Jazz | Fusion 976 Items

LP | 2020 | DE | Original (Umland)

Release: 2014 / UK – Original

Genre: Organic Grooves

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Leo Kottke, Bob James, James Last, Map Of Africa, Massive Attack, Outkast & others are featured. Another tasty selection!

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Jan Klare

B.C.

14,99 €*

Release: 2020 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

To Feel Embraced Turquoise Vinyl Edition

Sparkle Division

LP | 2020 | EU | Reissue (Temporary Residence)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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A Vibrant Electronic Fusion Of Lounge, Jazz, And Disco Is Maybe Not The First (Or Fifth) Thing You Would Expect To Hear From One Of The World's Most Renowned Modern Composers And Ambient Tape Loop Pioneers, But Upon First Listen, It Makes So Much Sense That One Wonders Why It Didn't Happen Sooner.After Years Of Producing And Mentoring Slews Of Young Artists In 1990s Williamsburg, Brooklyn, William Basinski Moved To Los Angeles. There He Hired A Young Studio Assistant, Preston Wendel, Who Eventually Introduced His Own Works To The Curious Composer. That Spawned A Creative Partnership That Inspired Wendel To Persuade Basinski To Haul Out His Saxophone. Five Years Later, Sparkle Division Has Arrived With Their Enchanting Debut Album, To Feel Embraced. Produced By Sparkle Division At Basinski's Musex International In Los Angeles, The Duo Were Joined By A Few Notable Friends: Mrs. Leonora Russo (Who Basinski Affectionately Calls "The True Sicilian Sparkle Division, My Brooklyn Mom, The Queen Of Williamsburg") Offers Her Sparkling Voice To "Queenie Got Her Blues"; Fabled Free-Jazz Icon And Genuine Bodhisattva, The Late Henry Grimes, Contributed Upright Bass And Violin To The Aptly-Named "Oh Henry!" ("Lotta Babies Gonna Be Born From This One," Henry And Margaret Davis Grimes Playfully Declared); And London Vocalist Xeli Grana Offers Her Ethereal Voice To The Album's Meditative Title Track.Conceived And Nearly Completed In 2016, The Increasing Environmental And Political Infernos Gave Basinski And Wendel Cold Feet About Unleashing A Record Intended To Be Fun, Loving, And Prone To Bouts Of Euphoria. But As Basinski Exclaimed, "Well, Damn It, If The Time Ain't Right Now, It Never Will Be! Let's Do This!"

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LP | 2020 | EU | Original (Wagram)

Bob Marley In Jazz

12" | 2019 | EU | Original (Edition Hawara)

Release: 2020 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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Find the most beautiful pieces of the Reggae legend "Bob Marley" reinterpreted by the Jazz scene. A selection of the most beautiful covers from "I Shot The Sheriff" to "Sun Is Shining" or "Jammin'" and "Jammin'". "Buffalo Soldier" with Pink Turtle, The Holmes Brothers, Sly & Robbie, Kim Waters...

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The Word

Collected Works

De Evergreens & Les Jaguars De Casablanca

Release: 2019 / EU – Original

Genre: Organic Grooves

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* The awe-inspiring signature piece “Lobster” has the same analogue, slow-moving aesthetic as Zenit’s timeless “Waiting” that was featured on Edition Hawara’s first release
* The Word is one of the better-kept secrets of 1980s Austrian disco music

The Word is one of the better-kept secrets of 1980s Austrian disco music. Yet once you put the needle on this record, you notice that it sounds oddly familiar. The awe-inspiring signature piece “Lobster” has the same analogue, slow-moving aesthetic as Zenit’s timeless “Waiting” that was featured on Edition Hawara’s first release. The same goes for the three other wonderfully unconventional, proto-electronic songs: “Easy”, “All my life” and the eponymous “the word”. And there are even more commonalities with Zenit’s LP: The vocals are Linda Sharrock’s, who here teamed up with Karl “Charly” Ratzer and Peter Ponger, the twin brother of legendary Falco producer Robert Ponger. The result of this collaboration is, well, also quite legendary. How this kind of sound emerged in Vienna in 1984 is still a bit of a mystery, but clearly all the stars were aligned when Sharrock, Ratzer and Ponger were jamming in the studio. We at Edition Hawara are very proud to share this secret with you. Just as there are very few lobsters in landlocked Vienna, there are very few records like this out there.

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Es Lilin / Gonzales

7" | 2019 | EU | Original (Radio Martiko)

13,99 €*

Star People Nation Translucent Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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High Quality pressing in vintage silk screen sleeve. Surfing on the shores of Java and Casablanca! 2 un-expected tales from the Beat generation.Tony Turpijn and his Evergreens fulfill the dream of every pantropical music lover with a silky instrumental rhythm ’n blues take on the Sundanese love song “Es Lilin” (Ice Lolly). Link Wray meets Mulatu Astatke meets Oslan Husein in Rotterdam, 1965.

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Theo Croker

LP | 2019 | EU | Reissue (Music On Vinyl)

Mars Williams Presents An Ayler Xmas Volume 4: Chicago Vs. NYC

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Star People Nation is a project described by Theo Croker himself as an intimate exploration of “the everyday rituals of blackness”. A translation of his personal, spiritual and creative experience, the album is a self-reflective collection of powerfully passionate and boundary-busting compositions that speak to our greater, shared human existence. The album features jazz pianist ELEW on “The Messenger”, which is a great combination of a smoky blues piano with a traditional swing rhythm, locking into the pocket and showcasing Croker’s mastery of the swing. Star People Nation is available as a limited edition on translucent blue coloured vinyl. The vinyl package includes a printed inner-sleeve and 4-page booklet with lyrics and pictures.

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Mars Williams

LP | 2020 | US | Original (Astral Spirits)

7" | 2020 | JP | Original (HMV Record Shop)

Release: 2020 / US – Original

Genre: Organic Grooves

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Split release with Mars Williams' own Soul What Records. Yet another yearly installment of An Ayler Xmas just in time to cheer us up post election. This is the first time that there will be a vinyl version of Ayler Xmas jams! The vinyl version contains Only tracks 3 & 6 which are the same medley but done in entirely different styles by the Chicago and NYC groups respectively. However, the vinyl version does come with a digital download of the Entire album—and is pressed on limited black and white "Albert Ayler Goatee" swirl vinyl.

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DJ Kawasaki

When It Feels Right

38,99 €*

The Raven 45rpm, 200g Vinyl Edition

Release: 2020 / JP – Original

Genre: Organic Grooves

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When It Feels Right feat. Monday Michiru (Danny Krivit 7" Edit)"

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Rebecca Pidgeon

2LP | 2020 | US | Original (Analogue Productions)

69,99 €*

LP | 2020 | EU | Original (Sonar Kollektiv)

Release: 2020 / US – Original

Genre: Organic Grooves

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Rebecca Pidgeon, the acclaimed Scottish actress, has also displayed her gift as a singer/songwriter on her several well-received albums. Taking elements from folk, pop, jazz, and Celtic traditions, Pidgeon crafts lilting, intimate poetry. Born in Cambridge, Massachusetts, she later moved to Edinburgh, Scotland with her family at the age of 5. As a teenager in Scotland, she sang along with the radio and her parents' Beatles and Joni Mitchell records as a light escape from her demanding acting studies. Eventually, she enrolled in London's Royal Academy of Dramatic Art at 18 where she studied drama, music, and voice. Pidgeon's first Chesky release, "The Raven", featured Pidgeon's stunning version of "Spanish Harlem". "The Raven" went on to become an audiophile classic, thanks to Pidgeon's crystalline voice and Chesky's high-fidelity recording techniques. Her second album, "The New York Girls' Club", brought her unique singing and songwriting to more music lovers. She now resides in Boston and Vermont with her husband and their daughter. Between album projects, Pidgeon has starred in the Mamet plays "Oleanna", "Speed The Plow", "The Old Neighborhood", and the motion pictures "The Spanish Prisoner" and "The Winslow Boy".

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Key Elements

Matthew Tavares & Leland Whitty

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Berlin based label Sonar Kollektiv has been waiting for it anxiously: Key Elements‘ debut album leads Jazz music into the new decade down-the-line. The music Key Elements create is fresh, merciless and ruthless and has always the finger on the pulse of the time. The album‘s eight tracks are all far away from Broken Beat nostalgia or Beatmaking nedism, they breathe inspiration from the young, thriving British jazz scene.
Key Element‘s initiator, DJ and producer Marian Tone, built up a reputation in the Berlin hiphop, soul and jazz scene over the years (also as a co-founder of Beatkollektiv). With all of his compositions you always feel this heritage and his love and passion for hiphop. But the other two allys within «Key Elements», drummer Waldi and the keyboard or bass player Jim Dunloop made their contribution with compositions and ideas as well. An album which was initially designed to be a mere solo project became an effort of a trio over the years being inherently consistent. Already the opening track «Mike Needs Sugar» shows the direction this album will take us: To the land of the good groove. It‘s here where the three thoroughbred musicians feel on top of the world obviously and deliver one luscious track after the other. From the cheerful «Morning Boom» to the kinda furtively laid back «Impossible» and the final «Funky Dave», which could be on an Italian soundtrack from the 70‘s every single tone and note from «Key Elements» is great fun.
Especially because even when you listen to it a second, third or fourth time you will discover new nuances and niceties again and again. As is right and proper for really good jazz album.

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Visions

2LP | 2020 | EU | Original (Mr Bongo)

23,99 €*

2LP | 2020 | EU | Original (Blue Note)

Release: 2020 / EU – Original

Genre: Organic Grooves

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‘Visions’ is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. The Grammy Award winning, multi-platinum producers have been performing and writing music together for 10 years. They have achieved international acclaim with BADBADNOTGOOD and Tavares’ recent solo single ’Self-Portrait’ has been championed by tastemakers such as Gilles Peterson and Benji B. ‘Visions’ is the latest upshot of their incredibly fruitful partnership.

Recorded in Toronto, it was produced by Tavares and Whitty - with Tavares also mixing the album and arranging strings. After a three-week writing period it was played in its entirety in one continuous studio session; almost all the tracks on the album are the first take. Tavares is on piano and guitar, Whitty on saxophone and flute. The rhythm section of Julian Anderson-Bowes on bass and Matthew Chalmers on drums completes the players. They make an impressive collective and are performing at the peak of their powers.

Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements. It is a sound that is hard to date; it is certainly of the now but is also reminiscent of a lost classic. Similar to the process of its creation, the optimal listening experience for ‘Visions’ is in its entirety. As a coherent body of work it draws the listener in with waves of intensity and crescendos that release back into tranquility - there is both darkness and light in the album’s narrative arc. There is also rawness and honesty to the music, which makes it feel like an intensely personal and intimate offering.

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Kandace Springs

The Women Who Raised Me

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Skip)

Martin Tingvall

The Rocket

Release: 2019 / EU – Original

Genre: Organic Grooves

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Where We Come From (Chicago X London Mixtape)

Makaya McCraven

LP | 2019 | US | Original (International Anthem)

Matthew Halsall & The Gondwana Orchestra

Release: 2019 / US – Original

Genre: Organic Grooves

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Over the course of 3 days in London, drummer/producer Makaya McCraven connected with first time collaborators (Theon Cross, Nubya Garcia, Joe Armon-Jones, Soweto Kinch, Ashley Henry, Daniel Casimir and Kamaal Williams) and did 2 improvised performances as part of a 2-night showcase called CHICAGOxLONDON at legendary UK Jazz hub Total Refreshment Centre (TRC). The following Sunday afternoon five producers (LeFtO, Ben LaMar Gay, Quiet Dawn, Earl Jeffers & Don Leisure of the Darkhouse Family) were invited to TRC to participate in an event called Fresh Roasted: Live Beat-Making & Battle, where they did live remixes of the recordings from Makaya & cos CHICAGOxLONDON performances. Remixes by Emma-Jean Thackray and Lexus Blondin were added to the pool, at which point Makaya took all the remixes and the raw live recordings from TRC back to his home studio in Chicago, chopped everything up and re-composed the music into two continuous side suites for this CHICAGO x LONDON mixtape.

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When The World Was One

LP | 2014 | UK | Original (Gondwana)

Release: 2014 / UK – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Wagram)

Louis Prima

Just A Gigolo

Release: 2020 / EU – Original

Genre: Organic Grooves

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6LP Box | 2014 | US | Original (Boxstar)

Three Blind Mice

Best Of TBM Box Set

253,99 €*

Release: 2014 / US – Original

Genre: Organic Grooves

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Emil Miszk And The Sonic Syndicate

Artificial Stupidity

LP | 2020 | EU | Original (Alpaka)

Joshua Redman / Brad Mehlau / Christian Mcbride / Brian Blade

Release: 2020 / EU – Original

Genre: Organic Grooves

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The music on this album is strictly connected to our daily routine in the internet derealisation. It's more particular. It's Emil Miszk 2.0. „Followers, ads, likes - these things are really funny and stupid. Of course, I am also a victim of the system. Please, don't trust it and learn how to use it wisely. Especially in the context of our younger generations. Be kind for each other and care of human relationships. That's the most powerful thing.”

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Round Again

LP | 2020 | EU | Original (Nonesuch)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2019 | US | Original (International Anthem)

Angel Bat Dawid

The Oracle

Meat.Karaoke.Quality.Time.

Release: 2019 / US – Original

Genre: Organic Grooves

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Composer, clarinetist, singer & spiritual jazz soothsayer Angel Bat Dawid descended on Chicago's jazz & improvised music scene just a few years ago. In very short time, the potency, prowess, spirit & charisma of her cosmic musical proselytizing has taken her from relatively unknown improviser to borderline ubiquitous performer in Chicago's avant-garde. On any given night you can find Angel adding aura to ensembles led by Ben LaMar Gay, or Damon Locks, or Jaimie Branch, or Matthew Lux, or even, on a Summer night in 2018, onstage doing a woodwind duo with Roscoe Mitchell. For her recorded debut on International Anthem, The Oracle, we've chosen to release a batch of tracks that Angel created entirely alone - performing, overdubbing & mixing all instruments & voices by her self - recorded using only her cell phone in various locations, from London UK to Cape Town RSA, but primarily from her residence in the attic of the historic Radcliffe Hunter mansion in Bronzeville, Southside, Chicago.

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Futura Bold

| 2020 | DE | Original (Umland)

8,99 €*

Release: 2020 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | UK | Original (RareNoise Records)

The End

Allt Är Intet

Dialectic Soul Clear Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beige vinyl

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Asher Gamedze

LP | 2020 | EU | Reissue (On Teh Corner)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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All News Is Good News Black Vinyl Edition

Surprise Chef

LP | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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There is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-eqsue cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time this is a truly contemporary record that could have only been made now. The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies. Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way". The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.

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LP | 2020 | AU | Original (The Roundtable)

Pyramid Pieces 2

LP | 2019 | EU | Reissue (Eskapaden)

Release: 2020 / AU – Original

Genre: Organic Grooves

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Following the critical acclaim of the 2020 compilation Pyramid Pieces, The Roundtable return with a second offering of modernist jazz from Australia. Another vital document further examining the nation’s jazz scene during the late 1960s and 70s. A fertile period that witnessed the birth of an in-dependent movement and the development of a distinct Australian jazz sound. While continuing to focus on the modal forms explored in Volume 1, this second edition shifts direction slightly, this time also surveying other post-bop modes representative of the scene including soul jazz, avant-garde ballet music and Eric Dolphy-inspired free jazz.

Again featuring tracks from the esteemed independent imprints Jazznote and 44 Records, the col-lection also offers never before published pieces from less obvious Australian jazz groups. Compo-sitions by internationally renowned musicians including Bob Bertles (Nucleus/Neil Ardley), Bruce Cale (The Spontaneous Music Ensemble/Prince Lasha) and Allan Zavod (Frank Zappa) alongside pillars of the local scene, Charlie Munro and Ted Vining plus the lesser-known yet formidable free jazz unit ‘Out To Lunch’. Pyramid Pieces 2 is another timely insight into the evolution of the in-credible yet obscured Australian modern jazz movement.

• A compilation of Australian modern jazz. 1969-1980

• Rare modal, soul-jazz and free jazz from artists including The Charlie Munro Trio, Bob Bertles Moontrane, The Bruce Cale Quintet and The Ted Vining Trio.

• Tip-on sleeve featuring artwork from renowned Australian modernist painter James Meldrum.

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Sepalot Quartet

A New Cycle

19,99 €*

In Velvet Black Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Following a wide variety of solo albums, sepalot released his two-part series of albums “hide&” and “seek” in 2017. with this exceptional release the Foundation to an additional musical passion was laid and with the help of his newly established quartet, his studio antics made it to the big stage.
“The issue was always: How could I transport my work as a producer and beatmaker on to a stage? How can something, that is happening behind locked doors in the studio, emerge into a live experience?” With this vivacious live quartet, he has found his answer.
Songs from a productive solo career spanning a period of over 10 years, Sepalot has a wide variety of songs to pick and choose from. Even in the live set up, his ove for electronic music remains unaffected and the subtle in uence of Hip Hop is undeniable. Despite this being the ini- tial state of the project, a distinctive sound has evolved from jamming together in dark rehearsal rooms. The different characters compliment each other like a puzzle on stage, though Sepalot’s part as producer and svengali is undisputable.
The electronic beats, the pulsating bass, Sepalot’s enthusiasm for ambient sound design – all this remains unchanged and is garnished with the element of jazz. A unique, unequalled sound that strives for high- er ideals and has immense international potential.
In 2018 the quartet performed in Cannes for a an established automotive trade show, at the “Jazz Week” (London), at the “Jazz in allen Gassen” (Dachau) and and in September at the “Reeperbahn festival” (Hamburg). In the beginning of 2019 a tour all the way through Germany is in the making.

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Nordmann

LP | 2020 | EU | Original (Unday)

22,99 €*

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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On the band's third album 'In Velvet', Nordmann reinvent themselves, causing a profound shift in their distinctive sound.They trade in the rock influences in favour of synths, electronic textures and beats. The new music is more reflective, though without ever losing focus on the instincts.

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Sven Wunder

Magnolia / Lotus

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Mr Bongo presents a new and exciting collaborative project with Swedish label Piano Piano Records. Hearing the Swedish outfit Sven Wunder for the first time is as refreshing as an ice-cold Limoncello after an Italian meal. One of those bands that feel instantly familiar like an old friend, yet simultaneously fresh and new. Straight away we fell in love with their sound and knew we had to work with them. The Sven Wunder 'Wabi Sabi' 7" is the second collaborative release between Mr Bongo and Piano Piano Records. 'Wabi Sabi' is Sven Wunder’s follow up to the already contemporary cult-classic album 'Doğu Çiçekleri (Eastern Flowers) from 2019. Not one to be complacent and recreate a carbon copy of their previous works, Sven Wunder switched from the psychedelic-Turkish-funk sounds of 'Doğu Çiçekleri' to the Japanese inspired ethereal funk of 'Wabi Sabi'. We have selected the tracks ‘Hanami’ and ‘Shinrinyoko’ for this collector’s edition 7’. Japanese artists such as Hozan Yamamoto, Tadao Sawai, Kazue Sawai, spring to mind, but also David Axelrod and Dorothy Ashby on the beautiful string-led 'Hanami' with it's laid-back funk breaks. 'Shinrinyoku' has a slightly more raw cinematic-funk sound, yet is cushioned with warm strings and tripped-out keys - pure, rare-library music vibes. We are delighted to be able to release these amazing tracks, cut at the Timmion Records Cutting Lab in Finland.

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Sven Wunder

Hanami / Shinrinyoku

LP | 2020 | EU | Original (Piano Piano)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Sven Wunder

Wabi Sabi

Matthew Tavares & Leland Whitty

Release: 2020 / EU – Original

Genre: Organic Grooves

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By welcoming the beauty of imperfection and simplicity, Sven Wunder applies the timeless wisdom of wabi sabi on this musical journey. What you can hear is filtered through Ukiyo-e (which translates as pictures of the floating world), which illustrates everyday life, as well as through Japonism, the study of Japanese art, and more specifically its influence on European works. The result is a surface that creates an illusion by sound. The infusion of Miny? with jazz rock, this hazy scene evokes the landscape of Monets The Water Lily Pond, which depicts the painters Giverny garden, with a Japanese bridge, bamboo, ginkgo trees and the reflection of the sky in the pond. This illusion constructs both time and space.

The surface of the music, like the canvas of the painting, invents a journey between now and then by interpreting the idiom of folkloric and western art instruments. In this composition, the sound of the Western concert flute, which stretches back to the Renaissance and Baroque periods, evokes the sound of the bamboo-flute (shakuchachi), which reached its peak during the Edo period. The guzheng, also known as the Chinese zither, with a more than 2,500 year history, joins traditional Japanese folk melodies with modern pop percussion and 20th century electronic instruments such as the Moog synthesizer, Wurlitzer electric piano and electric bass.

This is the illusion that celebrates the fleeting nature of all things. A journey. A deep inhale and a slow exhale. It has a mix of jazz (both funky and progressive), East Asian and South Asian sounds. The idea of fusing these styles and reframing them with the aesthetic of wabi sabi is to reconnect with nature and concentrate on asymmetries and emphasize ornamentation to generate new ways of looking at the world, here and now.

This record is produced with financial support from the Swedish Arts Council.

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Visions Red Vinyl Edition

2LP | 2020 | EU | Original (Mr Bongo)

22,99 €*

LP | 2019 | EU | Original (Jazz Images)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Germany exclusive Edition on Red Vinyl. ‘Visions’ is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. The Grammy Award winning, multi-platinum producers have been performing and writing music together for 10 years. They have achieved international acclaim with BADBADNOTGOOD and Tavares’ recent solo single ’Self-Portrait’ has been championed by tastemakers such as Gilles Peterson and Benji B. ‘Visions’ is the latest upshot of their incredibly fruitful partnership.
Recorded in Toronto, it was produced by Tavares and Whitty - with Tavares also mixing the album and arranging strings. After a three-week writing period it was played in its entirety in one continuous studio session; almost all the tracks on the album are the first take. Tavares is on piano and guitar, Whitty on saxophone and flute. The rhythm section of Julian Anderson-Bowes on bass and Matthew Chalmers on drums completes the players. They make an impressive collective and are performing at the peak of their powers.

Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements. It is a sound that is hard to date; it is certainly of the now but is also reminiscent of a lost classic. Similar to the process of its creation, the optimal listening experience for ‘Visions’ is in its entirety. As a coherent body of work it draws the listener in with waves of intensity and crescendos that release back into tranquility - there is both darkness and light in the album’s narrative arc. There is also rawness and honesty to the music, which makes it feel like an intensely personal and intimate offering.

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Kenny Burrell

A Night At The Vanguard

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | US | Original (577)

Federico Ughi

Transoceanico

18,99 €* 19,99 € -5%

This Is The Andrews Sisters

Release: 2019 / US – Original

Genre: Organic Grooves

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"Federico Ughi, New York drummer, improviser and producer releases a new studio recording to celebrate the 20 year anniversary of his very first album, recorded when he resided in London, UK. The theme of the album is Ughis experience of home, and how it has evolved, living between Brooklyn, New York, his native Rome, Italy and all the places in the world he has passed through while touring. Its Ughis deeply personal meditation on all the incredible things hes gotten from traveling to so many places, intertwined with the melancholy of never being able to feel like he entirely belongs to any one of them. The album features British saxophonist Rachel Musson, one of the most prominent voices in improvised music in the UK and Europe. Combining the timbral savvy of Tony Oxley with the controlled power of Rashied Ali - All About Jazz Whatever your particular tastes, you need to hear what Ughi and his band are doing - Rolling Stones Hank Shteamer"

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Andrews Sisters

LP | 2020 | EU | Original (ZYX)

17,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Tape | 2019 | CA | Original (Inner Ocean)

Carsten Rubeling

Volk // People

14,99 €*

2LP | 2020 | Original (Groove Replica)

Release: 2019 / CA – Original

Genre: Organic Grooves

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imited to 100 copies.

Carsten Rubeling - trombone, keyboards
Andre Wickenheiser - trumpet, flugelhorn
Steve Fletcher - keyboards
Steve Shepard - bass, synth bass
Colin Adhikary - drums

Composed/Arranged/Produced by Carsten Rubeling
Co-produced by Sean Nimmons-Patterson
Recorded by Patrick Palardy at Public Lunch Studios
Mixed by Trey Mills at Unbound by Sound
Inner Ocean Records © 2019

Trombonist and Composer, Carsten Rubeling features his debut album on Inner Ocean Records. A powerful and fluid blend of jazz, soul, hip-hop and electronic music, skillfully navigating between traditional and modern influences on a distinctive sonic path.

Rubeling wrote and produced VOLK//PEOPLE with a vision to mix acoustic and electronic palettes in a way that never obscures its human feel. He weaves a fabric of hard-hitting drums, soulful improvisations and warm synthetics with the vibes of a live, instrumental mix tape.

Originally from Rocky Mountain House, Alberta, Carsten Rubeling is one of Canada's most active and dynamic trombonists and composers, highly in demand playing a wide array of music from jazz and classical music to hip hop, salsa and everything between.

Carsten completed his Masters Degree in Jazz Performance at the City University of New York where he studied with Michael Philip Mossman, Antonio Hart and Michael Dease. He earned his Undergraduate degree in Jazz Studies from Humber College in Toronto where he played alongside some of the Canada's best jazz musicians including Pat LaBarbera, Alastair Kay, and John MacLeod.

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Stan Getz & Charlie Byrd

Jazz Samba

Release: 2020 / Original

Genre: Organic Grooves

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2LP | 2020 | UK | Original (Gondwana)

Hania Rani

Home Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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Resavoir Black Vinyl Edition

Resavoir

LP | 2019 | EU | Reissue (International Anthem)

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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John Scofield / Bill Stewart / Steve Swallow

Swallow Tales

LP | 2020 | EU | Original (ECM)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (No Format)

Koki Nakano

Pre-Choreographed

It Is What It Is Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Koki Nakano has spent time in the worlds of both classical music and electro-rock (with his band Gas Law). After training at the prestigious Toho Gakuen music school and the Tokyo University of the Arts, he embarked on his career with the strength and serenity of a man who had already ditched all those qualms about identity and heritage that often hobble young musicians.It was back in 2016 that Koki Nakano first came to the attention of those who hunger for the wondrous and unprecedented. The nine pieces on his first album Lift, recorded for No Format! with help from cellist and admirer Vincent Segal, revealed a composer of singular talents. His work displayed a subtle versatility, a high-wire delight in floating above established musical genres. The title of the album evokes a move well-known to ballet dancers: the porté, and conveys the deep relationship, both physical and spiritual, that Koki's music maintains with dance, a bond he's been cultivating ever since he moved to Paris in 2015.Pre-Choreographed is the sequel to that beautiful opening chapter, a new episode in No Format's adventures with the emancipated genii of the piano, which began fifteen years ago with the release of Chilly Gonzales's classic Solo Piano. This project evokes the strong "saudade" for the era when the music and the dance were very close to each other, when they used to function congenially in the society. It also means the state of the music such as "awaiting" or even "missing" the choreography. That is to say, the character of the music is yet very "raw", no direction is given. Koki Nakano's basic intention resides in the urge to re-transcribe the intimate topography of a man's life, whilst remaining deliberately detached from fashions, slogans, from a binary vision of the history of music in which modernity and past, avant-garde and classicism, new and old stand in opposition to each other as a matter of principle. For that reason, his creations never emit the dusty odour of schools and lecture halls, or the perfum...

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Thundercat

LP | 2020 | UK | Original (Brainfeeder)

Round About Midnight Blue Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox.

“It Is What It Is” follows his game-changing third album “Drunk” (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. “This album is about love, loss, life and the ups and downs that come with that,” Bruner says about “It Is What It Is”. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

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Miles Davis

LP | 2019 | EU | Original (Dol)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Damon Locks & Black Monument Ensemble

Where Future Unfolds

LP | 2019 | EU | Original (International Anthem)

23,99 €*

The Don Rendell / Ian Carr Quintet

Release: 2019 / EU – Original

Genre: Organic Grooves

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Where Future Unfolds is a new work spirited by Chicago-based sound & visual artist Damon Locks. Starting as a solo sound collage piece (where Locks pulled samples from Civil Rights era speeches and recordings to create an improvisational pallet for performance on his drum machine), over 4 years the project has blossomed into his 15-piece Black Monument Ensemble - featuring musicians (including Angel Bat Dawid on clarinets and Dana Hall on drums), singers (alumni of the Chicago Children's Choir), and dancers (members of Chicago youth dance company Move Me Soul). Where Future Unfolds is a live capture of the ensemble's epic debut at the Garfield Park Botanical Conservatory on the West Side of Chicago. Recalling the spirits of Phil Cohran's Artistic Heritage Ensemble, Eddie Gale's Black Rhythm Happening, Archie Shepp's Attica Blues, and Public Enemy's It Takes a Nation of Millions to Hold Us Back, the album presents an inspired, innovative & immediate intersection of gospel, jazz, activism & 808 breaks. à

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Shades Of Blue

LP | 2019 | UK | Reissue (Jazzman)

Tape | 2019 | EU | Original (Kinship)

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Small light scuff on side 1 track 1.

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Anadol

Uzun Havalar

24,69 €* 25,99 € -5%

Spiritczualic Enhancement Center

Release: 2019 / EU – Original

Genre: Organic Grooves

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Anadol's third album, Uzun Havalar, recorded on tape by Kinship, is now available online and cassette format.
Recorded and mixed in 2015 the album is built around three long synth tracks referring to the improvised unmetric folk songs “uzun hava” in middle eastern music. You can hear drummers laughing and playing guitars, composers howling, screaming, record collectors playing synths, actors mumbling and tuning in to the geography of Anadol's synth compositions.
Anadol is a traditional continuation of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment.
Downloadcode + sticker included.

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Who Corrupted Our Wave, Back In 1969?

Tape | 2019 | EU | Original (Kinship)

17,99 €*

The Horace Silver Quintet

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Who Corrupted Our Wave, Back in 1969? is composed of tracks recorded live during a Sunday confusion at Berlin’s Klunkerkranich. Aimed at transferring the dub-laden substance of their debut at Fusion Festival, one week earlier, this sunset-session is a drive through dense traffic in psychonautic space. Hypersonic textures arise from layers of transmutative dialogues between seven instrumentalists. These musicians have gathered in the exiled Spiritczualic Enhancement Center, geared towards spontaneous pre-temporal alignment. A collective channeling of Free Beat sonic-organisms born from the ether, “Who Corrupted Our Wave, Back In 1969?” is a b-rave album producing an inter-era entanglement, empowered by the portals of a caravan traveling outside of time.
" If Woodstock had happened in an alien, technological advanced universe, this is probably how it would have sounded like but we might’ve never got to experience it. Fortunately, it was recorded this year in Berlin by seven illuminated musicians that created a timeless dialogue of textures, grooves and beats, which you can use as a post-hippie spaceship to take you wherever the fuck you want."
Gabriel Leașcu - The Attic
Downloadcode + sticker included.

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Doin' The Thing - At The Village Gate

LP | 2019 | Reissue (Blue Note)

27,99 €*

2LP | 2014 | UK | Original (Soundway)

Release: 2019 / Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Factory sealed | 180g vinyl

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Meridian Brothers

Salvadora Robot

LP | 2020 | US | Original (Period)

Release: 2014 / UK – Original

Genre: Organic Grooves

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Tropical rhythms from Latin America and the Caribbean. Meridian Brothers are back with a new studio album, the bizarre and wonderful ‘Salvadora Robot’. Heading deeper into the tropical rhythms of Latin America and the Caribbean each song on the album focuses on a different style and playfully twists it into Meridian Brothers’s surreal landscape.

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Django Reinhardt

Memorial Album, Volume 1

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Dom-Ermitage)

Chet Baker

Live In Milan

19,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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8: Kindred Spirits - Live From Lobero

Charles Lloyd

2LP+DVD | 2020 | EU | Original (Blue Note)

LP | 2019 | EU | Original (WRWTFWW)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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Gareth Quinn Redmond

Laistigh Den Ghleo

23,99 €*

LP | 2019 | EU | Original (Wagram)

Release: 2019 / EU – Original

Genre: Organic Grooves

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WRWTFWW Records is very happy to announce the release of Irish ambient/minimalist producer Gareth Quinn Redmond’s Laistigh den Ghleo, a companion album to Satoshi Ashikawa’s Still Way (Wave Notation 2). The album, available on vinyl and digipack CD for the first time, comes with liner notes by Midori Takada and Gareth Quinn Redmond. "Conceptually derived from the work of Japanese minimalist composer Satoshi Ashikawa, I have composed an album which hopes to engage, enrich and reflect the listener’s surroundings, an Environmental Music." - Gareth Quinn Redmond

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Django Reinhardt

Harcourt Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Blue Note)

John Scofield

Hand Jive

33,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Not Now)

Chet Baker

Chet

Charles Lloyd / John Abercrombie / Dave Holland / Billy Higgins

Release: 2020 / EU – Original

Genre: Organic Grooves

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Chesney Henry Baker Jr was more than just a trumpet player. He was so many things to so many people. To some, a Bix Beiderbecke for the post-bebop generation, forever creating lyrical phrases that sometimes jumped for joy, or opting for a melancholy beauty, so sad you could almost hear the tears falling. To others he was a flawed Hollywood hero, a face that set him apart from the usual run of 52nd Street icons; a From Here To Eternity Montgomery Clift or James Dean in headhung frustration in Rebel Without A Cause. Released in 1959 the Chet album proved to be one of the trumpet star s last offerings before heading back to Europe for what would become know as the Milano sessions.

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Voice In The Night

2LP | 2019 | EU | Original (ECM)

34,99 €*

LP | 2019 | EU | Original (Impulse)

Release: 2019 / EU – Original

Genre: Organic Grooves

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For the first time on vinyl, his album from 1999.

Charles Lloyd's sixth ECM album is both a departure and a homecoming for the Memphis-born and California-based tenorist, introducing new music and revisiting archive favourites (including the epic "Forest Flower"), and featuring an all-star line-up. With his "Scandinavian" band currently on hold, this is Lloyd's first all-American album in a long while - Dave Holland qualifies as an honorary American by now - with all the differences of cultural emphasis that this implies. ECM veteran John Abercrombie and legendary drummer Billy Higgins are in great form throughout as they lock in with Lloyd to tackle material ranging from Billy Strayhorn's "A Flower Is A Lovesome Thing" to the Elvis Costello / Burt Bacharach-penned "God Give Me Strength" or dig deep into the roots music of the "Island Blues Suite".

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John Coltrane

Blue World

The Atomic Mr. Basie Orange Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Unreleased recording form 1964!

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Count Basie

LP | 2019 | EU | Original (Waxtime In Color)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Bill Evans & Philly Joe Jones

Green Dolphin Street

LP | 2014 | EU | Original (Waxtime)

16,99 €*

Release: 2014 / EU – Original

Genre: Organic Grooves

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LP | 2014 | EU | Original (Waxtime)

Johnny Cash

Ride This Train

16,99 €*

Release: 2014 / EU – Original

Genre: Organic Grooves

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LP | 2014 | EU | Reissue (Universal)

Malia & Boris Blank

Convergence

30,99 €*

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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Kamilya Jubran & Werner Hasler

LP | 2020 | EU | Original (Akuphone)

Allt Är Intet Turquoise Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Musician, composer and one of the most revered figures for today’s younger generation of experimental and alternative Arabic music-scenes, Kamilya Jubran (text, oud & vocals, collaborates with long standing musical partner, composer, accomplished trumpet player and seasoned electronic musician Werner Hasler (trumpet & electronics).

In Wa (Arabic for and), their third album together as a duo, Kamilya Jubran and Werner Hasler continue to interrogate their listening and their expression, their research and their desires, to unravel a musical universe of possibilities; “a unison of timbres, cultures complementing, the complicity of verses, and modes and languages confronting each other ” in the duo’s own way of communicating respective origins and contemporaneity.

Lyrical, within a sound full of contrast and ornamentation, they pursue an expansion of their repertoire with imaginative interpretation and improvisation. For this release via Swiss label Everest Records, Jubran and Hasler seek new sonic and phonetic territory, based on the wasla compound form found in the classical repertoire of Near Eastern music and in Western modern and improvised music; a suite of musical explorations within one composition. In the 45-minutes-long piece that makes up the full length album, they gradually unveil to us the tenants of this artistic dialogue, as they deepen a longstanding musical pact nurtured since 2002 based on the probing and opening up of musical modes and traditions. The chemistry between Jubran and Hasler’s exchange gives birth to a singular, original and extratemporal sound.

Kamilya Jubran (singer, oud) and Werner Hasler (trumpet, electronics) have been collaborating since 2002. Their first collaboration Mahattaat was their earliest experiment into bringing together disparate cultural and artistic roots. Their next collaboration, Wameedd, released in 2004, combined Jubran’s vocal skill and limitless imagination with Hasler’s melodies and his original aesthetics in electronic music. The duo then released Wanabni in 2010 followed by W asl in 2016, featuring French double bass player Sarah Murcia.

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The End

LP | 2020 | EU | Original (Rare Noise)

32,99 €*

The Jerry Granelli Trio Plays Vince Guaraldi And Mose..

Release: 2020 / EU – Original

Genre: Organic Grooves

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The English translation of Allt Är Intet is "All Is Nothingness" - an apt enough title for a band already possessed of the scorched earth sonic tendencies and nihilist-leaning name of The End. Yet there's some ambiguity to that philosophy; the most bleak and despairing interpretation can be countered by a more all-embracing, one-with-the-universe meditativeness. Perhaps surprisingly, either conclusion proves to fit Allt Är Intet, the remarkable second full-length album by The End. The powerhouse international quintet is made up of Swedish saxophonist Mats Gustafsson (Fire!, The Thing), Norwegian saxophonist Kjetil Møster (Møster!, Zanussi 5), Ethiopian-born vocalist Sofia Jernberg (Fire! Orchestra, PAAVO), Norwegian guitarist Anders Hana (MoHa!, Ultralyd(, and Norwegian drummer Børge Fjordheim (Cloroform). Anyone familiar with these boundary-leaping musicians' work is familiar with their throttling ferocity and ability to stretch their music into brutal extremes with focused intensity, as evidenced throughout The End's audacious 2018 debut, Svarmod Och Vemod Är Värdesinnen (which featured Deerhoof drummer Greg Saunier in lieu of Fjordheim). But their follow-up, achieved after two years of continued exploration together, strikes an exhilarating balance between it's predecessor's blistering maelstroms and a more densely layered and haunting beauty.

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The Jerry Granelli Trio

LP | 2020 | EU | Original (Rare Noise)

27,89 €* 30,99 € -10%

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Blue Note)

Grant Green

Alive!

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Nonesuch)

Rachael & Vilray

32,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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2LP | 2019 | EU | Original (Concord)

Esperanza Spalding

12 Little Spells

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2014 | EU | Original (Alien Transistor)

Alien Ensemble

At Town Hall Transparent Purple Vinyl Edition

Release: 2014 / EU – Original

Genre: Organic Grooves

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Earlier this year, Micha Acher and his band The Notwist returned with their latest full-length “Close To The Glass” and received rave reviews around the globe. Yet, it’s not the only album he’s going to release this year, since Acher’s about to introduce his latest musical entity – the Alien Ensemble. It’s an all-acoustic line-up, devoid of electronic enhancements. And even though all members have a background in jazz, this is no classic “jazz music” either – there’s simply no need to show off technical skills… Since you’ll hear anything from Minimal Music to Krautrock influences, from delicate brass sections to the sound of New Orleans, it’s pretty much impossible to pigeonhole Alien Ensemble’s sound or slap a genre term on it.

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Nina Simone

LP | 2019 | EU | Original (Waxtime In Color)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Reflections W / Art Blakey & Max Roach

Thelonious Monk

LP | 2019 | EU | Reissue (Jazz Images)

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Michael Giacchino And His Nouvelle Modernica Orchestra

Travelogue Volume 1

LP+LP+All Media | 2020 | UK | Original (Death Waltz Originals)

33,99 €*

Orlando Julius / The Heliocentrics

Release: 2020 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Blue and Orange vinyl.

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Jaiyede Afro Transparent Vinyl Edition

2LP | 2014 | EU | Reissue (Strut)

31,99 €*

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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Strut presents a limited transparent vinyl pressing of the seminal album by one of the all-time legends of Nigerian music, the late, great Orlando Julius, in a mouth-watering collaboration with London super-group The Heliocentrics, originally released in 2014.

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LP | 2020 | EU | Original (Act Music)

Abrazo

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Outernational)

Jaman

Sweet Heritage

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Jazz Room Compiled By Paul Murphy

LP | 2019 | EU | Original (BBE Music)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Reissue (Outernational Sounds)

Horace Tapscott

The Call

22,99 €*

I've Got You Under My Skin

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Available on vinyl for the first time in 40 years, Outernational Sounds is proud to present a masterpiece from the Los Angeles jazz underground – Horace Tapscott’s burning, spiritualised 1978 set, The Call.

One of the unsung giants of jazz music, the composer, bandleader, arranger, pianist and community activist Horace Tapscott was the undisputed keystone in the grassroots Los Angeles jazz scene. Throughout the 1960s and 1970s, his radical community arts and music formations the UGMA (Underground Musicians Association, later changed to UGMAA – Union of God’s Musicians and Artists Ascension), and his protean big band, the Pan Afrikan Peoples Arkestra, were at the epicentre of music, culture and politics in the Los Angeles area.

From their 1960s base at the Watt’s Happening Coffee House on 103rd St, to their decade-plus- long 1970s residency at the Immanuel United Church of Christ on 85thE St and Holmes Ave, Tapscott’s groups were the beating heart of underground music in LA. Hundreds of musicians passed through and played their part. Major figures in LA jazz such as Arthur Blythe, Azar Lawrence, Jimmy Woods, John Carter, Bobby Bradford, Sonny Criss, Ndugu Chancler and dozens of others all paid dues or just got down with Tapscott, not to mention the core Arkestra regulars who have since become celebrated names – Nate Morgan, Jesse Sharps, Adele Sebastian, Dadisi Komolafe, Gary Bias, to mention only a few.

Tapscott and the Arkestra were down on the ground – playing fundraisers in park and street, organising teach-ins and workshops for young and old, mixing it with radical theatre groups, firebrand poets, political radicals, Black separatists, community groups and churches. They lived communally, and built an ark for the Black arts in the heart of the city. But as a result of this grassroots community focus and Tapscott’s antipathy to the music industry, the Arkestra didn’t record for nearly two decades. That only changed when long-time jazz fan Tom Albach started Nimbus Records. The label was initiated specifically in order to document Tapscott and his circle, and the first three records showcased Horace and the Arkestra.

The Call was put together from two studio sessions in April 1978, one at Hollywood Sage and Sound, one at United Western – the latter session had the addition of a string section, who can be heard on the moody Cal Massey composition ‘Nakatini Suite’ and Jesse Sharps' swinging modal trip, ‘Peyote Song No. III’, with its swirling soprano solo. In keeping with the communal nature of the Arkestra, the other two compositions, ‘The Call’ and ‘Quagmire Manor at Five A.M.’ are also by Arkestra members. But at the centre of the music is the builder of the Ark, the visionary whose original call to action started a movement whose legacy continues to this day – Horace Tapscott.
Heed The Call!

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Frank Sinatra

LP | 2019 | EU | Original (BMG)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Craft)

Chet Baker

Chet Baker In New York

38,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Jonny Nash & Teguh Permana

Poe

LP | 2020 | EU | Original (Melody As Truth)

19,99 €*

2LP | 2020 | EU | Original (678)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Recorded over the course of March 2020 in Bandung and Amsterdam, ‘Poe’ is a collaboration between Jonny Nash and Teguh Permana. Permana is a renowned player of the Tarawangsa, a two-stringed instrument used in the sacred Tarawangsa music of Sunda, Indonesia. Poe’, meaning ‘Days’ in Sundanese, is a meditation on death and rebirth as reflected in the passing of time and the changing of the seasons. Permana is also active in the group Tarawangsawelas who released their debut album on Morphine records in 2017.

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Ian Carr's Nucleus

Exit 1971

31,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Amirtha Kidambi Elder Ones

Holy Science

LP | 2020 | UK | Original (Jazzman)

Introducing Wayne Shorter

Release: 2020 / UK – Original

Genre: Organic Grooves

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First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, ‘Holy Science’, the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, ‘Holy Science’ simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present.

Amirtha Kidambi, the Elder Ones’ leader, composer and vocalist, was a child of South Indian heritage, and she grew up immersed in the tradition of devotional singing, joining in with free-form, improvised Bhajans on regular Sundays. She began simultaneously accompanying her voice with the harmonium from the age of three. These formative experiences continued to instruct and merge with her ongoing musical explorations as she went on to study Classical music, all the while ingesting the Punk, R&B and Rap that surrounded her. A particularly significant discovery was that of free and avant jazz, and in particular the music of Alice and John Coltrane, in whom Kidambi found clear echoes and parallels with those Bhajans and Ragas of her earliest musical awakenings.

All these influences collide on ‘Holy Science’, at times as explosive blasts of sky-opening thunder, at others as moments of soothing, meditative bliss. These holy bursts are enacted by Kidambi’s assembled musicians and are given permission to explore the science of spiritual alchemy, plundering their individual and collective soul for the sake of musical expression, and all of the unpredictable and profound revelations such an approach might yield.

‘Holy Science’ is a work underpinned by traditions, be they the Bhajan spirituals, or the Jazz and Classical avant gardes, that are in their own manner, archetypal. But perhaps most importantly, all of these forms contain an inbuilt capacity for discovery and progression. Amirtha Kidambi’s musical pathway has been defined by a studied determination to occupy this specific space, the unbounded realm of improvisation and exploration, summoning the acquired instruments of experience, knowledge, culture and tradition to unlock secrets of the past, present and future. The most cherished music is often remarked upon as having a timeless quality – ancient, modern and futuristic, all at once. And so it is with ‘Holy Science’.

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Wayne Shorter

LP | 2019 | EU | Original (Jazz Images)

Release: 2019 / EU – Original

Genre: Organic Grooves

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King Of The Delta Blues Singers

Robert Johnson

LP | 2019 | EU | Original (Waxtime)

16,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Wagram)

Bebop Jazz In Paris

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Jazz Images)

Lee Morgan

Expoobident

Release: 2019 / EU – Original

Genre: Organic Grooves

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2LP | 2019 | UK | Original (Sekito)

Alfa Mist

Structuralism

LP | 2019 | EU | Original (Jazzaggression)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Records are close to NM.

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Akerblom & Zenge

Live At Romu Jazz

El Violin Latino 3-Los Sonadores Black

Release: 2019 / EU – Original

Genre: Organic Grooves

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Special DUO recording from 2015, featuring the crème de la crème of the younger generation of Finnish players – Max Zenger & Teemu Åkerblom!

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Gregor Huebner

2LP | 2019 | Original (Glm Gmbh)

Release: 2019 / Original

Genre: Organic Grooves

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Kaleidoscope: New Spirits Known & Unknown Deluxe Edition

3LP+7" | 2020 | UK | Original (Soul Jazz)

31,99 €*

2LP | 2020 | EU | Original (Earmusic)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the ground-breaking artists involved in the new jazz scene that has developed in the UK over the last few years. Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release. As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices - and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists has up until now has been London-based, this album shows how this movement is spread across the whole of Britain (and indeed beyond). ‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more. Soul Jazz Records’ new release comes as a superb one-off pressing special deluxe triple album edition which comes with a bonus limited-edition single, a standard triple album, and a deluxe double CD pack. This album also comes with extensive sleevenotes, artist interviews and exclusive photography. Soul Jazz records are also releasing an exclusive one-off pressing double-headed 12” single featuring Theon Cross and Pokus released on the same day as the ‘Kaleidoscope’ album release.

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Al Di Meola

Across The Universe

32,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Squama)

Fazer

Nadi

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Wagram)

Peggy Lee

Fever

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Valley Of Search)

Alan Braufman

The Fire Still Burns