Jazz | Fusion Vinyl 2721 Items

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lol Coxhill/Pierre Courbois/Jasper Van't Hof

Toverbal Sweet

LP | 1972 | EU | Reissue (Lantern Heights)

Artistry Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fully licensed, ltd to 500 copies. Released on cultish London based label Mushroom in 1972, this album brought together the anarchic genius of saxophone player Lol Coxhill, with the pure magic of a dutch rhythm section: Pierre Curbois on the drums and keyboard player Jasper Van’t Hof. A clash of the titans as a matter of fact, with the more classical and impro sounding lines of Coxhill and the straight – almost jazz-rock – harmonies of the other two players. A fascinating record comparable to Keith Tippett small groups and the rise of the most peculiar impro-jazz scene.

Go to Item

Sirone

LP | 1979 | UK | Reissue (Moved By Sound)

Maliks Emerging Force Arts Trio

Release: 1979 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know.

Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with many of the best musicians of the 20th century - from Pharoah Sanders, Albert Ayler, John Coltrane, Gato Barbieri, Noah Howard, William Parker, Cecil Taylor, Sun Ra, Sonny Sharrock,Marion Brown ... and the list goes on.

Go to Item

Time & Condition Black Vinyl Edition

LP | 1983 | UK | Reissue (Moved By Sound)

Fairyland Live In Montreaux Record Store Day 2022 Pink & White Vinyl Edition

Release: 1983 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Malik King was an important part of the St Louis jazz scene of the 70's & 80's.

He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Human Arts Ensemble, as well as various Emerging Force Ensembles.

Zimbabwe Nkenya (1953-2022), a creative artist and innovative musician, was brought up on army bases in the USA and Spain. He spent 30 years traveling and performing in New York, New Mexico, Arizona and St Louis. playing with a who's who of jazz. In New Mexico he became an integral part of the scene, producing and hosting the Kunm's radio show "the House That Jazz Built" .

Luckily Malik self released "Time & Condition" in 1982, capturing his work together with Qaiyim Shabazz. It's not just a crate diggers Holy Grail, but an important artistic and historic document of the St Louis scene. Time & Condition stands alone as a (very) individual, spiritual jazz classic.

We hope this reissue will finally grant these musicians the wider acknowledgement & credit they deserved during their life time.

Go to Item

Larry Coryell

LP | 1971 | US | Reissue (Culture Factory)

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sings The Duke Ellington Songbook

Ella Fitzgerald

2LP | 1985 | EU | Reissue (Not Now)

The Charles Lloyd Quartet

Release: 1985 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ella Fitzgerald was, by any yardstick, a remarkable singer. She had achieved much by the time she signed to the newly created Verve Records in 1956, but it was the genius of Norman Granz, her personal manager and Verve founder, in suggesting she tackle the material of great contemporary composers in themed albums that sent her career into orbit. As the New York Times wrote on her passing in 1996, "These albums were among the first pop records to devote such serious attention to individual songwriters, and they were instrumental in establishing the pop album as a vehicle for serious musical exploration." The song selections ranged from standards to rarities, and the eight-title series represented an attempt by Fitzgerald to cross over to a non-jazz audience that may have been unaware of the talents she first committed to vinyl in 1935.

Go to Item

The Flowering

LP | 1971 | EU | Reissue (Speakers Corner)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 1981 | EU | Reissue (Outernational)

Creative Arts Ensemble

One Step Out

Ornette, Coleman, Paul Bley, Don Cherry Charlie Haden & Billy Higgins

Release: 1981 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Sounds from the Great House! Outernational Sounds proudly presents a Nimbus West spirit jazz essential: the Creative Arts Ensemble’s classic debut One Step Out. Mastered at 45rpm on double vinyl for enhanced sound, this release features all tracks at full length for the first time on wax.

One of the most sought after and highly regarded titles to have appeared on Tom Albach’s celebrated Nimbus West imprint, the Creative Art Ensemble’s One Step Out is a timeless work of spiritualised jazz. A true gem from the Los Angeles jazz underground, the album was pianist and composer Kaeef Ruzadun Ali’s first recording as leader of the Creative Arts Ensemble, the only large ensemble group that emerged directly from Horace Tapscott’s legendary Pan Afrikan Peoples Arkestra community jazz group.

A Los Angeles native, Kaeef was introduced to the Tapscott circle in the late 1970s. His first experience of the Arkestra’s ethos was through PAPA tenorist Michael Session, who took him to the famous ‘Great House’ at 2412 South Western Ave., LA – a large mansion house which members of the Arkestra had taken over as a space for communal living. Life in the Great House was a continuous stream of music, dance and community events. ‘When I walked in there,’ recalled Kaeef, ‘it was like this whole rush came over me, just from going in the front door…It was like a very, very warm feeling of love. I went and I came out with ‘Flashback of Time’, and that was my first arrangement.’

Kaeef quickly became a significant contributor of compositions to the Arkestra’s songbook – his piece ‘New Horizon’ would be recorded by Horace Tapscott for the latter’s Tapscott Sessions series. But ‘Flashback of Time’ would eventually appear on One Step Out, played by the new group he had put together from stalwart Arkestra members. Inspired by both Tapscott’s example and by the Art Ensemble of Chicago, Kaeef had wanted to follow their lead by assembling a larger unit. ‘I would like to form a group that would be an extension of the Pan Afrikan Peoples Arkestra,’ he told Tapscott. The group was to be known as the Creative Arts Ensemble, and One Step Out, released in 1981 by Nimbus West, was their debut.

Featuring seasoned Arkestra regulars including reedsman Dadisi Komolafe, drummer Woody ‘Sonship’ Theus and altoist Gary Bias, with veterans Henry ‘The Skipper’ Franklin on bass and George Bohannon on trombone, One Step Out is a key document of the Los Angeles radical jazz underground. Featuring the sanctified vocals of Kaeef’s sister, B. J. Crowley, the album is a tour de force of spiritually energised independent jazz music. Community uplift and sacred vision straight from the Great House, back on vinyl for the first time since 1981!

One Step Out is released as a limited, 2LP vinyl-only edition. 180g pressing, mastered at 45rpm for enhanced sound. Fully licensed from Tom Albach.”

Go to Item

Live At The Hillcrest Club 1958

2LP | 1976 | EU | Reissue (Doxy)

LP | 1971 | EU | Reissue (Elemental)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 500 copies, Audiophile Clear Vinyl Series!

Go to Item

Pharoah Sanders

Thembi

The Best Of Herbie Hancock

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The seventh album by spiritual jazz saxophonist Pharoah Sanders, Thembi was released in 1971. Recorded with two different ensembles, the album marked a departure from the slowly developing, side-long, mantra-like grooves Sanders had been pursuing for most of his solo career, and instead offers an intriguingly wide range of relatively concise ideas, making it something of an anomaly in Sanders' prime period. A//Music reviewer Steve Huey gave it a rating of four out of five stars. This would be the last time Sanders recorded with his regular collaborator, pianist and composer Lonnie Liston Smith, who began his experimentation with electric keyboards on this LP. Also featured are violinist Michael White, bassist Cecil McBee, and percussionists Chief Bey, Majid Shabbaz, and Nat Bettis.

Go to Item

Herbie Hancock

2LP | 1973 | DE | Original (Blue Note)

LP | 1978 | US | Reissue (Frederiksberg)

Release: 1973 / DE – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: G+

Vinyl with scuffs and hairlines. Cover with ring wear and seam splits.

Go to Item

Spirits Rejoice

Spirits Rejoice!

LP | 1981 | DE | Original (Enja)

Release: 1978 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever reissue of this excellent self-titled South African jazz album by Spirits Rejoice. Check out tracks like 'Woza Uzo Kudanisa Nathi' or 'Papa's Funk' !

The 1970s is regarded as a period of experimentation, boundary-breaking and hybridization in modern music and this spirit certainly informed the mushrooming of ideas that occurred in South African jazz during this time. In the shadow of more commercial township jive and soul, South African jazz evolved on the fringe, nurtured by passionate and enterprising independent producers who courted the interest of the mainstream with enchanting concoctions of jazz with folk, rock, soul and funk.

With a lineup hailing from far flung regions of South Africa, the mercurial sound of Spirits Rejoice and its willingness to weave a patchwork of different influences into its recordings is not hard to account for. More difficult to reconcile is that the band didn’t manage to level up to the status enjoyed by its peers in larger music markets abroad. Nevertheless, Spirits Rejoice has maintained its revered status in the collective memory of South African jazz for over four decades and their recorded artifacts return in the 2020s with the group’s vitality and energy undiminished.

Go to Item

Hannibal Marvin Peterson

The Angels Of Atlanta

Release: 1981 / DE – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 1976 | JP | Reissue (Prestige)

The Red Garland Trio

Groovy

Young Power Red & Black Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert. Vinyl with a couple of light scuffs

Go to Item

Young Power

LP | 1987 | EU | Reissue (Warner)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1972 | JP | Original (CBS/Sony)

Santana

Caravanserai

12" | 1985 | EU | Reissue (Glossy Mistakes)

Release: 1972 / JP – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert. Cover close to VG+

Go to Item

Finis Africae

El Pulso De La Madera

2LP | 1987 | UK | Reissue (BBE)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.

On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.

And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.

The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family.

Go to Item

Wütrio

32,79 €* 40,99 € -20%

Release: 1987 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Live In Cleveland 1976 Clear Vinyl Edition

Gabor Szabo

LP | 1976 | EU | Reissue (Ebalunga!)

LP | 1984 | JP | Reissue (Riverside)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superbly captured for radio broadcast live in 1976 at the 600-seat Agora Ballroom in Cleveland, Ohio. It is a revelation. There is a sense here that concert patrons may have been hearing an altogether different Gabor Szabo than record buyers.

For one thing, Szabo is heard fronting what is likely his own group, rather than an army of studio musicians. In 1976, Szabo was leading a tremendous quartet with George Cables (or Joanne Grauer) on piano, Tony Dumas on bass and Sherman Ferguson on drums. Szabo had not had a band with this much jazz clout since his famed quartet with Jimmy Stewart in 1967-68 – and it is a union worth savoring: Szabo’s records during this period were light, at best, on jazz.

It’s unclear if any of these musicians are on the Agora date, but as Dumas’s “It Happens” opens the program, it’s a good bet, at least, that the bassist is on board here. But as Szabo’s ’76 quartet is not known to have recorded a studio record, Live in Cleveland is the closest thing to what a mid-seventies Szabo jazz album would sound like. Gone, are the strings, vocals, and concessions to commercial consideration so prevalent on so many of Szabo’s studio records at the time. What is present, though, is fine craftsmanship, tremendous interplay, and the exciting improvisation that good jazz always yields.

This particular concert was part of Sansui’s “New World of Jazz,” a series of 13-hour-long jazz concerts recorded at Cleveland’s iconic Agora Ballroom and broadcast over 40 FM radio stations. The series was sponsored by Sansui Electronics, a Japanese manufacturer of audio and video equipment, which previously sponsored a similar series of rock concerts recorded at the Agora as well. Sansui was promoting its matrix QS 4-channel sound system – offering, what was considered at the time, superior diagonal separation and stereo compatibility. The firm, partnering with Agora Ballroom and Agency Recording Studio owner Hank LoConti (1929-2014), was looking to take advantage of what they rightly felt was the then-current jazz renaissance. Each show’s 16-track master tape was mixed through the Sansui QS 4-channel encoder,” according to an August 1976 Billboard article detailing the arrangement, “for distribution to the 40 FM stations throughout the United States that bought the series” – allowing for three commercial spots for local dealers to advertise.”

Go to Item

Wynton Kelly

Kelly Blue

LP | 1983 | EU | Reissue (Little Butterfly)

Release: 1984 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Cover with a bit of foxing, vinyl close to NM

Go to Item

Jorge Galemire

Segundos Afuera

2LP | 1980 | EU | Reissue (RCA)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Directly connected with the universe of America Invertida, Jorge Galemire's second album, recorded and released in 1983, is considered a landmark of 80s Uruguayan music. Candombe, rock and jazz shake hands with singer- songwriter vibes, creating a sophisticated pop with South American roots and equal doses of groove and psychedelia. A forgotten gem reissued for the first time since its original release. '

Description

Segundos afuera was recorded at La Batuta, the first recording studio in Uruguay to have 16 channels. The sound engineer (and partly music co-producer) was again Dario Ribeiro.

Ribeiro was instrumental in the album's sonic experimentations, encouraging Galemire's ideas. The textures achieved with backward tapes in "Sin saber por qué" and "Un son", the overlapping female voices (performed by the trio Travesía) in that song, the three drums added in "Kublai Kan" and its male choral canon are a sample of these searches, unusual until that moment in Uruguayan music.

Segundos afuera had a generous studio budget for the time. It was recorded in about 300 hours, when it was usual for the Orfeo label to assign a maximum of 100 hours for these projects. Despite that fact, it’s surprising how Galemire and Ribeiro achieved a work so stylized taking the best of Uruguayan studios technical limitations.

The rhythm section of Segundos afuera was the same as the previous record: Andrés Recagno on bass (who also played synthesizers, backing vocals and some arrangements) and Gustavo Etchenique on drums, plus Carlos "Boca" Ferreira on percussion.

More than thirty musicians are featured in the album. Among them are some of Galemire's artistic heroes such as Osvaldo Fattoruso, Eduardo Mateo and Dino.

All played the best out of them, maybe at Galemire's influx or just for the joy of participating in such an attractive project.

Segundos afuera was released at the end of 1983 and went almost unnoticed by the general audience. However, it became an instant classic in the Uruguayan music scene from the very moment of its release. The sophistication of its sound; the unique way of combining pop, rock, jazz, candombe, milonga and murga; the search for moods and textures; the lyrics that mixed common themes and existential reflection dazzled and influenced different generations of artists.

Galemire released only three studio albums after Segundos afuera. None of them were as ambitious as this one. Its cult status was reinforced when it became inaccessible. After a first release of a few hundred vinyl and cassette copies, the album was never reissued in any format. The few copies available became a prized collector's item in Uruguay and abroad. It was only in 2020 that the album was released on streaming sites.

This mythical, but almost unknown album is now sounding again, showing its beauty intact.

Go to Item

Perigeo

Alice Red Vinyl Edtion

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1976 | EU | Reissue (New Platform)

Tullio De Piscopo

Sotto E 'Ncoppa

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

All Stars 1977 4 Lica Jazza

V.A.

2LP | 1978 | EU | Reissue (Croatia)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | US | Reissue (We Are Busy Bodies)

Mario Molino

Beat Gregoriano

LP | 1976 | US | Reissue (We Are Busy Bodies)

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We Are Busy Bodies is proud to announce the first official reissue of ‘Beat Gregoriano’ by Italian guitarist and composer, Mario Molino. Incorporating styles like surf, rock and folk, Beat Gregoriano is a unique album within the library music genre. Originally released on Dishi Monticarlo in 1971, the album has been remastered from the original recordings by Noah Mintz and art restored by Michael Dawson.

Go to Item

Pat Matshikiza

Sikiza Matshikiza

LP | 1973 | US | Reissue (Now-Again)

Release: 1976 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recording for the As-Shams/The Sun label in the 1970s, Pat Matshikiza released the collaborative album Tshona! with sax giant Kippie Moeketsi in 1975. The album was followed in 1976 by Sikiza Matshikza, Pat's solo debut with Moeketsi appearing as a featured artist. The personnel on the album were an early iteration of the group that would become Spirits Rejoice in 1977, with Duke Makasi on tenor sax, George Tyefumani on trumpet, Sipho Gumede on bass, Gilbert Mathews on drums and Sandile Shange (who appears alongside Matshikiza and Moeketsi on the album's cover photo) on guitar.Pat Matshikiza's mid-70s recordings mark a high point in his career and are essential documents in the history of South African jazz on vinyl. With these reissues, we hope to bring his artistic legacy to prominence and share his work with lovers of jazz around the world.

Go to Item

Wendell Harrison

Evening With The Devil

LP | 1976 | CA | Reissue (We Are Busy Bodies)

Release: 1973 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Tribe co-founder’s debut, remixed from the original mutli-track master tapes under the direction of its creator and lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

Go to Item

Almon Memela

Funky Africa

LP | 1970 | EU | Reissue (Far Out)

Release: 1976 / CA – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We Are Busy Bodies returns with a reissue of composter, guitarist, and later producer, Almon Memela's ultra rare 1975 album, Funky Africa. From the original liner notes: Africa has always been many things to many people. To some, Africa is the Dark Continent, a mysterious, romantic and vast expanse of unexplored territory. To others, again, Africa is the ultimate symbol of man's triumph over his environment: a wakening giant destined to play a significant role in world affairs. But to Almon Memela, Africa is Home . . . and his music tells it like it really is. "Funky Africa" is the sound of Africa today. And as you listen, you will find that Africa is indeed many things. For in the music of Almon Memela lies everything that is Africa: the call of the wild and the scream of the Jumbo; the throb of the bush and the roar of Commissioner Street. So here it is . . . "Funky Africa". The sound of Africa, by an African, for the world.

Go to Item

Hermeto Pascoal

Hermeto

LP | 1976 | US | Reissue (Now-Again)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Far Out Recordings proudly presents Hermeto Pascoal's remarkable self-titled debut album. Recorded in 1970 at A&R studios in New York, the album features certified North American titans including Ron Carter, Hubert Laws, Joe Farrel and Googie Coppola, and Brazilian stars Airto Moreira and Flora Purim (who also produced the album).

Go to Item

Phil Ranelin

Vibes From The Tribe

Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble

Release: 1976 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Tribe co-founder’s masterpiece, lacquered directly from his master tapes in an all analog transfer by Bernie Grundman. The denitive reissue of this Spiritual Jazz album, one of the most sought after artifacts of the 1970s jazz underground. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

Go to Item

Rise Vision Comin

LP | 1976 | JP | Reissue (P-Vine)

Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble

Release: 1976 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

If being the founder and chairman of Third World Press Organisation - the largest independent black-owned publishers - wasn’t enough for activist and poet Haki R Madhubuti, he is also credited with a lesser-known yet remarkable music career. As the bandleader of Haki R. Madhubuti and Nation: Afrikan Liberation Arts Ensemble, Madhubuti combined his razor-sharp spoken-word poetry with a band of incredible musicians to create an unforgettable experience of avant-garde and spiritual jazz.

The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on saxophone who also served as creative director. It features 9 tracks with the title track, “Rise, Vision, Comin” a great example of the adhesive comradery between instrumentation and Madhubuti’s spoken-word. On the track, they match each other pace for pace and build into frenzy where they finally reach Madhubuti's prophetic words, “We are what we are, We are what we are not, we are what we are going to be”.

A prominent name in the Black Arts Movement, Haki R Madhubuti to date has published over 20 books with his direct and illuminating form of poetry having shared the same halls as other vital voices in the movement like Audre Lorde and Maya Angelou. P-vine is thrilled to reissue Rise Vision Comin on limited-edition vinyl with a unique Japanese obi strip, and celebrate the music of Madhubuti’s extraordinary career.

Go to Item

Medasi

LP | 1984 | JP | Reissue (P-Vine)

2LP | 1987 | EU | Reissue (Left Ear)

Release: 1984 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

If being the founder and chairman of Third World Press Organisation - the largest independent black-owned publishers - wasn’t enough for activist and poet Haki R Madhubuti, he is also credited with a lesser-known yet remarkable music career. As the bandleader of Haki R. Madhubuti and Nation: Afrikan Liberation Arts Ensemble, Madhubuti combined his razor-sharp spoken-word poetry with a band of incredible musicians to create an unforgettable experience of avant-garde and spiritual jazz.

The second album by the group Medasi was released in 1984, and features among others Geri Allen on piano, Clarence Seay on bass and Agyei Akoto on saxophone and flute. It features 5 tracks including the eleven minute second track “Children,” a great example what to expect from the record. It opens with a full-voice choir of children momentarily taking over Madhubuti’s duties, and when their role disperses into the spirit in the music, the percussion then kicks up the tempo with operatic vocals dancing with lead instruments. Over the top, Madhubuti reflects on the cyclical nature of life, and the importance to “be what you want your children to be”.

A prominent name in the Black Arts Movement, Haki R Madhubuti to date has published over 20 books with his direct and illuminating form of poetry having shared the same halls as other vital voices in the movement like Audre Lorde and Maya Angelou. P-vine is thrilled to reissue Medasi on limited-edition vinyl with a unique Japanese obi strip, and celebrate the music of Madhubuti’s extraordinary career.

Go to Item

Picture Music

Utakata No Hibi Black Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Concocted in a share house in the South of Brisbane in the mid-80s, a small collective of well-acquainted musicians including Jon Anderson, Rainer Guth, Gary McFeat & Rod Owen gathered to compose film soundtracks, music for pictures, therefore ‘Picture Music’. To this end, a ‘spec’ tape of Picture Music recordings would be produced to give to potential clients and or sold to local stores. A distinct album comprising a collection of ambient, minimal-jazz and experimental music. If there is a red thread running through the Picture Music album, it is its "late night" ambience. The wrath of the sub-tropical summer heat of Brisbane is not kind on electronic equipment, which would crash regularly by day. So, all recording was done in the relative cool of the late evening, in a room only dimly lit by lamp and candle. The Picture Music collective would make music and party all through the night, departing around sunrise. They would sleep through the heat of the day, only to return in the evening for more of the same. This 2021 reissue of their self-titled 1987 cassette, was taken from the original master tapes and remains an evocative representation of the music that resulted from the late-night, dimly-lit, atmospheric-enabled environment, that sparked the creativity of a group of like-minded friends in a tiny corner of Brisbane. Dedicated to the memory Rainer Guth.

Go to Item

Mariah

2LP | 1983 | EU | Reissue (Everland)

2LP | 1980 | UK | Reissue (Matsuli)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!

Go to Item

Hugh Masekela & Company

Live In Lesotho

LP | 1976 | JP | Reissue (Debut)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Hugh Masekela and Miriam Makeba’s double-bill Lesotho concert was a daring, defiant and ultimately dazzling act. For the first time since its limited release in South Africa in 1981, Matsuli Music is proud to re-issue this gem of a pan-African, funk-infused, extended audio double album with unpublished photographs and new liner notes from Atiyyah Khan.

The Christmas-weekend stadium-filled concert deeply challenged and disturbed South Africa’s apartheid regime. Makeba and Masekela were banned from entering South Africa, yet tens of thousands of their South African fans invaded Lesotho to party with their musical heroes.

Live in Lesotho documents an inspired Hugh Masekela and his stellar New York band putting a new spin on crowd favourites.

Another South African jazz gem from Matsuli Music’s growing catalogue of essential high-quality reissues. For an artist as prolific and famous as Hugh Masekela, it is a real surprise that this particular recording took so long to resurface.”

Go to Item

The Quintet

Jazz At Massey Hall

LP | 1976 | JP | Reissue (United Artists)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI, but with insert

Go to Item

John Coltrane

Coltrane Time

Khan Jamal's Creative Arts Ensemble

Release: 1976 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert! Cover with slight wear and yellowing!

Go to Item

Drum Dance To The Motherland

LP | 1973 | EU | Reissue (Aguirre)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1970 | UK | Reissue (Charly)

Don Cherry

Mu. Second Part

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mulatu Of Ethiopia White Vinyl Edition

Mulatu Astatke

2LP | 1972 | EU | Reissue (Strut)

LP | 1981 | JP | Reissue (Verve)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia".Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz.For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.

Go to Item

Junior Mance

Junior

Prelude Colored Vinyl Edition

Release: 1981 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI, but with insert.. Cover close to VG+

Go to Item

Deodato

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1970 | EU | Reissue (Be With)

Nucleus

Elastic Rock

We'll Talk About It Later

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.

Go to Item

Nucleus

LP | 1971 | EU | Reissue (Be With)

LP | 1971 | EU | Reissue (Be With)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.

Go to Item

Nucleus

Solar Plexus

Rock Joint Biwa - Kumikyoku Fulukotofumi HHV Exclusive Transparent Red Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."

Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.

The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.

The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.

This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.

Go to Item

Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

Rock Joint Biwa - Kumikyoku Fulukotofumi Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 200 copies pressed on transparent red wax exclusively available at HHV.

The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated on these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

Go to Item

Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

Sons And Daughters Of Lite

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

Go to Item

Let The Sun Shine In

LP | 1978 | US | Reissue (Ubiquity)

LP | 1973 | JP | Reissue (P-Vine)

Release: 1978 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in Oakland in the early 1970s, the Sons and Daughters of Lite recorded Let The Sun Shine In, their only LP, which has now achieved holy grail status among collectors. Let The Sun Shine In is a spiritual recording filled with soul, funk, jazz, and African percussion. The musical collective described themselves as a mix of African rhythms, Latin flavors, and Far Eastern textures. This album was virtually unknown to DJs and collectors until Michael McFadin's discovery in the late 80s. He then scoured the bay area and bought up multiple copies for his record store The Groove Merchant on Haight Street in San Francisco, many of which were bought from flea markets and the dollar bins of other shops. The outrageously funky title track became a jazz dance classic, courtesy of heavy radio and club play by top UK DJ and tastemaker Gilles Peterson.

Go to Item

Weldon Irvine

Time Capsule

LP | 1972 | JP | Reissue (P-Vine)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The impact of Weldon Irvine’s music across a wealth of genres cannot be overstated with his piano playing and compositions regularly handed down through generations, and influencing new waves of musicians. Artists like Q-Tip and Mos Def are noted admirers of the jazz-funk artist, and the distinct sounds of Irvine can be heard in the tapestry of the 90s sound via samples appearing in key records of the jazz hip-hop movement and beyond.

Time Capsule was originally released in 1973, and is keen to strike up a conversation with the listener as social commentary and poetic reflections signpost the way through its otherworldly jazz. Early tracks like 'Feelin’ Mellow' see a contemplative Weldon brew a satisfying blend of soul with lovingly warm vocal harmonies and gliding instrumentation. In contrast, other windows into the mind of Weldon like the meandering 'Watergate - Don’t Bug Me!,' are as much a virtuoso display of his bouncing creativity, as a charting of the rocky political climate at the time.

P-vine is thrilled to be releasing Time Capsule as a limited edition LP with a newly remastered audio, and an iconic Japanese obi strip attached.

Go to Item

Weldon Irvine

Liberated Brother

LP | 1981 | JP | Original (A&M)

Release: 1972 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Liberated Brother was the debut album from Weldon Irvine, and remains a landmark jazz release from the multi-talented explorer of sound. Originally released in 1972, over the course of eight tracks Irvine weaves through a collage of genre and instrumentation, fusing elements that would come to define his pioneering jazz-funk sound.

The album features Irvine’s early instrumental jazz before his decidedly conversational approach on the follow-up album Time Capsule. The title and opening track 'Liberated Brother,' with its playful Latin arrangements introduces the first half in spritely fashion, and mellows as Irvine's piano sets the mood for “Here’s Where I Came In” - a track where sombre tones feel luxurious, and conscious instrumentation tests the waters, spreading weight evenly across the soundscape. Guitarist Tommy Smith emerges as a singular figure at the start of side B with 'Gloria' - a timeless guitar composition so wholesome with its delicate simplicity, it attests the level of musicianship that keeps Irvine company across these tracks. The two then strike up a jazz-funk partnership on the subsequent “Homey” with their respective keyboards and guitar.

P-vine is thrilled to be reissuing Liberated Brother as a limited edition LP with newly remastered audio, and an iconic Japanese obi strip attached.

Go to Item

Quincy Jones

Live At Budokan

LP | 1979 | US | Original (Columbia)

Release: 1981 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi. Cover and vinyl are close to NM

Go to Item

Herbie Hancock

Feets Don't Fail Me Now

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1979 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

seam wear. Original US Pitman pressing.

Go to Item

George Benson

White Rabbit

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-09

Recital Vol. 2 / Enregistrement Public A Sogetsu-Hall

Juliette Greco

LP | 1982 | JP | Original (Philips)

LP | 1979 | DE | Reissue (Habibi Funk)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Promo copy. With OBI and insert.

Go to Item

Maha مها = مها

Orkos = ارقص

LP | 1970 | JP | Original (Blue Note)

Release: 1979 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2022 reissue.

Go to Item

Jimmy Smith

The Best Of Jimmy Smith

Release: 1970 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | US | Reissue (Columbia)

Miles Davis

Decoy

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1984 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Clear vinyl and cover are very close to NM. With insert. US reissue from 2022.

Go to Item

Stanley Turrentine

Sugar

Release: 1971 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1980 | EU | Reissue (Jazz Room)

Ariel

Release: 1980 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1985 | UK | Reissue (Freestyle)

Ambiance Ii Fusion

Come Touch Tomorrow

Release: 1985 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1972 | UK | Reissue (Long Hair)

Dick Heckstall-Smith

A Story Ended

30,59 €* 35,99 € -15%

Release: 1972 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Chet Baker With Bobby Jaspar

Chet Baker In Paris/Vol 3/Barclay/1956

LP | 1986 | EU | Reissue (Sam)

30,39 €* 31,99 € -5%

Release: 1986 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Amigos Purple Vinyl Edition

Santana

LP | 1976 | EU | Reissue (Music On Vinyl)

30,39 €* 31,99 € -5%

A Fireside Chat With Lucifer Yellow Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE
INCLUDES INSERT
FEATURING “LET IT SHINE” AND “EUROPA (EARTH’S CRY HEAVEN’S SMILE)”
CERTIFIED GOLD STATUS IN THE US
REACHED THE TOP 10 WORLDWIDE: AUSTRALIA, CANADA, THE NETHERLANDS,
FRENCH, GERMANY, ITALY, JAPAN, AND THE UNITED STATES

LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON PURPLE COLOURED VINYL

Go to Item

Sun Ra

LP | 1983 | US | Reissue (Modern Ahrmonic)

30,39 €* 31,99 € -5%

LP | 1973 | UK | Reissue (Goodtime)

Release: 1983 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An F-bomb saturated hip-hop call & response club cut...from Sun Ra?! While the most renown track in this omniversal opus is the atomic expletive-filled repartee “Nuclear War,” there is so much more to this dark mysterious journey through the mind of Sun Ra. The sprawling, suite-like 20-minute title track sustains a lyrical edge in spite of an open framework and textures, which encourage sonorities to surface and emerge from the band as if there was no human intention behind them. In opposition to “Nuclear War,” Ra's organ playing here was built less on bombast and sonic terror than it is on whispers, stutters, shivers, and swells. Fireside Chat offers a wide stylistic array, as was the artist’s intent, reflecting his eclectic, seemingly irreconcilable approach to compositional extremes. With Sun Ra you get everything... except predictability.

Go to Item

Leon Russell

Looking Back

Street Lady Black Vinyl Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Looking Back is an instrumental album demonstrating Russell’s virtuosity on the harpsichord. Much of the material arose from recording sessions in the mid sixties. The album has remained a ‘must have’ component of every Russell fans’ record collection. By the time this album was released, he was considered to be the biggest concert draw of 1973 by Billboard magazine. Pressed on heavyweight purple vinyl in special edition orange sleeve.

Go to Item

Donald Byrd

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I'll Give You Something To Remember Me By White Vinyl Edition

John Hicks Trio

LP | 1988 | US | Reissue (Tidal Waves Music)

Rock Joint Cither - Silk Road Black Vinyl Edition

Release: 1988 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.

Go to Item

Hiromasa Suzuki

LP | 1973 | EU | Reissue (Cinedelic Orient Series)

LP | 1982 | JP | Original (Warner Bros.)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the roots of China. If the Biwa lute characterized the previous chapter dedicated to the profound ancestral of Japan, here, the sitar, the Asian instrument par excellence, becomes a new narrator; Suzuki plans and manages the interventions by juxtaposing it with an opera that, like the previous one, always remains strongly jazz and rock, at times very similar to Ian Carr's Nucleus. A precious find in the endless and seminal musical archeology of modern Japanese music. Gatefold cover with insert.

Go to Item

Larry Carlton

Eight Times Up

LP | 1976 | JP | Original (CTI)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

Go to Item

Lalo Schifrin

Black Widow

Release: 1976 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Space Walk British Jazz Explosion Series Edition

Don Rendell Quintet

LP | 1972 | EU | Reissue (Decca)

LP | 1976 | DE | Original (Not On Label)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For the first time with the correct title sequence. More info coming soon.

Go to Item

Holde Fee

Malaga

Release: 1976 / DE – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | EU | Reissue (Music On Vinyl)

Herbie Hancock

Crossings

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Crossings is the second album in the experimental sextet trilogy Herbie Hancock released early
1970s. His electronic movements are further explored and the whole sound comes alive in the three
long tracks this album consists about. The album opens with some African drums before moving on
the to some of the unearthed sounds the sextet created for this album. Centerpiece "Sleeping Giant" is
nearly 25 minutes long and is divided into five funky and groovy parts. A transcendent experience that
has grown over time into one of the most moving, powerful and innovative artistic statements of the
modern era. Over forty years later this album still sounds incredibly ahead of its time.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

Go to Item

Billy Cobham

Spectrum

LP | 1982 | EU | Reissue (High Jazz)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Billy Cobham is one of the greatest jazz-fusion drummers from
the last decades. Shortly after he left the band Mahavishnu
Orchestra he released his debut solo album Spectrum. Influenced
by the music of Miles Davis he combines elements from the jazz
with rock and psychedelia. From the subtle parts to the more
aggressive moments, it’s an album in which Cobham shows his
identity to the public. The music quartet recorded some lengthy
pieces, out of which “Stratus” is the absolute masterpiece. The
funky grooves and effective guitar melodies blend together very
well and the jazz comes alive in the outstanding drum play by
Cobham. “Quadrant 4” is another great track in which the music
erupts and the synergy between the musicians can be felt.
As a member of the Mahavishnu Orchestra and in his
collaboration with Miles Davis, Billy Cobham earned recognition
for his impressive playstyle and live performance.

Go to Item

Potter & Tillman

…Space…Rapture

McCoy Tyner = McCoy Tyner

Release: 1982 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. 500 copy LTD edition!
This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.

This gem contains nothing but brilliant tracks like “…Space…Rapture”, “Love Is How”, “New Anniversary Waltz”, “It Must Be E.S.P.” and “(Sing) A Simple Song Of Praise”. Incredible golden lead and backing vocals, a super tight rhythm section, forward thinking arrangements, and an amazing combination of piano, Rhodes and various remarkable synthesizers makes this recording timelessly fresh. The beautiful “Time Is Love”, a tune of positive outlook written during her jazz composition studies, is performed by the one and only Carmen. Killer from the beginning to the end, one of our all-time favorite soul/jazz-funk LPs.

Go to Item

Echoes Of A Friend = エコーズ・オブ・ア・フレンド

LP | 1972 | JP | Original (Victor)

Release: 1972 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 1972 | EU | Reissue (Music On Vinyl)

Miles Davis

On The Corner

2LP | 1987 | EU | Reissue (Left Ear)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Scorned by critics at the time of its release, Miles Davis' 1972 album 'On The Corner' is now seen as a forerunner of Post Punk, Hip Hop, Drum and Bass and Electronic music, thanks to its revolutionary recording techniques. Miles wanted to reconnect with a younger audience, who had forsaken him for Rock and funk, and the experimental On The Corner was his answer. Leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. On The Corner' isn't one of Miles easiest records to listen to, but it can yield the most fruits. Now released with completely re-mastered audio.

Go to Item

Picture Music

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Sealed, Cover: Sealed

John Surman / Alan Skidmore / Tony Oxley

Jazz In Britain 68-69

LP | 1972 | EU | Reissue (Endless Happiness)

LP | 1980 | JP | Original (CBS/Sony)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne - and no rhythm section, in the configuration that would emerge in the mid-'70s as S.O.S. For most of the other tracks, Oxley is the drummer, Kenny Wheeler plays flugelhorn, and John Taylor plays piano (acoustic and electric). The music here is all over the place stylistically, but it hardly matters because all the players are fully engaged, and as an ensemble, they all shine and were seemingly looking forward to the impact the new jazz would have.

Go to Item

Ray Gomez

Volume

Piano Improvisations Vol. 1

Release: 1980 / JP – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

OBI not included.
Includes original insert.
Record is close to VG+.

Go to Item

Chick Corea

LP | 1972 | JP | Original (Polydor)

LP | 1985 | JP | Original (Verve)

Release: 1972 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI! Cover with some wear and yellowing!

Go to Item

Anita O'Day

Anita

Betty Carter And Ray Bryant

Release: 1985 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

Go to Item

Meet Betty Carter And Ray Bryant

LP | 1973 | JP | Reissue (Epic)

LP | 1973 | JP | Reissue (Verve)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with OBI and insert!

Go to Item

Wes Montgomery

California Dreaming

Blame It On The Bossa Nova

Release: 1973 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with OBI and insert! Gatefold cover with slight wear and strong yellowing!

Go to Item

Eydie Gormé

LP | 1987 | JP | Reissue (CBS/Sony)

Piano Improvisations Vol. 1

Release: 1987 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Original japanese pressing with OBI and insert! Cover with slight wear and yellowing!

Go to Item

Chick Corea

LP | 1972 | JP | Original (Polydor)

Grupa Organowa Krzysztofa Sadowskiego

Release: 1972 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

Go to Item

Na Kosmodromie

LP | 1972 | PL | Original (Pronit)

Release: 1972 / PL – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: G+

Relax, You're Soaking In It

Belair

LP | 1980 | EU | Reissue (Mad About)

LP | 1981 | JP | Original (Baybridge)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Private pressings have always been objects of demand and research by record collectors. In most cases, print runs were no more than 300 copies, and despite the total lack of recognition, this movement can be seen as a countercurrent act to the mass music industry. Private presses are non-commercial print runs distributed as a promotion or sold at concerts. This was the case of Belair that, in 1980, recorded and sold the album “Relax, You're Soaking In It” at their own risk and distributed it in the San Francisco area. At the time, 1000 copies were pressed, which have become rare and highly desirable for collectors.

Go to Item

Carmen McRae

Recorded Live At Bubba's

LP | 1982 | JP | Reissue (Contemporary)

Release: 1981 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

Go to Item

Art Pepper

Gettin' Together!

LP | 1983 | JP | Original (Bainbridge)

Release: 1982 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

No obi.

Go to Item

Allen Vizzutti

Red Metal

LP | 1983 | JP | Original (Palo Alto Jazz)

Release: 1983 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear. With insert, OBI is missing.

Go to Item

Elvin Jones

Earth Jones

LP | 1976 | JP | Reissue (Atlantic)

Release: 1983 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

Go to Item

The Modern Jazz Quartet

LP | 1981 | EU | Reissue (Mad About)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

Go to Item

Quintessence