Jazz | Fusion 4003 Items

LP | 2019 | EU | Original (ZYX)

Berlin Swingt

17,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (ZYX)

Lyre Le Temps

Prohibition Swing

17,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2013 | EU | Original (BHM)

Tania Maria & Hr Bigband

It's Only Love

17,99 €*

Release: 2013 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Wagram)

Gainsbourg In Jazz

17,84 €* 20,99 € -15%

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Jazzaggression)

Christian Reim Sextet

Mona Lisa Moldejazz 73

17,84 €* 20,99 € -15%

LP | 2024 | EU | Original (Wicked Wax)

Release: 2021 / EU – Original

Genre: Organic Grooves

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An amazing loft tape find of a Norwegian Jazz concert suite taped at Molde Jazz Festival 1973, Christian Reim’s sextet Mona Lisa features Norway's top jazzmen at the time and it’s a rollercoaster post-bop showcase with influences from modal and spiritual jazz with folk undertones and pop psychedelia, one of a kind, never previously released and in great sound quality!

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Kotokid

Fridge

17,59 €* 21,99 € -20%

LP | 2019 | EU | Original (Warner)

Release: 2024 / EU – Original

Genre: Organic Grooves

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On his debut album kotokid walks you through meandering scenes of jazz fusion and hip-hop infused sonic cinema. While bass guitar is his bread and butter, the Amsterdam-based musician is a multi-instrumentalist in the truest sense of the word. Throughout this album he effortlessly blends together enchanting harmonies, expansive synth-scapes, intimate piano melodies, stanky bass grooves. With ‘ignite’ and ‘early spring’ he captures the emotions of rebirth, renewal, and hope. Energizing the spirit with ‘Fl00t’, ‘floating’ and ‘Titan’ he invites a sense of action, urgency and eventual triumph. Victory’s abound. Sonic meditations in their own right, ‘soil’ and ‘kotokin’ blend cinematic stylized melodies together eliciting introspection and clarity. And whether it's joy, nostalgia, discomfort, pain, grief, longing or happy remembrance - ‘family & death’ - conjures the plethora of these experiences in a life giving dance between piano and cello.

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Rgg

Memento

17,54 €* 26,99 € -35%

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Warner)

Krzysztof Herdzin

The Book Of Secrets

17,54 €* 26,99 € -35%

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Jazzwerkstatt Wien)

Echo Boomer

Aliens On Board

17,49 €* 24,99 € -30%

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Impatience)

A.R. Wilson

Old Gold

17,39 €* 28,99 € -40%

Black Iron Prison Smokey Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Melbourne auteur Andrew Wilson (Andras, A.R.T. Wilson, Wilson Tanner) soils the 'Australian songbook' with a collection of fragile, private and deranged songs of parrots, pancakes and gelignite amidst the Victorian Gold Rush of 1850s.

Old Gold is filled with fakes and fools, rumbling stomachs and acousmatic terrors - a lonely, self-pitying search evoked by faintly medieval folk music that sounds almost period-perfect but somehow, oddly, wonderfully spoiled.

Gut string guitars, water-logged mandolins, bar room banjos and no-fidelity piano all sound perfectly organic - except they're not. No acoustic instruments were handled in the making of the record, including environmental sounds which were generated during a residency at Melbourne Electronic Sound Studio. The reproduction of familiar sounds via inorganic means situates the record in a moonlit, melancholy hole of its own.

Old Gold was written, played and recorded by Andrew Wilson, and mastered by Mikey Young. Artwork is by Luca Schenardi.

Andrew Wilson has released records as Andras, A.R.T. Wilson, Berko and House Of Dad and he is one half of Wilson Tanner. His work has appeared on labels including Beats In Space, Efficient Space, Growing Bin Records, Public Possession, Dopeness Galore, Mexican Summer and his own Punp imprint.

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Massimo Pupillo

LP | 2020 | EU | Original (Subsound)

17,39 €* 28,99 € -40%

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Italy’s occult experimentalist Massimo Pupillo announces the release of his solo debut album 'The Black Iron Prison' via Subsound Records. Known for his experimental jazz metal project Zu, Massimo Pupillo has collaborated with numerous heavyweights over the years, including Mike Patton (Faith No More), Buzz Osborne ((the) Melvins and Sonic Youth ’s Thurston Moore and Jim O' Rourke. About the album: « The Black Iron Prison is a somber meditation and rumination inspired by the Gnostics, Philip K. Dick, and the alchemical maps of Nigredo. As the world is unveiled, and the Storm is upon us. »

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Noho Ep: Turning The Crank

12" | 2024 | EU | Original (Holuzam)

17,24 €* 22,99 € -25%

2LP | 2020 | EU | Original (Blue Note)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Very dope.

With this EP an attempt is made at documenting the vibrant action happening during the late 1970s and early 1980s in the Pioneer Valley area of Western Massachusetts, US. The story is richer than the snapshot we present here, and a more detailed account is to be found in the accompanying book that can be purchased separately.

The Five Colleges in Hampshire County congregated a vast student population that inevitably interacted with the towns in the area. Bars, music and record stores, live music and a lot of experimentation and free thinking. Hampshire College, especially, promoted new approaches to teaching, subjects that might be considered radical by some even today, although a more favourable context would now surely exist for openly debating such topics as American Indians, Kayak Design, Black Oral Tradition, Food Management, etc. And the music? The immediate "punk effect" motivated the creation of numerous bands, many short lived, others evolving into New Wave / Power Pop territory, eventually crossing into Post-Punk experimentation. What is captured in "Noho EP" is a more electronic disposition, favoured by the existence of EMS gear and other equipment at Hampshire College and University of Massachusetts. We chose to focus on a group of musicians who, for a time, played together in different combinations under the loose umbrella of the Tekno Tunes label and the structure around it.

These musicians come from very different backgrounds and the nucleus portrayed here consisted of Christopher Vine, Elliott Sharp, James Whittemore and Nicholas Brown.

Of the several line-up changes The Scientific Americans went through, it was actually only the duo of Chris Vine and Jim Whittemore who recorded "Among Bodge Watt". Never before released, it is a companion piece to their track "El Salvador" available on the 1981 Roir tape-album "Load & Go!". The Sci Ams were founders of the Tekno Tunes label and also created the Tekno Tours "concert promotion agency", under which name they exposed local audiences to bands such as The Stranglers, The Slits, Pylon, Pere Ubu, The Psychedelic Furs, The Bush Tetras, Steel Pulse, etc. Their own sound kept progressing but at its best there's a solid dub undercurrent, pretty obvious in "Among Bodge Watt".

Human Error was born out of a collective jam by Chris Vine, Elliott Sharp, Jim Whittemore and Nick Brown. Elliott Sharp had moved to Northampton in August of 1978 and naturally became involved in the local music scene, hooking up first with Whittemore at a hi-fi audio store where he worked at the time. Basement jams followed stimulating conversations, and other musicians joined the sessions. "Clandestinator" sounds gorgeously loose, an effortless groove coming from a quasi-dub set-up. Nothing here seems calculated, the music just flows, contagious and irregular as the handclaps in the mix.

The Higher Primates later evolved into a "proper" band but started as Nick Brown's solo project. The Primates only ever released a (now sought-after) 7" single in 1980 (on the Tekno Tunes label, precisely). Both tracks on "Noho EP" were recorded the following year and never released until now. "Auto Music in the Disco Dub Style" is self-explanatory, with a steady, mid-tempo Tr808 beat running through, supporting synth squelches, echoes and reverbs, a fat bassline, dissonant melodic lines and odd vocal snippets. Kind of a DJ tool when the concept was barely in place. The more uptempo "Teresa Variations" adds a Fender Jazz bass and Selmer sax to the electronics. It actually sounds more "Disco", even with the robotic, unintelligible vocals. On top of this, the vibe is sealed by the overall Radiophonic Workshop analogue strangeness applied to a dance beat.

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Tom Misch & Yussef Dayes

What Kinda Music

Brexit Funk / Peckham Night

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

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Jeroboam

12" | 2024 | EU | Original (Chuwanaga)

Why I Came To California / What You Won't Do For Love

Release: 2024 / EU – Original

Genre: Organic Grooves

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Parisian label Chuwanaga is proud to present their latest 12-inch series release from Jéroboam, "Brexit Funk / Peckham Night". The band, also known in the streets of Paris and Montreuil as Echoes Of, is celebrating Britfunk and the rich musical heritage of Greater London, reflecting their deep appreciation for the iconic Britfunk sound. After several successful collaborations celebrating the genre with the label at the infamous New Morning venue in Paris, Jéroboam has crafted two brilliant compositions for this EP.

"Brexit Funk" is an electrifying homage to the classic London Jazz-Funk scene of the late seventies and early eighties. It is a tremendous track, reminiscent of the early sounds of Incognito and Freeez, infused with the energy of Hot Cuisine and Hi-Tension. It features a standout brass section, amazing solo performances, and a strong rhythm section. Having played in London and now across the whole UK, the band decided to ironically name this track as a musical memory of this strange transition.

On the B-side, you’ll find "Peckham Night" and its dub version, an outstanding composition that perfectly emulates the late seventies soul-jazz vibe. Beautiful vocals by singer Agyei blend seamlessly into this perfect composition. All along, you really feel the band coming together, bringing out the best of their soul. It really is the work of passionate and experienced musicians who have built strong confidence playing together for years.

Jéroboam is a group of 10 Parisian funkateers recognized as one of the biggest funk outfits on the current French scene. They already boast extensive live experience and a solid reputation between Paris and London. In addition to their original and popular tributes to American funk cities of the 70s-80s, they have also gained attention as a formidable backing band for Howard Johnson, Junior Giscombe, and Kyoto Jazz Massive. Having also released two highly acclaimed EPs on the Space Grapes label, they continue to work on their own original compositions under the name Jéroboam, with their debut album scheduled for release in 2025.

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Nautilus

7" | 2024 | EU | Original (Oonops Drops)

7" | 2024 | US | Original (Dynamite Cuts)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Right in time before the second European Tour and Nautilus' new studio album »Pacific Voyage« this little secret 45 has landed. It's a pure gem with a song which didn't make it on the album due to time problems and now shines like a jewel in full and mature quality. Backed with a Soul Supreme Remix with consistently highest quality.

The A-side starts with a jazzy version of Leon Ware's soulful masterpiece »Why I Came To California« sung by Californian vocalist, multi-instrumentalist, and physician Eki Shola in her unique interpretated way backed with fresh vocals by German tv actress and singer Denise M'Baye. In harmony with the strongly grooving instrumental framework by Tokyo-based Jazz trio Nautilus, them all together create their own refreshing version of the original and catapult the song into the present.

On the B-side the »Pacific Voyage« album song »What You Won't Do For Love«, an absolutely classic by Bobby Caldwell which was sampled by 2 Pac and Aaliyah gets the Nautilus treatment, in this case a funky forward 90's feel remix with heavy basslines for big soundsystem by Amsterdam-based, keyboardist, DJ & producer Soul Supreme. The vocals are sung by uprising Japanese star R&B and Soul singer-songwriter Ryuto Kasahara who worked together with Grooveman Spot and DJ Mitsu The Beats on this latest releases.

You know the deal: get this limited doubled-sided heat on black and exclusive yellow recycled vinyl before it's gone.

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Peter Herbolzheimer

The Catfish

Release: 2024 / US – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Worm Discs)

Corto.Alto

Not For Now

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Waxtime)

Les Baxter

Space Escapade

Workin' With The Miles Davis Quintet

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes four bonus tracks.

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Miles Davis

LP | 2013 | EU | Original (Panam)

Release: 2013 / EU – Original

Genre: Organic Grooves

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LP | 2013 | EU | Original (Panam)

Miles Davis

Porgy And Bess

Release: 2013 / EU – Original

Genre: Organic Grooves

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7" | 2022 | UK | Original (We Jazz)

Esa Pethman

In Belgium 1967

LP | 2022 | UK | Original (Total Refreshment Centre)

Release: 2022 / UK – Original

Genre: Organic Grooves

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We Jazz Records kicks off their new series of archival 7" releases with Esa Pethman "In Belgium 1967" released 23 September 2022. The two-tracker is licensed from the Belgian VRT radio archives and both of the pieces are previously unreleased. Finnish jazz legend Pethman, heard here on alto flute and tenor sax, joins forces with European jazz greats such as Heinz Bigler, Uffe Karskov and Jean Fanis. This is a small but valuable piece of unheard European jazz history from the early heyday of modern jazz. The physical release is a quality "inside-out"-styled EP with 3mm spine and small center hole on the 45rpm vinyl.
An excerpt from the liner notes by Mikko Mattlar:
"Esa Pethman (b. 1938) was one of the key figures of modern Finnish jazz in the 1960s. His album The Modern Sound Of Finland was the first Finnish modern jazz album and his composition "The Flame" a true modern Fenno-jazz evergreen.
Pethman was born in Kuusankoski, 135 kilometres from Helsinki in the Kymenlaakso area. The jazz scene was active even though it was an area of rural landscapes and paper mills. Pethman discovered jazz when he heard a Charlie Parker record being played at a local music shop in the late 1940s. Following Parker, bebop became his favourite style of jazz.
Young Pethman played flute and saxophone in local bands who accompanied schlager singers. They played tangos and waltzes for dancers, but usually started a typical dance event with an hour of jazz. In 1959 Pethman moved to Helsinki to study music at the Sibelius Academy. Back then it was a strictly classical music academy, but Pethman later described the studies as crucial for his development and career. He quickly made his way to studio sessions and into the best orchestras in Helsinki.
As a student of composition, Pethman also began writing his own music. "The Flame" was a melody he just got on his mind one night, and he decided to write it down. The catchy composition was released as a 7" single in 1964, a year before Pethman's debut album. Both records stand as benchmarks for modern Finnish jazz. The album consisted entirely of Pethman's compositions, not versions of jazz standards like a lot of the Finnish jazz released until then.
In the mid 1960s, Finnish jazz was also taking its first international steps. Pethman's quintet took part in the first Montreux Jazz Festival in Switzerland in June 1967. At the Montreux jazz band competition, the quintet came in fourth of the twelve contestants. Despite not winning the competition, the band got an honourable mention, and Pethman was now recognized outside Finland.
In December 1967 Pethman travelled to Brussels. His visit was organised by the national Finnish broadcasting company Yleisradio and their jazz program producer Matti Konttinen. Konttinen was supposed to go to Brussels with Pethman, but the musician ended up traveling alone.
In the Decca recording studios Pethman played two songs. He recorded a version of his most famous composition "The Flame", where he played the alto flute and was accompanied by Belgian musicians. On Swiss saxophonist Heinz Bigler's composition "Like Steel", Pethman played the tenor saxophone. The band was now more international, consisting of Bigler, the Italian Francesco Santucci, the Dane Uffe Karskov, a Belgian rhythm section and Pethman. After 55 years, Pethman still remembers Bigler's remarkable skills as a saxophonist.
The two-day visit included the recording session, a dinner and a concert. Pethman and the other non-Belgian musicians came to Brussels mainly to play at a jazz concert organised by the European Broadcasting Union EBU. They played at the studio first, and the concert was held the following day. Pethman and all the other soloists played as members of an international big band. The studio and live session were produced by the Belgian Radio and Television jazz section leader Elias Gistelinck."

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Neue Grafik Ensemble

Foulden Road Part Two

Release: 2022 / UK – Original

Genre: Organic Grooves

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South London based producer and multi-instrumentalist Neue Grafik announces his new EP 'Foulden Road Part II' from his Neue Grafik Ensemble band, released 25th March on Total Refreshment Centre. The sequel to their impressive 2019 release 'Foulden Road', Neue Grafik continues to incorporate 100% live takes with the ensemble, as well as solo productions that reflect Neue Grafik's past work with both the Rhythm Section and 22a labels.

Neue Grafik explains, "This EP is a reflection of the social context which surrounds me" – created in a year of much social isolation as well as political unrest, 'Foulden Road II' explores the complex feelings that he found himself battling. He adds "In 2019, we released 'Foulden Road Part I', which was a transitional album, exploring a new culture and navigating between two worlds: Paris and London. 'Part II' is a bit darker, closer to realness with a sprinkle of hope. I couldn't have predicted that I'd finish it encased in my flat, between four walls, in December 2020 after a year of lockdown, Brexit, George Floyd protests, and without London's brilliant culture mesmerising my mind. Everything was sad and closed. Hills were difficult to climb. But it also gave me the time to work hard and deliver this second part of Foulden Road, pushing it forward".

Combining an array of influences — from London, to Paris via New York, Nigeria and Cameroon — with well-measured confidence, ' Foulden Road II' allows you to reflect on the complexities of the last year, whilst braced with energy and hope to move forward positively. Heavy horns and hypnotic poetry form the backbone record, which will ignite any room. 'Foulden Road II' begins with the grounding poetry of MA.MOYO on 'Black Bodies'. The EP is dedicated to Adama Traoré, a black man who died in police custody in Paris. Neue Grafik explains "His name is not well known outside of France. I was shocked, devastated even, to learn that his story didn't cross the Channel". 'Queen Assa' is a heavily percussive dancefloor-hitter which honours French activist Assa Traoré, (Adama's sister) her family, and her struggle to support all families hurt by police brutality. Broken beat elements flow through the horn accompanied 'Officer, Let Me Go To School', while West London rapper Lord Apex offers an unapologetic and poignantly personal perspective on 'Step To It'.

Released on the Total Refreshment Centre label, based out of Stoke Newington's Foulden Road, the EP is a testament to his versatility as an ever-shifting figurehead. Engineered by Capitol K, recorded at Total Refreshment Centre, mixed by Marcus Linon at Greasy Records and mastered by Guy Davie at Electric Mastering – a significant pillar in Neue Grafik's musical career. Having played a DJ set there in 2017, he was convinced by TRC founder Lex Blondin to start a band after he was heard playing some compositions on the communal piano. After spending a couple of sleepless nights on the living room couch, his first gig was booked in the venue space downstairs a week later. The ensemble was established and he has remained in London ever since.

Neue Grafik Ensemble's musicians include; Matt Gedrych, Benjamin 'The Chief' Appiah, Jack Banjo Courtney, Chelsea Carmichael, Dougal Taylor, Yahael Camara-Onono, Xvngo, Rebekah Reid, Dan-Iulian Drutac, Jamie-lee Glinsman and Zara Hudson-Kozdój.

Neue Grafik hosts The Orii Jam Sessions, an energising weekly jam night at Hackney Wick's Colour Factory, which has become a pivotal weekly gathering, inspired by the likes of Unit 31 and Steam Down.

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Live In Japan Part Two Cd

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2021 | EU | Original (Sdban Ultra)

Lucid Lucia

Les Baxter And His Orchestra

Release: 2021 / EU – Original

Genre: Organic Grooves

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Founded by saxophonist Vincent Brijs, Brzzvll have been a household name in Antwerp and the Belgian jazz scene since 2008 but after a fifteen-year period, the sextet has decided to embark on a new chapter in their story with a name change and new line-up. Enter Lucid Lucia.

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The Ritual Of The Savage

LP | 2018 | EU | Original (Waxtime)

LP | 2013 | EU | Reissue (Waxtime)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes two bonus tracks.

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Ahmad Jamal Trio

At The Pershing

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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You Don't Have To Be Black To Love The Blues

Junior Parker

LP | 2012 | US | Reissue (Groove Merchant)

Release: 2012 / US – Reissue

Genre: Organic Grooves

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LP | 2012 | US | Reissue (Groove Merchant)

Jimmy McGriff

Fly Dude

Release: 2012 / US – Reissue

Genre: Organic Grooves

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LP | 2011 | EU | Reissue (Waxtime)

The Bill Evans Trio

Portrait In Jazz

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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Oscar Peterson Trio / Milt Jackson

Very Tall

LP | 2024 | EU | Original (Waxtime)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Wyn Jazz At The Lincoln Center Orchestra/Marsalis

Vinyl Me Please-Spotify Singles

10" | 2020 | US | Original (Blue Engine)

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2022 | EU (Mind Control)

Miles Davis

Live In Tokyo 1985

Tape | 2024 | JP | Original (Zouen Keikaku)

Release: 2022 / EU

Genre: Organic Grooves

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The Miles Davis Septet alive in Tokyo with stunning rendition of such fabulous pop hits by Michael Jackson (Human Nature) and Cindy Lauper (Time After Time). Miles Davis (trumpet), Bob Berg (soprano sax, tenor sax), Robert Irving III (keyboards), John Scofield (electric guitar), Darryl Jones (electric bass), Vincent Wilburn, Jr. (drums), Steve Thornton (percussion)

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Hajime Orikawa

Suiyu

12" | 2024 | EU | Original (Les Disques Du Crochet)

Release: 2024 / JP – Original

Genre: Organic Grooves, Classical Music

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New age for the suburban city, spun from a poor planting in the suburbs or from an apartment room along the national highway. "Suiyu" is the first album by Hajime Orikawa, a musician living in Chiba. From side A, which is composed of home recordings and environmental sounds in a room at home, and contains a lo-fi yet theological resonance, to the title track "Suiyu" which exceeds 15 minutes and where various instruments such as autoharp, electronic piano, Moog synthesizer, organ, and tenor saxophone beautifully blend with a free-spirited singing voice like a wild rabbit running through the fields, the melancholy of the suburban city floats gently. The cassette version includes a DL code for “Ikkojiteki,” a collection of outtracks, along with a DL code for "Suiyu".

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Pierre Chiffonnier

Fortune

A Natural Woman...In Sweden

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Pierre Chiffonnier (author, composer, and performer) borrows elements from pop, electronic music, jazz, and traditional French chanson to create his debut album featuring many instrumentalists. At the crossroads of the concept album and the musical tale, "Fortune" is a unique and multifaceted assemblage, produced by zerolex and influenced by Flavien Berger, Bertrand Belin, Jacques, whose lyrics are inspired by the myth of the ragpicker.

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Aretha Franklin

LP | 2022 | EU | Original (Outsider)

10" | 2021 | US | Original (Nice Life)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mandatory scandinavian recordings for the queen of soul ! In 1968, she issued the top-selling albums Lady Soul and Aretha Now, which included some of her most popular hit singles, including "Chain of Fools", "Ain't No Way", "Think" and "I Say a Little Prayer". That February, Franklin earned the first two of her Grammys, including the debut category for Best Female R&B Vocal Performance. In the same year, Franklin toured outside the US for the first time in May, including an appearance in Stockholm, from where this historic recording was taken.

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Nate Mercereau

More Techniques

Release: 2021 / US – Original

Genre: Organic Grooves

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12" | 2022 | EU | Original (Far Out)

Freeez

Mariposa / Alone

7" | 2022 | EU | Original (EM)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Continuing to shine a light on John Rocca & co.'s pioneering early 80s music, Far Out proudly presents the first ever 12” release of Freeez’s monster brit-funk classic “Mariposa”, along with the equally heavy and hard to find 12” mix of “Alone”.

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Henry Kawahara

Minami-Kaze A Wave

10" | 2022 | EU | Original (Sdban Ultra)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Special! Limited** One-sided 7-inch. Cover art is printed on specialty paper with aluminum vapor deposition.

"Minami-kaze α Wave (Southerly wind alpha wave)“ is a very rare ‘vocal piece’ that Henry Kawahara has produced, and released under the name HMD (H Music Deperception) in 1993. The song is a vocal version of the cyber-occult exotic instrumental piece "Nanpu“ included in the compilation “Cybernetic Defiance and Orgasm: The Essential Henry Kawahara” [em1197tcd/dlp]. This track is a rare example that proves he had also a genius for producing ‘pops’ in the general sense of the word, and which seems to have challenged head-on the pop songs produced by Haruomi Hosono or Tetsuya Komuro in the 80s-90s.

The Henry Kawahara project on EM Records was developed only with the enthusiasm of proving Kawahara's existence if he is to be erased as nothing in the current art context, and we have confirmed that there are a lot of supporters all over the world for our opinion when we released "Cybernetic Defiance and Orgasm" (several articles and interviews have been given). This single is a 'prescription' for the sequel, tentatively titled "Cybernetic Defiance and Orgasm 2: Other Sides of Henry Kawahara," which is currently in the process of being prepared.

This 7” is a limited one-off release, not included in the full compilation released in 2021

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Lupaganggang

Urban Detox EP

Release: 2022 / EU – Original

Genre: Organic Grooves

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Limited 10" in special tip on sleeve.With influences including Kamaal Williams, Roy Ayers, The Breathing Effect, Stuff. and Black Midi, their sound is rich in texture and depth with an underlying, undeniable groove throughout.

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Live In Japan Part One Cd

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Contemporhythms Part Two CD

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Contemporhythms Part One Cd

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

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10" | 2022 | EU | Original (Anti)

Alfa Mist

Two For Mistake

CD | 2022 | UK | Original (Concord)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Following the release of his exhilarating recent album Bring Backs, London based producer, pianist, bandleader and MC Alfa Mist today announces news of an upcoming EP, Two For Mistake alongside the track 'Bumper Cars'. The EP, out via Anti-, will be available digitally on 17th November before getting a physical 10" vinyl release on 18th March 2022. Alfa's upcoming tour will be starting in November in the UK and starting Janaury for mainland Europe. The run will be the first time fans will be able to hear tracks from Bring Backs, and Two For Mistake, in a live setting. Bring Backs marked Alfa's first release for the label Anti- and is also the most detailed exploration of his upbringing in musical form, one which has resonated with audiences to the tune of 7.5 million culuated streams to date. The album's nine tracks of groove-based intricacies, lyrical solipsism and meandering fragmentations are tied together by a remarkable poem written by Hilary Thomas expressing the sensuous realities of building community in a new country. Entirely written and produced by Alfa, the album was recorded in London with a core band of longtime collaborators including Jamie Leeming (guitar), Kaya Thomas-Dyke (bass and vocals) and Johnny Woodham (trumpet).

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Robert Glasper

Black Radio III

Jongara Zeus / Koto's Revenge

Release: 2022 / UK – Original

Genre: Hip Hop, Organic Grooves

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Robert Glasper is a premiere example of musical aptitude and a proven champion of Black music - boasting nine Grammy nominations and four wins for Best R&B Album, Best R&B Song, Best Traditional R&B Performance, and Best Compilation Soundtrack for Visual Media, and an Emmy Award for his song for Ava Duvernay’s critically hailed documentary “13th” with Common and Karriem Riggins. The 43-year old Houston native has a rich history contributing his artistry across both music and film, all the while carrying a consistent cultural message. In 2012, Glasper delivered his album Black Radio that hit the scene as the first album in history to debut in the top 10 of 4 different genre charts simultaneously: Hip Hop R&B, Urban Contemporary, Jazz and Contemporary Jazz. The feat was then repeated by Black Radio 2. The ongoing Black Radio series has since become Glasper’s calling card, upholding a place at the heart of a trailblazing community: from long-time sonic brothers Mos Def and Bilal, to legends including Ledisi, Lupe Fiasco, Kanye West, Jill Scott, and Erykah Badu.

"Robert Glasper has established himself as a master of the territory where jazz, hip-hop and R&B overlap" – Rolling Stone

“No one has shaped the resurgence of jazz in black music more than Robert Glasper in the 2000s” – Nate Chinen (NPR)

Black Radio and Black Radio II are landmark albums that have shaped the genres of jazz, hip hop and r&b for the past decade. Direct lines can be drawn to Kamasi Washington, Thundercat, Kendrick Lamar, and black music writ large.

For Black Radio III, 4-time grammy® winner Robert Glasper cements his legacy as producer, curator and cultural icon. These collaborations range from the most powerful voices in contemporary black music (Killer Mike, ty dolla $ign, D Smoke, PJ Morton) to the most important lyricists and performers of the past 30 years (Jennifer Hudson, Ledisi, Common, Gregory Porter, Musiq Soulchild, India.Arie)

Black Radio III is also a statement for these times. It is Glasper’s most direct statement of the frustration and opportunity of a world disrupted by social change.

It is at once beautiful, powerful and innovative.

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Jules Brennan

7" | 2021 | EU | Original (Diplomats Of Soul)

Italian Library Songbook Volume 1

Release: 2021 / EU – Original

Genre: Organic Grooves

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Der in Yorkshire geborene Multiinstrumentalist Jules Brennan ist bekannt für originelle Funk/Jazz/Psychedelia-Sounds. Nachdem er sich in den 1990ern in der Acid-Jazz-/Hip-Hop-Szene von Nottingham in Bands wie My Family Tree und seiner eigenen skurrilen Funk-Combo Eekman austobte, liess er sich im japanischen Kyoto nieder, wo er seit 20 Jahren lebt. Der östliche Einfluss und sein obsessives Sammeln von Jazzvinylen sind in seine Produktionen eingeflossen und seine kaleidoskopischen, japanisch angehauchten Instrumental-Grooves erhalten mittlerweile Support von führenden Tastemaker des globalen Undergrounds.

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Alessandro Alessandroni

12" | 2021 | EU | Original (Four Flies)

What You Hear Is What You See

Release: 2021 / EU – Original

Genre: Organic Grooves

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Italian Library Songbook is a new record series where contemporary artists put their spin on great Italian soundtrack themes of the past, reimagining them into new, previously unheard songs. In this first volume, Neapolitan producer pAd and London singer-songwriter Jessica Duncan reimagine Alessandro Alessandroni’s “Philadelphia” into the soulful and sexy “Do You Wanna Get Close?”, a perfect club track to enjoy the night until the early hours of the morning.

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Bakithi Kumalo

CD | 2021 | US | Original (Ropeadope)

Steve Karmen Feat. Jimmy Radcliffe

Release: 2021 / US – Original

Genre: Organic Grooves

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Bakithi Kumalo’s bass playing can be found in the heart and soul of the modern day anthems that have shaped our sense of music and culture as we know it. Ranked among the top 50 bass players in the world by Bass Player Magazine, Bakithi Kumalo is a five-time Grammy Award winning multi-instrumentalist. Born in the Soweto township of Johannesburg, South Africa and surrounded by relatives who loved music and actively performed, Kumalo landed his first job at the age of seven filling in for his uncle's bass player. Kumalo worked as a session musician in South Africa during the 1970s and early 1980s, eventually becoming a top session bassist and accompanying international performers during their South African tours. In 1985, Kumalo was introduced to Paul Simon by producer Hendrick Lebone during the recording sessions for Simon's Graceland album. Kumalo then traveled with Simon to New York to finish the album and after the accompanying premier tour, spent several years commuting between Soweto and New York City before permanently settling in the United States. Kumalo has toured regularly with Simon throughout his career and has recorded with and performed alongside many other artists such as Joan Baez, Cyndi Lauper, Hugh Masekela, Herbie Hancock, Tedeschi Trucks Band, Randy Brecker, Grover Washington Jr., Mickey Hart and Disney’s The Lion King.

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Breakaway (Part I) / Breakaway (Part Ii)

7" | 2021 | UK | Original

Revelation Remastered Edition

Release: 2021 / UK – Original

Genre: Organic Grooves

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Although associated with Wigan Casino, “Breakaway” was originally spun by DJ Colin Curtis at Blackpool Mecca under the imaginative title “Black Ship To Hell” (The Wigan Casino Years by Tim Brown). Today, over 50 years on, it has lost none of its energy and appeal and remains a favourite oldie and guaranteed floor-filler.

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Doug Carn

CD | 2021 | US | Reissue (Real Gone)

In Afrika/Mayibue Afrika! Uhuuru!

Release: 2021 / US – Reissue

Genre: Organic Grooves

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Aside from McCoy Tyner’s “Contemplation,” John Coltrane’s “Naima,” and René McLean sic McClean’s “Jihad,” Doug Carn himself takes the composing reins on this masterful 1973 release, which further integrates Jean Carn’s ethereal yet soulful vocals into the his impressive stylistic vision. And this time the band includes such heavyweights as trumpeter Olu Dara, bassist Walter Booker, and drummer Ira Williams. All of Carn’s albums for Black Jazz are classics; this one might just be first among equals. In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America, including Watts-based Ugmaa (Union of God’s Musicians and Artists Ascension), Chicago’s Aacm (Association for the Advancement of Creative Musicians), Brooklyn’s CBA (Collective Black Artists), and Detroit’s The Tribe. And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory, with a mission statement “to promote the talents of young African American jazz musicians and singers.” Under Russell’s artistic direction, the label only put out 20 albums during its short, 4-year (1971-1975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact… but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online). Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere. After years of trying, we at Real Gone Music finally were able to connect with the rights-holders in early 2020…right before quarantine and the subsequent events that triggered worldwide protests for racial equality. Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. We are very, very proud to present the Black Jazz catalog on LP, remastered by Mike Milchner at Sonic Vision Mastering, and pressed on black vinyl at Gotta Groove Records with lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Produced by Real Gone Music’s own Gordon Anderson, each vinyl reissue features the original black-and-white Black Jazz album artwork, which, on early releases, featured an identical front and back cover, with the back cover turned “upside down,” allowing for the album title to be visible regardless of how the LP was sitting in the record store rack. And, both our vinyl and CD releases will feature added liner notes by Pat Thomas, author of Listen Whitey! The Sounds of Black Power that draw a straight line between what was happening then…and what is happening right now. Real Gone Music will donate $500 to the Equal Justice Initiative with the release of each Black Jazz album

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Tony Scott

LP | 2021 | EU | Original (Life Goes On)

Make Kin Record Store Day 2021 Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Tony Scott (born Anthony Joseph Sciacca June 17, 1921 – March 28, 2007) was an American jazz clarinetist and arranger with an interest in folk music around the world. For most of his career he was held in high esteem in new-age music circles because of his involvement in music linked to Asian cultures and to meditation. Tony performed with many star as Billie Holiday, Sarah Vaughan and Harry Belafonte and before moving to Italy in the early ‘70’s he just cut two sought after masterpiece moving forward from his early idea of bop and cool jazz. In particular ‘Djanger Bali’ (1967 Saba) - recorded with The Indonesian All Stars - and the self titled Tony Scott (1968 Verve) - featuring Richard Davis on bass, John Berberian on oud and Attila Zoller on guitar – set the pace for a revolution in terms. This set recorded in Africa around the mid 90’s is a pure rhythm festival pushing the boundaries of his afro fusion agenda

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LBT

12" | 2021 (Enja)

Escape Ryuhei The Man Edits

Release: 2021

Genre: Organic Grooves

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Record Store Day 2021 Release.

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Q.A.S.B.

7" | 2021 | JP | Original (At Home Sound)

Release: 2021 / JP – Original

Genre: Organic Grooves

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Galaxy Highway / Rhymes Ryuhei The Man 4edits

Yusuke Hirado

7" | 2021 | JP | Original (At Home Sound)

Release: 2021 / JP – Original

Genre: Organic Grooves

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Sato Anna X Sasaki Toshiyuk

Itokuri Ryuhei The Man Edits

7" | 2020 | JP | Original (At Home Sound)

Release: 2020 / JP – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Musica Macondo)

Yelfris Valdés

For The Ones Remixed

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 2020 | EU | Original (Sdban Ultra)

Bandler Ching

Sub Surface

LP | 2020 | EU | Original (Latin Big Note)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Hailing from Brussels, Bandler Ching is a creation of musical ideas from composer and saxophonist Ambroos De Schepper. Flawlessly blending contemporary jazz, electronics, hip-hop, noise and global beats, the sound is based around the freedom of expression and improvisation and performed with dazzling conviction.

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Setenta

Materia Negra

Release: 2020 / EU – Original

Genre: Organic Grooves

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Created in 2006, Setenta, the Latin Soul Band spreads a unique mix over the world scene. For their fifth album Materia Negra, the Paris-based band returns to its roots: hard Latin funk with plenty of Afro-Latin percussion upfront in the mix contrasted with accents of lush vocal harmony and warm, breezy melody. But at its core, there is something essentially darker, rougher and funkier than their previous releases, especially in the guitar and synth work, bluesy minor key arrangements, and lyrical content. It’s essentially a heavier feel with this record, influenced no doubt on the negative side by the current dark times being experienced across the globe due to the pandemic, subsequent economic downturn and the lack of effective government leadership and global solidarity to deal with the crisis. On the positive tip, the inspiring Black Lives Matter movement and international protests against oppressive governments, systemic racism, corporate greed, global warming and environmental exploitation no doubt have something to do with the serious feel of Materia Negra as well. Another crucial aspect to this newfound toughness is what band member and Latin Big Note founder and director Osman Jr. states is the group’s desire to address DJs and dancers who appreciate the rawest songs from Setenta’s previous productions. The desire is to leave their mark on the decks and dance floors of the planet with a genre that “we defend by taking the torch extended by our mentors such as Joe Bataan: Latin Funk!” Setenta’s sound has always been soulful, with plenty of tropical Caribbean roots, but this time there is an even stronger Afro-centric theme and gritty psychedelic R&B angle, clothed in galactic, outer-space trappings, bringing to mind another forerunner, Mandrill, as well as the Afro-Futurist mothership vibe of Parliament-Funkadelic.

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LP | 2020 | EU | Original (We Jazz)

Ateneum 2019

Release: 2020 / EU – Original

Genre: Organic Grooves

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Helsinki's We Jazz Records presents "Ateneum 2019", part 2 of their ongoing "We Jazz Live Plates" series documenting the label's live activity. Recorded at the historic Ateneum Art Museum in Helsinki during spring 2019, the intense live compilation brings together three acts on the label's roster: Timo Lassy & Teppo Mäkynen, OK:KO and Alder Ego, each performing two tracks here.

OK:KO opens proceedings with their sound electrified by Toomas Keski-Säntti changing from piano to Fender rhodes, a little touch that opens up new avenues in their sound. The band who made a big splash with their 2019 debut album "Syrtti", present energetic new versions of the title track and the looping "Piik". Alder Ego, led by drummer Joonas Leppänen, shifts gears with a new deep version of their 2018 album track "Cubism", and add a new track "Mystery Room Nr. 6" into the mix. Timo Lassy & Teppo Mäkynen strecth out their compact tracks "Fallow" and "Goldenrod", which grow into new lenght and depth in the live setting.

"Ateneum 2019" released together with "Lonna 2019", We Jazz Live Plates vol. 3, is an inspiring example of the active and high quality jazz scene in Helsinki.

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LP | 2020 | EU | Original (We Jazz)

Lonna 2019

12" | 2020 | EU | Original (Chuwanaga)

Release: 2020 / EU – Original

Genre: Organic Grooves

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We Jazz Records presents "Lonna 2019", a nautical live album bringing together recordings captured at the successful concert series at the island of Lonna just outside Helsinki in July 2019. Part 3 of their ongoing "We Jazz Live Plates" series documenting the label's live activity, "Lonna 2019" features inspired performances by Aleksi Heinola Quintet, Antti Lötjönen Quintet East and Oaagaada. Drummer Heinola's quintet and the Hämeenlinna-based quartet Oaagaada make their We Jazz Records debut with this release, while Lötjönen is releasing his debut as a leader on the label in April.

"Lonna 2019" captures the easy-going feeling at the island series fittingly. Aleksi Heinola Quintet swings with their natural ability of making no-nonsense hard bop sound fresh in the contemporary setting. Antti Lötjönen leads his star-studded Quintet East through a high-spirited rendition of Don Cherry's "Art Deco". Oaagaada charm with their deep DIY spiritual jazz. And somewhere just above the music, a seagull screeches, echoing a perfect sunny day at Lonna.

"Lonna 2019" released together with "Ateneum 2019", We Jazz Live Plates vol. 2, is an inspiring example of the active and high quality jazz scene in Helsinki.

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Ishkero

Brume

LP | 2020 | EU | Original (We Jazz)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Parisian label Chuwanaga curated by Clémentine & Saint-James is back in the production game with fresh music from Ishkero, maybe the hottest Jazz-Fusion band of the capital city. Going from Jazz-Funk to Afrobeat through Prog and Psychedelic influences, Brume infuses together killer grooves, irresistible melodies and excellent musicianship. The 12inch, coming with its beautiful illustration, reveals a uniformly good yet diverse musical journey.
Behind Ishkero, you’ll find five young and gifted musicians with strong jazz knowledge: Tao Ehrlich (drums), Adrien « Dridri » Duterte (flute & percussion), Antoine Vidal (bass), Victor Gasq (guitar) and Arnaud Forestier (keys). With its strong evocation power fuelled by their youthful energy and creativity, Ishkero’s music is a one-of-a-kind variation on the Jazz genre. Fusion at its best potential! Expect intense rhythmic sections, virtuoso solos, lush FX sections and robust arrangements. Used to play a lot live, the musicians developed a vigorous connection that really shines on stage and during studio sessions.
Collectively with Saint-James as their co-producer, they recorded Brume in summer 2019 at Studio Delta (Paris) with sound engineer David Cukier aka Greita (Disques Flegon). The first track, "Triple B", is an ode to 70’s jazz-funk carried by Jeff Mercadié’s Sax performance. "Tonik Gin"’s mighty jazz-rock groove which comes afterwards brings the genre to its emotional climax. B side starts with the main track "Brume", bringing together long-tailed reverberated guitars and Mizell-like piano chords for a very warm and hazy effect. As the last track, "Gare De l’Ouest" is a nice jazz variation on the Afrobeat genre, again with Jeff Mercadié on Saxophone.

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Ville Herrala

Pu: Black Vinyl Edition

La Recette De L'amour Fou

Release: 2020 / EU – Original

Genre: Organic Grooves

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We Jazz Records presents "Pu:", the boundary-breaking solo debut of bass player Ville Herrala, to be released on 21 February 2020. Utilising only the double bass but looking at the instrument from various different perspectives. The end result is an inspired set of 14 miniatures, each pushing the concept forward in a highly personal way.

The first single "Pu: 12" presents a rhythmic approach with echoes of from the world of minimal classical music and electronic music. Bowed tracks such as "Pu: 2" offer another perspective, as does the second single "Pu: 10", going back to the essence of the instrument and opening new doors while doing so. Each of the tracks is a compact musical adventure unto its own.

Ville Herrala (b. 1979) is one of the most higly-regarded bass players working in the Finnish scene. He's known from the ranks of such top ensembles as PLOP, Jukka Perko Jazztet, U-Street All Stars, Jukka Eskola Orquesta Bossa and UMO Helsinki Jazz Orchestra, to name but a few.

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Serge Gainsbourg

LP | 2019 | EU (Primitiv Sounds)

16,99 €* 19,99 € -15%

Release: 2019 / EU

Genre: Organic Grooves

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Imagine Giving Up Black Vinyl Edition

Jonah Parzen-Johnson

LP | 2020 | UK | Original (We Jazz)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Love Thoughts / 1976 Interview Of Al Hall Jr With By Gerald Wilson

Cosmos Dwellerz Arkestra

12" | 2019 | EU | Original (Super Disco Edits)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Super Sonic Jazz)

Son Swagga

Dark Magic

Timo Lassy & Teppo Mäkynen

Release: 2019 / EU – Original

Genre: Organic Grooves

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Led by the light of imagination, Son Swagga creates a musical realm of magic and wonder. The nine-headed kinship tells tales of warring tribes, forces of nature and cosmic sorcery.
Clanleader Felix Back draws upon his repertoire of funk-fusion, spiritual jazz and videogame music to create a sound that has never been heard before. Backed up by the tightest, most energetic rhythm section Amsterdam has to offer and spearheaded by a powerful horn section Son Swagga fanfares the coming of a new age in rhythm music.
Following their 2017 debut ‘Fires of Quidel’ Son Swagga are releasing their second full length album ‘Dark Magic’ on Super-Sonic Jazz Records on May 7th. Performance highlights include Bimhuis, Paradiso, Melkweg and Womex World Music Festival.
Son Swagga ‘Dark Magic’ is already the fifth physical release on the rising Amsterdam based Super-Sonic Jazz Records. Runned by Dutch DJ KC The Funkaholic (a.k.a. Kees Heus) and brothers Tenzers (a.k.a. Vincent & Siemen Tenzer), the Super-Sonic Jazz recordlabel, their six day festival, monthly concerts and exquisite clubnights becomes a serious movement within the Dutch musical landscape.
Kees Heus was also responsible for the running the Dutch imprint Kindred Spirits, that released records by international heavyweights, while championing local pioneers simultaneously.
Open your mind and nurture your imagination, because Son Swagga’s Dark Magic will spin mystic fiction into vivid reality.

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LP | 2019 | EU | Original (We Jazz)

Release: 2019 / EU – Original

Genre: Organic Grooves

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The Kings Tun / Hidden Port

Hillside

12" | 2019 | UK | Original (Claremont 56)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Over the years, Claremont 56 has played host to some memorable collaborative
projects, most notably Bison, an unlikely super-group whose members included
Holgar Czukay, Ursula Kloss, Liquid Liquid’s Sal Principato, Ben Smith and label
boss Paul ‘Mudd’ Murphy. Now Murphy is at the helm of another collaborative
outfit, Hillside, whose seductive debut single contains two deliciously pie eyed
instrumental workouts.
Hillside is very much a family affair, with Murphy joining forces with two old
friends: bassist/guitarist Alex Searle and percussionist Patrick Dawes. The trio
has a collaborative history that stretches right back to Murphy’s time in Akwaaba
in the mid nineties. For their debut outing, Hillside has also welcomed a very
special guest musician: award-winning jazz violinist and long-time Bert Jasch
collaborator Mike Piggott.
As opening gambits go, “Hidden Port” is an emphatic statement of intent. The
audio equivalent of sailing slowly around a cluster of sun-baked islands in
search of shelter from an approaching storm, the track sees Searle wrap bluesy,
Peter Green style guitar passages around a shuffling, Latin-tinged groove rich
in Dawes’ distinctive percussion patterns and Murphy’s languid electric piano
and synthesizer lines. As the track progresses, Piggott steps up to make his
mark, with his undulating electric violin lines complimenting Hillside’s impeccable
instrumentation while adding extra emotional weight to proceedings. It’s a
stunning beginning to the Hillside story.
Piggott also makes a big impression on accompanying cut “The King’s Tun”,
delivering fluid and energy-packed solos that weave in and out of a bright
and breezy instrumental track rich in jangling acoustic guitars, subtly spacey
electronics, fireside-warm bass and more sparse-but-intricate percussion
courtesy of the effervescent Dawes. Searle’s eyes-closed, rock style guitar solos
cap another memorable excursion from Claremont 56’s latest in-house band.

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Johnny Hallyday

A L'olympia

Release: 2019 / EU – Original

Genre: Organic Grooves

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Ella Fitzgerald

The First Lady Of Song

Release: 2019 / EU – Original

Genre: Organic Grooves

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Hoagy Charmichael

Hoagy Sings Charmichael

Release: 2019 / EU – Original

Genre: Organic Grooves

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King Of The Delta Blues Singers

Robert Johnson

Release: 2019 / EU – Original

Genre: Organic Grooves

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With Ralph Alessi Black Vinyl Edition

Terkel Norgaard

LP | 2019 | EU | Original (We Jazz)

LP | 2019 | EU | Reissue (Polskie Nagrania)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Danish drummer Terkel Nørgaard presents his trio consisting of some of the key players in the Copenhagen scene and adding ECM-recording American star trumpeter Ralph Alessi on the lineup. Not merely a "feature", Alessi and the Danes form a coherent band unit capable of producing memorable and highly inspired contemporary jazz which links to the Nordic tradition of dynamic sound ranging from delicate minimalism to powerful avantgarde eruptions. The album Terkel Nørgaard "With Ralph Alessi" will be out via Helsinki's We Jazz Records.

On the new album, the Danish trio plus Alessi achieve something that can always be regarded a remarkable feat. They deliver a highly inspired set of music which links the album onto the ever-evolving lineage of jazz music, and at the same time introduce a new band capable of stunning the listener in the here and now.

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Wojciech Kaminski

Open Piano

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Revival II - The Electronic Tapes 1979-1982

Herbert Bodzin

LP | 2018 | EU | Original (The Outer Edge)

LP | 2013 | EU | Reissue (Waxtime)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Herbert Bodzin’s “Revival II” is the next exciting vinyl highlight on this young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. Check!
On the album you can hear the sounds of legendary machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5 – the same equipment used by big names of the German and international avantgarde electronics scene at that time. For example, the ambient “Red Ocean” was recorded entirely with the polyphonic Korg PS 3300, one of the most desired and biggest synths of all time. The project features Bernd Hollendiek, as well as Bodzin’s two sons, Stephan and Oliver Bodzin on additional synthesizers and partly on drums. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as two more vibrant synth rock recordings with drumming.
We hope that this album will find its way to the hearts and collections of electronic music lovers – somewhere in between the classic albums of Tangerine Dream, Klaus Schulze, Cluster or Eberhard Schoener. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, “Revival II” should be an exciting lost masterpiece of German electronic music and a must have for synth music lovers – revived and finally alive!

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Louis Armstrong

And The Good Book

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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Swings In The Films Of Woody Allen

LP | 2013 | US | Original (Waxtime)

Release: 2013 / US – Original

Genre: Organic Grooves

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Township Jive & Kwela Jazz Volume 1

LP | 2011 | EU | Original (Ubuntu Publishing)

CD | 2024 | US | Original (Shanachie)

Release: 2011 / EU – Original

Genre: Organic Grooves

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Soul Safari's "Township Jive & Kwela Jazz 1940-1960" celebrates the 3rd year of the Soul Safari blog with this great compilation of South African Jive & Kwela 78's .

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Coming Soon

BPM

Seriously

Release: 2024 / US – Original

Genre: Organic Grooves

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CD | 2024 | US | Original (Greenleaf Music)

Arun Ramamurthy Trio

New Moon

Release: 2024 / US – Original

Genre: Organic Grooves

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CD | 2024 | Original (Modern Harmonic)

Sun Ra

Pink Elephants On Parade

Release: 2024 / Original

Genre: Organic Grooves

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CD | 2024 | Original (Candid)

Paquito D'Rivera

Who's Smoking

Release: 2024 / Original

Genre: Organic Grooves

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Donald & Dr. John Harrison

Indian Blues

CD | 2024 | Original (Candid)

Release: 2024 / Original

Genre: Organic Grooves

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CD | 2024 | Original (Candid)

Charles Mingus

Reincarnations

Release: 2024 / Original

Genre: Organic Grooves

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CD | 2024 | Original (Spiritmuse)

Surya Botofasina

Ashram Sun

Release: 2024 / Original

Genre: Organic Grooves

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CD | 2024 | US | Original (Greenleaf Music)

Christian Dillingham

Halcyon

Release: 2024 / US – Original

Genre: Organic Grooves

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CD | 2024 | Original (Smoke Sessions)

Steve Davis

We See

Release: 2024 / Original

Genre: Organic Grooves

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Django Reinhardt & Stephane Grappelli

Ultimate Collection

LP | 2024 | WW | Reissue (Not Now)

Release: 2024 / WW – Reissue

Genre: Organic Grooves

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7" | 2024 | Reissue (Spinout Nuggets)

Link Quartet

Saint-Tropez Heist

Release: 2024 / Reissue

Genre: Organic Grooves

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7" | 2024 | Original (Spinout Nuggets)

Nasser Bouzida

Lynxthe Hapshash Swing

Release: 2024 / Original

Genre: Organic Grooves

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12" | 2024 | EU | Original (Discos Extendes / Lovers & Lollypops)

Serpente / Czn

Oferendas

LP | 2018 | EU | Original (Komos)

Release: 2024 / EU – Original

Genre: Organic Grooves

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A split between Discos Extendes and the label Lovers & Lollypops, puts side by side two of the most relevant and prolific artists in music made in Portuguese territory: Bruno Silva and his project “Serpente” and João Pais Filipe, Leon Marks and Valentina Magaletti with “czn”. Two projects that developed in parallel, but with a mutual interest in the strength of the rhythm and the textures and timbral richness of percussion sounds. The similarities are undeniable. A mutual admiration, also.

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Cheick Tidiane Fall

Bobby Few

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU (Survival Research)

Chet Baker

Broken Wing

Chet Baker Sings Clear Vinyl Edtion

Release: 2024 / EU

Genre: Organic Grooves

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Recorded in Paris in December 1978, Broken Wing is beautiful proof that Baker’s playing remained undiminished in the face of ongoing personal challenges. There is wonderful musical chemistry between Baker and his ensemble members throughout this excellent and rare LP, namely pianist Phil Markowitz, bassist Jean-François Jenny-Clark and drummer Jeff Brillinger, yielding exceptional versions of Richie Beirach’s title track and Wayne Shorter’s ‘Black Eyes,’ as well as Baker’s ‘Blue Gilles’; he’s on top form on the trumpet and tackles the vocal of ‘Oh You Crazy Moon’ with gracefulness. Another great offering from Chet!

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Chet Baker

LP | 2024 | EU (Destination Moon)

In New York Clear Vinyl Edtion

Release: 2024 / EU

Genre: Organic Grooves

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Chet Baker’s vocal work was as distinctive as his trumpet playing, though on debut vocal set Chet Baker Sings the radicalism comes coached in a delicate and clear-toned wrapping that is innocent and vulnerable. His first vocal recordings, made in February 1954, are featured on the second half of this enticing LP, the first six songs cut in July 1956; outstanding moments include ‘There Will Never Be Another You’ and a rendition of ‘My Funny Valentine’ that Baker makes all his own, the simple drum, bass, and piano combo leaving room for Chet’s voice and trumpet to alternate the spotlight. Another West Coast cool jazz classic.

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Chet Baker

LP | 2024 | EU (Destination Moon)

CD | 2024 | UK | Original (XL)

Release: 2024 / EU

Genre: Organic Grooves

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His first for Riverside, In New York saw Chet Baker bring the West Coast cool jazz style to new Manhattan surroundings. With the rhythm section of Paul Chambers and Philly Joe Jones keeping things up-tempo and propulsive, pianist Al Haig alternating between fill-in chords and intriguing melodies and saxophonist Johnny Giffin trading lead flourishes with Baker himself, the LP is another winner right through. The swinging bop is full of zest and verve on ‘Hotel 49’ and a one-off rendition of Miles’ ‘Solar,’ while some contrasting introspective breaks are provided by ‘Blue Thoughts’ and ‘Polka Dots And Moonbeams.’ Great stuff!

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Kamasi Washington

Fearless Movement