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Reset all Filters Vinyl No Used Vinyl 1970 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 Stocked Items Only
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Letta Mbulu - There's Music In The Air Blue Vinyl Edtion
Letta Mbulu
There's Music In The Air Blue Vinyl Edtion
LP | 1976 | EU (Future Shock)
19,99 €*
Release: 1976 / EU
Genre: Organic Grooves
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Letta Mbulu was lucky when she emigrated from South Africa, where blacks were troubled and ridiculed by the Apartheid system. She was lucky to rescue a recording deal with A&M records, and even the label's founder, Herb Albert, produced the record, Johnny Mandel did the orchestrations, and Quincy Jones wrote the liner notes. However, it wasn't only luck - Letta Mbulu's talents as a singer are such that they couldn't be overheard. Her husband, Caiphus Semenya, also from South Africa and a musician, helped her throughout. There's Music in the Air from 1976 features songs varying in tempos and moods and languages, and there's a mellow aura of purity and peace, almost innocence, that captures the listener.
Alice Coltrane - Africa - Live At The Carnegie Hall 1971
Alice Coltrane
Africa - Live At The Carnegie Hall 1971
LP | 1972 | UK (Alternative Fox)
19,99 €*
Release: 1972 / UK
Genre: Organic Grooves
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The musician and spiritual seeker Alice Coltrane was much more than just John Coltrane’s second wife. One of the few harpists to feature prominently in jazz, she was also a renowned pianist and composer and her interest in spiritual matters greatly helped steer her husband deeper into Krishna consciousness, which had significant bearing on his music, most notably evident on A Love Supreme. This mesmerising performance, held at Carnegie Hall four years after John’s untimely passing as part of a benefit event for Swami Satchidananda's Integral Yoga Institute, comprised a stunning and largely improvised rendition of Coltrane’s “Africa,” with Alice’s subtle piano and harp expressions excellently framed by the wailing saxes of Pharaoh Sanders and Archie Shepp, Cecil McBee and Jimmy Garrison trading non-standard bass lines, a dual drum onslaught from Clifford Jarvis and Ed Blackwell, along with members of the Institute on harmonium and tamboura.
Walt Dickerson - Unity
Walt Dickerson
Unity
LP | 1978 | US | Reissue (Chiaroscurio)
15,99 €*
Release: 1978 / US – Reissue
Genre: Organic Grooves
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Dexter Wansel - Voyager
Dexter Wansel
Voyager
LP | 1978 | US | Reissue (Philadelphia)
18,99 €*
Release: 1978 / US – Reissue
Genre: Organic Grooves
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Azymuth - Tightrope Walker
Azymuth
Tightrope Walker
LP | 1986 | US | Original (Milestone)
14,99 €*
Release: 1986 / US – Original
Genre: Organic Grooves
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Lester Bowie - Fast Last
Lester Bowie
Fast Last
LP | 1974 | US | Reissue (Muse)
19,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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Jimmy McGriff, Lucky Thompson & O'donel Levy - Friday The 13th Cook County Jail
Jimmy McGriff, Lucky Thompson & O'donel Levy
Friday The 13th Cook County Jail
LP | 1973 | US | Reissue (Groove Merchant)
16,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Airto - Free
Airto
Free
LP | 1972 | US | Reissue (CTI)
15,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Larry Nozero - Time
Larry Nozero
Time
2LP | 1975 | EU | Reissue (BBE Music)
35,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Tsuyoshi Yamamoto - Misty
Tsuyoshi Yamamoto
Misty
LP | 1974 | JP | Reissue (Sony Music Japan)
59,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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The second release by Tsuyoshi Yamamoto, one of the most popular works on the TBM label. A definitive disc by a Japanese piano trio, packed with lyricism, powerful swing and a variety of other jazz delights! (From series supervisor Koki Hanawa).

Remastered and cut by Bernie Grundman. Includes original reissue liner notes.
Shinsuke Honda - Silence
Shinsuke Honda
Silence
LP | 1983 | EU | Reissue (Studio Mule)
28,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves
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Miles Davis - The Man With The Horn
Miles Davis
The Man With The Horn
LP | 1981 | US | Reissue (Get On Down)
18,99 €*
Release: 1981 / US – Reissue
Genre: Organic Grooves
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Karma Moffett - Chomolhari
Karma Moffett
Chomolhari
12" | 1984 | CA | Reissue (Morning Trip)
33,99 €*
Release: 1984 / CA – Reissue
Genre: Organic Grooves, Electronic & Dance
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On 1984's Chomolhari, new age pioneer Karma Moffett eschews the arsenal of Tibetan bells and resonant singing bowls, which he usually uses to conjure his healing ambient works. Instead, he opts for the shimmering arpeggiation and gentle glissando of the Moog synthesizer. With this aural palette, he soundtracks a rich inner voyage of peace and reflection. Bookended by the calming drone of the Tibetan longhorn, the trip to Chomolhari and back is one worth taking again and again.

Karma Moffett reminisces: “Chomolhari. Bhutan’s deeply venerated guardian peak. While living in San Francisco, I wandered into the first Tibet Shop in the city. I met Dorje Lama, the creator.He became my good friend and guide, and introduced me to His Holiness the Dalai Lama, the 16th Gyalwa Karmapa, the venerable Kalu Rinpoche, and Tai Situ Rinpoche. He opened the door to the path of an inspired and enlightened journey for me. After reading ‘Seven Years in Tibet’, I created ‘Chomolhari’ as a mystical journey to the higher planes of the majestic mountains. Dorje would say: ‘The wildest dreams of the Americas are the facts of Tibet.
Jacques Thollot - Watch Devil Go
Jacques Thollot
Watch Devil Go
LP | 1975 | EU | Reissue (Souffle Continu)
25,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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To write these few lines, we spoke to saxophonist François Jeanneau, an old friend of Jacques Thollot who also played on several of his albums, including the “Watch Devil Go” which interests us here. He told us a story which, according to him, sums up the personality of Thollot. A noted studio had reserved three days for a Thollot recording session. The first morning was devoted to sound checks and putting some order in the score sheets which Jacques would hand out in a somewhat anarchic manner. Then everyone went for lunch. When the musicians returned to the studio, Thollot had disappeared. He wasn’t seen again for the three days. When he reappeared, he had already forgotten why he had left, The music of Jacques Thollot is in the image of its’ author: it takes you somewhere, suddenly escapes and disappears, returning in an unexpected place as if nothing had happened.

Four years after a first album on the Futura label in 1971, Jacques Thollot returned, this time on the Palm label of Jef Gilson, still with just as much surrealist poetry in his jazz. In thirty-five minutes and a few seconds, the French composer and drummer, who had been on the scene since he was thirteen, established himself as a link between Arnold Schoenberg and Don Cherry. Resistant to any imposed framework and always excessive, Thollot allows himself to do anything and everything: suspended time of an extraordinary delicacy, a stealthy explosion of the brass section, hallucinatory improvisation of the synthesisers, tight writing, teetering on the classical, and in the middle of all that, a hit; the title-track - that Madlib would one day end up hearing and sampling.

“Watch Devil Go” was in the right place in the Palm catalogue, which welcomed the cream of the French avant-garde in the 70s. But it is also the story of a long friendship between two men. Jacques Thollot and Jef Gilson had known and respected one another for a long time. Though barely sixteen years old, Thollot was already on drums on the first albums by Gilson starting in 1963 and would play in his big band (alongside François Jeanneau once again), ‘Europamerica’, until the end of the 70s.

In a career lasting half a century and centred on freedom Jacques Thollot played with the most important experimental musicians (Don Cherry, Sonny Sharrock, Michel Roques, Barney Wilen, Steve Lacy, François Tusques, Michel Portal, Jac Berrocal, Noël Akchoté...) and they all heard in him a pulsation coming from another world. (Jérôme "Kalcha" Simonneau)
Cortex - Medley
Cortex
Medley
12" | 1979 | EU | Reissue (Trad Vibe)
14,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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The first reissue of the famous and long-awaited "Medley Maxi 45" by Cortex. Originally released in 1979, this Medley is the perfect tool for DJs (Already played by MCDE at We Love Green Festival as the Final track…).
On B side the “Mary & Jeff (Fender Rhodes Version 77)” was released in 2010 on a very limited 7inch (TV003).
Never republished! Remastered from original tape by Trad Vibe records.
Azymuth - Aguia Nao Come Mosca
Azymuth
Aguia Nao Come Mosca
LP | 1977 | EU | Reissue (Mr Bongo)
22,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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Golden-era, 1977, Brazilian jazz-funk-fusion album from the legendary Azymuth.
Lush Rhodes, soaring synths and fusion guitars from Malheiros and
Bertrami combine with the inimitable drum grooves from Ivan “Mamao” Conti that create the signature Azymuth sound.
The album moves from mellow soulful moods, into screaming disco-jazz-fusion, samba funk, synth boogie and ends with a tough 160bpm Batucada workout.
This is actually the first Azymuth album that we have released on Mr Bongo, which came as a surprise to us too.
Official Mr Bongo reissue. Licensed from Warner Music.
Dave Holland Quartet - Conference Of The Birds
Dave Holland Quartet
Conference Of The Birds
LP | 1973 | EU | Reissue (ECM)
25,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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This was Dave Holland's first album as a full-fledged leader. An album of driving, progressive jazz, it is also of historical significance as the only occasion when Rivers and Braxton, two of the music's most strikingly original saxophonists, recorded together. This summit meeting received raves from the press.
Miles Davis - Agharta
Miles Davis
Agharta
2LP | 1975 | EU | Reissue (Music On Vinyl)
33,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey's innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

180g vinyl.
Herbie Hancock - Secrets
Herbie Hancock
Secrets
LP | 1976 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Secrets (1976) is a Jazz-Funk fusion album by acclaimed keyboard player Herbie Hancock. Following up on his previous album Man-Child, the album again features Paul Jackson on bass, and reedist Bennie Maupin continued to provide most of the solos alongside Hancock.

180g vinyl.
Lonnie Smith - Funk Reaction
Lonnie Smith
Funk Reaction
LP | 1977 | Reissue (Mr Bongo)
23,99 €*
Release: 1977 / Reissue
Genre: Organic Grooves
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Donald Byrd - Electric Byrd Opaque Turquoise Blue Vinyl Edition
Donald Byrd
Electric Byrd Opaque Turquoise Blue Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
49,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Sphere - Inside Ourselves
Sphere
Inside Ourselves
2LP | 1970 | UK | Reissue (BBE)
44,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Recorded live on June 28th, 1970 at the Detroit Institute of Arts, ‘Inside Ourselves’ features John Dana on bass, Jimmy Peluso on Drums, Keith Vreeland on, Electric Piano, Eddie Nuccilli on Trumpet and Flügelhorn, plus bandleader Larry Nozero on tenor and soprano Saxophone. The album comprises seven captivating original compositions, written by Vreeland, Nuccilli and Nozero himself.

Perhaps Larry Nozero’s single most-recognisable contribution to popular music is the soprano sax solo on Marvin Gaye’s seminal, ‘What’s Going On’, the title track and tone-setter for one of soul music’s most successful, not to mention conceptual, recordings.

Like so many talented reedmen before him, Nozero received instruction from Detroit’s Teal School of Music, creating common ground with Yusef Lateef, Joe Henderson, and Benny Maupin. Although Nozero flirted with the Strata groundlings briefly in 1964 as a member of Charles Moore’s Detroit Contemporary 5, he was soon drafted into the military.

A mixed blessing, Nozero took full advantage of the opportunities within the Army Band, which led to several high-profile jobs upon his return to Detroit. Despite lengthy engagements with Henry Mancini, Sergio Mendes, and studio work with everyone from Holland-Dozier Holland to Berry Gordy, Nozero still relished musical freedom of expression, which made him right at home on the Strata roster.

While little is known about Sphere as a standalone group aside from its contributors and producer Bud Spangler, ‘Inside Ourselves’ represents the level of quality jazz expected from the Strata imprint.
Ben Webster - In Hot House White Vinyl Edition
Ben Webster
In Hot House White Vinyl Edition
LP | 1972 | US | Reissue (Tidal Waves Music)
19,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game. Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember). Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.
Khan Jamal's Creative Arts Ensemble - Drum Dance To The Motherland
Khan Jamal's Creative Arts Ensemble
Drum Dance To The Motherland
LP | 1973 | EU | Reissue (Aguirre)
25,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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There’s not another album on the planet that sounds even remotely like vibraphonist Khan Jamal’s eccentric, one-of-a-kind masterpiece, Drum Dance To The Motherland. Thirty years after its release, the album’s tapestry of sound, fearless abstractions, relentless grooves, cool swing, flashes of ecstasy, & pan cultural embrace remain powerful & beyond category. One of only three albums released on the Philadelphia-based Dogtown label, it was barely distributed beyond the city’s limits when it came out in the early ‘70s.

Finally available again, a really stunning document of musical exploration, a classic session. In its improbable fusion of free jazz expressionism, black psychedelia, & full-on dub production techniques, Drum Dance remains a bracingly powerful outsider statement fifty years after it was recorded live at the Catacombs Club in Philadelphia, 1972. Comparisons to Sun Ra, King Tubby, Phil Cohran & BYG/Actuel merely hint at the cosmic otherness conjured by The Khan Jamal Creative Arts Ensemble & by sound engineer Mario Falana's real-time enhancements.

Clearly, the members of the Khan Jamal Creative Arts Ensemble saw African American music as a continuum that stretched from the Motherland through the blues, R&B, jazz, & free jazz, & they prided themselves on mastering the continuum. In the early ‘70s, these were fairly new ideas, but they had taken firm root in Philadelphia. The search for an African American music that is modern & culturally progressive but rooted in an African tradition is the music’s heart & soul. Its connection to the specific African American community in Philadelphia is its immediate inspiration. “My ancestors eventually show up in my music every time i play,” Jamal says. “I’ve always said that my backyard is Africa.”

Originally issued by Jamal in 1973 in an edition of three hundred copies on ‘Dogtown’ records, Drum Dance To The Motherland was effectively a myth until eremite’s 2005 CD reissue. With the master tapes long vanished, the audio was transferred at Sony Music's 54th street studio from a minty copy of the original LP. Includes an insert with Ed Hazell's detailed telling of Drum Dance's incredible history. Under License From Eremite Records.
Alphonse Mouzon - By All Means
Alphonse Mouzon
By All Means
LP | 1980 | EU | Reissue (Musik Produktion Schwarzwald)
24,99 €*
Release: 1980 / EU – Reissue
Genre: Organic Grooves
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Boillat Therace Quintet - Boillat Therace Quintet
Boillat Therace Quintet
Boillat Therace Quintet
LP | 1974 | EU | Reissue (We Release Jazz)
23,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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Swiss jazz bliss! We Release Jazz is very, very, Very happy to present its sixth release (following Ryo Fukui’s Scenery and Mellow Dream, Le Cercle Rouge’s soundtrack by Eric Demarsan, Stuff Combe 5 + Percussion, and Marc Moulin’s Placebo Live 1971) coming straight from its beloved hometown of Geneva. Boillat Thérace Quintet’s self-titled album is available for the first time since its original limited private pressing in 1974. Full of prolific and inspired local clusters and boosted by the recently launched Montreux Jazz Festival, the Swiss jazz scene was vibrant and inventive in the 1970s, notably in the region surrounding Lake Geneva. This is precisely where jazz activist and brilliant pianist Jean-François Boillat and wind instrument master Raymond Thérace formed their quintet whose dazzling debut album was recorded in 1974.
Black Artists Group - In Paris, Aries 1973
Black Artists Group
In Paris, Aries 1973
LP | 1973 | EU | Reissue (Aguirre)
23,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Outstanding free jazz session recorded in 1973 in Paris by Chicago outfit BAG. It was Lester Bowie, trumpeter with the Art Ensemble of Chicago, who suggested that the Black Artists’ Group (BAG) should head for Paris. In 1972 several members of BAG took his advice and flew to France for an extended stay. The following year a concert featuring saxophonist Oliver Lake, trumpeters Baikida Carroll and Floyd LeFlore, drummer Charles Bobo Shaw and trombonist Joseph Bowie (Lester’s younger brother) was recorded and subsequently issued as In Paris, Aries 1973, a strictly limited edition LP on the group’s own label. Since the formation of Black Artists’ Group in 1968, the home of this multidisciplinary arts collective had been St Louis, Missouri, the city where the Bowie brothers had grown up. It was there that Lester Bowie had started to investigate the expanding horizons of jazz before moving, in 1966, to Chicago where he joined the recently established Association for the Advancement of Creative Musicians (AACM). His close friend Oliver Lake visited Bowie, attended AACM concerts and meetings and was inspired not only by their artistic vision and integrity but also by their efficient organisation. In Chicago musicians were making things happen for themselves, taking control of their own destinies and giving shape to their lives as creative artists.
Francis Coppieters - Piano Viberations
Francis Coppieters
Piano Viberations
LP | 1975 | UK | Reissue (Be With)
24,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Piano Viberations’ “small group jazz featuring piano and vibes with rhythm” makes for a gorgeous Francis Coppieters showcase, surely one of Belgium’s best-kept musical secrets. Released in 1975, and arguably the most low-key of the KPM and Themes records we’re re-issuing, this is easily our current favourite.

“The Open Highway” is the appropriately-named opener, and immediately demonstrates Coppieters’ dexterous interplay between piano and vibes in assured, joyous fashion. The shuffling bossa of “Sales Notes” is a jaw-dropper, well-mined by samplers with impeccable taste. The mellow head-nod drum-break that is “Funky Chimes” brilliantly demonstrates Coppieters’ quiet majestic side with its slow-motion funk rhythm with beautifully reflective notes throughout.

The upbeat and joyful “Cross Talk” closes out side A. Vibes and piano are definitely at the heart of the arrangement here. The quick cut movement of “Piano In Transit” is another gem, driven principally by piano but those vibes along for more than just the ride. On a more gentle, elegiac note, “To Shearing With Love” is a warm, slow, romantic piece in the style of George Shearing. It’s plaintive and sublime.

Piano Viberations is one of those rare library records the original description of which makes as much sense now as it did when it was first released. Piano and vibes with rhythm indeed.

As with all ten re-issues, the audio for Piano Viberations comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
Wojciech Karolak - Easy! Black Vinyl Edition
Wojciech Karolak
Easy! Black Vinyl Edition
LP | 1975 | EU | Reissue (Warner)
26,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Lonnie Liston Smith & The Cosmic Echoes - Reflections Of A Golden Dream
Lonnie Liston Smith & The Cosmic Echoes
Reflections Of A Golden Dream
LP | 1976 | UK | Reissue (BGP)
24,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
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Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album 'Expansions' is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis. Released in 1976,"Reflections On A Golden Dream", the follow-up to "Expansions", was his fifth album for Flying Dutchman and featured the core band of the Cosmic Echoes, including his brother Donald Smith, David Hubbard and Wilby Fletcher. As for the music, this album is a classic, with the funky 'Get Down Everybody (It's Time For World Peace)', the reflective 'Quiet Dawn' and 'Meditations' and the sumptuous 'Beautiful Woman'. "Reflections Of A Golden Dream" was also the first of Lonnie's albums to feature his own vocals. It's a lost classic everyone should own.
Rigol / The Blue Sharks - Itinerario Beat Limited Clear Blue Vinyl Edition
Rigol / The Blue Sharks
Itinerario Beat Limited Clear Blue Vinyl Edition
LP | 1973 | EU | Reissue (Redi)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Gino Marinacci - Atom Flower's
Gino Marinacci
Atom Flower's
LP | 1972 | EU | Reissue (Right Tempo)
28,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Sacbe - Sacbé
Sacbe
Sacbé
LP | 1977 | EU | Reissue (Favorite)
21,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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Favorite Recordings presents an exclusive reissue of the first private press eponymous LP by Sacbé, a Mexican Jazz Fusion masterpiece from 1977. Unique and beautifully recorded, with a breezy feel brought by the synthesizers, Sacbé could be likened to what Azymuth was doing at the same time in Brazil. Available as a vinyl-only limited pressing Deluxe Tip-On LP, coming with its original printed innersleeve, remastered by The Carvery. Sacbé was composed of Eugenio (keyboards), Enrique (electric bass) & Fernando Toussaint (drums), three brothers hailing from the huge Mexico city, and their friend and sax player Alejandro Campos. Growing up in a family of musicians, they quickly became familiar with jazz music. However they were mostly self-taught, most of them choosing at first to work and study outside the music industry, but somehow, Eugenio had the opportunity to start studies at the Berklee Music University. Before leaving, he deeply wanted to play jazz with his brothers. That’s how Sacbé was created on a hot day of October 1976. The band then built step by step a challenging repertoire including Chick Corea, Herbie Hancock, Weather Report, Milton Nascimento, Focus, Passport, and many more… Gradually, Eugenio started to compose more tracks, and through a cooperative work of arrangement, Sacbé ended up playing only their own compositions. That was not an easy choice for the band, resulting in a lot fewer opportunities to play in bars and clubs at night, while they were cumulating small jobs during the daytime. But their dedication, tightness, and integrity started to attract a wider audience thanks to their sessions at the Musicafé and helped Sacbé to assert its imprint within Mexico’s creative artistic circles. A group of artists with similar attitudes was created and they began working almost as a team, holding live shows, exhibitions, and dance performances, all with a very unique and creative proposal. It’s at this period that the band met Luis Gil, a young designer and recording engineer, who had access to one of the best studios of the city called Lagab. Recording at nights and weekends for free, the Toussaint brothers had, therefore, the chance to really put their band quite literally under the microscope. With tenacity, they explored all the possibilities of interpretations, structures and improvisations, collaborating with great musicians and finding themselves in the position of being their own producers, despite being only around 20 years old! This album is the result of this perfectionism ethics, shared by everyone involved. “Sacbé” means white road in the Mayan culture, it was the name for the roads connecting the main ceremonial centres with the jungle, made of roughly three feet of coral limestone. They were sacred roads used by high priests and warriors, which echoed the musical path of the three brothers. Putting the pieces together, they managed to create their own label and pressed 1000 copies of their reunited recordings in 1977. The artwork was painted by Enrique, inspired by the work of Le Douanier Rousseau and the Mayan jungle. Hopefully, the LP met some success in Mexico and California, opening many radio and TV doors for them. It was the starting point for a whole career of recordings, with a total of seven albums including various guests.
Bill Dixon - In Italy Volume One
Bill Dixon
In Italy Volume One
LP | 1980 | EU | Reissue (Soul Note Vinyl)
19,99 €*
Release: 1980 / EU – Reissue
Genre: Organic Grooves
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Bill Dixon one of the great visionary composers and improvisers in modern creative Jazz, "In Italy Volume One" was recorded in Milan in 1980 and released on Soul Note. A wide open tapestry and a rare example of open interaction between pulse, melody and pure sound as result of the work of a maverick quintet featuring Dixon, Arthur Brooks and Stephen Haynes - trumpets, Stephen Horenstein - tenor & baritone saxophone, and the great open rhythm section of Alan Silva - bass and Freddie Waits - drums.
Abdullah Sami - Peace Of Time
Abdullah Sami
Peace Of Time
LP | 1978 | UK | Reissue (Spiritmuse)
36,99 €*
Release: 1978 / UK – Reissue
Genre: Organic Grooves
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An ultra-rare, spiritual jazz Holy Grail from Abdullah Mudon Sami and
New York’s & Chicago’s late 70s underground jazz scene, that has acquired
mythical status.
Fausto Papetti - 27a Raccolta Picture Disc Edition
Fausto Papetti
27a Raccolta Picture Disc Edition
LP | 1978 | EU | Reissue (Sony)
34,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Weather Report - Sweetnighter
Weather Report
Sweetnighter
LP | 1973 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Jackie McLean - Demon's Dance Tone Poet Vinyl Edition
Jackie McLean
Demon's Dance Tone Poet Vinyl Edition
LP | 1970 | EU | Reissue (Blue Note)
43,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Jackie McLean’s music weaved in and out of the avant-garde throughout the late-60s but the saxophonist maintained a decidedly post-bop edge on Demon’s Dance featuring trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scott Holt, drummer Jack DeJohnette, and striking cover art by Mati Klarwein.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.
Batsumi - Batsumi
Batsumi
Batsumi
LP | 1974 | UK | Reissue (Matsuli Music)
29,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
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BATSUMI’s 1974 classic. Repressed at Pallas in Germany on 180g black vinyl. Cover printed on reverse board and includes printed inner sleeve with liner notes from Francis Gooding. Initial copies shipped with exclusive 30cm x 30cm print of Batsumi performing in 1974. Batsumi is a masterpiece of spiritualised afro-jazz, and a prodigious singularity in the South African jazz canon. There is nothing else on record from the period that has the deep, resonant urgency of the Batsumi sound, a reverb-drenched, formidably focused pulse, underpinned by the tight-locked interplay of traditional and trap drums, and pushed on by the throb of Zulu Bidi’s mesmeric bass figures. The warm notes of Johnny Mothopeng’s guitar complete a soundscape that is at once closely packed with sonic texture and simultaneously vibrating with open space, and in whose shimmer and haze Themba Koyana and Tom Masemola soar. A sonorous echo emanating from an ancient well, reverberant with jazz ghosts and warmed by the heat of soul and pop, Batsumi is nothing short of revelatory. Many groups from this period did not issue recordings at all, and Batsumi are unusual in even having left an official recorded legacy. Out of print since the 1970s, and never issued outside of South African in its entirety, Batsumi is a landmark South African jazz recording, and a key musical document of its time.'
Donald Byrd - Street Lady Black Vinyl Edition
Donald Byrd
Street Lady Black Vinyl Edition
LP | 1973 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Structure - Pop Music Black Vinyl Edition
Structure
Pop Music Black Vinyl Edition
LP | 1970 | EU | Reissue (Sommor)
25,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Cool library-styled French album from 1970. Psychedelic, proggy jazz-funk with Brazilian/Bossa touches! Groovy flute by Bernard Wystraëte plus heavy bass, drums (by André Ceccarelli), violin, occasional fuzz-wah guitar and Urszula Dudziak-like scat vocals. In 1970, the AFA label asked flautist Bernard Wystraëte to register a “pop” album after the worldwide impact of progressive bands like Aphrodite’s Child and Jethro Tull. Bernard recruited some of his friends who were professional musicians and Structure was born. He wrote a collection of songs influenced by progressive rock, jazz and Brazilian music. The “Pop Music” album was recorded live in the studio to give a “live show” feel. It was released later that year housed in a superb psychedelic sleeve. The band even toured across France and several countries at the same time that Bernard and other Structure members started backing famous French singer Marie Laforêt live. After the good reception given to the album, another label asked Bernard to record a Structure 45. “Dilatation” / “Scale” was released under a new line-up. Both tracks of this 45 are included as bonus tracks on the Digital Download version and the CD.
Clifford Jordan Quartet - Glass Bead Games
Clifford Jordan Quartet
Glass Bead Games
LP | 1974 | JP | Reissue (P-Vine)
48,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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There are few saxophonists who were able to hold their own against the late great Eric Dolphy. Clifford Jordan is one of them. As a member of the Charles Mingus sextet on his legendary 1964 European tour with Eric Dolphy, Jordan is featured on iconic albums such as The Great Concert of Charles Mingus and Town Hall Concert. Born in 1931, the tenor saxophonist was a giant of the hard bop genre, with an adaptable style that could match the earthsy avant-blues of Mingus, or soar into space alongside Dolphy. Originally released in 1974 and recorded the year prior, Glass Bead Games was the fifth and final installment in Strata-East’s Dolphy series, and undoubtedly one of the fantastic series’ highlights. The recording features two different quartets, with only Billy Higgins (ds.) and Jordan (ts.) appearing on all tracks; Cedar Walton and Stanley Cowell take turns on piano, while Sam Jones and Bill Lee (father of Spike!) take turns on bass. Across 12 tracks and two sides, Clifford Jordan’s two quartets are consistent, with some of the tightest grooves and most spiritual playing of the 70’s being recorded during these two sessions. Album opener “Powerful Paul Robeson” is an homage to the legendary singer and activist, and is the kind of spiritual jazz that immediately sends chills down your spine. It opens with atmospheric piano rolls and percussion, over which Jordan’s free improvisations take on an almost devotional sound. Homages to great jazz men are frequent throughout, with half of the tracks being named after musicians, including the Lee penned “John Coltrane”. The song opens with a bass solo from Lee, before the quartet settles into a steady mid-tempo groove. Jordan plays the angular melody alone, and with every refrain, the melody takes on a haunting quality, until it descends into a subdued bass solo. The chant-like choral refrain that follows, laid gently over a repetitive bassline and delicate percussion is hypnotic, and as Jordan picks up the melody once more, you’ll feel as though this is somehow different. Glass Bead Games is undoubtedly one of the finest spiritual jazz recordings to come out of the 70s, and is one that you absolutely must not miss! We are proud to be reissuing Clifford Jordan’s Glass Bead Games, available on limited edition vinyl with an obi-strip, only from P-vine Records.
Stark Reality - Discovers Hoagy Carmichael's Music Shop
Stark Reality
Discovers Hoagy Carmichael's Music Shop
2LP | 1970 | US | Reissue (Now-Again)
36,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Definitive reissue of the album Mojo Magazine called “one of the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes. Contains an extensive, oversized booklet with rare photos, liner notes and annotation. The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.
Sonny Stitt - When Sonny Blows Blue
Sonny Stitt
When Sonny Blows Blue
LP | 1970 | JP | Reissue (P-Vine)
35,99 €*
Release: 1970 / JP – Reissue
Genre: Organic Grooves
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Groove Diggers is delighted to present a reissue of When Sonny Blows Blue by the legendary saxophonist Sonny Stitt for the first time on limited edition vinyl. Originally released in 1970, this album featured a star-studded line-up with the likes of Herbie Hancock, Grady Tate and Ron Carter backing Stitt across a number of jazz standards. By force of its cast, ‘Summertime’ and ‘Out of This World’, have never sounded quite like this. The gold sleeve returns along with an iconic Japanese obi strip.
Kenny Cox - Clap Clap! The Joyful Noise
Kenny Cox
Clap Clap! The Joyful Noise
2LP | 1975 | UK | Reissue (BBE)
39,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Modern Sound Quartet - Cocktail Bar
Modern Sound Quartet
Cocktail Bar
LP | 1976 | US | Reissue (Holy Basil)
33,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
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Originally released in 1976, "Cocktail Bar" was the first release of the Modern Sound Quartet ensemble lead by Oscar Rocchi, one of the most brilliant yet unrecognized composer of the library music era. As the title might already suggest, the 14 songs bring an incredibly fresh mix of sounds and flavours, each one named after a different spirit, with every single track floating around different soundscapes and atmospheres. Wether it be a gin & tonic poolside, a melancholic drink of strega on the hills of southern Italy or some kümmel by a dutch canal, this masterpiece has got something for every taste. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.
Kohsuke Mine - First
Kohsuke Mine
First
2LP | 1970 | UK | Reissue (BBE)
39,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.

Reissued for the first time since original 1970 release, Mine is joined by master keyboard player Masabumi Kikuchi on electric piano, and two American players – bassist Larry Ridley and drummer Lenny McBrowne – to deliver one of the strongest debuts in the J Jazz canon. ‘First’ announced the arrival of a serious talent, one who was to be a hugely influential figure in the Japanese jazz scene across the decade that followed and beyond. ‘First’ established an artist who built a reputation for standout albums spanning spiritual jazz, post-bop, modal and funk-fusion. All of that started here, on this exemplary album.

‘First’ is issued on CD, digital and vinyl. The vinyl edition is presented as a double album, cut at 45rpm by the Grammy-nominated Carvery, with full original reproduction artwork, including obi strip. Both CD and vinyl comes with a 4500 word sleeve note and interview with Kohsuke Mine by Tony Higgins, plus artist portraits by Shigeru Uchiyama.

J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.
Eden Rose - On The Way To Eden White Vinyl Edition
Eden Rose
On The Way To Eden White Vinyl Edition
LP | 1970 | EU | Reissue (Guerssen)
21,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.
Mariah - Utakata No Hibi Black Vinyl Edition
Mariah
Utakata No Hibi Black Vinyl Edition
2LP | 1983 | EU | Reissue (Everland)
31,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!
Synchro Rhythmic Eclectic Language - Lambi
Synchro Rhythmic Eclectic Language
Lambi
LP | 1976 | EU | Reissue (Sommor)
28,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Impressive jazz-rock-fusion with progressive, funk, afro-caribbean and Zeuhl elements courtesy of multi-cultural French band SYNCHRO, featuring drummer Steve McCall (AIR, CECIL TAYLOR), sax player Jo Maka (INTERCOMMUNAL FREE DANCE MUSIC ORCHESTRA), violinist Jean-Yves Rigaud (ZAO), electric guitar player Gerard Curbillon (SPEED LIMIT), pianist Georges-Edouard Nouel (NOEL Mc GHIE & SPACE SPIES), bass player Louis Xavier (LADJA)…
Satoshi Ashikawa - Still Way (Wave Notation 2)
Satoshi Ashikawa
Still Way (Wave Notation 2)
LP | 1982 | EU | Reissue (WRWTFWW)
23,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Artwork by Hiroshi Yoshimura, 350gsm Sleeve with selected UV High Gloss Varnish, Liner Notes by Midori Takada, Satoshi Ashikawa, and Gareth Quinn Redmond. Official reissue of Satoshi Ashikawa’s highly sought after Japanese ambient/environmental masterpiece Still Way (Wave Notation 2), originally released in 1982.
James Clarke - Mystery Movie
James Clarke
Mystery Movie
LP | 1974 | UK | Reissue (Be With)
24,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
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James Clarke’s Mystery Movie was released in 1974 as “modern, small group compositions in various moods. Ideally suited to the new Americanised style of T.V. and cinema film where music is used to create the mood and carry the action”.

So this collection covers a lot of bases, but it does so brilliantly and has absolutely no right to be such a fantastic listen from start to finish.

Mystery Movie is best known for the slick drum breaks underpinning the top-notch jazz-funk chase theme “Car Patrol”, the fuzz riffing and ARP soloing of “The Heavies” and the slow-mo strut of “Mystery Moll”. “Study In Fear” and “Empty Streets” are horror soundtrack fodder of the finest sort.

However, it’s the understated, plaintive pieces that we find the most rewarding. Ambient feels and strung-out fried-folk treats, full of cyclical naïve melodies. Music that evokes the ‘downlifting’ Ronnie Lane and Ron Wood instrumentals from their great Mahoney’s Last Stand LP, as well as the beautiful soundtrack work of Jack Nitzsche and Ry Cooder. You might also recognise “Waiting Game” from being sampled by melodic downbeat masters Express Rising.

Check “Relaxed Theme”, “Quiet Girl”, “Routine Procedure” and “Quietness Sustained” for a melodic, melancholic set, with the last three performed on just acoustic guitar and harp. Gorgeous work.

As with all ten re-issues, the audio for Mystery Movie comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
Placebo - Placebo
Placebo
Placebo
LP | 1974 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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Limited to 1000 numbered copies.
Dave Pike - The Doors Of Perception
Dave Pike
The Doors Of Perception
LP | 1970 | US | Reissue (Nature Sounds)
28,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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"The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing. The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience."
Nathan Davis - If
Nathan Davis
If
LP | 1976 | JP | Reissue (P-Vine)
35,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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Kansas City-born multi-instrumentalist Nathan Davis released the album "If" from his own Tomorrow International label in 1976, and it's widely loved by jazz-funk / rare-groove fans. Nineteen years after its reissue in 2005 for the first time, P-vine is pleased to present this masterpiece once again!
Antonio Carlos Jobim - Stone Flower
Antonio Carlos Jobim
Stone Flower
LP | 1970 | EU | Reissue (Endless Happiness)
21,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his 6th studio release Stone Flower is an absolute classic. The album is emblematic of 70’s bossa with it’s seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and musicality is so well cared for that it effortlessly carries listeners away.
Grupo Medusa - Grupo Medusa
Grupo Medusa
Grupo Medusa
LP | 1981 | EU | Reissue (Mad About)
28,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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Grupo Medusa was one of the best instrumental bands in Brazil during the 70s and 80s, blending Jazz, African Influences, and traditional Brazilian Rhythms. Formed By Chico Medori, Claudio Bertrami, Amilson Godoy and Heraldo do Monte. Original release in 1981, reissued for the first time Worldwide.
Freddie Hubbard & Art Blakey - Feel The Wind Black Vinyl Edition
Freddie Hubbard & Art Blakey
Feel The Wind Black Vinyl Edition
LP | 1989 | US | Reissue (Tidal Waves Music)
19,99 €*
Release: 1989 / US – Reissue
Genre: Organic Grooves
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Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Im pulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.
Lee Selmoco - Mosaico (Le Tastiere Di Lee Selmoco)
Lee Selmoco
Mosaico (Le Tastiere Di Lee Selmoco)
LP | 1972 | EU | Reissue (Holy Basil)
26,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Francesco Anselmo, also known as Lee Selmoco, Dorsey Dodd, Alex Brown, Arsenio Bracco or Tommy Ruff, is an Italian keyboardist that covered the role of of artistic director for Vedette Records, historical Italian imprint founded by director and violinist Armando Sciascia, and also recorded for its notorious Phase 6 Super Stereo, its sub-label focused on instrumental records and production music. "Mosaico (Le Tastiere Di Lee Selmoco)" is an incredible display of his creative and composing skills, featuring 14 tracks of what could be classified as "happy music", with killer electric organ and rhythms alternating with fuzzy guitars and spacey / psychedelic hints thrown in for good measures, written alongside Guido Baggiani, alias Ruscigan. We are very happy to start a series of reissues from the Vedette Records catalog with the first ever reissue of this title after 50 years from its original release, and since the original pressing did not feature the correct track listing, it is reissued here for the first time in its correct version!
Elvin Jones - Mr.Jones
Elvin Jones
Mr.Jones
LP | 1973 | EU | Reissue (Blue Note)
25,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Fumio Itabashi Trio - Rise And Shine: Live At The Aketa's
Fumio Itabashi Trio
Rise And Shine: Live At The Aketa's
LP | 1977 | EU | Reissue (Studio Mule)
24,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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This is the third reissue of fumio itabashi on mule.
Piero Umiliani - Temi Descrittivi Per Piccolo Complesso
Piero Umiliani
Temi Descrittivi Per Piccolo Complesso
LP | 1976 | EU | Reissue (Holy Basil)
26,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Originally released in 1976 as part of the "Background Music" series on Piero Umiliani's own Liuto Records, "Temi Descrittivi Per Piccolo Complesso" is a real gem in the maestro's vast and and intricate catalogue. Flutes and horns alternate with pianofender to create some magical, sweet and intimate atmospheres, crafting an abstract and mysterious soundscape that could reminisce of medieval times as much as some distant galaxies. We are happy to bring back "Temi Descrittivi Per Piccolo Complesso" in our series of reissues from his catalog, officially licensed by Piero Umiliani's family and available as a limited edition pressing of 500 copie
Toshiyuki Honda - Burnin' Waves
Toshiyuki Honda
Burnin' Waves
LP | 1978 | EU | Reissue (Holy Basil)
26,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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We are happy to continue our series of Electric Bird reissues in collaboration with King Record with the a killer jazz-funk release, saxophonist Toshiyuki Honda's "Burnin' Waves", originally released in 1978. Son of jazz critic Toshiyuki Honda, the Japanese composer was a skillful flute and saxophone player, and in the 70's he worked with George Otsuka and the Burning Waves ensemble. In the 1980s he worked with Chick Corea, Tatsuya Takahashi, and Kazumi Watanabe, lead his own ensemble, Super Quartet as well as being a member of the ensemble Native Son. His 1978 debut album "Burnin' Waves" boasts with hectic saxophone explorations over funky bass and happy keyboards, making it one of the grooviest releases of the Electric Bird catalog, now available on vinyl again for the first time!
Charlie Mingus - Oh Yeah
Charlie Mingus
Oh Yeah
LP | 1974 | EU | Reissue (Speakers Corner)
33,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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Commenting on this album in 1962, Billboard magazine wrote: »He seems to be everywhere, everywhere that is but on his usual instrument«. Charles Mingus, one of the most impressive musicians in the history of jazz, doesn’t play a single note on the bass for a change, but leads the band from his (blues-)piano – the instrument that he always used for composing. He hits the keys, he sings the blues, he shouts and he encourages – apparently Mingus really found the need to express himself loudly in this album. (Doug Watkins stood in for him on the contrabass.) "Oh Yeah" is definitely Mingus’s most powerful and passionate album. He calls on two hot, intensive saxophonists – Roland Kirk and Booker Ervin – as well as Jimmy Knepper on the trombone. Kirk is the main soloist, but all three wind-players deliver expressive improvisations, carrying out a non-stop dialogue with one another, and pushing one other to achieve maximum energy. The music is wild and ecstatic, but it’s not free jazz, remaining – as it does – grounded in blues and gospel. "Hog Callin’ Blues" is an enthralling shuffle with a wealth of riffs, "Devil Woman" a clever slow blues with inventive wind figures. "Ecclusiastics", with its constant change of rhythm and expression alternating between gospel and blues has the most complex form. Blues has always been a part of a black church service, said Mingus. "Eat That Chicken" (a homage to Fats Waller and his favourite food) even plays around with an old-time, Dixie feeling. Humour is never far away. Even in the atomic bomb song (this too, a sort of churchy blues) one hears the words: »Don’t let ’em drop it! Stop it! Be-bop it!«

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: November 1961 at Atlantic Studios, New York City, by Tom Dowd and Phil Iehle Production: Nesuhi Ertegun
Stanley Cowell - Musa-Ancestral Streams
Stanley Cowell
Musa-Ancestral Streams
LP | 1974 | UK | Reissue (Pure Pleasure)
35,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
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"Musa-Ancestral Streams" remains a relative oddity in the pantheon of jazz's black consciousness movement -- a solo piano set of stunning reach and scope, its adherence to intimacy contrasts sharply with the bold, multi-dimensional sensibilities that signify the vast majority of post-Coltrane excursions into spiritual expression, yet the sheer soulfulness and abandon of Stanley Cowell's performance nevertheless vaults the record into the same physical and metaphysical planes. Cowell's energy and touch are remarkable, as if guided by divine power, and for all the music's structural spaciousness and rhythmic freedom, not a note feels out of place, let alone excessive. Most intriguing is "Travelin' Man", an overdubbed 'duet' featuring Cowell on both acoustic and electric piano that underscores his uncommon affinity for space and presence.
Charles Tolliver / Music Inc & Orchestra - Impact
Charles Tolliver / Music Inc & Orchestra
Impact
LP | 1976 | UK | Reissue (Pure Pleasure)
35,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
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Trumpeter/flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, "Impact" contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format. Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre through the multiple textures. Featured soloists in the remarkable reed section include Charles McPherson, James Spaulding, George Coleman, and Harold Vick.
Billy Harper - Capra Black
Billy Harper
Capra Black
LP | 1973 | UK | Reissue (Pure Pleasure)
35,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Milt Jackson - Sunflower
Milt Jackson
Sunflower
LP | 1973 | UK | Reissue (Pure Pleasure)
35,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Recorded over two days in December of 1972 at Rudy Van Gelder's Englewood, New Jersey home studio, vibraphonist Milt Jackson's "Sunflower" is the first -- and best -- of his three albums for Creed Taylor's CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well. Jackson's "For Someone I Love", opens the five-tune set, with Berliner playing solo flamenco guitar before the vibes, trumpet, and elements from the chamber orchestra delicately, impressionistically color the background. It gradually moves into a languid, bluesy ballad that slowly gains in both texture and dynamic until the strings trill tensely. Hubbard and Hancock engage them in solos that gently swing out the tune. The reading of Michel Legrand's "What Are You Doing for the Rest of Your Life" is a gorgeous showcase for Jackson; his solo dominates the arrangement. Carter gets downright funky on his upright to introduce Thom Bell's "People Make The World Go Round," and Hancock follows him on Rhodes. Jackson takes the melody, striking a layered contrast as Hubbard slips around all three playing an extension of the melody with requisite taste, fluidity, and taut phrasing. Hancock gets funky to the bone in his brief solo, as the vibes soar around and through his phrases. The title track is a Hubbard composition that floats and hovers with a Latin backbeat before shifting tempos as the solos begin. The expanded harmonic palette of trumpet with the reeds, woodwinds, and strings on the melody add an exotic textural palette for his solo. Jackson's "SKJ" closes the set with an old-school, swinging hard bop blues with barely detectable embellishments by Sebesky. While "Sunflower" sometimes feels more like a group session rather than a Jackson-led one, that's part of its exquisite beauty.
Horace Tapscott with The Pan-Afrikan Peoples Arkestra - Live At I.U.C.C.
Horace Tapscott with The Pan-Afrikan Peoples Arkestra
Live At I.U.C.C.
2LP | 1979 | UK | Reissue (Pure Pleasure)
50,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Steve Reid - Odyssey Of The Oblong Square Gold Vinyl Edition
Steve Reid
Odyssey Of The Oblong Square Gold Vinyl Edition
2LP | 1977 | UK | Reissue (Soul Jazz)
29,99 €*
Release: 1977 / UK – Reissue
Genre: Organic Grooves
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New special one-off pressing limited-edition gold vinyl edition (and one-off pressing limited-edition gold CD edition) of this deep spiritual jazz classic. Drummer extraordinaire and legend, Vietnam conscientious objector, ex-Black Panther, Reid has played with everyone from James Brown to Sun Ra, Fela Kuti and Miles Davis, friend of John Coltrane, worked at Motown, and, in the latter part of his career, worked extensively with Kieran Hebden, following his path of a radical, revolutionary music up until his untimely death in 2010. Soul Jazz Records are re-releasing this rarest release of deep heavyweight jazz by Steve Reid and The Master Brotherhood, entitled ‘Odyssey of the Oblong Square’ first released over thirty five years ago on Steve Reid’s own Mustevic Sound record label (where it came out in an edition of 1000 copies) and has been a serious collectors album ever since. These special gold vinyl and CD editions are both one-off pressings, which, like the original, are limited to 1000 copies worldwide.
Steve Reid became known worldwide for his radical collaborations with Kieran Hebden after they first recorded together on the Steve Reid Ensemble album Spirit Walk, released on Soul Jazz in 2005, releasing five joint releases together in the following years. Steve Reid is steeped in musical history and a true pioneer of US deep left-field jazz. He played in Sun Ra’s Arkestra, was a Motown session drummer and backed James Brown at the Apollo! He was a Black Panther, imprisoned during the Vietnam war as a conscientious objector and lived in Africa in the early 1970s. Reid worked with Freddie Hubbard, Gary Bartz, Ornette Coleman, Lester Bowie, Fela Kuti, Leon Thomas, Miles Davis and many more in his long illustrious and groundbreaking career
Sun Ra Arkestra & Salah Ragab - Sun Ra Arkestra Meets Salah Ragab In Egypt
Sun Ra Arkestra & Salah Ragab
Sun Ra Arkestra Meets Salah Ragab In Egypt
LP | 1983 | Reissue (Strut)
26,99 €*
Release: 1983 / Reissue
Genre: Organic Grooves
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Strut presents the final instalment in their series of reissues of Sun Ra's historic recordings in Egypt with The Sun Ra Arkestra meets Salah Ragab in Egypt plus the Cairo Jazz Band, originally released on Greek label Praxis in 1983.
Billie Holiday - Strange Fruit
Billie Holiday
Strange Fruit
LP | 1972 | EU | Reissue (Wagram)
15,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Idris Muhammad - Turn This Mutha Out
Idris Muhammad
Turn This Mutha Out
LP | 1977 | UK | Reissue (Soul Brother)
28,99 €*
Release: 1977 / UK – Reissue
Genre: Organic Grooves
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Idris Muhammad recorded this classic Jazz-Funk album 'Turn This Mutha Out' in 1977 for the Kudu label. Some great session musicians accompanied him and the album has that David Matthews signature Disco-Jazz-Funk sound. It was well received in the UK most notably for the opening track 'Could Heaven Ever Be Like This', an undisputed classic. Idris and Wilbur Bascomb on bass create the perfect bedrock for Mike Brecker on Tenor Sax, Hiram Bullock on Guitar and Cliff Carter on Synthesizer to solo above, topped by Frank Floyd's vocals. It has been sampled at least seventeen times, most notably by Jamiroquai and Drake.
Dutch Treat - Tranquility
Dutch Treat
Tranquility
LP+7" | 1977 | EU | Reissue (678)
39,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves
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1977: In the middle of the era of punk groups, up-tempo music, high-energy rock and a mini rock-'n-roll revival, a record with the cheeky title Tranquility by the group Dutch Treat has come onto the market. A record - as the title suggests - that exudes tranquility. The record is a serious product by five of Holland's best-known and most-talented studio musicians: Jan Huydts, Wim Essed, Hans Hollestelle, Louis de Lussanet and Steve Boston. Jan Huydts: ‘We want to make music that brings people peace and tranquility. We are a recording group. We like each other. We are just close friends. The idea was to make non-aggressive music with aggressive instruments like synthesizers and electric guitars. You may even call it background music, maybe with a double meaning.’

Wim Essed in 2024: 'After decades it is still amazing that in all their diversity the pieces on this album fit together so well, taking the listener on an instrumental road trip through rainy as well as sunny landscapes.'

'When we had finished the original recording, the first and only issue was marketed by Polydor records, in quite a modest edition, instigating an equally modest success. Nowadays many more can get access through the web and Tranquility has since found a certain following and cult status, as the original record got harder to come by and more expensive on the second-hand market. So people started to ask for a reissue, which we can at last and proudly offer, bonus material included!'

‘tranquility’ by dutch treat was recorded, mixed and mastered between October 1976 and January 1977 at Procom Studio in Kirchhellen, West Germany

Remastered in August and September 2023 by Fritz Fey (original assistent engineer) at Double-D Mastering, Oberhausen, Germany For the remastering a direct transfer from the original master tape in 192 kHz and 24 bit was used. The master was cut in a lacquer and the actual reissue is a 180 gram hi quality pressing
Finis Africae - El Pulso De La Madera
Finis Africae
El Pulso De La Madera
12" | 1985 | EU | Reissue (Glossy Mistakes)
32,99 €*
Release: 1985 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.

On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.

And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.

The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family.
Bill Evans - From Left To Right White Vinyl Edition
Bill Evans
From Left To Right White Vinyl Edition
LP | 1970 | EU | Reissue (Klimt)
24,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But From Left TO Right, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out." Unobtrusively arranged by Michael Leonard, this 1969 release resembles nothing so much as famed bossa nova composer Antonio Carlos Jobim's series of shimmering instrumental albums with arranger Claus Ogerman, even without those gently relentless rhythms driving every tune. Still, the highlight of this album is the dancing two-part "The Dolphin - Before & After," a non-Jobim bossa nova which allows Evans his only extended improvisations. (allmusic.com)
Yukihiro Takahashi - Saravah!
Yukihiro Takahashi
Saravah!
LP | 1978 | EU | Reissue (Wewantsounds)
34,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Mulatu Astatke - Mulatu Of Ethiopia
Mulatu Astatke
Mulatu Of Ethiopia
LP | 1972 | EU | Reissue (Strut)
23,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz.
Hiromasa Suzuki - Rock Joint Cither - Silk Road Black Vinyl Edition
Hiromasa Suzuki
Rock Joint Cither - Silk Road Black Vinyl Edition
LP | 1973 | EU | Reissue (Cinedelic Orient Series)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the roots of China. If the Biwa lute characterized the previous chapter dedicated to the profound ancestral of Japan, here, the sitar, the Asian instrument par excellence, becomes a new narrator; Suzuki plans and manages the interventions by juxtaposing it with an opera that, like the previous one, always remains strongly jazz and rock, at times very similar to Ian Carr's Nucleus. A precious find in the endless and seminal musical archeology of modern Japanese music. Gatefold cover with insert.
Hazel Scott - O Primeiro Amor Black Vinyl Edition
Hazel Scott
O Primeiro Amor Black Vinyl Edition
7" | 1973 | EU | Reissue (Groovie)
13,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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History has proven that the recording industry allows more than one artist or band with the same name, and the least successful isn’t always the less talented. Take the case of British Nirvana and American Psychedelic band Genesis, or even the Jazz projects like the Americans Air and Marc Moulin’s Placebo from Belgium.

The coincidence in the name Hazel Scott with the popular Trinidadian pianist from the New York jazz clubs scene did not bring any disadvantages to this English singer who traveled the world spreading her love for the music of Brazil.

It cames with 8 pages booklet, photos and postcard

Killer tracks for the dance floor!
Chisato Yamada - Suite Nihonkai Black Vinyl Edition
Chisato Yamada
Suite Nihonkai Black Vinyl Edition
LP | 1981 | EU | Reissue (Cinedelic)
24,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Nina Simone - Fodder On My Wings
Nina Simone
Fodder On My Wings
LP | 1982 | EU | Reissue (Verve)
25,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Alan Hawkshaw & Brian Bennett - Synthesizer And Percussion
Alan Hawkshaw & Brian Bennett
Synthesizer And Percussion
LP | 1974 | UK | Reissue (Be With)
24,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
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Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.

This is one of Hawkshaw and Bennett’s wilder joints and aeons ahead of its time. Bennett’s tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw’s deranged clavinet-funk-rock. There are heavenly break loops galore.

Opener "Mon Amour" is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal "Oddball" is an incredible hard electro strut with a knocking break. "Mile High Swinger" is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating "Auto Pilot" has a percussive groove elevated by electric piano and synthesizer. Check "Driving Force”, “Home Run” and "Pacesetter" for electroid prog-funk dripped in acid squelch.

All five final tracks are beatless synth workouts, because they can.

As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
V.A. - Big Business / Wind Of Change
V.A.
Big Business / Wind Of Change
LP | 1973 | UK | Reissue (Be With)
24,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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The two sides of 1973’s Big Business / Wind of Change are mainly the work of the great Keith Mansfield but there’s a killer cameo each from Alan Hawkshaw and David Snell to help deliver “a thematic suite, diverse in mood, applicable to dramatic and environmental situations”. A Be With favourite and truly one for the heads.

The Big Business of side A is all the work of Keith Mansfield. It’s heavy on the suspense and features the vital “Hot Property”, an insistent groove so good that Madlib sampled it to lace the ace “Long Awaited” by Lootpack with Dilated Peoples.

“Sleeping Giant 1” is a more fleshed out version of the equally-dazzling “Fatal Error”, evoking the orchestral magic of David Axelrod. Indeed, it conjures images of Diamond D falling over himself in the early-to-mid 90s to loop its intoxicatingly eerie soundscape. Complete with guitar fills that recall Paris, Texas-era Ry Cooder, you need this record for this piece alone.

The horn-and-flute-led "Tycoon" is a head-nodder and "Power Complex" has some fantastic percussion. Other highlights include the breezy glide of “Whistle Stop Tour” and its sister groove “Clean Air.”

Over on Side B is the more expansive Wind Of Change, which includes the David Snell and the Alan Hawkshaw contributions. But these ain’t no filler. Snell’s shuffling “International Flight” sounds like a smooth Dorothy Ashby track tossed from the heavens. Hawkshaw’s “Road And Rail” is about as luxurious and strung-out as the great man gets and it might just be the highlight of this whole set.

Not to be outdone, if Mansfield’s “Balance Of Power” doesn’t make you feel like king of the world then you must be playing it wrong. Oh, and did we mention “World In Action”?!

As with all ten re-issues, the audio for Big Business / Wind of Change comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
Keith Mansfield & John Cameron - Voices In Harmony
Keith Mansfield & John Cameron
Voices In Harmony
LP | 1973 | UK | Reissue (Be With)
24,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Voices In Harmony was released in 1973 as “a selection of contemporary pop titles featuring voices, brass and rhythm”. We choose to describe this collection of works by Keith Mansfield and John Cameron as “a string-laced, harmony-drenched KPM classic”.

From the bright, lilting harmonies of “Liquid Sunshine” to the melting flutes of “Loving Touch” and “Gentle Persuasion”, this is warm, effervescent soul music for dreamy, idyllic moods. The supreme “Husky Birdsong” is so, so smooth, with its unrelenting bossa bassline and warm keyboards. “Half Forgotten Daydreams” is a gorgeous wordless groove.

As with all ten re-issues, the audio for Voices In Harmony comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
Herbie Hancock - Sunlight
Herbie Hancock
Sunlight
LP | 1978 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Sunlight by Herbie Hancockis a 1978 jazz-funk, fusion album. It features Hancock's vocals through a vocoder as well as performances by drummer Tony Williams and bassist Jaco Pastorius.
Giacomo Dell’Orso - A Me Stesso Con Simpatia Limited Colored Edition
Giacomo Dell’Orso
A Me Stesso Con Simpatia Limited Colored Edition
LP | 1975 | EU | Reissue (Cinedelic)
27,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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This 1975 album is a studio session organized by Maestro Giacomo Dell'Orso (the husband of Edda) here released under his given name and not the Oscar Lindok pseudonym under which he made a number of recordings including The Fine Machine. This album had the simple purpose of a fun and playful session without preconceived models.

The result is a carefree album, from the friendly cover (Orso means Bear) to the music that is interwoven with bossa nova, samba, jazz and funk in a style that recalls in many ways the work of Maestro Piero Piccioni.

Dell'Orso plays organ, electric piano and Bulisacchio (a synth with metal slats that simulate bass), Nino Rapicavoli on flute and sax, Jimmy Tamborelli on guitars and Ciro Cocozza on percussion.
Jiro Inagaki And Soul Media - In The Groove White Coloured Vinyl Edition
Jiro Inagaki And Soul Media
In The Groove White Coloured Vinyl Edition
12" | 1973 | EU | Reissue (Nippon Columbia/Lawson (Japan))
57,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.

Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.

This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”

Text by Yusuke Ogawa (universound/deep Jazz Reality)
Charlie Parker - Afro Cuban Bop: The Long Lost Bird Live Recordings Record Store Day 2023 Edition
Charlie Parker
Afro Cuban Bop: The Long Lost Bird Live Recordings Record Store Day 2023 Edition
2LP | 1977 | US | Reissue (Rockbeat)
59,99 €*
Release: 1977 / US – Reissue
Genre: Organic Grooves
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Hermeto Pascoal - Hermeto
Hermeto Pascoal
Hermeto
LP | 1970 | EU | Reissue (Far Out)
31,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Far Out Recordings proudly presents Hermeto Pascoal's remarkable self-titled debut album. Recorded in 1970 at A&R studios in New York, the album features certified North American titans including Ron Carter, Hubert Laws, Joe Farrel and Googie Coppola, and Brazilian stars Airto Moreira and Flora Purim (who also produced the album).
Matao With Atilla Engin - Turkish Delight Black Vinyl Edition
Matao With Atilla Engin
Turkish Delight Black Vinyl Edition
LP | 1979 | EU | Reissue (Arsivplak)
21,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Jazz, Funk and Folk music, with a Turkish flavor.
It's fantastic funk jazz groove built on a titanium synth bassline!
An instrumental library of traditional Turkish Jazz session reaching a great climax in drums and percussion sets + electro-bass break with moog and synthesizers from the beginning to the end.
Traditional Turkish songs are based on drums and synth bass over moody 5/8 fuzz guitars...
Album recorded & released in Denmark, 1979, and it has never been released in Turkey.
Cleveland Eaton - Plenty Good Eaton
Cleveland Eaton
Plenty Good Eaton
LP | 1975 | US | Reissue (Black Jazz)
19,99 €*
Release: 1975 / US – Reissue
Genre: Organic Grooves
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Benoit Widemann - Tsunami
Benoit Widemann
Tsunami
LP | 1979 | EU | Reissue (Sommor)
21,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Second album, released in 1979, by French keyboard wizard Benoit Widemann (ex-Magma). “Tsunami” is an incredible mix of electronics and jazz-fusion with prog / avant-garde /minimal elements. Treated Minimoog, Oberheim synths, Rhodes, early computer sequencing plus bass, drums, guitar, sax… Featuring Jean-Pierre Fouquey (ex-Magma), Jean-Pierre Grasset (Verto) and Jean-Paul Ceccarelli among others.
"Digital computer-based sound in 1979! We were the avant-garde!" - Benoit Widemann.
Joe Farrell - Outback
Joe Farrell
Outback
LP | 1979 | US | Reissue (CTI)
19,99 €*
Release: 1979 / US – Reissue
Genre: Organic Grooves
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Rupture - Israel Suite / Dominante En Bleu
Rupture
Israel Suite / Dominante En Bleu
LP | 1973 | EU | Reissue (Sommor)
21,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Impossible to find Spiritual Jazz / Funk / Groove / Psych rarity from France, 1973.

Rupture was born when famous French songwriter Boris Bergman (France Gall, Dalida, etc) decided to record a conceptual album about the history of Israel. He approached ace drummer and singer Sylvain Krief (Airto Fogo, Michel Fugain, Aznavour, Clark Terry, Bud Powell, etc) and soon, other musicians joined: Jean-François Jenny-Clark (Don Cherry, Steve Lacy, etc) on bass, Georges Locatelli (Total Issue) on guitar, Jean-Pierre Mas (piano, organ, guitar, vocals…) In resume, Rupture was a kind of super-group featuring some of the best musicians from the Euro jazz / progressive / fusion scene. It also included collaborations by Michel Fugain and Nicole Croisille.

The album was recorded over a period of three months and the result was released as a very limited private pressing with help from the Futura label. Arranged by Sylvain Krief and Jean-Pierre Mas, “Israel Suite” included a side-long suite on side A and shorter songs on Side B. An incredible mix of vocal / spiritual jazz, funk, progressive, jazz-pop, psych…
Chet Baker - She Was Good To Me
Chet Baker
She Was Good To Me
LP | 1974 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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