Jazz | Fusion Vinyl 3036 Items

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Abbi Hübner's Low Down Wizards Featuring Peter Cohn

American Jazz & Blues History

LP | 1983 | DE | Original (Tobacco Road)

Release: 1983 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Good News From Africa Black Vinyl Edition

Abdullah Ibrahim

LP | 1973 | EU | Reissue (Enja)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | UK | Reissue (Spiritmuse)

Abdullah Sami

Peace Of Time

36,99 €*

LP | 1975 | PL | Original (Polskie Nagrania Muza)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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An ultra-rare, spiritual jazz Holy Grail from Abdullah Mudon Sami and
New York’s & Chicago’s late 70s underground jazz scene, that has acquired
mythical status.

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Adam Makowicz

Live Embers

9,99 €*

Release: 1975 / PL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1981 | US | Reissue (Pure Pleasure)

Adele Sebastian

Desert Fairy Princess

35,99 €*

LP | 1984 | EU | Reissue (Ultimo Tango)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Adele Sebastian was an Afro American jazz flutist and singer, active from the early 70s (when she was still a teenager) until her untimely death at the age of 27 (!) in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospective sound considering the year the album was recorded. Adele and her band pull it off right from the start as if it had been 1966 and it was time for a revolution to shake the dust from the old time jazz. In a perfect way she mixes classic American vocal jazz elements with playful and more free passages, Latin music and tribal African sounds in the lengthy and quite rhythm oriented “Man From Tanganyika” and makes the title track start with a mystical “Allahu akbar“ chant while it turns more and more into a dark and gloomy song with something like a psychedelic edge reminiscent of Pharoah Sanders on his early works. Wild rhythms from drums, percussions with tons of bells and chimes weave a thick groove carpet and conjure a magical atmosphere. Those jazz aficionados who love the mid 60s John Coltrane, his sidekick Pharoah Sanders and Alice Coltrane will go crazy for this album.

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Adelhard Roidinger

Computer & Project I

22,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | FR | Reissue (Wewantsounds)

Akiko Yano = Akiko Yano

Japanese Girl

36,99 €*

LP | 1978 | EU | Reissue (Tokuma/Lawson (Japan))

Release: 1976 / FR – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

With insert. 2019 reissue.

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Akio Niitsu

I/O(I･O)

36,99 €*

Akira Ishikawa Count Buffalo Jazz And Rock Band

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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(Japanese pressing, Official reissue) Brilliant synth prog weirdness from the late 1970s Tokyo. Recorded by the guitarist Akio Niitsu who was compared, not without reason, to Manuel Göttsching. Niitsu has a fairly small discography of only three full-length albums, but his second one - “Pet Step” - was on Tomita’s label and supposedly with the involvement of Haruomi Hosono (this is according to Chee Shimizu who lists it in his “Obscure Music”).

Akio Niitsu's first album, "i/o(i･o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. 's first analog re-release has been decided.As a guitar multi-recording album, the idea was realized six years earlier than the album "e2-e4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", but it was too early. A hidden experimental/ambient gem!The paradoxical sound that makes you feel as if you are lost deep in a labyrinthine forest, combined with Tadanori Yokoo's artwork, is a piece that allows you to enjoy Akio Niitsu's worldview with your ears and eyes.

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Bakishinba: Memories Of Africa Black Vinyl Edition

LP | 1970 | EU | Reissue (Cinedelic)

Himawari Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz AND Rock BAND’s album was advertised by the Japanese press in 1970. The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to Miles Davis and orchestras like Blood Sweat and Tears and Chicago. This movement resulted in the empowerment of jazz and in the birth of a new musical genre: a perfect mix of jazz, latin influences, and rock. Akira Ishikawa and Count Buffalo’s jazz-rock band remind of Santana in the way they embody these energies in their album “Bakimba.” Yet, at the same time, they give life to even more impressive musical compositions. This is also thanks to Hiromasa Suzuki’s innovative electric piano. Often defined as a jazz-rock band, Count Buffalo scales new heights in the context of jazz thanks to the strong rock influences that characterize this work.

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Akira Mitake

LP | 1987 | JP | Reissue (Hmv Record Shop/Lawson (Japan))

34,39 €* 42,99 € -20%

LP | 1981 | US | Original (Concord Jazz)

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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Soundtrack of the documentary program for Japanese art history, “Japan: Its Heart and Form” which was aired on NHK educational channel from 1987 to 1988. Akira Mitake worked on it, and after the dissolution of Ippudo, he produced music for the media and provided music to many artists, mainly pop music. It’s an electronic work that expresses the silence, space, romance reminiscent of Japanese spirit. The entire contents has a mysterious atmosphere, “Yasha” and “Keisetsu” are particularly captivating, evoking the beauty of Japan. Truly amazing piece left by the talent behind Masami Tsuchiya, who can be interpreted as ambient music.

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Al Cohn

Nonpareil

9,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Punch hole. Record is very close to NM.

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LP | 1978 | JP | Original (CBS/Sony)

20,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without obi. close to NM

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LP | 1978 | US | Original (Columbia)

Release: 1978 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

US original.

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LP | 1978 | EU | Reissue (Speakers Corner)

33,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Master of the strings, Al Di Meola, who turn his back on over-ambitious manual dexterity as in "Elegant Gypsy" to concentrate more on musical substance, demonstrates his intensive work with the material in the follow-up album "Casino". For example in "Egyptian Danza", an amalgamation of melodies which circle around one another and evoke with light electronics the contrasting worlds of the Orient, Occident and New World. A far sharper sound is conjured up in "Chasin‘ The Voodoo", which escalates to an extremely tightly-knit continuous fire, infused with the maestro‘s familiar guitar sound. Di Meola - with himself alone - combines the idea of multiple rhythms and parts: In the "Fantasia Suite For Two Guitars", four miniatures with percussive zapateado and whirling flamenco, he accompanies himself thanks to multi-tracking. All great stuff, but the best comes last: in the lengthy title number "Casino" all powers come together to create a magnificent performance with varying tempos, layered patterns, deceptive metrical changes and, of course, guitar playing of the highest order.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: May - September 1977 at Electric Lady Studios, New York, by Dave Palmer
Production: Al Di Meola

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LP | 1978 | US | Original (Columbia)

Release: 1978 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | US | Original (Manhattan)

Cielo E Terra

15,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

US original.

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LP | 1985 | EU | Original (Manhattan)

Cielo E Terra

Release: 1985 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl slightly warped but still enjoyable. Cover close to VG+

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LP | 1982 | US | Original (Columbia)

Electric Rendezvous

12,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Terre Haute Pressing.

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LP | 1977 | US | Original (Columbia)

Elegant Gypsy

9,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | JP | Original (CBS/Sony)

Elegant Gypsy

44,99 €*

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert!

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LP | 1979 | EU | Reissue (CBS)

Elegant Gypsy

Al Di Meola, John McLaughlin & Paco De Lucia

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl closer to VG+

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Friday Night In San Francisco

2LP | 1981 | EU | Reissue (Impex)

82,99 €*

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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• Mastered by Bernie Grundman from the original analogue master tapes!
• Numbered Limited Edition 100% Analog 180-gram vinyl LP!
• Limited to only 3,000 numbered copies!
• Plated and pressed at RTI, supervised by Rick Hashimoto

Everything you've loved about this iconic, reference-defining recording is laid bare, reproduced with stunning fidelity and nuance. Featuring all-analog mastering byChris Bellman at Bernie Grundman Mastering and an exclusive foil-stamped jacket for this very special release. This Di Meola-McLaughlin-De Lucia classic could only come from the LP fetishists at Impex Records.

Listen as Impex's 180-gram vinyl, spinning at 45 revolutions per minute, reveals everything to your hungry, deep-listening ears. Ready to redefine definitive again.

Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938...[it] may be considered the most influential of all live acoustic guitar albums. All the tracks except "Guardian Angel" were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco.

This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983.

Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain.

Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others.

John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him "the best guitarist alive." In 2003, McLaughlin was ranked 49th in Rolling Stone's "100 Greatest Guitarists of All Time." After contributing to several key British groups of the early sixties and making his first solo record, he moved to the U.S. where he played with Tony Williams' group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums: In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner.

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LP | 1976 | EU | Original (CBS)

Land Of The Midnight Sun

Release: 1976 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | US | Original (Manhattan)

Al Di Meola Project

Soaring Through A Dream

LP | 1985 | US | Original (Manhattan)

Release: 1985 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a cut-out.

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Al Di Meola Project

Soaring Through A Dream

16,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl seems unplayed.

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2LP | 1980 | EU | Original (CBS)

Release: 1980 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Gatefold cover. Vinyl is close to VG+

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2LP | 1980 | JP | Original (CBS/Sony)

19,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1980 | US | Original (Columbia)

14,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1980 | JP | Original (CBS/Sony)

49,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl close to NM. Cover with stains

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LP | 1982 | JP | Original (CBS/Sony)

Tour De Force - "Live"

LP | 1979 | US | Original (Classic Jazz)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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Al Grey

Grey's Mood

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1977 | JP | Original (Nadja)

Al Haig

Interplay

19,99 €*

LP | 1989 | JP | Original (DIW)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Al Haig

Today!

Release: 1989 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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LP | 1981 | JP | Original (Warner Bros.)

17,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on cover.

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Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover has light foxing.

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Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with ring wear

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LP | 1984 | US | Original (Warner Bros.)

High Crime

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | US | Original (Warner Bros.)

High Crime

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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LP | 1985 | EU | Original (WEA)

In London

Release: 1985 / EU – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl is close to VG+. Tape on cover.

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LP | 1985 | YU | Original (Suzy)

In London

Release: 1985 / YU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

LP | 1983 | US | Original (Warner Bros.)

Jarreau

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | US | Original (Warner Bros.)

L Is For Lover

Release: 1986 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

US original.
Small handwriting on front

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LP | 1981 | CS | Reissue (Supraphon)

Look To The Rainbow

Release: 1981 / CS – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1977 | JP | Reissue (Warner Bros.)

Look To The Rainbow

30,99 €*

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

1981 reissue. With OBI and insert. Vinyl seems unplayed. Cover is close to NM.

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LP | 1983 | DE | Original (Happy Bird)

The Masquerade Is Over

Release: 1983 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | US | Original (Warner Bros.)

This Time

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy is close to VG+!

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LP | 1980 | DE | Original (Warner Bros.)

This Time

Release: 1980 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | DE | Original (Warner Bros.)

This Time

Release: 1980 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with small sticker

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LP | 1975 | JP | Original (Reprise)

We Got By

Al Jazzbo Collins & Slim Gaillard

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese promo copy with b/w labels! OBI is missing!

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Steve Allen's Hip Fables

LP | 1983 | US | Original (Doctor Jazz)

4,74 €* 4,99 € -5%

The Al Jolson Collection - 20 Golden Greats

Release: 1983 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

US original.

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Al Jolson

LP | 1985 | IT | Reissue (Deja Vu)

Release: 1985 / IT – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Al Saxon And His Sound Company / Orchester Henry Monza

LP | 1977 | DE | Original (Delfina)

Release: 1977 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1977 | JP | Original (PBR International)

Al Viola

Salutations F.S.

LP | 1976 | EU | Reissue (Souffle Continu)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Alain Bellaiche

Sea Fluorescent

23,99 €*

Alan Hawkshaw & Brian Bennett

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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First ever reissue of highly sought after french jazz funk fusion nugget from Alain Bellaïche featuring, Jerry Goodman (Mahavishnu Orchestra), John Hicks (Strata-East) & Fabiano (Fabiano Orchestra).

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Synthesizer And Percussion

LP | 1974 | UK | Reissue (Be With)

LP | 1977 | EU | Reissue (Be With)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.

This is one of Hawkshaw and Bennett’s wilder joints and aeons ahead of its time. Bennett’s tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw’s deranged clavinet-funk-rock. There are heavenly break loops galore.

Opener "Mon Amour" is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal "Oddball" is an incredible hard electro strut with a knocking break. "Mile High Swinger" is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating "Auto Pilot" has a percussive groove elevated by electric piano and synthesizer. Check "Driving Force”, “Home Run” and "Pacesetter" for electroid prog-funk dripped in acid squelch.

All five final tracks are beatless synth workouts, because they can.

As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Alan Hawkshaw

The Road Forward

2LP | 1982 | UK | Reissue (Mobile Fidelity)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A comprehensive collection of descriptive contemporary scores. We say: Just look at the track titles of The Road Forward and swoon: Strangelands, A Man Alone, Sheer Elegance, Mystique Voyage, Cruising. Don’t you just want to hear those? The maestro Alan Hawkshaw really spoils us on this, one of the most sought after KPM greensleeves. This collection from 1977 is a brilliantly varied blend of silky smooth synths, funk-fuelled clavichord grooves and soft focus space beats. Essential. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Alan Parsons Project

Eye In The Sky

85,99 €*

LP | 1976 | UK | Reissue (Be With)

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm Gatefold Sleeve

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Alan Tew

Drama Suite Part I

29,99 €*

LP | 1976 | UK | Reissue (Be With)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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It's the pair you've all been waiting for! FINALLY!

Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...

Racing out the gate, the gritty crime funk of "The Detectives" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. "Helicop" is another fast paced and energetic dramatic action background with great breaks and horns. "The Big One (Prelude)" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to "The Big One", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense "Headlights" and (even briefer) burner "The Burn" add some - you guessed it - deep drama over insistent rhythms to close out Side A.

Flip over for "The Detectives (Slow Version)", a relaxed, thoughtful version featuring synths. You might recognise it as being sampled by Domo Genesis and Evidence for "Tallulah" from their brilliant collaboration a few years ago. "The Detectives (Interlude)" is another slow, pensive version featuring electric piano and a trombone solo in the centre section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight "The Build Up" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled "Snout" is a slow, tense background theme which features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of "The Prowler" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.

As with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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Alan Tew

Drama Suite Part II

29,99 €*

LP | 1980 | EU | Reissue (Our Swimmer)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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It's the pair you've all been waiting for! FINALLY!

Alan Tew's Drama Suite Part II. What can we really say? Honestly? We guess the first thing that strikes you is how clean the drums are. Almost impossibly slick but dripping so, so heavy with the neck-snapping funk you'd expect from perhaps the most sought-after library funk set of them all! The cheapest on Discogs is, currently, £1300+. Now's your chance to remedy that. If you know, you know. And we think you know...

"The Rub" is a cool, low-slung heavy-funk roller with relaxed brass and alto flute phrases. Up next, "Money Runner" is another edgy funk glider, its easy-tempo moving in harmony with slinky rhythmic riffs and featuring a seemingly ad-libbed electric piano solo. Strutting along after, "White Elephant Walk" is another laconic, deeply stoned walking theme with electric piano and alto flutes. There follows a couple of brief "walking" links before the brilliantly tense "Master Plan" slowly builds. Expectancy grows to the main theme around a minute in and then a melodic theme builds slightly to the 3 minute mark before floating down gradually and elegantly to its climax. It's utterly fantastic. The smoky, after-hours "Night Watch" is a slow, cool gem featuring alto flutes and synths.

Now we're talking, "The Fence (a)" is just sensational and worth buying this album all on its own. It's likely the reason you're here, anyway. Another impossibly funky, slow and easy tempo with a bass riff to die for, dramatic guitar with gorgeous electric piano and alto flute phrases. It was sampled for "Action Satisfaction" by J5, way way back. "The Fence (b)" is a slower, more deliberate version of the previous heater, but it's no less essential. Indeed, it's absolutely jaw-drooping. Closing out this remarkable side, "Surveillance" is another horizontal masterpiece of relaxed yet dramatic jazz-funk. Vibes ad-lib in centre section and give you an idea of how Roy Ayers making library funk in the mid-late 70s might've sounded. Sensational.

Flip over for "Total Silence", a near-beatless and understated scene-setter featuring neat interplay of guitar and synthesizer themes over bass and hi-hats. The slow "Eyes" follows, a brief gem with subdued electric piano solo and a light climax. The fantastic "Drama Backcloth (1a)" is up next, a repetitive piano and bass refrain with guitar figures over the top. Its creeping crime-funk vibe was pilfered for "Outta Town Shit" by Ghostface Killah in 2006. "Drama Backcloth (1b)" is a short, subdued version without the guitar figure. "Drama Backcloth (2)" features an expectant, background marimba figure over light rhythm whilst the cool "Drama Backcloth (3)" centres around a relaxed riff and the angular "Drama Backcloth (4)" presents eerie progressions with piano interjections. It's decidedly non-rhythmic!

We're then onto 14 (!) different half-minute "Scenechanges", all jazzy and funky, some cool and dramatic, some slow and rhythmic. All ace and groove-fuelled. The aptly-titled "Final Statement" closes proceedings, a slow, pensive theme on guitar joined by cool brass and a solo trumpet to its climax.

As with all of our KPM re-issues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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Albert Ayler Quartet

The Hilversum Session

LP | 1977 | EU (Trading Places)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Jazz iconoclast Albert Ayler took the experimental leanings of contemporaries like John Coltrane and Ornette Coleman as a starting point and then blasted them to stratospheric extremes, creating some of the most polarizing and brilliant music of the 20th Century. In particular, 1964 was a pivotal – and well documented – year in the free jazz artist’s career. After returning to New York, Ayler assembled a brilliant group with Sunny Murray on drums and Gary Peacock on bass, recording Spiritual Unity, Ayler’s first record for the legendary ESP-Disk’ label, that summer.

Soon after that session, Ayler took his trio to Europe where they were joined by cornetist Don Cherry for a tour of The Netherlands, Sweden, and Denmark. The Hilversum Session is a live radio session recorded on November 9th, 1964. At that point the quartet was months into its European tour and the interplay is extraordinary. On classic Ayler compositions like “Spirits” and “Ghosts” the band absolutely rip, with a kind of intuition and connectivity rarely heard, creating some of the most untethered and undeniably powerful music in the history of free jazz. Our Swimmer is pleased to present the first official vinyl reissue of The Hilversum Session in over thirty years.

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Albert Dailey

Renaissance

21,99 €*

LP | 1979 | GDR | Reissue (AMIGA)

Release: 1977 / EU

Genre: Organic Grooves

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Modern and grounded in 1960s hard-bop sensibility, the American pianist and composer Albert Dailey (1939 – 1984) had perfect control over his instrument. Since an early age he played with cutting-edge musicians, the likes of Art Blakey, Sarah Vaughan, Stan Getz, Charles Mingus and Lee Konitz to name just a few. But despite that, he was an underrated artist during his lifetime receiving deserved recognition only after his death. Renaissance 2 November 1977 is his second album, played by a bold group that includes the voice of Cheryl Alexander, Carter Jefferson on sax, Cecil McBee on bass and features both Cheryl Alexander and Adam Nussbaum on drums.

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Albert Mangelsdorff

Release: 1979 / GDR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Albert Mangelsdorff & Members Of Klaus Lage Band

Listen And Lay Back

LP | 1988 | DE | Original (Dino Music)

Release: 1988 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

What A Circus / If I Ever Had To Know

Alberto Podavini

7" | 1977 | FR | Original (Esp!egle)

22,99 €*

Aleksandre Kiladze's Jazz Choral

Release: 1977 / FR – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with ring wear.

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LP | 1986 | Reissue (Tbilisi)

26,24 €* 34,99 € -25%

Release: 1986 / Reissue

Genre: Organic Grooves

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A Trip Around The World Yellow Vinyl Edition

Alessandro Alessandroni

LP | 1973 | EU | Reissue (SAAR)

LP | 1976 | EU | Reissue (Speakers Corner)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Saar Records is reissuing, in a limited edition and under its famous label Stella, thanks to the collaboration with Sonor Music Editions for the remastering, the long-playing “A Trip Around The World”, much sought after by vinyl collectors.

The album was recorded and produced in Pero (Milan, Italy), with the famous Italian composer, director, arranger and multi-instrumentalist Alessandro Alessandroni and was first published in 1973.

Limited edition on yellow vinyl.

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Alice Coltrane

Eternity

33,99 €*

LP | 1976 | US | Reissue (Antarctica Starts Here)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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When the brilliant saxophonist John Coltrane died in 1967, the core values of jazz music had long drawn him into the spiritual world ("A Love Supreme", "Ascension", "Meditations" etc.). His widow and final pianist followed in his footsteps. Alice Coltrane (1937–2007) sought after »cosmic sounds, higher dimensions, astral levels« – she had an important influence on the spiritualised, esoteric music scene of the 1970s. Her first album was only released after John Coltrane’s death, but "Eternity" was already her tenth. (In the same year she founded a Hindu Vedantic Center in California.) The album draws its power from highly contrasted sound worlds. The size of the ensemble ranges from an unaccompanied harp solo ("Wisdom Eye") to a large orchestra with a big band of up to 25 plus a 12-man string section. Alice Coltrane’s main instrument is the electric Wurlitzer organ, whose rasping sound conjures up John Coltrane’s saxophone (especially in the opening number "Spiritual Eternal"). Mostly she improvises modally, sinuously, or with meditative ecstasy – whether in the style of Latin rock ("Los Caballos") or quite without a firm tempo ("Morning Worship" with a tamboura accompaniment). Support comes from such renowned musicians as Charlie Haden (bass), Jerome Richardson (saxophone and flute), Hubert Laws (flute) and Ernie Watts (cor anglais). In the number "Om Supreme" Coltrane switches to a gently swinging Fender Rhodes electric piano, which is joined by a six-voice vocal group. A surprising finale to the album is an orchestral adaptation of an excerpt from Stravinsky’s "Le Sacre du printemps". Here the moments of dissonance and free jazz are far from meditative contemplation.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: August and October 1975 at The Burbank Studios, Burbank, CA, and Westlake Audio, Los Angeles, CA, by Baker Bigsby Production: Ed Michael

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Alice Coltrane

Eternity

27,99 €*

LP | 1976 | US | Reissue (Warner)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Released in 1976, Eternity was Alice Coltrane’s first album for Warner Bros. after eight wondrous records on Impulse! Combining the drones and textures of India, the gospel and R&B of her Detroit youth and the dissonance of modern classical composition, Coltrane’s music in the ‘70s would become increasingly difficult to categorize.

Having moved a few years earlier to California (where she founded the Vedantic Center, an Ashram for spiritual studies), Coltrane stretches out on Eternity—incorporating various musical styles, including a stirring adaptation of Igor Stravinsky’s The Rite of Spring—and the results are dazzling, both in sonic scope and emotional range.

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Alice Coltrane

Eternity

34,99 €*

Metropolitan Opera House Jam Session

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

180 gram version. Vinyl with a couple of light scuffs

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All-Stars '44

3LP | 1974 | JP | Original (Elec Records)

All-State Honors Jazz Band

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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1983 Illinois All-State Jazz Night

2xLP | 1983 | US | Original (Mark)

16,49 €* 21,99 € -25%

1981 Illinois All-State Jazz Night

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with cut corner and writing on the back.

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All-State Jazz Band

2xLP | 1981 | US | Original (Mark)

16,49 €* 21,99 € -25%

12" | 1983 | JP | Original (Warner Bros.)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with cut corner and writing on the back.

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Allan Holdsworth

Road Games

12,99 €*

12" | 1983 | JP | Original (Warner Bros.)

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Allan Holdsworth

Road Games

17,99 €*

Road Games Record Store Day 2020 Edition

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi.

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Allan Holdsworth

LP | 1983 | US | Reissue (Manifesto)

27,99 €*

LP | 1975 | UK | Reissue (Matsul)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.

Original Road Games with Bonus Track.

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Allen Kwela

Black Beauty

LP | 1981 | JP | Original (Baybridge)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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• Allen Kwela, the legendary guitarist and composer central to the story of South African jazz, channels Wes Montgomery and overlays home-grown marabi, setting the benchmark for what became known as “70s township jazz”. • Black Beauty features four tracks composed and led by Kwela with a stellar line-up of musicians including Kippie Moeketsi, Barney Rachabane, Gilbert Matthews, Dennis Mpale, Sipho Gumede and others. • First ever vinyl reissue, a deluxe 180g edition with printed inner sleeve and pressed at Pallas in Germany. Audio mastered and cut for vinyl by Frank Merritt at The Carvery. • Liner notes by Kwanele Sosibo featuring key musician interviews, new insights and unseen photos.

'The cream of Johannesburg’s jazz musicians gathered at state-of-the-art Satbel studios to create Black Beauty for the “Soweto” label. Led by guitarist extraordinaire Allen Kwela and featuring the godfather of South African jazz Kippie Moeketsi, the album successfully straddles producer pressure to emulate the commercial success of Abdullah Ibrahim’s Mannenberg, against the musicians’ own impetus to play a jazz they wanted. While the title track “Black Beauty” nods at Ibrahim’s stylings, the magic happens in the three remaining tracks where Kwela and his top-notch band lay down new directions.

Producer Patric van Blerk, sounded disappointed when asked about the sessions, saying that Kwela was his usual strong-willed self, unwilling to be nudged towards the pop trends of the day. “He was a monster talent and deserved much more than he got at the time.”

Matsuli is proud to restore this special album to its rightful place in the pantheon of South African jazz.'

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Allen Vizzutti

Rainbow

LP | 1983 | JP | Original (Bainbridge)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with OBI!
Cover shows slight wear and yellowing, small tape at spine.

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Allen Vizzutti

Red Metal

19,99 €*

LP | 1983 | JP | Original (Bainbridge)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Allen Vizzutti

Red Metal

29,99 €*

LP | 1976 | CA | Reissue (We Are Busy Bodies)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear. With insert, OBI is missing.

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Almon Memela

Funky Africa

31,99 €*

LP | 1980 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1976 / CA – Reissue

Genre: Organic Grooves

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We Are Busy Bodies returns with a reissue of composter, guitarist, and later producer, Almon Memela's ultra rare 1975 album, Funky Africa. From the original liner notes: Africa has always been many things to many people. To some, Africa is the Dark Continent, a mysterious, romantic and vast expanse of unexplored territory. To others, again, Africa is the ultimate symbol of man's triumph over his environment: a wakening giant destined to play a significant role in world affairs. But to Almon Memela, Africa is Home . . . and his music tells it like it really is. "Funky Africa" is the sound of Africa today. And as you listen, you will find that Africa is indeed many things. For in the music of Almon Memela lies everything that is Africa: the call of the wild and the scream of the Jumbo; the throb of the bush and the roar of Commissioner Street. So here it is . . . "Funky Africa". The sound of Africa, by an African, for the world.

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Alphonse Mouzon

By All Means

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Musik Produktion Schwarzwald)

Alphonse Mouzon

In Search Of A Dream

16,99 €*

LP | 1976 | US | Original (Blue Note)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed. Creased corner.

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Alphonse Mouzon

The Man Incognito

21,99 €*

LP | 1977 | US | Original (Epic)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with ring wear and punch hole

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Alphonso Johnson

Spellbound

LP | 1977 | US | Original (Epic)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Alphonso Johnson

Spellbound

16,99 €*

LP | 1985 | UK | Reissue (Freestyle)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US original. Original inner sleeve

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Ambiance Ii Fusion

Come Touch Tomorrow

30,99 €*

Release: 1985 / UK – Reissue

Genre: Organic Grooves

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LP | 1988 | US | Original (Novus)

Amina Claudine Myers

Amina

LP | 1977 | JP | Original (CBS/Sony)

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sleeve has cutout.

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André Previn Quartet

My Fair Lady

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | EU | Reissue (Ictus)

Andrea Centazzo

U.S.A. Concerts

21,84 €* 22,99 € -5%

LP | 1974 | EU | Reissue (Speakers Corner)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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The Italian Ictus imprint was founded in 1976 by percussionist and composer, Andrea Centazzo, and his wife Carla Lugli. Running for just under a decade, until relaunching during the mid-2000s, the label produced a couple of dozen highly celebrated releases, the majority of which loosely fall under the banner of free jazz. Ictus’ second batch of releases from the label’s historic archives logically begins with Andrea Centazzo’s “U.S.A. Concerts”, originally issued in 1978 and out of print on vinyl for the majority of the time since.

“U.S.A. Concerts” draws on the same rough period when Centazzo was working in the United States at “Environment for Sextet”, which was reissued in the previous batch, and features many of the same players - Polly Bradfield on violin, Eugene Chadbourne on guitar, Tom Cora on cello, and Toshinori Kondo on trumpet, and John Zorn on saxophone - in different configurations. In fact, the first, second, and seventh tracks - “Sextet Improvisation”, “Duet Improvisation # 1”, “Duet Improvisation # 4” - were all recorded on the same day at the same location - Wkcr Radio in New York on November 7, 1978 - as the aforementioned album.

Beginning with the brilliant textural and tonal explorations of the full ensemble encountered in “Sextet Improvisation”, the album quickly moves toward quieter and more restrained investigations of roughly similar ground, moving through a series of duo improvisations between the percussionist and Eugene Chadbourne, Tom Cora, and the under-celebrated saxophonist, Jack Wright, whose howling horn is transformed to otherworldly effect by the reverberance of the space within which he works.

From here Centazzo embraces the trio form with an improvisation with two more under-celebrated figures from the American scene - Davey Williams playing guitar and banjo, and LaDonna Smith on violin, viola, and voice - capturing a performance in Jackson, Mississippi on November 19, 1978, during which the three fire responsive statements that hang like barbs in the spacious air, before conceding the LP with a brilliant suite of duos with Toshinori Kondo, Williams, and Smith.

Offering incredible insight into Centazzo’s unique sensibility, as well as into the work of a new generation of stunning improvisers as they emerged at the tail end of the 70s, before going on to help define the 80s free jazz sound, “U.S.A. Concerts” is a crucial artefact of free music at the juncture; fire on the boundaries of outright noise. An endlessly surprising journey between shifting between airy open passages that feature striking combinations of players, it’s sure to knock the socks off more than a few well-seasoned fans.

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Andy Bey

Experience And Judgement

33,99 €*