Jazz | Fusion 4874 Items

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Eskapaden Musik)

Sepalot Quartet

NOWNEXT

LP | 2018 | EU | Original (Jazz & People)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The second offering by SEPALOT QUARTET presents itself as a loosely layered fusion album incorporating the best of jazz, indie and electronics - constantly infused by SEPALOT's HipHop roots. On A NEW CYCLE, the quartets first release, they had to limit themselves to delivering versions of SEPALOTS already released discography, a trial run they stated then. But the concept blossomed and with this album it came to fruition. The work on NOWNEXT provided a solid foundation for self-discovery on a grand scale. NOWNEXT is an unambiguous, contemporary album with international format, that draws its rich repertoire from the musical background of its diverse members (Sepalot, Angela Aux, Fabian Füss, Matthias Lindermayr). Memories, associations and visions are awakened and poured into a musical form.

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Yes! Trio

Groove Du Jour

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | EU | Original (WRWTFWW)

Motohiko Hamase

Anecdote

28,99 €*

LP | 2020 | EU | Original (WRWTFWW)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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WRWTFWW Records is proud to announce the official reissue of Motohiko Hamase’s extremely rare live album Anecdote (recorded in 1987). The album is sourced from original masters and available on vinyl (double LP) for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the sixth release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. Anecdote was recorded live June 12th 1987 at Spiral Garden (Wacoal Art Center) in Aoyama (Tokyo) as part of the Eat Newsic Concert No.3. Motohiko Hamase on electric fretless bass, synthesizers and computer programming, is accompanied by frequent collaborators Toshio Kaji on acoustic piano and synthesizers, and Yasunori Yamaguchi (of #Notes of Forestry fame) on acoustic percussions. The three-man band improvises around Hamase’s unique repertoire of ambient and electronic music, reinterpreting pieces from his albums Reminiscence, Intaglio, and #Notes of Forestry.

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Motohiko Hamase

#Notes Of Forestry

LP | 2020 | EU | Original (Sonar Kollektiv)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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WRWTFWW Records is excited to announce the official reissue of Motohiko Hamase’s remarkable ambient/environmental/minimalism project #Notes of Forestry, available for the first time since 1988. The album is sourced from original masters and available on vinyl and CD with liner notes from the artist. This marks the third release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. One of the most fascinating and peculiar works from the golden era of Japanese ambient, #Notes of Forestry was initially released in 1988 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. Conceived by Jazz bassist turned experimentalist Motohiko Hamase, the magnum opus offers an enchanting mix of free-form pastoral electronics, otherworldly percussions by Yasunori Yamaguchi, and delightfully allusive piano played by none other than Satsuki Shibano (Sound Process’ Wave Notation 3).

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Key Elements

CD | 2020 | EU | Original (Four Flies)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Berlin based label Sonar Kollektiv has been waiting for it anxiously: Key Elements‘ debut album leads Jazz music into the new decade down-the-line. The music Key Elements create is fresh, merciless and ruthless and has always the finger on the pulse of the time. The album‘s eight tracks are all far away from Broken Beat nostalgia or Beatmaking nedism, they breathe inspiration from the young, thriving British jazz scene.
Key Element‘s initiator, DJ and producer Marian Tone, built up a reputation in the Berlin hiphop, soul and jazz scene over the years (also as a co-founder of Beatkollektiv). With all of his compositions you always feel this heritage and his love and passion for hiphop. But the other two allys within «Key Elements», drummer Waldi and the keyboard or bass player Jim Dunloop made their contribution with compositions and ideas as well. An album which was initially designed to be a mere solo project became an effort of a trio over the years being inherently consistent. Already the opening track «Mike Needs Sugar» shows the direction this album will take us: To the land of the good groove. It‘s here where the three thoroughbred musicians feel on top of the world obviously and deliver one luscious track after the other. From the cheerful «Morning Boom» to the kinda furtively laid back «Impossible» and the final «Funky Dave», which could be on an Italian soundtrack from the 70‘s every single tone and note from «Key Elements» is great fun.
Especially because even when you listen to it a second, third or fourth time you will discover new nuances and niceties again and again. As is right and proper for really good jazz album.

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Alessandro Alessandroni

Forever

13,99 €*

Tashi Dorji & Tyler Damon

Release: 2020 / EU – Original

Genre: Organic Grooves, Soundtracks

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"Forever” is a special album that celebrates Alessandroni’s genius and represent his musical testament. Composed and arranged in Namibia during the last months of his life, the album is a stunning collection of orchestral tracks that reveal Alessandroni’s many virtues and abilities as a composer, arranger and multi-instrumentalist, fusing pop, jazz and classical music with his unique (Italian) touch.

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To Catch A Bird In The Net Of Wind

2LP | 2020 | EU | Original (Blue Note)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Tashi Dorji (electric guitar) and Tyler Damon (drums/percussion) have developed a musical language that is not only shaped by original forms as free jazz, metal, rock and Buddhist monastic music. Their sound merges passion and emotions of literature, art, cultural movements, politics - flashes of ecstatic intensity, blurred timbral lines, fractal repetition, noir-ish, cinematic mystery and inclinations toward free play hint that the two are pleased to follow a winding path to destinations yet unknown.Recorded by Dave Zuchowski, March 25th, 2018, as part of Elastic Arts' 2018, Chicago.Mixed by John Dawson, Mastered by Martin Siewert Artwork by Aaron TurnerIn 2017 the duo released an album for Trost with danish saxophon player Mette Rasmussen."Together, the combination of Dorji's high-end metallic power-tool skree and Damon's manic-but-earthy hippie clomping are a perfect pairing. Each has a musical spoon in the other guy's soup to begin with, resulting in a collaboration that seems almost brotherly. [_] I'd say expect great things, but they're already happening." - The Free Jazz CollectiveTracklisting A. To Catch A Bird In A Net Of Wind (20:31)B. Upon The Rim Of The Well (18:39)

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Tom Misch & Yussef Dayes

What Kinda Music

12" | 2020 | EU | Original (Agogo)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

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Wanubalé

Nadra / Loose Focus

11,99 €*

Helen Merrill Mono Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Young Berlin/Potsdam-based nine-piece WANUBALÉ follow up their debut album "Phosphenes" with two brandnew songs on this 12".

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Helen Merrill

LP | 2020 | US | Original (Acoustic Sounds)

55,99 €*

Tape | 2020 | CA | Original (Inner Ocean)

Release: 2020 / US – Original

Genre: Organic Grooves

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Helen Merrill attributed her childhood musical influence to her mother's singing. Truth is, she didn't wait long herself to make a mark as a teenage jazz ingénue, following-up with the notable self-titled LP you have in your hands, newly remastered, and reissued by Analogue Productions.
Helen Merrill arrives, remastered by Kevin Gray at Cohearant Audio, and plated and pressed to 200-gram vinyl by the dedicated crew at Quality Record Pressings, supervised by plating expert and general manager Gary Salstrom. No less than an old-style, tip-on Stoughton Printing gatefold jacket would suffice for such a phenomenal-sounding reissue. Rare photographs inside the gatefold originally appeared as sleeve art for the 7-inch singles recorded and released in conjunction with the original 1955 album release.
Helen Merrill was born in New York City on July 21, 1930. Her professional career began at the age of 15 when, after singing at theatres and winning amateur contests, she landed a job as vocalist with Reggie Charles' Band. Merrill was later signed by Mercury Records to their EmArcy label. "Helen Merrill" is her debut studio album, backed by among others, trumpeter Clifford Brown and bassist/cellist Oscar Pettiford. The legendary Quincy Jones produced and arranged the album when he was just 21-years-old!
The success of Helen Merrill prompted Mercury to sign her for an additional four-album contract. AllMusic reviewer Scott Yanow gave Helen Merrill 4 1/2 stars. »The music is essentially straight-ahead bop, yet the seven standards ... are uplifted by the presence of Merrill (in top form) and Brown.« Her success associated Merrill with the first generation of bebop jazz musicians.
Merrill's career continued with recordings and concerts throughout six decades, until the early 2000s. Her emotional, sensual vocal performances, particularly this engaging debut, stand as testament to her immense talent.
This is a high-quality reissue of a rare and valuable record. Original copies have sold for more than $1,000!

Recording: in mono

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David Lavoie Quartet

Juno

15,99 €*

LP | 2020 | US | Original (Blue Note)

Release: 2020 / CA – Original

Genre: Organic Grooves

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David Lavoie quartet plays thoughtfully composed jazz tunes which showcase Lavoie’s writing while studying jazz at Capilano University in North Vancouver. Featuring Brad Turner on keys, Miles Wong on drums, and Stephen Edwards on bass, the quartet swings and grooves like a machine. Taking cues from post bop and contemporary jazz, this quartet is bound in tradition while still remaining fresh and modern.

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Dexter Gordon

Swingin Affair

Release: 2020 / US – Original

Genre: Organic Grooves

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This Is The Andrews Sisters

Andrews Sisters

LP | 2020 | EU | Original (ZYX)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Klaus Doldinger's Passport / Udo Lindenberg / Max Mutzke / Moses

Motherhood

LP | 2020 | EU | Original (Warner)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Avishai Cohen

Big Vicious

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (La Sape)

Jk Group

The Young Ones

22,99 €*

LP | 2020 | US | Original (NNA Tapes)

Release: 2020 / EU – Original

Genre: Organic Grooves

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JK Group are a powerhouse nu-jazz band fronted by Melbourne saxophonist Josh Kelly, best known for his work with future soul-jazz collective, 30/70, and being the 2019 PBS Young Elder of Jazz. They sit in the crossover of raw, live jazz and electronic/dance production. At times synth-heavy, effected and soundscapey, while at other times hard hitting groove laden with spiritual jazz overtones and no-holds-barred improvising. Their sound nods respectfully to classic jazz traditions, whilst carving a path that unashamedly looks towards the future, embracing modern influences and production techniques. The album received a 5* review from Melbourne's own Mike Gurrieri, and has garnered radio play on PBS, RRR, Worldwide FM, NTS and more. The debut LP 'The Young Ones' is due out on La Sape March 27th.

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Grid

Decomposing Force

Release: 2020 / US – Original

Genre: Organic Grooves

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Unmask Whoever Translucent Glacial Blue Vinyl Edition

Activity

LP | 2020 | EU | Original (Western Vinyl)

17,54 €* 26,99 € -35%

CD | 2020 | EU | Original (Blacklake)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Activity are an avant four-piece featuring Travis Johnson, and drummer Steve Levine, both from the band Grooms, bassist Zoë Browne from Field Mouse, and guitarist Jess Rees from Russian Baths. Produced by engineer Jeff Berner of Psychic TV, their debut forms a casually menacing framework for lyrical themes of paranoia, exposed character flaws, and the broader human capacity for growth when an ugly truth is laid bare. Lead single "Calls Your Name," establishes the record's spectral aura with nauseated electronic bells, and a relentless Geoff Barrow-esque drum beat beneath a half-sung, half-spoken lyrics inspired by C.S. Lewis's 1945 novel The Great Divorce. In the novel, characters stuck in a grey, joyless conception of hell repeatedly deny opportunities to be taken into heaven, instead making excuses as to why they should remain in their embittered purgatory states. Allegorically, this speaks to the kind of opportunity for metamorphosis and positive change that's possible when the depths of disillusionment are reached, an idea which permeates much of the album. Despite recurrent aches of discontentment, each track glows with radiant waves of catharsis while elegantly evoking jubilation and anguish within the same breadth, showing that the two are always around the corner from one another.

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Jazz Sabbath

14,99 €*

LP | 2020 | EU | Original (Blacklake)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Formed in 1968, Jazz Sabbath was considered by many to be at the forefront of the new jazz movement
coming out of England at the time. The eagerly awaited debut album, scheduled for release on Friday
13th February 1970, was cancelled when news broke that founding member and pianist Milton Keanes
was hospitalised with a massive heart attack which left him fighting for his life.
The record company shelved the album and cancelled the scheduled release out of financial uncertainty
of releasing a debut album from a band without its musical leader. When Milton was released from
hospital in September 1970, he found out that a band from Birmingham, conveniently called ‘Black
Sabbath’, had since released two albums containing metal versions of what he claims were his songs.
All recalled Jazz Sabbath albums had been destroyed when the warehouse burned down in June 1970;
which turned out to be a case of insurance fraud by the label owner, leaving only a few bootleg tapes of
Jazz Sabbath’s live performances as proof of existence.
The album masters were said to be lost in the fire, but were actually misplaced and gathered dust in the
basement vaults of the recording studio. These tapes have now been remixed and will finally be heard;
proving that the heavy metal band worshipped by millions around the world are in fact nothing more than
musical charlatans, thieving the music from a bedridden, hospitalised genius.

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Jazz Sabbath

Release: 2020 / EU – Original

Genre: Organic Grooves

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Jazz Sabbath (1968) were considered to be at the forefront of the new English jazz movement. Their self-titled debut album would be released on 13 Feb 1970, but on Feb 12th founding member and pianist Milton Keanes was hospitalised with a massive heart attack; leaving him fighting for his life. The record company shelved the album and cancelled the scheduled release out of financial uncertainty of releasing a debut album from a band without its musical leader.

When Milton was released from hospital in September 1970, he found out that a band from Birmingham, conveniently called ‘Black Sabbath’, had since released two albums containing so-called metal versions of his songs. His recalled albums had been destroyed in a warehouse fire in June 1970; leaving only a few bootleg tapes of Jazz Sabbath’s live performances as proof of existence.

The master tapes, believed to be lost in the fire, were found last year. These songs will now finally be heard; proving that the heavy metal band worshipped by millions are in fact nothing more than musical charlatans, thieving the music from a bedridden, hospitalised genius.

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Peter Brötzmann

14 Love Poems

31,99 €*

LP | 2020 | US | Original (Sony Masterworks)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Inspired by a poetry booklet by Kenneth Patchen (from which it takes it's title), this album focuses on expression and emotion. Recorded and first released by FMP in 1984. Peter Brötzmann: alto, tenor & baritone saxophone, a-,e-flat & bass clarinet, tarogatoCover by Peter Brötzmann Producer: Jost Gebers, Peter BrötzmannMix: Jost Gebers, Peter Brötzmann. All compositions by Peter Brötzmann, except * Nr. 1 "Lonely woman" by Ornette ColemanSIDE A1 Nr. 1 baritone-sax / Lonely woman (5:32)* 2 Nr. 2 a-clarinet (0:35) 3 Nr. 3 alto-sax (2:58)4 Nr. 4 bass-clarinet (3:07) 5 Nr. 5 a-clarinet (4:51)6 Nr. 6 tenor-sax (0:24) 7 Nr. 7 baritone-sax (4:38)SIDE B1 Nr. 8 tenor-sax, mouthpiece (3:34) 2 Nr. 9 bass-clarinet (3:47) 3 Nr. 10 tarogato (2:41)4 Nr. 11 e-flat-clarinet (2:17) 5 Nr. 12 tenor-sax (1:40) 6 Nr. 13 e-flat-clarinet (3:50)7 Nr. 14 tenor-sax (4:55)

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Ryuichi Sakamoto

OST Proxima

17,99 €* 19,99 € -10%

Music For Dance & Theatre Volume One

Release: 2020 / US – Original

Genre: Organic Grooves, Soundtracks

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Original Score composed by Academy Award winner Ryuichi Sakamoto

Original Motion Picture Soundtrack of the 2019 French Drama Film

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V.A.

12" | 2020 | EU | Original (Music From Memory)

LP | 2020 | EU | Original (BBE Music)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Music From Memory are happy to finally announce MFM045 - VA ‘Music For Theatre And Dance’ (EP).
This will be the first in a small series of EPs which will focus on music which was initially created for or inspired by dance and performance. Created as a dialogue with the avant-garde and highly experimental work in dance, theatre and art evolving at the time, the music was in turn at times greatly innovative.

That it was created for a dance or performance though means that such music was also often highly rhythmic and a number of pieces from this time stand out and seem greatly deserving of a new context.

Whether it’s more ambient or atmospheric works or whether it’s in the more rhythmic or percussive pieces, Music From Memory brings together a selection of tracks which aim to highlight this highly innovative direction in music.

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Larry Rose Band

Jupiter Effect

Release: 2020 / EU – Original

Genre: Organic Grooves

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I'm Always Right (The WDR Tapes 1977)

Imagination

LP | 2020 | EU | Original (The Outer Edge)

Tony Allen & Hugh Masekela

Release: 2020 / EU – Original

Genre: Organic Grooves

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We are proud to present "I'm Always Right" by Imagination, an unreleased jazz rock LP from 1977. Comprised of five tracks with a playtime of roughly 30 minutes, you will hear one of the finest German late-70s rock-tinged electric jazz albums of the era. The recording is a delightful stand-out with unique compositions, aspiring solo work, and a soulful spirit throughout. Additionally, the album veritably glows with exceptional sound quality, as it has been remastered from original tapes that were cut more than four decades ago at the WDR Funkhaus, Cologne.
Here is the story of how label founder John Raincoatman became aware of these lost tapes:
"I first got in touch with members of Imagination from Düsseldorf (not to be confused with the UK disco band under the same name) in 2017 for licensing the track "Strawberry Wine" from their collectible "Shake It" album from 1980. A couple of months later, when I was speaking with Willi Hövelmann, the guitarist for Imagination, he told me about some recordings the band had made a couple of years before, when they had been invited to to the studio of the WDR, a major German broadcaster. A couple of weeks later, when Hövelmann finally sent me the files that he had requested from the WDR, I could not believe... more

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Rejoice

LP | 2020 | EU | Original (World Circuit)

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | EU | Original (Earmusic)

Al Di Meola

Across The Universe

32,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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It Is What It Is Clear Vinyl Edition

Thundercat

LP | 2020 | UK | Original (Brainfeeder)

It Is What It Is Cream Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox.

“It Is What It Is” follows his game-changing third album “Drunk” (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. “This album is about love, loss, life and the ups and downs that come with that,” Bruner says about “It Is What It Is”. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

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Thundercat

LP | 2020 | UK | Original (Brainfeeder)

It Is What It Is Red Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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Thundercat

LP | 2020 | UK | Original (Brainfeeder)

LP | 2020 | EU | Original (Super Bad Disco / HHV)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Athletic Progression

LP | 2020 | EU | Original (Musik Produktion Schwarzwald)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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After the 2019 release of their debut album "Dark Smoke", the Danish trio Athletic Progression has gone from strength to strength in Denmark. Multiple sold out shows in DK and abroad, as well two Danish Jazz Award nominations - and even one for Danish musician of the year! - later, the group is now ready to release their next album, an instrumental opus years in the making. Highly recommended for fans of Thundercat, J Dilla, Comet is Coming and the likes.

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Malia

The Garden Of Eve

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Blue Note)

Herbie Hancock

Prisoner

46,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Diapositive Black Vinyl Edition

Massimo Guantini

LP | 2020 | EU | Original (Loneos)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Beside the telluric year in pop music and culture, 1977 was still ranked as the future for Italian leftfield composers. Published by roman imprint Gemelli and credited to the elusive Massimo Guantini (none else than influential jazz player and composer Sandro Brugnolini), Diapositive is a fully cinematic journey in the realm of sci-fi and cool jazz. Fully produced at famous roman Emmequattro Studios (home of many fascinating recordings by piano player Enrico Pieranunzi) the album is deeply rooted in the coolness of italian libraries, showing up such an incredible music craftsmanship. Fully adorned by a vibrant rhythm section, an acoustic piano, a clavinet, a Fender Rhodes and a proper ‘acid jazz’ guitar-playing, this album will lift your mind and soul for good.

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Chet Baker Plays Vladimir Cosma

LP | 2020 | EU | Original (Wagram)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Black Sweat)

Agostino Nirodh Fortini

Suoni Immaginari

LP | 2020 | EU | Original (Rune Grammofon)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters. “Suoni Immaginari”, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines his planetary odysseys as a complex of harmonic devices, nebula storms, glassy explosions and gravity-free falls. His operational horizon reflects further cultural ideas and suggestions; not only the artifice between natural sounds and the programmed machine but also the intrusion of arabesque dreams and jungles contaminated by invading insects and mad pipers. These are spectral symphonies which can have analogies with the fourth world of Hassell and Eno.

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Fire! Orchestra

Actions

Release: 2020 / EU – Original

Genre: Organic Grooves

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Wolfgang Muthspiel / Scott Colley / Brian Blade

Angular Blues

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Edition)

Tineke Postma

Freya

Release: 2020 / EU – Original

Genre: Organic Grooves

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8: Kindred Spirits - Live From Lobero Super Deluxe Box

Charles Lloyd

3LP+2CD+DVD | 2020 | EU | Original (Blue Note)

174,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Four Flies)

Nora Orlandi

A Doppia Faccia

Vernal Equinox Remastered Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Limited to 300 copies.

We're proud to exhume another classic soundtrack from the world of Italian giallo with Nora Orlandi’s incredible score to the 1969 Riccardo Freda film, “A Doppia Faccia” (a.k.a. “Liz & Helen”). Starring Klaus Kinksi, Margaret Lee, and Annabella Incontrera, this film is from a story by the king of the macabre, Lucio Fulci.
For the first time ever on vinyl, this mysterious and charming soundtrack, leads off with a sensuous main theme; a powerful track with great harpsichord chords progression and a melody that really stands out. Maleficent sounds, gothic atmospheres, and alarming voices, all make this soundtrack captivating yet disturbing at the same time. Featuring exclusive liner notes by Nora Orlandi herself, and stunning artwork by Luke Insect.

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Jon Hassell

LP | 2020 | EU | Original (Ndeya)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Vinylart, The Premium Picture Disc Collection

Ray Charles

LP | 2020 | EU | Original (Wagram)

20,69 €* 22,99 € -10%

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Ubiquity)

Baast

Trident

7" | 2020 | UK | Original (Athens Of The North)

Release: 2020 / US – Original

Genre: Organic Grooves

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The third installment of the Baast album series "Trident" sees the band heading into the direction of electronic soundscapes, delving deeper into soundtrack and ambient textures more so than previous albums "Dimension" and "Bazaar". R. Scott Dibble and the inimitable DJ Johnny Basil remain at the helm with a round of uber talented guest artists who've contributed in the past along with some new players, heavy on talent but even more so on the vibe that's captured in the recordings.

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Chuck Brimley

St. Elmos Fire

11,99 €*

LP | 2020 | EU | Original (Transversales Disques)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Milwaukee's artist Chuck Brimley's cover of Michael Frank's classic "St. Elmore Fire. An extremely hard to find record that even Andy Noble who runs a second hand record store in Milwaukee Wisconsin where the record is from had not heard, despite knowing Chuck who was a customer. Andy kindly put me in touch last summer and Chuck was happy for us to reissue this rare version.

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Pharoah Sanders

Live In Paris 1975

30,99 €*

Mr Jones Tone Poet Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Transversales Disques proudly presents Pharoah Sanders - Live in Paris (1975). A never-before-released ORTF recording performed live at studio 104, Maison de la Radio, Paris. First official release with the full permission and cooperation of the National Audiovisual Institute. Deluxe edition, Classic Tip-On Gatefold jacket, including exclusive liner notes and pictures. Mastered from the original master tapes

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Elvin Jones

LP | 2020 | DE | Original (Blue Note)

Release: 2020 / DE – Original

Genre: Organic Grooves

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2LP | 2020 | EU | Original (Blue Note)

Brian Blade

Brian Blade Fellowship

47,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Unseen Worlds)

Leo Takami

Felis Catus & Silence

Release: 2020 / US – Original

Genre: Organic Grooves

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8: Kindred Spirits - Live From Lobero

Charles Lloyd

2LP+DVD | 2020 | EU | Original (Blue Note)

29,99 €*

Le Città Invisibili (Le Città E I Morti)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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Marco Dalpane

LP | 2020 | EU | Original (Soave)

Release: 2020 / EU – Original

Genre: Organic Grooves

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A Marco Dalpane's unreleased recording (mainly known for the cult album “Scorie” released with Tiziano Popoli) produced in 1991 for Radio Rai as an accompaniment to the reading of Italo Calvino “Le città invisibili” ("Invisible Cities”).
First thing you notice is how Marco Dalpane personal soundtrack for “Le città invisibili” could be seen as a link towards the combinatorial approach adopted by Italo Calvino in the book, where he used the language as a semiotic system and the literature as a mechanism of possibilities, with the reader becoming active part in the process. You can see Dalpane detaching from a linear handling of the compositional resources, working instead with computer algorithms and emerging with a sound-sphinx that multiplies the listening interpretations, a sound that is characterized in form and timbre but at the same time is full of suggestions and summoning elements that the listener has to relate. In this it’s evident a constant in the Dalpane’s music, its sensitive side, away from every technical or conceptual precondition. In the five tracks created for this soundtrack, that finally are collected in this album, as in his other works, Marco is always capable to decode aesthetics coordinates of the cultural or temporary universe of reference, but mainly he is the vehicle of an artistic vision that is plausible incarnation of the essence of things, the very spirit of being a musician.

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3LP | 2020 | EU | Original (Jazz Images)

Young Chet

47,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Wayne Shorter

Second Genesis

Release: 2020 / EU – Original

Genre: Organic Grooves

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Miles Davis

Round About Midnight

Release: 2020 / EU – Original

Genre: Organic Grooves

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Larry Young

Young Blues

Release: 2020 / EU – Original

Genre: Organic Grooves

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John Coltrane

Giant Steps

Release: 2020 / EU – Original

Genre: Organic Grooves

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Clifford Brown

In Concert!

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Abeat)

Gaia Cuatro

Udin

26,99 €* 29,99 € -10%

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Impulse)

Ted Poor

You Already Know

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (ORG Music)

Art Ensemble Of Chicago

The Spiritual

35,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Pu: Colored Vinyl Edition

Ville Herrala

LP | 2020 | EU | Original (We Jazz)

LP | 2020 | EU | Original (We Jazz)

Release: 2020 / EU – Original

Genre: Organic Grooves

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We Jazz Records presents "Pu:", the boundary-breaking solo debut of bass player Ville Herrala, to be released on 21 February 2020. Utilising only the double bass but looking at the instrument from various different perspectives. The end result is an inspired set of 14 miniatures, each pushing the concept forward in a highly personal way.

The first single "Pu: 12" presents a rhythmic approach with echoes of from the world of minimal classical music and electronic music. Bowed tracks such as "Pu: 2" offer another perspective, as does the second single "Pu: 10", going back to the essence of the instrument and opening new doors while doing so. Each of the tracks is a compact musical adventure unto its own.

Ville Herrala (b. 1979) is one of the most higly-regarded bass players working in the Finnish scene. He's known from the ranks of such top ensembles as PLOP, Jukka Perko Jazztet, U-Street All Stars, Jukka Eskola Orquesta Bossa and UMO Helsinki Jazz Orchestra, to name but a few.

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Ville Herrala

Pu: Black Vinyl Edition

16,99 €*

To Cy & Lee: Instrumentals Volume 1

Release: 2020 / EU – Original

Genre: Organic Grooves

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Alabaster DePlume

LP | 2020 | US | Original (International Anthem)

LP | 2020 | EU | Original (Cosmic Compositions / HHV)

Release: 2020 / US – Original

Genre: Organic Grooves

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He's a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem's growing family of progressive musical explorationists.

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Clear Path Ensemble

Release: 2020 / EU – Original

Genre: Organic Grooves

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Clear Path Ensemble is the new project and brainchild of Wellington jazz and sonic arts graduate Cory Champion with the help of like-minded artists such as Mara TK, Jake Baxendale, Daniel Hayles and others. Also producing left field house and techno under the name Borrowed cs, Clear Path Ensemble is Cory’s first offering to the jazz gods. Having spent many years playing drums alongside some of New Zealand’s most talented musicians in the revered Wellington jam session scene this release is an amalgamation of the energy & spirit that the Wellington scene encompasses. Walking over the blurred lines of psychedelia and spiritual jazz and taking cues from planetary rhythms and celestial oddities, CPE invokes a higher sense of self through the transformative power of sound. In it’s truest essence these are a collection of cosmic compositions and a release that in our opinion is one of the heaviest to ever emerge from the New Zealand neo-jazz scene.

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Chet Baker Sings Tone Poet Vinyl Edition

LP | 2020 | EU | Original (Blue Note)

43,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Poppin' Tone Poet Vinyl Edition

Hank Mobley

LP | 2020 | EU | Original (Blue Note)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Schlingerland / Dynamische Schwingungen

Sven-Ake Johansson

LP | 2020 | EU | Original (Cien Fuegos / Cargo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (W.E.R.F.)

Commander Spoon

Spooning

LP | 2020 | EU | Original (Jazzaggression)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Brussellians of Commander Spoon interlace their eclectic wealth of influences into an energetic jazz sound, respectfully demolishing walls between jazz, hip hop, rock and electronica.

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Jan Simonsen Quintet

Amirtha Kidambi Elder Ones

Release: 2020 / EU – Original

Genre: Organic Grooves

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Previously unreleased SPIRITUAL JAZZ from NORWAY recorded in ASKER CHURCH in the mid-seventies. Playful rhythmical jazz with MODAL and LATIN influences with band members from THAT’S WHY, RUPHUS & EN TIEMPO.
Jan Simonsen Quintet was an active mid-seventies, Norwegian jazz group, drawing up influences from Herbie Hancock to McCoy Tyner the group’s very rhythmical approach fell positive with the crowd and landed them regular gigs at the famous Club7 venue in Oslo, the group also performed at Molde Jazz 1976. In Winter that same year the group recorded these four tracks to reel using Asker church for maximum reverb effect and broadened acoustics. Jan Simonsen on keys, Svein Hansen flute and percussions, Trond Mathisen sax and percussions, Kristian Røstad bass and Thor Bendiksen drums. Jazzaggression is pleased to present these 4 tracks on vinyl for the first time, with one bonus track (digital). Vinyl comes in special heavy paste-on sleeve with a printed inner sleeve containing full story and photos. Limited to 500 copies!

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Holy Science

LP | 2020 | UK | Original (Jazzman)

Release: 2020 / UK – Original

Genre: Organic Grooves

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First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, ‘Holy Science’, the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, ‘Holy Science’ simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present.

Amirtha Kidambi, the Elder Ones’ leader, composer and vocalist, was a child of South Indian heritage, and she grew up immersed in the tradition of devotional singing, joining in with free-form, improvised Bhajans on regular Sundays. She began simultaneously accompanying her voice with the harmonium from the age of three. These formative experiences continued to instruct and merge with her ongoing musical explorations as she went on to study Classical music, all the while ingesting the Punk, R&B and Rap that surrounded her. A particularly significant discovery was that of free and avant jazz, and in particular the music of Alice and John Coltrane, in whom Kidambi found clear echoes and parallels with those Bhajans and Ragas of her earliest musical awakenings.

All these influences collide on ‘Holy Science’, at times as explosive blasts of sky-opening thunder, at others as moments of soothing, meditative bliss. These holy bursts are enacted by Kidambi’s assembled musicians and are given permission to explore the science of spiritual alchemy, plundering their individual and collective soul for the sake of musical expression, and all of the unpredictable and profound revelations such an approach might yield.

‘Holy Science’ is a work underpinned by traditions, be they the Bhajan spirituals, or the Jazz and Classical avant gardes, that are in their own manner, archetypal. But perhaps most importantly, all of these forms contain an inbuilt capacity for discovery and progression. Amirtha Kidambi’s musical pathway has been defined by a studied determination to occupy this specific space, the unbounded realm of improvisation and exploration, summoning the acquired instruments of experience, knowledge, culture and tradition to unlock secrets of the past, present and future. The most cherished music is often remarked upon as having a timeless quality – ancient, modern and futuristic, all at once. And so it is with ‘Holy Science’.

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Oded Tzur

Here Be Dragons

Release: 2020 / EU – Original

Genre: Organic Grooves

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Carla Bley / Andy Sheppard / Steve Swallow

Life Goes On

Release: 2020 / EU – Original

Genre: Organic Grooves

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Finest - Somewhere Over The Rainbow

Judy Garland

LP | 2020 | EU | Original (ZYX)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Sings And Plays With Len Mercer And His Orchestra Angel Eyes

LP | 2020 | IT | Original (Cinevox)

28,99 €*

2LP | 2020 | EU | Original (Motor Entertainment)

Release: 2020 / IT – Original

Genre: Organic Grooves

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The lyricism of Chet Baker cannot be doubted because Chet in his musical expressions remains as singer and musicians essentially romantic. He fits beautifully into a context created around him and for him, a context that finds in the sonority of his trumpet or in the opacity of his voice a leading element, dominator and at the same time attractive and fascinating.

The songs on this record are aimed to everyone: jazz fans and those who are not very familiar with jazz. For music arrangers Ezio Leoni and Giulio Libano the work ground with Chet has been smoothed out: there was no need to build beyond the measure, it was important to expand, enhance, galvanize what Chet wanted to express. They have alternated lyrical songs with more stringent and alive tracks. With the continuous alternation of times, expressions and atmospheres they made sure to avoid any monotony.

The orchestra that recorded the album was consisted of 16 violins, 4 violas, 4 cellos, a flute, a bass clarinet, an oboe, a French horn, a harp which matched with Glauco Massetti's alto sax, Fausto Papetti's baritone sax, Mario Pezzotta's trombone, Gianni Basso's tenor sax, Franco Cerri's double bass, Gene Victory's drums. An imposing orchestra that was able to mix perfectly and alternate purely jazzy instruments with strings during the performances.

The repertoire included in the album ranges a lot: from well-known motifs such as 'Angel Eyes', 'When I Fall In Love' or 'I Should Care', to others less known but very pleasant tracks as 'The Song Is You' or
'Forgetful'. Other tracks lend themselves perfectly to a wider orchestration such as 'Autumn In New York', 'Violets for Your Fur' or 'Deep in A Dream'. Another theme was treated with a thrifty intervention of the strings, almost a crown of the whole performance, represented by the recording 'Street of Dreams'. In the last track Good-bye of Side A Chet expresses an exceptional sadness in a very valid and unusual way.

The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. recording
studio.The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. studio

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Moka Efti Orchestra

Erstausgabe

30,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (ESP Disk)

Thollem / Parker / Cline

Gowanus Sessions Ii

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (La Sape)

Horatio Luna

Yes Doctor

22,99 €*

CD | 2020 | US | Original (Madlib Invazion)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Henry Hicks AKA Horatio Luna is a Melbourne based improviser, composer, bassist and producer.
A founding member of hip-hop/soul community "30/70 collective", he is an active member of the Australian beatz, jazz and soul music scene.
After parting with 30/70 in 2019, Horatio featured on the Gilles Petersons Brownswood compilation 'Sunnyside Up', released a 12" 'Print It, Run It, Send It', Remixed Moodyman approved Jitwams music and focused his sights on working and collaborating with the younger generation of players in Melbourne, serving as the musical director on 'downundaground' and joining Antiphon among many other groups.

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The Heliocentrics

Infinity Of Now

Imagine Giving Up Black Vinyl Edition

Release: 2020 / US – Original

Genre: Organic Grooves

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The UK’s cosmic, psychedelic-funk ensemble issue their first album on maverick producer Madlib’s label, Madlib Invazion.
The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends.
They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Infinity of Now, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences – Latin, African, and more.

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Jonah Parzen-Johnson

LP | 2020 | UK | Original (We Jazz)

16,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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7" | 2020 | EU | Original (Six Nine)

Byron Jamez

Time Machine

14,99 €*

LP | 2020 | EU | Original (W.E.R.F.)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Soul/Disco/Funk single here for the first time ever on vinyl! The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents Byron Jamez who now makes his debut on the label! Born and raised in Detroit, Michigan, Mr. Jamez has been living and breathing soul music all his life (his mother was an active musician already during the 1970s). Byron Jamez is a multi-talented man; an artist in the music business, an established actor and a master of advanced media skills. What we cherish the most right now is his pillow clenching voice and fantastic music, which definitely make this world much more beautiful. This release contains the brand new and stunning groover “Let’s Get Together” backed with the stepper-esque “Time Machine” on the flipside. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

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Schntzl

Catwalk

I Didn't Know What Time It Was

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP + poster.Twelve characters of songs arose in bedrooms. Customized pop songs characterized by an open approach, musical humour and narrative power.

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Lonnie Smith

LP | 2018 | EU | Original (Jazzorchestra CTGBW)

29,99 €*

CD | 2020 | US | Original (International Anthem)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Jazz Orchestra of the Concert-gebouw, the JOC, is used to working with famous soloists originating from different directions in the industry. These soloists bring their own repertoire, that is arranged, prepped and performed in no time. In 2010, on a Thursday night in February, a unique concert took place in the Amsterdamse Bimhuis. Together with a living legend, Dr. Lonnie Smith, the group played a stunning concert. For the Sultan of the Hammond organ, a long-cherished desire to play with a big band was fulfilled. Most noticeable on Smith at this performance was his auditory memory and the lucid, varied sounds he managed to wrest his impressive B3. JOC knows how to expertly blend with Smith's timbre and his shouts. The orchestra can glow with sovereign intensity, sparkle and fire, but manages to also add to the expression that can be produced by the Hammond organ. This is an true tribute to soul jazz.

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Jeff Parker

Suite For Max Brown

14,99 €*

We're New Again - A Reimagining By Makaya McCraven

Release: 2020 / US – Original

Genre: Organic Grooves

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"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.

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Gil Scott-Heron

CD | 2020 | UK | Original (XL)

13,99 €*

Gil Scott-Heron / Makaya McCraven

Release: 2020 / UK – Original

Genre: Organic Grooves

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To mark the tenth anniversary of the release of I’m New Here , the thirteenth - and last - studio album from the legendary US musician, poet and author Gil Scott-Heron, XL Recordings will release a unique reinterpretation of the album by acclaimed US jazz musician Makaya McCraven. Titled We’re New Again , the album will be released on 7th February 2020; exactly a decade after the release of Scott-Heron’s original Richard Russell-produced recording. It’s set to follow in the footsteps of Jamie xx’s highly acclaimed 2011 remix album We’re New Here and will be McCraven’s first release of 2020, following the huge global acclaim heaped upon his 2018 album Universal Beings . One of the most vital new voices in modern jazz, McCraven is described by the New York Times as a "Chicago-based drummer, producer and beat maker, [who] has quietly become one of the best arguments for jazz’s vitality".

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We're New Again - A Reimagining By Makaya McCraven

LP | 2020 | UK | Original (XL)

27,99 €*

12" | 2020 | EU | Original (Rain&Shine)

Release: 2020 / UK – Original

Genre: Organic Grooves

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To mark the tenth anniversary of the release of I’m New Here, the thirteenth - and last - studio album from the legendary US musician, poet and author Gil Scott-Heron, XL Recordings will release a unique reinterpretation of the album by acclaimed US jazz musician Makaya McCraven. Titled We’re New Again , the album will be released on 7th February 2020; exactly a decade after the release of Scott-Heron’s original Richard Russell-produced recording. It’s set to follow in the footsteps of Jamie xx’s highly acclaimed 2011 remix album We’re New Here and will be McCraven’s first release of 2020, following the huge global acclaim heaped upon his 2018 album Universal Beings . One of the most vital new voices in modern jazz, McCraven is described by the New York Times as a "Chicago-based drummer, producer and beat maker, [who] has quietly become one of the best arguments for jazz’s vitality".

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Arjuna Oakes

The Watcher EP

13,99 €*

Musax Background Music Library Volume 1

Release: 2020 / EU – Original

Genre: Organic Grooves

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21-year-old New Zealand musician Arjuna Oakes's debut EP, The Watcher, is a showcase of his ability as a singer-songwriter, instrumentalist and producer, and a testament to his depth of engagement with music.
The first two tracks on the EP fit neatly within the jazz-infused soul music landscape he is quickly becoming part of, but the latter half of the EP is far harder to categorise. Featuring instrumentation from some of New Zealand’s most exciting young jazz musicians, The Watcher explores a wide variety of themes and musical ideas, with Arjuna’s charismatic soul vocals and robust sonic palette serving as a connective thread. From big social issues to personal relationships and internal self-discoveries, across The Watcher, Arjuna takes his cue from the title track and exploration of mass surveillance, and it’s relevance within our everyday lives.
This watcher theme continues throughout the rest of the EP, with the stories told rendered as if being observed by an outside force. Decorated by cinematic soundscapes, hypnotic grooves, creative improvisation and catchy melodies, Arjuna's debut is a test palette for his future projects, one that makes his enthusiasm to develop and explore themes and style in song abundantly clear.

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V.A.

LP | 2020 | EU | Original (Farfalla)

LP | 2020 | EU | Original (Schema)

Release: 2020 / EU – Original

Genre: Organic Grooves

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For this first volume of Musax Background Music Library, Farfalla Records continues exploring the maze of the french library music through one of its most discreet and prolific representatives: Jacky Giordano and one of his many projects, the Musax label. Farfalla Records carefully selected this tracklisting among LPs recorded between 1978 and 1979 of which the originals became particularly sought after by the collectors. Jacky Giordano who appears under his aliases Joachim Sherylee and José Pharos, is surrounded by qualified and renowned musicians such as Jean-Pierre Decerf, Jean-Claude Pierric, Serge Planchon, Patrick Petitbon, Gérard Gesina, Jean-Charles Capon, Daniel Humair and also a band composed of members from the legendary Crazy Horse cabaret, namely Pedro Perea, Claude Brisset, Bruno Bompard, Jean-Claude Guselli, Claude Thirifays, Vincent Momplet and Joseph Gatineau. This selection mixing explosive jazz-funk, lascivious jazz and electronic music more spacey or experimental, which could also be the soundtrack for a TV show, a porn movie or a car chase between cops and gangsters in the bad neighbourhoods of Paris. A fascinating slice of the French music scene of the late 70 is brought to life before our very eyes. (Erwann Pacaud)

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The Dining Rooms

Art Is A Cat

Release: 2020 / EU – Original

Genre: Organic Grooves

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After a 5-year long hiatus, cinematic music heroes The Dining Rooms are back with one of their most complete and innovative release ever, the 8th one made in collaboration with Schema Records.

This is probably one of the most interesting albums from the Milanese duo, that still carries the classic Dining Rooms trademark, but also sounds very contemporary and fresh.

Includes collaborations with Sean Martin, Georgeanne Kalweit, Lola Kola, Beatrice Velasco Moreno and Rahma Hafsi on vocals.

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16-17

Phantom Limb

Snekkestad / Fernandez / Guy

Release: 2020 / EU – Original

Genre: Organic Grooves

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Massive industrial noise and free jazz blasts_ 16-17 returning with new material after 25 years. Founded 1983 in Basel by saxophonist Alex Buess and former drummer Knut Remond, they have been shaping the forefront of a new sound area. Playing an abrasive distorted mix of dub, hardcore and free jazz that lead to a meeting of likeminded heavy heads that temporally took part in the band e.g. Kevin Martin (The Bug, Techno Animal) or G.C. Green (Godflesh). After marking their presence and extensive European tours, the band officially split up in 2000. The basis of the new LP Phantom Limb was recorded in 1995 by a new line-up with Alex Buess, Damian Bennett (Techno Animal) and Michael Wertmüller (Full Blast, Nohome, Alboth) additionally expanded by vocalist and writer Eugene S. Robinson (Oxbow) and Kasia Meow. New Line upAlex Buess: Saxes & Bassclarinet, Electronics, VoiceDamian Bennett: BassMichael Wertmüller: DrumsEugene S. Robinson: Voice, LyricsRoger Graf: E-Guitar, Dobro, VoiceKasia Meow: VoiceDaniel Buess: Drums

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The Swifted Traveler

LP | 2020 | UK | Original (Social Beats)

Release: 2020 / EU – Original

Genre: Organic Grooves

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An exciting international trio initiated by Scandinavian improv saxophonist Torben Snekkestad, flanked by two esteemed international capacities in the field of free improvised music - the Spanish pianist Agustí Fernández and the British double bass player Barry Guy. The music they create together is situated somewhere between free improvisation, free jazz, and contemporary classical music and executed with lightning fast interaction and explorative innovative sounds and textures. Line-up :Torben Snekkestad: tenor & soprano sax, trumpet and clarinetAgusti Fernández: pianoBarry Guy: double bas Recorded at "LOFT" in Cologne, June 2018 by Stefan DeistlerMixed and Mastered by John Fomsgaard at KarmacrewProduced by Torben SnekkestadExecutive Producer: Konstantin DrobilCover design: Lasse Marhaug

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Flink

It's Dangerous

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (International Anthem)

Jeff Parker

Suite For Max Brown

LP | 2020 | EU | Original (Record Kicks)

Release: 2020 / US – Original

Genre: Organic Grooves

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Calibro 35

Momentum