Jazz | Fusion 903 Items

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Sony)

Miles Davis

Sketches Of Spain

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Blue Note)

Lou Donaldson

Lush Life

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | UK | Reissue (Not Now)

John Coltrane

Giant Steps

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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180g vinyl

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Larry Young

Into Somethin'

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Pete La Roca

Basra

Sonny Rollins / Teddy Edwards With Joe Castro

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2020 reissue.

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At Music Inn / At Falcon's Lair

LP | 1960 | US | Original (Metrojazz)

Ella Wishes You A Swinging Christmas

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Torn spines. Vinyl is Close to VG+. Original US mono deep groove pressing.

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Ella Fitzgerald

LP | 1960 | US | Original (Verve)

Sorcerer Crystal Clear Vinyl Edition

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: VG

Vinyl with many scuffs, hairlines and some deeper marks. Cover with punch hole, stains and shelf wear

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Miles Davis

LP | 1967 | EU | Reissue (Music On Vinyl)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | UK | Reissue (Bgp / Tuba)

Johnny Lytle

The Loop

LP | 1962 | EU | Reissue (Honeypie)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cuts 'Selim' and 'The Man' being anthems of the scene.

The Ohio-born player’s first album as a leader was on the Jazzland label in 1962 with “Nice And Easy”. His second, three years later, on Riverside, "The Village Caller", made him a star in the jazz world. When Riverside encountered difficulties, co-owner Orrin Keepnews collaborated with Lytle on two albums which came out on the Detroit label, Tuba.

The first of these, "The Loop", featured his regular trio partners, organist Milt Harris and drummer “Peppy” Hinnant. This line-up was augmented on some tracks by former Miles Davis pianist Wynton Kelly and bassist George Duvivier. A 7” version of the title track actually spent five weeks in the Billboard Hot 100 in January 1966. As for the album, as well as the acid jazz cut 'The Man', it features a stunning version of Duke Pearson's 'Cristo Redentor' and the dancefloor-friendly 'Possum Grease' and 'Hot Sauce'. The band also stretch out on extended track ‘The Shyster’.

"The Loop” is a classic album and Ace’s pressing is the first time it has been legally reissued on vinyl.

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Hugh Masekela

Trumpet Africaine

The Wonderful World Of Sam Cooke

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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"Trumpet Africaine" was Hugh Masekela's debut album, recorded in New York and released in 1962, two years after Masekela had left South Afrika as reaction to the increasing inhumanity of the apartheid regime. Masekela's trumpet shines on top of Hugo Montenegro's fine orchestral arrangements while the tracklist includes, among others, five fresh instrumental versions of Miriam Makeba's songs. Trumpet Africaine was an important early statement from one of the most representative South African musicians of its time.

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Sam Cooke

LP | 1960 | EU | Reissue (Waxtime)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Verve)

Nina Simone

Wild Is The Wind

LP | 1965 | DE | Reissue (Blue Note)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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180g

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Big John Patton

Oh Baby!

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Blue Note’s 1960s roster boasted numerous Hammond B3 organ whizzes including the soulful Kansas City born master Big John Patton. The dynamic quintet that Patton assembled for his 1965 album Oh Baby! packed a punch with the B3 master joined by trumpeter Blue Mitchell, tenor saxophonist Harold Vick, guitarist Grant Green, and drummer Ben Dixon.

Big John Patton (organ); Blue Mitchell (trumpet); Harold Vick (tenor sax); Grant Green (guitar); Ben Dixon (drums)

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Booker Ervin

Cookin'

James Clay & David Fathead Newman

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued as Savoy Records MG 12154

The Booker Ervin Quintet Booker Ervin (tenor sax), Richard Williams (trumpet), Horace Parlan (piano), George Tucker (bass), Dannie Richmond (drums). Recorded at Medallion Studios, Newark, New Jersey, on November 26, 1960

Sound engineer: Paul Cady Cover art: Lee Jack Morton Liner notes & recording supervision by Tom Wilson Album preparation: Herman Lubinsky

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The Sound Of The Wide Open Spaces!!!!

Flute, Brass, Vibes And Percussion

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"James Clay's debut album as a leader (and one of only two that he cut before moving back to Dallas for nearly 30 years) matches him with fellow Texas tenor David 'Fathead' Newman, pianist Wynton Kelly, bassist Sam Jones and drummer Art Taylor. Cannonball Adderley supervised the session, putting the spotlight on the competitive horns who really battle it out on the Babs Gonzales blues "Wide Open Spaces." Clay, who plays flute on the date's lone standard "What's New," holds his own with Newman and plenty of sparks fly." —Scott Yanow (All Music Guide)

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Herbie Mann

LP | 1961 | EU | Reissue (Life Goes On)

LP | 1969 | EU | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Personnel: Herbie Mann (flute, bass clarinet), Johnny Rae (vibes), Nabil Knobby Totah (bass), Rudy Collins (drums), Ray Mantilla (conga drums), Ray Barretto (bongos except on #8 and #12). Plus trumpet section: Doc Cheatham, Siggy Schatz, Jerome Kail and Leo Ball. Recorded in New York City, 1959

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Don Cherry

Where Is Brooklyn?

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Donald Byrd & Pepper Adams

Motor City Scene

LP | 1961 | EU | Reissue (BMG Rights Management)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Blue Note)

Reuben Wilson

Love Bug

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Jimmy Smith / Percy France / Kenny Burrell / Bailey

Home Cookin'

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Wishes You A Swinging Christmas Gold Vinyl Edition

Ella Fitzgerald

LP | 1960 | EU | Reissue (Not Now)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Art Blakey & The Jazz Messengers

The Big Beat

LP | 1960 | EU | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (BMG Rights Management)

Booker Ervin

The Book Cooks

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Lee Morgan

The Rumproller

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Jackie McLean

A Fickle Sonance

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Blue Note)

Dexter Gordon

A Swingin' Affair

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Pete La Roca

Basra

LP | 1964 | EU | Reissue (Blue Note)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Underrated drummer’s 1965 album
His debut solo album and one of only two Blue Note albums as leader (the second emerged in 1997)
Recorded at the Van Gelder Studio on 19th May 1965
Featuring Blue Note legend Joe Henderson on tenor, Steve Kuhn on piano and Steve Swallow on bass
Showcasing three fine La Roca originals (the title track, ‘Candu’, ‘Tears Come From Heaven’), Steve Swallow’s ‘Eiderdown’ and interesting takes on the standards ‘Malaguena’ and ‘Lazy Afternoon’
Produced by Alfred Lion
Includes a famous Reid Miles cover, plus photography by Francis Wolff and liner notes by Ira Gitler

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Joe Henderson

In 'N Out

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Impulse)

McCoy Tyner

Inception

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Impulse)

Archie Shepp

Fire Music

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Mingus Mingus Mingus Mingus Mingus

Charles Mingus

LP | 1963 | EU | Reissue (Impulse)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Blue Note)

Freddie Hubbard

Open Sesame

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Grant Green

Grant's First Stand

Swing Low, Sweet Cadillac

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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The debut album by a prolific musician, ‘Grant’s First Stand’ is a significant work that set out the Blue Note musician’s highly personal manifesto.

Though Grant’s First Stand was guitarist Grant Green’s maiden release for Blue Note Records it wasn’t his debut recording session for the famous New York jazz label. The St Louis guitarist had, in fact, gone into Rudy Van Gelder’s legendary studio at Englewood Cliffs, New Jersey – where Blue Note did the majority of their recordings from 1959 onwards – on two previous occasions. For some reason, however, the music recorded on two days across October and November 1960 was shelved. It wasn’t until Saturday, 28 January 1961, that Green got to lay down the six tracks that became his debut album for the label.

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Dizzy Gillespie

LP | 1967 | EU | Reissue (Impulse)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Verve)

Oscar Peterson

We Get Requests

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Dexter Gordon

Doin' Allright

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Blue Note)

Herbie Hancock

Takin' Off

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | US | Original (Verve)

The Oscar Peterson Trio

Night Train

Mack The Knife: Ella In Berlin

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US mono pressing.
Record has some hairlines and a few superficial scratches.
Small writing and stickers on back cover.

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Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Warner Music Poland)

Jerzy Milian Trio

Bazaar

LP | 1965 | EU | Reissue (Verve)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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This is 180g vinyl.

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Nina Simone

I Put A Spell On You

LP | 1963 | US | Reissue (Prestige)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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180g

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Roy Haynes

Cymbalism

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (ECM)

Abdullah Ibrahim

African Piano

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (Blue Note)

Joe Henderson

Page One

LP | 1966 | UK | Reissue (Bgp / Tuba)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2021 reissue.

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Johnny Lytle

New And Groovy

Sextet & Quartet Blue Vinyl Edition

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-07-26

Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cut 'Selim' being an anthem of the scene.

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Chet Baker

LP | 1960 | EU | Reissue (SAAR)

Lush Life Black Vinyl Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Saar Records, through its famous Music subsidiary, re-releases the second Chet Baker’s LP, recorded with his sextet and quartet and originally released in March 1960; one of the rare occasions for our musicians to team together with an American trumpet player for a rather long period.

Chet Baker is one of the most important and essential characters of modern jazz and over the years he has not lost his strength and colour, a fact that’s clearly demonstrated by this release, indeed showing us a quite different Chet Baker. His style has become less slender, more excited, more precise, more violent, and several tracks of this record prove it.

The musicians here accompanying Chet Baker are the very best the Italian jazz scene of the time could offer: Glauco Masetti on alto sax, Gianni Basso on tenor sax, Renato Sellani on piano, Franco Cerri on double bass, together with the Italian-American Gene Victory on drums. As usual in such situations, arrangements were entrusted to Giulio Libano, who wisely provided the musicians with ample space for their solos. Chet Baker is undoubtedly the protagonist, but a lot of freedom of expression is granted to his fellow adventurers.

The album was recorded on 25 and 26 September and on 6 October 1959 at the Guertler Bros studio.

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John Coltrane

LP | 1961 | EU | Reissue (SAAR)

LP | 1969 | UK | Reissue (Be! Jazz)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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« Lush Life » (1958) is among John Coltrane’s best endeavors on the Prestige (and Music) label.

One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material.

Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass) and Art Taylor (drums). The intimate setting is perfect for ballads such as the opener ‘Like Someone in Love ».

John Coltrane doesn’t have to supplement the frequent redundancy inherent in pianists, so he has plenty of room to express himself through simple and ornate passages. Unifying the slippery syncopation and slightly Eastern feel of « I Love You » is the tenor’s prevalent capacity for flawless, if not downright inspired on-the-spot « head » arrangements that emerge singular and clear, never sounding preconceived. Even at an accelerated pace, the rhythm section ably prods the backbeat without interfering. A careful comparison will reveal that « Trane’s Slow Blues » is actually a fairly évident derivation (or possibly a different take) of « Slowtrane ». But don’t let the title fool you as the mid-tempo blues is undergirded by a lightheartedness.

May provides a platform for Coltrane’s even keeled runs before the tenor drops out, allowing both Earl May and then Art Taylor a chance to shine. The fun cat-and-mouse-like antics continue as Taylor can be heard encouraging the tenor player to raise the stakes and the tempo – which he does to great effect.

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The Three Out

Sittin' In

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Milford Graves / Don Pullen

Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

Milford Graves / Don Pullen

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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In Concert At Yale University

LP | 1966 | US | Reissue (Superior Viaduct)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC's loft era – he is, simply put, free jazz royalty. In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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John Patton

Oh Baby!

LP | 1960 | Reissue (Waxtime)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2022 reissue.

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Tina Brooks

True Blue

Release: 1960 / Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Honeypie)

Ahmad Jamal

Happy Moods

O Bem Do Amor Clear Vinyl Edtion

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmad Jamal's contribution to the expansion of the Jazz art form is undeniable. A true genius and a source of inspiration for other Jazz greats, one for all: Miles Davis. Jamal's piano style and music aesthetic come as a unique blend of sophistication and taste. Recorded in Chicago and first released on Argo in 1960 "Happy Moods" is the result of a happy studio date and lush production featuring his great trio with Israel Crosby on bass and Vernel Fournier on drums.

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Ellis Regina

LP | 1963 | EU | Reissue (Sowing)

LP | 1969 | EU | Reissue (Eargong)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Elis Regina one of the greatest Brazilian interpreters of all time! Originally released in 1963 when she was not even 20 years old, this was her fourth album and second for Columbia records. Still a few steps before she became a star, here Elis Regina's fresh and extremely ductile voice shines on top of sophisticated Jazz arrangements by Astor Silva and a mixed repertoire based on charming romantic songs and vibrant sambas, all composed by Brazilian authors, among them a couple of highlights such as Baden Powell's "Se Você. Quiser" and "O Ben do Amor" the title track composed by guitarist Rildo Hora. This is an an early and fine statement in Regina's fast way to the peak of Brazilian music history.

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Barre Phillips

Unaccompanied Barre

LP | 1962 | EU | Reissue (Culture Factory)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Holland, Archie Shepp, Marion Brown, John Surman, Paul Bley, Evan Parker just to name a few! Originally recorded as part of a 3 hours session this solo tour-de force expresses the true essence of a genius. A multifaceted, kaleidoscopic journey through a myriad of melodic, rhythmic, fretted and bowed lines. In other words: a true master class and a seminal statement from one of the greatest figures in creative music! ‘...Not just an improviser of the highest order; but a true sound sculptor capable of drawing from his instrument such a vast array of shapes and colours that his creation is almost a form of visual art for the ears.’ Jazzwise

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Donald Byrd

Cat Walk

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Culture Factory)

Grant Green

Grant's First Stand

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Jazz Workshop)

Barry Harris Quintet

Newer Than New

Twistin' The Night Away Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"A quick listen to the lively bop on 'Newer Than New' may enlist a perplexing question: Was this music really recorded 40 years ago? Apparently so, but the music still sounds fresh and exciting. If pianist Harris set out to show bop was still a vital force in 1961, he accomplished his task. Of course he didn't do this alone. Trumpeter Lonnie Hillyer, alto Charles McPherson, bassist Ernie Farrow, and drummer Clifford Jarvis join him on eight tunes that would've made Parker and Gillespie proud. The influence of bop pioneers is evident on tunes like "The Last One" and "Anthropology," both giving the horns lots of room to soar against the backdrop of dynamic rhythm. "Mucho Dinero," one of several Harris originals, has an exuberant Latin feel. After the horns set the piece in motion, Harris takes the first solo, creating colorful textures with his keen sense of harmony. Newer Than New also places special emphasis on the young horn players, providing McPherson and Hillyer lots of room to show what they've got. Both echo Parker and Gillespie without copying them. Hillyer displays a fat rich tone on numbers like "Easy to Love," while McPherson's resonant pitch, no matter how quickly he's playing, always comes across. Farrow and Jarvis keep the shifting rhythms heavy in the mix, pushing each soloist to create something vital. The title 'Newer Than New' perhaps mocks the obsession with the latest thing, as opposed to opting for the timelessness of high-octane improvising. Jazz styles, like all styles, come and go, but great music like 'Newer than New' transcends styles. It's also fun (and illustrative) to listen to an album like this back to back with the latest retro jazz. Barry Harris and his colleagues make great jazz without the least bit of self-consciousness."

—Ronnie D. Lankford, Jr. (All Music Guide)

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Sam Cooke

LP | 1962 | EU | Reissue (Sowing)

Soul Trombone And The Jazz Clan

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Twistin' the Night Away is Sam Cooke's eighth studio album. Released in April 1962 by RCA Victor, the album shows how the one and only Sam Cooke approached the twist dance phenomenon and as a result became one of Cooke's most successful releases. In fact Twistin' the Night Away peaked while the single of the same name charted high at number nine on the Billboard Hot 100. Twistin' the Night Away stands as one of the great dance albums of its period,"and "a brilliant soul album as well.

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Curtis Fuller

LP | 1962 | EU | Reissue (Sowing)

LP | 1967 | EU | Reissue (Survival Research)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Originally released on Impulse in 1962 "Soul Trombone and the Jazz Clan" was a major statement from one of the great trombone players in American jazz. Here Fuller displays an outstanding hard-bop ensemble based on a bunch of great individuals all at the top of their game. Fuller himself is part of a super strong horn section with trumpeter Freddie Hubbard and tenor saxophonist Jimmy Heath, while the groove is assured by a hard swinging rhythm section with pianist Cedar Walton, bassist Jimmie Merritt and drummer Jimmy Cobb. Fuller gives lots of space to his musicians who naturally respond and empathize with great solos.In one word: an outstanding record!

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Yusef Lateef

Jazz Mood

Oliver Nelson With Eric Dolphy

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his Quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messenger Curtis Fuller on trombone. The use of an argol on 'Metaphor' and a rabat and finger cymbals on 'Morning' point to Lateef's Islamic grounding and his belief that music serves a higher purpose; this edition has bonus track 'Passion,' from the equally excellent Before Dawn. Rich, deep, and varied, this is required listening for all serious jazz heads.

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Straight Ahead Clear Vinyl Edition

LP | 1961 | EU | Reissue (Sowing)

Roland Kirk With Jack Mcduff

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Originally released in 1961 by Prestige/New Jazz label, "Straight Ahead" marks the last Dolphy's appearance within a series of fortunate collaborations with saxophonist Oliver Nelson. This is a great modern jazz album taking shape from a quintet studio session (all first takes) engineered and supervised by master Rudy Van Gelder and featuring: Oliver Nelson - alto and tenor saxes, clarinet - Eric Dolphy - alto sax, bass clarinet, flute - Richard Wyands - piano - George Duvivier - double bass and Roy Haynes on drums. A serious bunch of jazz stylists all caught in fine form and concentration. Needless to add that the Nelson-Dolphy sax tandem shines throughout the whole album while Duvivier and Haynes inject their angular yet hard swinging groove. The track list consists of five Nelson's originals plus Milt Jackson's "Ralph's new blues".

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Kirk's Work Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

Speed And Space - The Concept Of Space In Music

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Roland Kirk was one of the most creative, extravagant figures in jazz history. A master multi instrumentalist with no boundaries in terms of language, style and technique. Here we find him co-leading a strong studio session with organ specialist Brother Jack Mcduff. Backed up by Joe Benjamin on bass and Art Taylor on drums, Kirk and McDuff give voice to a soulful post-bop set full of groovy riffs and highly inventive instrumental ping pong. Recorded by Rudy Van Gelder and released in 1961 by Prestige Records, this is a fine early step in Kirk's varied and intense career.

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Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

LP | 1969 | JP | Original (Atlantic)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

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Herbie Mann

Memphis Underground

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI!

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Shirley Horn

Embers And Ashes

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued as Stere-O-Craft #16
Subsequently reissued by Hi-Life Records as HLS 55

The Shirley Horn Trio
Shirley Horn (piano & vocals), Joe Benjamin (bass), Herb Lovelle (drums).
Lewis Packer, bass, and Harry Saunders, drums, replace Benjamin and Lovelle on "Day by Day"
Recorded in New York City, 1960

Back-liner notes written by Mort Fega
Jazz Unlimited, WEVD, New York City
Recording produced by Buddy Smith

180 Gram Newly Remastered Vinyl Reissue of the original Stere-O-Craft #16 Limited edition in Solid carton sleeve

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John Wright

Mr. Soul

Soft Winds: The Swinging Harp Of Dorothy Ashby Clear Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7233)
Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7233)

The John Wright Trio
John Wright (piano), Wendell Roberts (bass), Walter Perkins, Jr. (drums).
Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, April 10, 1962

Engineered & mastered by Rudy Van Gelder
Cover photo & design: Don Schlitten
Back-liner notes: Tom Wilson
Recording supervised by Esmond Edwards

180 Gram Newly Remastered Vinyl Reissue of the original Prestige Prlp 7233 Limited edition in Solid carton sleeve

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Dorothy Ashby

LP | 1961 | EU | Reissue (Sowing)

Noisy Silence - Gentle Noise

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Dorothy Ashby album from 1961 that also features female vibes player Terry Pollard. Comes with a version of The Skatalites 'Guns of Navarone' which is a pretty surreal listening experience. From the original liner notes: "Dorothy Ashby may not be the first jazz harpist (Caspar Reardon) or the first female jazz harpist (Adele Girard), but her good feeling for time and ability to construct melodic, guitar-like lines, mark her as the most accomplished modern jazz harpist (...) Accompanying her was another Detroit girl, Terry Pollard. Terry's main instrument is the piano and she is one of the best in the country, bar none. She is also a pretty fair country vibraharpist and in this set, Miss Pollard plays vibes exclusively. With them is still another Detroiter, Herman Wright, who like Miss Pollard has worked with Terry Gibbs and Yusef Lateef, and who also served as Miss Ashby's regular bassist. (...) Completing the quartet is Jimmy Cobb, drummer for the Miles Davis group. During the proceedings, Cobb travels between brushes and sticks without upsetting the equilibrium of this essentially quiet set. There is wide range of material presented here, from blues like Benny Goodman's title number, 'Soft Winds', and Miss Ashby's 'With Strings Attached', to movie themes such as 'Laura', 'Wild Is the Wind', and 'The Guns Of Navarone'. Then there are works by such superior writers of standards as Kurt Weill ('My Ship'); Gershwin ('The Man I Love' and 'Love Is Here To Stay')"

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The Dave Pike Set

LP | 1969 | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Culture Factory)

Three Sounds

Here We Come

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Culture Factory)

Jimmy Smith

Home Cookin'

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Herbie Hancock

Maiden Voyage

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Eric Dolphy

Out To Lunch

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Dexter Gordon & Slide Hampton

A Day In Copenhagen

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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El Grito (Suite Para Orquesta De Jazz)

Jorge Lopez Ruiz

LP | 1967 | EU | Reissue (Be With)

Alan Hawkshaw & Keith Mansfield

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Be With is delighted to present Jorge López Ruiz’s El Grito (Suite Para Orquesta De Jazz), eternal Argentinian magic released on CBS in 1967 that must be one of the most sought-after South American jazz LPs. Living in Buenos Aires in the 60s, driven by creative impulse and rage Jorge López Ruiz used music as his platform to protest the Argentine military dictatorship: “I could never stand dictatorships, to be told how you have to think, what you have to do. Nor did I endure discrimination”. A young López Ruiz had appeared on a television panel alongside writer, politician and philosopher Arturo Jauretche, criticising the Onganía dictatorship. Jauretche told López Ruiz “Now say it with music”. This was the deep inhale that lead to El Grito, literally “The Scream”. As López Ruiz later explained “Jauretche urged me that my protests should not remain in words and acquire the consistency of a work… but it was not so much what he told me but how he told me, what prompted me to make the work take shape, first in a live concert and then in a recording”. As the police and military began resorting to kidnapping, torture and summary executions to quiet dissent, with depressing inevitability the artist community and their work were a particular target of the increasingly brutal regime. El Grito was banned not long after it was released and the majority of original copies were unceremoniously destroyed. The work of a genius artist living under an opressive dictatorship, erased by the government of the time, this is buried treasure in every sense and it’s been a rare record for over 50 years.

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Beat Incidental

LP | 1969 | EU | Reissue (Be With)

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes.Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A Dramatic Suite Of Themes, Montage, Sequences And Generics. We say: An enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Freddie Hubbard

The Hub Of Hubbard

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (RCA)

Sonny Rollins

What's new?

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Dexter Gordon

Doin' Allright

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Art Blakey & The Jazz Messengers

3 Blind Mice

LP | 1962 | US | Original (United Artists Jazz)

LP | 1963 | JP | Original (Victor)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on back cover.
Record has some hairlines and a few superficial scratches.

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Helen Merrill

Parole E Musica

Release: 1963 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1960 | US | Original (Liberty)

Julie London

Julie...At Home

Clifford Jordan & Sonny Red

Release: 1960 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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A Story Tale

LP | 1961 | EU | Reissue (Jazz Workshop)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Workshop)

Ron Jefferson

Love Lifted Me

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Sam Jones

The Soul Society

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | JP | Original (Atlantic)

The Modern Jazz Quartet

Pyramid

LP | 1966 | US | Original (Riverside)

Release: 1960 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Beginning seam split.

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The Wes Montgomery Trio

Portrait Of Wes

LP | 1966 | GDR | Original (AMIGA)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines, closer to VG. Cover with shelf wear

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V.A.

Modern Jazz Studio Nr. 2

Release: 1966 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1960 | EU | Reissue (Honeypie)

Ahmed Abdul-Malik

East Meets West

LP | 1963 | EU | Reissue (Honeypie)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960 the album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Malik's eight originals vary from track to track. On the mournful "La Ibky (Don't Cry)," Malik's oud shares the spotlight with a tenor sax (either Benny Golson or Johnny Griffin) plus trumpeter Lee Morgan. "Rooh (The Soul)" features the 72-string kanoon (which is sort of a brittle sounding and much smaller harp) played by Ahmed Yetman, along with Malik's arco bass and the droning violin of Naim Karacand. His ability to fuse Western Jazz with the driving rhythms created by his oud that seems almost sequenced, are startling.

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Krzysztof Komeda

Ballet Etudes