Jazz | Fusion 2866 Items

Did You Give The World Some Love Today, Baby

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2018 reissue. Very close to NM.

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Doris

LP | 1970 | UK | Reissue (Mr Bongo)

Manhattan Trio And The Sylvet's

Release: 1970 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2014 reissue.

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Manhattan Score

7" | 1970 | FR | Reissue (Vadim Music)

17,99 €*

LP | 1970 | US | Original (Enterprise)

Release: 1970 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

2009 reissue. Limited edition

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Isaac Hayes

...To Be Continued

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Original US Pressing!

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2LP | 1970 | NL | Original (CBS)

Fill Your Head With Jazz

8,99 €*

Release: 1970 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Jiro Inagaki & Soul Media

Head Rock Clear Blue Vinyl Edition

LP | 1970 | JP | Reissue (Nippon Columbia)

54,99 €*

The Cannonball Adderley Quintet With Special Guest Stars Nancy Wilson & Lou Rawls

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.

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In Person

LP | 1970 | DE | Original (Capitol)

Release: 1970 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sérgio Mendes & Brasil '66

Stillness

LP | 1970 | US | Original (A&M)

36,99 €*

Composers A Go-Go (German Hit Sounds Today)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with many scuffs and hairlines

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The High Music Society

LP | 1970 | DE | Original (Stern Musik)

14,99 €*

Release: 1970 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+

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LP | 1970 | AT | Original (Audio Fidelity)

Stereo Demonstration

3,99 €*

LP | 1970 | DE | Original (Fa, Henkel-Khasana Düsseldorf)

Release: 1970 / AT – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

small Writing on cover.

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Unknown Artist

Exotic Sounds

LP | 1970 | UK | Reissue (Charly)

Release: 1970 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Don Cherry

Mu. Second Part

31,99 €*

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Charlie (The Bird) Parker Vol. 1

Charlie Parker

LP | 1970 | JP | Original (Columbia)

Herb Alpert & The Tijuana Brass

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with Obi.

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Greatest Hits

LP | 1970 | JP | Original (A&M)

The Golden Hits Of Sam Taylor

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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Sam Taylor

LP | 1970 | JP | Original (MCA)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1970 | US | Original (A&M)

Quincy Jones

Gula Matari

26,99 €*

Live At The Whisky A Go Go

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with faint ring wear.

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Herbie Mann

LP | 1970 | JP | Original (Atlantic)

LP | 1970 | JP | Reissue (Verve)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI:

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Anita O'Day

Pick Yourself Up

2LP | 1970 | JP | Original (Polydor)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Kanji Harada

Drum Drum Drum Best 28

19,99 €*

Manuel And His Music Of The Mountains

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Ebb Tide

LP | 1970 | JP | Original (World Record Club)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1970 | JP | Original (Daiei)

The Sounds Ace

New Hits In Autumn

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with Obi.

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Spirituals To Swing – John Hammond's Carnegie Hall Concerts 1938/9

2LP | 1970 | JP | Reissue (Vanguard)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Golden Hits Of Louis Armstrong

Louis Armstrong

LP | 1970 | JP | Original (MCA)

2LP | 1970 | JP | Original (Capitol)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Cannonball Adderley

16,99 €*

LP | 1970 | US | Original (Warner Bros. - Seven Arts)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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Van Morrison

Moondance

39,99 €*

Montreux II Blue Vinyl Edtion

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Splits in seams.

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Bill Evans

LP | 1970 | EU | Reissue (Klimt)

24,99 €*

Milt Jackson Quintet Featuring Ray Brown

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Recorded live at the Montreux Festival, 1970, and originally released on CTI, this stunning album features a piano trio led by Bill Evans with bassist Eddie Gomez and drummer Marty Morrell.

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That's The Way It Is

LP | 1970 | US | Original (Impulse!)

8,99 €*

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1970 | US | Original (Verve)

Wes Montgomery

Eulogy

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Many Faces Of Jazz Vol. 45

Thelonious Monk

LP | 1970 | FR | Reissue (Disques Vogue)

The John Coltrane Quartet

Release: 1970 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

US original.

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Africa / Brass

LP | 1970 | JP | Reissue (Impulse!)

34,99 €*

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Promo copy with white labels . Japanese pressing without OBI, but with insert. Cover with shelf wear and tears on the inside

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Gal Costa

Legal

Rock Communication Yagibushi

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Pure class as always from Gal Costa! The record is her first after the immediate Tropicalia years, and it's a stunning blend of styles that seems to draw heavily from changes going on in the American rock scene at the time. The core of the music is still steeped in Brazilian elements – but there's a lot of influences coming into play on the album, like bluesy rock phrasing, showy nostalgia-heavy arrangements, psychedelic production elements, and some of the baroque orchestrations that would show up on Gal's later albums in the 70s.

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Norio Maeda & All Stars

LP | 1970 | EU | Reissue (Wewantsounds)

33,99 €*

LP | 1970 | US | Reissue (Blue Note)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the reissue of Norio Maeda"s cult classic "Rock Communication Yagibushi" released in Japan in 1970. The album has since become a Japanese Jazz Funk cornerstone and is now highly sought-after on the international DJ scene. The album reinterprets 14 traditional Japanese folk songs into jaw-dropping Jazz Funk instrumentals featuring killer arrangements by Maeda that would fit perfectly between David Axelrod and Lalo Schifrin. One of the most prolific Nippon arrangers, Norio Maeda on a par with Yuji Ohno and Kentaro Haneda and this album has long been on many collectors" wantlist. "Rock Communication Yagibushi" is reissued internationally for the first time, with newly remastered audio, original gatefold artwork and new liner notes by Paul Bowler.

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Reuben Wilson

Blue Mode

Takeshi Inomata / Sound Limited

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2019 reissue.

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Sounds Of Sound L.T.D. Clear Vinyl Edition

LP | 1970 | JP | Reissue (Columbia Japan)

39,99 €*

LP | 1970 | US | Reissue (Nature Sounds)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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"Japanese jazz and Jazz Rock masterpieces are re-released on clear vinyl!

The raging drums scorch the times. Accompanied by a whirlwind of young talents, Takeshi Inomata proudly heralds the arrival of the golden age of jazz-rock.
Takeshi Inomata, a drummer who led the jazz scene in Japan with his precise stick work and musicality that looked ahead to the times. At the end of the 1960s, he was influenced by brass rock, which was flourishing at the time, and formed Sound Limited.
""I want to fuse jazz and rock and bring together young musicians to do music with vitality, and I want this group to be a large-scale group that does not fit into the small framework of modern jazz,"" he says.
His first album and masterpiece was ""Sounds of Sound L.T.D.""(1970). Led by ""Theme ~ Moustache"", which is loved as a symbolic song, it is a masterpiece full of dynamism and enthusiasm throughout the film.
text by Yusuke Ogawa (UNIVERSOUNDS/DEEP JAZZ REALITY)"

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Dave Pike

The Doors Of Perception

2LP | 1970 | US | Original (Columbia)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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"The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing. The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience."

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Don Ellis

Don Ellis At Fillmore

12,99 €*

Herb Alpert & The Tijuana Brass

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with ring wear

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Double Deluxe ∗ 2

2LP | 1970 | JP | Original (A&M)

LP | 1970 | JP | Original (A&M)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. With OBI.

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Burt Bacharach

Golden Prize

Jeux Interdits / Paul Mauriat Best 20

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. close to NM

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Paul Mauriat

LP | 1970 | JP | Original (Philips)

12,99 €*

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1970 | JP | Original (Odeon)

Franck Pourcel

All About Franck Pourcel

18,99 €*

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Concert In Stereo (Live At The Sahara/Tahoe)

Ray Conniff

2LP | 1970 | JP | Original (CBS/Sony)

LP | 1970 | US | Original (Paramount)

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing. With OBI. vinyl is close to NM. tiny wear

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Francis Lai

OST Love Story

4,99 €*

Sérgio Mendes & Brasil '66

Release: 1970 / US – Original

Genre: Organic Grooves, Classical Music, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Shelley pressing. Tear in spine.

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Double Deluxe

2LP | 1970 | JP | Original (A&M)

The Best Of Nat King Cole Vol. 2

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. With OBI.

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Nat King Cole

LP | 1970 | JP | Original (Capitol)

LP | 1970 | JP | Original (A&M)

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Red translucent vinyl. Japanese pressing. With OBI.

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Burt Bacharach

Golden Prize

12,99 €*

Overground HHV Exclusive Grey Vinyl Edition

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Without OBI. Few paper scuffs. Cover is close to NM.

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Sandro Brugnolini

LP | 1970 | EU | Reissue (Sonor Music Editions)

Overground Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Limited to 300 copies on grey vinyl. Only available at hhv.de

Sonor Music Editions proudly presents this restored issue of Maestro Sandro Brugnolini's Overground. This elusive masterpiece in library music captures the most impressive work, alongside Underground (1970), of the Italian composer and alto sax player. Overground was released on Sincro Edizioni Musicali in 1970 as the soundtrack to Enrico Moscatelli and Mario Rigoni's documentary Persuasione, commissioned by Ente Provinciale Per Il Turismo Di Trento, a local tourism board in Italy, with music composed by Sandro Brugnolini and Luigi Malatesta featuring some of the best musicians in Italy at the time like Angelo Baroncini and Silvano Chimento on guitars, Giorgio Carnini on piano and organ, Enzo Restuccia on drums, and Giovanni Tommaso on bass and effects. The music spans from underground Psychedelic Prog. Rock with swirling organs, trippy effects, and distorted fuzz guitars to sophisticated Lounge grooves with Avant- garde orchestrations. The music has been transferred and remastered from the original master tapes. It has been lacquer cut in stereo by Jukka Sarapää at Timmion Cutting and packed in a thick cardboard sleeve featuring a fully restored painting by Umberto Mastroianni licensed by Centro Studi dell’Opera di Umberto Mastroianni.

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Sandro Brugnolini

LP | 1970 | EU | Reissue (Sonor Music Editions)

John McLaughlin = John McLaughlin

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Sonor Music Editions proudly presents this restored issue of Maestro Sandro Brugnolini's Overground. This elusive masterpiece in library music captures the most impressive work, alongside Underground (1970), of the Italian composer and alto sax player. Overground was released on Sincro Edizioni Musicali in 1970 as the soundtrack to Enrico Moscatelli and Mario Rigoni's documentary Persuasione, commissioned by Ente Provinciale Per Il Turismo Di Trento, a local tourism board in Italy, with music composed by Sandro Brugnolini and Luigi Malatesta featuring some of the best musicians in Italy at the time like Angelo Baroncini and Silvano Chimento on guitars, Giorgio Carnini on piano and organ, Enzo Restuccia on drums, and Giovanni Tommaso on bass and effects. The music spans from underground Psychedelic Prog. Rock with swirling organs, trippy effects, and distorted fuzz guitars to sophisticated Lounge grooves with Avant- garde orchestrations. The music has been transferred and remastered from the original master tapes. It has been lacquer cut in stereo by Jukka Sarapää at Timmion Cutting and packed in a thick cardboard sleeve featuring a fully restored painting by Umberto Mastroianni licensed by Centro Studi dell’Opera di Umberto Mastroianni.

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Devotion = デボーション

LP | 1970 | JP | Original (Epic)

27,99 €*

LP | 1970 | JP | Original (CBS/Sony)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI.

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Billie Holiday

Lady Day

8,99 €*

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Akira Ishikawa & His Count Buffalos

Electrum Clear Orange Vinyl Edition

LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)

47,99 €*

LP | 1970 | US | Original (King)

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Arthur Prysock

Fly My Love

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1970 | JP | Original (Musik Produktion Schwarzwald)

Count Basie Orchestra

High Voltage

LP | 1970 | JP | Original (Paramount)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Francis Lai

ある愛の詩 = Love Story

Release: 1970 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1970 | JP | Reissue (CBS/Sony)

Teddy Wilson

The Teddy Wilson

LP | 1972 | US | Reissue (Decca)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with obi, includes insert | Shrink wrapped but opened | Foxing

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David Axelrod

The auction

19,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Nodlew)

Weldon Irvine

Liberated brother

LP | 1972 | US | Reissue (Atlantic)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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early release on his own label ... real nice!

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Oscar Brown Jr.

Movin' On

16,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Sonny Stitt

Tune-Up!

27,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Jimmy Heath

The Gap Sealer

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Music On Vinyl)

Miles Davis

On The Corner

29,99 €*

LP | 1972 | US | Reissue (Groove Merchant)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Scorned by critics at the time of its release, Miles Davis' 1972 album 'On The Corner' is now seen as a forerunner of Post Punk, Hip Hop, Drum and Bass and Electronic music, thanks to its revolutionary recording techniques. Miles wanted to reconnect with a younger audience, who had forsaken him for Rock and funk, and the experimental On The Corner was his answer. Leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. On The Corner' isn't one of Miles easiest records to listen to, but it can yield the most fruits. Now released with completely re-mastered audio.

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O’Donel Levy

Breeding Of Mind

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Cedar Walton / Hank Mobley Quintet

Breakthrough!

16,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Sonny Stitt

Constellation

18,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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2LP+DVD | 1972 | EU | Reissue (Souffle Continu)

Barney Wilen

Moshi

39,99 €*

LP | 1972 | EU | Reissue (Souffle Continu)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa in order to record the music of the native pygmy tribes. Upon returning to Paris, two years later, he created 'Moshi', a dark, eccentric effort fusing avant-jazz sensibilities with African rhythms, ambient sound effects and melodies rooted in American blues traditions. Cut with French and African players, including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon, this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. The set includes a 20-page booklet with rare pictures, sheet music and original liner notes. The DVD includes Caroline de Bendern's movie 'A L'Intention De Mlle Issoufou A Bilma', documenting this incredible African journey.

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Cohelmec Ensemble

2LP | 1972 | EU | Reissue (ECM)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Next' (originally from 1972) is even more audacious than its 1971 predecessor 'Hippotigris Zebra Zebra'. Relatively brief tracks follow hot on the heels of one another, bolstered by a poly-instrumentality which stands out even more than in the past, giving the album the feel of a contrasting suite. Limited to 700 copies in a gatefold sleeve with an obi.

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Circle

Paris Concert

34,99 €*

LP | 1972 | EU | Reissue (Speakers Corner)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Circle was a band on fire with creativity. Corea and Holland had just left Miles Davis' band, keen to explore all parameters of new music in an improvised context. Braxton, equally inspired by Stockhausen and Coltrane, brought in new directions from the AACM. Altschul's resume included extensive work with Paul Bley. Together they were, for a while, matchless.

The short-lived Chick Corea outfit outdoes itself in this 1971 live recording. A delicate piano intro primes us for an extended rendition of Wayne Shorter’s “Nefertitti” to start. Once Braxton throws himself on top of incoming bass and drums, however, what began as contemplative awakening quickly turns into a spastic jaunt into more upbeat territory. The gnarled unity of the quartet paints in bold strokes, all the while flirting with total breakdown. Braxton’s perpetual motion and uncompromising tone make a superb tune out of a great one. “Song For The Newborn” gives Holland a moment in the spotlight. Swaddled in all the innocence of its title and bound by a mature sense of structure, this is an engaging interlude to the Braxton/Corea duet that follows. Corea’s frenetic style in the latter works its way through a host of rhythmic options before settling into a row of block chords. Braxton’s heady phrasing tears a page from the book of Coltrane, while his solitary diversions crackle with the urgency of a broken mirror, as yet unframed by the bastion of mundanity. Altschul delights in “Lookout Farm,” in which he dives headfirst into his percussive arsenal. The tinkling of icicles and cowbells in an open field give way to an extended solo, thus providing ample segue into “73 degrees Kelvin,” a beautifully convoluted organism that could only come from the mind of Braxton. Below its cacophonous surface pulsates a vast network of instrumental veins, through which flows the passionate immediacy that is Circle’s lifeblood, and from which Holland’s rapture sings with detail and imagination. “Toy Room Q&A” (Holland) boasts Corea in notably fine form, leaving plenty of elbowroom for Braxton to flex his reeds. The freer aesthetic crashes in on itself by the end, leaving us craving a familiar foothold. This, we get in the standard “No Greater Love,” capping things off with notable turns from all.

Corea busts out with some of his most captivating fingerwork, proving himself finely attuned to the mechanisms of his caravan at every rest stop along the way; Braxton’s “Pharaonic” sound titillates the ear; and one could hardly ask for a tighter rhythm section at one’s side. As a collective unit, Circle doesn’t so much make music out of as inhabit its raw melodic materials. This recording is a lasting testament to a vibrant formative period for ECM. The audience’s enthusiastic reactions give the listener the feeling of being present in the making of history.

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Herbie Hancock

Crossings

33,99 €*

LP | 1972 | EU | Reissue (Strut)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In the 1970s, Herbie Hancock’s "Crossings" was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us …
Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s "Quasar" launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.
This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason
Production: David Rubinson

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Mulatu Astatke

Mulatu Of Ethiopia

LP | 1972 | EU | Reissue (Wagram)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz.

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Billie Holiday

Strange Fruit

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Max Roach & Clifford Brown

Daahoud

LP | 1972 | US | Reissue (Mainstream)

18,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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An Evening With The Devil

Wendell Harrison

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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»The compositions we play are reflective of the music of our times whereby we play Jazz, Rock, and African music with its poly or many rhythms. I wrote all the tunes on this particular LP and it is written as a suite in 5 movements which means that the music can be performed along with poetry and dancers. On our last LP called “Message From The Tribe” we featured the compositions of our very talented composer, arranger, and trombonist Phil Ranelin. On one side he wrote all the compositions and on the flip side I wrote all the tunes. This album was produced by us on the Tribe record label. As far as the music on “Evening With The Devil” is concerned it really speaks for itself. In addition to the music it features some relevant poetry by two very talented young poets named Oba and Vajava who are also members of a very excellent theatre group in Detroit called The Black Messengers.«
Extract from the sleeve notes of this album by Wendell Harrison.

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Herbie Hancock

Crossings

29,99 €*

LP | 1972 | US | Reissue (Return To Analog)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Crossings is the second album in the experimental sextet trilogy Herbie Hancock released early
1970s. His electronic movements are further explored and the whole sound comes alive in the three
long tracks this album consists about. The album opens with some African drums before moving on
the to some of the unearthed sounds the sextet created for this album. Centerpiece "Sleeping Giant" is
nearly 25 minutes long and is divided into five funky and groovy parts. A transcendent experience that
has grown over time into one of the most moving, powerful and innovative artistic statements of the
modern era. Over forty years later this album still sounds incredibly ahead of its time.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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Billy Robinson

Evolution's Blend

21,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Be With)

John Cameron

Jazzrock

24,99 €*

Charles Tolliver's Music Inc

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A Dramatic Suite Of Themes, Montage, Sequences And Generics. We say: An enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Live At The Loosdrecht Jazz Festival

LP | 1972 | UK | Reissue (Strata-East)

51,99 €*

Africa - Live At The Carnegie Hall 1971

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Charles Tolliver began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all-time preeminent trumpeters in Jazz as well as one of its most gifted composer/arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording "With Love".

With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Gerald Wilson Orchestra, Oliver Nelson, Stanley Cowell, Herbie Hancock, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and owned the trumpet chair with the great Max Roach for some years. https://charlestolliver.com/

This LP is jazz of high energy and high sincerity. Jazz at it's best. One of Tolliver's (and jazz's) masterpieces. It is a live recording from 1972. On another occasion, Tolliver recorded with another quartet with Stanley Cowell on piano, and some critics prefer that quartet. However, this quartet is the equal of that one. I think John Hicks did a masterful job of piano playing here. Hicks equalled Charles in energy. The bass playing of Reggie Workman (who was John Coltrane's bassist) is equally smouldering. Drummer Alvin Queen is a perfect match for the other three.
Passionate Jazz Fan.

Tolliver's music (which holds on to one's attention throughout the live set) has its connections to the bebop tradition but also forges ahead and can be quite passionate. Recommended. By Scott Yanow/AMG Personnel: Roberto Miranda - Bass
Everett Brown Jr. - Drums
Aubrey Hart - Flute
Adele Sebastian - Flute, Vocals
Fundi Legohn (tracks: B1) – French horn
Virjilio Figueroa - Percussion
Linda Hill - Piano, Vocals
Sabir Matteen* - Tenor Saxophone, Clarinet
Jugegr Juan Grey - Vocals

Produced by Tom Albach

Recorded & mixed by Dennis Moody in 1981

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Alice Coltrane

LP | 1972 | UK (Alternative Fox)

19,99 €*

Release: 1972 / UK

Genre: Organic Grooves

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The musician and spiritual seeker Alice Coltrane was much more than just John Coltrane’s second wife. One of the few harpists to feature prominently in jazz, she was also a renowned pianist and composer and her interest in spiritual matters greatly helped steer her husband deeper into Krishna consciousness, which had significant bearing on his music, most notably evident on A Love Supreme. This mesmerising performance, held at Carnegie Hall four years after John’s untimely passing as part of a benefit event for Swami Satchidananda's Integral Yoga Institute, comprised a stunning and largely improvised rendition of Coltrane’s “Africa,” with Alice’s subtle piano and harp expressions excellently framed by the wailing saxes of Pharaoh Sanders and Archie Shepp, Cecil McBee and Jimmy Garrison trading non-standard bass lines, a dual drum onslaught from Clifford Jarvis and Ed Blackwell, along with members of the Institute on harmonium and tamboura.

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Rahsaan Roland Kirk

Blacknuss

LP | 1972 | EU | Reissue (Wewantsounds)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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As deep as a soul record can be and as hot as any jazz record has a right to call itself. deep

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Alice Clark

34,99 €*

LP | 1972 | EU | Reissue (Cinedelic)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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2022 repress. Following the success of Wewantsounds' Alice Clark RSD edition featuring an extra 20-page booklet, the label reissues the standard version of Alice Clark's highly sought-after soul jazz classic produced by Mainstream Records' Bob Shad in 1972. Featuring original artwork, remastered sound making this reissue is the first official reissue of Alice Clark's original album for decades, a long overdue release of one of the best Soul albums ever recorded. When it comes to legendary albums, very few can match the cult status achieved on the international jazz and funk scene, by Alice Clark's eponymous album, recorded for Mainstream Records in 1972. The record which went unnoticed when it first came out has become one of the most sought-after albums ever since it became cult on the London jazz and funk scene in the late '80s. It is now being acknowledged as one of the best soul albums of all-times. Recorded live over two days at the Record Plant studios in New York City, the album was produced by Bob Shad and arranged by jazz veteran Ernie Wilkins with a big band setting. The music is a superb mix of jazz and soul blessed by Clark's superb singing and including two all-time favorites, "Don't You Care" and "Never Did I Stop Loving You" plus a selection of heart-wrenching songs beautifully sung by Clark. Hailed as a soul masterpiece alongside Aretha Franklin or Roberta Flack's best albums, Alice Clark's LP took almost fifty years to achieve classic status and Alice Clark is now finally getting the recognition she deserves.

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Enrico Intra

Jazz In Fabbrica

Music Inc.: Live At Slug's Volume 1

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Cinedelic presents a reissue of Enrico Intra’s Jazz In Fabbrica (Jazz In The Factory) originally released in 1972. Pianist, composer, arranger and conductor, among the most important ones in the history of European jazz, Enrico Intra has developed a poetics aiming at the encounter between the most exquisitely jazz language and contemporary music of a cultured matrix, and for this reason he was among the first Italian musicians to develop a “European” concept of jazz. Nuova Civiltà suite, certainly one of his best-known compositions, often also interpreted by Gerry Mulligan, deeply combines blues and tradition, adhering to the most radical trends of the music scene. A challenge to established formal and expressive schemes.

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Charles Tolliver

LP | 1972 | EU | Reissue (Souffle Continu)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Where have you gone, Charles Tolliver? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement: »Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an Art in the hopes that the sacrifices and high level of communication between them will eventually reach every soul.« And he isn't kidding. You won't find a much higher level of communication than he, Cecil McBee, Stanley Cowell, and Jimmy Hopps engaged in on May 1, 1970 at Slugs' in New York City. This was much more than an attempt to merely 'preserve acoustic jazz' as in the stilted Marsalis vein. This was an attempt to preserve a measure of authenticity while maintaining the notion of forward-thinking, present-tense improvised music. They deserved a greater response than the lukewarm, sparse applause they received that night, and continue to deserve a far more cognizant audience for their efforts. Tolliver ('Drought"), McBee ("Felicite"), and Cowell ("Orientale") each contribute a track to the set; though very much distinct, each is equally strong. "Drought" is the kind of dark-hued, well-honed burner which Tolliver routinely produced in his fertile years. "Felicite" is a more contemplative affair, a deeply felt and empathically performed piece; the unit here is in particularly sublime form, merging considerable skill with a staggering depth of emotion. "Orientale" falls somewhere in between the pace of the two, with Cowell's Eastern scales establishing an austere, industrious tone throughout its seventeen-and-a-half-minute length. Through its duration, the music on Live at Slugs' is often riveting and incessantly compelling. Hopps is a lesser-known entity to me, but the other three players featured here are some of the all-time underrated presences in the jazz pantheon, and they play nothing short of masterfully. Always a presence on his recordings, Tolliver demonstrates tremendous range, flair, and command as a trumpeter and leader. Had he not come along at a time when pure jazz was falling out of favour, I have to believe his name (along with Woody Shaw's) would be every bit as prolific as Freddie Hubbard's or Lee Morgan's; the same holds for the always brilliant and expressive McBee on bass. I feel saddened that Music Inc. fell so far short of »eventually reach[ing] every soul« - yet fortunate that it eventually reached mine. RYM

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Malagasy / Gilson

Malagasy

Space Walk British Jazz Explosion Series Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Gilles Peterson (Worldwide), Thurston Moore (Sonic Youth), Four Tet or Dan Snaith (Caribou) are all crazy about this album. Not satisfied to have already opened for John Coltrane in 1965, to have participated in the legendary Double Six or to have launched the careers of several stars of French jazz (Texier, Ponty, Lubat, Portal, Vitet, Vander and many more), the pianist and bandleader Jef Gilson would become, through this recording, the unlikely catalyst of a jazz which would proudly claim its’ Malagasy identity. Historical!

"Paris, May 13th 1968. There was a general strike. One last plane left the runway, strewn with flaming oil drums. On board were three jazz musicians wondering whether they would be able to return home one day. But for the time being they really want to make it to Madagascar where concerts and workshops with young local musicians were waiting for them. Pianist and bandleader Jef Gilson was accompanied by his bassist Gilbert "Bibi" Rovère (Martial Solal Trio) and the young drummer Lionel Magal (Crium Delirium). Gilson, who already had a reputation for finding new talent (it was thanks to him that, amongst others Jean-Louis Chautemps, Henri Texier, Jean-Luc Ponty or Michel Portal first became known) was literally blown away by the standard of the young Malagasy musicians, all capable of imitating their American idols by ear. Their names were known only to jazz fans on the island; Serge, Allain and Georges Rahoerson, Arnaud Razafy, Roland de Comarmond, Joel Rakotomamonjy, Alain Razafinohatra, Samuel Ramiara... Gilson then had a vision: he wanted to encourage them to play jazz which was truly Malagasy and which would find its’ soul in the island’s culture and traditional instruments (Sodina flute, valiha, various percussion instruments...).

He would go back to the big island three times, in March (with cellist Jean-Charles Capon), in October 1969 (alone), then in February 1970 (as a trio with guitarist Raymond Boni and drummer Bertrand Gauthier). The two trips in 1969 would lead to the sessions, recorded on a simple ReVox with two Neuman microphones, which would make up the essential part of this mythical album entitled "Malagasy", and first issued in 1972 on the Lumen label, and then reissued, as early as 1973, on Palm, Jef Gilson’s own label.

Apart from the last track, recorded in Paris in 1971 with Malagasy instruments brought back from trips by the trio which would play on the avant-garde "Le Massacre du Printemps" (Futura), all the other compositions on the album are by Jef Gilson, Jean-Charles Capon and the young saxophonist Serge Rahoerson. There is also a cover of a song issued just a few months earlier and that the Malagasy musicians had only heard through bits and pieces played by Gilson on piano: the song is "The Creator Has A Masterplan" by Pharoah Sanders, and it is one of the most wild and mystical versions you will ever hear.

In May 1972, Madagascar itself would be the theatre of youth revolt. And the composition "Avaradoha" by Serge Rahoerson, the second track of the first side of this album, would be the anthem of the revolution on the streets." --- Jérôme "Kalcha" Simoneau

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Don Rendell Quintet

LP | 1972 | EU | Reissue (Decca)

29,99 €*

Music Inc.: Live At Slug's Volume 2

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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For the first time with the correct title sequence. More info coming soon.

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Charles Tolliver

LP | 1972 | EU | Reissue (Sonor Music Editions)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Owning both this disc and "Live at Slugs', Volume 1" is essential for hardcore Jazz fans. Part two of the Slugs' date is just as impressive and again feature three originals all penned by the group. Here we get a better example of Tolliver's compositional work with the touching Coltrane tribute "Our Second Father". Again Tolliver's trumpet is simply stunning. The rhythm section of Cecil McBee and Jimmy Hopps also deserve mention as these two really drive the quartet along in a similar fashion to Garrison and Jones did with Coltrane. The McBee original Wilpan's also highlights the strength of McBee's writing and is probably the pick of the tunes here.

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Sandro Brugnolini

Utopia

36,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Sonor Music Editions is proudly continuing the dive into the glorious Sermi catalogue, a renomated Italian Library label that released, between late 60s and early 70s, some among the most sought-after and insane records of the whole Library/Soundtrack genre. We're now excited to announce the first ever reissue of another Italian Library grail from the catalogue - originally issued in 1972 on Gemelli label. Sandro Brugnolini's masterpiece "utopia", originally pressed on a ridiculous run, and released on a beatiful tip-on sleeve reproducing painter Michel Seuphor's abstract art. The first official release after the recent maestro's passing, conceived with the great arrangements of Giorgio Carnini at the Hammond and piano, and the direction of maestro Franco Tamponi. A brilliant and inspired Jazz-Funk and Lounge Jazz session with just amazing sounds, driven by both dreamy and underground moods, Avant-garde Jazz refined orchestrations and gorgeous grooves.

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LP | 1972 | EU | Reissue (Holy Basil)

Underground Mood

26,99 €*

LP | 1972 | UK | Reissue (Long Hair)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First launched in 1971, Flirt Records was one of the many notable production music imprints distributed by Flipper Music, iconic publishing company founded by Romani Di Bari in 1968 and house to some of the best Italian library music. Back in 1972 the label released this compilation entitled "Underground Mood" featuring music composed by Emma De Angelis, Roberto Conrado, Luigi Lopez as well as Amedeo Minghi, whose anthemic "Lustful" track went on to be sampled by Justin Timberlake in 2013. An incredible 12-tracks collection of guitar driven jazz-funk tinted with fuzzy psychedelic rock vibes, making it one of the most interesting and sought-after releases of the Flirt Records catalog. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.

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Dick Heckstall-Smith

A Story Ended

32,39 €* 35,99 € -10%

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Elkar)

William S. Fischer

Akelarre Sorta

LP | 1972 | EU | Reissue (Right Tempo)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pello Joxepe is in the bar, but this time he's moving his hips to the sound of Curtis Mayfield's Superfly funk-soul groove. These are the kind of psychedelic visions created by this esoteric "Akelarre Sorta", an unparalleled gem. The African-American saxophonist, pianist and composer William S. Fischer, who worked in the 1950s with stars of the stature of Ray Charles, Muddy Waters, Joe Zawinul and Roberta Flack, in 1972 made an album of catchy, funky versions of popular tunes. And that's it, as simple as it is mysterious and surprising. Little more has ever been known about this recording or about the reasons behind William's visit to the Basque Country. So here it is, ready to attract a new audience to join the cult following it has gradually built up over nearly 50 years.

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Gino Marinacci

Atom Flower's

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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It's Nice To Be With You: Jim Hall In Berlin

Jim Hall

LP | 1972 | EU | Reissue (Musik Produktion Schwarzwald)

24,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Watertown 50th Anniversary Deluxe Edition Incl. Original Poster

Frank Sinatra

LP | 1972 | EU | Reissue (Capitol)

52,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | JP | Reissue (P-Vine)

Four-Um

Just Us

36,99 €*

Blues And The Soulful Truth

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Ordinarily, private press albums by groups of unknown musicians don’t make their way back into circulation - they are lost due to their inaccessibility for public consumption and routine home clearouts. Little is known about Four-Um, the group who released the covers album Just Us in 1972, other than their association with Buffalo, New York and their own short-lived label Libra 7 Records. Just Us, however, has clung onto record collector shelves owing to the creativity of its jazz and soul-packed interpretations of classic tracks, and its strong cult-following.

Be prepared to be surprised by the shape of these reimagined classics. Aretha Franklin’s 'Day Dreaming' with its lush vocal arrangements echoes through halls of reverb, and sounds spritely psychedelic. Simon & Garfunkel’s 'Scarborough Fair' is stretched over seven minutes with warm break-out organ solos. Other highlights include covers of The Spiral Staircase's 'More Today Than Yesterday' and Burt Bacharach’s 'What The World Needs Now'. P-vine is delighted to reissue Just Us on limited edition vinyl for the first time ever with an obi strip attached.

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Leon Thomas

LP | 1972 | UK | Reissue (BGP / Flying Dutchman)

Rock Joint Biwa - Kumikyoku Fulukotofumi Black Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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The title of Thomas’s third album for Bob Thiele’s Flying Dutchman referenced Oliver Nelson’s classic 1961 LP “The Blues and the Abstract Truth”. Released in 1972, “Blues And The Soulful Truth” featured an expansive all-star band that included Pretty Purdie (drums), Stanley Clarke (bass), Cecil Payne (Baritone sax) and the unsung Neal Creque (keyboards). It’s a soul meets jazz meets the blues masterpiece with arrangements from ex-James Brown horn-man Pee Wee Ellis.

This astounding album features the extraordinary ‘Shape Your Mind To Die’, ‘l-o-v-e’, a captivating vocal version of Gabor Szabo’s ‘Gypsy Queen’, the compelling ‘Love Each Other’, the plaintive ‘China Doll’ and a driving version of John Lee Hooker’s ‘Boom-Boom-Boom’.

Pressed on 180gm vinyl we have remained faithful to the original pressing, replicating the Flying Dutchman label style and gatefold sleeve.

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Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

30,99 €*

Rock Joint Biwa - Kumikyoku Fulukotofumi HHV Exclusive Transparent Red Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

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Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

30,99 €*

Lol Coxhill/Pierre Courbois/Jasper Van't Hof

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies pressed on transparent red wax exclusively available at HHV.

The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated on these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

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Toverbal Sweet

LP | 1972 | EU | Reissue (Lantern Heights)

32,99 €*

Mosaico (Le Tastiere Di Lee Selmoco)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Fully licensed, ltd to 500 copies. Released on cultish London based label Mushroom in 1972, this album brought together the anarchic genius of saxophone player Lol Coxhill, with the pure magic of a dutch rhythm section: Pierre Curbois on the drums and keyboard player Jasper Van’t Hof. A clash of the titans as a matter of fact, with the more classical and impro sounding lines of Coxhill and the straight – almost jazz-rock – harmonies of the other two players. A fascinating record comparable to Keith Tippett small groups and the rise of the most peculiar impro-jazz scene.

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Lee Selmoco

LP | 1972 | EU | Reissue (Holy Basil)

26,99 €*