blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having “no message”. A couple of months later, when we finally were lucky to get hold of an original full length tape (which is pretty hard to come by!), we couldn’t ask for more: powerful apocalyptic Synth Wave on “A Place To Fear”, thrilling vocoder Electro Funk on “Polaroid”, uptempo New Wave Synth Pop on “Sounds of the City”, dreamy and melodic Electro on “Without Jackets”, and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.

“No Message” was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!

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Thijs Van Leer

Nice To Have Met You

6,99 €*

Mazzabubu Clear Vinyl Eidtion

Release: 1978 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop, Classical Music

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Used Vinyl

Medium: VG+, Cover: Generic

Promo copy with b/w labels.

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Gabriella Ferri

LP | 1975 | EU | Reissue (RCA)

20,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1982 | JP | Original (Warner Bros.)

Donald Fagen

The Nightfly

44,99 €*

LP | 1979 | US | Reissue (Camden)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert. Cover with ring wear and some damage on spine.

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Sonny Rollins

Now's The Time!

16,14 €* 16,99 € -5%

Inner Feelings Deluxe Edition

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Roy Porter Sound Machine

LP+7" | 1975 | JP | Reissue (P-Vine)

51,99 €*

LP+7" | 1971 | JP | Reissue (P-Vine)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

After spending the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971. Four years later, he followed that up with “Inner Feelings”. Listeners back then had to wait four years for the sequel, but you don’t have to wait at all!

The seven-man band, with its powerful horns and phat grooves, is no doubt worthy of the name ‘Sound Machine’ Praise has been sung of this record in and among rare groove circles for over three decades, with mere rumors of original copies being enough to cause collectors to begin salivating. Album opener, “Party Time”, begins with an almost mechanical drum break - a groove so tight, you just might think Roy Porter is a metronome. Jpegmafia certainly thought so, sampling the drum beat on “Free the Frail”. Fans of classic hip-hop may also recognize “Panama”, not just for its beautiful melody and iconic groove, but from DJ SPINNA’s hit-song “rock”. The re-recorded version of “Jessica” adds vocals and a touch of melancholy to the jazz-funk classic. It’s still danceable, but it might also make you stop and think for a second. Album closer, “Out on the Town Tonight”, takes the funk one step further, with an even larger horn section, and fiery solos. Yet throughout the whole album, the drumming remains steadily funky, a reminder that Roy Porter sits at the heart of the Sound Machine.

With the LP reissued on clear blue vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a re-edit by the legendary DJ Muro, and the nearly impossible to find vocal version of “Panama”, this reissue is no doubt going to be legendary! Don’t miss this iconic album, reissued for the first time on clear blue vinyl with a 7” record, available only from P-vine Records!

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Roy Porter Sound Machine

Jessica Deluxe Edition

51,99 €*

We Want Miles Yellow Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

Roy Porter spent the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy, quickly becoming a sought-out drummer in the blossoming bebop scene before disappearing from the music industry. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971.

There’s no doubt that his early work in the bebop scene would alter the shape of jazz to come, but it’s his work with Roy Porter Sound Machine where you can really hear the iconic drummer let loose. Recorded at the age of 50, Roy Porter is no longer content to sit back and let others take the spotlight, and his drumming has all the fervent energy of a young drummer who just moved to New York. The title track and album opener, “Jessica” (supposedly written for his girlfriend at the time) quickly became a jazz-funk classic, making appearances on ‘Inner Feelings’ (1975) and ‘Generations’(1994). Throughout the album, Porter shows his incredible talent, whether it’s the downtempo cool swing of “Hip City”, the almost maniacal drum solo on “Drums for Daryl”, or the Jobim-inspired Afro-cuban “Ooh-La-La”. It seems implausible that this was Porter’s first recorded material in over a decade, and one of his first albums as a leader, but it is. With original pressings going for over a thousand dollars on the second-hand market, there’s no doubt that this record is worth its weight in gold.

With the LP reissued on clear yellow vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a vocal version of “Jessica”, and a remix by the one and only Kenny Dope, this reissue has “Deluxe” written all over it. Don’t miss this legendary album, reissued for the first time on clear yellow vinyl with a 7” record, available only from P-vine Records!

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Miles Davis

2LP | 1982 | US | Reissue (Get On Down)

21,99 €*

2CD | 1970 | EU | Reissue (Columbia)

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Pressed ON Opaque Yellow Vinyl With Japanese Stylized Insert AND Deluxe OBI Strip Remastered From The Original Analog Tapes The first live Miles Davis electric band release since 1977’s very dark and heavy Dark Magus. The album features live performances from shows at Boston’s Kix Club. The double vinyl release contains reimagined versions of songs from The Man With the Horn (1981), tunes from the pre-electric Gil Evans collaboration Porgy and Bess (1959), and a dedication to the Boston venue called Kix. While this was one of the first live Miles Davis performances in over half a decade it certainly did not show!!! This album features R&B legend Marcus Miller on bass, Mike Stern on guitar, Bill Evans on saxophone, Mino Cinelu on percussion, and electric band alumni Al Foster on drums. Produced and edited by long time Miles collaborator Teo Macero.

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Miles Davis

Bitches Brew

13,99 €*

Pungent Effulgent 2020 Ed Wynne Remaster Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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... that groundbreaking album that changed jazz music ... sampled by Aceyalone, Black Moon, Chi-Ali, Fabe, Heavy D, Lootpack and others!

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Ozric Tentacles

LP | 1989 | EU | Reissue (Kscope)

Release: 1989 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | PL | Original (Polskie Nagrania Muza)

Adam Makowicz

Live Embers

9,99 €*

Release: 1975 / PL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1974 | UK | Original (Island)

Traffic

When The Eagle Flies

22,99 €*

LP | 1984 | EU | Reissue (Comet)

Release: 1974 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve.

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Ayizan

Dilijans

LP | 1974 | EU | Reissue (Comet)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Comet Records present the new reissue out of the Comet new reissue series, Dilijans by Ayizan. A mind-blowing session of Spiritual Jazz recorded in NYC in 1984 led by Haitian genius Alix Pascal blending traditional Ra Ra elements with modal/spiritual melodies. The result was like nothing else coming out of Haiti or the Haitian exile community in the US at the time. Dark, mystical, lyrical and abstract, with its otherworldly shifting rhythms, Dilijans came off like a Haitian version of Bitches Brew. The album sounds less like a stylish mini-jazz performing in a hotel dancehall than like a cry of ancestors emanating from the spirit world to lament over the complications of modern Haitian society.

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Full Moon Ensemble

Crowded With Loneliness

Ndikho Xaba And The Natives

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Comet Records present the first release out of the Comet new reissue series with this cult French Free Jazz LP from 1974, Crowded with Loneliness by Full Moon Ensemble was produced by Claude Delcloo, check the classic ‘Samba `Miaou’, like a lost Pharoah Sanders tune mixed with politically-engaged French poetry! The whole LP is varied, avant-garde and spiritual and now available as Vinyl LP with Gatefold cover, set to become collectible as the original is impossible to find.

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50th Anniversary Remaster 2022

LP | 1971 | UK | Reissue (Matsuli)

26,99 €*

All Stars 1977 4 Lica Jazza

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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• 1971 revolutionary spiritual afro jazz from exile • Fully licensed from Nomusa Xaba, and re-issued in association with Mississippi Records for the North American market • Presented with a four page insert containing unseen photographs and concert bills from Ndikho Xaba’s personal archive, together with a personal recollection from Plunky Branch and extensive sleeve notes by Francis Gooding • Audio mastered and cut for vinyl by Frank Merritt at The Carvery with heavyweight 180g vinyl pressed at Pallas in Germany

"Matsuli Music presents soul, spirituality and avant-garde jazz from South African political exile Ndikho Xaba. Its rarity has until now served to obscure both its beauty and its historical significance. Making profound links between the struggle against apartheid and the Black Power movement in the USA, Ndikho Xaba and the Natives is arguably the most complete and complex South African jazz LP recorded in the USA. It stands out as a critical document in the history of transatlantic black solidarity and in the jazz culture of South African exiles.

Ndikho Xaba and the Natives opens a fluid channel of sonic energy that courses between two liberation struggles and two jazz traditions, making them one. It is a critical statement in the history of transatlantic black solidarity, unifying voices stretching from San Francisco to Johannesburg. There is no other recording or group in which the new jazz spirituality of the late 1960s is so fully blended with an African jazz tradition."

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V.A.

2LP | 1978 | EU | Reissue (Croatia)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Supraphon)

Olympic

Jedeme, Jedeme

Strayhorn: A Mitchell-Ruff Interpretation

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Continuation of the successful reissue series, this time in 1971

Olympic’s third album was the result of personnel and author changes. The co-founder, bassist and lyricist Pavel Chrastina left the band. Jan Hauser took his place at the instrument and Zdenek Rytir added lyrics to Janda’s melodies. The arrangements became more colourful, the stylistic Olympic anchorage was preserved. The shift took place in a looser compositional form, allowing for songs in previously unconventional lengths of over five minutes.

Jiri Stivin was a surprise guest, adding flute and saxophone passages to the rock. From today’s point of view, the biggest hit was “Bon soir, mademoiselle Paris”, but you will also remember “Kdyz jsem bejval tramp” (When I Was a Tramp), “Blaznivej Kiki” (Crazy Kiki), “Elixir” or “Strazce majaku” (The Lighthouse Keeper).

Not only the music has changed, but also the cover art. After Pacak’s recession-era Turtle and pop-art Wolverine, Olympic dressed up in historical cycling, motoring or aviation costumes to feature a stylish collage of Alan Pajer’s photographs on the cover and inside.

Reconstructing the fold-out packaging was extremely difficult this time, as the source photos were confiscated by the StB during the raid. The surprise will be the vinyl sound, newly recorded this year from the original tapes. The extensive editorial notes by O. Zamostny also push this release into the ultimate form of Olympic album reissues.

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The Mitchell-Ruff Duo

LP | 1971 | US | Original (Mainstream)

9,99 €*

Historical Prez - Lester Young 1940-1944

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Promo copy.

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V.A.

LP | 1984 | US | Original (Everybodys)

5,99 €*

LP | 1977 | JP | Reissue (Universal Music Japan)

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover close to VG+.

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Yasuda Minami

Some Feeling

39,99 €*

LP | 1987 | US | Original (GRP)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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The 3rd album released in 1977 by jazz singer Yasuda Minami, whose original with obi is very difficult to obtain as a popular wamono album, is the first LP reprint! It is a masterpiece in the history of Japanese music, backed by Naoya Matsuoka (Key), Tsuyoshi Yamamoto (Key), Kenji Omura (G), Kazumasa Akiyama (G), Ray Ohara (B), Shuichi Murakami (Ds), etc. .. Contains 10 songs including 'Wall Song', which is a fun bossa nova arrangement.

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Eddie Daniels

To Bird With Love

7,64 €* 8,99 € -15%

LP | 1979 | US | Original (Sorcerer)

Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+

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Steve Spiegl Big Band

Hot

3,99 €*

LP | 1979 | JP | Original (Arista)

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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Dionne Warwick

Dionne

19,99 €*

LP | 1979 | US | Original (Atlantic)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert.

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The Manhattan Transfer

Extensions

4,99 €*

The Oscar Peterson Trio With Herb Ellis

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Copy is close to VG+.

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Hello Herbie

LP | 1978 | JP | Original (Musik Produktion Schwarzwald)

17,99 €*

LP | 1979 | US | Original (51 West Records & Tapes)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Carmen McRae

Livin'

6,99 €*

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1979 | US | Original (Nemperor)

Stanley Clarke

I Wanna Play For You

10,99 €*

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1975 | JP | Original (United Artists)

Shirley Bassey

Live In Japan

23,99 €*

2LP | 1973 | JP | Original (United Artists)

Release: 1975 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing with Obi.
Sleeve has foxing, wear.

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Shirley Bassey

Live At Carnegie Hall

LP | 1979 | US | Original (ABC)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Rufus

Numbers

8,99 €*

O Primeiro Amor Blue Vinyl Edition

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

promo stamp. vinyl is Close to VG+. Santa Maria pressing.

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Hazel Scott

7" | 1973 | EU | Reissue (Groovie)

O Primeiro Amor Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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History has proven that the recording industry allows more than one artist or band with the same name, and the least successful isn’t always the less talented. Take the case of British Nirvana and American Psychedelic band Genesis, or even the Jazz projects like the Americans Air and Marc Moulin’s Placebo from Belgium.

The coincidence in the name Hazel Scott with the popular Trinidadian pianist from the New York jazz clubs scene did not bring any disadvantages to this English singer who traveled the world spreading her love for the music of Brazil.

It cames with 8 pages booklet, photos and postcard

Killer tracks for the dance floor!

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Hazel Scott

7" | 1973 | EU | Reissue (Groovie)

13,29 €* 13,99 € -5%

Al Di Meola / John McLaughlin / Paco De Lucía

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Friday Night In San Francisco

LP | 1981 | JP | Original (CBS/Sony)

18,99 €*

Hideki Matsutake, Chojuro Imafuji, Masashi Komatsubara

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Edo Black Vinyl Edition

LP | 1977 | EU | Reissue (Soave)

23,99 €*

LP | 1971 | US | Reissue (We Are Busy Bodies)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Edo” is a cosmic ambient experimental masterpiece conceived in 1977 by Masashi Komatsubara and developed alongside with Hideki Matsutake (a.k.a. Logic System and reductively defined by many as the "fourth member of the Yellow Magic Orchestra"). As a true sound scientist, he pours all his efforts into this record, and aimed at the widest possible use of an electronic instrument that was at the forefront at that time — the Moog IIIc. He extends his research by trying to break down the last wall between modernity and the past: the union and eurythmy between artificial sounds and traditional sounds. All this through a perfect three-way collaboration together with the shamisen musician Konae Imato, and the creation of a unique and extraordinary charming work dedicated to the double soul of the capital of Japan: ancient Edo, now the current day city of Tokyo.

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Mario Molino

Beat Gregoriano

LP | 1974 | US | Original (Atlantic)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of ‘Beat Gregoriano’ by Italian guitarist and composer, Mario Molino. Incorporating styles like surf, rock and folk, Beat Gregoriano is a unique album within the library music genre. Originally released on Dishi Monticarlo in 1971, the album has been remastered from the original recordings by Noah Mintz and art restored by Michael Dawson.

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The Family Of Mann

First Light

4,99 €*

LP | 1971 | US | Reissue (CTI)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original promo, Presswell pressing.

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Freddie Hubbard

First Light

38,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1975 | EU | Reissue (Aguirre)

Seikatsu Koyji Iinkai

25,99 €*

Herman Wilson Chamber Group

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Ferocious JP / US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs & liner notes by Alan Cummings.

Following hot on the heels of the first, mid-sixties generation of Japanese free jazz players like Kaoru Abe, Masayuki Takayanagi, Yōsuke Yamashita, Motoharu Yoshizawa, etc., an exciting second wave of younger players began to emerge in the seventies. Two of its leading members were the saxophonist Kazutoki Umezu and multi-instrumentalist Yoriyuki Harada. Both were post-war babies and immigrants to the city, Umezu from Sendai in the north and Harada from Shimane in the west.

They first met as students in the clarinet department at the Kunitachi College of Music, a well-known conservatory in western Tokyo. Harada was already securing sideman gigs on bass with professional jazz groups and was active in student politics, making good use of his connections to set up jazz concerts on campus. It was around this time that the two began to play together in an improvised duo, with Umezu on clarinet and bass clarinet and Harada on piano. They also experimented with graphic scores and prepared piano.

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At The Woodwinds' Ball

LP | 1979 | UK | Original (Spotlite)

6,60 €* 6,95 € -5%

Rob McConnell & The Boss Brass

Release: 1979 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Small hairline, close to NM. Cover has minor wear on edges,

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Live In Digital

LP | 1981 | US | Original (Dark Orchid)

12,99 €*

LP | 1973 | US | Reissue (Now-Again)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Wendell Harrison

Evening With The Devil

12" | 1984 | CA | Reissue (Morning Trip)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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The Tribe co-founder’s debut, remixed from the original mutli-track master tapes under the direction of its creator and lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Karma Moffett

Chomolhari

33,99 €*

Red Norvo & Ross Tompkins

Release: 1984 / CA – Reissue

Genre: Organic Grooves, Electronic & Dance

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On 1984's Chomolhari, new age pioneer Karma Moffett eschews the arsenal of Tibetan bells and resonant singing bowls, which he usually uses to conjure his healing ambient works. Instead, he opts for the shimmering arpeggiation and gentle glissando of the Moog synthesizer. With this aural palette, he soundtracks a rich inner voyage of peace and reflection. Bookended by the calming drone of the Tibetan longhorn, the trip to Chomolhari and back is one worth taking again and again.

Karma Moffett reminisces: “Chomolhari. Bhutan’s deeply venerated guardian peak. While living in San Francisco, I wandered into the first Tibet Shop in the city. I met Dorje Lama, the creator.He became my good friend and guide, and introduced me to His Holiness the Dalai Lama, the 16th Gyalwa Karmapa, the venerable Kalu Rinpoche, and Tai Situ Rinpoche. He opened the door to the path of an inspired and enlightened journey for me. After reading ‘Seven Years in Tibet’, I created ‘Chomolhari’ as a mystical journey to the higher planes of the majestic mountains. Dorje would say: ‘The wildest dreams of the Americas are the facts of Tibet.

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Red & Ross Recorded Live January 1979

LP | 1979 | US | Original (Concord Jazz)

10,99 €*

Gigi Masin / Charles Hayward

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Les Nouvelles Musiques De Chambre Volume 2

LP | 1989 | JP | Reissue (P-Vine)

36,99 €*

LP | 1970 | JP | Reissue (P-Vine)

Release: 1989 / JP – Reissue

Genre: Organic Grooves, Classical Music

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The two emerging explorations of aquatic themes on 1989’s Les Nouvelles Musiques de Chambre Volume 2 were a unique insight into the respective compositional approaches of its two central figures. The split album featured the Italian composer Gigi Masin on side-a with delicate piano movements rippling above undulating electronics. Its second track ‘Clouds,’ has become an ambient standard with Bjork, Nujabes and cloud-rap duo Main Attrakionz all sampling its rich and euphoric tones.

Side-b belonged to Charles Hayward and the twenty three minute sound portrait ‘Thames Water Authority’. A founding member of post-punk and avant groups This Heat and Camberwell Now, Hayward’s natural inclination towards percussive instrumentation is highlighted by shape-shifting cymbal recordings that trace the expansive systems that meander beneath Greater London. The track later appeared on his tribute album to Mark Rothko, fusing its symmetry with artistic abstraction.

P-vine is thrilled to reissue Les Nouvelles Musiques de Chambre Volume 2 on limited edition vinyl with an iconic Japanese obi strip attached.

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Sonny Stitt

When Sonny Blows Blue

35,99 €*

Clark Terry's Big Bad Band

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Groove Diggers is delighted to present a reissue of When Sonny Blows Blue by the legendary saxophonist Sonny Stitt for the first time on limited edition vinyl. Originally released in 1970, this album featured a star-studded line-up with the likes of Herbie Hancock, Grady Tate and Ron Carter backing Stitt across a number of jazz standards. By force of its cast, ‘Summertime’ and ‘Out of This World’, have never sounded quite like this. The gold sleeve returns along with an iconic Japanese obi strip.

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Clark Terry's Big-B-a-d-Band Live At The Wichita Jazz Festival 1974

LP | 1975 | US | Original (Vanguard)

5,94 €* 6,99 € -15%

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | UK | Reissue (Shadow World Archive)

Lining Time

Strike

22,39 €* 31,99 € -30%

LP | 1983 | US | Original (Muse)

Release: 1982 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Here I AM is the first thing. A powerful incantation sung in full choral style at Dartington College of Arts in 1982 and captured on tape, now in 1s and 0s for all eternity. It’s a bold phrase, this assertion of existence, this permanent claiming of space in time; these three words we were made to sing in church, that we used to recite one after another at the beginning of class. Doing so might seem mundane, or easy, but it’s not. What’s easy is not. Not declaring one’s presence, not showing up at all. Claire Bushe, Cathy Frost, Lisa Halse, Cathy Josefowitz, and Mara de Wit showed up, took a side. They called themselves Lining Time. They were here. ANY Woman CAN SAY I’M A Witch, they said. Strike is the album Lining Time made. It plays out like a freedom spell, like liberatory healing magic. Reveling in the power of the voice, Lining Time sing. Not at us, but for us. As if by putting voice to the traumas inflicted by the patriarchy and capital, they could be made right. As if the whole world might join in and sing along, might join in and take action - might join in and strike.There’s nothing exclusive about the music Lining Time made. Like many of the best and weirdest records of the post-punk era, Strike wears its amateurism as a badge of honour, flies it like a flag to rally around. It is inclusive to the extreme. Which isn’t to say anyone could’ve made Strike. That’s the thing. The music preserved here is too weirdly spare and idiosyncratic - and wildly overconfident in the way that only the young and young at heart can be. Sometimes it’s almost protest folk, acappella or accompanied by a single acoustic guitar, as on ‘It’s Possible’. Sometimes schoolroom auxiliary percussion clunks out a cyclical, ritual rhythm, as on the title track. At no point does it feel less than singular. Still, this is music about and for universal sisterhood. It invites solidarity. Take up an instrument for the cause and sing your own song. Time Passes Time Passes Time Passes Time Recorded music often functions like a time capsule. It’s not rare that an album is “lost”. Rather, it’s rare that a work is heard widely at the time it was made. Often, it’s barely heard at all. It just exists somewhere, a cave painting or an ancient piece of graffiti, waiting to be stumbled upon for whatever reason. The reason, in Strike’s case, is a wonderful posthumous exhibition of Cathy Josefowitz’s artwork, The Thinking Body, a cooperative effort between Kunsthaus Langenthal, Centre Culturel Suisse, Paris, Macro Roma, Les Amis de Cathy Josefowitz, and Elise Lammer. It’s possible that some might be tempted to think of Lining Time as a sideshow curiosity to the main event, but that’d be foolish. Strike, nearly forty years old, is as alive and relevant as it was when it was recorded in the wake of the Reclaim the Night march. If anything, it’s shocking how potent and necessary its message remains today.

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Ira Sullivan

Does It All

8,49 €* 9,99 € -15%

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1979 | CA | Original (Music Gallery Editions)

Ccmc

Free Soap Volume 4

19,99 €*

Release: 1979 / CA – Original

Genre: Organic Grooves

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Jimmy Rowles, Red Mitchell, Colin Bailey

The Jimmy Rowles / Red Mitchell Trio

LP | 1985 | US | Original (Contemporary)

5,69 €* 5,99 € -5%

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | US | Original (Concord Jazz)

Warren Vaché

Iridescence

6,99 €*

LP | 1979 | US | Reissue (Etats-Unis)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Smegma

Glamour Girl

26,99 €* 35,99 € -25%

LP | 1977 | US | Reissue (Etats-Unis)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Poo-Bah Records, with its import bins and backroom jam space, attracted the pseudonymous artists forming the initial incarnation of long-running collective Smegma. Early members Ju Suk Reet Meate, Dennis Duck, Cheez-it Ritz, Big Dirty, Amazon Bambiand Dr. Id contributed to various Lafms compilations and combinations before several core members relocated to Portland, Oregon in 1975, where they recorded their debut album Glamour Girl 1941. Originally released on the Lafms label in 1979, the LP combines rock instrumentation with tape, synthesizer, horns and voice in a tempestuous cauldron of anti-academy improv and alien noise. Beyond its roots in Lafms, Smegma would help shape the early Portland punk scene in the late '70s alongside Wipers and Neo Boys. In more recent years, they have collaborated with Merzbow and Wolf Eyes. This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.

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V.A.

Blorp Esette Volume One

35,99 €*

Circle-1 Live In German Concert

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. In 1977, Lafms released Blorp Esette, one of several compilations tracking the collective's growth and wild-eyed experimentation. Ace Farren Ford, an early Lafms recruit from the Poo-Bah circle, produced the album and solicited cover artwork by Don Van Vliet (Captain Beefheart). Ford appears in various configurations alongside members of Smegma, Le Forte Four and "unknown artist" (as the credit for more than one piece reads). The Residents, showing their affinity with Lafms, contributed "Whoopy Snorp" for their first non-Ralph Records release. Blorp Esette shows the artists grasping for new, non-idiomatic voicings and collaborative modes, anticipating Lafms affiliates and offshoots such as Airway, Human Hands and Monitor. A second volume would come out in 1980, featuring Ford's punk band The Child Molesters. If you're looking for the missing link between mid-'70s art practice and outsider music, then look no further. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.

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Circle

LP | 1971 | JP | Original (CBS/Sony)

19,99 €*

LP | 1982 | JP | Original (Warner Bros.)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

No obi.

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Larry Carlton

Eight Times Up

29,99 €*

LP | 1983 | JP | Original (Victor)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

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Richard Clayderman

Couleur Tendresse

LP | 1977 | JP | Original (Trio)

Release: 1983 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

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Kalapana

Kalapana III

LP | 1984 | JP | Original (Elektra)

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert

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Lee Ritenour

Banded Together

11,99 €*

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | JP | Original (Eastworld)

Freddie Hubbard

Mistral

LP | 1979 | JP | Original (Arista)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with insert and OBI! Vinyl is close to NM.

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Dionne Warwick

Dionne

8,99 €*

LP | 1984 | JP | Reissue (Bethlehem)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing without OBI!

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Mal Waldron

Left Alone

LP | 1971 | US | Reissue (Prestige)

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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Sonny Phillips

Black on black!

16,99 €*

LP | 1977 | JP | Original (A&M)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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with Bernard Purdie, Melvin Sparks, ...

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Chuck Mangione

Feels So Good

20,99 €*

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

No obi. vinyl is Close to VG+

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Francois Tusques

Piano Dazibao N°2

25,99 €*

LP | 1970 | EU | Reissue (Souffle Continu)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Between May and September 1970, pianist François Tusques recorded »Piano Dazibao«, an album on which he multiplied joyful escapades as a critical iconoclast. The following year Tusques recorded »Dazibao N°2«, which shows him as an incisive commentator of his times. Following in the footsteps of Don Cherry, who he had met a few years earlier in Paris, Tusques made a plea for “friendship between all the peoples of the world” to the sound of Universalist hymns which transported us from Africa to Asia. But it is really a song to America, evoking the assassination of the activist George Jackson and the mutiny in Attica prison, before covering “Seize the Time” by Elaine Brown – three years after the release of Dazibao N°2, she became the first (and only) woman to lead the Black Panther Party.

The turmoil of Piano Dazibao, was opposed, on Dazibao N°2, by long, labyrinthine tracks with alternating discords and repetitions. Often using prepared piano, Tusques was more percussive (even heady) than ever, exposing a melody with solid hammer strikes or painting an image which radiated peace in spite of the storms. Piano Dazibao and Dazibao N°2 thus form the two sides of one coin, which displays the effigy of François Tusques, an international national monument.

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Francois Tusques

Piano Dazibao

25,99 €*

LP | 1981 | JP | Reissue (Capitol)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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In Paris in 1965, F. Tusques mixed with Michel Portal, François Jeanneau, Jean-François Jenny-Clark, Aldo Romano or Jacques Thollot. He also met Don Cherry and above all recorded, with other like-minded Frenchmen (Portal and Jeanneau alongside Bernard Vitet, Beb Guérin and Charles Saudrais), the first album of free jazz in France. Years later his thirst for freedom led him to isolation; between May and September 1970, the pianist recorded, at his home, the first of two albums that he would release on Futura Records: »Piano Dazibao« and »Dazibao N°2«.

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Nancy Wilson

But Beautiful

16,99 €*

Full Moon Feat. Neil Larsen And Buzzy Feiten

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Full Moon

LP | 1982 | JP | Original (Warner Bros.)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Sun Ra Arkestra & Salah Ragab

Sun Ra Arkestra Meets Salah Ragab In Egypt

LP | 1983 | Reissue (Strut)

26,99 €*

LP | 1982 | JP | Original (JVC)

Release: 1983 / Reissue

Genre: Organic Grooves

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Strut presents the final instalment in their series of reissues of Sun Ra's historic recordings in Egypt with The Sun Ra Arkestra meets Salah Ragab in Egypt plus the Cairo Jazz Band, originally released on Greek label Praxis in 1983.

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Salena Jones

Shifting Sands Of Time

LP | 1981 | JP | Original (Seven Seas)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

With OBI and insert.

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Richie Cole

Cool "C"

9,99 €*

Mattanza Record Store Day 2022 Orange Vinyl Edition

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI! Copy is close to NM!

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Napoli Centrale

LP | 1978 | EU | Reissue (Ricordi)

38,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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2LP | 1974 | JP | Original (A&M)

Quincy Jones

クインシー・ジョーンズ

Fairyland Live In Montreaux Record Store Day 2022 Pink & White Vinyl Edition

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Cover with a couple of small stains.

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Larry Coryell

LP | 1971 | US | Reissue (Culture Factory)

32,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Feather Funk Record Store Day 2022 Yellow Vinyl Edition

Blue Feather

LP | 1981 | EU | Reissue (Music On Vinyl)

22,09 €* 25,99 € -15%

Nothing's Wrong In Paradise

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Limited to 750 copies.

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Sunstroke

LP | 1985 | EU | Reissue (Libreville)

Brown Rice Brown Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Sunstroke were Ben Bollaert and Etienne Delaruye, both were obsessed with the burgeoning possibilities of electronic music it made sense that they collaborate in the studio. The resulting experiments culminated in the 1985 release of Nothing's Wrong in Paradise. The record was conceived as a soundtrack to a film that doesn’t exist - a sophisticated meeting of post-Berlin-school dreaming, Yen-records hi-tech calm and Impressionist Café music ennui. What makes it most compelling though, is that even while it conjures a seemingly perfect world, something around the edges lets you know that all might not be as it seems. Maybe there is nothing wrong in paradise. Or maybe that’s just wallpapering over the cracks. The rough edges and regret of everyday life cannot help but intrude. Once you have spent some time with it, the whole record starts to seem bathed in a dim half-light, suggesting utopia glimpsed through a smudged lens. Just like the ethereal space in their music Sunstroke only existed for a moment, a second LP was planned but never materialised, briefly they created a paradise and pointed out its temporary nature, all at the same time. Remastered from the Master tapes. Tip-on sleeve. 600 copies.

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Don Cherry

LP | 1975 | EU | Reissue (Klimt)

LP | 1985 | EU | Reissue (Morning Trip)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Brown Rice is probably the most accessible entry point into Cherry's borderless ideal, jelling into a personal, unique, and seamless vision that's at once primitive and futuristic in the best possible way. Its title track is a sensual fusion of various styles and sounds from the African, Indian and Arabic traditions. It also represents the spiritual multiculturalism that Cherry was interested in exploring during this creative period. With ex-Ornette Coleman cohorts on board – Billy Higgings on drums and Charlie Haden on double bass (also heard on electric) – the album (originally released in Italy in 1975) is a cult on its own.

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Carl Erdman

Bizzarrophytes

18,99 €* 19,99 € -5%

John Zorn / Andrea Centazzo / Eugene Chadbourne / Tom Corra / Toshinori Kondo / Polly Bradfield

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a geologist.

After settling in Roswell, Erdmann procured a Tascam 4-track reel to reel tape machine and began to experiment with recording. He played most of the instruments himself, and followed a fresh muse each day. One day his recordings would mine the same instrumental guitar territory as Leo Kottke and John Renbourn, like on Bizzarrophytes’ opening track, Majesty. The next day Erdmann might multi-track some bass and drums and end up landing in the same hazy psych-folk territory as Relatively Clean Rivers, as evidenced on album standouts Turritella Flats, and Portugal. And then, perhaps his Ravi Shankar influence would shine through, and he’d deliver a stirring sitar raga like Dhun. Erdmann explored all of these sounds without ever considering releasing them into the world. He was simply experimenting with his equipment and his instruments, and flexing his muscles with whatever kind of inspiration happened to strike. It wasn’t until 1980 that a friend convinced Carl to assemble some of these recordings into an album and self-release it.

Bizarrophytes was released in a miniscule private press run, financed and distributed by Erdmann himself. Most copies didn’t make it out of the southwest. And it has remained woefully hard to find until now. The disparate sounds of Erdmann’s experimentation hang together as a beautifully cohesive tapestry of home-brewed psychedelic folk. A menagerie of eclectic instrumental experimentation, baked in the desert sun, and captured to tape. Morning Trip Records is proud to present Bizzarrophytes.

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Environment For Sextet

LP | 1979 | EU | Reissue (Ictus)

20,99 €*

Steve Lacy / Andrea Centazzo / Kent Carter

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Recorded live at Wkcr Radio in New York City in 1978 and issued by Ictus the following year, Environment for Sextet encounters John Zorn at the earliest stages of his career, resting within a sextet of a new generation of stunning improvisers emerging at the tail end of the '70s who would go on to define a vast swath of the '80s sound - Polly Bradfield on violin, Andrea Centazzo on percussion, Eugene Chadbourne on guitar, Tom Corra on cello, and Toshinori Kondo on trumpet - it roughly builds on the series of collaborations that had featured on Centazzo’s 1978 Ictus LP U.S.A. Concerts.

Launching from a total wall of sound - full throttle fire on the boundaries of outright noise - Environment for Sextet takes the listening on an endlessly surprising journey through its players’ inner world, shifting between airy open passages that feature endless combinations of one or more players, to furious moments of sonorous lashings where the group falls in together in brilliant dialogical periods of converstant texture and tonal intervention.

An engrossing and relentless listen from the first moment to the last - featuring two works built from two of Andrea Centazzo’s earliest graphic scores - Environment for Sextet is an absolutely stunning body of improvised work by what were then among the most important rising stars on the free music scene.

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Trio Live

LP | 1977 | EU | Reissue (Ictus)

21,99 €*

Derek Bailey And Andrea Centazzo

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Originally issued in 1977, Trio Live was recorded in 1976, only a handful of days after Steve Lacy and Andrea Centazzo’s Clangs was laid to tape, presumably capturing another moment on the same two-week tour that had rendered the recordings for its brilliant predecessor. This time, the pair - Lacy and Centazzo - is joined by the American bassist, Kent Carter, a sinfully under-appreciated artist who had worked extensively in Steve Lacy's group, played on the two Jazz Composer's Orchestra LPs, and toured in the bands of Don Cherry, Alan Silva, Mal Waldron, Bobby Bradford, Max Roach, Roswell Rudd, Derek Bailey, John Stevens, Trevor Watts, Steve McCall and many others. The previous year, he had also delivered the stellar LP, Kent Carter Solo With Claude Bernard, as Ictus’ second LP, allowing Trio Live to be understood as a narrowing of an already tight circle, despite its slightly expanded ensemble.

Arguably best defining the first two entries in the Ictus reissue series - Clangs and Drops - is a sense of rigorous and artistry. While no less present across the length Trio Live, what takes the forward charge throughout its five tracks is a sense of joy and pure pleasure in playing together. The sounds and structural interventions are locked in and tight, feeling at ease and intuitively responsive in the ways that players with a history of collaboration are only able to produce.

From swinging and chugging to stepped back and sparse combinations of rhythm and tone - moving from the lingering sensibilities of straight-ahead jazz to radically out hard blow fire - Trio Live is a cornucopia of brilliant artistry and improvised music.

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Drops

LP | 1977 | EU | Reissue (Ictus)

21,99 €*