Jazz | Fusion Vinyl 2631 Items

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Original (Columbia)

The Heath Brothers

Passing Thru...

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1976 | EU | Reissue (Warner Music Poland)

Czeslaw Bartkowski

Drums Dream

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Reissue (Chiaroscurio)

Walt Dickerson

Unity

15,99 €*

Release: 1978 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Sevenmen)

I Marc 4

LP | 1974 | US | Reissue (Muse)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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This rather mysterious Jazz recording, which dates back to 1971, was quickly put together in a studio session sandwiched between RAI orchestra rehearsals, film soundtrack recordings and various other projects that make up this incredible musical library, all recorded in that period by our best musicians. The unique particulars of this record are that the musicians are not named, except for a mythical “Plakoti” but also the rights and the tapes seemed tohave strangely disappeared. After a period of accurate research, thanks to Maurizio Majorana (bass player for the Marc 4) we have been able to find the original recordings and also the musicians that played on it. Even though this recording was accredited to the Marc 4, by semi-official sources of the time, strangely enough only two of them are effectively present on this record Antonello Vannucchi on the Hammond Organ, Vibraphone and Piano and Roberto Podio on the Drums. The other two musicians are Giovanni Tommaso playing his mythical “Pedrazzini” (ndr) double bass who already played together with Vannucchi as part of the famous “Lucca Quartet” and then as the bass player of the group “Perigeo” and Enzo Grillini, part of the Rai orchestra and a favorite guitar player of both Armando Trovajoli and Gianni Ferrio who, at the time, was considered one of the best Italian Jazz guitar player and who rarely recorded music outside of the RAI orchestra. The style of this record, thanks to this very particular group of musicians, contrary to many other Library recordings, is very jazzy and the very special sound reminds us of the Jazz organ of the Verve/Blue Note labels made in the Sixties. The Seven Men Label, another characteristic of this new edition, born from a partnership of 7 mysterious producers and musicians in order to produce background music, in fact, only produced four recordings and they are : “1” that you are already listening to, 2, AKA “Il Cinghialetto” directed by Gianni Ferrio and played by the very best popular and classical musicians of the day, as the soundtrack of a theatre piece written by Grazia Deledda and to conclude there are two recordings made in the 1970’s written by Bruno Canfora: “Musiche di scena n°1” and “Musiche di scena n°2”. To have been able to bring this recording out again, knowing about its ups and downs and how it was made, is even more important now, as we have been able to add yet another gem to the numerous reeditions of the “Italian Library Music“ over these past years.

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Pat Martino

Consciousness

LP | 1971 | US | Reissue (CTI)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Muse 5039

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Freddie Hubbard

Straight Life

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | UK | Reissue (Pure Pleasure)

Billy Harper

Capra Black

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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12" | 1983 | EU | Reissue (Best Record Italy)

Tullio De Piscopo

Stop Bajon

16,99 €*

LP | 1972 | EU | Reissue (Mr Bongo)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1983 Stop Bajon (Primavera) became a favourite in Rimini Discotheques, Balearic Islands and even Chicago during the early house days. It was an anthem on what went on to become the Italo Disco movement. The vocal mix is still revered and played to this day by DJ's such as DJ Harvey at his Mercury Rising night at Pikes, Ibiza. This special limited edition release from Best Record Italy features for the first time the original acapellas (tracked down during tape restoration) plus the song Stadera that was available only on the first italian pressing and of course the original extended club vocal and instrumental.

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Celia

22,99 €*

Overdrive – Rock/Jazz - Party

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Célia Regina Cruz recorded four self-titled albums for Continental between 1971 and 1977, ‘Amor’ in 1982 plus several more before she sadly passed away late in 2017. Célia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career.
This, her second self-titled LP from 1972, features an all-star line up including Arthur Verocai, Erasmo Carlos, Roberto Carlos, Marcos Valle, Antonio Carlos Jobim, Nonato Buzar and Vinicius de Moraes amongst others. Célia’s version of ‘Na Boca do Sol’ – taken from this album – is arguably her most well-known and well-loved song. An incredible take on Verocai’s original, featuring waling fuzz guitars, strings, piano, horns and drums. Needless to say clean, original versions of this record now change hands for silly money! We are very proud to be able to reissue it officially, at long last. Official Mr Bongo reissue. Replica original gatefold artwork. Licensed from Warner Music.

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The Bridge

LP | 1972 | EU | Reissue (Sommor)

LP | 1976 | UK | Reissue (Pure Pleasure)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this fabulous kraut, jazz-funk / fusion / rare grove / library album from 1972, originally released on the budget Tempo label from Germany. Lots of fuzzy distorted organ & Fender Rhodes courtesy of Kristian Schultze (pre-Passport) plus the mighty Pawel Jazerbski on bass and Joe Nay (Tete Montoliu, Roland Kirk, Blue Note Club…) on drums.
Master tape sound, original artwork and insert with liner notes.

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Stanley Cowell

Regeneration

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Around the time of this recording, Stanley Cowell had achieved a degree of prominence as the pianist for the advanced bop quartet Music Inc., which he co-led with trumpeter Charles Tolliver, as well as for unusual projects like his Piano Choir. With Regeneration he chose another path, essentially trying to produce a jazz-infused pop album with strong African roots, perhaps owing a little bit to Stevie Wonder. He assembled an extremely strong cast of musicians for the venture, including Marion Brown, Billy Higgins, and Ed Blackwell, as well as several African string and percussion masters and, by and large, succeeded conceptually if not commercially. A few songs use vocals in a fairly standard pop framework, and, while they are performed capably enough, the lyrical content leaves something to be desired in typical mid-'70s fashion. But much of the rest of the music makes up for this with, among other things, a delightful fife and drum piece by Brown and strong bass work by Bill Lee (Spike's dad). Regeneration is an interesting, often enjoyable album which, aside from its own small pleasures, provides a snapshot of some of the cross-fertilization in genres occurring at the time.

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Herbie Hancock

Sunlight

LP | 1974 | EU | Reissue (Mr Bongo)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Sunlight by Herbie Hancockis a 1978 jazz-funk, fusion album. It features Hancock's vocals through a vocoder as well as performances by drummer Tony Williams and bassist Jaco Pastorius.

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Burnier & Cartier

22,99 €*

LP | 1986 | US | Original (Milestone)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Sought-after Brazilian LP from 1974 that touches on MPB, soul, jazz, disco and boogie. Official Mr Bongo reissue. Replica original artwork. Extremely expensive theses days, this one has been on our list for a while. As
sampled by Andres on his ‘Sing About It’ collaboration with Kenny Dixon Junior aka Moodymann and on Kaytranada’s Janet Jackson flip, ‘Alright’. Championed by the likes of Jazzanova, Floating Points, Hunnee and co.
The record features Arthur Verocai and Luis Bonfa (composer Octavio Burnier’s uncle) on production/arrangement.

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Azymuth

Tightrope Walker

14,99 €*

Release: 1986 / US – Original

Genre: Organic Grooves

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Jean-Francois Pauvros & Gaby Bizien

No Man's Land

LP | 1976 | FR | Reissue (Souffle Continu)

20,99 €*

LP | 1972 | EU | Reissue (Speakers Corner)

Release: 1976 / FR – Reissue

Genre: Organic Grooves

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Recorded by Jean-François Pauvros (guitar, but not only...) alongside Gaby Bizien (drums, percussion, aquatic trombone, marimba, bird calls), and, of course, produced by the audacious Jef Gilson, the appropriately named 'No Man's Land' had virtually no equivalent in France (nor worldwide) when it came out in 1976. Radical, free, primitive, timeless: in the image of the musicians, it is not for nothing that it appears in the famous Nurse With Wound list of major influences concocted in 1979. No label can be placed on this vertiginous sensory adventure: an explosive flow of shrapnel and tearing intensity, full of mystery and life.

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Herbie Hancock

Crossings

LP | 1973 | EU | Reissue (ECM)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In the 1970s, Herbie Hancock’s "Crossings" was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us …
Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s "Quasar" launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.
This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason
Production: David Rubinson

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Dave Holland Quartet

Conference Of The Birds

LP | 1978 | EU | Reissue (ECM)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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This was Dave Holland's first album as a full-fledged leader. An album of driving, progressive jazz, it is also of historical significance as the only occasion when Rivers and Braxton, two of the music's most strikingly original saxophonists, recorded together. This summit meeting received raves from the press.

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Jan Garbarek

Places

LP | 1977 | EU | Reissue (ECM)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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“Places” is an important album for the Norwegian saxophonist with its stellar transatlantic line-up.

“Places” brings together another congregation of musicians that could only come from ECM. Drummer Jack DeJohnette lassoes his scurrying loops to the acoustic hooks of guitarist Bill Connors, while John Taylor supplements most of the cargo with organ. At the helm of this vessel is Jan Garbarek, whose saxophonism starts high and goes only higher. With cumulative notecraft and a heartfelt commitment to atmosphere, he and Taylor unwrap a lush nexus in the stunning opener. The occasional harmonic falls like a dandelion seed onto this pool of night as cymbals splash all around us. Taylor weaves a fine spread, anchoring us with sustained bass lines and attentive chording, leaving Garbarek to seal every crack with his sonic caulk. Connors seeks to light his surroundings, striking at the flint with his percussive gesticulations in hopes that one spark might show the way. Garbarek sharpens himself with arid flavor and carves out a miniature oasis in the crumbling image of exotic desire. The organ weaves in and out like a halo circumscribing us with subtle urgency until it pulls us beyond the point of no return, where dwells only silence in these “Reflections.” We then find the organ “Entering” into an electric guitar embrace. Bass and drums give us footholds where we might not expect to find them. Thus, what began as an elegy turns into a far-reaching journey that is over too soon. But in the next track we’re still “Going Places,” spurred by DeJohnette’s steady pulse and Garbarek’s hidden thermals. The energy comes in waves, subsiding here for a guitar solo and swelling there at Garbarek’s call. “Passing” ends where the album began, in a fluid ostinato of organ over which Connors looses his wavering song. Garbarek draws an ascendant pattern between those quiet strings, lifting us to an arena in which age curls into a semblance of time.

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Keith Jarrett

The Survivors' Suite

2LP+DVD | 1972 | EU | Reissue (Souffle Continu)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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The 1977 released album is considered to be the crowning achievement of Jarrett's American Quartet consisting of himself, Dewey Redman, Charlie Haden and Paul Motian.

"A brilliantly organized and full-blooded work... a very complete record. It creates its own universe and explores it thoroughly, leaving the listener awed and satisfied... An unashamedly ardent album." - Melody Maker

"The labyrnthine composition seems to redefine 'intensity' each time it turns a corner. The drive toward the climax of Side Two is among the most moving in modern music." - The Wire

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Barney Wilen

Moshi

39,99 €*

LP | 1973 | EU | Reissue (Cinedelic)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa in order to record the music of the native pygmy tribes. Upon returning to Paris, two years later, he created 'Moshi', a dark, eccentric effort fusing avant-jazz sensibilities with African rhythms, ambient sound effects and melodies rooted in American blues traditions. Cut with French and African players, including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon, this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. The set includes a 20-page booklet with rare pictures, sheet music and original liner notes. The DVD includes Caroline de Bendern's movie 'A L'Intention De Mlle Issoufou A Bilma', documenting this incredible African journey.

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Franco Chiari

Al Sint

2LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Franco Chiari, born in 1927 in Naples, was an eclectic artist who is considered a bit of a wildcard of keyboard instruments: he played the piano, accordion, synthesizer, vibraphone and marimba in both jazz and symphony. For three consecutive years (1957/58/59) he won the National Jazz referendum, was vibraphonist in the national TV Orchestra and participated in numerous important broadcasts. He received many awards in his career, and numerous are the artists who have wanted to play live alongside him, including Lionel Hampton, Stéphane Grappelli, Django Reinhardt, Piero Piccioni, Armando Trovajoli, Lelio Luttazzi, and more.

In this album released in 1973, the most groovy in his career, and now the most wanted from collectors, he rearranges the compositions of Mario Bertolazzi electronically with the use of synthesizer on rhythms ranging from latin beats to funk.

Numbered limited edition with digital downloads included and an amazing cover with splashes of paint, making each copy unique and unrepeatable.

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Miles Davis

Big Fun

LP | 1971 | EU | Reissue (Speakers Corner)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1974, Big Fun presents music from three different phases of Miles Davis's early-seventies "electric" period. Sides one and four ("Great Expectations" and "Lonely Fire") were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. "Ife" was recorded after the 1972 On the Corner sessions, and the framework is similar to tracks from that record. Recorded in March 1970, "Go Ahead John" is an outtake from Davis's Jack Johnson sessions.

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Bill Evans

The Bill Evans Album

LP | 1981 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meagre result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm – and ever better – trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in "The Bill Evans Album".
The LP is remarkable in that only Evans’s own compositions were recorded – three previously recorded pieces and four brand-new works. Of particular note is the melancholy "Two Lonely People", Evans’s musical interpretation of a poem by Carol Hall. "Sugar Plum" and "T.T.T." were to remain in his repertoire right up until his very last recordings. Unusual but very commendable because it begins with an ad hoc introductory improvisation is the electric piano version of Evans’s most well-known composition – "Waltz For Debby".
The excellent technical facilities at the Columbia Studio were used to the full by Bill Evans, even though they were only recording a small ensemble. And that is why the seven numbers sound far better than most of the trio’s live recordings. And as Bill Evans once said, it was with this trio that he could fulfil his musical ambitions.

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Jaco Pastorius

Word Of Mouth

Postaeolian Train Robbery

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Word Of Mouth was the second album by virtuoso bassist Jaco Pastorius, released in 1981 while he was still a member of Weather Report. Word Of Mouth focused on his ability to compose and arrange for a larger band than was previously featured on his first self titled album from 1976 [MOVLP136]. The band's all-star cast included Herbie Hancock, Wayne Shorter, Peter Erskine, Jack DeJohnette, Michael Brecker, Don Alias and Toots Thielemans who is featured on harmonica on many of the songs.

180g vinyl.

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COS

LP | 1974 | EU | Reissue (Wah Wah)

LP | 1978 | US | Original (CTI)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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An obscure classic from the 1970's Belgian jazzy prog scene that has become a much sought after piece in the collector's market since it was originally released in 1974. Highly inspired by both the UK's Canterbury scene and the zeuhl sound, the debut album by Cos has been compared to the likes of Soft Machine, Gong, Hatfield & The North, National Health, Gilgamesh, Egg, Placebo, Magma or Zao, with Pascale Son's unique wordless vocals and nonsense syllables singing in a voice that some sources have compared to Flora Purim's.

The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality. The album was released on the small obscure label Plus, and has arised interest not only among prog-rock psych-heads and jazz experimentalists, but also among those looking for breaks and bits to sample.

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George Benson

Space

Dai Primitivi All' Elettronica

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Gatefold cover with strong ring wear and a small cut corner!

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Futuro Antico

LP | 1980 | EU | Reissue (Black Sweat)

LP | 1981 | EU | Reissue (ECM)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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An outstanding raga-like drone lp with a distinctive cosmic vibe,
Futuro Antico was a short living collaboration between the two italian Walter Maioli (Aktuala), Riccardo Sinigaglia and Gabin Dabiré (from Burkina Faso).
The synthesis between ancient, ethnic and analog electronic music is just perfect, the minimalist repetition with slight changes gives associations of a slow growth; cyclic repetition gives the listener an opportunity to discover the sounds, to meditate, to go into the music, join the same journey trough ancient, primitive cultures and modern electronic soundscapes.
Originally released in 1980, the sound is completly analog and warm, this 300 copies reissue maintain the first tape artwork + info and photos.

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Miroslav Vitous Group

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Kudu)

Johnny Hammond

Wild Horses Rock Steady

16,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Alice Coltrane with Pharoah Sanders

Journey in satchidananda

LP | 1971 | US | Reissue (Impulse!)

36,99 €*

Black Renaissance Red Vinyl Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Alice Coltrane’s Journey in Satchidananda, named for her spiritual adviser Swami Satchidananda, is just that: a journey: one of transition and transcendence; it is one of emotion, and one of being human and of divine flow.

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Harry Whitaker

LP | 1976 | US | Reissue (Luv N Haight)

17,99 €*

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Harry Whitaker is a piano player, producer and arranger who on MLK day 1976, at the age of 26, recorded Black Renaissance “Body, Mind, and Spirit,” a holy grail amongst collectors of soul-jazz and rare groove. So rare, it’s virtually a myth to many collectors and music aficionados.

Made up of two long tracks that periodically build and release for forty minutes over two sides of an LP it’s an improvised masterpiece combining Afrocentric spiritual soul, jazz, poetry, amazing solos, a tasty bass line or two and more than a fair share of funky beats. It’s also one of theearliest albums to feature rapping. “I called the project Black Renaissance because that is what I wanted to see happen – especially in music.”

Given its rarity, when asked if he was surprised that people knew about the album Whitaker jokes “I’ve told enough people about it over the years! Now they can actually hear it. It was a record before it’s time.”

Harry Whitaker cut his teeth on the best of the Roy Ayers Ubiquity releases (including playing keys on “We Live In Brooklyn Baby” and co-producing the “Coffy” OST) on and making a living working closely with Roberta Flack – as her musical director, even playing on her big Eugene McDaniels’ written hit “I Feel Like Makin’ Love.” Black Renaissance “Body, Mind, and Spirit,” was his first attempt at a project where he wrote and composed the music and played keys on all tracks.

This album features Woody Shaw, Azar Lawrence, Buster Williams, Billy Hart and Mtume amongst others.

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Chet Baker

She Was Good To Me

29,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Wah Wah)

Neil Ardley

A Symphony Of Amaranths

20,99 €*

LP | 1972 | US | Reissue (CTI)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this 1972 masterpiece by another of the big names in UK Jazz. Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in musicians such as Mike Gibbs (trombone), Harry Beckett and Henry Lowther (trumpets) or even Jack Bruce (bass), some of them also contributed with the writing of some original compositions, making the NJO the root from which the UK's 70's jazz scene was to blossom.

The Wah Wah reissue features newly mastered sound from the original tapes and will include one bonus track recorded in the same sessions. Limited to only 500 copies.

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Airto

Free

15,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1983 | US | Original (MCA)

Joe Sample

The Hunter

8,09 €* 8,99 € -10%

LP | 1973 | US | Reissue (Blue Note)

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

US original pressing!

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Blue Mitchell

Collision In Black

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Plays The Music Of Jimi Hendrix

Gil Evans

LP | 1974 | US | Reissue (RCA)

16,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | US | Reissue (BMG)

Weldon Irvine

Cosmic Vortex

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | US | Reissue (Music On Vinyl)

Herbie Hancock

Thrust

LP | 1972 | US | Reissue (Nodlew)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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180g audiophile pressing

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Weldon Irvine

Liberated brother

LP | 1971 | US | Reissue (Prestige)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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early release on his own label ... real nice!

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Leon Spencer Jr.

Sneak preview!

Indigos Indigo Purple Vinyl Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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with Melvin Sparks, Idris Muhammad, Grover Washington Jr., ...

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Duke Ellington

2LP | 1989 | US | Reissue (Impex)

93,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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The George Benson Collection

George Benson

2LP | 1981 | JP | Original (Warner Bros.)

8,99 €*

LP | 1980 | JP | Original (MCA)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!

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Spyro Gyra

Carnaval

14,99 €*

The You and Me That Used to Be

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Jimmy Rushing

LP | 1971 | JP | Reissue (RCA)

LP | 1983 | JP | Original (Milestone)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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L. Subramaniam

Indian Express

3,99 €*

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP+7" | 1977 | EU | Reissue (678)

Dutch Treat

Tranquility

39,99 €*

Intercommunal Free Dance Music Orchestra

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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1977: In the middle of the era of punk groups, up-tempo music, high-energy rock and a mini rock-'n-roll revival, a record with the cheeky title Tranquility by the group Dutch Treat has come onto the market. A record - as the title suggests - that exudes tranquility. The record is a serious product by five of Holland's best-known and most-talented studio musicians: Jan Huydts, Wim Essed, Hans Hollestelle, Louis de Lussanet and Steve Boston. Jan Huydts: ‘We want to make music that brings people peace and tranquility. We are a recording group. We like each other. We are just close friends. The idea was to make non-aggressive music with aggressive instruments like synthesizers and electric guitars. You may even call it background music, maybe with a double meaning.’

Wim Essed in 2024: 'After decades it is still amazing that in all their diversity the pieces on this album fit together so well, taking the listener on an instrumental road trip through rainy as well as sunny landscapes.'

'When we had finished the original recording, the first and only issue was marketed by Polydor records, in quite a modest edition, instigating an equally modest success. Nowadays many more can get access through the web and Tranquility has since found a certain following and cult status, as the original record got harder to come by and more expensive on the second-hand market. So people started to ask for a reissue, which we can at last and proudly offer, bonus material included!'

‘tranquility’ by dutch treat was recorded, mixed and mastered between October 1976 and January 1977 at Procom Studio in Kirchhellen, West Germany

Remastered in August and September 2023 by Fritz Fey (original assistent engineer) at Double-D Mastering, Oberhausen, Germany For the remastering a direct transfer from the original master tape in 192 kHz and 24 bit was used. The master was cut in a lacquer and the actual reissue is a 180 gram hi quality pressing

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L'inter Communal

LP | 1978 | EU | Reissue (Souffle Continu)

LP | 1971 | EU | Reissue (Cosmic Jazz)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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The Intercommunal Free Dance Music Orchestra was created in 1971 by French free jazz pianist legend, François Tusques. Free Jazz, was also the name of the 1965 recording Tusques made along with and other Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais. Six years later, in 1971 Tusques would go ahead of free jazz.

Wondering if free jazz wasn’t a bit of a dead end together with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), Tusques formed the Inter Communal Free Dance Music Orchestra, an association under the banner of which the different communities of the country would come together and compose, quite simply. If at first the structure was made up of professional musicians from the jazz scene it would rapidly seek out talent in the lively world of the MPF (Musique Populaire Française).{French Popular Music, ndlt}

Compiling extracts from concerts given between 1976 and 1978, L’Inter Communal demonstrate the “social function” which inhabited free jazz and popular music at the time calling upon Spanish singer Carlos Andreu along with Michel Marre, Jo Maka, Adolf Winkler and Jean Méreu. Andreu, claimed Tusques, was a griot “who created of new genre of popular song improvised with our music, based on events going on at the time”.

L’Inter Communal can start the festivities: on “Blues pour Miguel Enriquez”, it is first Thelonious Monk who is invoked in an homage to one of the leading figures of the Chilean revolution, and a victim of Pinochet. The circumstances may be serious, the music, though, is not. The musicians light a bonfire to bring together on the same frequency France and Spain, the Americas and Africa: “L’heure est à la lutte” (the time to fight is here ndlt), is the new song offered by the l’Intercommunal Free Dance Music Orchestra... As if proof were needed that their music is still more than timely!

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The Chitinous Ensemble

Chitinous

LP | 1985 | EU | Reissue (Soul Note)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Certainly one of the most obscure and perhaps one of the most fascinating work of the English jazz revolution. Master of ceremonies is cellist Paul Buckmaster, known for his work with the Third Ear Band and for his (later) collaborations with Miles Davis, David Bowie and Elton John. Chitinous is his the only album as leader and it was recorded between 31 March and 13 April 1970, by an orchestra of no less than 51 players, with violins, violas and cellos. In this enormous line-up we find the cream of English musicians involved, starting with trumpeter Ian Carr and ending with drummer John Marshall. The leader is on cello, his main instrument, but also on keyboards, which he shares with the excellent Pete Robinson. The music is organized in suites, with very broad suggestions that draw from classical and contemporary music and then move back into jazz territory.

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Frank Lowe

Decision In Paradise

2LP | 1971 | EU | Reissue (Wewantsounds)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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This is tenor saxophonist Frank Lowe, a major voice in the 70's New York loft scene, at the head of a stellar line-up featuring: Don Cherry - trumpet, Grachan Moncur III - trombone, Geri Allen - piano, Charnett Moffett - bass and Charles Moffett - drums. An outstanding cast of creative jazz luminaries for a hard swinging, blues driven studio session dated 1984.

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Harold Land

Choma (Burn)

LP | 1982 | US | Reissue (Craft)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to reissue Harold Land"s 1971 Mainstream Records LP "Choma (Burn)," recorded in Los Angeles with Bobby Hutcherson and featuring Reggie Johnson on bass, Ndugu and Woody Theus on drums, Bill Henderson & Harold Land Jr. on piano/Fender Rhodes. Together the musicians create a superb spiritual mix of funky and modal Jazz that was the trademark of the Harold Land-Bobby Hutcherson quintet between 1968 and 72. Choma (Burn) is reissued here in its original gatefold artwork with all the photos scanned from first generation negatives recently found in the Mainstream Records vaults, and comes with newly remastered audio and a 2-page insert including new liner notes by Kevin Le Gendre.

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Azymuth

Telecommunication

37,99 €*

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Lonnie Liston Smith & The Cosmic Echoes

Cosmic Funk

LP | 1974 | Reissue (Real Gone Music)

Release: 1974 / Reissue

Genre: Organic Grooves

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Mal Waldron & Gary Peacock

First Encounter

LP | 1971 | EU (Trading Places)

20,99 €*

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 1971 / EU

Genre: Organic Grooves

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Preorder shipping from 2024-08-16

After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’s “She Walks In Beauty” contrasted by the up-tempo groove of Peacock’s “What’s That”; future Native Son founder Hiroshi Murakami makes important contribution on drums.

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Septet Matchi-Oul

Terremoto

27,99 €*

Jan Erik Vold & Jan Garbarek

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful.

Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Manuel left Santiago in September 1970 to participate in the Contemporary Music Workshop in Berlin. To pursue his musical career, he rapidly decided to remain in Europe.

The following year in Paris, Manuel began a quartet with saxophonist Jef Sicard (who would also play with his brother Patricio, in the Dharma Quintet). But the group would rapidly expand: Villarroel and Sicard added Gérard Coppéré (saxophone), William Treve (trombone), François Méchali (bass) and Jean-Louis Méchali (drums). And with the arrival of Sonny Grey, a Jamaican trumpeter heard ten years earlier with Daniel Humair, the Matchi-Oul Septet was complete.

Complete and ready: on May 8th, 1971, Matchi-Oul was in the studio for Gérard Terronès’ Futura label. The septet recorded seven of the pianist’s compositions. A succession of tracks which flow magically from one to the next: from the first drum strokes to the last deep notes of the bass, the successive waves roll over the piano and whistle through the wind instruments. And when they all come together it gives even greater force to Villarroel’s beautiful songs. Terremoto is a masterpiece of collective expression: but what else could we expect from a “supergroup’’ of this stature?

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Hav

LP | 1971 | EU | Reissue (Norske Albumklassikere)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Miles Davis

Tribute To Jack Johnson

83,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Special Sound Series - Volume 4: Summertime

Shigeo Sekito

LP | 1977 | EU | Reissue (Holy Basil)

Drummer of the Two Worlds

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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We are very happy to continue the reissue series of Shigeo Sekitō's iconic "Sepcial Sound" series with its 4th instalment, "Summertime", a radiant musical tapestry woven by the ingenious Japanese musician. Unveiled in the vibrant 1970s, this album radiates with the warmth and effervescence of the summer season, showcasing Sekito's ability to infuse his compositions with a sun-kissed energy and a sense of carefree joy.

As the fourth installment in the Special Sound Series, "Summertime" is a celebration of the spirit of the season, where Sekito's musical prowess shines brightly. Drawing inspiration from the carefree vibes of summer, the album seamlessly blends elements of jazz, soul, and funk, creating a sound that mirrors the sunlit days and breezy nights.

Sekito's virtuosity is palpable in every note, as he skillfully navigates a melodic journey filled with upbeat rhythms, infectious grooves, and soulful arrangements. The album's title, "Summertime," encapsulates the essence of the music within – a vibrant and uplifting experience that captures the spirit of the season with a musical palette.

From the lively and danceable beats of tracks like "Sunshine Samba" to the mellow, contemplative moments in "Golden Evenings," Sekito crafts an auditory landscape that mirrors the diverse experiences of summer. Each composition is a testament to his ability to evoke emotions and paint vivid sonic pictures, transporting listeners to sun-drenched beaches, lively festivals, and leisurely afternoons.

"Summertime" stands as a testament to Shigeo Sekito's musical versatility and his innate ability to capture the essence of a moment through sound. This album, with its infectious energy and melodic charm, has earned its place as a timeless tribute to the carefree and joyful spirit of summer, making it a delightful addition to any music collection.

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Okay Temiz

LP | 1980 | EU | Reissue (Caz Plak)

Takesi Inomata & Sound Limited

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Licensed from "Warner Records Sweden" and remastered from original material in Warner Record's vaults by Shawn Joseph at Optimum Mastering Bristol. 180 gr heavyweight vinyl Manufactured in Optimal Berlin.
Recorded between Istanbul and Stockholm, it captures the era between Okay Temiz's Don Cherry Trio touring and his own band Oriental Wind's sensational debut.
Mentioned distinctive elements have elevated the record to 'cult' status among record collectors, sample enthusiasts, and diggers around the world.
By 1980, Okay Temiz had already embarked on a series of dynamic collaborations and sound experiences with Don Cherry as a member of the Don Cherry Trio. This period included a noteworthy summer in the early '70s at Dartmouth College in New Hampshire, hosted by Jon Appleton, a notable American composer and visionary in electro-acoustic music.
"During that summer, Jon asked me, 'What kind of sound do you have in mind?' I had already given this considerable thought, using a tape recorder to capture sound frequencies influenced by the moon's position. Jon Appleton's question made me think about the extension of 'Organic Music Theory,' which we were exploring with Don Cherry at the time."
In 1982, Okay Temiz recorded the most comprehensive answer to 'What is Turkish Jazz?' at the Montreux Jazz Festival (CAZLP 004) with his band Oriental Wind, featuring Bobo Stenson (of the Jan Garbarek - Bobo Stenson Quartet), Palle Danielsson (of the Peter Erskine European Trio), and Lennart Åberg (of the Scandinavia New Jazz Group).
In 1980, without fully realizing he was navigating between these two worlds, Okay Temiz entered Stockholm's renowned Metronome studios to record the 'sound in his mind' as a solo artist.
`Drummer of Two Worlds` is a star map of Okay Temiz's musical worlds. Blending elements from the grand piano to his handmade drums, and from the amplified Berimbau to his cowbell array, weaving Turkish rhythms like 9/8 and 7/8 with the universality of 4/4, it presents a unique sound narrative that resonates with the dimensions of a well-traveled mind."
Haluk Damar

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Innocent Canon HHV Exclusive White Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Aleksandre Kiladze's Jazz Choral

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on white wax, limited to 80 copies worldwide.

Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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LP | 1986 | Reissue (Tbilisi)

34,99 €*

Release: 1986 / Reissue

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Music On Vinyl)

Weather Report

Sweetnighter

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | UK | Reissue (Be With)

Alan Tew

Drama Suite Part I

29,99 €*

LP | 1981 | EU | Reissue (Music On Vinyl)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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It's the pair you've all been waiting for! FINALLY!

Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...

Racing out the gate, the gritty crime funk of "The Detectives" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. "Helicop" is another fast paced and energetic dramatic action background with great breaks and horns. "The Big One (Prelude)" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to "The Big One", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense "Headlights" and (even briefer) burner "The Burn" add some - you guessed it - deep drama over insistent rhythms to close out Side A.

Flip over for "The Detectives (Slow Version)", a relaxed, thoughtful version featuring synths. You might recognise it as being sampled by Domo Genesis and Evidence for "Tallulah" from their brilliant collaboration a few years ago. "The Detectives (Interlude)" is another slow, pensive version featuring electric piano and a trombone solo in the centre section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight "The Build Up" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled "Snout" is a slow, tense background theme which features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of "The Prowler" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.

As with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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Lou Donaldson

Forgotten Man

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Himawari Black Vinyl Edition

Akira Mitake

LP | 1987 | JP | Reissue (HMV Record Shop)

42,99 €*

Ara Tokatlian & Enrique Villegas

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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Soundtrack of the documentary program for Japanese art history, “Japan: Its Heart and Form” which was aired on NHK educational channel from 1987 to 1988. Akira Mitake worked on it, and after the dissolution of Ippudo, he produced music for the media and provided music to many artists, mainly pop music. It’s an electronic work that expresses the silence, space, romance reminiscent of Japanese spirit. The entire contents has a mysterious atmosphere, “Yasha” and “Keisetsu” are particularly captivating, evoking the beauty of Japan. Truly amazing piece left by the talent behind Masami Tsuchiya, who can be interpreted as ambient music.

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Inspiracion

LP | 1978 | EU | Reissue (Altercat)

LP | 1988 | UK | Reissue (Pure Pleasure)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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This top-notch spiritual jazz album from Argentina will leave fans of Pharoah Sanders and John Coltrane astonished. Recorded in 1975 and still surprisingly off the radar, this is one of the deepest jazz albums from South America.

Inspiración is the meeting of two generations united by music: Ara Tokatlian and Guillermo Bordarampé, members of the influential 70s rock band Arco Iris (which Tokatlian cofounded with the now Oscar award-winning composer Gustavo Santaolalla), join forces with Enrique "Mono" Villegas, an admired jazz pianist who had been active since the 1930s.

Meditative, soothing and serene, Inspiración is music your soul yearns for.

Official reissue with sound off the master tapes, including a reproduction of the original 16-page booklet. With the blessing and support from Ara Tokatlian and Guillermo Bordarampe.

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David Murray

Lucky Four

Release: 1988 / UK – Reissue

Genre: Organic Grooves

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LP | 1981 | JP | Reissue (Universal Music Japan)

Logic System

Venus

37,04 €* 56,99 € -35%

Release: 1981 / JP – Reissue

Genre: Organic Grooves, Pop

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LP | 1971 | EU | Reissue (Holy Basil)

Atmo

Telegiornale

Bobby Hamilton Quintet Unlimited

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's "Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both evocative and emotionally charged. The title itself, which translates to "newscast" in Italian, hints at the album's concept of offering a musical narrative akin to the ever-changing stories and emotions conveyed through a news broadcast, captured in this beautiful Italian library recording.

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Dream Queen

LP | 1972 | US | Reissue (Now-Again)

34,99 €*

LP | 1972 | EU | Reissue (Endless Happiness)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Limited to 1000 copies.

All analog lacquer by Bernie Grundman. Liner notes delving into the history of Hamilton and this special album. Bobby Hamilton founded the band Anubis in Syracuse, New York, and they put out their awesome ‘Ecology’ single on Charles Bazen’s Salt City imprint. It’s a highlight on the Soul-Cal anthology Now-Again issued in 2012, something akin to Terry Callier and Gil Scott Heron’s most soulful works. Shortly after issuing that single, Bobby put together the Bobby Hamilton Quintet Unlimited and recorded and issued Dream Queen in 1972. The last clean copy Bobby Hamilton had, he sold to the musician Jamie XX in 2021 for a princely sum. Few originals will ever surface again – its original run of 500 units having disappeared into the ether decades ago. This is your chance to hear a masterwork of deep, spiritual jazz lacquered directly from its original master tape in an all analog transfer by the legendary Bernie Grundman. Dream Queen’s story is told for the first time in extensive liner notes by Torii McAdams. Dig deeper and expand.

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Christian Zysset

Cosmogonie

LP | 1976 | JP | Original (Warner Bros.)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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French Jazz Library LP with female voices and drum breaks originally released in 1972 on Mondiophone. Stunning composition and wonderfully recorded, this dark, aggressive jazz orchestral vibes, flitting perfectly between the abstract and the structured. Essential.

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George Benson

Breezin'

7,99 €*

LP | 1977 | US | Reissue (Spin The Blues)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!

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Eddie C. Campbell

King Of The Jungle

37,99 €*

The Modern Jazz Sextet Featuring Dizzy Gillespie, Sonny Stitt, John Lewis , Skeeter Best, Percy Heath & Charlie Persip

Release: 1977 / US – Reissue

Genre: Organic Grooves

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* Originally released in 1977 * First ever reissue * Japanese Obi-strip * The jacket is reproduced based on the original edition Eddie C. Campbell was a great blues guitarist who competed with Magic Sam and other greats on Chicago's West Side on his purple Jazz master guitar. P-vine is proud to present the first ever reissue of his long underrated Chicago blues masterpiece, his recording debut released in 1977, in the same jacket and with the same specifications as the original.

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The Modern Jazz Sextet

LP | 1980 | JP | Reissue (Verve)

LP | 1983 | EU | Reissue (Studio Mule)

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi.

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Shinsuke Honda

Silence

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | Reissue (Be With)

Guy Pedersen

Maxi Music

27,99 €*

LP | 1972 | US | Original (Capitol)

Release: 1972 / Reissue

Genre: Organic Grooves

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Guy Pedersen's magical Maxi Music, originally released on cult Parisian library label tele Music in 1972, is psyche-rock and jazz-funk gold. It's a vital Pederson outing, oscillating between the rough and the smooth, but always with those hypnotic grooves. It's a start-to-finish winner, yet the final 13-minute-long opus will blow minds. Trust!

Stirring opener, "Prétexte Pour Indicatifs" is so mighty, it was covered by Keith Mansfield on "Hot Property" from Big Business/Wind Of Change on KPM. It's a track in 4 deliberate parts, the first a rapid tour de force, the second and third presenting organ-and-wah-wah-drenched slo-mo funk workouts and the fourth a return to the frenetic energy of the opening bars. Phew, pretty sensational. "Purgatoire Mood (Interlude)" is a beautiful segue into the stunning horn-laced, swift-paced aggressive jazzy excellence of "Purgatoire Mood 1" and the more poetic "Purgatoire Mood 2". Fast-paced funk beats and dramatic interplay!

"Christophus Colombus" is another song with multiple sections; the intro a rapid wah-wah-enhanced psych-rock statement that truly thrills before settling into a more steady yet no-less unrelenting guitar-funk showcase with wordless vocals and, later, reflective guitar and piano in gorgeous harmony. Closing out this electrifying side, the elegant "Bass In Love" is a soft'n'sultry slo-mo funk instrumental, as rough cello, jazzy piano and salacious, breathy vocals combine to create the scent of lingering heat to pretty rousing effect.

Ushering in Side B, "Sing Song Bass" is a slow starter but, once the drums kick in brilliantly, we're treated to a deeply melodic, propulsive, organ-flute-piano-bass gem - it's truly memorable and absolutely fantastic. The wonky, delirious psych-pop of "Petit Moujik De Nuit" is a curiously compelling number but it serves, for us at least, only as the pre-curser to the phenomenal closing track. An absolute beast that totally slays all before it!

Yes, despite Maxi Music being that rarest of library records - a record that can stand up on its own from front to back - it really does contain that *one* absolute killer track. And Peterson saved the best until last. The real highlight - can you imagine there's better?! - is the blazing psych-rock funky burner that is the infamous 13 minute thriller "Kermesse Non Héroique". Containing a wicked flute solo it genuinely sounds like something off the first Dungen album. Yes, that good. What a way to go out!

The audio for Maxi Music has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Art Tatum

Solo Piano

6,29 €* 6,99 € -10%

LP | 1981 | EU | Reissue (Mad About)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with punch hole and stickers on cover/label

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Grupo Medusa

Freddie Hubbard & Art Blakey

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Grupo Medusa was one of the best instrumental bands in Brazil during the 70s and 80s, blending Jazz, African Influences, and traditional Brazilian Rhythms. Formed By Chico Medori, Claudio Bertrami, Amilson Godoy and Heraldo do Monte. Original release in 1981, reissued for the first time Worldwide.

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Feel The Wind Clear Vinyl Edition

LP | 1989 | US | Reissue (Tidal Waves Music)

Lonnie Liston Smith & The Cosmic Echoes

Release: 1989 / US – Reissue

Genre: Organic Grooves

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Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Imp ulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.

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Reflections Of A Golden Dream

LP | 1976 | UK | Reissue (BGP)

12" | 1971 | EU (Trading Places)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album 'Expansions' is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis. Released in 1976,"Reflections On A Golden Dream", the follow-up to "Expansions", was his fifth album for Flying Dutchman and featured the core band of the Cosmic Echoes, including his brother Donald Smith, David Hubbard and Wilby Fletcher. As for the music, this album is a classic, with the funky 'Get Down Everybody (It's Time For World Peace)', the reflective 'Quiet Dawn' and 'Meditations' and the sumptuous 'Beautiful Woman'. "Reflections Of A Golden Dream" was also the first of Lonnie's albums to feature his own vocals. It's a lost classic everyone should own.

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Atlantic Bridge

I Can't Lie To You

11,19 €* 13,99 € -20%

12" | 1985 | EU | Reissue (Glossy Mistakes)

Release: 1971 / EU

Genre: Organic Grooves

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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

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Finis Africae

El Pulso De La Madera

32,99 €*

Singin' In The Midnight Clear Vinyl Edtion

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.

On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.

And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.

The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family.

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Chet Baker Quartet

LP | 1987 | EU | Reissue (Klimt)

Brand New Feeling HHV Exclusive Red Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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Recorded during Christmas time 1986 in Holland together with Jon Burr on bass, Ben Riley on drums and Harold Danko on piano, this album will be released only in Japan the following year. It is a rare compilation of mostly standard songs reinterpreted by Chet with his personal decadent, intense and timeless taste.

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The Awakening

LP | 1976 | EU | Reissue (Cinedelic)

The Battle Of Disco HHV Summer Of Jazz Exclusive Clear Yellow Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on red wax, limited to 100 copies.

The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.

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Bra Sello

LP | 1977 | EU | Reissue (Afrodelic)

Mr. Gone Colored Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 100 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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Weather Report

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 1983 | EU | Reissue (Beaumonde)

Zepiss

Natibel

Voices And Rhythms Of The Creative Profile

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Edmony Krater grew up on the side of Morne Rouge in Sainte-Rose, north of Guadeloupe. His mother sang in church, but Edmony was drawn to the sound of Gwo Ka, which was frowned upon but very present in ceremonies or funeral vigils. As both a fashion designer for the theater and a musician (percussion, trumpet, vocals) in the group Gwakasonné, formed by Robert Oumaou and Georges Troupé, Edmony left Guadeloupe in 1983 to settle in mainland France just after recording their first album. Upon his arrival in Paris, with the desire to give his own version of Gwo Ka, he founded the group Zepiss with Eddy Lebouin, Freddy Tisseur, Philippe Augusty, and Rico Toto and immediately recorded a first album, Natibel. In a singular way, Natibel perpetuates Gwo Ka Modèn, a movement initiated by the iconic jazz guitarist Gérard Lockel, who was the first to theorize and politicize this music previously transmitted only orally. In just six tracks, Natibel combines the sophistication and roughness of its root music, as Gwo Ka combines an intense rhythmic section with intoxicating melodies. In the tradition of other Gwo Ka musicians who took the music further such as Guy Conquet, Fabriano Fuzion, Gwakasonné, Erick Cosaque, and above all legendary drummer Marcel Lollia aka Vélo, Edmony Krater and his group Zepiss have contributed to preserving its heritage and bringing an obvious touch of modernity.

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Harold McKinney

LP+7" | 1974 | EU | Reissue (P-Vine)

48,99 €*

LP | 1977 | EU | Reissue (Four Flies)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The sole solo album from Harold McKinney! Originally released in 1974 from vaunted spiritual jazz label Tribe, Voices & Rhythms of the Creative Profile sees the pianist, who was the backbone of many a Tribe recording, in tip-top shape. Opener “Ode to Africa” is a nine-minute, groove session, with African rhythms that would fit on any Tribe recording. Congas interplay with writhing basslines, for a track that feels as fresh now as it did nearly half a century ago. The Eddie Harris penned “Freedom Jazz Dance” is just as groovy, with amazing showings from the typical Tribe cadre of musicians, including Wendell Harrison (ts.) and Marcus Belgrave (tp.). But from the gospel-inflicted “Heavenese”, to Herbie Hancock’s classic “Dolphin Dance”, the groove never lets up, with eight hard hitting tracks showing exactly why McKinney was the go-to pianist for Tribe. P-vine is proud to be reissuing Voices & Rhythms of the Creative Profile along with a reissue of a 7-inch containing “Ode To Africa (single version)” and “Jelly Loa”, initially also released around the same time. This deluxe edition LP+7-inch is available on limited edition vinyl, now with an obi-strip and modern digital remastering! Make sure to get this while it’s hot!

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Gianni Safred

Electronic Designs

27,99 €*

LP | 1986 | EU | Reissue (Music On Vinyl)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Entirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies.

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Chet Baker

Sings Again

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Painted Woman White Vinyl Edition

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Masaki Matsubara

LP | 1983 | JP | Reissue (Pony Canyon)

47,99 €*

LP | 1982 | EU (Black Saint)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc.

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John Carter Octet

Dauwhe