Jazz | Fusion 2625 Items

Fred Frith & Totsuzen Danball

Release: 1983 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Only a year after their collaboration with Fred Firth, Totsuzen Danball teamed up with English saxophonist Lol Coxhill to record this monster of an album! Reissued on analog vinyl for the first time ever!

Without DAWs and online file sharing (or really, the concept of online), Totsuzen Danball and Coxhill painstakingly sent each other tapes, overdubbing repeatedly to make the off-kilter rock and roll you hear on this album. Immediately, you can tell that every second of effort was worth it. The opening track “Moyou” (lit. pattern) is oddly charming, with a bouncing bassline, motorik-esque drum beat, and lyrics about being on all-fours at a pedestrian crossing. But Coxhill’s improvisations bring the song to another level, and as he squeaks notes out over a repeating guitar riff, you won’t be able to stop yourself from nodding your head.

Totsuzen Danball classic “Natsu wa Kagerou” (Also included on their first album, Can I?) also takes on a new dimension of freakiness when played with Coxhill, whose free improvisations seem to soar over the simple beat and vocals from Totsuzen Danball. Combined, they create a sound that is both pop and avant-garde, if only in spirit.

Reissued on analog vinyl for the first time ever, the collaboration between Totsuzen Danball and Lol Coxhill is new wave, avant-garde, and everything in between!

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LP | 1982 | JP | Reissue (P-Vine)

35,99 €*

A Message From Mozambique

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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The combined powers of Fred Firth (ex. Henry Cow) and Totsuzen Danball! Originally released on cassette in 1982, the collaborative album is getting its first release on vinyl!

The first album from Totsuzen Danball, Can I? (1981) made waves with its experimental new wave sound, and the band suddenly found themselves with more overseas fans than they knew what to do with. Chief among them was Fred Frith, guitarist and co-founder of British art-rock group Henry Cow, who played with Totsuzen Danball during what was no doubt a legendary live show at Shinjuku Loft on July 23rd 1981. The recording from that night, originally released on cassette from Totsuzen Danball’s own label Floor - is finally getting an analog release! Listen as the sounds, and occasional noises, of two guitars, a pump organ, and drums intermingle to create something that’s never been heard before or since!

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Juju

LP | 1973 | EU | Reissue (Strut)

Rise Of Atlantis Green Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Strut continue their in-depth work with Oneness Of Juju"s Plunky Branch with the first ever reissue of the powerful 1973 album for Strata-East, "A Message From Mozambique". The roots of JuJu started in San Francisco after Plunky had met his musical mentor, Zulu musician Ndikho Xaba, helping to form his band Ndikho and The Natives. Three members of The Natives (Plunky, bassist Ken Shabala and vibes / flute player Lon Moshe) then joined Marvin X"s theatrical production The Resurrection Of The Dead, joining local musicians Al-Hammel Rasul (keyboards), Babatunde Lea (percussion) and Jalango Ngoma (timbales).

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Carter Jefferson

LP | 1979 | EU | Reissue (Music On Vinyl)

William Penn Jazz Ensemble

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Carter Jefferson was an American jazz tenor saxophonist who first made name for himself as member of Woody Shaw's first working quintet. As a sideman, Carter played amongst many jazz icons, including Art Blakey, Walter Davis, Jr. And Jack Walrath. In 1978, he released his first and only solo studio album, The Rise Of Atlantis, which was produced by Woody Shaw. For the recordings, Jefferson is backed by Terumasa Hino, Harry Whitaker, Clint Houston, Victor Lewis, Steve Thornton, Lani Groves, Shunzo Ono and John Hicks. The Rise Of Atlantis is available as a limited edition of 1000 individually numbered copies on translucent green colored vinyl and includes liner notes by Michael Cuscuna on the back sleeve.

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Carvings

LP | 1982 | EU | Reissue (Libreville)

Mystery Man Colored Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably, with Del Jones for the now cult album Positive Vibes. Carvings, recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and features clear influences of both jazz and classical music. The Ensemble's uncommon association of African American and white members at the time results in a unique fusion of cultural influences that is reflected in the music. The musical journey is both profound and spiritual, taking listeners on an experience that is both deep and meaningful.

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Leon Redbone

LP | 1982 | EU | Reissue (Reel)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Pop Music Black Vinyl Edition

Structure

LP | 1970 | EU | Reissue (Sommor)

25,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Cool library-styled French album from 1970. Psychedelic, proggy jazz-funk with Brazilian/Bossa touches! Groovy flute by Bernard Wystraëte plus heavy bass, drums (by André Ceccarelli), violin, occasional fuzz-wah guitar and Urszula Dudziak-like scat vocals. In 1970, the AFA label asked flautist Bernard Wystraëte to register a “pop” album after the worldwide impact of progressive bands like Aphrodite’s Child and Jethro Tull. Bernard recruited some of his friends who were professional musicians and Structure was born. He wrote a collection of songs influenced by progressive rock, jazz and Brazilian music. The “Pop Music” album was recorded live in the studio to give a “live show” feel. It was released later that year housed in a superb psychedelic sleeve. The band even toured across France and several countries at the same time that Bernard and other Structure members started backing famous French singer Marie Laforêt live. After the good reception given to the album, another label asked Bernard to record a Structure 45. “Dilatation” / “Scale” was released under a new line-up. Both tracks of this 45 are included as bonus tracks on the Digital Download version and the CD.

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Etron Fou Leloublan

Les Poumons Gonflés

LP | 1982 | EU (Replica)

18,99 €*

Une Bien Curieuse Planète

Release: 1982 / EU

Genre: Organic Grooves, Rock & Indie

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With Les Poumons gonflés, the group led by Ferdinand Richard and Guigou Chenevier entered the 80. A unique sound with influences coming to shake up the usual recipe of the trio (addition of Jo Thirion on keyboards) for a result both innovative and fun. The third album of the French rock sounds totally free and original, produced by the legendary guitarist Fred Frith (Art Bears, Henry Cow, Naked City). An important album and often overshadowed in favor of its two predecessors. It is therefore high time to repair this absurd injustice!

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François Jeanneau

LP | 1975 | EU | Reissue (Souffle Continu)

I'm Here Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.

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Edward Vesala

LP | 1973 | EU | Reissue (Svart)

28,99 €*

LP | 1983 | JP | Reissue (Limelight)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Drummer and composer Edward Vesala, the most internationally renowned jazz musician from Finland, was very keen on percussion instruments. Oddly enough, this broad and enduring interest is hardly evident on his albums.

Whether playing on his own albums or contributing to other musicians’ work, Vesala played a standard drum kit most of the time. He hardly used external percussionists on his own albums either. And most of all: his music was almost never percussive, at least in the traditional manner. Perhaps even stranger is the fact that he barely played any drum solos on his own albums.

That’s why I’m Here (Blue Master Special, Spel 311, 1974), recorded in Helsinki in 1973, is such a rarity. Of course, being a limited release has also made it an expensive treasure among collectors.

Additionally, I’m Here is Vesala’s only solo album and only percussive album, and one of the few where he can be said to play drum solos, albeit in his own idiosyncratic way..

The idea of a jazz drummer making a solo album was in itself quite rare in 1973, although not entirely unheard of. French Pierre Favre had already made two solo albums (in 1970 and 1972), and Dutch Han Bennink and Swedish Sven-Åke Johansson one each, both recorded in 1972.

It wasn’t exactly Vesala’s first time either. He had already played drums alone on the second side of the album Yksi, kaksi, kolme, neljä soul jumppaa (One, two, tree, four soul gymnastics, Gross Records, Grlp-27, 1969), though for purely instructive purposes, showcasing different rhythms and tempos..

"My favorite music is so called ‘free’ or very modern music (classical as well as jazz). But ‘cause of a very little jazz audience in Finland, I’m playing also Pop-jazz to get bread", Vesala introduced himself with a self-written English text, almost as if foreshadowing the diverse solo album, I’m Here. Compared to other releases of its time, the album was indeed “free’ or very modern music (classical as well as jazz)”, which may be the reason why it didn’t make a significant mark on the music scene or significantly benefit Vesala’s career at the time.

Lauri Karvonen, a jazz critic of the largest Finnish newspaper, described Vesala’s album as “certainly uncommercial” (Helsingin Sanomat, 8th of December, 1974). At the same time, he was delighted that “the most controversial contemporary jazz musician from Finland” has, “after years of prostituting (pop music, schlager), been able to completely dedicate himself to his own music.”

“The man is doing what he wants”, Karvonen summarizes.

Now, after being re-released, I’m Here can be appreciated for its manifesto-like and almost documentary nature. The album can be valued as a greatly interesting peek into Edward Vesala’s preferences and efforts in 1973, when he was still looking for his "own thing".

The reissue comes on vinyl only and is limited to 500 copies. The release comes with extensive liner notes by jazz critic Harri Uusitorppa.

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The Oscar Peterson Trio

Eloquence

11,99 €*

I'll Give You Something To Remember Me By White Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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John Hicks Trio

LP | 1988 | US | Reissue (Tidal Waves Music)

29,99 €*

I'll Give You Something To Remember Me By Black Vinyl Edition

Release: 1988 / US – Reissue

Genre: Organic Grooves

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* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.

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John Hicks Trio

LP | 1988 | US | Reissue (Tidal Waves Music)

Gula Matari Deluxe Gatefold Sleeve Edition

Release: 1988 / US – Reissue

Genre: Organic Grooves

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Quincy Jones

LP | 1970 | EU | Reissue (Elemental Music)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Impulse)

Keith Jarrett

Treasure Island

21,59 €* 23,99 € -10%

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | EU | Reissue (Acid Jazz)

Ogassa

Ogassa Original Vol. 1

28,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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The Advanced Cookbook Of Mr Selig And Kanzler Z

Niemand Tanzt

12" | 1989 | EU | Reissue (Thank You)

Chet Baker With Bobby Jaspar

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Andreas Koeper is a German contemporary/experimental composer and drummer with a background in Philosophy and Art history. “Niemand Tanzt” was originally released in 1989 and in the past years it has become a sought after obscurity amongst diggers ever since Chee Shimizu put it on the radar after unearthing it throughout inspection rounds in Berlin record stores. Although the A-side might have been the essence of the single at the time, it's the B-side's “Pink Rhythm” that puts this release on the map for DJs, the track's gradient from an empty half tempo to rich 4 on the floor patterns serves any well versed DJ as an on-ramp for new gears to be put into place as the track grows into various ramifications of Andreas' studio production techniques: playful percussive elements, provocative guitar riffs over a solid rhythm section. Freshly remastered by manmade in Berlin.

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Chet Baker In Paris/Vol 3/Barclay/1956

LP | 1986 | EU | Reissue (Sam)

30,39 €* 31,99 € -5%

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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The Max Neissendorfer Trio

For You...

LP | 1988 | DE | Original (Swingtime)

12,74 €* 16,99 € -25%

Dick Wellstood & Dick Hyman

Release: 1988 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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I Wish I Were Twins

LP | 1983 | DE | Original (Swingtime)

8,09 €* 17,99 € -55%

Release: 1983 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | UK | Reissue (Theresa / Pure Pleasure)

Pharaoh Sanders

Shukuru

36,99 €*

Discovers Hoagy Carmichael's Music Shop

Release: 1985 / UK – Reissue

Genre: Organic Grooves

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180g, standard sleeve, re-mastering by: Cicely Baston at Air Mastering, London

Pharoah Sanders' "Shukuru" is noteworthy as being the album that reunited Sanders with vocalist Leon Thomas, who sang on some of Sanders' most endearing and powerful compositions-- among them the legendary "The Creator Has a Masterplan".

Thomas only joins the band on two tracks-- "Mas in Brooklyn (Highlife)" and "Sun Song". The former gets a full calypso reading complete with steel drum sounds and chanted vocals traded between Sanders and Thomas. It's a lot of fun, but by and large, throwaway. The latter is one of the true gems on the album-- a pretty ballad that serves as both a launching point for Sanders' best balladry and Thomas' vocal, with the latter soaring in his upper register wordlessly between verses intoned in his trademark baritone. It's by and large simply stunning.

The rest of the record has got its issues however, and by and large this comes in the part of Henderson's synthesizer-- while his piano tone is virtually indistinguishable from an acoustic piano, several tracks receive irritating synth vocals or strings (it's really hard to tell which, it's fairly indistinct and obnoxious), mangling otherwise fine performances of traditional tenor feature "Body and Soul", Sanders-penned "Jitu" (although admittedly the leader manages such a powerful solo it gets past it) and an absolutely breathtaking reading of "Too Young to Go Steady". At least opener "Shukuru" and closing funereal piece "For Big George" are spared this as the use of synths of them are far more tasteful (although one questions Sanders' choice to intone his wife's name over the former's smokey lines, but that's another story). by Vine Voice

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Stark Reality

2LP | 1970 | US | Reissue (Now-Again)

36,99 €*

LP | 1981 | EU | Reissue (Black Saint/Eargong)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Definitive reissue of the album Mojo Magazine called “one of the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes. Contains an extensive, oversized booklet with rare photos, liner notes and annotation. The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.

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Joseph Jarman / Don Moye

Earth Passage - Density

24,99 €*

Lol Coxhill/Pierre Courbois/Jasper Van't Hof

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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An outstanding yet obscure 1981 release by two Art Ensemble of Chicago members, multi reeds player Joseph Jarman and drummer Don Moye along with legendary bassist Rafael Garret (mostly remembered for his presence on Coltrane's masterpiece "Kulu se Mama") and young lion Craig Harris on trombone. Four great individuals digging deep between ancient African rituals and modern urban multidimensional grooves. A tribal ecstatic sound based on a multitude of instruments: reeds, bamboo flutes, didgeridoo, trombone, conch shell, panpipes and a sea of percussion. A beautiful example of Aacm "Ancient to the Future" aesthetic. A magic mixture of elements from the African American music continuum.

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Toverbal Sweet

LP | 1972 | EU | Reissue (Lantern Heights)

Un Drame Musical Instantane

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Fully licensed, ltd to 500 copies. Released on cultish London based label Mushroom in 1972, this album brought together the anarchic genius of saxophone player Lol Coxhill, with the pure magic of a dutch rhythm section: Pierre Curbois on the drums and keyboard player Jasper Van’t Hof. A clash of the titans as a matter of fact, with the more classical and impro sounding lines of Coxhill and the straight – almost jazz-rock – harmonies of the other two players. A fascinating record comparable to Keith Tippett small groups and the rise of the most peculiar impro-jazz scene.

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Les Bons Contes Font Les Bons Amis

LP | 1983 | EU | Original (Grrr)

Un Drame Musical Instantane

Release: 1983 / EU – Original

Genre: Organic Grooves

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Deadstock copy in Mint or NM condition

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À Travail Égal Salaire Égal

LP | 1982 | EU | Original (Grrr)

LP | 1978 | EU | Reissue (La Matta)

Release: 1982 / EU – Original

Genre: Organic Grooves

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Deadstock copy in Mint or NM condition

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Stani Labonia

Amarsi

CD | 1970 | EU | Reissue (Far Out)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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La Matta Records proudly presents the First Official Reissue of the unique LP made by Stani Labonia, an Italian Soul-Funk masterpiece originally released in 1978 on Vincenzo Micocci's It/RCA label. This rare album recorded in Naples, finally comes out after more than 40 years, carefully restored from the original tape. Among the talented musicians who worked in the recording of this album we can find names as Jenny Sorrenti of “Saint Just”, Gaio Chiocchio founding member of “Pierrot Lunaire”, Enzo Avitabile and Gianni Guarracino, former “Città Frontale” but most importantly this LP boasts the courtesy arrangement of Pino Daniele in: La Prossima Donna. Labonia, whose real name is Stanislao Smiraglia, is from Bolzano but lived most of his life in Naples, collaborating with the main musicians of that city. He cou ld be compared with the best of the Italian scene, with strong funk and Latin influences. So this is a rare italian gem to anyone interested in Latin Jazz-Funk & Soul. Fully remastered and available as LP and in all digital stores.

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Hermeto Pascoal

Hermeto

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Green Is Beautiful Blue Note Classic Vinyl Edition

Grant Green

LP | 1970 | EU | Reissue (Blue Note)

22,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1979 | UK (Outernational Sounds)

Betty Lou Landreth

Betty Lou

25,99 €*

Mosaico (Le Tastiere Di Lee Selmoco)

Release: 1979 / UK

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear. 2021 reissue.

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Lee Selmoco

LP | 1972 | EU | Reissue (Holy Basil)

LP | 1975 | US | Original (Springboard)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Francesco Anselmo, also known as Lee Selmoco, Dorsey Dodd, Alex Brown, Arsenio Bracco or Tommy Ruff, is an Italian keyboardist that covered the role of of artistic director for Vedette Records, historical Italian imprint founded by director and violinist Armando Sciascia, and also recorded for its notorious Phase 6 Super Stereo, its sub-label focused on instrumental records and production music. "Mosaico (Le Tastiere Di Lee Selmoco)" is an incredible display of his creative and composing skills, featuring 14 tracks of what could be classified as "happy music", with killer electric organ and rhythms alternating with fuzzy guitars and spacey / psychedelic hints thrown in for good measures, written alongside Guido Baggiani, alias Ruscigan. We are very happy to start a series of reissues from the Vedette Records catalog with the first ever reissue of this title after 50 years from its original release, and since the original pressing did not feature the correct track listing, it is reissued here for the first time in its correct version!

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Brian Auger

Artistry White Vinyl Edition

Release: 1975 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on cover.

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Sirone

LP | 1979 | UK | Reissue (Moved By Sound)

38,99 €*

Artistry Black Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know.

Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with many of the best musicians of the 20th century - from Pharoah Sanders, Albert Ayler, John Coltrane, Gato Barbieri, Noah Howard, William Parker, Cecil Taylor, Sun Ra, Sonny Sharrock,Marion Brown ... and the list goes on.

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Sirone

LP | 1979 | UK | Reissue (Moved By Sound)

Maliks Emerging Force Arts Trio

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Time & Condition Black Vinyl Edition

LP | 1983 | UK | Reissue (Moved By Sound)

LP | 1987 | JP | Reissue (Lawson)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Malik King was an important part of the St Louis jazz scene of the 70's & 80's.

He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Human Arts Ensemble, as well as various Emerging Force Ensembles.

Zimbabwe Nkenya (1953-2022), a creative artist and innovative musician, was brought up on army bases in the USA and Spain. He spent 30 years traveling and performing in New York, New Mexico, Arizona and St Louis. playing with a who's who of jazz. In New Mexico he became an integral part of the scene, producing and hosting the Kunm's radio show "the House That Jazz Built" .

Luckily Malik self released "Time & Condition" in 1982, capturing his work together with Qaiyim Shabazz. It's not just a crate diggers Holy Grail, but an important artistic and historic document of the St Louis scene. Time & Condition stands alone as a (very) individual, spiritual jazz classic.

We hope this reissue will finally grant these musicians the wider acknowledgement & credit they deserved during their life time.

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Marica

Jellyfish Jelly Fish

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Dialogo)

Enrico Rava

Pupa O Crisalide

30,99 €*

John Lewis & The New Jazz Quartet

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Enrico Rava was the first Italian jazz artist to represent the country internationally, born in Trieste in 1939. A border city with a long history as part of Austria, an important port on the Adriatic see, a places influenced by different cultures. Rava's music at its best is a product of this city - a mix of Central European and Italian culture. 'Pupa o Crisalide' is one of the most interesting works in Enrico's discography. It is a good summary of the first phase of his solo career, and contains tracks recorded with three different line-ups: an all-Italian line-up for the opener "Pupa O Crisalide" and the closer "Giromondo", recorded in Rome with Giovanni Tommaso, Bruno Biriaco, Franco D'Andrea, Michele Ascolese, Mandrake and Tommaso Vittorini - an Argentinian octet for the B-side of the LP, recorded in Buenos Aires, and finally an impressive American septet with Jack DeJohnette and John Abercrombie, to name a few for the A-side, recorded in New York. The musical style clearly reflects the composite nature of the album. The first half is funkier, edgier and more fiery, evidently influenced by the jazz-rock/fusion tendencies that were spreading at the time. The second is more placid, elegantly incorporating some Latin/samba elements into the alchemy. The two halves are held together by the similarity in timbre of the line-ups (which feature almost the same elements), and Enrico Rava's renowned trumpet style. Often compared to Miles Davis and Kenny Wheeler, his technique involves rarefied notes, full of atmosphere, and erratic melodic lines that surprisingly do not undermine the 'presence' of his trumpet sound. On the contrary, the charisma of Rava's trumpet seems to emerge precisely from this surprising balance of detachment and red blood.

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Slavic Smile

LP | 1983 | FR | Original (RCA)

Release: 1983 / FR – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

LP | 1981 | US | Original (Warner Bros.)

David Sanborn

Voyeur

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Masahiko Togashi / Don Cherry / Charlie Haden

Song Of Soil

LP | 1979 | EU | Reissue (Wewantsounds)

35,99 €*

The Manhattan Transfer = The Manhattan Transfer

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce a special edition of the legendary 1979 Masahiko Togashi album "Song of Soil," recorded in Paris with Don Cherry and Charlie Haden and released on Japanese label Paddle Wheel. Supervised by Parisian producer Martin Meissonnier - then Don Cherry"s right hand man - "Song of Soil" reaches heights of spirituality mixing Eastern influences with jazz and deep ambient soundscapes. The album is reissued here with its original artwork and remastered by King Records in Japan. It includes the original Japanese 2-p insert plus a deluxe 8-page booklet featuring new notes (Eng/Fr) by Martin Meissonnier in conversation with Jacques Denis and also an Togashi Biography by Paul Bowler and never-seen photos by cult French photographer philippe gras who witnessed this unique session.

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The Best Of The Manhattan Transfer = ベスト・オブマンハッタン・トランスファー

LP | 1981 | JP | Original (Atlantic)

4,99 €*

LP | 1983 | JP | Reissue (Limelight)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Cover closer to VG+

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Oscar Peterson

Soul Español

Philippe Maté / Jef Gilson

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

No obi.

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Workshop

LP | 1973 | EU | Reissue (Souffle Continu)

LP | 1978 | JP | Reissue (Royal Roost)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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In October 1974, the first number of “L'Indépendant du Jazz”, a small self-produced magazine DIY -before punk supposedly invented the concept- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiau and a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté : “The ‘Workshop’ is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely ‘the’ most inventive French saxophonist since Michel Portal burst onto the jazz scene (who has also worked with Jef Gilson on both “Enfin” and “Gaveau”).” Even though the author of the article is a mysterious I.H. Dubiniou, and it is difficult to know if it is a real person or a pseudonym used by one of the merry bunch, it is also tempting to hear it as what Jef Gilson really thought about his new discovery. Even more so as the two men would work together over a long period, as Maté became one of the key figures of Gilson’s Europamerica orchestra up until the 1980s. Philippe Maté had started to make a name for himself with the Acting Trio when they released an album on the BYG label in 1969, and he was also one of the regular sidemen for the Saravah studios (he can notably be heard on albums by Higelin, Fontaine or his cult duo album with Daniel Vallancien). The album was recorded on 4 February 1972, at the Foyer de Montorgueuil, where Gilson had set up his studio, with more or less the same team found on “La Marche Dans Le Désert” by Sahib Shihab + Gilson Unit (recorded ten days later). This was drummer Jean-Claude Pourtier and pianist Pierre Moret (regular Gilson accomplices since “Le Massacre Du Printemps”), alongside Maurice Bouhana and Bruno Di Gioa on various percussions and/or wind instruments. On bass is Didier Levallet, of the now mythical Perception, (Jean-François Catoire would replace him with Shihab) and Philippe Maté who took top billing, rather than the American saxophonist afterwards. The two albums are however quite different. This “Workshop” is more abrasive, more free. Made up of two long improvisations each of over 22mn, “L'Œil” on side A and “Vision” on side B (Gilson specialists would recognise the nod to one of his albums from the 60s), the album plunges you into the depths, attempting to drown you in electronic waves, dragging you back to the surface by the collar, giving you a good shakedown, before showing you the light, leaving you breathless on the shore after 46mn of the most intense music French has to offer. “An undeniable success”, they said.

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The Bud Powell Trio

The Complete Roost Session Vol. 2

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

OBI is missing. vinyl is Close to VG+.

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Stan Getz

LP | 1981 | JP | Original (Royal Roost)

18,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

LP | 1976 | JP | Reissue (CBS/Sony)

Billie Holiday

Lady Day

16,99 €*

LP | 1981 | JP | Original (Epic)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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Toots Thielemans

Quiet Evenings

LP | 1974 | JP | Reissue (Mercury)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Helen Merrill

LP | 1979 | JP | Original (Muse)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

Japanese pressing, no Obi.
Sleeve has seam-splits and heavy wear.

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Richie Cole

Keeper Of The Flame

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1975 | JP | Reissue (Musik Produktion Schwarzwald)

Oscar Peterson

Travelin' On

15,99 €*

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

In Person, Saturday Nights At The Blackhawk, San Francisco, Volume II

Miles Davis

LP | 1979 | JP | Reissue (CBS/Sony)

LP | 1974 | JP | Original (FM)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Chris Connor

At The Village Gate

13,99 €*

LP | 1986 | JP | Reissue (Signature)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With OBI

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Ray Bryant

Ray Bryant Plays

38,99 €*

LP | 1973 | JP | Original (CBS/Sony)

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI and insert.

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The Dave Brubeck Quartet

Brubeck Time

16,99 €*

The Oscar Peterson Trio, Oscar Peterson and His Orchestra

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. OBI is missing. With insert.

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With Respect To Nat

LP | 1983 | JP | Reissue (Mercury)

How Long Has This Been Going On?

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Sarah Vaughan

LP | 1978 | JP | Original (Pablo)

18,99 €*

Art Pepper Meets The Rhythm Section

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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Art Pepper

LP | 1974 | JP | Reissue (Contemporary)

34,99 €*

LP | 1973 | EU | Reissue (Strut)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert.. Copy close to NM.

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The Pyramids

Lalibela

LP | 1974 | EU | Reissue (Strut)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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The debut album by the Pyramids was inspired by the group"s visit to the Lalibela monastery in Egypt, and was recorded in Yellow Springs Ohio in early 1973. Drawing on the teachings of Cecil Taylor and the influence of John Coltrane, combined with a barrage of intense percussion, the album evolves over several long-form pieces. Initially only 500 copies were pressed and sold to friends and followers in the local area.

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The Pyramids

King Of Kings

LP | 1976 | EU | Reissue (Strut)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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King Of Kings was recorded in 1974 and features a wider array of instruments including Ugandan Harp and Balafon. Perhaps best known for the expansive "Nsorama (The Stars)" a seminal work of Spiritual Jazz.

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The Pyramids

Birth / Speed / Merging

Dieter Bihlmaier Selection

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Birth / Speed / Merging was recorded in 1976 after the band"s move to San Francisco. The album closes the Pyramids" 70s trilogy and makes more use of studio technology: adding overdubs and other effects, a marked departure from the previous two releases, though at no cost to the urgent message and energy of their earlier works.

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Maskerade

LP | 1974 | EU | Reissue (Sonorama)

24,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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CD | 1974 | UK | Reissue (Soul Brother)

Johnny Hammond

Gamblers Life

LP | 1974 | UK | Reissue (Soul Brother)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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This amazing album from 1974 was the natural predecessor to Johnny Hammond’s classic “Gears” recorded with the Mizell brothers the following year. It contains the rare groove/Jazz Funk anthems “Star Borne” and “Yesterday Was Cool”.

“Gambler’s Life” was the album where Hammond switched from his customary organ to electric piano at a time the Mizell brothers had just produced Donald Byrd and Bobbi Humphrey for Blue Note. They had become noted for their "multi-layered funky sound". As much as Hammond shines on electric piano, this album is a true band effort, an all-star jam session of sorts, thanks to the presence of ace musicians such as George Benson, Eric Gale, Melvin Sparks, Ron Carter, Harvey Mason, Billy Cobham, Steve Gadd, Airto Moreira, Ralph MacDonald, Grover Washington, and of course the Mizell brothers themselves.

In addition to the 8 tracks that were on the original "Gambler's Life" album, this CD reissue includes 4 bonus tracks, all of which originally appeared on other Kudu/CTI studio albums in 1971 and 1974, and on those 4 tracks you get to hear Hammond's trademark organ. Title track “Gambler’s Life” was also sampled by Erykah Badu on "Mama's Gun" LP

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Johnny Hammond

Gamblers Life

28,99 €*

Soul On Top Verve By Request Edition

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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James Brown

LP | 1970 | EU | Reissue (Verve)

23,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | JP | Reissue (P-Vine)

The Real Shoobeedoo

Reminiscing

37,99 €*

LP | 1985 | JP | Reissue (P-Vine)

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Since the 1970s, Reggie Fields (A.K.A. The Real ShooBeeDoo) had been making a name for himself as one of the finest bass players in Detroit. Playing on early Tribe recordings, as well as as a member of Sun Ra’s Arkestra, his distinct, funky, yet harmonically complex approach to bass playing was making waves in the Motor City. His first album as a leader (and his first under the ShooBeeDoo moniker), Reawakening, sees his iconic bass playing take center stage, with each track highlighting his immense talent. The title track, “Reawakening” opens with an upright bass solo, and despite his technical prowess, it’s clear that each note is meaningful; simply a part of the larger plan. Even when he’s playing a supporting role, it’s clear that Field’s bass playing is driving the music forward like an unrelenting force of rhythm. Reawakening also sees Wendell Harrison make an appearance, his impassioned saxophone improvisations on the A-side of the record adding an element of spirituality to the record that seems to tie together all Tribe related records. Reissued for the first time ever with an OBI-strip, this hidden gem of the Tribe catalog is one you must not miss!

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Wendell Harrison

Reawakening

37,99 €*

Lucky Thompson With Emmett Berry, Martial Solal, The Henri Renaud Trio, Gérard Pochonet, Guy Lafitte

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Established in 1985 by Tribe co-founder Wendell Harrison, Rebirth Records would become something of a rebirth for Harrison. The label’s inaugural release, ‘Reawakening’ saw him expressing a renewed interest in jazz, beginning with album opener ‘Winter’. Tribe and Wenha contemporary Harold McKinney’s magnificent piano playing, forms the basis of the rhythm section, over which Harrison plays fiery clarinet lines previously unheard of outside of New Orleans. In sharp contrast to the energizing spiritualism of ‘Winter’, ‘Love Dream’ is a laid-back bossa. The brawny baritone of Leon Thomas, Harrison’s sunny flute, and backing vocals from a who’s who of Detroit’s Jazz scene all combine to make the ultimate Bossa tune. Throughout the album, Wendell Harrison leads a rotating cast of musicians, including Tribe co-founder Phil Ranelin, Harold MicKinney, and Pamela Wise (Harrison’s second wife and the , bringing together their immense talents to create a spiritual jazz album quite unlike anything else. Remastered with contemporary technology and techniques, and reissued with an Obi-strip ‘Reawakening’ is a record you absolutely must not miss!

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Paris 1956 Volume 1

LP | 1985 | US | Original (Disques Swing)

8,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

LP | 1978 | US | Reissue (Verve)

V.A.

Jam Session #4

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1988 | JP | Reissue (Eastworld)

Maki Asakawa

Phantom Women

Release: 1988 / JP – Reissue

Genre: Organic Grooves

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LP | 1987 | JP | Reissue (Eastworld)

Maki Asakawa

Spilling Golden Sand

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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Invisible Camera / American Night

Maki Asakawa

7" | 1988 | JP | Reissue (Universal Music Japan)

Release: 1988 / JP – Reissue

Genre: Organic Grooves

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LP | 1978 | JP | Reissue (Victor)

Masako Miyazaki

Get My Wave

41,99 €*

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Sunset Hills Hotel Reservation Calendar

Shigeru Suzuki

LP | 1987 | JP | Reissue (PCM Digital)

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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LP | 1982 | JP | Reissue (Invitation)

Kei Ishiguro

Yokohama Ragtime

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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LP | 1982 | US | Reissue (Xanadu)

Georgie Auld

Homage

6,99 €*

George Shearing, Mel Tormé

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear.

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Top Drawer

LP | 1983 | US | Original (Concord Jazz)

5,99 €*

Stan Kenton Presents Gabe Baltazar

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Gabe Baltazar

LP | 1979 | US | Original (Creative World)

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Plays Gerald Wilson "Gerald's People"

Mike Wofford

LP | 1988 | US | Original (Discovery)

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | UK | Reissue (Cosmic Sounds)

Janko Nilovic

Rythmes Contemporains

45,99 €*

Scott Hamilton Is A Good Wind Who Is Blowing Us No Ill

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2000 reissue.

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Scott Hamilton

LP | 1978 | JP | Reissue (Concord Jazz)

24,99 €*

LP | 1983 | JP | Original (Atlantic)

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1978 reissue.

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The Manhattan Transfer

Bodies And Souls

8,99 €*

LP | 1972 | JP | Original (Polydor)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi and insert.

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Chick Corea

Return To Forever

11,99 €*

LP | 1979 | JP | Original (JVC)

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

No obi.

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Native Son

2LP | 1981 | JP | Original (Legends Of Music)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Lionel Hampton

Standard Best

11,99 €*

LP | 1978 | JP | Original (Polydor)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.

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Chick Corea

The Mad Hatter

2LP | 1976 | JP | Original (Mercury)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Oscar Peterson

Essence Of Jazz Piano

LP | 1978 | JP | Reissue (CTI)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI!

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Eumir Deodato

Prelude

LP | 1979 | JP | Original (CBS/Sony)

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Tom Scott

Street Beat

2LP | 1975 | JP | Reissue (Atlantic)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI! Cover has small writing on the back.

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The Modern Jazz Quartet

The Last Concert

13,99 €*

LP | 1979 | JP | Original (Blue Note)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI.

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Earl Klugh

Heart String

6,99 €*

LP | 1982 | JP | Original (Polydor)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with Obi.

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Shakatak

The Best Of Shakatak

LP | 1975 | JP | Reissue (Roulette)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi and insert.

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The Bud Powell Trio

LP | 1982 | JP | Original (Polydor)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Without OBI. Cover has light foxing.

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Shakatak

Invitations

5,99 €*

LP | 1973 | UK | Reissue (Mr Bongo)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Daniel Salinas

Atlantis

22,99 €*