Jazz | Fusion 671 Items

2LP | 1965 | WW | Reissue (BYG)

A Love Supreme

35,99 €*

Release: 1965 / WW – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Impulse!)

A Love Supreme

30,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2022 reissue.

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A Love Supreme (Acoustic Sounds)

LP | 1965 | UK | Reissue (Verve)

56,99 €*

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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A Love Supreme Cobalt Blue Vinyl Edition

LP | 1964 | US | Reissue (Impulse!)

35,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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One of the most influential albums in all of jazz. Recorded in 1964 with the likes of Jimmy Garrison, Elvin Jones & McCoy Tyner

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LP | 1962 | DE | Reissue (Impulse)

Ballads

23,99 €*

Release: 1962 / DE – Reissue

Genre: Organic Grooves

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Blue Train 180g Vinyl Edition

LP | 1967 | EU | Reissue (Dol)

15,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Impulse!)

Coltrane

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Coltrane Hq Ltd 200g Editionmono Numbered

LP | 1962 | US | Reissue (Analogue Productions)

53,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Reissue (Waxtime)

Coltrane's Sound

Release: 1964 / US – Reissue

Genre: Organic Grooves

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180g vinyl.

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LP | 1968 | US | Reissue (Solid State)

Coltrane Time

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | DE | Reissue (Impulse)

Crescent

Release: 1964 / DE – Reissue

Genre: Organic Grooves

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Crescent Acoustic Sounds Edition

LP | 1964 | EU | Reissue (Impulse)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Live At The Village Vanguard

LP | 1966 | EU | Reissue (Vinyl Passion)

17,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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"Live" At The Village Vanguard

LP | 1962 | US | Reissue (Impulse!)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1971 US stereo reissue.

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"Live" At The Village Vanguard

LP | 1962 | US | Original (Impulse!)

114,99 €*

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Plays with faint surface noise but far from overpowering the music.
Upper and lower seam are split. Sticker on back cover.

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Live At The Village Vanguard Acoustic Sound Edition

LP | 1962 | EU | Reissue (Impulse)

47,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Reissue (Atlantic)

My Favorite Things

35,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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Ole Coltrane - The Complete Session

LP | 1962 | EU | Reissue (Waxtime)

16,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Images)

Plays The Blues

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | Reissue (20th Century Masterworks)

Plays The Blues

Release: 1962 / Reissue

Genre: Organic Grooves

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Standard Coltrane 200g Vinyl Edition

LP | 1962 | US | Reissue (Analogue Productions)

55,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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John Coltrane brought a new sound and style to jazz, and he applied it in his own unique way to the standard material of the storehouse of American music gathered from Broadway, Hollywood and Tin Pan Alley. With the excellent rhythm team of Red Garland, Paul Chambers (both of whom had done so many concert, club and recording dates with him) and Jimmy Cobb and the Miles-directed flugelhorn of Wilbur Harden, Trane puts his personal stamp on numbers not done that often like Henry Nemo's "Don't Take Your Love from Me", Fred Ahlert's "I'll Get By" and two more familiar yet still not overdone songs, Richard Rodgers' "Spring Is Here" and Bronislau Kaper's "Invitation."

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Standard Coltrane Back To Black Edition

LP | 1962 | EU | Reissue (Prestige)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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180g vinyl including download code.

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LP | 1964 | US | Reissue (Fantasy)

Stardust

33,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Concord)

The Last Trane

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Concord)

John Lee Hooker

That's Where It's At!

20,69 €* 22,99 € -10%

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Blue Note)

John Patton

Oh Baby!

25,99 €*

John Surman, Albert Mangelsdorff & The Down Beat Poll Winners

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2022 reissue.

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Open Space

LP | 1969 | EU | Reissue (Endless Happiness)

29,99 €*

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP issued to celebrate more European artists than ever before winning the annual “Downbeat” polls in 1969. On this release they all perform as a unit.

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John Wright

Mr. Soul

LP | 1962 | US | Reissue (Riverside)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7233)
Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7233)

The John Wright Trio
John Wright (piano), Wendell Roberts (bass), Walter Perkins, Jr. (drums).
Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, April 10, 1962

Engineered & mastered by Rudy Van Gelder
Cover photo & design: Don Schlitten
Back-liner notes: Tom Wilson
Recording supervised by Esmond Edwards

180 Gram Newly Remastered Vinyl Reissue of the original Prestige Prlp 7233 Limited edition in Solid carton sleeve

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Johnny ''Hammond'' Smith

Black Coffee

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Johnny Hodges - Wild Bill Davis

Blue Rabbit

LP | 1964 | US | Original (Verve)

LP | 1966 | UK | Reissue (Bgp / Tuba)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Minor stain on front cover.

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Johnny Lytle

New And Groovy

25,99 €*

LP | 1966 | UK | Reissue (Bgp / Tuba)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cut 'Selim' being an anthem of the scene.

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Johnny Lytle

The Loop

26,99 €*

LP | 1964 | JP | Original (MGM)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cuts 'Selim' and 'The Man' being anthems of the scene.

The Ohio-born player’s first album as a leader was on the Jazzland label in 1962 with “Nice And Easy”. His second, three years later, on Riverside, "The Village Caller", made him a star in the jazz world. When Riverside encountered difficulties, co-owner Orrin Keepnews collaborated with Lytle on two albums which came out on the Detroit label, Tuba.

The first of these, "The Loop", featured his regular trio partners, organist Milt Harris and drummer “Peppy” Hinnant. This line-up was augmented on some tracks by former Miles Davis pianist Wynton Kelly and bassist George Duvivier. A 7” version of the title track actually spent five weeks in the Billboard Hot 100 in January 1966. As for the album, as well as the acid jazz cut 'The Man', it features a stunning version of Duke Pearson's 'Cristo Redentor' and the dancefloor-friendly 'Possum Grease' and 'Hot Sauce'. The band also stretch out on extended track ‘The Shyster’.

"The Loop” is a classic album and Ace’s pressing is the first time it has been legally reissued on vinyl.

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Joni James

The Mood Is Romance

Release: 1964 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1965 | DE | Reissue (Sonorama)

Jonny Teupen

Love And Harp A La Latin

16,99 €*

El Grito (Suite Para Orquesta De Jazz)

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. 2008 reissue.

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Jorge Lopez Ruiz

LP | 1967 | EU | Reissue (Be With)

LP | 1966 | UK | Reissue (Far Out)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Be With is delighted to present Jorge López Ruiz’s El Grito (Suite Para Orquesta De Jazz), eternal Argentinian magic released on CBS in 1967 that must be one of the most sought-after South American jazz LPs. Living in Buenos Aires in the 60s, driven by creative impulse and rage Jorge López Ruiz used music as his platform to protest the Argentine military dictatorship: “I could never stand dictatorships, to be told how you have to think, what you have to do. Nor did I endure discrimination”. A young López Ruiz had appeared on a television panel alongside writer, politician and philosopher Arturo Jauretche, criticising the Onganía dictatorship. Jauretche told López Ruiz “Now say it with music”. This was the deep inhale that lead to El Grito, literally “The Scream”. As López Ruiz later explained “Jauretche urged me that my protests should not remain in words and acquire the consistency of a work… but it was not so much what he told me but how he told me, what prompted me to make the work take shape, first in a live concert and then in a recording”. As the police and military began resorting to kidnapping, torture and summary executions to quiet dissent, with depressing inevitability the artist community and their work were a particular target of the increasingly brutal regime. El Grito was banned not long after it was released and the majority of original copies were unceremoniously destroyed. The work of a genius artist living under an opressive dictatorship, erased by the government of the time, this is buried treasure in every sense and it’s been a rare record for over 50 years.

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José Roberto Trio

LP | 1968 | EU | Reissue (Morgan Blue Town)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

UK reissue 2022. Still in shrink but opened. Tiny corner wear.

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Judd Proctor

Guitars Galore

Julie Driscoll / Brian Auger

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Re-issue of 1968 album by British jazz guitarist (born January 2, 1933 in Doncaster, England). He played with Norman Burns, "Ray Ellington's Quartet", Benny Goodman (in tour in England, 1971), "Don Lusher's Big Band", and as a session man in the 1970s, 1980s and 1990s.

Judd uses varying permutations of the following instruments on various tracks. Twelve string guitar, electric Fender guitar, electric Gibson guitar (l4) with a Charlie Christian bar pick-up, and a Maton acoustic guitar.

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Jools/Brian

LP | 1968 | UK | Reissue (Charly)

29,44 €* 30,99 € -5%

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Julie Driscoll, Brian Auger & The Trinity

Open

LP | 1968 | US | Original (ATCO)

13,99 €*

LP | 1964 | US | Original (Verve)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with ring wear and punch hole.

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Kai Winding

Mondo Cane #2

13,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1968 | EU | Reissue (Meantime)

Karin Krog

Joy

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Year Of The Iron Sheep Clear Vinyl Edtion

Ken McIntyre

LP | 1962 | EU | Reissue (Sowing)

20,99 €*

Ken Wheeler / John Dankworth Orchestra

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Recorded intermittently between June and September 1962, "Year of the Iron Sheep" was Ken McIntyre's third album, the fruit of various studio sessions featuring three different personnels. Here the great multi-instrumentalist, mostly known for his collaborations with the likes of Eric Dolphy, Archie Shepp, Cecil Taylor and Charlie Haden is heard on alto sax and flute while the rhythm section variously features pianist Jacki Byard, bassists Ron Carter and Ahmed Abdul-Malik, drummers Ben Riley, Louis Hayes and Warren Smith. An amazing cast of players for a great and yet forgotten post-bop gem.

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Windmill Tilter (The Story Of Don Quixote)

LP | 1969 | EU | Reissue (Decca)

Guitar Forms Acoustic Sounds

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. Kenny Wheeler was born Canada in 1930 and, with encouragement from his father - himself a trombone player - began playing trumpet at age 12. After studying at Toronto’s Royal Conservatory, he arrived in London in 1952, his playing enveloped in the sounds of Miles Davis, Booker Little, and Fats Navarro. In 1959, Wheeler joined the Johnny Dankworth Orchestra and stayed there until 1963, although he returned frequently for shows and other projects in the years that followed. He quickly become a distinguished soloist in the Orchestra and appeared on Dankworth’s key sixties albums. Wheeler met and played with the rising artists of London’s free jazz scene. Players such as Trevor Watts, Derek Bailey, and Evan Parker, musicians who would challenge the conventions of the day, eschewing formal composition and structure to embark on group improvisation. For a musician thoroughly schooled in all the conventions of charts and dance bands as Wheeler was, this was a radical departure. Wheeler’s contributions proved his ample flexibility and showed he was capable of inhabiting both the free environment and the more formal and controlled settings of a big band and orchestra. This was shown most clearly on his debut album, Windmill Tilter, recorded for Fontana with the John Dankworth Orchestra. The album features a young John McLaughlin on guitar along with bassist Dave Holland and a roster of talented and well respected musicians playing on one of the greatest modern jazz big band and orchestral albums.

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Kenny Burrell

LP | 1965 | EU | Reissue (Verve)

43,99 €*

K.B. Burrell Tone Poet Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Kenny Burrell

LP | 1969 | EU | Reissue (Blue Note)

43,99 €*

LP | 1962 | UK | Reissue (Impex)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1957, Kenny Burrell’s third session as a leader for Blue Note presented the guitarist’s signature stylings with a crack team of hard boppers featuring Horace Silver, Hank Mobley, Doug Watkins, and Louis Hayes. Previously only issued on vinyl in Japan (1979) this swinging set is given a new shine with this mono Tone Poet Vinyl Edition.

BLUE NOTE TONE POET EDITION: Mono, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Kenny Dorham

Matador

66,99 €*

LP | 1965 | EU | Reissue (Blue Note)

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Numbered, Limited Edition - 5000 Copies!

Available On All-Analog Hq-180 For The First Time Ever!

Mastered by Chris Bellman From The Original Analog Master Tapes!

Sometimes in the course of our exploration of potential titles to reissue, we come across a true gem that somehow escaped mainstream popularity. Our new all-analog Hq-180 of Matador by trumpeter Kenny Dorham and his quintet is the latest and perhaps most crystalline example of this. There has never been a single 180-gram pressing available. It has only been reissued (officially) once in 50 years. When you hear it, you'll scratch your head raw that this under-appreciated gem has been missing for so long.

Working with a soulful Jackie McLean on alto, a loose and swinging Bobby Timmons on piano, and the locked-in rhythm section of Teddy Smith on bass and J.C. Moses on drums, the playing is spontaneous, energetic and expressive. Check out the frenetic interplay between Timmons and Moses during the long trailing section of "Melanie".

"Dorham and McLean, two of jazz' most passionate and lyrical players, are in very good form here. Helped by a varied set of material and an energized Timmons, they have fashioned an album of surpassing interest." - Ira Gitler, Downbeat Magazine, April 1963

Recorded in a single day in 1962, Matador contains the sprawling epic McLean-penned "Melanie" (a suite in three parts), as well as Dorham's smoldering "El Matador" and a stirring take on "Beautiful Love". Throughout the session, Timmons, Smith, and Moses provide sublime support while Dorham and McLean trade sinewy solos. Emotional musical exploration ties to readily approachable post-bop structure that make for a snappy, yet heady, mix of tunes that put a tap in your foot while engaging your head and heart.

Chris Bellman cut Matador from the original analog master tape (one of the few that survived the Universal warehouse fire of 2008, lucky for us) and the sound is revelatory! Tight acoustics of the Soundmaker Studios provide tightened bass, crystal-clear drums and beautifully rounded tones from Dorham's and McLean's horns. This is another fine example of Impex Records cutting through the fat of modern music-making to reveal the very essence of the music and the giant talents who created it. We are elated to bring this sadly-neglected classic back for true believers to add to their collection and (maybe more importantly) to a whole new generation to discover for the first time.

"Kenny Dorham's Matador can safely claim the all too common distinction of being a classic among jazz connoisseurs while virtually unknown to the casual listener... A fantastic session by any standard."- Brandon Burke, AllMusic Guide

Features Numbered, Limited Edition Limited To 5000 Pressings Audiophile 180g Vinyl LP 33rpm Available on all-analog LP for the first time in nearly 50 years First time ever on Hq-180 Mastered by Chris Bellman from the original analog master tapes Original single disc jacket with ribbed paper tip-on over heavy-board stock Pressed at RTI

Musicians

Kenny Dorham trumpet

Jackie McLean alto saxophone

Bobby Timmons piano

Teddy Smith bass

J.C. Moses drums

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Kenny Dorham

Trompeta Toccata

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Kenny Dorham

Una Mas

37,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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King Curtis And The Shirelles

Eternally, Soul

LP | 1968 | US | Original (Scepter)

5,99 €*

LP | 1968 | DE | Original (RCA Camden)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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King Curtis

Sax In Motion

7,99 €*

LP | 1968 | US | Original (ATCO)

Release: 1968 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with light wear.

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King Curtis

The Best Of King Curtis

7,99 €*

LP | 1969 | EU (Endless Happiness)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Pink/Brown ATCO-labels.
Cover has edge wear, writing and a water stain on back. The record has a lot of scuffs and plays with pretty quiet surface noise (depending on the songs' volumes it's more or less (in-)audible)

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L'infonie

22,99 €*

LP | 1962 | US | Reissue (Prestige)

Release: 1969 / EU

Genre: Organic Grooves

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Beat poetry influence free form jazz collective, formed in Montreal in 1967, L'Infonie existed officially until 1974. Lead by composer Walter Boudreau (aka retlaW uaerduoB) and poet, singer, trumpeter Raôul Duguay (aka luôaR yauguD) this very loose collective featured up to 33 artists from various backgrounds ranging from free jazz, classical, contemporary, rock, visual arts and poetry.

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Larry Young

Groove street

15,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Blue Note)

Larry Young

Into Somethin'

26,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1967 | US | Original (Capitol)

Laurindo Almeida

A Man And A Woman

7,99 €*

Laurindo Almeida & Bud Shank

Release: 1967 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Tiny needle hole in cover.

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Jazz Goes Brazil

LP | 1964 | UK | Original (Fontana)

Release: 1964 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Le Quatuor De Jazz Libre Du Quebec

LP | 1969 | US | Reissue (Return To Analog)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Return To Analog)

Lee Gagnon

Jazzzzz

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Blue Note)

Caramba

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Original (Blue Note)

Delightfulee

89,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs, hairlines and a couple of deeper marks. Cover with seam split, tears and shelf wear.

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Taru Tone Poet Vinyl Edition

LP | 1968 | Reissue (Blue Note)

38,99 €*

Release: 1968 / Reissue

Genre: Organic Grooves

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Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.

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LP | 1965 | Reissue (Blue Note)

The Gigolo

Release: 1965 / Reissue

Genre: Organic Grooves

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LP | 1964 | US | Original (Blue Note)

The Sidewinder

89,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many scuffs, hairlines and some deeper marks. Cover with long seam splits, shelf wear. and yellowing

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LP | 1964 | EU | Reissue (Blue Note)

The Sidewinder

23,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The Sidewinder Blue Note 85 Collection Blue Vinyl Edition

LP | 1964 | WW | Reissue (Blue Note)

I Concentrate On You – The Best Of Lena Horne

Release: 1964 / WW – Reissue

Genre: Organic Grooves

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Nobody had expected the extraordinary success of this album and its funky title track. When Blue Note released trumpeter Lee Morgan's “The Sidewinder” in 1964, the label “only” pressed 4,000 copies, but they were completely sold out within three days. The instrumental album reached number 25 in the pop charts and number 10 in the rhythm'n'blues charts, while the soul-jazzy title track, which was shortened for that, was also successful as a single. The album, recorded with tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw and drummer Billy Higgins, is now a classic album that should be in every jazz collection.

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Lena Horne

LP | 1962 | JP | Original (Victor)

West Side Story (The Original Sound Track Recording)

Release: 1962 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Includes OBI.
Writing on back cover.

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Leonard Bernstein

LP | 1965 | DE | Original (CBS)

5,99 €*

Release: 1965 / DE – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | UK | Reissue (Finders Keepers)

Les Esclaves

Popera Cosmic

LP | 1966 | US | Original (Pacific Jazz)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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For the few people lucky enough to have heard the entire album in the five
decades since its release, the mythical POPERA COSMIC LP is now considered
to be France’s first dedicated psychedelic album and the shrouded blueprint for
the hugely influential Gallic concept album phenomenon that followed – including
SERGE GAINSBOURG’s HISTOIRE DE MELODY NELSON and GÉRARD
MANSET’s LA MORT D’ORION.
Spearheaded by FRANÇOIS WERTHEIMER (songwriter for VANGELIS, BARBARA
and BYG RECORDS), composed with future JODOROWSKY soundtracker
and genius all-rounder GUY SKORNIK, and based on an embryonic concept
co-conspired by a teenage JEAN-MICHEL JARRE, this instantly deleted 1969
recording is a true essential for any outernationalradicalised record collection.
With credentials that mark the birth of the cosmic funk (later disco) that helped
shape the influential sound of France today, this LP also includes the first pressed
instrumentals by members of SPACE ART, some of the best orch rock arrangements
by WILLIAM SHELLER (Lux Aeterna, Eriotissimo) and orchestrator PAUL PIOT
(Jean Rollin), as well as sitar psych benchmarks courtesy of uber legend SERGE
FRANKLIN – all pinned down by the rhythm section that would later be known to
prog aficionados as ALICE.
Subtitled LES ESCLAVES (The Slaves), this street theatre/rock opera (influenced
by the work of Julien Beck’s Living Theatre) now celebrates its 50th birth-day
standing firmly as a sonic tome to the birth of the no-no era (that rebuked
France’syé-yé” hamster wheel) leading directly to the thematic progressive
network of WAKHÉVITCH, MANSET and MAGMA while comprising an inter-Gallic
intergalactic super group from the early annals of France’s pop psych revolution.
Imagine a rock opera where the cast of MISTER FREEDOM perform CLASH OF
THE TITANS at the foot of THE HOLY MOUNTAIN – then pinch yourself...

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Les McCann

A Bag Of Gold

11,99 €*

Les Reed and his Orchestra

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl close to VG+

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Love Is All

LP | 1969 | US | Original (London)

Les Swingle Singers Perform With The Modern Jazz Quartet

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy

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Place Vendôme

LP | 1966 | JP | Reissue (Fontana)

5,99 €*

The Great Lester Young - Volume 2

Release: 1966 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Lester Young

LP | 1962 | US | Original (Imperial)

5,09 €* 5,99 € -15%

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Do You Know What It Means To Miss New Orleans

Living Brass

LP | 1968 | US | Original (RCA Camden)

8,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | US | Original (RCA Camden)

Living Brass

That's Life

4,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | US | Reissue (Blue Note)

Move Your Hand

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Reissue (Blue Note)

Think

37,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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LP | 1968 | US | Reissue (Blue Note)

Think!

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2019 reissue.

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LP | 1969 | US | Reissue (Blue Note)

Turning Point

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Blue Note)

Lou Donaldson

Lush Life

26,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Capitol)

Live!

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Scranton pressing. Close to VG+

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LP | 1966 | US | Original (Capitol)

Soulin'

9,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Mono. Scranton Pressing.
Cover with seam split.

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The Way It Was The Way It Is

LP | 1969 | UK | Original (Capitol)

12,99 €*

Release: 1969 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1967 | US | Original (Capitol)

Too Much!

Mahalia Jackson In Concert Easter Sunday, 1967

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record has many hairlines and surface marks.

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Mahalia Jackson

LP | 1968 | JP | Original (CBS)

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | JP | Reissue (Globe)

Mal Waldron

All Alone

LP | 1966 | US | Original (MGM)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI! Cover with strong yellowing!

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Mamie Lee

Once In A Lifetime

6,29 €* 8,99 € -30%

Jazz-Lyrik-Prosa Record Store Day 2021 Edition

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with open seam splits on top and bottom spines. Punch hole.

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Manfred Krug

2LP | 1968 | EU | Reissue (AMIGA)

25,99 €*

Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Drop 2 release

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Mankunku Quartet

LP | 1968 | UK | Reissue (Mr Bongo)

29,99 €*

My Old Flame: Marian Mc Partland Performs The Classic Hits Of Sam Coslow

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo’ clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse. 'Yakhal' Inkomo’, however, was originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his "best of genre" focussed radio show, 'The 20 - South African Jazz'. Tenor saxophonist Winston "Mankunku" Ngozi recorded the session on 23rd July 1968 at the Manley van Niekerk Studios, in Johannesburg. It was recorded by Dave Challen and produced by Ray Nkwe. The session is built up of two original works by Mankunku on the A-side, 'Yakhal' Inkomo' & 'Dedication (To Daddy Trane and Brother Shorter)', and on the B-side, the Horace Silver composition 'Doodlin', and a John Coltrane number 'Bessie's Blues'. What is striking is how the Mankunku-penned compositions not only hold their own next to Silver and Coltrane but they are, arguably, the better tracks on the record - a testament to the beautiful writing and playing of Mankunku. 'Yakhal' Inkomo' features the great musicians; Agrippa Magwaza on bass, drummer Early Mabuza, and pianist Lionel Pillay. Pillay was of Indian descent, making this a mixed-race group, thus the very recording of the album was an act of resistance as it broke the apartheid restrictions of the time. The title of 'Yakhal’ Inkomo' means “the bellow of the bull”, the Black audience would have understood this as coded community symbolism and an act of protest but it escaped the attention of the white government. For this edition, we have enlisted the services of Abbey Road Studios mastering, and lacquer-cutting engineer Miles Showell to cut a special half-speed master from the audio taken off the original master tapes. Miles has previously worked on our Arthur Verocai, Marcos Valle and Ian Carr re-issues, and once again we are blown away by the richness and clarity of Miles' work. We have also presented it as a replica copy using the cover artwork and labels from the primary World Record Co. original version. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes "This is the LP that every jazz fan has been waiting for" and Ray was not wrong, it's a stone-cold timeless jazz classic.

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Marian McPartland

LP | 1968 | US | Original (Dot)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Marvin Peterson And The Soulmasters

In Concert

LP | 1969 | JP | Reissue (P-Vine)

31,99 €*

Speed And Space - The Concept Of Space In Music

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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An impressive live album by Marvin Peterson who was one of the finest trumpetersin the 60's-70's is making its return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add "Hannibal" to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and theirperformance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organistEugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny "Guitar" Watson.

With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to its many fans. The opening "Groove for Otis" (m1) with a jazz-funk whose edgy beat excites rare groove fans. "Our Groove" (m4) is also a fine track whichhas a slick bassline and Eugene'sorgan fusing in harmony. P-vine are very proud to be repressing this record with its intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.

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Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

LP | 1969 | JP | Reissue (Craftman)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

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Masahiko Togashi

We Now Create

45,99 €*