Jazz | Fusion 1012 Items

Release: 1963 / UK – Reissue

Genre: Organic Grooves

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Don't Go To Strangers Back To Black Edition

Etta Jones

LP | 1960 | EU | Reissue (Prestige)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Le Jazz Cool, Historical Recordings, Vol. 3

Charlie Parker

LP | 1960 | US | Original (Le Jazz Cool)

5,99 €*

LP | 1961 | US | Original (Roulette)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Joe Williams

Sentimental & Melancholy

8,99 €*

Gene Ammons / Sonny Stitt

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has water damage and seam split at the bottom. Record is close to VG+.

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Boss Tenors: Straight Ahead From Chicago August 1961

LP | 1962 | US | Original (Verve)

LP | 1966 | US | Original (World Pacific)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Record has a few deeper scratches. Cover has seam split.

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Joe Pass

A Sign Of The Times

5,99 €*

The Genius Sings The Blues

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Cover is close to VG+.

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Ray Charles

LP | 1962 | US | Reissue (Atlantic)

14,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sarah Vaughan With Margie Anderson

The Divine Sarah Vaughan Sings

LP | 1964 | US | Original (Spin-O-Rama)

11,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Original US pressing. Taped bottom spine.

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LP | 1968 | US | Original (A&M)

Glory Of Love

12,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Pressing.

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LP | 1962 | US | Original (Atlantic)

Right Now

LP | 1966 | US | Original (Verve)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy with white labels

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Ed Thigpen

Out Of The Storm

66,99 €*

The Poll Winners Exploring The Scene

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Deep Groove pressing. Slightly damaged spines.

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The Poll Winners

LP | 1960 | US | Original (Contemporary)

28,99 €*

LP | 1962 | US | Reissue (Capitol)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with tape on spines and writing

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Dakota Staton

Dakota

5,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Junior Mance Trio With The Bob Bain Brass Ensemble

Get Ready, Set, Jump!!!

LP | 1964 | US | Original (Capitol)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Duke Ellington & John Coltrane

LP | 1962 | US | Reissue (Impulse!)

LP | 1960 | US | Original (Contemporary)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split.
Record with just a few paper scuffs.

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Helen Humes

Release: 1960 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: G+, Cover: G+

Let Freedom Ring Yellow Vinyl Edition

Jackie McLean

LP | 1963 | UK | Reissue (Ermitage)

Release: 1963 / UK – Reissue

Genre: Organic Grooves

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The Horace Silver Quintet

Horace-Scope

LP | 1960 | EU | Reissue (Danger Grooves)

23,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Blue Spirits Tone Poet Vinyl Edition

Freddie Hubbard

LP | 1965 | EU | Reissue (Blue Note)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Wynton Kelly Trio & Wes Montgomery

Smokin' At The Half Note Acoustic Sounds Edition

LP | 1965 | EU | Reissue (Verve)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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The Genius After Hours Sacd Edition

Ray Charles

SACD | 1961 | UK | Reissue (Mobile Fidelity)

51,99 €*

The Essential Carnegie Hall Concert 1956

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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Sacd

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Billie Holiday

LP | 1961 | UK | Reissue (Intermusic)

18,99 €*

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Reissue (Impulse!)

Shirley Scott Trio

For Members Only

20,99 €*

The Wonderful World Of Sam Cooke

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original. Vinyl with a couple of light scuffs. Cover with punch hole

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Sam Cooke

LP | 1960 | EU | Reissue (Waxtime)

16,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Sings Latin In A Satin Mood

Julie London

LP | 1963 | EU | Reissue (Waxtime)

16,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Dance With Death Tone Poet Vinyl Edition

Andrew Hill

LP | 1968 | EU | Reissue (Blue Note)

32,99 €*

LP | 1964 | DE | Reissue (Blue Note)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Andrew Hill’s 1968 album Dance With Death stands as one of the most gratifying though under-recognized sessions of the brilliant pianist’s discography featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Sam Rivers

Fuchsia Swing Song

22,99 €*

O Bem Do Amor Clear Vinyl Edtion

Release: 1964 / DE – Reissue

Genre: Organic Grooves

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Der Saxophonist Sam Rivers hatte sich schon sehr früh in seiner Karriere durch bemerkenswerte Originalität ausgezeichnet. Nach einem kurzen Intermezzo im zweiten großen Quintett von Miles Davis, spielte Rivers im Dezember 1964 für Blue Note sein Debütalbum “Fuchsia Swing Song” ein. Das Repertoire bestand aus sechs Kompositionen von Rivers, die zwar fest im Post-Bop und Blues wurzelten, aber die avantgardistischen Tendenzen des Saxophonisten auch nicht leugnen konnten. Das Highlight des Albums ist die atemberaubende Ballade “Beatrice”, die später sogar von den Tenor-Giganten Joe Henderson und Stan Getz aufgegriffen und interpretiert wurde.

BLUE NOTE CLASSIC VINYL EDITION: Stereo, komplett analog von Kevin Gray von den Originalbändern gemastert, Optimal-Pressung (180 g), wattierte Innenhülle.

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Ellis Regina

LP | 1963 | EU | Reissue (Sowing)

LP | 1969 | JP | Reissue (Craftman)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Elis Regina one of the greatest Brazilian interpreters of all time! Originally released in 1963 when she was not even 20 years old, this was her fourth album and second for Columbia records. Still a few steps before she became a star, here Elis Regina's fresh and extremely ductile voice shines on top of sophisticated Jazz arrangements by Astor Silva and a mixed repertoire based on charming romantic songs and vibrant sambas, all composed by Brazilian authors, among them a couple of highlights such as Baden Powell's "Se Você. Quiser" and "O Ben do Amor" the title track composed by guitarist Rildo Hora. This is an an early and fine statement in Regina's fast way to the peak of Brazilian music history.

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Masahiko Togashi

We Now Create

45,99 €*

Miss Nelson / Bruce Haack

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The most important artists in the history of Japanese free jazz, Masahiko Togashi, Masayuki Takayanagi, Mototeru Takagi and Motoharu Yoshizawa. A solemn and crazy improvisation work originally recorded in 1969! "It was not until 1969, when this album was recorded, that the quality of Japanese free jazz works reached a world-class level. The most important artists in the history of Japanese free jazz feast the solemn and insane improvisation has not faded away even in the present age of 2022." - Kouki Hanawa (Craftman Records)

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Dance Sing And Listen Again!

LP | 1962 | EU | Reissue (Honeypie)

13,99 €*

Nancy Wilson W/ Cannonball Adderley

Release: 1962 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Canadian composer Bruce Haack one of the true pioneers in the field of electronic and children's music. Originally released in 1962 "Dance, Sing & Listen" was Haack's debut album. Following instructions from children dance teacher Esther Nelson the album comes as a hyper-eclectic work based on a great variety of sound material. A hybrid soup of medieval, country, classical, and pop styles including tons of electronic effects, guitars, banjos and other acoustic string instruments and bongos!!! This is open minded music for children at its best.

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Nancy Wilson

LP | 1962 | EU | Original (Intermusic)

21,99 €*

Release: 1962 / EU – Original

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Intermusic)

Ben E. King

Dont Play That Song!

40,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Dialogo)

V.A.

Passaporto Per L'italia

58,19 €* 96,99 € -40%

LP | 1966 | US | Original (Pacific Jazz)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Les McCann

A Bag Of Gold

11,99 €*

LP | 1965 | US | Original (Cadet)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl close to VG+

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The Ramsey Lewis Trio

Hang On Ramsey!

8,99 €*

LP | 1961 | EU | Reissue (Impex)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record has some hairlines and a few superficial scratches.

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The Dave Brubeck Quartet

Time Further Out

49,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Cannonball Adderley's Fiddler On The Roof

Cannonball Adderley

LP | 1964 | US | Original (Capitol)

30,99 €*

LP | 1962 | EU | Reissue (Not Now)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs

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Miles Davis

At Carnegie Hall

29,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Ella Wishes You A Swinging Christmas Clear Vinyl Edtion

Ella Fitzgerald

LP | 1960 | EU | Reissue (Destination Moon)

21,99 €*

LP | 1966 | EU | Reissue (Polydor)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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First Lady of Song Ella Fitzgerald overcame the challenges of a tumultuous youth through music, her performances with the Chick Webb Orchestra at the Savoy Ballroom and distinctive scat singing leading to early recordings and the 1938 breakthrough, ‘A Tisket A Tasket.’ After recording bebop LPs for Decca, manager Norman Granz launched the Verve label to allow her to broaden her musical horizons, exploring the Great American Songbook. Released in 1960, Ella Wishes You A Swinging Christmas sees her tackle Christmas classics as only Ella can, the lavish orchestration overseen by noted conductor Frank de Vol.

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Ingfried Hoffmann

Soul Bond

27,99 €*

LP | 1969 | JP | Reissue (Musik Produktion Schwarzwald)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Ingfried Hoffmann - Hammond organ, Pierre Cavalli - 12-string guitar, Volker Kriegel - guitar, Peter Trunk - bass, Rafi Lüderitz - drums

The grooviest James Bond sounds ever! Ingfried Hoffmann had the reputation of being Europe’s best Hammond B-3 organist, a talent that has occasionally overshadowed his equal skill as a pianist, arranger and composer. As a member of Klaus Doldinger’s famed quartet, Hoffmann won several polls as Germany’s best jazz organist and pianist. “Soul Bond” was first released in Germany in 1966 under the title “From Twen With Love’, when the James Bond craze was at its height, following the worldwide success of ‘Thunderball’. Inspired by the first four Bond films, Hoffmann not only laid down fantastically swinging interpretations of Bond themes, but also shone with compositions of his own dedicated to the famous super spy. This is the first LP reissue of the rare Polydor album.

1-lp, 180g, Pallas pressing, padded inner sleeve.

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Oscar Peterson

Mellow Mood

18,99 €*

LP | 1961 | US | Original (Everest)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1975 Japanese reissue.

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Gloria Lynne

I'm Glad There Is You

9,34 €* 10,99 € -15%

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1961 | EU | Reissue (Culture Factory)

Grant Green

Grant's First Stand

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Bring It Home To Me Tone Poet Vinyl Edition

Blue Mitchell

LP | 1966 | EU | Reissue (Blue Note)

36,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Twistin' The Night Away Clear Vinyl Edtion

Sam Cooke

LP | 1962 | EU | Reissue (Sowing)

LP | 1969 | JP | Reissue (Daiei)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Twistin' the Night Away is Sam Cooke's eighth studio album. Released in April 1962 by RCA Victor, the album shows how the one and only Sam Cooke approached the twist dance phenomenon and as a result became one of Cooke's most successful releases. In fact Twistin' the Night Away peaked while the single of the same name charted high at number nine on the Billboard Hot 100. Twistin' the Night Away stands as one of the great dance albums of its period,"and "a brilliant soul album as well.

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Shintaro Katsu

Sing The Night

51,99 €*

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (VSP)

V.A.

The Art Of The Ballad

LP | 1964 | US | Original (Pacific Jazz)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Punch hole, slightly stained cover.

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Gerald Wilson Orchestra

Portraits

LP | 1965 | US | Original (Pacific Jazz)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original, mono version.

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Gerald Wilson Orchestra

Feelin' Kinda Blues

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy with white labels and stamp on back cover

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LP | 1968 | JP | Original (A&M)

Glory Of Love

18,74 €* 24,99 € -25%

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1969 | US | Original (Atlantic)

V.A.

Jazz Super Hits

11,99 €*

LP | 1962 | US | Original (United Artists Jazz)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with punch hole

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King Pleasure

Mr. Jazz

3,99 €*

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Big Brother And The Holding Company

Cheap Thrills SACD Edition

CD | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Bill Evans At Town Hall Volume One Acoustic Sounds Edition

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Sacd

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The Bill Evans Trio

LP | 1966 | EU | Reissue (Verve)

46,99 €*

LP | 1962 | EU | Reissue (Not Now)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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A timeless piano jazz classic: Bill Evans’ first-ever performance at a concert hall in New York City. Featuring the sensitive accompaniment of Chuck Israels on bass and Arnold Wise on drums. Includes a thirteen-minute solo suite dedicated to the memory of Bill’s father who had only recently passed at the time of the recording.

Verve Acoustic Sounds Series: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Bill Evans & Jim Hall

Undercurrent

LP | 1966 | EU | Reissue (Blue Note)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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When giants of Jazz join together in conjugal jamming the resultant jousting can be less than jubilant. That was often the case in the era when promoters and record producers thought it a bright idea to create battle conditions at concerts and on albums. Undercurrent features the protagonists unsupported by a rhythm section, and relies on their intuition and telepathic understanding to create the interplay revealed in this album. Much admired as an influence on other Pianists, Bill Evans won seven Grammy Awards and a led a Trio that released many acclaimed albums. While Jim Hall continued playing, composing and arranging touring the world, receiving myriad awards in recognition of his achievements.

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Bobby Hutcherson

Stick Up!

Steppin' Out Tone Poet Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Vibraphonist Bobby Hutcherson’s 1966 album Stick-Up! found him in the company of a new band line-up with Joe Henderson, McCoy Tyner, Herbie Lewis, and Billy Higgins. The quintet covers a vast expanse of post-bop territory on five Hutcherson originals plus Ornette Coleman’s “Una Muy Bonita.”

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Bobby Hutcherson (vibraphone); Joe Henderson (tenor saxophone); McCoy Tyner (piano); Herbie Lewis (bass); Billy Higgins (drums)

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Harold Vick

LP | 1963 | EU | Reissue (Blue Note)

Soul Trombone And The Jazz Clan

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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In 1963, tenor saxophonist Harold Vick made his sole album as a leader for Blue Note, the underrated soul jazz gem „Steppin’ Out“. The record finds its groove from the first downbeat and stays firmly in the pocket throughout this set featuring Blue Mitchell, Grant Green, John Patton, and Ben Dixon.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket

Harold Vick (tenor saxophone); Big John Patton (organ);

Grant Green (guitar); Ben Dixon (drums); Blue Mitchell (trumpet)

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Curtis Fuller

LP | 1962 | EU | Reissue (Sowing)

22,49 €* 24,99 € -10%

Oliver Nelson With Eric Dolphy

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Originally released on Impulse in 1962 "Soul Trombone and the Jazz Clan" was a major statement from one of the great trombone players in American jazz. Here Fuller displays an outstanding hard-bop ensemble based on a bunch of great individuals all at the top of their game. Fuller himself is part of a super strong horn section with trumpeter Freddie Hubbard and tenor saxophonist Jimmy Heath, while the groove is assured by a hard swinging rhythm section with pianist Cedar Walton, bassist Jimmie Merritt and drummer Jimmy Cobb. Fuller gives lots of space to his musicians who naturally respond and empathize with great solos.In one word: an outstanding record!

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Straight Ahead Clear Vinyl Edition

LP | 1961 | EU | Reissue (Sowing)

LP | 1965 | DE | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Originally released in 1961 by Prestige/New Jazz label, "Straight Ahead" marks the last Dolphy's appearance within a series of fortunate collaborations with saxophonist Oliver Nelson. This is a great modern jazz album taking shape from a quintet studio session (all first takes) engineered and supervised by master Rudy Van Gelder and featuring: Oliver Nelson - alto and tenor saxes, clarinet - Eric Dolphy - alto sax, bass clarinet, flute - Richard Wyands - piano - George Duvivier - double bass and Roy Haynes on drums. A serious bunch of jazz stylists all caught in fine form and concentration. Needless to add that the Nelson-Dolphy sax tandem shines throughout the whole album while Duvivier and Haynes inject their angular yet hard swinging groove. The track list consists of five Nelson's originals plus Milt Jackson's "Ralph's new blues".

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Big John Patton

Oh Baby!

25,99 €*

Roland Kirk With Jack Mcduff

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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Blue Note’s 1960s roster boasted numerous Hammond B3 organ whizzes including the soulful Kansas City born master Big John Patton. The dynamic quintet that Patton assembled for his 1965 album Oh Baby! packed a punch with the B3 master joined by trumpeter Blue Mitchell, tenor saxophonist Harold Vick, guitarist Grant Green, and drummer Ben Dixon.

Big John Patton (organ); Blue Mitchell (trumpet); Harold Vick (tenor sax); Grant Green (guitar); Ben Dixon (drums)

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Kirk's Work Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

LP | 1969 | EU | Reissue (Charly)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Roland Kirk was one of the most creative, extravagant figures in jazz history. A master multi instrumentalist with no boundaries in terms of language, style and technique. Here we find him co-leading a strong studio session with organ specialist Brother Jack Mcduff. Backed up by Joe Benjamin on bass and Art Taylor on drums, Kirk and McDuff give voice to a soulful post-bop set full of groovy riffs and highly inventive instrumental ping pong. Recorded by Rudy Van Gelder and released in 1961 by Prestige Records, this is a fine early step in Kirk's varied and intense career.

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Archie Shepp

Yasmina, A Black Woman

33,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Charly)

Archie Shepp

Blase

33,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Not Now)

The Bill Evans Trio

Moon Beams

LP | 1961 | EU | Reissue (Not Now)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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There have been many great Jazz Pianists, but foremost amongst them is Bill Evans. Accepted by all fans as being supremely influential for defining the format and scope of the Jazz trio, Evans entered his first purple patch in the mid to late fifties and refined his playing with a series of album. Over the years he recorded many trio albums with frequent changes of members, with the most lauded being his first and second line-ups. By May 1962 Evans cut what would be his seventh album for Riverside . New Bassist, Chuck Israels, joined the group, and together this second classic line-up cut two albums in the same sessions. The first was Moon Beams which contained ballads, while the second one, How My Heart Sings, had the up-tempo numbers. These were recorded as a mixture during the sessions as producer Orrin Keepnews wanted to release an album of just ballads from Evans, and so made up the album from the varied session tracks. During the recordings, Evans only revealed the tracks to his trio at the session itself. Fans and critics alike were more than appreciative of Chuck Israels' ability to meld into the trio with his punchy lines, meshing in especially well with Motian.

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The Bill Evans Trio

Explorations

In Person, Friday Night At The Blackhawk, San Francisco, Volume 1

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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When Bill Evans played those haunting exploratory notes that introduce So What on the Miles Davis album Kind Of Blue he made a lifelong impression on generations of music lovers. Bill thereafter launched a solo career greeted with the kind of critical acclaim the bespectacled, classically-trained Pianist no doubt found unsettling yet deeply satisfying. While his association with Miles, which included performing on the most influential Jazz album of all time, was relatively short, his time with the Bill Evans Trio was longer lasting and in many ways more productive. Certainly Explorations proved a great success when first released by the Riverside label in 1961. The trio was completed by Scott LaFaro on double bass and Paul Motian on drums, gave the leader the right combination of swing and subtlety needed to suit Evans’ sensitive and yet ultimately commanding style. It was the second album by the trio and Bill claimed it was his personal favourite. Explorations produced by Orrin Keepnews certainly impressed the Jazz critics of Billboard magazine who voted it the Best Piano LP of 1961 in their annual poll.

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Miles Davis

LP | 1961 | US | Reissue (Columbia)

21,99 €*

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

US reissue. Vinyl is Close to VG+. With insert.

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Booker Ervin

Cookin'

25,99 €*

The Thelonious Monk Quartet

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued as Savoy Records MG 12154

The Booker Ervin Quintet Booker Ervin (tenor sax), Richard Williams (trumpet), Horace Parlan (piano), George Tucker (bass), Dannie Richmond (drums). Recorded at Medallion Studios, Newark, New Jersey, on November 26, 1960

Sound engineer: Paul Cady Cover art: Lee Jack Morton Liner notes & recording supervision by Tom Wilson Album preparation: Herman Lubinsky

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Monk's Dream

LP | 1963 | US | Reissue (Impex)

57,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Le Jazz Cool, Historical Recordings, Vol. 1

Charlie Parker

LP | 1960 | US (Le Jazz Cool)

LP | 1964 | US | Original (Blue Note)

Release: 1960 / US

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Lee Morgan

The Sidewinder

89,99 €*

The World Of Cecil Taylor

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many scuffs, hairlines and some deeper marks. Cover with long seam splits, shelf wear. and yellowing

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Cecil Taylor

LP | 1961 | EU | Reissue (Candid)

LP | 1969 | JP | Reissue (P-Vine)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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The World Of Cecil Taylor is the fifth studio album by radical, free jazz pianist pioneer, Cecil Taylor.Taylor's music is often described as ahead of its time. And it's easy to imagine what the reaction of the average jazz fan was to this 1961 recording. It is arguably a tremendous departure from what jazz was widely considered to be at the time. At once a modern approach to standard material and a genre pushing exploration, it is a document of an artist pushing the boundaries of what jazz meant and where it was capable of going. This brand new reissue is available on CD and LP (180g) and has been remastered from the original Candid Records master tapes by Bernie Grundman.

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Spanky Wilson

Spankin' Brand New

34,99 €*

Elis Regina & Toots Thielemans

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The album that started it all! Spanky Wilson’s legendary debut from Mother’s Records saw Philadelphia’s soon to be soul diva teaming up with legendary producer/arranger H.B. Barnum to deliver a killer 11-track LP! From the opening notes of “You’re Gonna Miss Me”, to the final fading chimes of “The Last Day of Summer”, Spanky Wilson’s beautiful voice is always on full display. Despite the fullness of her voice, there’s a surprising tenderness - undercutting soulful funky numbers with an element of emotionality unlike anything her peers would ever put out. As Spanky’s voice soars, her backing band, at times as sparse as a single piano, and at times as full as a big band, is always tight, giving Spanky plenty of room to shine while showing off their own immense talents. Don’t miss the album that started it all for legendary soul diva Spanky Wilson, now available on limited edition vinyl with a special Japanese Obi-strip!

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Elis & Toots Limited Edition

LP | 1969 | EU | Reissue (Fontana)

27,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Original (Columbia)

Don Shirley Trio

In Concert

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Junior Mance Trio With The Bob Bain Brass Ensemble

Get Ready, Set, Jump!!!

LP | 1964 | US | Original (Capitol)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Speed And Space - The Concept Of Space In Music

Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

LP | 1960 | EU | Reissue (Not Now)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

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Eric Dolphy

Out There

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Not Now)

Bill Evans

Portrait In Jazz

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Original (Prestige)

Gene Ammons

Bad! Bossa Nova

20,99 €*

LP | 1964 | US | Original (Verve)

Release: 1962 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: G+, Cover: G+

Minor writing of cover and label. Visible signs of use and superficial marks however plays without skiping. Only low surface noise audible in quieter parts.

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Ella Fitzgerald

Hello, Dolly!

16,99 €*

LP | 1964 | US | Original (Blue Note)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Lee Morgan

The Sidewinder

103,99 €*

LP | 1965 | US | Original (Verve)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with scuffs and hairlines, cover with yellowing and open seam split on top and bottom spine.

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Jimmy Smith

Monster

14,99 €*

LP | 1968 | EU | Reissue (Holy Basil)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Piero Umiliani

Preistoria

Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

Release: 1968 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Originally released in 1968 as part of the "Serie Sonorizzazioni" series on Piero Umiliani's iconic Omicron label, "Preistoria" is the perfect example of a library music collection perfectly tailored to a theme. Through the use of orchestral accompaniment, jazzy arrangements, and tribal experimentation thrown in for good measure, the legendary Italian composer brings you back to the stone age, creating and ominous and primitive landscape, rich of caveman-style drums and deep bass lines. This extremely sought after gem is now available on vinyl for the first time since its original release, officially licensed by Piero Umiliani's family and available as a limited edition pressing of 500 copies.

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Art Blakey

LP | 1961 | EU | Reissue (Sowing)

22,99 €*

LP | 1960 | UK | Reissue (Public Domain)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and band leaders in the history of Jazz. No need to add that "Paris Jam Session" is regarded as an essential release in Blakey's extensive discography.

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Kenny Dorham

Quiet Kenny

22,99 €*

LP | 1966 | US | Reissue (We Are Busy Bodies)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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One of the most active bebop trumpeters, Kenny Dorham started in the big bands of Mercer, Ellington, Lionel Hampton, Billy Eckstine and Dizzy Gillespie and eventually landed in the Charlie Parker Quintet. In addition, he was a charter member of Art Blakey’s Jazz Messengers, recorded as a sideman with Thelonious Monk and Sonny Rollins and replaced Clifford Brown in the Max Roach Quintet. Throughout his career he can be heard playing trumpet on various recordings with Lou Donaldson, Sonny Stitt, Fats Navarro, Kenny Clarke, Mary Lou Williams and many more musical legends. “Quiet Kenny” is a jazz masterpiece. Recorded by the great Rudy Van Gelder with a group of musicians playing at the top of their game, this title continues to be one of the most collectible Jazz LPs due to its high demand and short supply.

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Barney Wilen

Zodiac

LP | 1962 | EU | Reissue (20th Century Masterworks)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of 'Zodiac' by brilliant French tenor saxophonist, Barney Wilen. Originally released on the Disques Vogue label in 1966, the album has been restored and remastered from Barney Wilen's personal copy of the album. The album was recorded a few years after performing on albums and European tours with Art Blakey's Jazz Messengers and Miles Davis. The album is an exploration of free jazz, dedicated to the signs of the zodiac. Wilen and his friend, photographer Jean Larivière worked together to create the photos and artwork for his album, Zodiac. The intention at the time was to also create a film with a storyline and characters developed by Jean. Unfortunately, the concept was never fully realized at the time,. Sketches, photos and further context are included in the accompanying album insert.

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Herbie Hancock

Takin' Off

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Candid)

Abbey Lincoln

Straight Ahead

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Cortizona)

Patty Waters

You Loved Me

23,99 €*

Year Of The Iron Sheep Clear Vinyl Edtion

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single 'My One And Only Love' and a recorded live session at Lone Mountain College in 1974.

The album 'You Loved Me' is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60's and her post 90's releases. The missing link between the radical ingenue of the 1960s and her late 90's songs wherein she expressed the resolution of all of her life's moments through mature readings of traditional songs and jazz standards. This collection aims to provide that missing link and to finally complete the picture of her storied recording career.

In what would have been her third LP, the 'You Loved Me' album serves as the inverse of Patty's debut. While her debut "Sings" concerned itself with themes of heartbreak, loneliness and yearning, there's an abundance of love, joy and togetherness on "You Loved Me".

Or in Patty's own words:

"I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love could be"

On 'You Loved Me' Patty Waters velvet voice captures this longing for love, straight from her soul to your heart. Crossing the border of the avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-sides while the 14 minute composition 'Touched By Rodin In A Paris Museum' on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.

'You Loved Me' proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, impressed Miles Davis, Pharoah Sanders and Henry Grimes with her concerts and can count Patti Smith and Yoko Ono (to name a few) amongst her fans.

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Ken McIntyre

LP | 1962 | EU | Reissue (Sowing)

20,99 €*

Western Reunion London 1965

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Recorded intermittently between June and September 1962, "Year of the Iron Sheep" was Ken McIntyre's third album, the fruit of various studio sessions featuring three different personnels. Here the great multi-instrumentalist, mostly known for his collaborations with the likes of Eric Dolphy, Archie Shepp, Cecil Taylor and Charlie Haden is heard on alto sax and flute while the rhythm section variously features pianist Jacki Byard, bassists Ron Carter and Ahmed Abdul-Malik, drummers Ben Riley, Louis Hayes and Warren Smith. An amazing cast of players for a great and yet forgotten post-bop gem.

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The New Jazz Orchestra

LP | 1965 | EU | Reissue (Mad About)

28,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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British Jazz Masterpiece from 1965 featuring Neil Ardley, Ian Carr, Barbara Thompson and John Hiseman

180 gram black vinyl. Reissue for the first time Worldwide In the mid-60’s London scene, the NJO was one of those unavoidable and big-band groups (originally started as Clive Burrows Orchestra), where almost everyone who was anyone on the scene or almost transited through the group, which was normally the vehicle for composer Neil Ardley. You’ll find in the WR album, among others, stellar names like Ian Carr (of RCQ and Nucleus fame), Barb Thompson, Tony Reeves, John Hiseman (all three of future Colosseum fame), Trevor Watts (future Amalgam) plus a bunch more of lesser-known, but no-less gifted musicians like Paul Rutherford, etc. The line-up would fluctuate to include many other household names.

The New Jazz Orchestra was formed in December 1963, its name reflecting both the youth of its members - their average age was only 23 - and their mission to perform the new kind of orchestral jazz that was then developing in America but still to be heard in Britain. The personnel included such (then) non-jazz instruments as flute, horn and tuba in addition to the standard brass, saxes and rhythm line-up of the big band. This is the NJO's first album, recorded in March 1965 before an invited audience to make the young band feel at ease. The NJO was the offspring of a popular weekend jazz club, the "Jazzhouse" based at the Green Man, Blackheath (demolished to make way for Allison Close) where the "house" band was the Ian Bird Quintet (initially comprising Ian Bird, tenor sax; Clive Burrows, baritone sax; Johnny Mealing, piano; Tony Reeves, bass and Trevor Tomkins, drums - Mealing and Tomkins left to join the newly formed Rendell-Carr Quintet and were succeeded by Paul Raymond and Jon Hiseman respectively. The ensemble featured many London-based jazz musicians, such as Harry Beckett, Jack Bruce, Ian Carr, Dave Gelly, Michael Gibbs, Dick Heckstall-Smith, Jon Hiseman, Henry Lowther, Don Rendell, Frank Ricotti, Paul Rutherford, Barbara Thompson, Trevor Tomkins, Michael Phillipson, Les Carter, Tom Harris, Trevor Watts and Lionel Grigson. Ardley, Gibbs, Carter, Rutherford, Michael Garrick, and composer Mike Taylor all contributed pieces and arrangements.

Under exclusive license of Universal Music Portuga

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LP | 1969 | JP | Original (Atlantic)

Memphis Underground

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI!

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Shirley Horn

Embers And Ashes

LP | 1968 | EU | Reissue (Morgan Blue Town)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued as Stere-O-Craft #16
Subsequently reissued by Hi-Life Records as HLS 55

The Shirley Horn Trio
Shirley Horn (piano & vocals), Joe Benjamin (bass), Herb Lovelle (drums).
Lewis Packer, bass, and Harry Saunders, drums, replace Benjamin and Lovelle on "Day by Day"
Recorded in New York City, 1960

Back-liner notes written by Mort Fega
Jazz Unlimited, WEVD, New York City
Recording produced by Buddy Smith

180 Gram Newly Remastered Vinyl Reissue of the original Stere-O-Craft #16 Limited edition in Solid carton sleeve

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Judd Proctor

Guitars Galore

19,99 €* 24,99 € -20%