Jazz | Fusion Vinyl 674 Items

Freddie Hubbard & Stanley Turrentien

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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This is 180g vinyl.

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In Concert

2LP | 1976 | EU | Reissue (Speakers Corner)

55,99 €*

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Max Roach & Clifford Brown

Daahoud

LP | 1972 | US | Reissue (Mainstream)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | US | Reissue (CTI)

Joe Farrell

Outback

Release: 1979 / US – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Reissue (Philadelphia)

Dexter Wansel

Voyager

Release: 1978 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | UK | Reissue (Pure Pleasure)

Billy Harper

Capra Black

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Mental Experience)

Wild Havana

Overdrive – Rock/Jazz - Party

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.
Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the “Wild Havana” album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.
Buried for many years, we’re excited to bring to life this unique album.

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The Bridge

LP | 1972 | EU | Reissue (Sommor)

Sings The Duke Ellington Songbook

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this fabulous kraut, jazz-funk / fusion / rare grove / library album from 1972, originally released on the budget Tempo label from Germany. Lots of fuzzy distorted organ & Fender Rhodes courtesy of Kristian Schultze (pre-Passport) plus the mighty Pawel Jazerbski on bass and Joe Nay (Tete Montoliu, Roland Kirk, Blue Note Club…) on drums.
Master tape sound, original artwork and insert with liner notes.

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Ella Fitzgerald

2LP | 1975 | EU | Reissue (Waxtime)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | UK | Reissue (Pure Pleasure)

Cecil Payne

Zodiac

LP | 1976 | UK | Reissue (Pure Pleasure)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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It's impossible to talk about this album without acknowledging the spectre of death that hangs over it - not only is it the third entry in Strata-East Records' Dolphy Series, a collection of archival recordings from some of the label's close associates honoring the recently deceased multi-instrumentalist, but it is actually dedicated to two members of the band, Wynton Kelly and Kenny Dorham, who died in between the recording sessions and its release. The point is driven home even further by the fact that the album begins with a tribute from Payne to the fallen Martin Luther King, Jr., a piece that acts as a de facto solo for Dorham - his playing all rosy elegance and regal warmth - before shifting into the lighter (though equally coolly-paced) "I Know Love," a showcase for Payne's sax. While not the most somber jazz track ever recorded, this opening suite is a low-key and mournful way to open the affair, but thankfully the album really picks off and shows these musicians more in their element the rest of the way.

"Girl, You Got a Home" is a funky piece, beginning very soulfully with some tight interplay among the rhythm section of Kelly, bassist Wilbur Ware and drummer Albert Heath. Ware is in especially fine form on this track, tying together the disparate passages of the piece by grounding the more ponderous moments in a deep funk, while Kelly's playing is especially ear catching in the way he stabs at his piano like it's an organ. After the first two tracks take up nearly twenty minutes, the four-minute "Slide Hampton" feels almost impossibly brief, a feeling that's enhanced by its quick, jittery, and infectious rhythm, driven by some really dexterous work from Kelly. The final track, "Flying Fish," may be the album's highlight, a Caribbean-inspired composition that casts the rhythm section as flighty ground for both Payne and Dorham to vamp on. The track is oddly danceable for something released on Strata-East, maybe the most fun moment ever for the label, and relentlessly uptempo. Though this release may be in part defined by the deaths that preceded it, it's clear that the recording process was actually a lot of fun for everybody, as their enthusiasm and energy jumps right out of the speakers. This is one of the first Strata East records I really got into and is still one of my favorites, a must-hear for any fans of the flightier moments of Dorham or Kelly's career, and a fitting tribute for both master musicians.

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Stanley Cowell

Regeneration

SAC - School Of American Craftsmen

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Around the time of this recording, Stanley Cowell had achieved a degree of prominence as the pianist for the advanced bop quartet Music Inc., which he co-led with trumpeter Charles Tolliver, as well as for unusual projects like his Piano Choir. With Regeneration he chose another path, essentially trying to produce a jazz-infused pop album with strong African roots, perhaps owing a little bit to Stevie Wonder. He assembled an extremely strong cast of musicians for the venture, including Marion Brown, Billy Higgins, and Ed Blackwell, as well as several African string and percussion masters and, by and large, succeeded conceptually if not commercially. A few songs use vocals in a fairly standard pop framework, and, while they are performed capably enough, the lyrical content leaves something to be desired in typical mid-'70s fashion. But much of the rest of the music makes up for this with, among other things, a delightful fife and drum piece by Brown and strong bass work by Bill Lee (Spike's dad). Regeneration is an interesting, often enjoyable album which, aside from its own small pleasures, provides a snapshot of some of the cross-fertilization in genres occurring at the time.

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Jeff Resnick

LP | 1978 | UK | Reissue (Outernational Sounds)

23,99 €*

Billy Parker's Fourth World

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Organically funky, laced with avant-garde synth textures, and studded with breakbeats, the second Outernational is Jeff Resnick’s unique, ultra-rare, 1978 promotional recording for the School for American Craftsmen, at the Rochester Institute of Technology. Five tracks of soul jazz and modal fusion — re-modelling Trane, and opening with a variation of Norwegian Wood — by a local group including trumpeter Jeff Tyzik and pianist Sonny Kompanek; then Resnick mostly solo for the second side, when the money ran out, multi-tracking synthesizers on his home set-up, in an engrossing blend of reflective abstraction, grooving electro and spiritualised fourth-world tropicalism.
Bim!

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Freedom Of Speech

LP | 1975 | UK | Reissue (Pure Pleasure)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Most of the musicians who gathered to record this fantastic spiritual jazz record for the Strata-East label on May 24th, 1974 had crossed each other's paths in various musical pairings over the preceding few years. Husband and wife team Dee Dee Bridgewater (vocals) and Cecil Bridgewater (trumpet) had been working together on albums like Frank Foster's "Loud Minority", and Roy Ayers' "Coffy" and "Virgo Red". Ten weeks before the "Freedom Of Speech" session, the couple had been joined in Tokyo by Cecil's brother Ronald Bridgewater (tenor saxaphone) to record Dee Dee's debut album, the beautiful "Afro Blue". Also in the studio on May 24th, 1974 was Donald Smith, (piano, vocals), fresh from recording on his older brother Lonnie Liston Smith's "Cosmic Funk" - on which Ronald Bridgewater had also played percussion. Cecil McBee (bass) was also there - just two weeks before, he'd completed his own Strata East date "Mutima", and in February he'd played on Mtume's "Rebirth Cycle" - with both albums also featuring Dee Dee Bridgewater on vocals. He'd also played on Lonnie Liston Smith's "Astral Travelling".
So 1974 was a huge year for all five of these people. Donald Smith and Cecil McBee were six months away from recording on Lonnie Liston Smith's massive "Expansions", with McBee fitting in a few Pharoah Sanders albums in between.
AND THEN, THE MYSTERY ... So with all this fervent activity, the question has to be asked ...Who was Billy Earl Parker Jr (drums), the leader of this session?
Billy Parker remains unlisted as a musician on all major jazz sites. His only other recording appears to be as a percussionist on Charles Tolliver's "Impact" in 1975.

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LP | 1978 | EU | Reissue (Music On Vinyl)

Sunlight

LP | 1978 | EU | Reissue (Everland Jazz)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Sunlight by Herbie Hancockis a 1978 jazz-funk, fusion album. It features Hancock's vocals through a vocoder as well as performances by drummer Tony Williams and bassist Jaco Pastorius.

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John Gordon

Erotica Suite

Very Special Stash: Best Of Reefer Songs

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Official reissue of mega rare 1978 LP! Licensed by Strate-East.

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V.A.

LP | 1981 | US | Reissue (Stash)

LP | 1979 | EU | Reissue (Far Out)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Originally released in 1981, now available again on vinyl, this is a very stoned collection of jazz tunes about - or dedicated to - grass, weed, marihuana, Marie-Jane or whatever you call it in your neighborhood.

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Antonio Adolfo

Viralata

Jean-Francois Pauvros & Gaby Bizien

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Far Out Recordings are honoured to be working with master composer, arranger and pianist, Antonio Adolfo for the first time since releasing his Destiny album in 2007. This time we present the first ever vinyl reissue of his era-defining Viralata LP: An essential album from Brazil's majorly progressive heyday of late seventies jazz-funk. Viralata is a sacred artefact of Brazilian music, which Antonio himself describes as ‘a product of my hybrid musical influences that joins together flavours of marchinhas de carnaval, frevo, toada, classical, baião, mpb and jazz, etc’.
The album’s first track ‘Cascavel’ is the emotionally charged, celebratory dance anthem, which became a London jazz-dance classic in the early ‘90s after Far Out label boss Joe Davis discovered a handful of copies in a second hand shop in Sao Paulo and brought them back to London to sell to DJs like Gilles Peterson and Patrick Forge. In recent years the track has been played out by the likes of Floating Points, Mr Scruff and Andrew Ashong, it was also the last song ever to play on the hallowed soundsystem of London’s beloved club Plastic People…

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No Man's Land

LP | 1976 | FR | Reissue (Souffle Continu)

20,99 €*

LP | 1982 | EU | Reissue (High Jazz)

Release: 1976 / FR – Reissue

Genre: Organic Grooves

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Recorded by Jean-François Pauvros (guitar, but not only...) alongside Gaby Bizien (drums, percussion, aquatic trombone, marimba, bird calls), and, of course, produced by the audacious Jef Gilson, the appropriately named 'No Man's Land' had virtually no equivalent in France (nor worldwide) when it came out in 1976. Radical, free, primitive, timeless: in the image of the musicians, it is not for nothing that it appears in the famous Nurse With Wound list of major influences concocted in 1979. No label can be placed on this vertiginous sensory adventure: an explosive flow of shrapnel and tearing intensity, full of mystery and life.

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Potter & Tillman

…Space…Rapture

29,99 €*

LP | 1972 | EU | Reissue (Wagram)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. 500 copy LTD edition!
This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.

This gem contains nothing but brilliant tracks like “…Space…Rapture”, “Love Is How”, “New Anniversary Waltz”, “It Must Be E.S.P.” and “(Sing) A Simple Song Of Praise”. Incredible golden lead and backing vocals, a super tight rhythm section, forward thinking arrangements, and an amazing combination of piano, Rhodes and various remarkable synthesizers makes this recording timelessly fresh. The beautiful “Time Is Love”, a tune of positive outlook written during her jazz composition studies, is performed by the one and only Carmen. Killer from the beginning to the end, one of our all-time favorite soul/jazz-funk LPs.

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Billie Holiday

Strange Fruit

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1979 | EU | Reissue (Wagram)

Dave Brubeck

Take Five

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1977 | UK | Reissue (Soul Brother)

Idris Muhammad

Turn This Mutha Out

LP | 1976 | UK | Reissue (Matsuli)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Idris Muhammad recorded this classic Jazz-Funk album 'Turn This Mutha Out' in 1977 for the Kudu label. Some great session musicians accompanied him and the album has that David Matthews signature Disco-Jazz-Funk sound. It was well received in the UK most notably for the opening track 'Could Heaven Ever Be Like This', an undisputed classic. Idris and Wilbur Bascomb on bass create the perfect bedrock for Mike Brecker on Tenor Sax, Hiram Bullock on Guitar and Cliff Carter on Synthesizer to solo above, topped by Frank Floyd's vocals. It has been sampled at least seventeen times, most notably by Jamiroquai and Drake.

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Pacific Express

Black Fire

26,99 €*

LP | 1972 | EU | Reissue (Strut)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Militant jazz, fusion, funk and soul from mid-seventies Manenberg, outside Cape Town, with a set of roots in club dance traditions like ballroom ('langarm'), Khoisan hop-step and the whirling 'tickey draai' ('spin on a sixpence') of the mine camps; others in jazz-rock and the New Thing, from Santana and Chicago to Shepp and Coltrane.

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Mulatu Astatke

Mulatu Of Ethiopia

23,99 €*

Israel Suite / Dominante En Bleu

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz.

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Rupture

LP | 1973 | EU | Reissue (Sommor)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Impossible to find Spiritual Jazz / Funk / Groove / Psych rarity from France, 1973.

Rupture was born when famous French songwriter Boris Bergman (France Gall, Dalida, etc) decided to record a conceptual album about the history of Israel. He approached ace drummer and singer Sylvain Krief (Airto Fogo, Michel Fugain, Aznavour, Clark Terry, Bud Powell, etc) and soon, other musicians joined: Jean-François Jenny-Clark (Don Cherry, Steve Lacy, etc) on bass, Georges Locatelli (Total Issue) on guitar, Jean-Pierre Mas (piano, organ, guitar, vocals…) In resume, Rupture was a kind of super-group featuring some of the best musicians from the Euro jazz / progressive / fusion scene. It also included collaborations by Michel Fugain and Nicole Croisille.

The album was recorded over a period of three months and the result was released as a very limited private pressing with help from the Futura label. Arranged by Sylvain Krief and Jean-Pierre Mas, “Israel Suite” included a side-long suite on side A and shorter songs on Side B. An incredible mix of vocal / spiritual jazz, funk, progressive, jazz-pop, psych…

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LP | 1972 | EU | Reissue (Speakers Corner)

Crossings

Gary Burton & Chick Corea

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In the 1970s, Herbie Hancock’s "Crossings" was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us …
Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s "Quasar" launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.
This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason
Production: David Rubinson

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Crystal Silence

LP | 1973 | EU | Reissue (ECM)

2LP | 1972 | EU | Reissue (ECM)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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The Corea/Burton duo was brought together by producer Manfred Eicher, and “Crystal Silence” brought a new chamber music sensibility into jazz improvisation, distinguished by an effervescence of melody and countermelody, with synchronized cascades of sound in continually changing harmonic movement.

It all begins here, with “Crystal Silence”. The title says it all: silence crystallized into dazzling melodic gems, each its own prismatic doorway into improvisatory translucence. Corea offers a fine set of five compositions (the most notable being the slick opener "Señor Mouse"), along with three beautifully realized tunes by bassist Steve Swallow ("Arise, Her Eyes" being a personal favorite), and another by Mike Gibbs (the somber "Feelings And Things"). In spite of the variety of voices represented here, the album grows like one long, extended story, a dynamic that seems to shadow the musicians wherever they set foot.

The title track is a subdued tour de force in style, presentation, and content. "Falling Grace" (Swallow) is one of the shorter pieces on tap, but what it lacks in time it makes up for in exhilaration. The album ends with an instrumental version of another Return classic, "What Game Shall We Play Today." Each piece is rendered with such dynamic sensitivity that one can immediately recognize the effect Crystal Silence must have had when originally released, and no doubt continues to have to this day. Connected as they are by the same mellow fuse, these tunes need hardly a spark to set them to glowing.

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Circle

Paris Concert

34,99 €*

LP | 1973 | EU | Reissue (ECM)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Circle was a band on fire with creativity. Corea and Holland had just left Miles Davis' band, keen to explore all parameters of new music in an improvised context. Braxton, equally inspired by Stockhausen and Coltrane, brought in new directions from the AACM. Altschul's resume included extensive work with Paul Bley. Together they were, for a while, matchless.

The short-lived Chick Corea outfit outdoes itself in this 1971 live recording. A delicate piano intro primes us for an extended rendition of Wayne Shorter’s “Nefertitti” to start. Once Braxton throws himself on top of incoming bass and drums, however, what began as contemplative awakening quickly turns into a spastic jaunt into more upbeat territory. The gnarled unity of the quartet paints in bold strokes, all the while flirting with total breakdown. Braxton’s perpetual motion and uncompromising tone make a superb tune out of a great one. “Song For The Newborn” gives Holland a moment in the spotlight. Swaddled in all the innocence of its title and bound by a mature sense of structure, this is an engaging interlude to the Braxton/Corea duet that follows. Corea’s frenetic style in the latter works its way through a host of rhythmic options before settling into a row of block chords. Braxton’s heady phrasing tears a page from the book of Coltrane, while his solitary diversions crackle with the urgency of a broken mirror, as yet unframed by the bastion of mundanity. Altschul delights in “Lookout Farm,” in which he dives headfirst into his percussive arsenal. The tinkling of icicles and cowbells in an open field give way to an extended solo, thus providing ample segue into “73 degrees Kelvin,” a beautifully convoluted organism that could only come from the mind of Braxton. Below its cacophonous surface pulsates a vast network of instrumental veins, through which flows the passionate immediacy that is Circle’s lifeblood, and from which Holland’s rapture sings with detail and imagination. “Toy Room Q&A” (Holland) boasts Corea in notably fine form, leaving plenty of elbowroom for Braxton to flex his reeds. The freer aesthetic crashes in on itself by the end, leaving us craving a familiar foothold. This, we get in the standard “No Greater Love,” capping things off with notable turns from all.

Corea busts out with some of his most captivating fingerwork, proving himself finely attuned to the mechanisms of his caravan at every rest stop along the way; Braxton’s “Pharaonic” sound titillates the ear; and one could hardly ask for a tighter rhythm section at one’s side. As a collective unit, Circle doesn’t so much make music out of as inhabit its raw melodic materials. This recording is a lasting testament to a vibrant formative period for ECM. The audience’s enthusiastic reactions give the listener the feeling of being present in the making of history.

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Dave Holland Quartet

Conference Of The Birds

LP | 1978 | EU | Reissue (ECM)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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This was Dave Holland's first album as a full-fledged leader. An album of driving, progressive jazz, it is also of historical significance as the only occasion when Rivers and Braxton, two of the music's most strikingly original saxophonists, recorded together. This summit meeting received raves from the press.

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Jan Garbarek

Places

LP | 1975 | EU | Reissue (ECM)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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“Places” is an important album for the Norwegian saxophonist with its stellar transatlantic line-up.

“Places” brings together another congregation of musicians that could only come from ECM. Drummer Jack DeJohnette lassoes his scurrying loops to the acoustic hooks of guitarist Bill Connors, while John Taylor supplements most of the cargo with organ. At the helm of this vessel is Jan Garbarek, whose saxophonism starts high and goes only higher. With cumulative notecraft and a heartfelt commitment to atmosphere, he and Taylor unwrap a lush nexus in the stunning opener. The occasional harmonic falls like a dandelion seed onto this pool of night as cymbals splash all around us. Taylor weaves a fine spread, anchoring us with sustained bass lines and attentive chording, leaving Garbarek to seal every crack with his sonic caulk. Connors seeks to light his surroundings, striking at the flint with his percussive gesticulations in hopes that one spark might show the way. Garbarek sharpens himself with arid flavor and carves out a miniature oasis in the crumbling image of exotic desire. The organ weaves in and out like a halo circumscribing us with subtle urgency until it pulls us beyond the point of no return, where dwells only silence in these “Reflections.” We then find the organ “Entering” into an electric guitar embrace. Bass and drums give us footholds where we might not expect to find them. Thus, what began as an elegy turns into a far-reaching journey that is over too soon. But in the next track we’re still “Going Places,” spurred by DeJohnette’s steady pulse and Garbarek’s hidden thermals. The energy comes in waves, subsiding here for a guitar solo and swelling there at Garbarek’s call. “Passing” ends where the album began, in a fluid ostinato of organ over which Connors looses his wavering song. Garbarek draws an ascendant pattern between those quiet strings, lifting us to an arena in which age curls into a semblance of time.

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Ralph Towner

Solstice

LP | 1977 | EU | Reissue (ECM)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Featuring a lineup of musicians who would go on to weave ECM’s significance into the fabric of time, Solstice is a tour de force of musicianship, writing, arrangement, and recording.

Each track is brimming with life and features the sensitive application of a variety of instrumental combinations and studio savvy. “Oceanus” showcases Garbarek in his prime, soaring with an unbridled emotional register. As always, Towner’s 12-string speaks in 360 degrees. Superb drumming from Christensen complements lush melodic lines from Weber, who stretches a melodic cello into infinity while his bass arises like the conical aftereffect of a water droplet. “Visitation” clouds this ardor in a nocturnal vision filled with laughing spirits. “Drifting Petals” is a slow progression, a timid look out onto a dusty plain where the promise of freedom looms larger than the possibility of danger. But then an elder’s advice rings in our ears and pushes us onward. Feet move of their volition and pull us into the ever-receding horizon as the first drops of a squall streak across our foreheads. Towner proves again that his piano musings are not to be taken lightly, as they make for one of the most evocative tracks on the album. A transcendental 12-string solo (with gentle dimensional support from Weber) opens “Nimbus,” soon blossoming into a flourish of flutes, drums, and a bowed bass that cries with the grating fluidity of a sarangi. Garbarek’s sax joins in the fray and lets loose its harmonious fire. The deftly overdubbed flutes return, spreading their wings for a few moments before fluttering off into the distance. “Winter Solstice,” “Piscean Dance,” and “Red and Black” comprise a triptych of duets: the first for classical guitar and sax, the second a prime jam for 12-string and drums, and the third for 12-string and bass. “Sand” ends our cosmic journey with one of Garbarek’s deepest meditations for sax set to the strangely compelling ululations of Christensen’s flexatone lolling about in the background.

Melodically robust while structurally yielding, this is an album to be treasured and is a must-listen for anyone desiring to know what ECM is all about. An astounding meeting of musical minds if there ever was one.

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Keith Jarrett

The Survivors' Suite

LP | 1975 | EU | Reissue (Underdog)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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The 1977 released album is considered to be the crowning achievement of Jarrett's American Quartet consisting of himself, Dewey Redman, Charlie Haden and Paul Motian.

"A brilliantly organized and full-blooded work... a very complete record. It creates its own universe and explores it thoroughly, leaving the listener awed and satisfied... An unashamedly ardent album." - Melody Maker

"The labyrnthine composition seems to redefine 'intensity' each time it turns a corner. The drive toward the climax of Side Two is among the most moving in modern music." - The Wire

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Janko Nilovic

Funky Tramway

LP | 1972 | EU | Reissue (Souffle Continu)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Following the recent reissues of Pop Impressions, Super America, Soul Impressions, and Chorus, Underdog Records label follows-up to the series with another brilliant album by French underrated composer and producer, JANKO NILOVIC.

JANKO NILOVIC certainly was one of the greatest studio talents of Europe in the 70s!
He is a musician who devotes himself to music, which resulted in a great number of published works, but most of them made for library music labels and also not available for sale.
His oeuvre stretches from classical, jazz and funk to pop, psyche and easy listening. And has been sampled many times by hip-hop artists such as JAY-Z, DRE, DAFUNIKS or GUTS...

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Cohelmec Ensemble

22,99 €*

Haruomi Hosono, Shigeru Suzuki & Tatsuro Yamashita

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Next' (originally from 1972) is even more audacious than its 1971 predecessor 'Hippotigris Zebra Zebra'. Relatively brief tracks follow hot on the heels of one another, bolstered by a poly-instrumentality which stands out even more than in the past, giving the album the feel of a contrasting suite. Limited to 700 copies in a gatefold sleeve with an obi.

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Pacific

LP | 1978 | EU (Victory)

2LP+DVD | 1972 | EU | Reissue (Souffle Continu)

Release: 1978 / EU

Genre: Organic Grooves

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Reuniting the best session musicians Japan had to offer to make an album that would evoke the atmospheres of South Pacific islands, the kind of places Japanese people spend their vacations in. Pacific (1978) is a treat to the ears; its theme of the southern Pacific ocean and its warm cerulean waters relax its listeners with a fusion of city pop, soft jazz, and that good old 1970’s funk while remaining surprisingly fully instrumental throughout all contributions from artists Haruomi Hosono, Shigeru Suzuki, and Tatsuro Yamashita. A true cult LP and an inspiration for a lot of, so called, “vaporware” music.

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Barney Wilen

Moshi

39,99 €*

A Me Stesso Con Simpatia Limited Colored Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa in order to record the music of the native pygmy tribes. Upon returning to Paris, two years later, he created 'Moshi', a dark, eccentric effort fusing avant-jazz sensibilities with African rhythms, ambient sound effects and melodies rooted in American blues traditions. Cut with French and African players, including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon, this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. The set includes a 20-page booklet with rare pictures, sheet music and original liner notes. The DVD includes Caroline de Bendern's movie 'A L'Intention De Mlle Issoufou A Bilma', documenting this incredible African journey.

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Giacomo Dell’Orso

LP | 1975 | EU | Reissue (Cinedelic)

27,99 €*

LP | 1976 | US | Reissue (Stash)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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This 1975 album is a studio session organized by Maestro Giacomo Dell'Orso (the husband of Edda) here released under his given name and not the Oscar Lindok pseudonym under which he made a number of recordings including The Fine Machine. This album had the simple purpose of a fun and playful session without preconceived models.

The result is a carefree album, from the friendly cover (Orso means Bear) to the music that is interwoven with bossa nova, samba, jazz and funk in a style that recalls in many ways the work of Maestro Piero Piccioni.

Dell'Orso plays organ, electric piano and Bulisacchio (a synth with metal slats that simulate bass), Nino Rapicavoli on flute and sax, Jimmy Tamborelli on guitars and Ciro Cocozza on percussion.

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V.A.

Reefer Songs

2LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Originally issued in 1976, this LP offers 16 jazz songs about marijuana, cannabis, bo-bo, weed, wacky weed, tea, reefer, boom, burnie, grass, pot, Mary Jane, crazy herb, or whatever you wanna call it.

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Miles Davis

Black Beauty

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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2LP | 1979 | US | Reissue (Herb Alpert Presents)

Herb Alpert

Rise

Release: 1979 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Cinedelic)

Franco Chiari

Al Sint

24,99 €*

2LP | 1973 | UK | Reissue (Pure Pleasure)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Franco Chiari, born in 1927 in Naples, was an eclectic artist who is considered a bit of a wildcard of keyboard instruments: he played the piano, accordion, synthesizer, vibraphone and marimba in both jazz and symphony. For three consecutive years (1957/58/59) he won the National Jazz referendum, was vibraphonist in the national TV Orchestra and participated in numerous important broadcasts. He received many awards in his career, and numerous are the artists who have wanted to play live alongside him, including Lionel Hampton, Stéphane Grappelli, Django Reinhardt, Piero Piccioni, Armando Trovajoli, Lelio Luttazzi, and more.

In this album released in 1973, the most groovy in his career, and now the most wanted from collectors, he rearranges the compositions of Mario Bertolazzi electronically with the use of synthesizer on rhythms ranging from latin beats to funk.

Numbered limited edition with digital downloads included and an amazing cover with splashes of paint, making each copy unique and unrepeatable.

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Rahsaan Roland Kirk

Bright Moments

50,99 €*

LP | 1973 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Pure Pleasure SD2-907

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Baden Powell

Images On Guitar

24,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Reissue (Black Saint)

Muhal Richard Abrams

Sightsong

17,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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2LP | 1975 | EU | Reissue (Music On Vinyl)

Miles Davis

Agharta

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey's innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

180g vinyl.

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2LP | 1975 | EU | Reissue (Speakers Corner)

Flood

55,99 €*

LP | 1975 | UK | Reissue (Far Out)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. The last LP that the keyboard virtuoso had recorded, "Thrust", was already one year old, and the film music for the Charles Bronson classic "Death Wish" was received negatively by his fans. At his concerts in Tokyo, Herbie Hancock reached back to his hits: "Maiden Voyage", "Chameleon", and the famous, soulful "Watermelon Man" made the fans at his concert hall and open-air appearances go wild with enthusiasm. Forty years later I have the courage to confess that I couldn’t have cared less about this music at the time; in Europe there was enough that was new and exciting to see and listen to. However, this re-release in its original format has given me the opportunity to check out whether this music has withstood the test of time. And I must say: it has passed the test! Just listen to Herbie at his best!
Dr. Michael Frohne

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Azymuth

Azimüth

LP | 1976 | US | Reissue (Friends)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Reissued on 180 gram vinyl in gatefold sleeve!

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Esther Williams

Let Me Show You

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Suite For Dr. Martin Luther King, Jr

Nathan Davis

LP | 1976 | US | Reissue (Tomorrow)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Sonny Stitt

Constellation

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Cedar Walton / Hank Mobley Quintet

Breakthrough!

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (Music On Vinyl)

Jaco Pastorius

Word Of Mouth

LP | 1976 | UK | Reissue (Mr Bongo)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Word Of Mouth was the second album by virtuoso bassist Jaco Pastorius, released in 1981 while he was still a member of Weather Report. Word Of Mouth focused on his ability to compose and arrange for a larger band than was previously featured on his first self titled album from 1976 [MOVLP136]. The band's all-star cast included Herbie Hancock, Wayne Shorter, Peter Erskine, Jack DeJohnette, Michael Brecker, Don Alias and Toots Thielemans who is featured on harmonica on many of the songs.

180g vinyl.

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Olli Ahvenlahti

The Poet

22,99 €*

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Here's the long-awaited reissue on Mr Bongo Records of legendary 1976 jazz classic, The Poet by Olli Ahvenlahti. The release is given the optimum in production value makeovers with hard-card Japanese-style packaging and 180g vinyl.

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LP | 1976 | EU | Reissue (Music On Vinyl)

Secrets

Black Byrd Back To Black Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Secrets (1976) is a Jazz-Funk fusion album by acclaimed keyboard player Herbie Hancock. Following up on his previous album Man-Child, the album again features Paul Jackson on bass, and reedist Bennie Maupin continued to provide most of the solos alongside Hancock.

180g vinyl.

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Donald Byrd

LP | 1973 | EU | Reissue (Blue Note)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | UK | Reissue (Pure Pleasure)

Milt Jackson

Sunflower

LP | 1973 | US | Reissue (Prestige)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Recorded over two days in December of 1972 at Rudy Van Gelder's Englewood, New Jersey home studio, vibraphonist Milt Jackson's "Sunflower" is the first -- and best -- of his three albums for Creed Taylor's CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well. Jackson's "For Someone I Love", opens the five-tune set, with Berliner playing solo flamenco guitar before the vibes, trumpet, and elements from the chamber orchestra delicately, impressionistically color the background. It gradually moves into a languid, bluesy ballad that slowly gains in both texture and dynamic until the strings trill tensely. Hubbard and Hancock engage them in solos that gently swing out the tune. The reading of Michel Legrand's "What Are You Doing for the Rest of Your Life" is a gorgeous showcase for Jackson; his solo dominates the arrangement. Carter gets downright funky on his upright to introduce Thom Bell's "People Make The World Go Round," and Hancock follows him on Rhodes. Jackson takes the melody, striking a layered contrast as Hubbard slips around all three playing an extension of the melody with requisite taste, fluidity, and taut phrasing. Hancock gets funky to the bone in his brief solo, as the vibes soar around and through his phrases. The title track is a Hubbard composition that floats and hovers with a Latin backbeat before shifting tempos as the solos begin. The expanded harmonic palette of trumpet with the reeds, woodwinds, and strings on the melody add an exotic textural palette for his solo. Jackson's "SKJ" closes the set with an old-school, swinging hard bop blues with barely detectable embellishments by Sebesky. While "Sunflower" sometimes feels more like a group session rather than a Jackson-led one, that's part of its exquisite beauty.

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Rusty Bryant

For The Good Times

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Ornette, Coleman, Paul Bley, Don Cherry Charlie Haden & Billy Higgins

Live At The Hillcrest Club 1958

2LP | 1976 | EU | Reissue (Doxy)

32,99 €*

LP | 1976 | US | Reissue (Pausa)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Limited to 500 copies, Audiophile Clear Vinyl Series!

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Sam Rivers

The Quest

20,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Dai Primitivi All' Elettronica

Futuro Antico

LP | 1980 | EU | Reissue (Black Sweat)

Dollar Brand (Abdullah Ibrahim)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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An outstanding raga-like drone lp with a distinctive cosmic vibe,
Futuro Antico was a short living collaboration between the two italian Walter Maioli (Aktuala), Riccardo Sinigaglia and Gabin Dabiré (from Burkina Faso).
The synthesis between ancient, ethnic and analog electronic music is just perfect, the minimalist repetition with slight changes gives associations of a slow growth; cyclic repetition gives the listener an opportunity to discover the sounds, to meditate, to go into the music, join the same journey trough ancient, primitive cultures and modern electronic soundscapes.
Originally released in 1980, the sound is completly analog and warm, this 300 copies reissue maintain the first tape artwork + info and photos.

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The Journey

LP | 1977 | US | Reissue (Chiaroscuro)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | EU | Reissue (ECM)

Sam Rivers

Contrasts

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (ECM)

Miroslav Vitous Group

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Keith Jarrett / Dennis Russell Davies

Ritual / Piano

LP | 1977 | EU | Reissue (ECM)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (ECM)

Keith Jarrett

Arbour Zena

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Jimmy McGriff, Lucky Thompson & O'donel Levy

Friday The 13th Cook County Jail

LP | 1973 | US | Reissue (Groove Merchant)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Kudu)

Johnny Hammond

Wild Horses Rock Steady

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Jean-Jacques Birgé, Francis Gorgé & Shiroc

Défense De

LP+DVD | 1975 | EU | Reissue (Fauni Gena)

17,99 €* 19,99 € -10%

Black Renaissance Red Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this cult album from 1975. Défense de was the first album of Jean-Jacques Birgé and Francis Gorgé, before founding Un Drame Musical Instantane with Bernard Vitet in 1976. They had started to play together while at high school, and on their debut LP they were joined by percussionist Shiroc (who also played in Speed Limit). The DVD will include the experimental movie La Nuit Du Phoque made by Jean-Jacques Birge and Bernard Mollerat in 1974. The movie is a mix between avant-garde French movie and experimental ambience which takes the viewer back in time to 1974. The second part of the DVD will include 'June Sessions' which are very long pieces made by the trio (or quartet at times). Total of about 6 hours of music and 40 minutes movie in a Double LP & DVD set.

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Harry Whitaker

LP | 1976 | US | Reissue (Luv N Haight)

17,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Harry Whitaker is a piano player, producer and arranger who on MLK day 1976, at the age of 26, recorded Black Renaissance “Body, Mind, and Spirit,” a holy grail amongst collectors of soul-jazz and rare groove. So rare, it’s virtually a myth to many collectors and music aficionados.

Made up of two long tracks that periodically build and release for forty minutes over two sides of an LP it’s an improvised masterpiece combining Afrocentric spiritual soul, jazz, poetry, amazing solos, a tasty bass line or two and more than a fair share of funky beats. It’s also one of theearliest albums to feature rapping. “I called the project Black Renaissance because that is what I wanted to see happen – especially in music.”

Given its rarity, when asked if he was surprised that people knew about the album Whitaker jokes “I’ve told enough people about it over the years! Now they can actually hear it. It was a record before it’s time.”

Harry Whitaker cut his teeth on the best of the Roy Ayers Ubiquity releases (including playing keys on “We Live In Brooklyn Baby” and co-producing the “Coffy” OST) on and making a living working closely with Roberta Flack – as her musical director, even playing on her big Eugene McDaniels’ written hit “I Feel Like Makin’ Love.” Black Renaissance “Body, Mind, and Spirit,” was his first attempt at a project where he wrote and composed the music and played keys on all tracks.

This album features Woody Shaw, Azar Lawrence, Buster Williams, Billy Hart and Mtume amongst others.

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LP | 1975 | EU | Reissue (Speakers Corner)

Man-Child

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Trad Vibe)

Cortex

Volume 2

Zbigniew Namyslowski Quintet

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Final reissue, limited to 500 copies!

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Kujaviak Goes Funky

LP | 1975 | PL | Reissue (Polskie Nagrania)

25,64 €* 26,99 € -5%

Release: 1975 / PL – Reissue

Genre: Organic Grooves

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LP | 1973 | PL | Reissue (Polskie Nagrania)

Zbigniew Namyslowski

Winobranie

Release: 1973 / PL – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Wah Wah)

Neil Ardley

A Symphony Of Amaranths

20,99 €*

LP | 1972 | US | Reissue (Groove Merchant)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this 1972 masterpiece by another of the big names in UK Jazz. Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in musicians such as Mike Gibbs (trombone), Harry Beckett and Henry Lowther (trumpets) or even Jack Bruce (bass), some of them also contributed with the writing of some original compositions, making the NJO the root from which the UK's 70's jazz scene was to blossom.

The Wah Wah reissue features newly mastered sound from the original tapes and will include one bonus track recorded in the same sessions. Limited to only 500 copies.

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O’Donel Levy

Breeding Of Mind

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Music On Vinyl)

Miles Davis

On The Corner

29,99 €*

LP | 1973 | US | Reissue (Prestige)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Scorned by critics at the time of its release, Miles Davis' 1972 album 'On The Corner' is now seen as a forerunner of Post Punk, Hip Hop, Drum and Bass and Electronic music, thanks to its revolutionary recording techniques. Miles wanted to reconnect with a younger audience, who had forsaken him for Rock and funk, and the experimental On The Corner was his answer. Leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. On The Corner' isn't one of Miles easiest records to listen to, but it can yield the most fruits. Now released with completely re-mastered audio.

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Ivan Boogaloo Joe Jones

Snake Rhythm Rock

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Jimmy Heath

The Gap Sealer

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Sonny Stitt

Tune-Up!

27,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (CTI)

Airto

Free

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Atlantic)

Oscar Brown Jr.

Movin' On

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Human Egg (Jean-Pierre Massiera)

Human Egg

LP | 1978 | EU | Reissue (Favorite)

LP | 1973 | US | Reissue (Blue Note)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Super-obscure oddball disco funk goody by French studio wizz Jean-Pierre Massiera, re-released to celebrate the 50th release on Favorite!

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Blue Mitchell

Collision In Black

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Reissue (Shady Brook)

Cheyenne's Comin

Release: 1976 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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George Benson

The world is a ghetto

12" | 1977 | US (Warner)

Los Conquistadores Chocolates

Release: 1977 / US

Genre: Organic Grooves

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/ breezin

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Johnny Hammond

12" | 1975 | US (East End)

Release: 1975 / US

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Nodlew)

Weldon Irvine

Liberated brother

LP | 1975 | UK | Reissue (Pure Pleasure)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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early release on his own label ... real nice!

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Stan Getz

Captain marvel

LP | 1975 | US | Reissue (Salvation)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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limited remastered edition 180 gram vinyl

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Gabor Szabo

Macho

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Rodney Franklin / Willie Bobo

The Groove / Always There

12" | 1980 | US (Columbia)

Release: 1980 / US

Genre: Organic Grooves

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LP | 1975 | US | Reissue (BMG)

Weldon Irvine

Spirit Man

30,99 €*

LP | 1986 | US | Original (Milestone)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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incl.'we gettin' down' sampled for A Tribe Called Quest's 'award tour'

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Azymuth

Tightrope Walker

14,99 €*

Release: 1986 / US – Original

Genre: Organic Grooves

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12" | 1980 | US (Prelude)

The Nick Straker Band

A little Bit Of Jazz

LP | 1972 | US | Reissue (Decca)

Release: 1980 / US

Genre: Organic Grooves

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/ space age

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David Axelrod

The auction

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Catalyst)

Chivo Borraro

Buenos Aires blues

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Black Jazz)

Kellee Patterson

Maiden Voyage

Release: 1973 / US – Reissue

Genre: Organic Grooves

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