Jazz | Fusion Vinyl 217 Items

Lizz Wright - vocals, Glenn Patscha, Patrick Warren - keyboards, Chris Bruce, Bill Frisell, Greg Leisz - guitar, David Piltch - bass, Earl Harvin - drums, Jeff Haynes - percussion, Anthony Thompson - harmonica



Never before on LP! “Dreaming Wide Awake was the second album by singer Lizz Wright, released in 2005 to great acclaim by critics and fans of her great voice and sensitive performance. The album reached number one on the Billboard Top Contemporary Jazz chart, the song 'Hit the Ground' was featured in an episode of the TV series “House MD”.



1-lp, 180g, Pallas pressing, printed inner sleeve.

No obi.

close to NM. 2005 reissue.

Honest Jons becomes more and more digger's paradise - the tracklist shows you why!

close to NM

“Feels Like Home” is the second studio album by American singer-songwriter Norah Jones, released in 2004, through Blue Note Records. It serves as the follow up to Jones' 2002 breakthrough album, “Come Away with Me”.

stamped sleeve and label sticker. not numbered. slightly stained

BBE Music announces the first repress of the classic Roy Ayers albums ‘Virgin Ubiquity’ 1 and 2 since 2006, on luxurious 180g vinyl with brand new sleeve notes written by Sean P. The music on 'Virgin Ubiquity' was selected and mixed down from previously unreleased multi-tracks recorded between 1976 & 1981, which Roy had in storage. It's all unmistakably Ayers, but is diverse and fresh enough to be more than a mere adjunct to one of his most productive and popular periods - testament to his and his musicians' creative abilities, as much of most revered Ayers output stems from this time. These discoveries take their place beside some illustrious company in a timeline bookended by 'Everybody Loves The Sunshine' and 'Africa, Center Of The World', several solo and Ubiquity albums, collaborations with Wayne Henderson & Fela Kuti, as well as guesting on LPs by Buster Williams and Herbie Mann. Out of print on vinyl and CD for over a decade now, BBE is delighted to re- present these groundbreaking Roy Ayers titles, neatly coinciding with the 45th anniversary of his classic album ‘Mystic Voyage’ and a UK tour to commemorate it during April 2020.

Fully licensed, heavy vinyl ltd to 500 copies.

‘The Syd Barrett of the avant-jazz scene’ British jazz composer, pianist, songwriter, Mike Taylor died tragically young, leaving just two albums as well as co-writes with Ginger Baker for Cream’s Wheels Of Fire album to his name. In 1973, under the direction of Neil Ardley, several of the performers who had worked with him recorded an album of Taylor’s surviving orchestral music, jazz tunes and songs as a memorial to him and to preserve his work as a composer and song writer for posterity. Taken from Ardley’s master tapes, this is their critically-acclaimed tribute to a master of his art by friends and colleagues, themselves representing a cross-section of the cream of modern British jazz talent of the day.

Chris Bowden’s debut album Time Capsule was first released on Soul Jazz Records in 1992 to universal and widespread critical acclaim. Now 20 years on a new wave of current jazz artists led by the likes of Kamasi Washington in the USA and a host of British artists - Shabaka Hutchings /Sons of Kemet, The Ezra Collective, Moses Boyd, Nubya Garcia, Fourtet, Yussef Kamaal, Tenderlonious, Binker & Moses - have brought this original ground-breaking album into the limelight once more as a pivotal starting point, sharing many of the aesthetics of these current artists at work today.

Musically all are inspired by the spiritual jazz of John Coltrane, Alice Coltrane, Pharoah Sanders, Archie Shepp, Don Cherry et al paired with a modern electronic music sensibility. Chris Bowden’s Time Capsule has stood the test of time like few other albums (as the title of the album suggested), and remains a pivotal, wholly-successful and original experimental musical collage, a radical inspiration and forebearer to many of the best progressive jazz and electronic artists working today.

The album has been fully hi-spec re-mastered and is available as a limited-edition heavyweight double-vinyl release with gatefold sleeve (+ free download code) and slipcase CD

Third album and first one on Schema Records by the cinematic Milanese duo The Dining Rooms. 12 tracks that redefine TDR music style, drawing inspiration from Jazz, Africanism, Hip-Hop, House and Soul with true eclectism.

9 tracks by Jukka Eskola, Dalindeo, ...

Available on vinyl for the first time since it's original CD-only release in 2007. On black or limited edition forest green with gold double LP, in gatefold jacket with download card. Tenor saxophonist Fred Anderson and drummer Hamid Drake had the closest of relationships, as close as a father and son might have. Their communication was at a higher level musically and emotionally. The music on this album reflects not only their masterful musical skills, but a conversation in music that is exceptionally powerful and unique. For From the River to the Ocean, they assembled a band consisting of fellow Chicagoans to record the most relaxed, perfectly balanced album they made together. It may seem hyperbolic to call From the River to the Ocean Fred Anderson's greatest album, but the empathy and cohesiveness of the ensemble, coupled with the saxophonist's brilliant, searching improvisations, makes it a powerful contender. From the River to the Ocean is an especially varied outing, ranging from Anderson's classic setclosing blues "Strut Time" to the meditative, spiritual, modal track "For Brother Thompson," dedicated to the late trumpeter Malachi Thompson and featuring bassist Harrison Bankhead on brooding piano and Drake chanting in Arabic. The record's title track and the closer, "Sakti/Shiva," find bassist Josh Abrams laying down an astounding bed on guimbri, the threestringed Moroccan acoustic bass familiar to fans of Gnawa music. Another of the album's delights is guitarist Jeff Parker, well known Jazz guitarist as well as member of Tortoise. Here, Parker displays an immense sensitivity and melodic genius, sharing solo spotlight with Bankhead's cello on "From the River to the Ocean" and sculpting a stunning array of shapes on the group's swinging take on Anderson's "Planet E." Underneath it all is Hamid Drake, an intensely creative soul continuing to challenge himself. Drake's growth is not measured in how many different instruments he plays - indeed, he's scaled back his arsenal over the years - but in the depth and musicality of his feeling. On this record he is remarkably light and airy, playing with tremendous delicacy and clarity. Propulsion can be introduced without a pneumatic drill, and Drake instigates an avalanche of rolling forward momentum on the opening moments, inspiring the two basses and guitarist to move, to make something moving, and in turn to further inspire Fred Anderson to some of his most forceful and imaginative playing ever documented. If the individual is a small receptacle of expressivity, a mountain spring if you will, then it is in ideal settings like this one that the springs join forces, turning into streams, then bigger and bigger tributaries, finally swelling into rivers that open into the oceanic creative waterways.

"Sunset Mission" from 2000 finally gets a proper vinyl release. Tip!

180 gram audiophile vinyl
Sleeve printed on heavy cardboard with linen laminate finish
Classic jazz album featuring William Henderson, Stafford James, Eddie Moore, and Cheikh Tidiane Fall
Limited edition of 1000 individually numbered copies on gold & orange marbled vinyl

To celebrate the 45th anniversary of iconic Dutch jazz label Timeless Records, Music On Vinyl is releasing a series that features albums that are part of the Timeless Records legacy and will be released mainly throughout 2022.

Part of this series is Pharoah Sanders' Moon Child from 1990, which bookended a decade of musical soul searching for Sanders. The acclaimed free jazz player is known to have a raw and abrasive sound, but reinvented himself on this album as a more traditional improviser capable of thoughtful deliberations. Moon Child is a grand old time throughout, and Sanders has never been more eminently sing-along-able as he is on its title track. The record was co-written with Horace Silver, George Gershwin and Abdullah Ibrahim and recorded with William Henderson, Stafford James, Eddie Moore and Cheikh Tidiane Fall.

Moon Child by Pharoah Sanders is available as a limited edition of 1000 individually numbered copies on gold & orange marbled vinyl and is printed on heavy cardboard with linen laminate finish.

Gargantuan is the debut studio album by U.K. electronic duo Spooky (Charlie May and Duncan Forbes), released by William Orbit's Guerilla Records in March 1993. Today Gargantuan is regarded as a landmark album in the history of progressive house and British dance music. As Guerilla’s standard bearer, they helped coalesce an immersive sound that was neither Detroit, nor Chicago, nor Manchester.

The duo became renowned for being at the forefront of the progressive house scene that emerged in the aftermath of the "post-rave comedown", joining fellow acts like Orbital and Underworld in re-casting house music in an energetic live environment. Gargantuan has been out of print on vinyl since 2006 and is re-released on 21st June.

Joe Lovano’s sublime 2003 album „I’m All For You: Ballad Songbook“ found the saxophonist wrapping his ravishing sound around timeless melodies like “Stella By Starlight,” “I Waited For You,” and “Like Someone In Love.” This elegant set also introduced Lovano’s marvelous quartet with pianist Hank Jones, bassist George Mraz, and drummer Paul Motian.

BLUE NOTE CLASSIC VINYL EDITION: stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal

Few paper scuffs. Japanese pressing.

The Sound Of Summer on Acid Jazz - the Humble Souls sampledelic classic ‘Beads Things & Flowers’ gets its first outing on a 7-inch single as part of our new Acid Jazz classics series. A magnificent dance floor classic, ‘Beads Things & Flowers’ is the result of the creative coming together of Simon Anniky - previously of Beats International and Hugh Brooker of the Night Trains and The Hip Joints, an Acid Jazz fixture since its earliest days. Its seamless blend of Mod Jazz samples and tight beats is inspirational. The A-side 7-inch was the hit of our ‘Acid Jazz (Not Jazz)’ compilation last year, whilst the vocal version makes its first ever appearance since its 1991 single release!

Charlie Hunter’s 1995 Blue Note debut „Bing Bing Bing!” was a groove-heavy tour-de-force that marked the arrival of a virtuosic guitarist whose unique concept on his 8-string guitar produced music that was both impressive and irrepressible. Hunter’s trio laid down a program of originals plus an unforgettable cover of Nirvana’s “Come As You Are.”

BLUE NOTE CLASSIC VINYL EDITION: stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal

Geisterfaust finally gets a proper vinyl release. Tip!

Available on vinyl for the first time since it's original CD-only release in 2007. On black or limited edition forest green with gold double LP, in gatefold jacket with download card. Tenor saxophonist Fred Anderson and drummer Hamid Drake had the closest of relationships, as close as a father and son might have. Their communication was at a higher level musically and emotionally. The music on this album reflects not only their masterful musical skills, but a conversation in music that is exceptionally powerful and unique. For From the River to the Ocean, they assembled a band consisting of fellow Chicagoans to record the most relaxed, perfectly balanced album they made together. It may seem hyperbolic to call From the River to the Ocean Fred Anderson's greatest album, but the empathy and cohesiveness of the ensemble, coupled with the saxophonist's brilliant, searching improvisations, makes it a powerful contender. From the River to the Ocean is an especially varied outing, ranging from Anderson's classic setclosing blues "Strut Time" to the meditative, spiritual, modal track "For Brother Thompson," dedicated to the late trumpeter Malachi Thompson and featuring bassist Harrison Bankhead on brooding piano and Drake chanting in Arabic. The record's title track and the closer, "Sakti/Shiva," find bassist Josh Abrams laying down an astounding bed on guimbri, the threestringed Moroccan acoustic bass familiar to fans of Gnawa music. Another of the album's delights is guitarist Jeff Parker, well known Jazz guitarist as well as member of Tortoise. Here, Parker displays an immense sensitivity and melodic genius, sharing solo spotlight with Bankhead's cello on "From the River to the Ocean" and sculpting a stunning array of shapes on the group's swinging take on Anderson's "Planet E." Underneath it all is Hamid Drake, an intensely creative soul continuing to challenge himself. Drake's growth is not measured in how many different instruments he plays - indeed, he's scaled back his arsenal over the years - but in the depth and musicality of his feeling. On this record he is remarkably light and airy, playing with tremendous delicacy and clarity. Propulsion can be introduced without a pneumatic drill, and Drake instigates an avalanche of rolling forward momentum on the opening moments, inspiring the two basses and guitarist to move, to make something moving, and in turn to further inspire Fred Anderson to some of his most forceful and imaginative playing ever documented. If the individual is a small receptacle of expressivity, a mountain spring if you will, then it is in ideal settings like this one that the springs join forces, turning into streams, then bigger and bigger tributaries, finally swelling into rivers that open into the oceanic creative waterways.

Limited to 750 copies.

This is a 1999 album by Weldon Irvine, who gained new recognition with the rise of the hip-hop scene and the rare groove movement in the 90's and beyond, including appearances on Q-tip and Mos Def albums!　Now, for the first time ever, P-vine is releasing this historically significant work on LP, as the original CD is hard to find. Featuring guests such as Q-tip, Mos Def, Talib Kweli, and other artists representing the street scene of the time, the jazzy and tight groove is a must-listen, with a crossover of 70s feeling and 90s sound!

Vinyl with a couple of light scuffs

PVC sleeve with hype sticker. Original inner sleeves. 2019 reissue Limited edition.

2013 reissue. Still sealed.