Jazz | Fusion Vinyl 2726 Items

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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It's Nice To Be With You: Jim Hall In Berlin

Jim Hall

LP | 1972 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble

Rise Vision Comin

LP | 1976 | JP | Reissue (P-Vine)

31,99 €*

LP | 1971 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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If being the founder and chairman of Third World Press Organisation - the largest independent black-owned publishers - wasn’t enough for activist and poet Haki R Madhubuti, he is also credited with a lesser-known yet remarkable music career. As the bandleader of Haki R. Madhubuti and Nation: Afrikan Liberation Arts Ensemble, Madhubuti combined his razor-sharp spoken-word poetry with a band of incredible musicians to create an unforgettable experience of avant-garde and spiritual jazz.

The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on saxophone who also served as creative director. It features 9 tracks with the title track, “Rise, Vision, Comin” a great example of the adhesive comradery between instrumentation and Madhubuti’s spoken-word. On the track, they match each other pace for pace and build into frenzy where they finally reach Madhubuti's prophetic words, “We are what we are, We are what we are not, we are what we are going to be”.

A prominent name in the Black Arts Movement, Haki R Madhubuti to date has published over 20 books with his direct and illuminating form of poetry having shared the same halls as other vital voices in the movement like Audre Lorde and Maya Angelou. P-vine is thrilled to reissue Rise Vision Comin on limited-edition vinyl with a unique Japanese obi strip, and celebrate the music of Madhubuti’s extraordinary career.

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Michael Naura Quartett

Call

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Musik Produktion Schwarzwald)

Volker Kriegel

Spectrum

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Musik Produktion Schwarzwald)

Monty Alexander

Here Comes The Sun

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Oscar Peterson & The Singers Unlimited

In Tune

LP | 1971 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Archie Shepp/Lars Gullin Quintet

Picture
Coming Soon

The House I Live In

LP | 1980 | WW | Reissue (SteepleChase)

43,99 €*

Release: 1980 / WW – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Speakers Corner)

Charlie Mingus

Oh Yeah

LP | 1974 | EU | Reissue (Speakers Corner)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Commenting on this album in 1962, Billboard magazine wrote: »He seems to be everywhere, everywhere that is but on his usual instrument«. Charles Mingus, one of the most impressive musicians in the history of jazz, doesn’t play a single note on the bass for a change, but leads the band from his (blues-)piano – the instrument that he always used for composing. He hits the keys, he sings the blues, he shouts and he encourages – apparently Mingus really found the need to express himself loudly in this album. (Doug Watkins stood in for him on the contrabass.) "Oh Yeah" is definitely Mingus’s most powerful and passionate album. He calls on two hot, intensive saxophonists – Roland Kirk and Booker Ervin – as well as Jimmy Knepper on the trombone. Kirk is the main soloist, but all three wind-players deliver expressive improvisations, carrying out a non-stop dialogue with one another, and pushing one other to achieve maximum energy. The music is wild and ecstatic, but it’s not free jazz, remaining – as it does – grounded in blues and gospel. "Hog Callin’ Blues" is an enthralling shuffle with a wealth of riffs, "Devil Woman" a clever slow blues with inventive wind figures. "Ecclusiastics", with its constant change of rhythm and expression alternating between gospel and blues has the most complex form. Blues has always been a part of a black church service, said Mingus. "Eat That Chicken" (a homage to Fats Waller and his favourite food) even plays around with an old-time, Dixie feeling. Humour is never far away. Even in the atomic bomb song (this too, a sort of churchy blues) one hears the words: »Don’t let ’em drop it! Stop it! Be-bop it!«

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: November 1961 at Atlantic Studios, New York City, by Tom Dowd and Phil Iehle Production: Nesuhi Ertegun

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Billy Cobham

Total Eclipse

Charles Tolliver / Music Inc & Orchestra

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Ever since his time with John McLaughlin’s Mahavishnu Orchestra (1971–1973), the drummer Billy Cobham is one of electric fusion jazz’s greatest heroes. "Total Eclipse" was the third album he made as a leader within just a few months, and here again he composed all the numbers himself. In the opening 'suite' entitled "Solarization" (eleven minutes long) he already shows his broad and certainly refined stylistic spectrum. Cobham’s music leaps from high-energy jazz-rock with wild guitar and thundering volleys on the drums to highly original improvisations on the piano and winds. Smooth electric Latin grooves and gripping funky numbers are not missing either. Cobham’s handpicked band is bursting with virtuosos. A look at the names of the three-man wind section proves the point: Michael Brecker, Randy Brecker, Glenn Ferris are highlights in themselves. And the then 30-year-old band leader himself was the non plus ultra when it came to jazz-rock drumming technique – his amazingly rapid drum volleys are just as sensational today as they were then. With this album this exceptional drummer will thrill all fans of first-class fusion sound similar to Weather Report or Return To Forever.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1974 Atlantic Recording Studios and at Electric Lady Studios, New York, N.Y. by Ken Scott Production: Billy Cobham & Ken Scott

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Impact

LP | 1976 | UK | Reissue (Pure Pleasure)

LP | 1978 | EU | Reissue (Speakers Corner)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Trumpeter/flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, "Impact" contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format. Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre through the multiple textures. Featured soloists in the remarkable reed section include Charles McPherson, James Spaulding, George Coleman, and Harold Vick.

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Ry Cooder

Jazz

LP | 1974 | UK | Reissue (Pure Pleasure)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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When someone such as Ry Cooder, who delved deeply into traditional sources, just names his LP "Jazz", it is unlikely that one will hear avant-garde music. Actually, in the numbers gathered together here the investigative guitar man dedicated himself more or less to almost forgotten music. Historically informed, yet not adhering to the original instrumental ensemble, this ostensibly antiquated music enjoys a brilliant renaissance. Just like in an album of charming black and white photographs, the old-fashioned style shines out brightly, such as in "Big Band Bill", which (hardly by accident) is modelled on the jaunty swing of Django Reinhard, but does not imitate him. Cooder’s slightly acidic-sounding guitar mixes homogeneously with the delightfully rustic sound of the tuba and a bluegrass mandolin ("Face To Face…"). The typical Caribbean rattle of the marimba enters into a pleasant dialogue with the warped sound of the slide guitar. Folksy bliss in three-four time ("Happy Meeting In Glory") stands confidently on a par with the merry, self-willed saxophone ("In A Mist") and with the poetic, dreamy and meditative guitar ("Flashes"). And just listen to how the classic number "Davenport Blues" – with its emphasis on the woodwinds – grooves along with the vibraphone and tingly inner parts. This sound is both filled with the spirit of Bix Beiderbecke and, based loosely on Mingus, will sooth the Jelly Roll Morton-soul of its fans.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1977 at Amigo Studios, North Hollywood, by Lee Herschberg & Douglas Decker
Production: Ry Cooder & Joseph Byrd

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Shamek Farrah

First Impressions

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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2LP | 1974 | EU | Reissue (Music On Vinyl)

Miles Davis

Big Fun

LP | 1971 | EU | Reissue (Speakers Corner)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1974, Big Fun presents music from three different phases of Miles Davis's early-seventies "electric" period. Sides one and four ("Great Expectations" and "Lonely Fire") were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. "Ife" was recorded after the 1972 On the Corner sessions, and the framework is similar to tracks from that record. Recorded in March 1970, "Go Ahead John" is an outtake from Davis's Jack Johnson sessions.

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Bill Evans

The Bill Evans Album

LP | 1975 | UK | Reissue (Far Out)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meagre result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm – and ever better – trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in "The Bill Evans Album".
The LP is remarkable in that only Evans’s own compositions were recorded – three previously recorded pieces and four brand-new works. Of particular note is the melancholy "Two Lonely People", Evans’s musical interpretation of a poem by Carol Hall. "Sugar Plum" and "T.T.T." were to remain in his repertoire right up until his very last recordings. Unusual but very commendable because it begins with an ad hoc introductory improvisation is the electric piano version of Evans’s most well-known composition – "Waltz For Debby".
The excellent technical facilities at the Columbia Studio were used to the full by Bill Evans, even though they were only recording a small ensemble. And that is why the seven numbers sound far better than most of the trio’s live recordings. And as Bill Evans once said, it was with this trio that he could fulfil his musical ambitions.

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Azymuth

Azimüth

LP | 1984 | JP | Reissue (Prestige)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Reissued on 180 gram vinyl in gatefold sleeve!

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The Modern Jazz Quartet

Django

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | JP | Reissue (EM)

Roland P. Young

Isophonic Boogie Woogie

Courtial With Errol Knowles

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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2022 repress. Reissue of the legendary 5-track first LP from horn wizard & original underground FM radio DJ Young, featuring soprano sax, clarinet, and electronically-processed bass clarinet. An enjoyable outing from a neglected musician. Cosmic afro mimimal electronic winds recorded in late 1970s San Francisco.

Thankfully, Isophonic Boogie Woogie is as weird and as wacked as all the above business would lead you to believe. Originally released in 1980, Isophonic Boogie Woogie was the first realization of Young's unique version of free jazz music, which he referred to as "Afro spiritual minimal electronic space music" which on closer listening is WAY more spot on... Some of the coolest, weird-est, most far out free jazz we've heard for sure (Aquarius Records)

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Don't You Think It's Time

LP | 1976 | EU | Reissue (Mad About)

25,99 €*

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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First time worldwide reissue on 180 gram vinyl with original 6 pages insert book with lyrics. Cult LP including rare groove classics like “Losing You”, “Don’t You Think It’s Time” or “Love Nevermore” Released in 1976 on Pipeline, a small label from Woodside, California.

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Eddie Marshall

Dance Of The Sun

25,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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7" | 1977 | EU | Reissue (Trad Vibe)

Caribou (Cortex)

Californie

16,99 €*

Akuma Ga Kitarite Fue Wo Fuku

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Trad Vibe Records proudly presents a first-time reissue of Caribou, a side-project of Cortex, originally released in 1977. A great and rare double-sider jazz-funk 7inch, now available as a reissue.

French avantgarde Jazz-Funk pioneers Cortex released three milestone albums during the seventies including the iconic Troupeau Bleu. Their music has been sampled by Hip Hop artists such as MF Doom, Wiz Khalifa, Lupe Fiasco and Rick Ross and as a consequence is still very much alive today.

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Hozan Yamamoto & Yu Imai

LP | 1978 | EU | Reissue (Mr Bongo)

25,99 €*

LP | 1972 | UK | Reissue (Mr Bongo)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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We've got a bit of an obsession with Hozan Yamamoto here at Mr Bongo! A legend of Japanese jazz, he is rightly regarded as a true master and was recognised as a "living national treasure" by the Japanese government in 2002. Over five decades he pushed the genre into new directions, absorbing fusion, funk, spiritual jazz and many other sounds, resulting in a discography studded with gems of rare beauty. Exploring his back catalogue has taken us on an engrossing journey that now sees us reissuing another work from this ground-breaking musician.

Though not translating perfectly into English 'Akuma Ga Kitarite Fue Wo Fuku', (kitarite has not been a modern expression in Japanese) roughly means 'The Devil Comes Playing The Flute' / 'The Devil Is Coming While Blowing The Whistle' or 'Devils Flute’. It is the original soundtrack to Kôsei Saitô’s 1979 mystery and suspense movie, ‘Devil’s Flute’. The film is based on a story by the famous author, Seishi Yokomizo, and is centred around a much-loved fictional Japanese detective, Kosuke Kindaichi. A Japanese Sherlock Holmes that has been popular for generations.

Hozan Yamamoto was invited to compose the soundtrack directly by the producer of the film, Haruki Kadokawa. Mr Kadokawa also hired keyboard player and producer Yu Imai as assistant producer on the project, resulting in a stunning cosmic, breaks and beats-laden, funk, disco soundtrack extravaganza.

When it comes to the soundtrack and the technology of the time, Hozan Yamamoto and Yu Imai got inventive, tripped out, funked up, and experimented, creating a quirky soundtrack masterpiece that needed to be heard more outside of Japan. Differing from the more traditional Japanese music orientation of some of his other albums such as 'Beautiful Bamboo-Flute' (also released on Mr Bongo) the album showcases a number of genres, from lush atmospheric incidental music to disco and funk grooves, experimental nuggets, drum and flute workouts, to neo-classical and more.

A special record that showcases the further depths of this wonderful musician's talents.

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Ian Carr

Belladonna

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Favorite)

Sacbe

Sacbé

21,99 €*

2LP | 1974 | JP | Original (United Artists)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Favorite Recordings presents an exclusive reissue of the first private press eponymous LP by Sacbé, a Mexican Jazz Fusion masterpiece from 1977. Unique and beautifully recorded, with a breezy feel brought by the synthesizers, Sacbé could be likened to what Azymuth was doing at the same time in Brazil. Available as a vinyl-only limited pressing Deluxe Tip-On LP, coming with its original printed innersleeve, remastered by The Carvery. Sacbé was composed of Eugenio (keyboards), Enrique (electric bass) & Fernando Toussaint (drums), three brothers hailing from the huge Mexico city, and their friend and sax player Alejandro Campos. Growing up in a family of musicians, they quickly became familiar with jazz music. However they were mostly self-taught, most of them choosing at first to work and study outside the music industry, but somehow, Eugenio had the opportunity to start studies at the Berklee Music University. Before leaving, he deeply wanted to play jazz with his brothers. That’s how Sacbé was created on a hot day of October 1976. The band then built step by step a challenging repertoire including Chick Corea, Herbie Hancock, Weather Report, Milton Nascimento, Focus, Passport, and many more… Gradually, Eugenio started to compose more tracks, and through a cooperative work of arrangement, Sacbé ended up playing only their own compositions. That was not an easy choice for the band, resulting in a lot fewer opportunities to play in bars and clubs at night, while they were cumulating small jobs during the daytime. But their dedication, tightness, and integrity started to attract a wider audience thanks to their sessions at the Musicafé and helped Sacbé to assert its imprint within Mexico’s creative artistic circles. A group of artists with similar attitudes was created and they began working almost as a team, holding live shows, exhibitions, and dance performances, all with a very unique and creative proposal. It’s at this period that the band met Luis Gil, a young designer and recording engineer, who had access to one of the best studios of the city called Lagab. Recording at nights and weekends for free, the Toussaint brothers had, therefore, the chance to really put their band quite literally under the microscope. With tenacity, they explored all the possibilities of interpretations, structures and improvisations, collaborating with great musicians and finding themselves in the position of being their own producers, despite being only around 20 years old! This album is the result of this perfectionism ethics, shared by everyone involved. “Sacbé” means white road in the Mayan culture, it was the name for the roads connecting the main ceremonial centres with the jungle, made of roughly three feet of coral limestone. They were sacred roads used by high priests and warriors, which echoed the musical path of the three brothers. Putting the pieces together, they managed to create their own label and pressed 1000 copies of their reunited recordings in 1977. The artwork was painted by Enrique, inspired by the work of Le Douanier Rousseau and the Mayan jungle. Hopefully, the LP met some success in Mexico and California, opening many radio and TV doors for them. It was the starting point for a whole career of recordings, with a total of seven albums including various guests.

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Shirley Bassey

Live In Japan

7,99 €*

LP | 1974 | JP | Original (Blue Thumb)

Release: 1974 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with obi.

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Pointer Sisters

The Pointer Sisters

15,99 €*

LP | 1977 | Reissue (Chiaroscuro)

Release: 1974 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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James Mason

Rhythm Of Life

Release: 1977 / Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Sommor)

Catch Up

Volume 1

21,99 €*

Los Conquistadores Chocolates

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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One of the best Jazz-Funk-Fusion albums from the 70s Euro scene, featuring such giants as Charly Antolini (famous for his MPS recordings) on drums, Max Greger jr. on electric piano, Moog, Hammond, Mellotron and Milan Pilar on electric bass. Top notch jamming & soulful funky-jazz sound with some kraut-prog touches, recorded at the legendary Studio 70 in Munich and originally released in 1975 on the Calig label.
Including the rare-groove classic “Onkel Joe” and more.
Original artwork and master tape sound.

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Johnny Hammond

12" | 1975 | US (East End)

13,99 €*

Release: 1975 / US

Genre: Organic Grooves

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The George Benson Collection

George Benson

2LP | 1981 | JP | Original (Warner Bros.)

11,99 €*

Disco Revival - Harlem Nocturne '77

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing, comes with Obi and inserts. Cover has light foxing.

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Sam Taylor

LP | 1976 | JP | Original (Canyon)

9,99 €*

LP | 1975 | JP | Original (A&M)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Carpenters

Horizon

7,99 €*

LP | 1980 | JP | Original (MCA)

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI, with insert.

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Spyro Gyra

Carnaval

LP | 1983 | JP | Reissue (Bearsville)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Randy Vanwarmer

Warmer

8,99 €*

Release: 1983 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Larry Carlton = Larry Carlton

Larry Carlton = 夜の彷徨

LP | 1978 | JP | Original (Warner Bros.)

8,99 €*

LP | 1977 | JP | Original (CBS/Sony)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert.

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Al Di Meola

Elegant Gypsy

LP | 1978 | US | Original (Elektra)

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert.

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Lee Oskar

Before The Rain

3,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1971 | UK | Reissue (Impulse)

Pharoah Sanders

Thembi

32,99 €*

LP | 1986 | JP | Original (A&M)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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The seventh album by spiritual jazz saxophonist Pharoah Sanders, Thembi was released in 1971. Recorded with two different ensembles, the album marked a departure from the slowly developing, side-long, mantra-like grooves Sanders had been pursuing for most of his solo career, and instead offers an intriguingly wide range of relatively concise ideas, making it something of an anomaly in Sanders' prime period. A//Music reviewer Steve Huey gave it a rating of four out of five stars. This would be the last time Sanders recorded with his regular collaborator, pianist and composer Lonnie Liston Smith, who began his experimentation with electric keyboards on this LP. Also featured are violinist Michael White, bassist Cecil McBee, and percussionists Chief Bey, Majid Shabbaz, and Nat Bettis.

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Chuck Mangione

A&M Gold Series

LP | 1973 | JP | Original (MCA)

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+. Japanese pressing without OBI, with insert

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Louis Armstrong

Super Deluxe

2LP | 1974 | JP | Original (RCA)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs.Japanese pressing without OBI, with insert.

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Glenn Miller

Gold Deluxe

LP | 1977 | UK | Original (Warner Bros.)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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George Benson

In Flight

Release: 1977 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1984 | JP | Original (Polydor)

Mezzoforte

Observations

17,99 €*

Guilherme Coutinho E O Grupo Stalo

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM

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LP | 1978 | UK | Reissue (Mr Bongo)

29,99 €*

Ruben Rada & Eduardo Mateo

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album. Blending lo-fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection.

It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7” singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away from the music industry hubs of Rio de Janeiro and São Paulo, making this record insanely difficult to find, even in Brazil. Added to the scarcity factor is the magical nature of the recording, which has naturally resulted in a hefty price tag to match. Original copies have become a prized, collector’s item.

The elusive Brazilian band leader and keyboard player, Guilherme Coutinho is a true cult artist. He passed away in 1983, at the age of just 41, and during his career he only seems to have appeared on a handful of marvellous records, which makes them all the more special. This album feels individualistic and distinctive from other albums of the day. Listening back to vocalist Elinho’s (aka Hélio Rubens de Oliveira) delivery, it sounds not too dissimilar to some of Belle & Sebastian’s songs. ‘Guilherme Coutinho E O Grupo Stalo’ is rich in charm, quirky and playful. It feels cinematic, soothing and benefits from being heard in its entirety. A proper album experience.

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Botija De Mi Pais

LP | 1987 | EU | Reissue (Little Butterfly)

Ryo Kawasaki & The Golden Dragon

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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Recorded between 1985 and 1987, this album brings together the two founders and leading performers of candombe-beat, Ruben Rada and Eduardo Mateo. They hadn´t collaborated in a project since 1969. Both artists had reached their creative prime, with Mateo having released “Cuerpo y Alma” and Rada, “La yapla mata” (which included the classic song ‘Tengo un candombe para Gardel’). 140 gram vinyl with OBI & Insert This initiative sprang from the artists themselves. But when it was time to create, they rarely got together in the studio, preferring to work on their own. Once finished, the album failed to make an impact, since neither of them promoted it. This revival brings that semi-hidden treasure to light. It includes two tracks of the artists strictly performing a duet, the only recordings of Mateo and Rada working alongside each other and no one else. It also contains two additional tracks where you can relish Rada accompanied by Mateo’s guitar and Mateo backed by Rada’s percussion. It includes a track where Mateo commands the instruments (as in Mateo solo bien se lame) and another with Rada’s solo on vocals and percussion. There are instances when Rada’s band of that moment and “super-group” (with Osvaldo Nolé on keyboards, Ricardo Lew on electric guitar, Urbano on the bass and Osvaldo Fattoruso on drums), makes an appearance. Sometimes, Urbano comes forth as lead singer, completing the triad of singers of “El Kinto”. All excellent songs. This album is exceptional and one-of-a-kind, an overflow of talent, musicality, swing, imagination, rhythm, spark, and transcendence. Guilherme de Alencar Pinto

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Little Tree

LP | 1980 | EU | Reissue (Studio Mule)

LP | 1971 | US | Reissue (Kudu)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Japanese legendary jazz guitarist “ryo kawasaki”,some of his famous works are like mellow jazz fusion masterpiece “tarika blue”,dance jazz classic “trinkets&things”,cosmic new wave jazz “lucky lady”.

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Johnny Hammond

Breakout

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (CTI)

Freddie Hubbard

Straight Life

Release: 1971 / US – Reissue

Genre: Organic Grooves

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If You're Ready Come Go With Me

Jimmy McGriff

LP | 1974 | US | Reissue (Groove Merchant)

18,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Groove Merchant)

O’Donel Levy

Breeding Of Mind

15,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Plays The Music Of Jimi Hendrix

Gil Evans

LP | 1974 | US | Reissue (RCA)

16,99 €*

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1983 | EU | Reissue (Studio Mule)

Shinsuke Honda

Silence

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Sammy Burdson, Klaus Weiss & Larry Robb

Dramatic Tempi / Larry Robbins Background

LP | 1975 | EU | Reissue (Be With)

LP | 1974 | IT | Reissue (Four Flies)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Alessandro Alessandroni

Spontaneous

27,99 €*

LP | 1972 | EU | Reissue (Be With)

Release: 1974 / IT – Reissue

Genre: Organic Grooves

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Maybe the best Alessandroni’s album ever. A true holy-grail for any collector and worldwide music lover, which we can consider nowadays as the most sought-after record of the whole legendary RCA SP 10000 series, and as the rarest album from the king of Italian libraries.
Jazz, mellow-funk, downtempo breaks, and incredible rock blends, make this record a refined portrait of the 70’s American way of life, viewed through the fully Italian lens of Alessandroni’s sensitivity.
The magic around Spontaneous is that this album is not only beautiful and astonishing, but is certainly on of those amazing records to which time gives new life and freshness, making it sounds unbelievably contemporary.
After five years of exhausting research, and three years later the finding of the original master tapes of the album, finally Four Flies can give a light to this obscure and fascinating mystery, rescuing it from the darkness. It’s not just another piece of Alessandroni’s legacy that is finally put back in the right place. This should be considered as the definitive act to re-estabilsh Alessandroni's leadership into the library music scene, and beyond.
Available again from July 19, coming in 180gr black vinyl, housed in a hard tip-on sleeve cover.
Limited Edition 500 copies

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John Cameron

Jazzrock

LP | 1976 | EU | Reissue (We Release Jazz)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A Dramatic Suite Of Themes, Montage, Sequences And Generics. We say: An enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Ryo Fukui

Scenery

LP | 1975 | US | Reissue (Craft)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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This is the Standard Edition, mastered at half speed, 140g vinyl and Sticker. We Release Jazz (WRWTFWW Records’ new sister-label) is proud to present its first release, the official reissue of Ryo Fukui’s highly sought-after masterpiece Scenery (1976), sourced from the original masters.

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Johnny Hammond

Gears

37,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Pierre-Alain Dahan & Slim Pezin

Neo Rythmiques

LP | 1976 | Reissue (Be With)

27,99 €*

Blues And The Soulful Truth

Release: 1976 / Reissue

Genre: Organic Grooves

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Pierre-Alain Dahan & Slim Pezin's Neo Rythmiques is an absolute KILLER Tele Music library classic from 1976. It's absolutely sensational throughout, all scorching, uptempo jazzy soul funk that Mr James Brown himself would've been envious of. This is serious business with breaks for days. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet. With Neo Rhythmiques, he's joined by his eternal guitar colleague Slim Pezin (Voyage, Manu Dibango, Nino Ferrer), so you know this Be With reissue is fundamentally vital.

Opener "Soul Car" is a swaggering, horn-drenched jazz-funk beast whilst the slick JBs funk of "Happy Penalty" is just plain irresistible. Definitely influenced by American funk flavours, it stands alone on its own right as a brilliant piece of music, no question about that. The blazing "Kuzi-Kuza" is again horn-fuelled but has a more exotic, Latino feel, all loose grooves and bastard blues with funky organ and shredding guitars. The stomping, proto-disco of "Mercy Boa" is a guitar-sizzled Bohannon-esque hypno-groove for adventurous dance floors the world over. Outstanding. And if all that wasn't enough from one half of a 70s French library LP, the A side ends with the monumental, stratospheric "Slim Bertha"! I mean, what can you even say about this absolute monster?! Slo-motion, deep drama funk breaks with jazzy guitar and gleaming percussion. Just sensational.

Side B opens with "Country + Country", a rather forgettable slice of piano driven bluegrass funk (?!) Aaaaannyway, "Super Airship" follows and is a driving fuzz-guitar psych-rock workout of the highest order. We're back on track now. The brilliantly titled "Electronic Mutation" is a total highlight, the funk most definitely returning and, indeed, strong in this one with its deep clean breaks (with some particularly ace hi-hats), echoey effects and funky clavs. "Africa Semper" follows, all funky percussion, trippy echo and distorted, psychy guitar licks. To close out the set, "Neo Rythmiques 1 and 2" form a great salvo of top-tier, percussion-heavy synthy-funk-fusion. For our money, the bugged-out echoey space-soul of "N° 2" just about edges it.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member - alongside his partner here, Slim Pezin - in the legendary Arpadys, Disco & Co and Voyage. Dahan also featured in Tumblack (with Wally Badarou, Sauveur Mallia et al) and Jef Gilson Septet (alongside Henri Texier), whilst the CCCP Pezin backed, among others, Manu Dibango and Nino Ferrer. Some pedigree.

The audio for Neo Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Leon Thomas

LP | 1972 | UK | Reissue (BGP / Flying Dutchman)

LP | 1973 | JP | Reissue (CTI)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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The title of Thomas’s third album for Bob Thiele’s Flying Dutchman referenced Oliver Nelson’s classic 1961 LP “The Blues and the Abstract Truth”. Released in 1972, “Blues And The Soulful Truth” featured an expansive all-star band that included Pretty Purdie (drums), Stanley Clarke (bass), Cecil Payne (Baritone sax) and the unsung Neal Creque (keyboards). It’s a soul meets jazz meets the blues masterpiece with arrangements from ex-James Brown horn-man Pee Wee Ellis.

This astounding album features the extraordinary ‘Shape Your Mind To Die’, ‘l-o-v-e’, a captivating vocal version of Gabor Szabo’s ‘Gypsy Queen’, the compelling ‘Love Each Other’, the plaintive ‘China Doll’ and a driving version of John Lee Hooker’s ‘Boom-Boom-Boom’.

Pressed on 180gm vinyl we have remained faithful to the original pressing, replicating the Flying Dutchman label style and gatefold sleeve.

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Eumir Deodato

Deodato 2

20,99 €*

LP | 1984 | JP | Original (Arista)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing without OBI. close to NM. 1978 reissue.

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Barry Manilow

2:00 AM Paradise Cafe

LP | 1977 | JP | Original (A&M)

Release: 1984 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Chuck Mangione

Feels So Good

20,99 €*

LP | 1973 | JP | Reissue (CTI)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

No obi. vinyl is Close to VG+

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Eumir Deodato

Prelude

18,99 €*

LP | 1978 | JP | Original (CBS/Sony)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. No obi. 1978 reissue.

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Billy Joel

52nd Street

Guilherme Coutinho E O Grupo Stalo

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing. With OBI and insert. Tiny corner wear.

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LP | 1978 | EU | Reissue (Mad About)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 1982 | JP | Original (Polydor)

Shakatak

Night Birds

LP | 1978 | JP | Reissue (A&M)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing with OBI!

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Neil Larsen

Jungle Fever

LP | 1972 | JP | Original (Crown)

Release: 1978 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

OBI is missing. tiny wear. Japanese reissue from 1982.

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Sam Taylor

Niji O Watatte

6,99 €*

LP | 1976 | JP | Original (Canyon)

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing. With OBI. Tear in spine.

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Sam Taylor

北の宿から

3,99 €*

LP | 1977 | JP | Original (United Artists)

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI.

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Shirley Bassey

Thoughts Of Love

Carlos Santana, John McLaughlin

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. Japanese pressing.

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Love Devotion Surrender

LP | 1973 | JP | Original (CBS/Sony)

11,99 €*

Caravelli And His Magnificent Strings

Release: 1973 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI, with insert.

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New Gold Disc

LP | 1975 | JP | Original (Epic)

6,99 €*

LP | 1982 | JP | Reissue (A&M)

Release: 1975 / JP – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM

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Neil Larsen

High Gear

Mr.Drum & His Friends With Strings

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. 1982 reissue. Few paper scuffs. OBI is missing.

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Drums Big Hits 16

LP | 1971 | JP | Original (Columbia)

16,99 €*

John Lewis With Hank Jones

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing. OBI is missing. Close to VG+.

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Live In Tokyo

LP | 1978 | JP | Original (Trio)

LP | 1974 | JP | Original (Vogue)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Japanese pressing. Tiny wear. OBI is missing.

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Clifford Brown

Paris Collection Vol. 1

17,99 €*

LP | 1978 | JP | Original (Musik Produktion Schwarzwald)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing. Seam split.

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Eugen Cicero

Swinging Tschaikowsky

11,99 €*

Ironside (Theme From "Ironside" NBC TV) / Superstition

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI.

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Quincy Jones

12" | 1978 | JP | Original (A&M)

21,99 €*

2LP | 1980 | JP | Original (Trio)

Release: 1978 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

close to NM. Japanese pressing. OBI is missing.

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Carmen McRae

I'm Coming Home Again

12" | 1978 | JP | Original (Blue Note)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear. Japanese pressing. OBI is missing

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Earl Klugh

Magic In Your Eyes

9,99 €*

Karin Krog - Archie Shepp

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI.

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Hi-Fly

LP | 1976 | JP | Reissue (Polydor)

Golden Series Vol.5 - Cachito

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. Tiny wear. With OBI and insert. 1988 reissue.

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Nat King Cole

LP | 1975 | JP | Original (Capitol)

6,99 €*

2LP | 1977 | JP | Original (CBS/Sony)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. Red vinyl.

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Herbie Hancock

V.S.O.P.

26,99 €*

Jazz Vocal Best Selection

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Without OBI. Few paper scuffs.

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V.A.

LP | 1984 | JP | Original (Mercury)

LP | 1975 | JP | Original (A&M)

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With insert. close to NM

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Carpenters

Horizon

9,99 €*

LP | 1981 | EU | Reissue (Mad About)

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With original plastic sleeve. close to NM

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Grupo Medusa

The Manhattan Transfer = The Manhattan Transfer

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Grupo Medusa was one of the best instrumental bands in Brazil during the 70s and 80s, blending Jazz, African Influences, and traditional Brazilian Rhythms. Formed By Chico Medori, Claudio Bertrami, Amilson Godoy and Heraldo do Monte. Original release in 1981, reissued for the first time Worldwide.

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The Best Of The Manhattan Transfer = ベスト・オブマンハッタン・トランスファー

LP | 1981 | JP | Original (Atlantic)

4,99 €*

Philippe Maté / Jef Gilson

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Cover closer to VG+

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Workshop

LP | 1973 | EU | Reissue (Souffle Continu)

26,99 €*

LP | 1982 | JP | Original (JVC)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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In October 1974, the first number of “L'Indépendant du Jazz”, a small self-produced magazine DIY -before punk supposedly invented the concept- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiau and a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté : “The ‘Workshop’ is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely ‘the’ most inventive French saxophonist since Michel Portal burst onto the jazz scene (who has also worked with Jef Gilson on both “Enfin” and “Gaveau”).” Even though the author of the article is a mysterious I.H. Dubiniou, and it is difficult to know if it is a real person or a pseudonym used by one of the merry bunch, it is also tempting to hear it as what Jef Gilson really thought about his new discovery. Even more so as the two men would work together over a long period, as Maté became one of the key figures of Gilson’s Europamerica orchestra up until the 1980s. Philippe Maté had started to make a name for himself with the Acting Trio when they released an album on the BYG label in 1969, and he was also one of the regular sidemen for the Saravah studios (he can notably be heard on albums by Higelin, Fontaine or his cult duo album with Daniel Vallancien). The album was recorded on 4 February 1972, at the Foyer de Montorgueuil, where Gilson had set up his studio, with more or less the same team found on “La Marche Dans Le Désert” by Sahib Shihab + Gilson Unit (recorded ten days later). This was drummer Jean-Claude Pourtier and pianist Pierre Moret (regular Gilson accomplices since “Le Massacre Du Printemps”), alongside Maurice Bouhana and Bruno Di Gioa on various percussions and/or wind instruments. On bass is Didier Levallet, of the now mythical Perception, (Jean-François Catoire would replace him with Shihab) and Philippe Maté who took top billing, rather than the American saxophonist afterwards. The two albums are however quite different. This “Workshop” is more abrasive, more free. Made up of two long improvisations each of over 22mn, “L'Œil” on side A and “Vision” on side B (Gilson specialists would recognise the nod to one of his albums from the 60s), the album plunges you into the depths, attempting to drown you in electronic waves, dragging you back to the surface by the collar, giving you a good shakedown, before showing you the light, leaving you breathless on the shore after 46mn of the most intense music French has to offer. “An undeniable success”, they said.

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Eric Gale

Blue Horizon

LP | 1974 | UK | Original (Island)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI. Copy close to VG+

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Traffic

When The Eagle Flies

O Primeiro Amor Blue Vinyl Edition

Release: 1974 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve.

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Hazel Scott

7" | 1973 | EU | Reissue (Groovie)

LP | 1980 | Reissue (Sonorama)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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History has proven that the recording industry allows more than one artist or band with the same name, and the least successful isn’t always the less talented. Take the case of British Nirvana and American Psychedelic band Genesis, or even the Jazz projects like the Americans Air and Marc Moulin’s Placebo from Belgium.

The coincidence in the name Hazel Scott with the popular Trinidadian pianist from the New York jazz clubs scene did not bring any disadvantages to this English singer who traveled the world spreading her love for the music of Brazil.

It cames with 8 pages booklet, photos and postcard

Killer tracks for the dance floor!

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Fitz Gore

Soundmusication

Release: 1980 / Reissue

Genre: Organic Grooves

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LP | 1971 | US | Original (Mainstream)

Stan Hope

10,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1984 | JP | Original (Atlantic)

The Manhattan Transfer

Bop Doo-Wopp

Sextet: Music From The Source

Release: 1984 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. with OBI and inserts. Cover and vinyl are close to NM.

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Cecil McBee

LP | 1978 | UK | Reissue (Pure Pleasure)

Shamek Farrah & Sonelius Smith

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Recording with a sextet at the New York jazz club Sweet Basil in August 1977, McBee’s band included Chico Freeman on reeds, Dennis Moorman on piano, Joe Gardner on trumpet, Steve McCall on drums, and Famoudou Don Moye on percussion. Two complete albums of music were released by Enja Records from this engagement, the ground breaking recordings "Music From The Source" [1978] and "Compassion" [1979]. »Few groups today sound as fresh, generate as high an emotional charge, or leave as lasting an impression as McBee’s sextet,« Chris Albertson wrote upon the release of these recordings. »It is as if each member were a unique piece of a puzzle, carefully placed to complete precisely the breath taking picture intended. The music is adventurous enough to satisfy any aural daredevil who has not completely lost his or her sense of beauty, yet all the basic jazz values have been preserved with due reverence.«

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The World Of The Children

LP | 1977 | UK | Reissue (Pure Pleasure)