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All Items / HHV Records / Vinyl, CD & Tape / Organic Grooves / Jazz | Fusion

Jazz | Fusion Vinyl 693 Items

Hip Hop 53 Organic Grooves 1859 Funk | Soul 714 Contemporary Funk 3 Jazz | Fusion 693 Blues 30 Disco | Boogie 342 Latin | Brazil 140 Afrobeat 155 Original Breaks & Samples 25 Rock & Indie 2116 Electronic & Dance 381 Reggae & Dancehall 357 Pop 553 Classical Music 20 Soundtracks 135 Childrens 1
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Abdullah Ibrahim
Abdullah Sami
Akira Ishikawa & His Count Buffalos
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Reset all Filters Vinyl No Used Vinyl 1970 1971 1973 1975 1976 1977 1978 1979 1980 1981 1982 1983 1985 1986 1987 1989 Stocked Items Only
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Akira Ishikawa & His Count Buffalos - Electrum Clear Orange Vinyl Edition
Akira Ishikawa & His Count Buffalos
Electrum Clear Orange Vinyl Edition
LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)
47,99 €*
Incl. VAT plus Shipping Costs
Release: 1970 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-08
In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)
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Chet Baker - Sings Again
Chet Baker
Sings Again
LP | 1986 | EU | Reissue (Music On Vinyl)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1986 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
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Go to Item
Black Disco - Black Disco Black Vinyl Edition
Black Disco
Black Disco Black Vinyl Edition
LP | 1975 | EU | Reissue (Afrodelic)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari. On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after session players on the South African jazz scene, Cape Town's sax and flute wizard Basil Coetzee, who had risen to fame in 1974 as one of the soloists on the hit “Mannenberg,” and Sipho Gumede, the young bass prodigy from the city of Durban. The album is a mostly downtempo affair with the drum machine on Mohamed’s organ laying down the beat while the trio soars in blissful improvisational territory. Bassist Peter Odendaal and drummer Monty Weber join Mohamed and Coetzee for Black Disco 3 in 1976, preserving the New Age lounge aesthetic but allowing the group to flex their jazz chops more adventurously. “Spiritual Feeling” from the debut album is revamped as “Spiritual Feeling Riding the Blue” but the album opener “Dawn” is the centrepiece – a trippy, flute-driven awakening that unfolds over a period of ten minutes. Reissued and available internationally for the very first time, Afrodelic's 2024 replica editions of Black Disco (1975) and Black Disco 3 (1976) are fully licensed and sourced from the original analog master tapes.
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Masaki Matsubara
Painted Woman White Vinyl Edition
LP | 1983 | JP | Reissue (Pony Canyon)
47,99 €*
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Release: 1983 / JP – Reissue
Genre: Organic Grooves
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Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc.
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Soul Media - Funky Stuff Green Vinyl Edition
Soul Media
Funky Stuff Green Vinyl Edition
LP | 1975 | JP | Reissue (Nippon Columbia)
39,99 €*
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Release: 1975 / JP – Reissue
Genre: Organic Grooves
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"Japanese jazz and Jazz Funk masterpieces are re-released on clear green color vinyl!

A jazz-rock masterpiece by the virtuoso Jiro Inagaki! Beyond jazz and rock. Led by Jiro Inagaki, Soul Media arrived at the ultimate tight, cool groove. As Inagaki himself has said, ""I did black funk,"" his musicality leaped to another dimension by combining the explosiveness of jazz-rock that he had cultivated up to that point with the tenacity and elasticity of black music. Combined with the virtuoso Hiromasa Suzuki's arrangement, the groove is polished, glossy, and shiny. All songs are highlights, such as ""Painted Paradise"" full of dynamism and galloping, ""Breeze"" where funkness and mellowness coexist, and a cover of ""Funky Stuff"" by Kool & the Gang with a low center of gravity and sharpness. It is now a definitive masterpiece that is constantly wanted from all over the world.
text by Yusuke Ogawa (UNIVERSOUNDS/DEEP JAZZ REALITY)"
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Takeshi Inomata / Sound Limited - Sounds Of Sound L.T.D. Clear Vinyl Edition
Takeshi Inomata / Sound Limited
Sounds Of Sound L.T.D. Clear Vinyl Edition
LP | 1970 | JP | Reissue (Columbia Japan)
39,99 €*
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Release: 1970 / JP – Reissue
Genre: Organic Grooves
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"Japanese jazz and Jazz Rock masterpieces are re-released on clear vinyl!

The raging drums scorch the times. Accompanied by a whirlwind of young talents, Takeshi Inomata proudly heralds the arrival of the golden age of jazz-rock.
Takeshi Inomata, a drummer who led the jazz scene in Japan with his precise stick work and musicality that looked ahead to the times. At the end of the 1960s, he was influenced by brass rock, which was flourishing at the time, and formed Sound Limited.
""I want to fuse jazz and rock and bring together young musicians to do music with vitality, and I want this group to be a large-scale group that does not fit into the small framework of modern jazz,"" he says.
His first album and masterpiece was ""Sounds of Sound L.T.D.""(1970). Led by ""Theme ~ Moustache"", which is loved as a symbolic song, it is a masterpiece full of dynamism and enthusiasm throughout the film.
text by Yusuke Ogawa (UNIVERSOUNDS/DEEP JAZZ REALITY)"
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Noriki - Noriki Clear Sky Blue Vinyl Ediiton
Noriki
Noriki Clear Sky Blue Vinyl Ediiton
LP | 1983 | JP | Reissue (Universal Music Japan)
39,99 €*
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Release: 1983 / JP – Reissue
Genre: Organic Grooves
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Pharoah Sanders - Thembi Verve By Request Edition
Pharoah Sanders
Thembi Verve By Request Edition
LP | 1971 | WW | Reissue (Impulse)
33,99 €*
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Release: 1971 / WW – Reissue
Genre: Organic Grooves
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Released in 1971 on Impulse and recorded with two different ensembles, "Thembi" marked a departure from the slowly developing, side-long, mantra-like grooves Sanders had been pursuing for much of his solo career. Instead, it offers an intriguingly wide range of relatively concise ideas resulting in something of an anomaly in Sanders' prime period. Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.
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Horii Katsumi Project - Hot Is Cool Blue Vinyl Edition
Horii Katsumi Project
Hot Is Cool Blue Vinyl Edition
LP | 1987 | JP | Reissue (Sony Music Japan)
57,99 €*
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Release: 1987 / JP – Reissue
Genre: Organic Grooves
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Takeshi Inomata & Sound Limited - New Rock In Europe
Takeshi Inomata & Sound Limited
New Rock In Europe
LP | 1971 | JP | Reissue (Universal Music Japan)
36,99 €*
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Release: 1971 / JP – Reissue
Genre: Organic Grooves
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Jiro Inagaki & Soul Media - Onna Tomodachi (Wandering Birds)
Jiro Inagaki & Soul Media
Onna Tomodachi (Wandering Birds)
LP | 1971 | JP | Reissue (Nippon Columbia)
54,99 €*
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Release: 1971 / JP – Reissue
Genre: Organic Grooves
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This is the first time Jiro Inagaki has featured vocals in this bold take on new rock. The mysterious, blackened rock groove roars out. This jazz-rock work is particularly unique among Jiro Inagaki's works, featuring vocals by Sammy and Yasushi Sawada for the first time, and backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida, and others.
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Hiromasa Suzuki - High Flying Clear Purple Vinyl Edition
Hiromasa Suzuki
High Flying Clear Purple Vinyl Edition
LP | 1976 | JP | Reissue (Nippon Columbia)
54,99 €*
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Release: 1976 / JP – Reissue
Genre: Organic Grooves
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Hiromasa Suzuki is a composer, arranger, and keyboardist who has worked in many genres, including jazz, pop, movies, TV, and commercials. From the late 1960s to the mid-1970s, he worked with Terumasa Hino, Akira Ishikawa, and Jiro Inagaki, who were at the forefront of their time. This 1976 album is the result of his innovative work, which was always one step ahead of the times. This pre-fusion/crossover album also features Shuichi "Ponta" Murakami, Akira Okazawa, and Masayoshi Takanaka.
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Takeo Moriyama - Smile Clear Sky Blue Vinyl Edition
Takeo Moriyama
Smile Clear Sky Blue Vinyl Edition
LP | 1981 | JP | Reissue (Nippon Columbia)
54,99 €*
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Release: 1981 / JP – Reissue
Genre: Organic Grooves
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The famous song “Watarase,” full of Japanese flavor, is recorded for the first time on this album. Takeo Moriyama, a renowned jazz drummer, has been a prominent figure in the free jazz scene since the late 1960s, first with the Yosuke Yamashita Trio and more recently with the Kyoto Jazz Sextet. Moriyama's music has garnered a devoted following among both old and new fans. This album, recorded in 1980 with a quartet featuring his close friend Fumio Itabashi, is one of the most famous works in the history of Japanese jazz music. It features a large-scale performance in which stillness and movement are organically intertwined.
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Jiro Inagaki & Soul Media - Head Rock Clear Blue Vinyl Edition
Jiro Inagaki & Soul Media
Head Rock Clear Blue Vinyl Edition
LP | 1970 | JP | Reissue (Nippon Columbia)
54,99 €*
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Release: 1970 / JP – Reissue
Genre: Organic Grooves
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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.
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Shigeo Sekito - Special Sound Series Vol. 2 - The Word Clear Salmon Pink Vinyl Edition
Shigeo Sekito
Special Sound Series Vol. 2 - The Word Clear Salmon Pink Vinyl Edition
LP | 1975 | JP | Reissue (Nippon Columbia)
54,99 €*
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Release: 1975 / JP – Reissue
Genre: Organic Grooves
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The song "The Word II" was sampled by Mac DeMarco on “Chamber of Reflection" and by Travis Scott and Quavo's project Huncho Jack on "How U Feel." This sampling led to the song becoming widely recognized around the world. The reissue of Shigeo Sekito's masterpiece includes the song. This is the most listened to Electone album in the world, attracting attention from a diverse range of musical genres, including hip-hop, Balearic, and dream pop.
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Louis Armstrong - The Definitive Album By Louis Armstrong Blue Vinyl Edition
Louis Armstrong
The Definitive Album By Louis Armstrong Blue Vinyl Edition
LP | 1970 | EU | Reissue (L.M.L.R.)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Joe McPhee - Tenor
Joe McPhee
Tenor
LP | 1977 | US | Reissue (Superior Viaduct)
25,99 €*
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Release: 1977 / US – Reissue
Genre: Organic Grooves
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“There are lots of outstanding Joe McPhee LPs. Nation Time being chief among them, but there’s also Pieces Of Light, Oleo and Topology. The Poughkeepsie, New York-based multinstrumentalist, by now an international star of free music, has amassed a daunting discography, no doubt. If you want to peer deeply into the soul of Joe McPhee, however, there’s no way around it, you need to spend some quality time with Tenor. “Tenor is McPhee’s first solo record. He did not set out to make it. It was an afterthought, quite literally, born of a gathering of friend s at the Swiss farmhouse of cellist Michael Overhage. A beautiful meal, some drinks, warm conversation, and ... why not, an impromptu recital. Hat Hut producer Werner X. Uehlinger was there and a year later issued it as McPhee’s third LP for the label (Hat Hut C in their famed letter series). “The existential blues ‘Knox’ sets the stage, indicating that this will not just be a toss-off postprandial singalong. ‘Good-Bye Tom B.’ carries on with aching melancholy, through burred notes and hushed harmonics. The relatively jaunty ‘Sweet Dragon’ is also emotionally loaded with Ayler-esque vibrato, slurs, wipes, and blasts of tone. The side-long title track comes without a theme, as a kind of pure investigation of the horn, its potential, its limits, its expressive capacity. There have been few solo sessions as comprehensive and devastating as this spontaneous after-dinner diversion in rural Switzerland in 1976. We’re very lucky someone pressed record.” John Corbett (excerpt from the liner notes)
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Joe McPhee - The Willisau Concert
Joe McPhee
The Willisau Concert
LP | 1976 | US | Reissue (Superior Viaduct)
25,99 €*
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Release: 1976 / US – Reissue
Genre: Organic Grooves
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“Joe McPhee’s first international release, Black Magic Man, was issued on the newly formed Hat Hut imprint in 1975. It was a watershed moment for the 35-year-old musician. Based in Poughkeepsie, New York, he was too far away from Manhattan to have participated extensively in the Loft Jazz happenings of the decade. European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia. “In support of the new record for this Swiss label, McPhee invited John Snyder on a European tour in October 1975. Snyder was a synthesizer player with whom McPhee had made the duet LP Pieces Of Light, released a year earlier on CjR. The two musicians developed an extensive repertoire, playing diverse spaces in the Hudson Valley. Geographically close gigs were a plus, since it took extra energy to hoist Snyder’s ARP 2600. “McPhee and Snyder were invited to play at the Willisau Jazz Festival in Switzerland. If you compare this live record with Pieces Of Light, a studio effort, it’s considerably more open. South African drummer Makaya Ntshoko is rolling thunder on the choral ‘Voices,’ shuffling under Snyder’s bubbly beat on ‘Bahamian Folksong.’ It is quite a special combination, enough so that Hat Hut chose to release it as their next LP, Hat Hut B in their alphabetical series. The Willisau Concert represents the sound of Joe McPhee opening up, opening out, expanding his field of operations to include new figures, fresh experiences, new continents of sound.” John Corbett (excerpt from the liner notes)
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Joe McPhee - Black Magic Man
Joe McPhee
Black Magic Man
LP | 1975 | US | Reissue (Superior Viaduct)
26,99 €*
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Release: 1975 / US – Reissue
Genre: Organic Grooves
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“Black Magic Man is arguably the pivotal Joe McPhee release. It bridged the span between the regional and the international, bypassing the national altogether. “Recorded in the same sessions that produced Nation Time, Black Magic Man consists of music not chosen for that LP. Like its much-feted sister, technically it falls under the domain of CjR, Craig Johnson’s herculean effort in support of McPhee. An erstwhile painter, Johnson became a self-taught audio engineer, acquiring equipment expressly to document McPhee’s music. In December 1970, five years after Johnson and McPhee had met, they recorded two days of activity —a concert followed by an additional day of recordings—at Vassar College where McPhee was teaching in the Black Studies department. About half of the material was used to make Nation Time. While they had planned to issue a follow-up, the money wasn’t there, so the tapes sat dormant. “Fast-forward five years—Werner X. Uehlinger, a Swiss businessman who worked for Sandoz Pharmaceuticals, contacted Johnson while on a trip to the US, and over dinner with McPhee, they discussed putting out some of the unused tracks from the Nation Time sessions. With this casual encounter in 1975, Hat Hut Records was inaugurated. The new label’s maiden release was Black Magic Man, dubbed Hat Hut A, the first in what would become Hat Hut’s letter series. Along the way, the series would feature seven Joe McPhee records, including the first four in a row.” John Corbett (excerpt from the liner notes)
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Billy Cobham - Spectrum Blue Vinyl Ediiton
Billy Cobham
Spectrum Blue Vinyl Ediiton
LP | 1973 | US | Reissue (Friday Music)
42,99 €*
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Release: 1973 / US – Reissue
Genre: Organic Grooves
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Mal Waldron & Gary Peacock - First Encounter
Mal Waldron & Gary Peacock
First Encounter
LP | 1971 | EU (Trading Places)
20,99 €*
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Release: 1971 / EU
Genre: Organic Grooves
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After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’s “She Walks In Beauty” contrasted by the up-tempo groove of Peacock’s “What’s That”; future Native Son founder Hiroshi Murakami makes important contribution on drums.
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