Jazz | Fusion 340 Items

2LP | 2021 | EU | Original (Masterworks)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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With his 1966 debut for Atlantic, jazz vibraphonist and marimba player Dave Pike and an all-star lineup produced a perfect blend of Jazz, Latin, Soul and R&B that stands the test of time. Produced by Pike's frequent collaborator Herbie Mann, ''Jazz for the Jet Set'' featured a young Herbie Hancock on organ (an instrument he rarely played again), Clark Terry on trumpet, Billy Butler on guitar, Grady Tate on drums, and many other talented musicians. From an artistic perspective, the album marked a pivotal time in Pike's career, where he began to move away from straight ahead jazz and forge a relationship with soul music, Latin rhythms, pop arrangements and more experimental styles. With this official reissue courtesy of Nature Sounds, ''Jazz For The Jet Set'' is now back on limited-edition vinyl while supplies last. 1. Blind Man Blind Man 2. Jet Set 3. Sunny 4. When I'm Gone 5. You've Got Your Troubles 6. Sweet Tater Pie 7. Just Say Goodbye 8. Devilette

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Till Brönner & Bob James

On Vacation

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | Original (Gearbox)

Abdullah Ibrahim

Solotude

Release: 2021 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Essential Asha Puthli

Asha Puthli

2LP | 2022 | UK | Original (Mr Bongo)

Release: 2022 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2021 | FR | Reissue (Sam)

Donald Byrd

Byrd In Paris (Volume 1)

Release: 2021 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2021 | JP | Reissue (Gearbox)

Don Cherry

Cherry Jam

Release: 2021 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Jack DeJohnette, Larry Grenadier, John Medeski, John Scofield: Hudson

Hudson

2LP | 2018 | Original (Motema)

Release: 2018 / Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Sealed

Blue Note Re:imagined (2020)

V.A.

2LP | 2020 | EU | Original (Blue Note)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

2LP | 2023 | UK | Reissue (XL)

BadBadNotGood

Talk Memory

Release: 2023 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Sealed

2x12" | 2016 | NO | Original (Jazzland)

Bugge Wesseltoft

New Conception Of Jazz

Release: 2016 / NO – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

2LP | 2005 | DE | Reissue (Blue Note)

Robert Glasper

In My Element

LP | 2023 | EU | Original (ECM)

Release: 2005 / DE – Reissue

Genre: Organic Grooves

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Robert Glasper’s 2005 Blue Note debut Canvas signaled the arrival of a singular new voice in jazz and his 2007 follow-up In My Element solidified his status as a rising star who was taking the music someplace new. Featuring bassist Vicente Archer & drummer Damion Reid, the album expanded the possibilities of where a modern jazz piano trio might go by delving further into his hip-hop & gospel roots.

This 2-lp Blue Note Classic Vinyl Edition was mastered by Kevin Gray and pressed on 180g vinyl at Optimal.

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Dominic Miller

Vagabond

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (ECM)

Ralph Towner

At First Light

Release: 2023 / EU – Original

Genre: Organic Grooves

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Live At Fabrik Hamburg 1988 Gatefold

Eddie Harris Quartet

2LP | 2022 | EU | Original (Jazzline)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Greenleaf Music)

Dave Douglas

Overcome

Release: 2022 / EU – Original

Genre: Organic Grooves

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IV HHV Exclusive Clear Blue Vinyl Edition

BBNG (BadBadNotGood)

2LP | 2016 | US | Reissue (Innovative Leisure)

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 2016 / US – Reissue

Genre: Organic Grooves

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Only 1 per customer! Limited pressing of 400 copies on clear blue vinyl for HHV!

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Herbie Hancock

Fat Albert Rotunda

LP | 1976 | NL | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Fat Albert Rotunda is the venture into jazz-funk by keyboardist Herbie Hancock. The record is
centered around the music Hancock wrote the Fat Albert cartoon show. It’s one of the records which
appeared in the period between his landmark album Maiden Voyage of 1965 and his 1973 classic
Head Hunters. Fat Albert Rotunda is a unique item in Herbie Hancock’s long and diverse catalog, with
funky tracks like "Fat Mama" and modern jazz-oriented tunes like "Tell Me A Bedtime Story". The
sextet which is backing Hancock consists of some of the most prominent musicians of that time, like
Joe Henderson on tenor sax, Johnny Coles on trumpet and Buster Williams on the bass.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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Jaco Pastorius

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1976 / NL – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2010 Reissue. close to NM

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Herbie Hancock

Sunlight

A Night At Birdland Volume 1 Back To Blue Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Sunlight by Herbie Hancockis a 1978 jazz-funk, fusion album. It features Hancock's vocals through a vocoder as well as performances by drummer Tony Williams and bassist Jaco Pastorius.

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Art Blakey Quintet

LP | 1954 | EU | Reissue (Blue Note)

Release: 1954 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Music On Vinyl)

Placebo

LP | 2010 | EU | Reissue (Music On Vinyl)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Limited to 1000 numbered copies.

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Charles Mingus

Mingus Ah Um

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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Hiromi Uehara & Edmar Castaneda

Live In Montreal

2LP | 2018 | EU | Original (Telarc)

Cliff Craft Blue Note Classic Vinyl Series

Release: 2018 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

vinyl is close to NM. tiny wear

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Clifford Jordan

LP | 1957 | EU | Reissue (Blue Note)

LP | 2024 | US | Original (Stones Throw)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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) Tenor saxophonist Clifford Jordan blew in from Chicago in 1957 and put the NYC jazz scene on notice with a trio of excellent Blue Note sessions including Blowing in from Chicago co-led with John Gilmore, the self-title Cliff Jordan, and Cliff Craft. This third album featured Jordan at the helm of first-rate hard bop quintet with Art Farmer on trumpet, Sonny Clark on piano, George Tucker on bass, and Louis Hayes on drums. Side 1 presented three Jordan originals including the sublime “Laconia,” “Soul-Lo Blues,” and the hard-swinging title track. Side 2 found Jordan playing well-known tunes by Charlie Parker, Dizzy Gillespie, and Duke Ellington including “Confirmation,” “Anthropology,” and a show-stopping version of the ballad “Sophisticated Lady.” This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Single Sleeve.

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Apifera

Keep The Outside Open

Release: 2024 / US – Original

Genre: Organic Grooves

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Louis In London Live At The BBC London1968

Louis Armstrong

LP | 2024 | Original (Verve)

Release: 2024 / Original

Genre: Organic Grooves

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LP | 1953 | DE | Reissue (Blue Note)

Miles Davis

Volume 2

Release: 1953 / DE – Reissue

Genre: Organic Grooves

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LP | 1983 | EU | Reissue (Studio Mule)

Shinsuke Honda

Silence

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Wolfgang Colley Muthspiel

Dance Of The Elders

LP | 2023 | EU | Original (ECM)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Helge Lien & Knut Hem

Villingsberg

LP (Ozella Music)

Genre: Organic Grooves

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Fletcher Moss Park Dark Green Vinyl Edition

Matthew Halsall

LP | 2015 | UK | Reissue (Gondwana)

Duke Ellington And His Orchestra

Release: 2015 / UK – Reissue

Genre: Organic Grooves

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Limited edition, celebrating 15 years of Gondwanan records!

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The Great Paris Concert

2LP | 1973 | US | Original (Atlantic)

French Connection - Rare Funk, Soul, Jazz From 60's & 70's

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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V.A.

2LP | 2023 | EU | Original (Wagram)

Gianluca Petrella / Cosmic Renaissance

Release: 2023 / EU – Original

Genre: Organic Grooves

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With French Connection, discover rare tracks of Funk, Soul and Jazz made in France. 23 avant-garde nuggets from the 60"s and 70"s gathered in a nice double vinyl! With: Cortex, Janko Nilovic, Godchild, Francis Lai, Bernard Estardy, Philippe Sarde, Edition Spéciale, Bruno Leys, Jean-Claude Petit, Serge Gainsbourg...

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Universal Language

LP | 2022 | EU | Original (Schema)

New History Warfare Volume 2

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mermaids really do exist, and I discovered this a few days ago. I came across the fantastic story of the Ama, literally the women of the sea. They live in Toba Bay, Japan, and have a long-established custom that has been passed on from one generation to another for more than two thousand years. Not so few. What do they do? They jump into the sea half-naked to fish for seaweed, octopus and, above all, for pearls. They are the real pearl fisherwomen. They reach a depth of just under 30m, with only the strength of their lungs. They are as beautiful as the sun. When they ascend, due to a strange play of sounds and noises coming from their hyperventilating lungs, they emit a kind of whistle that sounds like the cry of dolphins. Or more precisely, the song of mermaids. They go down into the deep sea and search for pearls. When out of the water, they train all their lives and help each other passing on practices and secrets, confiding in one another to stay united. And they are cohesive, never envious of one another, just a great sense of belonging. With his new work Gianluca seems to have drawn from this ancient hunt, made up of memories and traces. He submerged and searched in the remotest memories and ancestral sounds of skins, streets, eras and styles. With his appreciation he has connected black ghettos, slums, townships, ‘the bronx’ of all over the world and explored them with the curious sounds of contemporaneity. Gianluca also has a very cohesive community of musicians around him, he is proud of this, and with them he finds his element, his peace. ‘Anyone who doesn’t get along with musicians has an unresolved problem,’ he tells me. And that’s why he makes a point of letting it be known that each of the five well-known members of his Cosmic Band and the many valuable guests who populate this new record, contributed decisively to the creation of these crazy tracks. In what way? By using the words of their instruments, generating a language that serves precisely to connect past and present, useful for finding the thread of dialogue. A continuous back-and-forth between generations. To speak of the best in the field is an idle exercise: all have striven in the realisation of the composition, all deserve full praise, none excluded. Ovations for all. If you think you are only listening to jazz, you are sadly mistaken. There are exotic ghosts, promises of evasion. There is a celebration of the human condition. There is a life in here. A plunge into the heart of music and its many languages. A record about confrontation on words, about memory, about being true to oneself. But it is also a work on how complicated it is to come to terms with what we call identity, and Gianluca rewrites this identity in his own way. A work made of whispers, murmurs, in which music and language try to invent a new encounter. That takes us down into the abyss of the sea and up to the sky. Federico Scoppio

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Colin Stetson

LP+CD | 2011 | CA | Original (Constellation)

Release: 2011 / CA – Original

Genre: Organic Grooves

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Isaiah Collier & The Chosen Few

The Almighty Black Vinyl Edition

2LP | 2021 | EU | Reissue (Division81)

LP | 2024 | US | Original (Northern Spy)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Isaiah Collier & The Chosen Few return with a new musical journey, "The Almighty". The first quartet offering since 2021's Cosmic Transition. Collier's compositions and lyrics focus on using music to communicate deeper principles that are part of everyday. Isaiah showcases these principles through sounds that evolve within the titles: Love, Compassion, & Perspective. These principles once taken fully in are arranged to deliver the message that there is a Divine energy connecting through us all and is seen within all things.

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Steph Richards

Power Vibe

Release: 2024 / US – Original

Genre: Organic Grooves

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Suonando La Batteria Moderna

Tullio De Piscopo

LP | 2023 | EU | Reissue (Dialogo)

LP+LP+All Media | 2020 | US | Reissue (Columbia)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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A Brief History OF THE Drums Jazz Drums as we know them today are a complex group of percussive instruments that reveal the inventive genius of the first jazz-band players of New Orleans, on Mississippi show-boats and later, in Chicago. In their actual form (which is substantially the same as that used in the first New Orleans groups ) they are none other than the como ination into one single instrument of all the percussive units used by the Southern blacks. Let us examine the drums in their single parts: the bass drum is a percussion instrument without definite pitch, normally beaten by a stick that has a large, felt-covered knob on one end, while the other end is attached to a pedal played by the right foot. It is the same instrument used in parades with brass bands, when it is worn around the neck and can also be played with regular drumsticks if a drum roll is required. Also a descendant of the traditional New Orleans brass bands are the Charlestons, two superimposed metal plates which are also played by pedal. Drumsticks or brushes are used to play one or two cymbals, large, slightly cupped disks of brass which when struck together loudly, also produce a crashing, dramatic effect. Drumsticks are also used to play the snare drum, of military origin, and the tom tom, of African descent, which can also be played by beating the drum-head with the fingers and the heel of the hand to accompany dancing. Other supplementary instruments such as the castanets, cow-bells, etc., are also played with drumsticks. In early jazz formations and in all New Orleans jazz, drums were used to rhythmically sustain the group, in other words, to furnish the beat, particularly with the bass drum playing the strong beats; the Charlestons would follow on the weak beats and the other parts would more or less ‘fill in’ depending on the player’s ability, by playing syncopation and off-beats. Rarely were the drums used as a solo instrument in New Orleans or traditional jazz bands; at the most, the drums would perform during a break, that is, a brief solo that filled in a pause left by the other melodic instruments between two stanzas or refrains. In jazz history the most important representatives of this ‘archaic’ jazz style are considered to be Warren ‘Baby’ Dodds (brother of the famous clarinet player Johnny Dodds ) and Zutty Singleton; both can be heard on the historical recordings of the Hot Five and the Hot Seven where they played under Louis Armstrong. During the swing era the drums were somewhat modified and perfected (it was during the ’30s that they assumed their standard and present form), thus requiring players to develop a more refined, sophisticated playing technique. In fact, during the swing era the small groups that had made up the backbone of New Orleans and Chicago jazz moved momentarily into the background and attention was focused on the first big, commercial dance bands, then to small, experimental groups that consisted of trios and quartets. But while the New Orleans drummer had been accustomed to playing with musicians he knew personally and with them performed music with which he was completely familiar and could therefore easily provide rhythmic support to, during the ’30s the drummer found himself in the new situation of having to play with a large number of musicians who played written music that had been selected for commercial reasons and part of complicated, orchestral arrangements. In addition, because of continuous changes in orchestral personnel, he seldom had time to familiarize himself with his fellow musicians; he was forced, by necessity, to adapt himself to the needs of the group at a short time notice and it was not unusual for the band leader to expect an exceptionally long break during which the drummer had to demonstrate his particular virtuosity. Naturally the technical superiority of this generation of musicians found supremacy in small groups in which the drums sustained first place together with the melodic instruments. An example of two such outstanding drummers of the swing era were Chick Webb and Gene Krupa. Around and immediately following World War II there took place, gradually and not as suddenly as one is led to believe, a so-called ‘revolution’ that initiated what was the ‘modern jazz’ trend, to which the preceding jazz style was superimposed and defined as ‘traditional’ jazz. While it would be impossible to analyze here all the melodic, harmonic, rhythmic and timbric innovations created by modern jazz musicians, two considerations can be made about the drums. The first is that in modern jazz there is no longer any distinction between ‘melodic’ and ‘accompanying’ instruments, thus leveling all instruments of the group to equal importance, all with solo possibilities (just think of what a classic accompanying instrument like the guitar becomes, in the hands of Charlie Christian!). The second is that while in traditional jazz the beat, i.e., the basic rhythmic scansion of a piece, offered the possibility of rhythmic balance, in swing, rhythm became explicitly an element of sound, while in modern jazz the beat is implicit and despite its prominence throughout an entire piece, whether solo or group playing, no instrument has the specific job of sustaining the others. It is clear therefore, that when the drums have been given equal value to the other instruments, they are freed from the obligation they once had to sustain rhythmically an orchestra or group and in modern jazz find enormous expressive possibilities. The musician most responsible in giving the drums their prominence in this era was Kenny Clarke, and among his many followers two of completely different styles but both with supreme technical skills, were Shelley Manne and Max Roach.

THE Drums AND POP Music The introduction of drums in European pop music occurred at the same time as the transformation of dance bands and was conditioned by the popularity of jazz. In the first dance orchestras that offered American dance music in Europe (the fox trot, one-step, and later the Charleston), the drummer often gave his name to the entire group, which was called a ‘jazz band’. The pop music drummer, in general, was not just a pale image of his jazz colleagues. If he performed any virtuoso passages they were certainly not the result of an expressive need, but rather, well-calculated effects created by an arranger for purely commercial reasons. The drums in pop music were also liberated from their secondary role, however, in another change similar to that brought on by the modern jazz revolution: it was with rock ‘n’ roll and the experiments of the new American groups that followed the Beatles and the Rolling Stones that re-evaluated the possibilities of the drums in new forms of instrumental ‘sounds’ and added to the wealth of technical capacity and the actual physical make-up of the instrument, adding other percussive instruments from both Afro-Cuban origin (bongos) and classical music (tympani), as well as oriental instruments like the gong, Chinese bells, Korean blocks, etc. For those who are fascinated by the virtuosity of some jazz or pop musician and have undertaken the study of the drums with the intention of imitating them, it is well to remember that it is no longer possible to do so with just a good sense of rhythm, musical sensitivity and the physical capacity to play. The modern drummer must also have a thorough theoretical background and a good teacher to guide him. Sightreading is of course indispensable particularly for playing the drums and a music school diploma certainly helps. This record, therefore, does not pretend to offer more than a series of modern rhythms that anyone with a good musical background can learn from and have fun with. The rest is up to you!

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Charles Mingus

Mingus Ah Um

LP | 2022 | EU | Original (Not Now)

Release: 2020 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record Store Day 2020 Release.
Limitation: 2000 copies. Slightly warped vinyl, but still enjoyable Cover close to NM

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Frank Sinatra

Best Of

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 1971 | UK | Reissue (Musica Infinita)

Gerry Weil

The Message

LP | 1977 | JP | Original (Warner Bros.)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Olindo Records is proud to launch sister label Música Infinita, with its inaugural release, ‘The Message’ by Gerry Weil - a forgotten cornerstone of Venezuelan jazz, greatly influenced by ‘Bitches Brew’ era Miles, Hendrix, Tower of Power and fusion of jazz and rock. ‘The Message’ is packed with raw funk grooves, big band horns, and Gerry’s gravelly Waitsian vocals. Remastered with love by Frank Merritt at The Carvery, this edition of just 500 copies features brand new artwork and an extensive interview with Gerry. In 1969 Miles Davis put the world on notice with “Bitches Brew”; a bold statement that broke every pre-conceived notion people had about jazz and music in general up to that point. Taking this as inspiration, Gerry Weil decided to emulate Miles in 1971, but on Caribbean soil, gathering a dream team of 15 Venezuelan musicians, most of which went on to become renowned bandleaders in their own right, to record an avant-garde album that would later turn into a coveted item amongst record collectors. The album opens with “The Joy Within Yourself”, showcasing Gerry’s dexterous organ playing within seconds, accompanied by stunning horn arrangements, a bluesy vocal by Weil himself and a killer electric guitar solo by Vinicio Ludovic (Luisito Quintero / Arturo Sandoval). Continuing with “The Bull’s Problem”, the LP settles into a jazz funk groove with a nasty rhodes and bass combination alongside a heavy drums and congas exchange between Alberto Naranjo (Los Kenya / El Trabuco Venezolano) and Freddy Roldán (Grupo Mango / Alfredito Linares). Side A closes with title track “The Message”, a sort of funky anthem or mantra that describes Gerry Weil’s attitude towards life. Its lyrics describe the way “squares” reacted against hippies in the 70s when “all we want to give you is a little bit of love”. On side B, “Johnny’s Bag” kicks off proceedings on a spiritual tone. This time Gerry’s on acoustic piano, accompanied yet again by a beautiful, but equally powerful horn section featuring a who’s who of Venezuelan jazzmen, such as Benjamin Brea on alto, Victor Cuica on tenor, Rodrigo Barboza on trombone and Luis Arias on trumpet. “What Is A Man” begins with a vocal duo between Vinicio Ludovic and Gerry before settling into a funky groove underpinned by Michael Berti’s (Aldemaro Romero y su Onda Nueva / Jayme Marques) booming bassline. The album closes with “Little Man”. A meditative, yet grooving piece that could easily be found on any of the best Blue Note albums from that same time period. The interplay between Gerry on keys, Berti on bass and Naranjo on drums is simply stunning and provides a perfect ending for the album. Arriving in Venezuela from Austria as a 17 year old in 1957, Gerry has become one of the most influential musicians his adopted country has ever seen. His compositions are now part of the repertoire of Venezuelan jazz standards, but perhaps more importantly, Gerry’s career in music education has seen him impart his music theory and piano teachings to at least three generations of musicians. Still active at the age of 81, Gerry is a living legend and a true testament to perseverance through music.

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Michael Franks

Sleeping Gypsy

Till Brönner & Dieter Ilg

Release: 1977 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert. close to NM.

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Nightfall

LP | 2018 | EU | Original (Masterworks)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2012 | EU | Original (Verve)

Diana Krall

Glad Rag Doll

Release: 2012 / EU – Original

Genre: Organic Grooves

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The Essential Asha Puthli

Asha Puthli

2LP | 2022 | UK | Original (Mr Bongo)

Release: 2022 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2021 | UK | Reissue (Gondwana)

Matthew Halsall

Fletcher Moss Park

Release: 2021 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2017 | EU | Original (Warp)

Mount Kimbie

Love What Survives

Release: 2017 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2020 | EU | Reissue (We Release Jazz)

Ryo Fukui

A Letter From Slowboat

LP | 2020 | EU | Reissue (We Release Jazz)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: VG+

Cover with slightly bent corner, closer to NM

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Ryo Fukui

A Letter From Slowboat

2LP | 2021 | EU | Reissue (Endless Smile)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is NM but the OBI has a bit of damage.

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Degiheugi

Broken Symphony

Release: 2021 / EU – Reissue

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Jack DeJohnette, Larry Grenadier, John Medeski, John Scofield: Hudson

Hudson

2LP | 2018 | Original (Motema)

Release: 2018 / Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | EU | Reissue (We Release Jazz)

Hiroshi Suzuki

Cat

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2022 | UK | Original (Mr Bongo)

Luke Una

É Soul Cultura

Release: 2022 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2019 | Reissue (Blue Note)

Herbie Hancock

Inventions & Dimensions

Release: 2019 / Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2022 | EU | Original (Musik Produktion Schwarzwald)

Bill Evans , Robben Ford

Common Ground

Release: 2022 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

Did You Give The World Some Love Today, Baby

Doris

LP | 2022 | UK | Reissue (Mr Bongo)

Release: 2022 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

Diana Krall Featuring The Clayton-Hamilton Jazz Orchestra

Christmas Songs

LP | 2013 | Reissue (Verve)

Release: 2013 / Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

2LP | 2020 | EU | Reissue (Domino)

Robert Wyatt

His Greatest Misses

Release: 2020 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2021 | Original (XL)

BadBadNotGood

Talk Memory

Release: 2021 / Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

Stuff Combe 5 + Percussion

Stuff Combe

LP | 2018 | CH | Reissue (We Release Jazz)

Release: 2018 / CH – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

Conversations With Myself

Bill Evans

LP | 2016 | EU | Reissue (Verve)

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Mint, Cover: Sealed

2x12" | 2016 | NO | Original (Jazzland)

Bugge Wesseltoft

New Conception Of Jazz

Release: 2016 / NO – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | UK | Reissue (Soul Jazz)

Lloyd McNeill

Tori

Release: 2021 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Artifacts : Tomeka Reid, Nicole Mitchell, Mike Reed

…And Then There’s This

LP | 2022 | US | Original (Astral Spirits)

Flores Para Verene / Cantos Para Caramina Black Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with bumped corner, closer to NM

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Tomin

LP | 2024 | US | Original (International Anthem)

Arild Andersen / Daniel Sommer / Rob Luft

Release: 2024 / US – Original

Genre: Organic Grooves

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Tomin is a self-taught multi-instrumentalist, bioinformatician, and poet from Brooklyn, New York. His primary instruments are the flute, trumpet and alto clarinet, and he participates in the creative music scene as a performer, improvisor, composer and fan. Outside of music, he works in computational genetics, with a focus on oncology.

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As Time Passes

LP | 2024 | EU | Original (April)

LP | 2023 | EU | Original (Not Now)

Release: 2024 / EU – Original

Genre: Organic Grooves

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A leading Norwegian bassist for over 30 years, ECM legend Arild Andersen forges promising relation-ships with two rising stars - Daniel Sommer (drums) and Rob Luft (guitar) in an expansive, playful exploration of song and collective improvisation. As Time Passes " is set to release on April 26th on April Records. Led by Sommer, the release signifies the first chapter of the drummers much much-anticipated Nordic trilogy on April Records, aiming to capture and document Nordic improvisation and composition across three carefully curated ensembles. Bassist Arild Andersens storied career stretches back to the 1970"s as one of ECM s first recording artists, collaborating with household names of the genre including Jan Garbarek, Don Cherry, Bill Frisell, John Taylor, Sonny Rollins, Chick Corea, and the list goes on. Welcoming the opportunity to work with and nurture younger artists, the ensemble was born when Daniel Sommer selected Andersen for a project during his studies at the Danish National Academy of Music. Later, impressed by Luft s performances in Ireland and Norway, Andersen suggested expanding the pair into a trio. A transcendent musical voyage, As Time Passes " blurs the lines of conventional trio roles, and celebrates the evolution of jazz as a fluid, versatile form of expression. By providing each musician the freedom of becoming a key contributor in the melodic discourse, the trio channels the spirit of jazz veterans such as the Bill Evans Trio and free free-jazz ensemble Air, while echoing the sounds and innovations of pan pan-European contemporary jazz. Mixing pensive rubato ambience with energetic grooves, instrumental dexterity, a modern ECM ECM-esque sound and folk undertones, the record s compositional clarity combined with the spontaneity of a live performance flows across and between genres, borders and generations alike. Luft s intricately over-dubbed layers of acoustic guitars, vast reverbs, and contrapuntal melodies expand the sound of the three piece into an immersive world of texture...

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Chet Baker

It Could Happen To You

Release: 2023 / EU – Original

Genre: Organic Grooves

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Genre: Organic Grooves

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LP | 2023 | UK | Original (20th Century Masterworks)

John Coltrane

Giant Steps

Release: 2023 / UK – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (ECM)

John Scofield

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (ECM)

Marcin Wasilewski Trio

En Attendant

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (ECM)

Björn Meyer

Provenance

Release: 2017 / EU – Original

Genre: Organic Grooves

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Es Rappelt Im Karton Black Vinyl Edition

Helge Schneider

2LP | 1995 | EU | Reissue (Roof Music)

Release: 1995 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Blue Note)

Pete La Roca

Basra

2LP | 2020 | EU | Original (Schema)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Underrated drummer’s 1965 album
His debut solo album and one of only two Blue Note albums as leader (the second emerged in 1997)
Recorded at the Van Gelder Studio on 19th May 1965
Featuring Blue Note legend Joe Henderson on tenor, Steve Kuhn on piano and Steve Swallow on bass
Showcasing three fine La Roca originals (the title track, ‘Candu’, ‘Tears Come From Heaven’), Steve Swallow’s ‘Eiderdown’ and interesting takes on the standards ‘Malaguena’ and ‘Lazy Afternoon’
Produced by Alfred Lion
Includes a famous Reid Miles cover, plus photography by Francis Wolff and liner notes by Ira Gitler

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Gerardo Frisina

Moving Ahead

LP | 2018 | EU | Original (Souffle Continu)

Release: 2020 / EU – Original

Genre: Organic Grooves

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As the album title suggests, this work represents a big step forward for Gerardo Frisina, an artist that has always been open to any influence and whose unstoppable creativity has given birth to a 2-LP’s worth of new material! Nu-latin, Afro and electronic beats merge with Afro-Cuban rhythm into a massive dancefloor groove!

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Camizole

2LP | 2018 | EU | Original (Roof Music)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Is freedom worth more than mastery, construction and achievement? In replying yes, the utopians of Camizole clear show which side they are on. For them, musical creation must be as spontaneous as possible. To achieve this, it is better to put egos to one side to concentrate on collective experimentation, to be tried and tested in front of a live audience. Playing the card of unlimited and unhindered improvisation is Camizole's crédo, having decided to get a taste of the urgent game-playing already established by the Nihilist Spasm Band and the Living Theatre research of Julian Beck and Judith Malina.

At the time, that is to say when punk was exploding, this concept, itself inherited from the May 68 events, made an impact on Chris Cutler of Henry Cow, but also Lindsay Cooper, who invited Camizole member Françoise Crublé to join the Feminist Improvising Group. Also, the Tapioca label run by Jean Georgakarakos (co-founder of BYG Records), considered producing an album, from a live recording made at the Théâtre de Chartres in November 1977. Unfortunately the label rapidly ceased all activities and the recording was left in a drawer, which was a real shame.

Today, after extracts and other live bits and pieces came out via Spalax at the end of the 1990s, an integral double-album is finally being released to do justice to the collective created by Jacky Dupéty, and which included, amongst others Dominique Grimaud(Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan, Urban Sax), Xavier Jouvelet (notably heard alongside Lol Coxhill) and Bernard Filipetti (Art & Technique). Better late than never! 500 copies made. Obi Strip. 8 Page Booklet. Licensed from Camizole.

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Helge Schneider

Es Gibt Reis, Baby

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (BMG)

Charlie Parker

Now's The Time

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (ECM)

Keith Jarrett

The Survivors' Suite

LP | 2017 | EU | Original (ECM)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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The 1977 released album is considered to be the crowning achievement of Jarrett's American Quartet consisting of himself, Dewey Redman, Charlie Haden and Paul Motian.

"A brilliantly organized and full-blooded work... a very complete record. It creates its own universe and explores it thoroughly, leaving the listener awed and satisfied... An unashamedly ardent album." - Melody Maker

"The labyrnthine composition seems to redefine 'intensity' each time it turns a corner. The drive toward the climax of Side Two is among the most moving in modern music." - The Wire

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Dominic Miller

Silent Light

2LP | 2016 | CA | Original (Justin Time)

Release: 2017 / EU – Original

Genre: Organic Grooves

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“Silent Light ” is the new album by guitarist Dominic Miller.

Dominic Miller (born 1960) is an Argentinian guitarist best known for his involvement in Sting's projects for over 20 years. Together they wrote "Shape of My Heart," which would be sampled by various artists, including in hit songs for Craig David and the Sugababes. He has released several solo albums.

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Diana Krall

Stepping Out

Release: 2016 / CA – Original

Genre: Organic Grooves

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Release: EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pat Metheny Group

LP | EU | Reissue

Release: EU – Reissue

Genre: Organic Grooves, Rock & Indie

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10" | 2020 | UK | Original (Sekito)

Alfa Mist

On My Ones

LP | 2015 | EU | Original (Warner Music Central Europe)

Release: 2020 / UK – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear. Limited edition

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Kovacs

Shades Of Black

Release: 2015 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Donato Elétrico HHV Exclusive Mint Green Vinyl Edition

Joao Donato

LP | 2024 | EU | Original (Comets Coming)

Greasy Mike's Chinese Takeaway

Release: 2024 / EU – Original

Genre: Organic Grooves

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Limited to 200 copies on green vinyl worldwide. Only available at hhv.de and in Japan.

João Donato need no presentation his one of the of tropical groove masters from all eras. Albums like A Bad Donato, Quem é Quem or Lugar Comum from his 1970's Works are legendary. This one is a homage to that era and João Donato returning to his Tropical Jazz Funk Groove original style. It is known that good albums generate good shows, but in the case of this album, we can do the opposite. "Donato Elétrico" began to take shape following a show performed by the artist in 2014, at Sesc Pinheiros (São Paulo, Brazil). On that occasion, the musician released the emblematic album "Quem é Quem" on stage, after a delay of more than 40 years. For this late release, Donato invited young musicians from São Paulo, with whom he had already been working on the idea of a new project, and who helped him recreate the original atmosphere of "Quem é Quem", full of grooves, whose essence was in the João's electric piano.

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V.A.

LP | 2023 | UK | Original (Jazzman)

Release: 2023 / UK – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Act Music)

Johanna Summer

Resonanzen Black

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Jazz Workshop)

Barry Harris Quintet

Newer Than New

Miles Ahead Marble Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"A quick listen to the lively bop on 'Newer Than New' may enlist a perplexing question: Was this music really recorded 40 years ago? Apparently so, but the music still sounds fresh and exciting. If pianist Harris set out to show bop was still a vital force in 1961, he accomplished his task. Of course he didn't do this alone. Trumpeter Lonnie Hillyer, alto Charles McPherson, bassist Ernie Farrow, and drummer Clifford Jarvis join him on eight tunes that would've made Parker and Gillespie proud. The influence of bop pioneers is evident on tunes like "The Last One" and "Anthropology," both giving the horns lots of room to soar against the backdrop of dynamic rhythm. "Mucho Dinero," one of several Harris originals, has an exuberant Latin feel. After the horns set the piece in motion, Harris takes the first solo, creating colorful textures with his keen sense of harmony. Newer Than New also places special emphasis on the young horn players, providing McPherson and Hillyer lots of room to show what they've got. Both echo Parker and Gillespie without copying them. Hillyer displays a fat rich tone on numbers like "Easy to Love," while McPherson's resonant pitch, no matter how quickly he's playing, always comes across. Farrow and Jarvis keep the shifting rhythms heavy in the mix, pushing each soloist to create something vital. The title 'Newer Than New' perhaps mocks the obsession with the latest thing, as opposed to opting for the timelessness of high-octane improvising. Jazz styles, like all styles, come and go, but great music like 'Newer than New' transcends styles. It's also fun (and illustrative) to listen to an album like this back to back with the latest retro jazz. Barry Harris and his colleagues make great jazz without the least bit of self-consciousness."

—Ronnie D. Lankford, Jr. (All Music Guide)

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Miles Davis

LP | 1957 | EU | Reissue (Second)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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LP | 1989 | TR | Reissue (Ada Music)

Okay Temiz

Dervish

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1989 / TR – Reissue

Genre: Organic Grooves

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2018 Reissue, 180g black vinyl in gatefold cover. Without no doubt that Okay Temiz is the best known Turkish jazz drummer and percussionist in the world. He gained international reputation while playing with international Jazz stars, in some collaborations in seventies and eighties. This album was originally released in 1989. You will find some traditional Turkish measures, and rhythms in all the tracks. Enjoy Turkish free Jazz.

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Shirley Horn

Embers And Ashes

LP | 2021 | EU | Original (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued as Stere-O-Craft #16
Subsequently reissued by Hi-Life Records as HLS 55

The Shirley Horn Trio
Shirley Horn (piano & vocals), Joe Benjamin (bass), Herb Lovelle (drums).
Lewis Packer, bass, and Harry Saunders, drums, replace Benjamin and Lovelle on "Day by Day"
Recorded in New York City, 1960

Back-liner notes written by Mort Fega
Jazz Unlimited, WEVD, New York City
Recording produced by Buddy Smith

180 Gram Newly Remastered Vinyl Reissue of the original Stere-O-Craft #16 Limited edition in Solid carton sleeve

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Walter Benton Quintet

Out Of This World

Release: 2021 / EU – Original

Genre: Organic Grooves

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Ibrahim Khalil Shihab Quintet

Spring

LP | 1968 | UK | Reissue (Matsuli)

Ryo Kawasaki & The Golden Dragon

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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“South Africa’s lost jazz history contains many an overlooked classic. But even within that hidden tradition, there are few albums that suffered such an unlucky fate as Spring, the monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

Though Shihab was only twenty-two when Spring was recorded, he was already a lynchpin of the Cape Town scene, and the album was to be his first major statement as leader and composer. It is a magnum opus gilded by the presence of the upcoming saxophonist Winston ‘Mankunku’ Ngozi, who was soon to find huge acclaim with the hit album Yakhal’ Inkomo.

Three months of touring southern Africa in 1968 honed the band to the point that this entire album was recorded within the just two hours of allocated studio time. This album was repressed just once before the master tapes were destroyed by an ignorant record company executive. While it has remained out of print since then, the album was ‘kept alive’ as an ‘add-on’ to a 1996 CD of Mankunku’s Yakhal’ Inkomo. As a result, many modern jazz lovers still incorrectly believe these five compositions come from Yakhal’ Inkomo.

With this edition of Spring, Matsuli Music corrects an historic wrong. This edition of Shihab’s stunning debut, produced with the blessing of the man himself, is the first time it has been properly available in over forty years, and the first time it has ever been available outside South Africa. Restored and presented with new liner notes by Valmont Layne, Spring can now be seen for what it is: a peerless masterwork of Cape Jazz, blessed by the presence of the great Mankunku, but truly animated by the subtle vision and original musical spirit of its creator, Ibrahim Khalil Shihab.”

• The monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

• Almost lost recording is back on vinyl after more than 50 years.

• Heavyweight 180g vinyl with remastered audio, inner sleeve with photographs and new notes by Valmont Layne

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Little Tree

LP | 1980 | EU | Reissue (Studio Mule)

LP | 1977 | EU | Reissue (Be With)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Japanese legendary jazz guitarist “ryo kawasaki”,some of his famous works are like mellow jazz fusion masterpiece “tarika blue”,dance jazz classic “trinkets&things”,cosmic new wave jazz “lucky lady”.

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Alan Hawkshaw

The Road Forward