Jazz | Fusion Vinyl 705 Items

Release: 1961 / Reissue

Genre: Organic Grooves

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LP | 1961 | US | Original (Mercury)

Cannonball Adderley

Cannonball Enroute

14,99 €*

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

I Got It Bad And That Ain't Good

Cannonball Adderley

LP | 1967 | US | Original (Pickwick)

LP | 1968 | CS | Original (Supraphon)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Tears in spines.

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Caravelli

Please Love Me

Release: 1968 / CS – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1961 | Reissue (Jazz Samba)

Carlos Lyra

2nd Album

Release: 1961 / Reissue

Genre: Organic Grooves

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LP | 1968 | US | Original (Atlantic)

Carmen McRae

Portrait Of Carmen

40,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Woman Talk (Live At The Village Gate)

Carmen McRae

LP | 1966 | US | Original (Mainstream)

The World Of Cecil Taylor

Release: 1966 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.

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Cecil Taylor

LP | 1961 | EU | Reissue (Candid)

31,99 €*

LP | 1966 | EU | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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The World Of Cecil Taylor is the fifth studio album by radical, free jazz pianist pioneer, Cecil Taylor.Taylor's music is often described as ahead of its time. And it's easy to imagine what the reaction of the average jazz fan was to this 1961 recording. It is arguably a tremendous departure from what jazz was widely considered to be at the time. At once a modern approach to standard material and a genre pushing exploration, it is a document of an artist pushing the boundaries of what jazz meant and where it was capable of going. This brand new reissue is available on CD and LP (180g) and has been remastered from the original Candid Records master tapes by Bernie Grundman.

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Cecil Taylor

Unit Structures

28,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | UK | Reissue (Pure Pleasure)

Charles Lloyd

Dream Weaver

LP | 1967 | EU | Reissue (Speakers Corner)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. "Dream Weaver" is a fully realized project by a band -- a real band -- in which each member has a unique part of the whole to contribute. Jarrett's unusual piano style fits musically with Lloyd's lyricism in a way that it shouldn't. Jarrett was even then an iconoclast, playing harmonic figures from the inside out and relying on counterpoint to create new spaces, not fill them in. (Just listen to "Autumn Sequence", where his solos and his backing harmonics are equally strident and inventive as Lloyd's Eastern explorations of mood and mode.) And then there's the rhythm section of McBee and DeJohnette, whose modal inventions on the intervals make the "Dream Weaver" suite an exercise in open time, allowing all players to wander around inside it and take what they want out. The set closes with a group party jam on "Sombrero Sam", with Lloyd and Jarrett trading eights on a Cuban variation on a fantasia. There were no records like this one by new groups in 1966.

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Charles Lloyd

Forest Flower

33,99 €*

LP | 1967 | US | Original (Atlantic)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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It was a clever move by George Avakian, producer at Atlantic Records, to record live the Charles Lloyd Quartet during their appearance in Monterey, and to release the LP under the title "Forest Flower". Although the hippy flower-power movement tended towards a rather different musical genre at the end of the Sixties, they were blown away by this music. The four artists attracted masses of people and ensured that every seat was taken and all standing room filled at jazz festivals such as Newport, Molde (Norway), Antibes (France) and the Fillmore East and West. The super group also appeared in Monterey, 120 Km south of San Francisco, the centre of the hippy movement, on 18 September 1966.
On the LP we have the almost 18-minute-long title piece and the standard work "East Of The Sun", which were recorded at the festival. The disc is complemented by a Keith Jarrett composition and one by Cecil McBee, both of which were recorded in the studio ten days before the festival.
Of particular note is the rich interplay, the energy that is palpable throughout, the perfect harmony in each and every change of mood, and the intensity. Even 50 years later, it is quite clear that Charles Lloyd managed to break down the barriers between pop and jazz.
Charles Lloyd is committed to this objective to this very day! All four musicians are still active, although they no longer appear together as a group. Such a special treat for the ears is offered by this newly mastered disc only.

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Charles Lloyd

Forest Flower

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Taped top spine. Original US Monarch pressing. Writing on cover.

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LP | 1961 | US | Reissue (Candid)

Mingus

30,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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At the time of this recording, Mingus had been working regularly with the piano-less quartet of Eric Dolphy, Ted Curson and Dannie Richmond. The same group featured on the 1960 Candid release, Charles Mingus Presents Charles Mingus. The Mingus album, also recorded that year, features one track, "Stormy Weather," recorded with that same quartet, and two tracks recorded with a larger group featuring piano and additional horns. Of note, "mdm (Monk Duke & Me)” consumes the majority of this album. The piece consists of three intertwining themes - Duke Ellington's “Main Stem”, Thelonious Monk's “Straight, No Chaser”, and Mingus' “Fifty First Street Blues.” Released in 1961, and recorded in the fall of 1960 by Candid A&R and Producer Nate Hentoff at the Nola Penthouse Sound Studios. The LP includes extraordinary liner notes written by Hentoff, giving a context and insight that adds to the experience of hearing these magnificent performances.

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Mingus Mingus Mingus Mingus Mingus

LP | 1963 | EU | Reissue (Impulse)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Verve)

Pre-Bird Acoustic Sounds

43,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Jazz Images)

Presents Charles Mingus

21,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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The Black Saint And The Sinner Lady

LP | 1963 | EU | Reissue (Impulse)

32,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | US | Original (Riverside)

Charlie Byrd Trio

Byrd At The Gate

LP | 1968 | US | Reissue (Everest Records Archive Of Folk & Jazz Music)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

seam split.

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Charlie Christian

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

"Bird" Is Free

12,34 €* 12,99 € -5%

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1968 | US | Original (Archive Of Folk Music)

8,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US original. Vinyl with a couple of light scuffs

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The Happy "Bird"

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

The Happy "Bird"

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with ring wear

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The Happy "Bird"

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

cut corner, seam split. label variation

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LP | 1966 | UK | Original (Saga Eros)

Vol 1 Cool Blues

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1966 | UK | Original (Saga Eros)

Vol 2 Be Bop

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1966 | UK | Original (Saga Eros)

Vol 3 Groovin' High

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1968 | UK | Original (Saga Eros)

Vol. 5 / Bird And Diz

8,99 €*

Release: 1968 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | UK | Original (Saga Eros)

Vol 6 Bongo Bop

Release: 1969 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | EU | Reissue (Liberation Hall)

Chet Baker

Albert's House

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (Music On Vinyl)

Chet Baker

Chet Is back!

28,99 €*

LP | 1969 | US | Original (Sunset)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Recorded in Rome, Italy at RCA's studios, Chet Is back! is the 1962 studio album by the undisputed master of the trumpet, Chet Baker. Backed by a group of up-and-coming European jazz musicians, which included Belgian saxophonist Bobby Jaspar, Belgian guitarist Rene Thomas, Italian pianist Amedeo Tommasi, French bassist Benoit Quersin, and Swiss drummer Daniel Humair, according to critics Chet Baker may have never sounded better.

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Chico Hamilton

Easy Livin'

LP | 1969 | US | Original (Solid State)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with completely open top and bottom spines.

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Chico Hamilton

The Head Hunters

Chris Connor & Maynard Ferguson

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cut corner.

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Double Exposure

LP | 1961 | US | Reissue (Atlantic)

Nothing To Hide / Day By Day

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

small saw cut. Vinyl is close to NM. 1984 reissue

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Chris Montez

7" | 1969 | JP | Original (A&M)

4,99 €*

Release: 1969 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1968 | EU | Reissue (Musik Produktion Schwarzwald)

Clarke-Boland Big Band

All Smiles

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Music For The Small Hours

Clarke-Boland Sextett

LP | 1967 | JP | Reissue (P-Vine)

Clifford Jordan & Sonny Red

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-08-02

Formed by Kenny Clarke and Francy Boland, the Clarke-Boland Sextett, with the participation of numerous musicians from both Europe and the United States, made significant contributions to the development of jazz in Europe. At the core of this ensemble, the powerhouse sextet consisting of Kenny Clarke, Francy Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi came together to record the album "Music For The Small Hours" in 1967, and it is now set to be reissued with an obi.

This album spans a wide range of styles, from standards like Burt Bacharach's "Wives & Lovers" to Brazilian and Afro-Cuban influences such as Luiz Bonfá's "Ebony Samba" and Dizzy Gillespie's "Tin Tin Deo." Additionally, it features original compositions like Shihab's "Please, Don't Leave," where he takes on vocal duties. The entire recording exudes a sophisticated and relaxed mood, showcasing the utmost skill of this formidable sextet. "Music For The Small Hours" is a masterpiece that deserves a place in the history of European jazz, boasting the ultimate level of refinement.

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A Story Tale

LP | 1961 | EU | Reissue (Jazz Workshop)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Jazz Workshop)

Clifford Jordan

Starting Time

23,99 €*

These Are My Roots - Clifford Jordan Plays Leadbelly

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"This fine set matches together the already distinctive tenor of Clifford Jordan with veteran trumpeter Kenny Dorham, pianist Cedar Walton, bassist Wilbur Ware and drummer Albert "Tootie" Heath. Other than Duke Ellington's "Don't You Know I Care," the group sticks to originals by Jordan, Dorham and Walton. The music is straight-ahead, and although the tunes are pretty obscure, the solos and high musicianship uplift the music. Recommended to straight-ahead jazz collectors." Scott Yanow -All Music Guide

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Clifford Jordan

LP | 1965 | EU | Reissue (Atlantic)

Joshua Fit The Battle Of Jericho

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Clifford Jordan hailed from Chicago, hometown of hard-driving, so-called ‘tough tenorists’ like Gene Ammons and Eddie ‘Lockjaw’ Davis. While Jordan shared their unnerving bravado, his tone is different, an alluring tone, simultaneously rough around the edges and ephemeral. A sought-after sideman, Jordan recorded with stalwarts as Lee Morgan and Max Roach in the late fifties and early sixties, as well as a series of high standard solo albums. Like age matures wine, Jordan’s style ripened in the early seventies, his lines becoming fluent like ripples of lake water. Jordan kept recording and performing steadily until his death in 1993.

Maybe this album, filled with interpretations of such classic tunes as Take This Hammer and Goodnight Irene, is not such a surprise act after all. The preceding year, Jordan had been part of Charles Mingus’ outfit (appearing on the hi-voltage live album Right Now: Live At The Jazz Workshop) Musical gobbler Mingus’ unfazed search for new vistas while retaining an all-embracing sense of the past’s relevance and blend of harmonic finesse with unbridled juke joint tumult surely rubbed off on Jordan.

Da Gray Goose is one of the cases in point. Tasteful harmony over the stop-time theme kicks it into action, strongly plucked bass and fiery drums inspire the soloists, creating an atmosphere of abandon. Lusty shout choruses stoke up the fire as the tune progresses. There are also some, yes, virtuoso banjo parts.

The gloomy folk blues music of Huddie ‘Leadbelly’ Ledbetter, whose life story reads like a combined effort of Shakespeare and James Baldwin, including oppression, hardship, addiction, treachery, murder and prison life, is excellently cast in a jazz frame. But not too jazzy, often the sound of Jordan’s top-notch group is as tough-as-nails as the sound of any one group that enlivened the back alley bars way back when. Jordan’s unpredictable phrasing overcomes the restrictions of the rigid folk blues form.

Craftily uncrafted, These Are My Roots is a spirited album of earnest, raw and ebullient swing.

Recorded on February 1 & 17, 1965 in NYC

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Coleman Hawkins

LP | 1965 | JP | Reissue (Verve)

Release: 1965 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

LP | 1961 | US | Original (Crown)

Coleman Hawkins

The Hawk Swings

Coleman Hawkins & The Trumpet Kings

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Red vinyl with scuffs and hairlines

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Swinging Sounds Of The 40's

LP | 1965 | US | Original (Trip Jazz)

Coleman Hawkins with Orchestra conducted by Frank Hunter

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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The Hawk And The Hunter

LP | 1965 | US | Original (Mira)

8,79 €* 10,99 € -20%

LP | 1961 | UK | Reissue (Roulette)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy

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Count Basie

Basie In Birdland

50,99 €*

LP | 1965 | US | Original (Verve)

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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e-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London

'Basie at Birdland' is a 1961 live album featuring Count Basie and his famed orchestra playing at Birdland in New York City. Recorded on June 27-28th of 1961, and released just one month later in July of that year, 'Basie at Birdland' proved once again that Count Basie was one of the world's best players, band leaders, and flag bearers of Jazz. Birdland, the self-proclaimed, 'Jazz Corner of the World' provides a raucous, lively backdrop to the band's soulful Kansas City style Jazz, on tunes like, 'Blue Backstage', and 'Good Time Blues' alongside their harder hitting, big band bop. 'Basie at Birdland' features the Count at the height of his prowess, and he and his band's fervent, swinging performance cannot be missed - it's perfect for novices and aficionados alike.

This is a jaw-dropping recording of Basie's band in 1961. The band is so tight and swings so hard it sounds at times as if one is listening to a Wurlitzer organ. There simply was no band that swung as hard as Basie's - at least not as recorded on this live date. Amazing.

Simply the best live recording of a big band ever!

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Count Basie

Basie Picks The Winners

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Live At The Sands (Before Frank)

Count Basie

2LP | 1966 | US | Reissue (Mobile Fidelity Sound Lab)

73,99 €*

LP | 1969 | JP | Original (Musik Produktion Schwarzwald)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited & numbered!

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Count Basie Orchestra

Basic Basie

LP | 1966 | US | Original (United Artists)

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing!

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Count Basie Orchestra

Basie Meets Bond

Release: 1966 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Easin' It (Music From The Pen Of Frank Foster)

Count Basie Orchestra

LP | 1963 | US | Original (Roulette)

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Count Basie Orchestra + Neal Hefti

Basie

LP | 1966 | FR | Reissue (Roulette)

Release: 1966 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1965 | EU | Reissue (Pan Am)

Dave Brubeck

Angel Eyes

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Original (Columbia)

Dave Brubeck

Jackpot

LP | 1968 | US | Original (Columbia)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Dave Brubeck

Jackpot

15,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Reissue (Nature Sounds)

Dave Pike

Jazz For The Jet Set

29,99 €*

LP | 1965 | US | Original (ABC-Paramount)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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With his 1966 debut for Atlantic, jazz vibraphonist and marimba player Dave Pike and an all-star lineup produced a perfect blend of Jazz, Latin, Soul and R&B that stands the test of time. Produced by Pike's frequent collaborator Herbie Mann, ''Jazz for the Jet Set'' featured a young Herbie Hancock on organ (an instrument he rarely played again), Clark Terry on trumpet, Billy Butler on guitar, Grady Tate on drums, and many other talented musicians. From an artistic perspective, the album marked a pivotal time in Pike's career, where he began to move away from straight ahead jazz and forge a relationship with soul music, Latin rhythms, pop arrangements and more experimental styles. With this official reissue courtesy of Nature Sounds, ''Jazz For The Jet Set'' is now back on limited-edition vinyl while supplies last. 1. Blind Man Blind Man 2. Jet Set 3. Sunny 4. When I'm Gone 5. You've Got Your Troubles 6. Sweet Tater Pie 7. Just Say Goodbye 8. Devilette

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Della Reese

C'Mon And Hear

LP | 1965 | DE | Original (RCA Victor)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Cover has water damage and small tears. Vinyl is dense with surface scratches and scuffs--will likely cause pop, clicks, and constant background nois

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Della Reese

Moody

Release: 1965 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

taped seam split

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Dexter Calling Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Dexter Gordon, one of the true sax giants in the history of Jazz. Recorded in 1961 and released the following year, "Dexter calling" is his second recording for Blue Note.A solid swinging session with Gordon at the head of a great quartet featuring pianist Kenny Drew and the great bass and drums team of Paul Chambers and Philly Joe Jones. This is a very well-balanced selection of hard-driving numbers, gospel-tinged blues, and deep ballads.

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LP | 1961 | EU | Reissue (Blue Note)

Doin' Allright

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Blue Note)

Doin' Allright

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Dexter Gordon & Slide Hampton

A Day In Copenhagen

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Dexter Gordon & Slide Hampton

A Day In Copenhagen Black Friday Record Store Day 2023 Sky Blue Vinyl Edition

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

33,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Quantity: 1000
Release type: RSD Limited Run / Regional Focus Release

With his big, warm, round-toned sound, sophisticated phrasing, and hip quotes, Dexter Gordon was one of the major forces on the tenor saxophone from the mid-1940s until his death in 1990. Gordon was cited by both Sonny Rollins and John Coltrane as a major influence on their playing and is acknowledged as a jazz icon.

The popularity of mainstream jazz was on the decline in the States during the 1960s. The Vietnam war and racial turmoil were in high gear, and many of the music’s top-flight musicians, including Gordon, migrated to Europe in order both to escape and to make a living playing jazz. Gordon eventually settled in Copenhagen, Denmark. During this period, he usually played and recorded backed by a piano trio, but this 1969 recording is different. The usual quartet has been expanded with some of those premiere jazz ‘refugees’, each a major voice on his instrument, assembled for the session.

One of the great modern jazz trombonists, Slide Hampton, is also a composer/arranger of note. The album was a collaborative venture between Gordon and Hampton, and three of the compositions and all the arrangements on the album are his. The classy Jamaican trumpeter Dizzy Reese completes the front line. The rhythm section includes two jazz giants who were Gordon’s constant companions at Copenhagen’s famous Club Montmartre, fellow American expatriate pianist Kenny Drew and the great Danish bassist N-H Örsted-Peterson. The Gordon/Drew pairing is one of the classic horn-/piano matchups in jazz, and has often been compared with the Miles Davis/Red Garland and John Coltrane/McCoy Tyner pairings. Art Taylor, who “helped define the sound of modern drumming”, was brought in from Paris to complete the all-star rhythm section.

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LP | 1967 | Reissue (ORG Music)

Take The A Train

32,99 €*

Release: 1967 / Reissue

Genre: Organic Grooves

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Dinah Washington Sings The Blues

Dinah Washington

LP | 1966 | US | Reissue (Grand Award)

10,99 €*

LP | 1961 | US | Original (Mercury)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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Dinah Washington

September In The Rain

LP | 1961 | NL | Reissue (Fontana)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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Dinah Washington

Tell Love Hello

Dizzy Gillespie And His Orchestra, Lennie Tristano Sextet

Release: 1961 / NL – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Reissue.

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Jazz Of The Forties / Hot Vs Cool

LP | 1969 | JP | Original (Capitol)

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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LP | 1969 | US | Original (Solid State)

My Way

11,95 €*

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Gatefold cover has light storage wear, small seam split in bottom spine. Vinyl has some scuffs and light scratches. US stereo pressing.

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LP | 1963 | US | Original (Philips)

New Wave!

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Picture
Coming Soon

LP | 1969 | WW | Reissue (Wienerworld)

Soul & Salvation

31,99 €*

Release: 1969 / WW – Reissue

Genre: Organic Grooves

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Swing Low, Sweet Cadillac

LP | 1967 | EU | Reissue (Impulse)

25,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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L'inoubliable Django Reinhardt

Django Reinhardt

LP | 1966 | JP | Original (Vogue)

8,99 €*

LP | 1969 | UK | Reissue (Charly)

Release: 1966 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Don Cherry

Mu. First Part

31,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Blue Note)

Don Cherry

Where Is Brooklyn?

25,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Candid)

Don Ellis

How Time Passes

27,89 €* 30,99 € -10%

LP | 1968 | US | Reissue (Columbia)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis. Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York City’s post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus’ Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among others, the Glenn Miller Orchestra, Lionel Hampton, and Woody Herman. On subsequent albums, Ellis would take an even wilder direction. Here, on his first recoding date as a band leader, the experimentation begins. Ellis stretches the boundaries of bop-based jazz playing with time, tempo and meter. It is the start of his exploration of Third Stream - a fusion of jazz and contemporary classical music. The album title itself - How Time Passes - was taken from an article written by the controversial German composer Karlheinz Stockhausen on the “function of time.” The exceptional section features Ron Carter on bass, the underrated Jaki Byard on piano and saxophone, and Charlie Persip on drums. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and noted musician, historian and writer Gunther Schuller - the originator of the term “Third Stream” - giving a context and insight that adds to the experience of hearing these extraordinary performances.

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Don Ellis

Shock Treatment

10,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1963 | Reissue (Blue Note)

A New Perspective

28,99 €*

Release: 1963 / Reissue

Genre: Organic Grooves

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At The Half Note Cafe Volume 1

LP | 1961 | US | Reissue (Blue Note)

26,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Donald Byrd & Pepper Adams

Motor City Scene

LP | 1961 | EU | Reissue (BMG Rights Management)

25,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Culture Factory)

Royal Flush

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Slow Drag Tone Poet Vinyl Edition

LP | 1967 | EU | Reissue (Blue Note)

33,99 €*

Afro-Harping Deluxe Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Donald Byrd’s 1967 album Slow Drag was one of the last pure hard bop records the trumpeter would make before his music began evolving towards fusion. Byrd flies high on this gratifying set featuring alto saxophonist Sonny Red, pianist Cedar Walton, bassist Walter Booker & drummer Billy Higgins.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Dorothy Ashby

2LP | 1968 | EU | Reissue (Verve)

39,99 €*

Soft Winds: The Swinging Harp Of Dorothy Ashby Clear Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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A cult album from 1968 that has long since become known as a groove classic across genre boundaries, now for the first time as a deluxe edition, freshly remastered, with bonus tracks and attractive packaging. Along with Alice Coltrane, Dorothy Ashby was the only world-famous jazz harpist. Thanks to deep grooves and sophisticated orchestral sounds, “Afro-Harping” is her most famous album to date, which is continually breathed new life into thanks to samples and remixes by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and others. Remastered from the original ¼-inch tapes by Alex Wharton/Abbey Road Studios and featuring eight strong, previously unreleased alternate tracks, including an explosive version of the single “Soul Vibrations”, the classic album is now available for the first time in a high-quality format appropriate to its ever-growing importance.

2-lp: gatefold sleeve, padded black inner sleeves, illustrated eight-page insert with detailed liner notes by Seán Casey/Shindig! magazine.

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Dorothy Ashby

LP | 1961 | EU | Reissue (Sowing)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Dorothy Ashby album from 1961 that also features female vibes player Terry Pollard. Comes with a version of The Skatalites 'Guns of Navarone' which is a pretty surreal listening experience. From the original liner notes: "Dorothy Ashby may not be the first jazz harpist (Caspar Reardon) or the first female jazz harpist (Adele Girard), but her good feeling for time and ability to construct melodic, guitar-like lines, mark her as the most accomplished modern jazz harpist (...) Accompanying her was another Detroit girl, Terry Pollard. Terry's main instrument is the piano and she is one of the best in the country, bar none. She is also a pretty fair country vibraharpist and in this set, Miss Pollard plays vibes exclusively. With them is still another Detroiter, Herman Wright, who like Miss Pollard has worked with Terry Gibbs and Yusef Lateef, and who also served as Miss Ashby's regular bassist. (...) Completing the quartet is Jimmy Cobb, drummer for the Miles Davis group. During the proceedings, Cobb travels between brushes and sticks without upsetting the equilibrium of this essentially quiet set. There is wide range of material presented here, from blues like Benny Goodman's title number, 'Soft Winds', and Miss Ashby's 'With Strings Attached', to movie themes such as 'Laura', 'Wild Is the Wind', and 'The Guns Of Navarone'. Then there are works by such superior writers of standards as Kurt Weill ('My Ship'); Gershwin ('The Man I Love' and 'Love Is Here To Stay')"

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LP | 1963 | EU | Reissue (Honeypie)

Afro Bossa

13,99 €*

Duke Ellington And His Orchestra

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1963, this is a majestic piece of work. Considered as one of Ellington's best studio recordings of the Sixties this is also an essential mosaic piece within Duke's open wide afro-centric vision. Performed by a top version of his famous big band, Afro Bossa sounds as a sophisticated, sensual blend of orchestral Jazz arrangements and black bossa flavoured grooves. Among the players, many of Duke's historical sidemen such as trumpeter Ray Nance, sax giants Paul Gonsalves and Johnny Hodges, drummer extraordinaire Sam Woodyard and last but not least, Ellington's alter ego Billy Strayhorn, what else?

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Concert In The Virgin Islands

LP | 1965 | JP | Original (Reprise)

Release: 1965 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1965 | US | Original (Reprise)

Ellington '66

16,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1965 | US | Original (Reprise)

Ellington '66

Duke Ellington • The Boston Pops Orchestra • Arthur Fiedler

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover has small seam split.

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The Duke At Tanglewood

LP | 1966 | US | Original (RCA Victor Red Seal)

17,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record has scuffs and hairlines.

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LP | 1968 | US | Original (Everest Records Archive Of Folk & Jazz Music)

The Early Duke Ellington

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Ebb Tide And Other Instrumental Favorites

Earl Grant

LP | 1961 | US | Original (Decca)

3,99 €*

The Real Earl Hines Recorded Live! In Concert

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

torn spine

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Earl Hines

LP | 1965 | US | Original (Focus)

LP | 1966 | US | Original (Verve)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US mono pressing! Vinyl close to VG+

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Ed Thigpen

Out Of The Storm

50,99 €*

Eddie Gale's Ghetto Music

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl is slightly warped. Deep groove pressing. Drill hole and torn spines.

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Eddie Gale

LP | 1968 | EU | Reissue (Elemental)

30,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Reissue (Get On Down)

Eddie Harris

Plug Me In

17,99 €*

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Saxophonist Eddie Harris – a favorite sample staple of jazz-leaning hip-hop producers of the ‘90s – was a very busy man in the 1960s, releasing albums at a brisk pace since his first as a leader in 1961. By the late ‘60s he had fully hit his stride, as both a performer and an innovator.
A case in point is heard very clearly on this gem from Harris’ expansive catalog – 1968’s Plug Me In, which features his pioneering use of the Varitone saxophone effects processor unit (first heard on his 1967 album, The Tender Storm). The effect, used on “It’s Crazy” and “Ballad (For My Love),” never gets in the way, but gives the proceedings a feeling of “the next.” 1968 saw jazz entering a new era, influenced by electronic advances as well as the soul music dominating the pop charts of the day. Plug Me In slid perfectly into the vanguard of the day.
There is a soulful warmth to the proceedings on this classic LP, starting with album opener “Live Right Now,” which builds and swirls to a beautiful crescendo, with notes ricocheting back and forth amongst a top level crew of players including Jodie Christian, Chuck Rainey and Richard Smith. “Lovely Is Today” and “It’s Crazy” also feature waves of sunshiney brass and group interplay, alongside album ballads like “Winter Meeting” and “Ballad (For My Love).”
Eddie Harris’ catalog can be daunting, considering his impressive input throughout the 60s and 70s, but there’s a reason fans old and new come back to Plug Me In again and again. Innovation and soul is a combination that never fails, and this reissue is destined to bring more fans into the fold.

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Eddie Harris

The In Sound