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Jazz | Fusion Vinyl 2635 Items

Hip Hop 237 Organic Grooves 6370 Funk | Soul 2950 Contemporary Funk 9 Jazz | Fusion 2635 Blues 356 Disco | Boogie 1462 Latin | Brazil 336 Afrobeat 167 Original Breaks & Samples 73 Rock & Indie 5104 Electronic & Dance 1652 Reggae & Dancehall 527 Pop 2754 Classical Music 103 Soundtracks 391 Childrens 8
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Zepiss - Natibel
Zepiss
Natibel
LP | 1983 | EU | Reissue (Beaumonde)
25,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves
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Edmony Krater grew up on the side of Morne Rouge in Sainte-Rose, north of Guadeloupe. His mother sang in church, but Edmony was drawn to the sound of Gwo Ka, which was frowned upon but very present in ceremonies or funeral vigils. As both a fashion designer for the theater and a musician (percussion, trumpet, vocals) in the group Gwakasonné, formed by Robert Oumaou and Georges Troupé, Edmony left Guadeloupe in 1983 to settle in mainland France just after recording their first album. Upon his arrival in Paris, with the desire to give his own version of Gwo Ka, he founded the group Zepiss with Eddy Lebouin, Freddy Tisseur, Philippe Augusty, and Rico Toto and immediately recorded a first album, Natibel. In a singular way, Natibel perpetuates Gwo Ka Modèn, a movement initiated by the iconic jazz guitarist Gérard Lockel, who was the first to theorize and politicize this music previously transmitted only orally. In just six tracks, Natibel combines the sophistication and roughness of its root music, as Gwo Ka combines an intense rhythmic section with intoxicating melodies. In the tradition of other Gwo Ka musicians who took the music further such as Guy Conquet, Fabriano Fuzion, Gwakasonné, Erick Cosaque, and above all legendary drummer Marcel Lollia aka Vélo, Edmony Krater and his group Zepiss have contributed to preserving its heritage and bringing an obvious touch of modernity.
Harold McKinney - Voices And Rhythms Of The Creative Profile
Harold McKinney
Voices And Rhythms Of The Creative Profile
LP+7" | 1974 | EU | Reissue (P-Vine)
48,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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The sole solo album from Harold McKinney! Originally released in 1974 from vaunted spiritual jazz label Tribe, Voices & Rhythms of the Creative Profile sees the pianist, who was the backbone of many a Tribe recording, in tip-top shape. Opener “Ode to Africa” is a nine-minute, groove session, with African rhythms that would fit on any Tribe recording. Congas interplay with writhing basslines, for a track that feels as fresh now as it did nearly half a century ago. The Eddie Harris penned “Freedom Jazz Dance” is just as groovy, with amazing showings from the typical Tribe cadre of musicians, including Wendell Harrison (ts.) and Marcus Belgrave (tp.). But from the gospel-inflicted “Heavenese”, to Herbie Hancock’s classic “Dolphin Dance”, the groove never lets up, with eight hard hitting tracks showing exactly why McKinney was the go-to pianist for Tribe. P-vine is proud to be reissuing Voices & Rhythms of the Creative Profile along with a reissue of a 7-inch containing “Ode To Africa (single version)” and “Jelly Loa”, initially also released around the same time. This deluxe edition LP+7-inch is available on limited edition vinyl, now with an obi-strip and modern digital remastering! Make sure to get this while it’s hot!
Chet Baker - Sings Again
Chet Baker
Sings Again
LP | 1986 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-08-09
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Masaki Matsubara
Painted Woman White Vinyl Edition
LP | 1983 | JP | Reissue (Pony Canyon)
47,99 €*
Release: 1983 / JP – Reissue
Genre: Organic Grooves
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Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc.
John Carter Octet - Dauwhe
John Carter Octet
Dauwhe
LP | 1982 | EU (Black Saint)
19,99 €*
Release: 1982 / EU
Genre: Organic Grooves
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Originally released in 1982, "Dawhe" is the first chapter in John Carter's "Roots and Folklore" saga. A five parts epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford - cornet, James Newton - flute, Charles Owens - soprano sax, oboe, clarinet, Red Callender - tuba, Roberto Miranda - bass, William Jeffrey - drums and Luis Peralta - percussion. This is a highly integrated form of Jazz based on the processing of different musical forms and related topics. From the ancient African mythology through the Blues experience towards the open land of Creative Jazz. A strong musical and cultural statement from one of the greatest West Coast modern Jazz composers.
Highly recommended for open-eared listeners - Scott Yanow - All Music Guide
Frank Strazzeri - After The Rain
Frank Strazzeri
After The Rain
LP | 1976 | EU (Trading Places)
20,99 €*
Release: 1976 / EU
Genre: Organic Grooves
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Grover Washington, Jr. - All The King's Horses
Grover Washington, Jr.
All The King's Horses
LP | 1980 | JP | Original (Kudu)
19,99 €*
Release: 1980 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing with Obi.
Füsun Önal - Çatla Patla / İnsanciklar
Füsun Önal
Çatla Patla / İnsanciklar
7" | 1975 | TR | Original (CBS)
19,99 €*
Release: 1975 / TR – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: Generic
Cover is missing.
Edip Akbayram & Dostlar - Mehmet Emmi
Edip Akbayram & Dostlar
Mehmet Emmi
7" | 1976 | US | Reissue (Bouzouki Joe)
16,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
2011 reissue
Picture
Coming Soon
Masaki Matsubara
Sniper White Vinyl Edtion
LP | 1984 | JP | Reissue (Pony Canyon)
47,99 €*
Release: 1984 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Preorder shipping from 2024-08-09
Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc. These are two masterpieces that the world has been eager to see reissued. For inquiries about products, please contact local record stores.
Paris - Paris
Paris
Paris
LP | 1976 | JP | Original (Capitol)
8,99 €*
Release: 1976 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Santana - Santana = サンタナIII
Santana
Santana = サンタナIII
LP | 1974 | JP | Reissue (CBS/Sony)
14,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
OBI is missing!
Sonny Rollins - What's New?
Sonny Rollins
What's New?
LP | 1976 | JP | Reissue (RCA Camden)
17,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
OBI is missing!
Oscar Peterson - Soul Español
Oscar Peterson
Soul Español
LP | 1974 | JP | Reissue (Limelight)
8,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: G+
OBI is missing! Cover with seam split!
The J.J. Johnson Quintet - Dial J.J. 5
The J.J. Johnson Quintet
Dial J.J. 5
LP | 1980 | JP | Reissue (CBS/Sony)
11,99 €*
Release: 1980 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
OBI is missing!
Lee Konitz - Very Cool
Lee Konitz
Very Cool
LP | 1980 | JP | Reissue (Verve)
16,99 €*
Release: 1980 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
No obi.
Phil Upchurch / Tennyson Stephens - Upchurch/Tennyson
Phil Upchurch / Tennyson Stephens
Upchurch/Tennyson
LP | 1979 | JP | Original (Kudu)
16,99 €*
Release: 1979 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Sonny Stitt - Sonny Stitt
Sonny Stitt
Sonny Stitt
LP | 1984 | JP | Reissue (Baybridge)
11,99 €*
Release: 1984 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
No obi.
Keith Jarrett • Jack DeJohnette - Ruta And Daitya
Keith Jarrett • Jack DeJohnette
Ruta And Daitya
LP | 1973 | JP | Original (ECM)
11,99 €*
Release: 1973 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: G+
No obi.
Betty Carter - Round Midnight
Betty Carter
Round Midnight
LP | 1975 | JP | Original (Roulette)
6,99 €*
Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Millie Vernon - Introducing
Millie Vernon
Introducing
LP | 1974 | JP | Reissue (Trio)
21,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Art Farmer - Art
Art Farmer
Art
LP | 1986 | JP | Reissue (Cadet)
14,99 €*
Release: 1986 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Duke Ellington - Indigos Black Vinyl Edition
Duke Ellington
Indigos Black Vinyl Edition
2LP | 1989 | US | Reissue (Impex)
73,99 €*
Release: 1989 / US – Reissue
Genre: Organic Grooves
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Louis Armstrong - The Definitive Album By Louis Armstrong Blue Vinyl Edition
Louis Armstrong
The Definitive Album By Louis Armstrong Blue Vinyl Edition
LP | 1970 | EU | Reissue (L.M.L.R.)
24,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Billy Cobham - Spectrum Blue Vinyl Ediiton
Billy Cobham
Spectrum Blue Vinyl Ediiton
LP | 1973 | US | Reissue (Friday Music)
42,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-08-23
Władysław Sendecki - Men From Wilnau
Władysław Sendecki
Men From Wilnau
LP | 1988 | US | Original (Antilles)
4,19 €* 5,99 € -30%
Release: 1988 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover has a cut-out.
All-State Honors Jazz Band - 1983 Illinois All-State Jazz Night
All-State Honors Jazz Band
1983 Illinois All-State Jazz Night
2xLP | 1983 | US | Original (Mark)
15,39 €* 21,99 € -30%
Release: 1983 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+. Cover with cut corner and writing on the back.
All-State Jazz Band - 1981 Illinois All-State Jazz Night
All-State Jazz Band
1981 Illinois All-State Jazz Night
2xLP | 1981 | US | Original (Mark)
15,39 €* 21,99 € -30%
Release: 1981 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+. Cover with cut corner and writing on the back.
Axolotl - Abrasive
Axolotl
Abrasive
LP | 1981 | EU | Reissue (Souffle Continu)
27,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born. Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album In spring 1981 three days were just enough to complete »Axolotl«.
Nucleus - Elastic Rock
Nucleus
Elastic Rock
LP | 1970 | EU | Reissue (Be With)
30,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
V.A. - Movin' And Groovin' - Vol. 2
V.A.
Movin' And Groovin' - Vol. 2
LP | 1980 | BE (Groove)
8,44 €* 12,99 € -35%
Release: 1980 / BE
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Record has a few hairlines.
Oliver Nelson - Black,Brown And Beautiful
Oliver Nelson
Black,Brown And Beautiful
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
24,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Originally released in 1970, “Black, Brown and Beautiful” saw legendary composer and arranger Oliver Nelson musically address the state of black America in the wake of the assassination of Martin Luther King. Tracks like ‘Requiem’, ‘Lamb Of God’ and ‘Martin Was A Man, A Real Man’ directly address the passing of King, whereas ‘Self Help Is Needed’ and ‘I Hope In Time A Change Will Come’ orchestrally and passionately ask questions that still remain unanswered today. Indeed, Nelson, writing about the track ‘Self Help Is Needed’ stated “I have always felt that the Federal Government wasn’t going to do a damn thing and American Blacks were going to have to do it themselves. However, you can’t have a foot on your neck making it impossible for you to help yourself. That seems logical – doesn’t it?” Sadly, those words still hold true today.

Musically, this is a sumptuous, almost big band, banquet with Nelson himself talking the soprano sax solo on the aching ‘I Hope In Time A Change Will Come’. Those who are fans of classic Nelson albums like “The Blues And The Abstract Truth” (1961) and the equally polemical “The Mayor And The People” (1971) will find much to enjoy here.

This reissue replicates the original high-quality gatefold sleeve of the original and is pressed on 180gm vinyl.

“Black, Brown And Beautiful” has never been reissued on vinyl since the original 1970 US pressing.
Letta Mbulu - There's Music In The Air Blue Vinyl Edtion
Letta Mbulu
There's Music In The Air Blue Vinyl Edtion
LP | 1976 | EU (Future Shock)
19,99 €*
Release: 1976 / EU
Genre: Organic Grooves
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Letta Mbulu was lucky when she emigrated from South Africa, where blacks were troubled and ridiculed by the Apartheid system. She was lucky to rescue a recording deal with A&M records, and even the label's founder, Herb Albert, produced the record, Johnny Mandel did the orchestrations, and Quincy Jones wrote the liner notes. However, it wasn't only luck - Letta Mbulu's talents as a singer are such that they couldn't be overheard. Her husband, Caiphus Semenya, also from South Africa and a musician, helped her throughout. There's Music in the Air from 1976 features songs varying in tempos and moods and languages, and there's a mellow aura of purity and peace, almost innocence, that captures the listener.
Jacques Demierre - Assemblance
Jacques Demierre
Assemblance
LP | 1987 | CH | Original (Unit)
6,49 €* 9,99 € -35%
Release: 1987 / CH – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Matti Oiling - Happy Jazz Band
Matti Oiling
Happy Jazz Band
LP | 1970 | EU | Reissue (Lipposen Levy Ja Kasetti)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Lipposen Levy ja Kasetti. An official repress of this classic Finnish jazz record from 1970, limited to 340 copies only.
Jukka Tolonen - Summer Games
Jukka Tolonen
Summer Games
LP | 1973 | EU | Reissue (Lipposen Levy Ja Kasetti)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Tolonen’s 2nd solo album from 1973 reissued in its original gatefold format with insert including new interviews with all key players – Tolonen, Esa Kotilainen, Häkä Virtanen, Måns Grundstroem.

100 copies available only.
James Taylor - Jt
James Taylor
Jt
LP | 1977 | UK | Reissue (Mobile Fidelity)
61,99 €*
Release: 1977 / UK – Reissue
Genre: Organic Grooves
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180g 1LP Gatefold Sleeve
Alan Parsons Project - Eye In The Sky
Alan Parsons Project
Eye In The Sky
2LP | 1982 | UK | Reissue (Mobile Fidelity)
85,99 €*
Release: 1982 / UK – Reissue
Genre: Organic Grooves
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180g 2LP 45rpm Gatefold Sleeve
Al Di Meola, Hon Mclaughlin, Paco De Lucia - Friday Night In San Francisco
Al Di Meola, Hon Mclaughlin, Paco De Lucia
Friday Night In San Francisco
2LP | 1981 | EU | Reissue (Impex)
73,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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The Piano Choir - Handscapes Volume 2
The Piano Choir
Handscapes Volume 2
LP | 1975 | UK | Reissue (Pure Pleasure)
35,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Mustafa - Polygamy Purple Vinyl Edition + Booklet
Mustafa
Polygamy Purple Vinyl Edition + Booklet
LP | 1984 | EU | Reissue (Fatima International)
59,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.
Tony Lada - The Very Thought Of You
Tony Lada
The Very Thought Of You
LP | 1988 | US | Original (Sterling Bell Records)
7,14 €* 10,99 € -35%
Release: 1988 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Vinyl close to NM. Cover with cut corner and writing on the back.
Jeanne Peterson - Triplicity
Jeanne Peterson
Triplicity
LP | 1984 | US | Original (Celebration)
13,64 €* 20,99 € -35%
Release: 1984 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Cover with saw cut. Vinyl with just a couple of scuffs.
Jim Pugh - Crystal Eyes
Jim Pugh
Crystal Eyes
LP | 1984 | US | Original (Pewter Records)
18,89 €* 20,99 € -10%
Release: 1984 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl closer to VG+. Cover with cut corner / sticker
Steve Grossman - Love Is The Thing
Steve Grossman
Love Is The Thing
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Cedar Walton - The Trio 3
Cedar Walton
The Trio 3
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Robert Watson Quartet - Love Remains
Robert Watson Quartet
Love Remains
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Archie Shepp - A Massy Record Store Day 2023 Clear Pink & White Vinyl Edition
Archie Shepp
A Massy Record Store Day 2023 Clear Pink & White Vinyl Edition
2LP | 1976 | US | Reissue (Culture Factory)
41,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
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1975 Iconic, Very Rare Live Recording from The Massy in France. Archie "Vernon" Shepp American is a tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement, known not only for his creative improvisation and colorful sound but also for his Afrocentric approach to music. The National Endowment for the Arts named Shepp a Jazz Master in 2016. This double LP set, has deluxe packaging that will include an OBI strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. 1st Opaque Pink & 2nd Opaque White Color Vinyl
Patrizio Fariselli - Antropofagia Red Vinyl Edition
Patrizio Fariselli
Antropofagia Red Vinyl Edition
LP | 1977 | EU | Reissue (Cramps)
20,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves, Classical Music
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Leon Russell - Looking Back
Leon Russell
Looking Back
LP | 1973 | UK | Reissue (Goodtime)
29,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Looking Back is an instrumental album demonstrating Russell’s virtuosity on the harpsichord. Much of the material arose from recording sessions in the mid sixties. The album has remained a ‘must have’ component of every Russell fans’ record collection. By the time this album was released, he was considered to be the biggest concert draw of 1973 by Billboard magazine. Pressed on heavyweight purple vinyl in special edition orange sleeve.
Gabor Szabo - Live In Cleveland 1976 Clear Vinyl Edition
Gabor Szabo
Live In Cleveland 1976 Clear Vinyl Edition
LP | 1976 | EU | Reissue (Ebalunga!)
31,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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“Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superbly captured for radio broadcast live in 1976 at the 600-seat Agora Ballroom in Cleveland, Ohio. It is a revelation. There is a sense here that concert patrons may have been hearing an altogether different Gabor Szabo than record buyers.

For one thing, Szabo is heard fronting what is likely his own group, rather than an army of studio musicians. In 1976, Szabo was leading a tremendous quartet with George Cables (or Joanne Grauer) on piano, Tony Dumas on bass and Sherman Ferguson on drums. Szabo had not had a band with this much jazz clout since his famed quartet with Jimmy Stewart in 1967-68 – and it is a union worth savoring: Szabo’s records during this period were light, at best, on jazz.

It’s unclear if any of these musicians are on the Agora date, but as Dumas’s “It Happens” opens the program, it’s a good bet, at least, that the bassist is on board here. But as Szabo’s ’76 quartet is not known to have recorded a studio record, Live in Cleveland is the closest thing to what a mid-seventies Szabo jazz album would sound like. Gone, are the strings, vocals, and concessions to commercial consideration so prevalent on so many of Szabo’s studio records at the time. What is present, though, is fine craftsmanship, tremendous interplay, and the exciting improvisation that good jazz always yields.

This particular concert was part of Sansui’s “New World of Jazz,” a series of 13-hour-long jazz concerts recorded at Cleveland’s iconic Agora Ballroom and broadcast over 40 FM radio stations. The series was sponsored by Sansui Electronics, a Japanese manufacturer of audio and video equipment, which previously sponsored a similar series of rock concerts recorded at the Agora as well. Sansui was promoting its matrix QS 4-channel sound system – offering, what was considered at the time, superior diagonal separation and stereo compatibility. The firm, partnering with Agora Ballroom and Agency Recording Studio owner Hank LoConti (1929-2014), was looking to take advantage of what they rightly felt was the then-current jazz renaissance. Each show’s 16-track master tape was mixed through the Sansui QS 4-channel encoder,” according to an August 1976 Billboard article detailing the arrangement, “for distribution to the 40 FM stations throughout the United States that bought the series” – allowing for three commercial spots for local dealers to advertise.”
Charlie Parker - At The Pershing Ballroom (Chicago 1950)
Charlie Parker
At The Pershing Ballroom (Chicago 1950)
LP | 1976 | US | Original (Zim)
15,29 €* 16,99 € -10%
Release: 1976 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Copy close to VG+
Donald Byrd - Street Lady Black Vinyl Edition
Donald Byrd
Street Lady Black Vinyl Edition
LP | 1973 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Phil Ranelin - Vibes From The Tribe
Phil Ranelin
Vibes From The Tribe
LP | 1976 | JP | Reissue (P-Vine)
37,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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The final release from Tribe! Released in 1976, shortly before Phil Ranelin’s departure to Los Angeles, Vibes from The Tribe is a spiritual jazz / rare groove classic!

By 1976, Tribe had grown to be something much different than what it had started out as. A popular magazine and releases from a cadre of the most promising musicians Detroit had to offer had allowed the collective the space and finances needed to develop, and by the time of their final release, they had changed both in shape and scope. Yet their philosophy of “getting out the message” remained the same.

Since the early days of the Tribe, the influence of funk and popular music had been more evident in Ranelin’s music than that of his partner, Wendell Harrison. Even on Message From The Tribe’s first edition, Ranelin’s love for funk was clear, with songs such as “What We Need” featuring a mellow groove and horn lines that would sound at home on any Motown record. Phil Ranelin’s second album as a leader, Vibes From The Tribe sees those funk influences on full display. Opening track “Vibes From The Tribe (Prelude)” has the kind of steady snare beat that hip-hop producers would later kill for, and a bassline so groovy that you won’t be able to stop yourself from nodding along.

For The Children is breezy bossa nova of the finest degree. Ranelin’s voice is subdued and relaxed, probably taking more notes from Joao Gilberto than any of the poetry readings on Message From The Tribe. But when he begins his trombone solo, the edges of his more avant-garde past start to peek through. Lines that would sound right at home on any post-bop album are a-plenty, and as a sunny riff closes out the album, it seems like the perfect soundtrack for a warm summer night.

But the heart of the album lies in the closing track “He The One We All Knew (Parts 1 & 2)”. Here, Ranelin’s smorgasbord of influences seem to come together, creating an 18 minute long track that combines elements of Indian classical music, free jazz, funk, and more. The track begins with the gentle psychedelic sitar playing of Daud Abdul Kahafiz, creating a drone over which layers of percussion, piano, bass, and horns combine. Frequent collaborator and Tribe co-founder Wendell Harrison’s solo comes first, with the sparse arrangement giving him space to stretch out beyond the limits of conventional harmony or rhythm. It’s clear that these musicians were improvising in the truest sense of the word, and as they go from playing over ambient sitar, to what can only be described as “swing”, they never lose count or break rank. You can practically picture each of the musicians in the studio, deeply concentrated but supremely in tune with one another, communicating with nods and eye movement. Vibes From The Tribe takes everything that made the Tribe great: free jazz, funk, pop influences, and a tight-knit community and preserves it as one of the greatest spiritual jazz albums of all time.

With modern remastering and an obi-strip, this album has never looked or sounded this good! Make sure to get your copy while stock lasts!
Lol Coxhill & Totsuzen Danball - Lol Coxhill & Totsuzen Danball
Lol Coxhill & Totsuzen Danball
Lol Coxhill & Totsuzen Danball
LP | 1983 | JP | Reissue (P-Vine)
35,99 €*
Release: 1983 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Only a year after their collaboration with Fred Firth, Totsuzen Danball teamed up with English saxophonist Lol Coxhill to record this monster of an album! Reissued on analog vinyl for the first time ever!

Without DAWs and online file sharing (or really, the concept of online), Totsuzen Danball and Coxhill painstakingly sent each other tapes, overdubbing repeatedly to make the off-kilter rock and roll you hear on this album. Immediately, you can tell that every second of effort was worth it. The opening track “Moyou” (lit. pattern) is oddly charming, with a bouncing bassline, motorik-esque drum beat, and lyrics about being on all-fours at a pedestrian crossing. But Coxhill’s improvisations bring the song to another level, and as he squeaks notes out over a repeating guitar riff, you won’t be able to stop yourself from nodding your head.

Totsuzen Danball classic “Natsu wa Kagerou” (Also included on their first album, Can I?) also takes on a new dimension of freakiness when played with Coxhill, whose free improvisations seem to soar over the simple beat and vocals from Totsuzen Danball. Combined, they create a sound that is both pop and avant-garde, if only in spirit.

Reissued on analog vinyl for the first time ever, the collaboration between Totsuzen Danball and Lol Coxhill is new wave, avant-garde, and everything in between!
Fred Frith & Totsuzen Danball - Fred Frith & Totsuzen Danball
Fred Frith & Totsuzen Danball
Fred Frith & Totsuzen Danball
LP | 1982 | JP | Reissue (P-Vine)
35,99 €*
Release: 1982 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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The combined powers of Fred Firth (ex. Henry Cow) and Totsuzen Danball! Originally released on cassette in 1982, the collaborative album is getting its first release on vinyl!

The first album from Totsuzen Danball, Can I? (1981) made waves with its experimental new wave sound, and the band suddenly found themselves with more overseas fans than they knew what to do with. Chief among them was Fred Frith, guitarist and co-founder of British art-rock group Henry Cow, who played with Totsuzen Danball during what was no doubt a legendary live show at Shinjuku Loft on July 23rd 1981. The recording from that night, originally released on cassette from Totsuzen Danball’s own label Floor - is finally getting an analog release! Listen as the sounds, and occasional noises, of two guitars, a pump organ, and drums intermingle to create something that’s never been heard before or since!
Juju - A Message From Mozambique
Juju
A Message From Mozambique
LP | 1973 | EU | Reissue (Strut)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Strut continue their in-depth work with Oneness Of Juju"s Plunky Branch with the first ever reissue of the powerful 1973 album for Strata-East, "A Message From Mozambique". The roots of JuJu started in San Francisco after Plunky had met his musical mentor, Zulu musician Ndikho Xaba, helping to form his band Ndikho and The Natives. Three members of The Natives (Plunky, bassist Ken Shabala and vibes / flute player Lon Moshe) then joined Marvin X"s theatrical production The Resurrection Of The Dead, joining local musicians Al-Hammel Rasul (keyboards), Babatunde Lea (percussion) and Jalango Ngoma (timbales).
William Penn Jazz Ensemble - Carvings
William Penn Jazz Ensemble
Carvings
LP | 1982 | EU | Reissue (Libreville)
27,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably, with Del Jones for the now cult album Positive Vibes. Carvings, recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and features clear influences of both jazz and classical music. The Ensemble's uncommon association of African American and white members at the time results in a unique fusion of cultural influences that is reflected in the music. The musical journey is both profound and spiritual, taking listeners on an experience that is both deep and meaningful.
Leon Redbone - Mystery Man Colored Vinyl Edition
Leon Redbone
Mystery Man Colored Vinyl Edition
LP | 1982 | EU | Reissue (Reel)
26,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Structure - Pop Music Black Vinyl Edition
Structure
Pop Music Black Vinyl Edition
LP | 1970 | EU | Reissue (Sommor)
25,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Cool library-styled French album from 1970. Psychedelic, proggy jazz-funk with Brazilian/Bossa touches! Groovy flute by Bernard Wystraëte plus heavy bass, drums (by André Ceccarelli), violin, occasional fuzz-wah guitar and Urszula Dudziak-like scat vocals. In 1970, the AFA label asked flautist Bernard Wystraëte to register a “pop” album after the worldwide impact of progressive bands like Aphrodite’s Child and Jethro Tull. Bernard recruited some of his friends who were professional musicians and Structure was born. He wrote a collection of songs influenced by progressive rock, jazz and Brazilian music. The “Pop Music” album was recorded live in the studio to give a “live show” feel. It was released later that year housed in a superb psychedelic sleeve. The band even toured across France and several countries at the same time that Bernard and other Structure members started backing famous French singer Marie Laforêt live. After the good reception given to the album, another label asked Bernard to record a Structure 45. “Dilatation” / “Scale” was released under a new line-up. Both tracks of this 45 are included as bonus tracks on the Digital Download version and the CD.
Etron Fou Leloublan - Les Poumons Gonflés
Etron Fou Leloublan
Les Poumons Gonflés
LP | 1982 | EU (Replica)
18,99 €*
Release: 1982 / EU
Genre: Organic Grooves, Rock & Indie
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With Les Poumons gonflés, the group led by Ferdinand Richard and Guigou Chenevier entered the 80. A unique sound with influences coming to shake up the usual recipe of the trio (addition of Jo Thirion on keyboards) for a result both innovative and fun. The third album of the French rock sounds totally free and original, produced by the legendary guitarist Fred Frith (Art Bears, Henry Cow, Naked City). An important album and often overshadowed in favor of its two predecessors. It is therefore high time to repair this absurd injustice!
Frank Wright / Georges Arvanitas - Shouting The Blues
Frank Wright / Georges Arvanitas
Shouting The Blues
LP | 1977 | FR | Original (Sun)
42,74 €* 44,99 € -5%
Release: 1977 / FR – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
François Jeanneau - Une Bien Curieuse Planète
François Jeanneau
Une Bien Curieuse Planète
LP | 1975 | EU | Reissue (Souffle Continu)
26,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.
Edward Vesala - I'm Here Black Vinyl Edition
Edward Vesala
I'm Here Black Vinyl Edition
LP | 1973 | EU | Reissue (Svart)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Drummer and composer Edward Vesala, the most internationally renowned jazz musician from Finland, was very keen on percussion instruments. Oddly enough, this broad and enduring interest is hardly evident on his albums.

Whether playing on his own albums or contributing to other musicians’ work, Vesala played a standard drum kit most of the time. He hardly used external percussionists on his own albums either. And most of all: his music was almost never percussive, at least in the traditional manner. Perhaps even stranger is the fact that he barely played any drum solos on his own albums.

That’s why I’m Here (Blue Master Special, Spel 311, 1974), recorded in Helsinki in 1973, is such a rarity. Of course, being a limited release has also made it an expensive treasure among collectors.

Additionally, I’m Here is Vesala’s only solo album and only percussive album, and one of the few where he can be said to play drum solos, albeit in his own idiosyncratic way..

The idea of a jazz drummer making a solo album was in itself quite rare in 1973, although not entirely unheard of. French Pierre Favre had already made two solo albums (in 1970 and 1972), and Dutch Han Bennink and Swedish Sven-Åke Johansson one each, both recorded in 1972.

It wasn’t exactly Vesala’s first time either. He had already played drums alone on the second side of the album Yksi, kaksi, kolme, neljä soul jumppaa (One, two, tree, four soul gymnastics, Gross Records, Grlp-27, 1969), though for purely instructive purposes, showcasing different rhythms and tempos..

"My favorite music is so called ‘free’ or very modern music (classical as well as jazz). But ‘cause of a very little jazz audience in Finland, I’m playing also Pop-jazz to get bread", Vesala introduced himself with a self-written English text, almost as if foreshadowing the diverse solo album, I’m Here. Compared to other releases of its time, the album was indeed “free’ or very modern music (classical as well as jazz)”, which may be the reason why it didn’t make a significant mark on the music scene or significantly benefit Vesala’s career at the time.

Lauri Karvonen, a jazz critic of the largest Finnish newspaper, described Vesala’s album as “certainly uncommercial” (Helsingin Sanomat, 8th of December, 1974). At the same time, he was delighted that “the most controversial contemporary jazz musician from Finland” has, “after years of prostituting (pop music, schlager), been able to completely dedicate himself to his own music.”

“The man is doing what he wants”, Karvonen summarizes.

Now, after being re-released, I’m Here can be appreciated for its manifesto-like and almost documentary nature. The album can be valued as a greatly interesting peek into Edward Vesala’s preferences and efforts in 1973, when he was still looking for his "own thing".

The reissue comes on vinyl only and is limited to 500 copies. The release comes with extensive liner notes by jazz critic Harri Uusitorppa.
John Hicks Trio - I'll Give You Something To Remember Me By White Vinyl Edition
John Hicks Trio
I'll Give You Something To Remember Me By White Vinyl Edition
LP | 1988 | US | Reissue (Tidal Waves Music)
29,99 €*
Release: 1988 / US – Reissue
Genre: Organic Grooves
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* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.
John Hicks Trio - I'll Give You Something To Remember Me By Black Vinyl Edition
John Hicks Trio
I'll Give You Something To Remember Me By Black Vinyl Edition
LP | 1988 | US | Reissue (Tidal Waves Music)
19,99 €*
Release: 1988 / US – Reissue
Genre: Organic Grooves
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* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.
Quincy Jones - Gula Matari Deluxe Gatefold Sleeve Edition
Quincy Jones
Gula Matari Deluxe Gatefold Sleeve Edition
LP | 1970 | EU | Reissue (Elemental Music)
32,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Keith Jarrett - Treasure Island
Keith Jarrett
Treasure Island
LP | 1974 | EU | Reissue (Impulse)
22,79 €* 23,99 € -5%
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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The Advanced Cookbook Of Mr Selig And Kanzler Z - Niemand Tanzt
The Advanced Cookbook Of Mr Selig And Kanzler Z
Niemand Tanzt
12" | 1989 | EU | Reissue (Thank You)
14,99 €*
Release: 1989 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Andreas Koeper is a German contemporary/experimental composer and drummer with a background in Philosophy and Art history. “Niemand Tanzt” was originally released in 1989 and in the past years it has become a sought after obscurity amongst diggers ever since Chee Shimizu put it on the radar after unearthing it throughout inspection rounds in Berlin record stores. Although the A-side might have been the essence of the single at the time, it's the B-side's “Pink Rhythm” that puts this release on the map for DJs, the track's gradient from an empty half tempo to rich 4 on the floor patterns serves any well versed DJ as an on-ramp for new gears to be put into place as the track grows into various ramifications of Andreas' studio production techniques: playful percussive elements, provocative guitar riffs over a solid rhythm section. Freshly remastered by manmade in Berlin.
Chet Baker With Bobby Jaspar - Chet Baker In Paris/Vol 3/Barclay/1956
Chet Baker With Bobby Jaspar
Chet Baker In Paris/Vol 3/Barclay/1956
LP | 1986 | EU | Reissue (Sam)
31,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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The Max Neissendorfer Trio - For You...
The Max Neissendorfer Trio
For You...
LP | 1988 | DE | Original (Swingtime)
13,59 €* 16,99 € -20%
Release: 1988 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Cover close to VG+
Dick Wellstood & Dick Hyman - I Wish I Were Twins
Dick Wellstood & Dick Hyman
I Wish I Were Twins
LP | 1983 | DE | Original (Swingtime)
8,99 €* 17,99 € -50%
Release: 1983 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Jiro Inagaki + Soul Media - Memory Lane
Jiro Inagaki + Soul Media
Memory Lane
LP | 1980 | JP | Reissue (Columbia Japan)
46,99 €*
Release: 1980 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Soul Media is led by Jiro Inagaki, who played a part in the development of jazz rock in Japan. This album “Memory Lane” was recorded in 1980.

Regarding this work, Inagaki said, “We made this work while anticipating the fate of fusion music.”

This album contains the mellow and emotional track “Memory Lane”, the stormy and refreshing “I Will Give You Samba”, and the groovy and edgy “Take My Hand”

The sound that Jiro created with his sworn friend Norio Maeda while looking ahead to the future of Jazz has an extraordinary degree of perfection in terms of song, arrangement, and performance. Listening to this album years later, it’s still vivid and fresh.
Frankie Baum / Michael Goltz - Rhythm & Steel Guitars / Rhythm & Soft Guitars
Frankie Baum / Michael Goltz
Rhythm & Steel Guitars / Rhythm & Soft Guitars
LP | 1977 | IT | Original (Devega Records)
9,49 €* 18,99 € -50%
Release: 1977 / IT – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Stark Reality - Discovers Hoagy Carmichael's Music Shop
Stark Reality
Discovers Hoagy Carmichael's Music Shop
2LP | 1970 | US | Reissue (Now-Again)
36,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Definitive reissue of the album Mojo Magazine called “one of the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes. Contains an extensive, oversized booklet with rare photos, liner notes and annotation. The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.
Mustafa - Polygamy Black Vinyl Edition
Mustafa
Polygamy Black Vinyl Edition
LP | 1984 | EU | Reissue (Fatima International)
42,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.
Joseph Jarman / Don Moye - Earth Passage - Density
Joseph Jarman / Don Moye
Earth Passage - Density
LP | 1981 | EU | Reissue (Black Saint/Eargong)
24,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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An outstanding yet obscure 1981 release by two Art Ensemble of Chicago members, multi reeds player Joseph Jarman and drummer Don Moye along with legendary bassist Rafael Garret (mostly remembered for his presence on Coltrane's masterpiece "Kulu se Mama") and young lion Craig Harris on trombone. Four great individuals digging deep between ancient African rituals and modern urban multidimensional grooves. A tribal ecstatic sound based on a multitude of instruments: reeds, bamboo flutes, didgeridoo, trombone, conch shell, panpipes and a sea of percussion. A beautiful example of Aacm "Ancient to the Future" aesthetic. A magic mixture of elements from the African American music continuum.
Un Drame Musical Instantane - Les Bons Contes Font Les Bons Amis
Un Drame Musical Instantane
Les Bons Contes Font Les Bons Amis
LP | 1983 | EU | Original (Grrr)
19,99 €*
Release: 1983 / EU – Original
Genre: Organic Grooves
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Deadstock copy in Mint or NM condition
Un Drame Musical Instantane - À Travail Égal Salaire Égal
Un Drame Musical Instantane
À Travail Égal Salaire Égal
LP | 1982 | EU | Original (Grrr)
19,99 €*
Release: 1982 / EU – Original
Genre: Organic Grooves
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Deadstock copy in Mint or NM condition
Un Drame Musical Instantane - Rideau!
Un Drame Musical Instantane
Rideau!
LP | 1980 | EU | Original (Grrr)
19,99 €*
Release: 1980 / EU – Original
Genre: Organic Grooves
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Deadstock copy in Mint or NM condition
Grant Green - Green Is Beautiful Blue Note Classic Vinyl Edition
Grant Green
Green Is Beautiful Blue Note Classic Vinyl Edition
LP | 1970 | EU | Reissue (Blue Note)
22,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Betty Lou Landreth - Betty Lou
Betty Lou Landreth
Betty Lou
LP | 1979 | UK (Outernational Sounds)
25,99 €*
Release: 1979 / UK
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
tiny wear. 2021 reissue.
Charlie Mariano - Crystal Bells
Charlie Mariano
Crystal Bells
LP | 1980 | DE | Original (CMP)
6,99 €*
Release: 1980 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: G+
Brian Auger - Brian Auger
Brian Auger
Brian Auger
LP | 1975 | US | Original (Springboard)
17,99 €*
Release: 1975 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Writing on cover.
Sirone - Artistry White Vinyl Edition
Sirone
Artistry White Vinyl Edition
LP | 1979 | UK | Reissue (Moved By Sound)
38,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know.

Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with many of the best musicians of the 20th century - from Pharoah Sanders, Albert Ayler, John Coltrane, Gato Barbieri, Noah Howard, William Parker, Cecil Taylor, Sun Ra, Sonny Sharrock,Marion Brown ... and the list goes on.
Sirone - Artistry Black Vinyl Edition
Sirone
Artistry Black Vinyl Edition
LP | 1979 | UK | Reissue (Moved By Sound)
32,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know.

Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with many of the best musicians of the 20th century - from Pharoah Sanders, Albert Ayler, John Coltrane, Gato Barbieri, Noah Howard, William Parker, Cecil Taylor, Sun Ra, Sonny Sharrock,Marion Brown ... and the list goes on.
Maliks Emerging Force Arts Trio - Time & Condition Black Vinyl Edition
Maliks Emerging Force Arts Trio
Time & Condition Black Vinyl Edition
LP | 1983 | UK | Reissue (Moved By Sound)
32,99 €*
Release: 1983 / UK – Reissue
Genre: Organic Grooves
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Malik King was an important part of the St Louis jazz scene of the 70's & 80's.

He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Human Arts Ensemble, as well as various Emerging Force Ensembles.

Zimbabwe Nkenya (1953-2022), a creative artist and innovative musician, was brought up on army bases in the USA and Spain. He spent 30 years traveling and performing in New York, New Mexico, Arizona and St Louis. playing with a who's who of jazz. In New Mexico he became an integral part of the scene, producing and hosting the Kunm's radio show "the House That Jazz Built" .

Luckily Malik self released "Time & Condition" in 1982, capturing his work together with Qaiyim Shabazz. It's not just a crate diggers Holy Grail, but an important artistic and historic document of the St Louis scene. Time & Condition stands alone as a (very) individual, spiritual jazz classic.

We hope this reissue will finally grant these musicians the wider acknowledgement & credit they deserved during their life time.
Marica - Jellyfish Jelly Fish
Marica
Jellyfish Jelly Fish
LP | 1987 | JP | Reissue (Lawson)
39,99 €*
Release: 1987 / JP – Reissue
Genre: Organic Grooves
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Enrico Rava - Pupa O Crisalide
Enrico Rava
Pupa O Crisalide
LP | 1975 | EU | Reissue (Dialogo)
30,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Enrico Rava was the first Italian jazz artist to represent the country internationally, born in Trieste in 1939. A border city with a long history as part of Austria, an important port on the Adriatic see, a places influenced by different cultures. Rava's music at its best is a product of this city - a mix of Central European and Italian culture. 'Pupa o Crisalide' is one of the most interesting works in Enrico's discography. It is a good summary of the first phase of his solo career, and contains tracks recorded with three different line-ups: an all-Italian line-up for the opener "Pupa O Crisalide" and the closer "Giromondo", recorded in Rome with Giovanni Tommaso, Bruno Biriaco, Franco D'Andrea, Michele Ascolese, Mandrake and Tommaso Vittorini - an Argentinian octet for the B-side of the LP, recorded in Buenos Aires, and finally an impressive American septet with Jack DeJohnette and John Abercrombie, to name a few for the A-side, recorded in New York. The musical style clearly reflects the composite nature of the album. The first half is funkier, edgier and more fiery, evidently influenced by the jazz-rock/fusion tendencies that were spreading at the time. The second is more placid, elegantly incorporating some Latin/samba elements into the alchemy. The two halves are held together by the similarity in timbre of the line-ups (which feature almost the same elements), and Enrico Rava's renowned trumpet style. Often compared to Miles Davis and Kenny Wheeler, his technique involves rarefied notes, full of atmosphere, and erratic melodic lines that surprisingly do not undermine the 'presence' of his trumpet sound. On the contrary, the charisma of Rava's trumpet seems to emerge precisely from this surprising balance of detachment and red blood.
John Lewis & The New Jazz Quartet - Slavic Smile
John Lewis & The New Jazz Quartet
Slavic Smile
LP | 1983 | FR | Original (RCA)
14,99 €*
Release: 1983 / FR – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
David Sanborn - Voyeur
David Sanborn
Voyeur
LP | 1981 | US | Original (Warner Bros.)
14,99 €*
Release: 1981 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Masahiko Togashi / Don Cherry / Charlie Haden - Song Of Soil
Masahiko Togashi / Don Cherry / Charlie Haden
Song Of Soil
LP | 1979 | EU | Reissue (Wewantsounds)
35,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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Wewantsounds is delighted to announce a special edition of the legendary 1979 Masahiko Togashi album "Song of Soil," recorded in Paris with Don Cherry and Charlie Haden and released on Japanese label Paddle Wheel. Supervised by Parisian producer Martin Meissonnier - then Don Cherry"s right hand man - "Song of Soil" reaches heights of spirituality mixing Eastern influences with jazz and deep ambient soundscapes. The album is reissued here with its original artwork and remastered by King Records in Japan. It includes the original Japanese 2-p insert plus a deluxe 8-page booklet featuring new notes (Eng/Fr) by Martin Meissonnier in conversation with Jacques Denis and also an Togashi Biography by Paul Bowler and never-seen photos by cult French photographer philippe gras who witnessed this unique session.
The Manhattan Transfer = The Manhattan Transfer - The Best Of The Manhattan Transfer = ベスト・オブマンハッタン・トランスファー
The Manhattan Transfer = The Manhattan Transfer
The Best Of The Manhattan Transfer = ベスト・オブマンハッタン・トランスファー
LP | 1981 | JP | Original (Atlantic)
4,99 €*
Release: 1981 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing without OBI, with insert. Cover closer to VG+
Philippe Maté / Jef Gilson - Workshop
Philippe Maté / Jef Gilson
Workshop
LP | 1973 | EU | Reissue (Souffle Continu)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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In October 1974, the first number of “L'Indépendant du Jazz”, a small self-produced magazine DIY -before punk supposedly invented the concept- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiau and a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté : “The ‘Workshop’ is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely ‘the’ most inventive French saxophonist since Michel Portal burst onto the jazz scene (who has also worked with Jef Gilson on both “Enfin” and “Gaveau”).” Even though the author of the article is a mysterious I.H. Dubiniou, and it is difficult to know if it is a real person or a pseudonym used by one of the merry bunch, it is also tempting to hear it as what Jef Gilson really thought about his new discovery. Even more so as the two men would work together over a long period, as Maté became one of the key figures of Gilson’s Europamerica orchestra up until the 1980s. Philippe Maté had started to make a name for himself with the Acting Trio when they released an album on the BYG label in 1969, and he was also one of the regular sidemen for the Saravah studios (he can notably be heard on albums by Higelin, Fontaine or his cult duo album with Daniel Vallancien). The album was recorded on 4 February 1972, at the Foyer de Montorgueuil, where Gilson had set up his studio, with more or less the same team found on “La Marche Dans Le Désert” by Sahib Shihab + Gilson Unit (recorded ten days later). This was drummer Jean-Claude Pourtier and pianist Pierre Moret (regular Gilson accomplices since “Le Massacre Du Printemps”), alongside Maurice Bouhana and Bruno Di Gioa on various percussions and/or wind instruments. On bass is Didier Levallet, of the now mythical Perception, (Jean-François Catoire would replace him with Shihab) and Philippe Maté who took top billing, rather than the American saxophonist afterwards. The two albums are however quite different. This “Workshop” is more abrasive, more free. Made up of two long improvisations each of over 22mn, “L'Œil” on side A and “Vision” on side B (Gilson specialists would recognise the nod to one of his albums from the 60s), the album plunges you into the depths, attempting to drown you in electronic waves, dragging you back to the surface by the collar, giving you a good shakedown, before showing you the light, leaving you breathless on the shore after 46mn of the most intense music French has to offer. “An undeniable success”, they said.
Stan Getz - The Complete Roost Session Vol. 2
Stan Getz
The Complete Roost Session Vol. 2
LP | 1981 | JP | Original (Royal Roost)
18,99 €*
Release: 1981 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Billie Holiday - Lady Day
Billie Holiday
Lady Day
LP | 1976 | JP | Reissue (CBS/Sony)
16,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
OBI not included.
Includes original insert.
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