Jazz | Fusion 4318 Items

2LP | 2023 | EU | Original (Verve)

Release: 2023 / CZ – Original

Genre: Organic Grooves

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Previously unreleased live album recorded at the 1966 Newport Jazz Festival

The Newport Jazz Festival had always brought the best out in Nina Simone. When she took to that famous stage on July 2, 1966, the audience was treated to the full range of her artistry—from the opener, a breathtaking version of “You’ve Got To Learn” to a uniquely swinging take on “Mississippi Goddam”. Unwilling to let her leave the stage, and after sustained applause, her fans were rewarded with the show-stopping encore, “Music For Lovers”. This previously-unknown and unreleased recording makes it clear why hearing Nina Simone in concert was a once-in-a-lifetime experience. Liner notes are by Shana L. Redmond, scholar and author.

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Abbey Lincoln

Who Used To Dance

Healing Sword / Snake (Live)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The late Abbey Lincoln was one of the greats in jazz singing and composition. 65 at the time of this recording, the singer performs a fiery musical statement and maintains her own distinctive manner of delivering a lyric. This 1998 Verve release mostly emphasizes slow tempos and melancholy moods. Seven of the nine tracks on Who Used To Dance are ballads that serve to demonstrate the graininess in Lincoln's voice, with highlights such as the nostalgic "Who Used to Dance" (featuring Savion Glover's tapdancing) "Street of Dreams" and an exceptionally charming "Mr. Tambourine Man". Alto saxophonists Frank Morgan, Steve Coleman, Oliver Lake, Justin Robinson, and Riley Bandy III provide feature work and several insightful solos, and the rhythm team of pianist Marc Cary, bassist Michael Bowie, and drummer Aaron Walker provide finest ballad accompaniment.

This 140-gram vinyl is the first international vinyl reissue, pressed at Optimal, and is presented in a wide-spine, single-sleeve jacket.

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7fo

7" | 2023 | JP | Original (EM)

Bubuj Bulan / Naghm El Uns

Release: 2023 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Electronic musician 7FO's first release on EM Records in a long time is a new tune and single that will change the image of 7FO. The new song, "Healing Sword," which the artist says they approached with the "feeling of being mysterious DIY musicians" (not a feeling, they actually are), was the first single song in 7FO history to be produced as a tribute to the 7" pop era and Joe Meek. "Surf synth acid dancehall rock!!" - Jackson Bailey (Tapes/Rezette)

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Rully DJohan / Munif

12" | 2023 | UK | Original (Soundway)

12" | 2022 | UK | Original (Lovemonk)

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Following on from Soundway’s 2022 compilation, Padang Moonrise, are two late 1960s tracks from Java, Indonesia. one instrumental psychedelic organ version of Classic Indonesian track ‘Bubuj Bulan’ and the other a raw funk cut sung in Arabic. Rully Djohan recorded this unique, psychedelic instrumental version of Benny Corda’s classic ‘Bubuj Bulan’ for his album of instrumental organ versions of popular Indonesian songs recorded in 1971-72. With echoes of Indian, Ethiopian and Egyptian jazz melded with traditional Javanese music this version is a shimmering, dubbed-out take on a song that has been recorded by many Indonesian vocalists. Djohan is backed by The Galaxies Band, and led by one of Indonesia’s most original band leaders and arrangers Jopie Item, who also plays sitar and guitar alongside Djohan’s electric organ. On the flip-side, Munif Bahasuan delivers a deep funk track sung in Arabic. Munif was a Jakarta-based vocalist who sung mostly in Arabic and English. Jakarta has a small population of Arabic, ethnically Middle Eastern people who settled in Indonesia via connections with Islam and Islamic culture, the dominant religion in Java, Sumatra and many other of the main islands in the Indonesian archipelago.

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Chip Wickham

Blue To Red Remixed

15,19 €* 15,99 € -5%

Juan Pablo Torres Y Algo Nuevo

Release: 2022 / UK – Original

Genre: Organic Grooves

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Three songs taken from Chip Wickham's spiritual jazz album Blue to Red get reshaped by Photay, Medlar, and Chip Wickham himself. The result is a lush ep, every bit as good as the combination of a wonderful original track and an uber-talented remixer could be.

Photay has deconstructed the peaceful Blue to Red to turn it into a bomb—a storming dance track that keeps the spiritual vibe intact. The extra beatless version soothes your ear while creating a certain sense of anticipation.

The original version of Interstellar blends fusion jazz with the sound of West London's seminal broken beat scene. Medlar has plucked the track apart, then rebuilt it by adding some extra perc and synth sounds to the bass-driven beats. The result is some deep and heavy and funky business.

And finally, Chip recovered a take of wonderful astral slow jam The Cosmos that didn't make it onto the album, one with no drums, and cooked up a roomy cosmic dub, full-on Space Echo.

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Super Son

CD | 2024 | WW | Original (Mr Bongo)

15,19 €* 15,99 € -5%

CD | 2024 | WW | Original (Mr Bongo)

Release: 2024 / WW – Original

Genre: Organic Grooves

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The next release in the Mr Bongo Cuban Classics series, is one of Juan Pablo Torres' most-known and loved albums, the iconic Super Son from 1977. A wonderful record of tripped-out rumbas, psych-Afro-Latin funk and quirky orchestrated tracks with a big band horn section courtesy of Torres’ band, Algo Nuevo.

As well as being the director of Algo Nuevo and Cuban all-star ensemble Estrellas De Areito, the trombonist, bandleader, arranger and producer also released a wealth of albums under his own name predominately on the state-owned imprint Areito/EGREM.

Post-revolution, there was a contrast in Cuba’s musical world. State censorship was at play, but professional musicians were on the government payroll which gave them an artistic freedom. Experimentation emanated in the ‘70s and ‘80s and Super Son is a prime example of that. ‘Y Que Bien' kicks off the album taking you down a tripped-out, cosmic rabbithole, psych guitars and skat vocals opening up into a joyful funk groove laced with jazzy Afro-Cuban horns stabs. Tracks such as 'Pastel En Descarga' seem to come out of nowhere and are completely unique. Fuzzed-up guitar lines and percussion lay the groundwork, with those jubilant horns adding to the energy of this forever building track.

Elsewhere, there’s the ‘70s TV theme-tune feeling of 'Con Aji Guaguao', a playful funk number that boils and bubbles with blistering trombone playing by Torres. Or ‘Son A Propulsión' and ‘Son Riendo’, two more brilliant examples of psychedelic funk, wrapped up in a blanket of Afro-Cuban rhythms. The former sweeping you up in rushes of wind as trumpets, trombones and distorted guitars trade off, the latter, an intergalactic fiesta of tradition and exploration.

Super Son is up there as one of the funkiest Cuban records around, a playful fusion of ideas from a producer, player and group on fine form and, for us, one of our favourite gems to come out of Cuba in this period. A sheer masterpiece.

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Juan Pablo Torres

Algo Nuevo

15,19 €* 15,99 € -5%

Will Never Play These Songs Again

Release: 2024 / WW – Original

Genre: Organic Grooves

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Next up in the Mr Bongo Cuban Classics series is an outing by the mighty Juan Pablo Torres from 1978. Released on Cuba’s state-owned Areito imprint, Algo Nuevo showcases trombonist, bandleader, arranger and producer Juan Pablo Torres' unique scope of sound. A melting pot of an album that weaves together jazz-funk and traditional Afro-Cuban genres with tripped-out synth touches and dancefloor grooves.

The opener 'Pan Caliente' is a fiery celebration, combining a driving groove with Latin percussion, feverish horns and infectious “la-la-la” vocals. The wild, squelching cosmic synthlines give an otherworldly touch to proceedings that sit nicely on a modern dancefloor. 'Guajira 2001' is perhaps Juan's future-focussed take on the vibrant style of Cuban dance-led music called guajira. Blistering bongos, congas and claves moving together with trumpets, trombones and twanging acoustic guitars that you can’t help but bounce to.

Other highlights include, 'Cacao', a Cuban cosmic funk strutter that places the claves upfront, with a scatting vocal line and percussive climax reminiscent of George Kranz electronic disco anthem 'Din Daa Daa' from 1983. Elsewhere, 'Elvira' further showcases the psychedelic essence of many of the album’s tracks. A deep Latin workout where tasty percussive breaks and scorching keys blend with trippy vocals and rumbling synths.

A varied album encompassing a variety of Afro-Cuban genres and rhythms entwined with flashes of mind-bending cosmic influence. Algo Nuevo is a further jewel in Cuba’s musical crown of riches, with plenty of dancefloor treats and downtempo numbers held within.

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Toc

LP | 2018 | EU | Original (Besides)

15,29 €* 16,99 € -10%

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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7" | 2023 | EU | Original (Heavenly Sweetness)

Cotonete

Day In Day Out

15,29 €* 16,99 € -10%

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2022 | CA | Original (Telephone Explosion)

Badge Epoque Ensemble

Clouds Of Joy

15,39 €* 21,99 € -30%

Release: 2022 / CA – Original

Genre: Organic Grooves

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The Badge Époque Ensemble return to Telephone Explosion Records with a new LP, Clouds of Joy. Featuring three vocal-led compositions, three instrumentals and three choral arrangements, this new album presents the Ensemble’s most ambitious, mature and engaging material to date. Clouds represents a shift from the group’s previous sonic excursions into the worlds of vintage soundtrack grooves and early electric jazz towards a more era-ambiguous, complex and all-encompassing approach to arrangement & production.

Undergoing a major shift of consciousness upon learning that he was expecting twins, BÉE leader Maximilian ‘Twig’ Turnbull found the spark to initiate the album within his reflections upon the nature of human joy. This shift in mindset also helped shape the record from an operational standpoint: Turnbull stepped away from his fixture on keys, leaving all of the musical performance on this record to his cast of collaborators. With Max assuming a more “directorial” approach to production and arrangement à la Barry White, David Axelrod, or Fagen & Becker, this album finds the Badge Époque Ensemble in its most collaborative mode to date. Vocalists Dorothea Paas, James Bailey and guitarist Chris Bezant all have co-writing credits here with Bezant contributing significantly to three compositions, including the album’s title track. The album was mixed collaboratively as well, as another joint effort between Turnbull, Steve Chahley and Tony Price, a trio who have teamed up behind the mixing desk for all previous BÉE albums, as well as U.S. Girls’ Heavy Light LP.

For the most part, the Ensemble on this record is made up of names familiar to anyone following the Badge cosmology: drummer Jay Anderson, bassist Gio Rosati, flautist Alia O’Brien, saxophonist Karen Ng, percussionist Ed Squires and guitarist Chris Bezant, with the new addition of young jazz pianist Edwin De Goeij, a perfect surrogate for Turnbull’s ideas on keys. (This in-demand collection of musicians represent a scattering of key cogs from a clutch of other premium Canadian exports; The Weather Station, Andy Shauf, U.S. Girls & Marker Starling). Clouds’ emphasis on the sound of the human voice finds its perfect outlet in vocal arrangements by labelmate Dorothea Paas and a return from lead vocalist James Baley. Their contributions find compliment by a choir composed of session vocalists, (including singers from Bernice and Bonjay) who come together to provide a series of show-stopping harmonic acrobatics.

Familiar Badge motifs are present through this album’s nine tracks: extended sections of dusty drum & conga breaks, swirling saxophone and flute flourishes, fleet-fingered guitar excursions, hazy Rhodes chords and lashing Clavinet stabs, but where Clouds excels is in its ability to weave tremendous vocal performances and choral arrangements into its dense tapestry of sound. The lilting melodies and multidimensional harmonies on tracks “Conspiring With Nature” and “All Same 2 Each, Each Same 2 All” bear the hallmarks of late sixties baroque AM-radio pop, while James Baley’s ecstatic, Stevie-esque lead vocal performance on “Zodiac” could light up the midnight sky, turning a nearly eight minute jazz-funk instrumental odyssey into a sure-shot dancefloor hit. Lyrically, Turnbull’s interest in an aphoristic spiritual mysticism condenses reflections on the complexity of human emotion into bold, succinct phrases, a quality most clearly communicated on the album’s three choral pieces, “The Greatest Joy”, “Let Breath Be The Sum”, and “Joy Flows” (upon first hearing these works Turnbull’s partner Meg Remy remarked that they sounded like “radio hits on the planet Dune”).

Clouds of Joy comes serendipitously as catalog number Ter0100 - the hundredth release for Telephone Explosion, the rapidly burgeoning Toronto label. It is the group’s third proper full length of five total releases for the imprint in only 4 years. It represents the Ensemble’s most fully realized presentation of a founding vision to create music as human, organic and alive as it is synthesized, produced and designed; music that transcends the notion of linear time, pulling in influences and ideas from the past and taking them far into the future.

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CD | 2023 | EU | Original (Dialogo)

Passaporto Per L'italia

7" | 2022 | EU | Original (Farfalla)

Release: 2023 / EU – Original

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Pleasurewood

Firework / Move!

CD | 2022 | EU | Original (Dialogo)

Release: 2022 / EU – Original

Genre: Organic Grooves, Soundtracks

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The inspirational intake and respectful tribute of and to Hindi Cinema Soundtrack artists Kalyanji-Anandji and R. D. Burman and the Simla Beat guitar organ psych records of the early/mid 70’s, coupled with the Italian silver-stringed heavy-funked composers Piero Umiliani and Stefano Torossi kaleidoscopically conjure the sounds brought to you by Pleasurewood in this 7” single. Firework is ushered in by a Hofner Beatle bass’s nasal clacking joyfully assisted by clapping hands through murky spring reverb. A breakbeat incantation to the sun scored with Farfisa, Guitar Wah and Arp Odyssey. Move! is a more pensive post-apocalyptic funk hymn with the instrumentation of piano, cimbalom and mellotron, plus the layered and flanged vocals of the composers Paul Elliott and Anthony Donje, with the instruction to ‘Move!’ by studio kingpin Buddy Elliott.

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Enrico Rava

Pupa O Crisalide

Gianluca Petrella / Cosmic Renaissance

Release: 2022 / EU – Original

Genre: Organic Grooves

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A body of evocative recordings included in Pupa O Crisalide with three different line-ups for this fantastic album by Enrico Rava which, thanks to Dialogo Records, finally sees the light for jazz lovers. With the Italian Giovanni Tommaso, Bruno Biriaco, Franco D'Andrea, Michele Ascolese, Mandrake and Tommaso Vittorini in “Pupa O Crisalide” and “Giramondo”, the American David Horowitz, John Abercombie, Herb Bushler, Jack De Johnette, Warren Smith and Ray Armando in “C.T.’S Dance” and “Tsakwe” and the the Argentines Finito Ginbert, Matias Pizarro, Rodolfo Mederos, Riccardo Lew, El Negro Gonzales, Nestor Astarita and El Chino Rossi in “El Samba Graciele”, “Revisione Del Processo N.6” and “Lingua Franca” Enrico Rava was the first Italian jazz artist to represent the country internationally, born in Trieste in 1939. Rava's music at its best is a mix of Central European and Italian culture.

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Universal Language

CD | 2022 | EU | Original (Schema)

LP | 2019 | NO | Original (Grappa)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mermaids really do exist, and I discovered this a few days ago. I came across the fantastic story of the Ama, literally the women of the sea. They live in Toba Bay, Japan, and have a long-established custom that has been passed on from one generation to another for more than two thousand years. Not so few. What do they do? They jump into the sea half-naked to fish for seaweed, octopus and, above all, for pearls. They are the real pearl fisherwomen. They reach a depth of just under 30m, with only the strength of their lungs. They are as beautiful as the sun. When they ascend, due to a strange play of sounds and noises coming from their hyperventilating lungs, they emit a kind of whistle that sounds like the cry of dolphins. Or more precisely, the song of mermaids. They go down into the deep sea and search for pearls. When out of the water, they train all their lives and help each other passing on practices and secrets, confiding in one another to stay united. And they are cohesive, never envious of one another, just a great sense of belonging. With his new work Gianluca seems to have drawn from this ancient hunt, made up of memories and traces. He submerged and searched in the remotest memories and ancestral sounds of skins, streets, eras and styles. With his appreciation he has connected black ghettos, slums, townships, ‘the bronx’ of all over the world and explored them with the curious sounds of contemporaneity. Gianluca also has a very cohesive community of musicians around him, he is proud of this, and with them he finds his element, his peace. ‘Anyone who doesn’t get along with musicians has an unresolved problem,’ he tells me. And that’s why he makes a point of letting it be known that each of the five well-known members of his Cosmic Band and the many valuable guests who populate this new record, contributed decisively to the creation of these crazy tracks. In what way? By using the words of their instruments, generating a language that serves precisely to connect past and present, useful for finding the thread of dialogue. A continuous back-and-forth between generations. To speak of the best in the field is an idle exercise: all have striven in the realisation of the composition, all deserve full praise, none excluded. Ovations for all. If you think you are only listening to jazz, you are sadly mistaken. There are exotic ghosts, promises of evasion. There is a celebration of the human condition. There is a life in here. A plunge into the heart of music and its many languages. A record about confrontation on words, about memory, about being true to oneself. But it is also a work on how complicated it is to come to terms with what we call identity, and Gianluca rewrites this identity in his own way. A work made of whispers, murmurs, in which music and language try to invent a new encounter. That takes us down into the abyss of the sea and up to the sky. Federico Scoppio

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Siri Nilsen

Alle Snakker Sant

Release: 2019 / NO – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (36Music)

Hattler

Vinyl Edition Cuts 3

Release: 2019 / EU – Original

Genre: Organic Grooves

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Never Give Up Glass Version

The Jazz Butcher

7" | 2022 | EU | Original (Glass Modern)

7" | 2022 | UK | Original (Mr Bongo)

Release: 2022 / EU – Original

Genre: Organic Grooves

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In Loving Memory Patrick Huntrods (aka Pat Fish AKA The Jazz Butcher) (20 December 1957 - 5 October 2021) Featuring David J (Bauhaus), Victor DeLorenzo (Violent Femmes), Strings by Fiona Brice & Janet Schiff. Produced by David J. The first Jazz Butcher record, the LP 'In Bath of Bacon' was released almost 40 years ago on the original Glass Records label. Plans were made for a new album on Glass Modern to celebrate this, for release in 2023, but sadly Patrick passed away last October before any real work could be done for it. This recording is all we have. Never Give Up was re-recorded for Pat's final LP, The Highest In The Land - it's one of his greatest songs, maybe the greatest. His Hallelujah, if you will. The B side, Silver Street by Nikki Sudden & Dave Kusworth (Jacobites) was recorded for a forthcoming Glass Modern compilation, of various artists covering Glass artists material from the eighties. Tracklist Side A Never Give Up (Glass Version) Side B Silver Street. Random colour 7"-Vinyl

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Lester Robertson

Akirfa / Untitled Ballad

LP | 2022 | EU | Original (Selva)

Release: 2022 / UK – Original

Genre: Organic Grooves

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On this 7”, we present two lost jazz tracks by the trombonist and Horace Tapscott-collaborator, Lester Robertson. Lester has worked with some of the greats of jazz including Gerald Wilson, Anita O'Day, Lionel Hampton and Roy Porter Sound Machine on the classic 'Jessica' album. Lester was a member of Horace Tapscott's The Pan-Afrikan Peoples Arkestra and features on the iconic underground jazz albums 'The Call' and 'Live At I.U.C.C.'. The Arkestra was set up in 1961 in Los Angeles and over the years has included wonderful, inspirational musicians such as Adele Sebastian, Kamasi Washington, Dwight Trible, Phil Ranelin, Arthur Blythe, Jesse Sharps and Nate Morgan. These two recordings have recently been discovered on an archived master tape that little information on it other than Lester's name and the track titles. Sadly, the other players on the tracks aren’t credited on the tape, so a line-up can’t be 100% confirmed. Still, the magic of what they laid down in the session pays testament to their artistry. First up is the lively popping track 'Akirfa' in which Lester gets space to let rip and exercise his talents. On the flip is the euphonious 'Untitled Ballad', a mellifluent lullaby for an end-of-the-day wind-down. Lost for a while, but thankfully not forgotten, these beautiful recordings finally get their chance to shine.

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Favourite People

Release: 2022 / EU – Original

Genre: Organic Grooves

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A Different Destiny Clear Vinyl Edtion

Zy The Way / Ron Trent

12" | 2022 | UK | Original (Jazzy Couscous)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Individuality, Harmony, Wit. Originating from the heart of Asia - Taipei, Taiwan, Zy The Way is a fusion collective spear-heading a new musical movement in a digital age. As the offspring of a film director, entertainers and multi-genre musicians, Zy The Way aims to create artistic content that will rock your socks. We believe that true balance is achieved not through the uniting of different social groups, but when we come together with our stories as an individual. Voices and vision, musical styles, personalities, and our own beliefs, Zy The Way is the fabrication of our collective imagination, where no one is left out.

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Fusion Global Sounds 1970-1983

CD | 2022 | EU | Original (Favorite)

Evan Crankshaw & The Dead Mauriacs

Release: 2022 / EU – Original

Genre: Organic Grooves

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Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and Brazilian Disco Boogie Sounds compilations series. This time, recordings come from Sweden, Switzerland, South Africa, New Zealand, Uruguay, Spain and France, from artists and bands mostly known in their local scenes. You'll hear here the best elements of the Fusion and Jazz-Funk genre: breezy vocal arrangements reminding Flora Purim in Return To Forever or George Duke's albums, sweet and virtuosic Fender Rhodes (kind of common thread of the comp), melodic spiral-shaped fuzzy synthesizers leads, or irresistible basslines, altogether bringing a unique groove to life. "Buster" is taken from the first and only album of the Swedish band, Sundance. The band from Gothenburg was formed around US trumpet player Stephen Frankevich (notably playing with Mahavishnu Orchestra) after he moved to Sweden. Cosmic, with razor-sharp rhythms, it naturally brings you to the second title, "Hello Mr. Ancuvis" by Renato Anselmi. One of the key players of the Swiss Jazz scene during the sixties and the seventies, Renato also had the chance to play with Harvey Mason or Alphonso Johnson. Funky, jazzy but still a bit breezy, here again sweet vocals nicely blend with uptempo Rhodes part. Also included is another title from Renato Anselmi, "Quiet Fire", a mellow Rhodes-driven ballad with funky accents, wide strings and guitar arrangements. "Tropical Island" by Zane Cronje, a South-African composer and arranger, was initially a track from a music library catalogue: dreamy, soaked in thorough synthesizers, we're only attached to the earth by the Guiro groove. You'll also hear this cosmic vibe in "Astral Dance" by French-American drummer and Jazz musician/composer Daniel Bechet, taken from Songs To My Father LP, dedicated to his father the famous Sax/Clarinet player Sydney Bechet. In this 4 minutes dope jam, keys, guitar and percussion will elevate your mind to another level of consciousness: deep! The 1860 Band was hailing from Wellington, New Zealand, playing mostly in bars, cafes and pubs - their name is taken from a tavern where they had an extended afternoon residency keeping the clients entertained. Their sole LP, now rare and sought-after, was a nice mix of Jazz-Funk and Disco grooves. Their amazing and groovy cover of "Keep That Same Old Feeling" by The Crusaders, brings the best of their playing. Otroshakers was formed around Hugo and Osvaldo Fattoruso, as a tribute project to their former band Los Shakers, some sort of copycat band of The Beatles with great success in Latin America. Listening to "Siempre Tu", you can almost hear The Beatles' psychedelic vocal of Sgt. Pepper's Lonely Hearts Club Band. Later joining Ringo Thielmann in the US, they formed the band OPA together, after having recorded for Airto's seminal album Fingers. Blending Jazz, South-American musical elements and Funk, their fusion quickly gained the respect of the NY musical scene. "Despertar" by Spanish drummer, singer and actor Pedro Ruy-Blas, is taken from Luna Llena, his great first Jazz-Funk album. The track is a funky piece with wah-wah expressive Rhodes, ending with a beautiful flute solo. "Prologue" by Dutch-French pianist Majoie Hajary (sometimes called the "Hindu pianist"), can be found on La Passion Selon Judas, a very unique religious album blending her own style with Psych, Funk and Jazz elements. Surely we could continue detailing stories of all these gems, but we guess that the best way to learn more about them, is to listen to Fusion Global Sounds, fully remastered from originals and whether your preference is for vinyl or CD formats.

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Expedition

CD | 2022 | EU | Original (Akuphone)

15,99 €* 19,99 € -20%

Simadan Kologa / Mi Ke Libertat

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Expedition is a collaboration between sound artist The Dead Mauriacs (aka Olivier Prieur) and collage artist Evan Crankshaw, based on their mutual interest in treating exotica as both a subject and a material. Evan Crankshaw's 2015 collage book, also entitled Expedition, is assembled and collaged by hand from a vast archive of popular exoticist printed materials, and explores recurring motifs in expedition narratives, simultaneously evoking and alienating the exoticist fantasy.

In 2018, the book was interpreted for a live performance at Festival BBMix (Boulognes-Billancourt, France) in collaboration with The Dead Mauriacs, who created a complete exotica-concrète score accompanying projected images of the book & live narration. That collaboration can be heard on this album, an armchair-travel virtual-voyage to the heart of an imagined actual elsewhere, stitched from pieces of narcotizing fabulisms, disturbing actualities, and incomprehensibilities – an interior excursion into the exotic immensity.

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Konkie

7" | 2022 | EU | Original (Kelly Ocean)

Tonu Naissoo Electric Trio

Release: 2022 / EU – Original

Genre: Organic Grooves

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Russell 'Konkie' Halmeyer was born and raised on the small island of Curaçao, located 60 kilometers off the coast of Venezuela. Konkie is a percussionist who specializes in the steelpan, a percussion instrument originating from Trinidad and Tobago that is made out of an industrial drum. He started playing at the age of 12. Throughout his career, he has explored the boundaries of the steelpan and associated genres. He has become one of the most innovative pannists in the Caribbean, taking the steel pan out of its context of steel bands, carnival and calypsos. In the 1990s Konkie toured through the States, where he performed frequently, merging steel band sounds with jazz.

In Curaçao, where he is considered the most important pannist of the island, Konkie mainly performs in hotels and at tourist sites. He enjoys performing for these crowds but his true passion and joy lie in arranging deep and melancholic compositions. These two tracks are the result of that joy. "Simadan Kologá" means "the hanging harvest". "Simadan" or “Seú” is the local harvest period on the island. "Kologá" means "hanging" because Konkie used a hanging steel pan for the arrangement. "Mi Ke Libertat" means "I want freedom". Instruments used: steelpan, drum, conch (seashell horn), and chapi, the iron part of a hoe that slaves used to work the fields with.

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Different Directions

CD | 2022 | EU | Original (Frotee)

V.S.O.P Sessions / Aaron Choulai

Release: 2022 / EU – Original

Genre: Organic Grooves

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A new album by legendary Estonian pianist Tõnu Naissoo, accompanied by his new group Tõnu Naissoo Electric Trio !

Accompanied by his synthesizers and two of the best Estonian jazz musicians, bassist Mihkel Mälgand and drummer Ahto Abner, Tõnu Naissoo began recording his album “Different Directions” in the autumn of 2019 at the legendary Linnahall studio that he had booked for that purpose several years in advance. The new tracks he composed for the album flow from jazz-rock to smooth jazz, lingering briefly on the frequency of free jazz. The popular Estonian jazz pianist Tõnu Naissoo was born in Tallinn, Estonia in 1951. His father Uno Naissoo was a renowned composer and an organizer of jazz festivals, who encouraged Tõnu to take an interest in jazz and improvisation. By the age of 15 he had already begun participating in local jazz orchestra. He performed first time with his trio and presented his jazz music compositions at the international Tallinn Jazz Festival of 1967 in Tallinn. The next year he was given an opportunity to record his own album. Since then he has dedicated himself to jazz music and recorded around 30 albums that have been released in Estonia, Japan and Russia. Most of his earliest recordings have been reissued in recent years. “Different Directions” feels like Tõnu Naissoo’s ’missing piece’ album from the 1980s. It will be a worthy addition to Tõnu Naissoo’s and Frotee’s discography.

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Dance With Me / Dragon Child

7" | 2018 | JP | Original (Key Of Life+)

Ornette Coleman Double Quartet

Release: 2018 / JP – Original

Genre: Organic Grooves

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Japan import! Better don't sleep!

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Free Jazz Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Round About Midnight Blue Vinyl Edition

Miles Davis

Release: 2019 / EU – Original

Genre: Organic Grooves

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Ole Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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My Favorite Things Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Giant Steps Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Blue Train Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Time Out Blue Vinyl Edition

Dave Brubeck Quartet

Release: 2019 / EU – Original

Genre: Organic Grooves

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Mingus Mingus Mingus Mingus Blue Vinyl Edition

Charles Mingus

Release: 2019 / EU – Original

Genre: Organic Grooves

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Somethin' Else Blue Vinyl Edition

Cannonball Adderley

Release: 2019 / EU – Original

Genre: Organic Grooves

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Django Reinhardt

Harcourt Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Specific)

Geoffrey Lolli

Chiaroscuro

Release: 2019 / EU – Original

Genre: Organic Grooves

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Groovin' You / Modaji / Till You Take My Love Record Store Day 2019 Edition

Harvey Mason

12" | 2019 | EU | Original (Arista)

Release: 2019 / EU – Original

Genre: Organic Grooves

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A trio of Harvey Mason classics reissued on 12 inch - 'Groovin' You' and 'Till You Take My Love' capturing the heyday of the New York discotheque, alongside the emotive, blissed-out 'Modaji' which features Hubert Laws' flute melodies that power it's jazz dreaminess.
Remastered for 12" audio power.

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Jazz In Saint-Germain Des-Près

Release: 2019 / EU – Original

Genre: Organic Grooves

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Jazz From Paris

Release: 2019 / EU – Original

Genre: Organic Grooves

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Bebop Jazz In Paris

Release: 2019 / EU – Original

Genre: Organic Grooves

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Ella Wishes You A Swinging Christmas Colored Vinyl Edition

Ella Fitzgerald

Release: 2018 / EU – Original

Genre: Organic Grooves

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Chameleon / Watermelon Man

Herbie Hancock

12" | 2018 | UK | Original (Columbia)

LP | 2018 | EU | Original (Wagram)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Major Keys is a brand-new audiophile label focusing on fully licensed reissues of jazz classics, pressed on 12” for a fuller, louder version compared to the original album cut. What better way to kick of the series than housing Herbie Hancock’s imitable ‘Chameleon’ and ‘Watermelon Man’, loud and proud on either side of a 12” - remastered and cut by the engineer of the original Head Hunters LP from 1973.

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Louis Armstrong

C'Est Si Bon

Release: 2018 / EU – Original

Genre: Organic Grooves

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Stan Getz & Joao Gilberto

Getz / Gilberto Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Live At The Village Vanguard Gatefoldsleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Wagram)

Frank Sinatra

The Jazz Crooner

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Wagram)

Nina Simone

The Jazz Diva

Release: 2018 / EU – Original

Genre: Organic Grooves

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Joe Lovano & Dave Douglas Sound Prints

On Pebble Street

7" | 2018 | US | Original (Greenleaf Music)

The Incredible Jazz Guitar Of Wes Montgomery Gatefold Sleeve Edition

Release: 2018 / US – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2018!

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Wes Montgomery

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Shape Of Jazz To Come Gatefold Sleeve Edition

Ornette Coleman

Release: 2018 / EU – Original

Genre: Organic Grooves

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Giant Steps Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Duke Ellington & Charles Mingus & Max Roach

Money Jungle Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Forbidden Fruit Gatefold Sleeve Edition

Nina Simone

Birth Of The Cool Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Miles Davis

Takin' Off Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Herbie Hancock

In The Wee Small Hours Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Frank Sinatra

Moon Beams Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Bill Evans Trio

Waltz For Debby Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Bill Evans Trio

Art Blakey & The Jazz Messengers

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Art Blakey & The Jazz Messengers Gatefold Sleeve Edition

The Christmas Songs Picture Disc Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Nat King Cole

Release: 2017 / EU – Original

Genre: Organic Grooves

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Duke Ellington

Caravan

Release: 2017 / EU – Original

Genre: Organic Grooves

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Django Reinhardt

Minor Swing

Release: 2017 / EU – Original

Genre: Organic Grooves

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Jazz Crooners

Release: 2017 / EU – Original

Genre: Organic Grooves

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Jazz Divas

Release: 2017 / EU – Original

Genre: Organic Grooves

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Quincy Jones

Soul Bossa Nova

Release: 2017 / EU – Original

Genre: Organic Grooves

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It Could Happen To You Gatefold Sleeve Edition

Chet Baker

Release: 2017 / EU – Original

Genre: Organic Grooves

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Undercurrent Gatefold Sleeve Edition

Bill Evans & Jim Hall

Release: 2017 / EU – Original

Genre: Organic Grooves

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Round About Midnight Gatefold Sleeve Edition

Miles Davis

Release: 2017 / EU – Original

Genre: Organic Grooves

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Blue Train Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Ballads Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Duke Ellington & John Coltrane

Duke Ellington & John Coltrane Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (We Jazz)

Jukka Perko Tritone

Dizzy

LP | 2016 | EU | Original (Wagram)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Alto sax man Jukka Perko, one of Finland's leading jazz artists, presents a new project Tritone, where he joins forces with the dynamic rhythm section of Antti Lötjönen and Teppo "Teddy Rok" Mäkynen (who have appeared together in projects such as Teddy's West Coasters, The Five Corners Quintet, Timo Lassy Band, Verneri Pohjola Quartet, etc.). Perko, once a member of the Dizzy Gillespie Big Band, has put together a set of tunes made famous by Dizzy for the re-evaluation by the highly talented trio. The time is right now, Dizzy's 100th anniversary, 30 years since the alto sax player, back then a teenage sensation, shared the stages with the likes of Sam Rivers, Jerry Dodgion, Jon Faddis, and of course Dizzy himself.

As Perko himself put it: "It's not about what Dizzy's music means to us, but rather what we can bring to it. We're adding our own piece onto the mosaic which makes up modern jazz."

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Ray Charles

Hit The Road Jack

Release: 2016 / EU – Original

Genre: Organic Grooves

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LP | 2014 | EU | Original (Alien Transistor)

Alien Ensemble

Release: 2014 / EU – Original

Genre: Organic Grooves

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Earlier this year, Micha Acher and his band The Notwist returned with their latest full-length “Close To The Glass” and received rave reviews around the globe. Yet, it’s not the only album he’s going to release this year, since Acher’s about to introduce his latest musical entity – the Alien Ensemble. It’s an all-acoustic line-up, devoid of electronic enhancements. And even though all members have a background in jazz, this is no classic “jazz music” either – there’s simply no need to show off technical skills… Since you’ll hear anything from Minimal Music to Krautrock influences, from delicate brass sections to the sound of New Orleans, it’s pretty much impossible to pigeonhole Alien Ensemble’s sound or slap a genre term on it.

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Sun Records Curated By RSD Volume 10

LP | 2023 | US | Original (ORG Music)

CD | 2024 | UK | Original (Stone)

Release: 2023 / US – Original

Genre: Organic Grooves

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This limited edition compilation LP was curated from the classic Sun Record Company catalog by participating Record Store Day stores, and marks the tenth installment of the 'Sun Records Curated by Record Store Day' series. Volume 10 celebrates the themes of love, devotion, and anniversaries. The track list for this compilation was carefully curated by the hardworking people in record stores themselves. This Record Store Day 2023 exclusive release is limited to 3,000 copies worldwide.

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Akio Suzuki

Stone

7" | 2024 | UK | Original (Panorama)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Recorded in 1994 in Berlin, 'Stone' has been remastered by Lawrence English and sounds better than ever. The perfect introduction to veteran Japanese sound artist's raft of material, it's an exploration of sound, space and time using found objects and flute.

Suzuki's work is fiendishly difficult to describe - it's far better to experience. He became interested in sound after studying architecture, and quickly developed a fascination with spaces - specifically the echoes that existed within them. 'Stone' was a further development of his "throwing and following" technique, where he would cast sounds and gestures into space and catch whatever returned.

So, stationed in Künstlerhaus Bethanien, he used the vast studio to create unique atmospheres, alternating between flute and clattering rhythms from found objects. It's beguiling stuff, that on the CD version thankfully comes with photo documentation and notes from David Toop that should make Suzuki's process a little clearer.

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Fruko y sus Tesos

Salsa Na Ma

Release: 2024 / UK – Original

Genre: Organic Grooves

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12" | 2024 | UK | Original (The Quiet Village)

Quiet Village

Reunion

7" | 2024 | UK | Original (Jazz Room)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Quiet Village announces new label, The Quiet Village, and new single, ‘Reunion'. Matt 'Radio Slave' Edwards and Joel Martin's critically acclaimed project's first official single under the Quiet Village name in seventeen years!

Beginning life as a 'heady 6/8-time urban jazz odyssey, 'Reunion is a stunning piece of modern, Hi-Tech Jazz that draws influences from Pat Metheny, Timeline, Innerzone Orchestra, and Clyde Stubbelfield's drumming.

While previous Quiet Village material was hewn from a myriad of samples extracted from Edwards' and Martin's notorious digging, 'Reunion' and its follow-ups are drawn from a tight-knit crew of session musicians, including the likes of Jon Hester and Thomas Gandey, adding further depth and feel to the QV sound. Already a firm favourite with Gilles Peterson and Luke Una, the latter of which leaked a clip of the release via his inimitable Instagram presence and called it 'something so fucking beautiful. Tony Allen, Sun Ra meets Carl Craig, Underground Resistance, house, tech, funk, everything rolled into one'.

'Reunion’ is the first single on The Quiet Village, Quiet Village's new imprint. Despite continually producing new music and a slew of remixes, most recently for Running Back and Isle of Jura, the long-term friends and collaborators have been unable to release under their Quiet Village moniker since their LP 'Silent Movie' in 2008. While a few releases under QV and their sometime DJ aliases of Maxxi (Edwards) and Zeus (Martin) have emerged, 'Reunion' is the beginning of a new and re-energised Quiet Village that will see more original material and remixes, DJ and live touring that began in Japan in May and curated compilations of treasures, old and new, in the coming months and years.

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Aflex Combo

Hibaros

Release: 2024 / UK – Original

Genre: Organic Grooves

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7" | 2024 | UK | Original (Panorama)

Gustav Brom

Calling Up The Rain

Don't Forget To Have Fun Smoked Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Czechoslovakian big band legend Gustav Brom has graced dancefloors with his music for a long time, you've probably heard his work and not realised it. Panorama returns with "Calling Up The Rain", from his 1976 album "Gustav Brom plays for you Pop Jazz and Swing" Gustav infused big band jazz and a latin groove into this dancefloor weapon, Organ solos, Trumpet solos and a screeching guitar solo. What's not to love?

Presented as a reissue by the newly launched London-based record label, Panorama Records, "Calling Up The Rain" reaffirms the label's discerning direction and "Don't Judge A Record By It's Cover" attitude. Championed by Gilles Peterson, Patrick Forge and a few other legends in the game, Panorama Records aims to reintroduce this big band hit to new audiences, establishing itself as a tastemaker in the business of reissuing global grooves. It comes with a sticker on the front with quotes from tastemakers Patrick Forge, Rainer Trueby and Zag Erlat (My Analog Journal).

With this release, record collectors can anticipate a discovery of Gustav's anthem, for the first time on a 45 and a first time official reissue, a full blown party starter, as Panorama Records presents "Calling Up The Rain" as a timeless reissue. The label shook mountains with it's first release of Gitte and Inger, with huge DJ support from Gilles Peterson, Ross Allen and other great tastemakers. Pan002 is here, Buy or cry!

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Don Glori

LP | 2024 | UK | Original (DeepMatter)

CD | 2024 | WW | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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A product of the not-so-underground, genre-bending melting pot that is Naarm (Melbourne, Australia). producer, composer and multi-instrumentalist Don Glori (aka Gordon Li) prepares to unleash his forthcoming album ‘Don’t Forget To Have Fun’ via DeepMatter Records.

Following the release of his much-heralded 2022 LP ‘Welcome’, and a relocation to London, Don managed to tap into a potent creative current, by taking himself to a place of discomfort, and taking his creative back to basics for ‘Don’t Forget To Have Fun’. This invigorating approach helped distill the initial album sketches into a compelling and intoxicating listening experience across the record, creating a true work of art, traversing jazz, funk, soul, RnB, samba and beyond. Whilst the record itself is hard to describe, but even harder to forget.

Album opener ‘Pause’ pairs psychedelic inﬂuences with a cyclic loping groove and focuses on recognising a safe space that can act as a refuge. Taking inspiration from Steely Dan, Brian Bennett & Azymuth, ‘Emerald’ channels Jazz rock, 70's LA studio energy, with the faster funk sections featuring an unruly amount of mouth percussion, synth lead lines, and vocal melodies that weave in and around the tight horn arrangements. ‘All Seeds’ is a heady blend of samba and Brazilian street soul, with ﬁeld recordings of Don’s old house in Melbourne providing additional seasoning. ‘First Touch’ is a downtempo 80’s boogie-infused gem, keeping proceedings nice and sleazy. The ﬁnal three movements move through one ﬂuid composition, charting the disorientating course of a fever dream, through beguiling astral travels, unexplainable occurrences, and transcendent moments.

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Raul Gomez

CD | 2024 | UK | Original (Mr Bongo)

Release: 2024 / WW – Original

Genre: Organic Grooves

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For the next reissue in Mr Bongo’s Cuban Classics series, we look to Raúl Gómez’s entrancing 1977 Instrumental album. Presenting a unique blend of orchestral disco and jazz-funk, with Afro-Cuban flavours and soundtrack influences, it’s rich with drum breaks, energy and evolving compositions. A record that forever keeps you guessing, powered by an exemplary orchestra at the top of their game.

Cuban composer and singer Raúl Gómez is most known for featuring in the groups Mirtha Y Raul and Los Bucaneros alongside producing the Cuban classic Los Reyes 73 album, amongst a whole host of other incredible productions over the years. Released on Cuba’s state-owned label Areito, Instrumental sees Gómez not only as an instrumentalist and author, but also as a producer and arranger.

It's an album that deftly evades pigeonholing. Floating between instrumental mood music and library/soundtrack mastery, followed by explosions of cosmic-Latin funk, psych guitar workouts and compositions that reflect the orchestrated disco coming out of the US at the time, from greats such as Love Unlimited or Mfsb. Lace that together with a healthy serving of Afro-Cuban magic to underpin the tracks and it’s a recipe for a record that captivates from start to finish.

Predominantly an instrumental album as the title suggests, the record showcases the Orquesta Egrem in full flow, soaring strings and vibrant horns at every turn. Highlights include 'Mi Samba Carnaval' with its breathtaking drum break, bubbling synths and sublime arrangements and the romantic film music impressions of ‘Tema De La Sierra', that have been a sampling source for many a producer. Elsewhere, ‘6 Son’ is a mind-melding psych guitar powerhouse, with 'Dacapo', written by Gilberto Peralta, offering up a slice of atmospheric and energetic Latin shuffle. One of only a handful of tracks where scat vocals compliment the orchestral tones, a Brazilian percussion theme marries with dancefloor sensibilities for a dose of feel-good, brilliance.

A wide-ranging, multi-dimensional release, Instrumental exhibits musicianship, composition and creativity at its finest and demonstrates another key example of the rich output of music that flowed from the island of Cuba post revolution.

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Finn Rees

Dawn Is A Melody

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.

Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”

The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.

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Timeless Jazz Classics Record Store Day 2024 Cd Edition

CD | 2024 | EU | Original (Music On CD)

Release: 2024 / EU – Original

Genre: Organic Grooves

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7" | 2024 | UK | Original (Jazz Room)

Goma Laca

Cala Boca Menino

10" | 2016 | UK | Original (Be! Jazz)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Two fabulous funky tracks originally released on the award winning album Goma-Laca – Afrobrasilidades in 78 rpm which updated Brazilian Music originally recorded on 78's in the 1920s to the 1950s. With musical direction and arrangements by Letieres Leite, the vocal pyrotechnics of Russo Passapusso and Juçara Marçal masterfully accompanied by double bassist Marcos Paiva, Hercules Gomes on piano, Sergio Machado on drums and percussion master Gabi Guedes. Under the direction of Letieres, the group created with the singers arrangements of jazzy tones over Afro-Bahian rhythms, and everything was recorded live at Estúdio Traquitana, in São Paulo.
The version of Cala Menino Boca best known from the version by Joao Donato that's been doing the Dancefloor round since the early Acid Jazz days here gets a funky and rhodes led percussive update and of course the traditional tune "Ogum" gets a soulful jazz run through, folky funk like you've never heard before. This is yet another welcome addition to the Jazz Room canon, watch those dancefloors light up when this wax spins!

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Lars Lystedt

Fanfar!

Release: 2016 / UK – Original

Genre: Organic Grooves

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Tour-Maubourg & Ismael Ndir

The Panorama Sessions

12" | 2024 | EU | Original (Pont Neuf)

Alonso Toro, Paul Desenne, Pedro Vásquez

Release: 2024 / EU – Original

Genre: Organic Grooves

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Four tracks, extracted from his live performances, that have been rearranged and interpreted in collaboration with saxophonist Ismaël Ndir, then recorded at Panorama Studio in Brussels.

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Alzheimer

LP | 2023 | EU | Original (Jigit)

Merry Christmas Gold Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Alzheimer, the record, is a Stranger everywhere on Earth. Wherever you might be listening to it, it will always be from somewhere else. The product of a foreign culture, for even though it was created and recorded in Caracas, Venezuela between January 1997 and 9/9/99. It is the result of forgetting everything and recomposing a new Sound World from the faintest, blurriest recollections of musical culture. Its purpose is confusion, its uniqueness is creating it in the realm of Music; a clash of instruments and minds.

Everything you will hear in the record was performed by humans and insects, spoken and sung by living beings, roughly a decade before the “smartphone”, which is probably the most stupid, final creating of mankind. The Alzheimer ensemble still exists and fully supports this initiative of celebrating the 24th year of its first of two published albums on vinyl. The spirit of our group will never be captured by robotic “intelligence”.

We will fight it in every possible way through unpredictable cultural action and the infinite Human creative talent are uniting under our banner.

Alzheimer Cultural, Caracas

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Bing Crosby

LP | 2023 | EU | Original (Dol)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Sorcerers & The Outer Worlds Jazz Ensemble

Exit Athens

7" | 2023 | UK | Original (ATA)

CD | 2023 | UK | Original (Fancyyyyy)

Release: 2023 / UK – Original

Genre: Organic Grooves

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ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble.

Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike.

On the AA side, Beg, Borrow, Play marks the debut of The Outer Worlds Jazz Ensemble. The first in an ongoing series of 45s and LP issues, each Outer Worlds release will feature the immaculate grooves of the hard-working, unsung sidemen of the Leeds Funk, Latin and Ethio/Afrobeat scenes. The Outer Worlds series was conceived to feature visiting soloists who have made a beeline to ATA in search of a specific setting for their material, and represents ATA's ambition to encompass the very best in contemporary jazz/club/rare groove/exotica sounds.

Beg, Borrow, Play kicks this off with ATA veteran Chip Wickham on baritone sax, and a slice of jazz exotica that owes as much to New Orleans Street Beat as to the Eastern moods of artists like Yusef Lateef and Ahmed Abdul-Malik. The result is loose and limber, with horns reminiscent of classic Art Ensemble of Chicago, and will appeal to fans of contemporary Afro-Futurist fusions

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Tom Mudd

Guitar Cultures

Mah' Wah Funk / Love Is Full Of Colours

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Tom Mudd follows up Brass Cultures with another collection of genre pushing electronic music. Sitting between the hermetic focus of Bill Orcutt’s solo guitar recordings and Autechre at their most abstract, this is an album of forward thinking and richly evocative music. Mudd moves between impossible technical sketches in the vein of Derek Bailey to more considered harmonic works, that although created with algorithms and code presents a sound world full of humanity and imperfections. On Guitar Cultures Mudd refreshes the connections between electronic music and the avant garde and further cements himself as a singular figure in electronic music and sound synthesis.

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Mistura Pura

7" | 2023 | US | Original (Ubiquity)

LP | 2023 | EU | Original (Wagram)

Release: 2023 / US – Original

Genre: Organic Grooves

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Mah Wah Funk' and 'Love is Full Of Colours' brings their own clear message that has always characterized my being: civil rights, love as an element of union and growth between people, even of the same sex. The two songs are structured in a different way from what has been done before: first of all there is the absence of the band that accompanied me on the previous albums, with the exception of some ‘spot’ presence by some musician. They are two vastly different songs but representative of my taste born mainly on the computer at my home. Once I went to the recording studio I chose to have Marco Lovato for the first time in the role of musician on guitar and bass, who has always been the sound-engineer of my works, taking care of them in every aspect of the sound and mixing. He embraced the guitar, then the bass and the groove came out as it sounds in the song: in Italy we usually say 'buona la prima" (as "the first take is good"). The pianist Alberto Napolioni arrived to enrich and complete the arrangements, here at the synth, with his spectacular seventies electric jazz improvisations. ”Musica di plastica, tempo digitale, elettrizziamo il funky, balliamo questo funk!” (it means: “plastic music, digital time, let’s electrify the funk, let’s dance this funk!) it's a sort of denunciation to the contemporary Pop and Dance that most radio networks worldwide play on air and requested at clubs. "Love Is Full Of Colours" turns to Brazil this time more electric but jazzy and this thanks to the presence of Alberto Napolioni on the synth and Carlo Nicita on the flute. I built and decomposed a drum file until I generated a cosmic fragment that somehow always brings me back to the magical place with such a vast rhythm for which I have always felt a strong sense of belonging. So feel free to love and lead your life in the way you truly mean it. Respect the differences and feel the funk. Fearless. Love and Peace, Federica

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Fred Astaire

Greatest Hits

Angeli Biachi, Angeli Neri

Release: 2023 / EU – Original

Genre: Organic Grooves

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The most famous songs of one of the greatest names in the history of Musical in Broadway and who has his star on the Walk of Fame in Hollywood.Including "Cheek To Cheek", "Steppin" out with My Baby"...

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Piero Umiliani

7" | 2023 | EU | Original (Four Flies)

15,99 €* 19,99 € -20%

7" | 2023 | EU | Original (Four Flies)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Another collaboration by Umiliani with director Luigi Scattini, another genius composition! Written for the 1969 film "Witchcraft 70", Umiliani's soundtrack is a unique blend of groove and magic.

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Paolo Ormi

Provaci Anche Tu Lionel

2LP | 2023 | DE | Original (Emarcy)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Another welcome addition to Four Flies 45s series, this 7” contains three uber-funky instrumentals taken from an unreleased soundtrack by Paolo Ormi, two of which previously included in Four Flies’ now almost impossible-to-find comps Esterno Notte and Esterno Giorno. Featuring wah-wah guitars, pulsating bass, drum breaks and pronounced horn section. One of the funkiest blaxploitation-inspired soundtracks ever made in Italy.

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Lucky Peterson

I'm Ready