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Reset all Filters Vinyl No Used Vinyl 1970 1971 1973 1974 1975 1976 1979 1981 1983 1984 1985 1986 1987 1988 1989 Stocked Items Only
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Kenny Cox - Multidirection Black Vinyl Edition
Kenny Cox
Multidirection Black Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
43,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Jackie McLean - Demon's Dance Tone Poet Vinyl Edition
Jackie McLean
Demon's Dance Tone Poet Vinyl Edition
LP | 1970 | EU | Reissue (Blue Note)
43,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Jackie McLean’s music weaved in and out of the avant-garde throughout the late-60s but the saxophonist maintained a decidedly post-bop edge on Demon’s Dance featuring trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scott Holt, drummer Jack DeJohnette, and striking cover art by Mati Klarwein.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.
Today's Latin Project - Today's Latin Project
Today's Latin Project
Today's Latin Project
LP | 1983 | JP | Reissue (P-Vine)
44,99 €*
Release: 1983 / JP – Reissue
Genre: Organic Grooves
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Long awaited reissue is finally coming! "Today's Latin Project '' was released in 1983 from Discomate and currently this is one of the most demanded vinyls of 80's Walearic record which was produced by Tadaaki Misago (Tokyo Cuban Boys) who is one of the most important person of Latin music scene in Japan. and arranged by Yasuaki Shimizu (composer, saxophonist and producer / well known for his interpretations of the music of J.S. Bach) , Jun Takemura (latin music compiler / januralist) and Kazuo Otani (composer, arranger / he had been also playing in Shogun). CD version is also available from P-vine / released in 2020). OBI strip is attached.
Babs Robert & The Love Planet - Babs Robert & The Love Planet
Babs Robert & The Love Planet
Babs Robert & The Love Planet
LP | 1970 | EU | Reissue (Alpha)
44,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.
Sphere - Inside Ourselves
Sphere
Inside Ourselves
2LP | 1970 | UK | Reissue (BBE Music)
44,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Recorded live on June 28th, 1970 at the Detroit Institute of Arts, ‘Inside Ourselves’ features John Dana on bass, Jimmy Peluso on Drums, Keith Vreeland on, Electric Piano, Eddie Nuccilli on Trumpet and Flügelhorn, plus bandleader Larry Nozero on tenor and soprano Saxophone. The album comprises seven captivating original compositions, written by Vreeland, Nuccilli and Nozero himself.

Perhaps Larry Nozero’s single most-recognisable contribution to popular music is the soprano sax solo on Marvin Gaye’s seminal, ‘What’s Going On’, the title track and tone-setter for one of soul music’s most successful, not to mention conceptual, recordings.

Like so many talented reedmen before him, Nozero received instruction from Detroit’s Teal School of Music, creating common ground with Yusef Lateef, Joe Henderson, and Benny Maupin. Although Nozero flirted with the Strata groundlings briefly in 1964 as a member of Charles Moore’s Detroit Contemporary 5, he was soon drafted into the military.

A mixed blessing, Nozero took full advantage of the opportunities within the Army Band, which led to several high-profile jobs upon his return to Detroit. Despite lengthy engagements with Henry Mancini, Sergio Mendes, and studio work with everyone from Holland-Dozier Holland to Berry Gordy, Nozero still relished musical freedom of expression, which made him right at home on the Strata roster.

While little is known about Sphere as a standalone group aside from its contributors and producer Bud Spangler, ‘Inside Ourselves’ represents the level of quality jazz expected from the Strata imprint.
Horace Tapscott - Dial 'B' For Barbra
Horace Tapscott
Dial 'B' For Barbra
2LP | 1981 | UK | Reissue (Pure Pleasure)
45,89 €* 50,99 € -10%
Release: 1981 / UK – Reissue
Genre: Organic Grooves
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The best of pianist Horace Tapscott's recordings for the tiny Nimbus label is this 1981 LP which features him in a sextet with trumpeter Reggie Bullen, altoist Gary Bias, tenor saxophonist Sabir Matteen, bassist Roberto Miranda and drummer Everett Brown, Jr. The group stretches out on a couple of Tapscott's originals plus a 19½-minute version of Linda Hill's "Dem Folks". Although the music could be called avant-garde, its use of rhythms and repetition keep the results from being forbidding and the performances have a momentum of their own. Scott Yanow/AMG A great group recording from pianist Horace Tapscott – recorded in LA in the early 80s, but done with all the righteousness and spirituality of his earlier albums! Tracks are long and exploratory, but also relatively lyrical too – stretching out with a style that's never too 'outside', and which has Horace and the group really soaring to the heavens on the best moments! The group here is a sextet – with the great Gary Bias on alto and soprano saxophone, plus Sabir Matteen on tenor, Reggie Bullen on trumpet, Roberto Miguel Miranda on bass, and Everett Brown on drums and percussion – all working with a cohesiveness that reminds us of some of Tapscott's larger group recordings, but with a cleaner, leaner kind of feel. Titles include "Lately's Solo", "Dial B For Barbara", and "Dem Folks".
Steve Grossman - Love Is The Thing
Steve Grossman
Love Is The Thing
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Cedar Walton - The Trio 3
Cedar Walton
The Trio 3
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Robert Watson Quartet - Love Remains
Robert Watson Quartet
Love Remains
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Grant Green - Born To Be Blue
Grant Green
Born To Be Blue
LP | 1985 | US | Reissue (Blue Note)
46,99 €*
Release: 1985 / US – Reissue
Genre: Organic Grooves
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Clifford Jordan Quartet - Glass Bead Games
Clifford Jordan Quartet
Glass Bead Games
LP | 1974 | JP | Reissue (P-Vine)
47,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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There are few saxophonists who were able to hold their own against the late great Eric Dolphy. Clifford Jordan is one of them. As a member of the Charles Mingus sextet on his legendary 1964 European tour with Eric Dolphy, Jordan is featured on iconic albums such as The Great Concert of Charles Mingus and Town Hall Concert. Born in 1931, the tenor saxophonist was a giant of the hard bop genre, with an adaptable style that could match the earthsy avant-blues of Mingus, or soar into space alongside Dolphy. Originally released in 1974 and recorded the year prior, Glass Bead Games was the fifth and final installment in Strata-East’s Dolphy series, and undoubtedly one of the fantastic series’ highlights. The recording features two different quartets, with only Billy Higgins (ds.) and Jordan (ts.) appearing on all tracks; Cedar Walton and Stanley Cowell take turns on piano, while Sam Jones and Bill Lee (father of Spike!) take turns on bass. Across 12 tracks and two sides, Clifford Jordan’s two quartets are consistent, with some of the tightest grooves and most spiritual playing of the 70’s being recorded during these two sessions. Album opener “Powerful Paul Robeson” is an homage to the legendary singer and activist, and is the kind of spiritual jazz that immediately sends chills down your spine. It opens with atmospheric piano rolls and percussion, over which Jordan’s free improvisations take on an almost devotional sound. Homages to great jazz men are frequent throughout, with half of the tracks being named after musicians, including the Lee penned “John Coltrane”. The song opens with a bass solo from Lee, before the quartet settles into a steady mid-tempo groove. Jordan plays the angular melody alone, and with every refrain, the melody takes on a haunting quality, until it descends into a subdued bass solo. The chant-like choral refrain that follows, laid gently over a repetitive bassline and delicate percussion is hypnotic, and as Jordan picks up the melody once more, you’ll feel as though this is somehow different. Glass Bead Games is undoubtedly one of the finest spiritual jazz recordings to come out of the 70s, and is one that you absolutely must not miss! We are proud to be reissuing Clifford Jordan’s Glass Bead Games, available on limited edition vinyl with an obi-strip, only from P-vine Records.
Phil Ranelin - The Time Is Now!
Phil Ranelin
The Time Is Now!
LP | 1974 | JP | Reissue (P-Vine)
47,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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After Motown left Detroit for Los Angeles in 1972, trombonist Phil Ranelin was largely left without work or direction, until he co-founded Tribe with Wendell Harrison later that same year. Two years after forming Tribe, Phil Ranelin would release his first album as a solo leader, The Time Is Now! The record contains all of the hallmarks of the best Tribe recordings: spiritual-leaning improvisations, soulful grooves, and appearances from Tribe regulars: Wendell Harrison, Marcus Belgrave, Reggie Fields, and more! The album opens with a 13 minute improvisation titled “The Time Is Now For Change”. As Ranelin , Belgrave, and Harrison exchange flurries of notes and squeaks over improvised chaos from the rhythm section, the group builds to a spiritual high that calls to mind the best Albert Ayler recordings. Bebop lines and unison phrases occasionally rise to the surface, offering a glimmer of familiarity in what is largely a harsh soundscape. Yet what sets Ranelin (and indeed, all of his Tribe contemporaries) apart from the larger free and spiritual jazz scene at the time is their sense of rhythm. Even as Harrison evokes sounds that would make a Meditations era Coltrane blush, the drums stay in time, and the looping bass and piano riffs take on an almost hypnotic quality, repeating quietly under a whirlwind of sound. Later tracks see the ensemble veer into soul jazz, and jazz-funk, with “Black Destiny” perfectly highlighting the group’s ability to meld the avant-garde with grooves that you won’t be able to stop yourself from tapping your foot to. Members of the Tribe were well known for their appreciation of African American popular music, and the influence of groups such as Sly And The Family Stone is clear in the song’s edgy rhythms and dense sound. This double LP reissue also contains alternate versions and outtakes that are so good you’ll be wondering why they were originally left out! With modern remastering, three bonus tracks, and an obi-strip, you don’t want to miss the definitive version of Phil Ranelin’s The Time Is Now!
Akira Ishikawa & His Count Buffalos - Electrum Clear Orange Vinyl Edition
Akira Ishikawa & His Count Buffalos
Electrum Clear Orange Vinyl Edition
LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)
47,99 €*
Release: 1970 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)
Bob James - Two Gold Vinyl Edition
Bob James
Two Gold Vinyl Edition
LP | 1975 | HK | Reissue (Evosound)
47,99 €*
Release: 1975 / HK – Reissue
Genre: Organic Grooves
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Harold McKinney - Voices And Rhythms Of The Creative Profile
Harold McKinney
Voices And Rhythms Of The Creative Profile
LP+7" | 1974 | EU | Reissue (P-Vine)
47,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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The sole solo album from Harold McKinney! Originally released in 1974 from vaunted spiritual jazz label Tribe, Voices & Rhythms of the Creative Profile sees the pianist, who was the backbone of many a Tribe recording, in tip-top shape. Opener “Ode to Africa” is a nine-minute, groove session, with African rhythms that would fit on any Tribe recording. Congas interplay with writhing basslines, for a track that feels as fresh now as it did nearly half a century ago. The Eddie Harris penned “Freedom Jazz Dance” is just as groovy, with amazing showings from the typical Tribe cadre of musicians, including Wendell Harrison (ts.) and Marcus Belgrave (tp.). But from the gospel-inflicted “Heavenese”, to Herbie Hancock’s classic “Dolphin Dance”, the groove never lets up, with eight hard hitting tracks showing exactly why McKinney was the go-to pianist for Tribe. P-vine is proud to be reissuing Voices & Rhythms of the Creative Profile along with a reissue of a 7-inch containing “Ode To Africa (single version)” and “Jelly Loa”, initially also released around the same time. This deluxe edition LP+7-inch is available on limited edition vinyl, now with an obi-strip and modern digital remastering! Make sure to get this while it’s hot!
Woo - In The Heart Of Love
Woo
In The Heart Of Love
2LP | 1988 | US | Reissue (Palto Flats)
47,99 €*
Release: 1988 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Absolutely essential. Deluxe 2LP edition of this impeccable album from 1988. The spot glossed Gatefold jacket features artwork including archival photos & drawings from Woo’s archives as well as liner notes by Clive Ives.

Issued for the first time in its entirety on vinyl, spread over two LPs, and remastered from newly discovered hi-quality DAT sources, we’re thrilled to present the definitive version of Woo’s most fully-formed album. A cosmic testament to the healing power of love, utilizing vocoded clarinets, pastoral guitars, homespun folk lullabies, and lilting electronics, coalescing into a an hour plus long journey through their otherworldly soundscapes. A prime entry point to Woo’s sound, containing some of their most beloved songs, such as ‘Make Me Tea,’ ‘It’s Love,’ ‘Hopi’ and many others, and also including a never-before heard bonus track – the vocal version of ‘It’s Love.’

Into The Heart Of Love was originally self-released on cassette in 1988, with a wider cassette release in 1990. Compiled from home recordings from the preceding years, and released during a transitional point for the band, the Ives brothers see this album as their most complete work, offering space to the listener to stretch out and immerse themselves into the warmth of their sound.

Woo is the uncategorizable project of Clive and Mark Ives from Brighton, UK. Since the 1970s, the duo have been recording a plethora of eclectic sounds, most falling under the blanket genre of new age, but spiraling out toward notions of ambient sounds, jazz, and other spiritual takes on modern music. They received some acclaim for their early releases, including 1982's Whichever Way You Are Going, You Are Going Wrong and 1989's It's Cosy Inside, but their work began to receive renewed appreciation during the 2010s, when labels such as Drag City and Palto Flats reissued the band's albums. The brothers remained active all the while, digitally self-issuing material.
Kenny Cox - Multidirection Coke Bottle Clear Vinyl Edition
Kenny Cox
Multidirection Coke Bottle Clear Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
48,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Woody Shaw - Blackstone Legacy
Woody Shaw
Blackstone Legacy
2LP | 1971 | US | Reissue (Craft)
49,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.
Bob James - One
Bob James
One
LP | 1974 | HK | Reissue (Evosounds)
50,99 €*
Release: 1974 / HK – Reissue
Genre: Organic Grooves
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Clifford Jordan Quartet - Glass Bead Games
Clifford Jordan Quartet
Glass Bead Games
2LP | 1973 | US | Reissue (Pure Pleasure)
50,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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* Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London / Fifth part of the Strata-East Dolphy Series, Glass Bead Games is arguably the crown jewel of the Strata East movement, an amorphous genre that treads an unusual path between post-bop, 70’s avant-garde and spiritual jazz, with a groove.

Glass Bead Games is full of revelations at many levels. First, the decade of the 1970s did produce genuinely creative, "human" new music flowing from the jazz mainstream; second, Bill Lee was more than Spike's dad: he was a superlative bassist, a team player of the first order, a powerful catalyst who, if anything, deserves to be better known than his son; third, Billy Higgins was, as so many musicians insist, a once-in-a-lifetime drummer—the bellows inspiriting the collective flame.

Most importantly, Clifford Jordan was an artist of the first order, his playing so effortless and unforced, unselfconscious and focused, mature and wise that, at a time when altissimo fury was all the rage, it's small wonder his authentic voice frequently went unheard. His musical rhetoric is so personally expressive, its substance so compelling, the listener couldn't care less about the extraordinary technique required to convey its captivating message. Compared to some of his more acclaimed peers he's a less aggressive yet paradoxically more directive and shaping influence. The climaxes, rather than spelled out, are merely suggested, registering with deep and lasting impact on the listener. It all comes down to learning the language, those precious little beads. Not every player, including Jordan or the listener, can use it like Shakespeare, but all can learn to read Shakespeare and understand its principles of arbitrariness and serendipity, of invariance and transformation.

Jordan, no less than Shakespeare, requires a like-minded cast of players—in this case four musicians of such redoubtable proficiency that each remains committed to keeping the beads in play. He's not a man content with a mere musical "dialogue" with his fellow musicians nor is he about to take the initiative in pulling his troops up to his level. Instead he begins to tell a musical story that's so compelling his three comrades are inspired equally to contribute to a collaborative narrative. This is brilliant music-making by a Coltrane- influenced successor who feels no obligation to mime the predecessor. It may be the most significant saxophone performance on record since Coltrane and, providing the listener stays with it for any length of time, the most deeply satisfying. Jordan's game—so effortless, unforced, and "level"—erases distinctions between composed and improvised, soloist and ensemble, narrator and narrative, the dancer and the dance. It seems incapable of wearing out its welcome.
Rahsaan Roland Kirk - Bright Moments
Rahsaan Roland Kirk
Bright Moments
2LP | 1973 | UK | Reissue (Pure Pleasure)
50,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Pure Pleasure SD2-907
Ryusei Tomoyose - Dah Nah
Ryusei Tomoyose
Dah Nah
LP | 1979 | JP | Reissue (Union)
50,99 €*
Release: 1979 / JP – Reissue
Genre: Organic Grooves
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Horace Tapscott with The Pan-Afrikan Peoples Arkestra - Live At I.U.C.C.
Horace Tapscott with The Pan-Afrikan Peoples Arkestra
Live At I.U.C.C.
2LP | 1979 | UK | Reissue (Pure Pleasure)
50,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Roy Porter Sound Machine - Jessica Deluxe Edition
Roy Porter Sound Machine
Jessica Deluxe Edition
LP+7" | 1971 | JP | Reissue (P-Vine)
51,99 €*
Release: 1971 / JP – Reissue
Genre: Organic Grooves
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He wasn’t satisfied simply being a bebop legend!

Roy Porter spent the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy, quickly becoming a sought-out drummer in the blossoming bebop scene before disappearing from the music industry. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971.

There’s no doubt that his early work in the bebop scene would alter the shape of jazz to come, but it’s his work with Roy Porter Sound Machine where you can really hear the iconic drummer let loose. Recorded at the age of 50, Roy Porter is no longer content to sit back and let others take the spotlight, and his drumming has all the fervent energy of a young drummer who just moved to New York. The title track and album opener, “Jessica” (supposedly written for his girlfriend at the time) quickly became a jazz-funk classic, making appearances on ‘Inner Feelings’ (1975) and ‘Generations’(1994). Throughout the album, Porter shows his incredible talent, whether it’s the downtempo cool swing of “Hip City”, the almost maniacal drum solo on “Drums for Daryl”, or the Jobim-inspired Afro-cuban “Ooh-La-La”. It seems implausible that this was Porter’s first recorded material in over a decade, and one of his first albums as a leader, but it is. With original pressings going for over a thousand dollars on the second-hand market, there’s no doubt that this record is worth its weight in gold.

With the LP reissued on clear yellow vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a vocal version of “Jessica”, and a remix by the one and only Kenny Dope, this reissue has “Deluxe” written all over it. Don’t miss this legendary album, reissued for the first time on clear yellow vinyl with a 7” record, available only from P-vine Records!
Jiro Inagaki & Soul Media - Onna Tomodachi (Wandering Birds)
Jiro Inagaki & Soul Media
Onna Tomodachi (Wandering Birds)
LP | 1971 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1971 / JP – Reissue
Genre: Organic Grooves
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This is the first time Jiro Inagaki has featured vocals in this bold take on new rock. The mysterious, blackened rock groove roars out. This jazz-rock work is particularly unique among Jiro Inagaki's works, featuring vocals by Sammy and Yasushi Sawada for the first time, and backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida, and others.
Hiromasa Suzuki - High Flying Clear Purple Vinyl Edition
Hiromasa Suzuki
High Flying Clear Purple Vinyl Edition
LP | 1976 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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Hiromasa Suzuki is a composer, arranger, and keyboardist who has worked in many genres, including jazz, pop, movies, TV, and commercials. From the late 1960s to the mid-1970s, he worked with Terumasa Hino, Akira Ishikawa, and Jiro Inagaki, who were at the forefront of their time. This 1976 album is the result of his innovative work, which was always one step ahead of the times. This pre-fusion/crossover album also features Shuichi "Ponta" Murakami, Akira Okazawa, and Masayoshi Takanaka.
Takeo Moriyama - Smile Clear Sky Blue Vinyl Edition
Takeo Moriyama
Smile Clear Sky Blue Vinyl Edition
LP | 1981 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1981 / JP – Reissue
Genre: Organic Grooves
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The famous song “Watarase,” full of Japanese flavor, is recorded for the first time on this album. Takeo Moriyama, a renowned jazz drummer, has been a prominent figure in the free jazz scene since the late 1960s, first with the Yosuke Yamashita Trio and more recently with the Kyoto Jazz Sextet. Moriyama's music has garnered a devoted following among both old and new fans. This album, recorded in 1980 with a quartet featuring his close friend Fumio Itabashi, is one of the most famous works in the history of Japanese jazz music. It features a large-scale performance in which stillness and movement are organically intertwined.
Jiro Inagaki & Soul Media - Head Rock Clear Blue Vinyl Edition
Jiro Inagaki & Soul Media
Head Rock Clear Blue Vinyl Edition
LP | 1970 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1970 / JP – Reissue
Genre: Organic Grooves
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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.
Shigeo Sekito - Special Sound Series Vol. 2 - The Word Clear Salmon Pink Vinyl Edition
Shigeo Sekito
Special Sound Series Vol. 2 - The Word Clear Salmon Pink Vinyl Edition
LP | 1975 | JP | Reissue (Nippon Columbia)
54,99 €*
Release: 1975 / JP – Reissue
Genre: Organic Grooves
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The song "The Word II" was sampled by Mac DeMarco on “Chamber of Reflection" and by Travis Scott and Quavo's project Huncho Jack on "How U Feel." This sampling led to the song becoming widely recognized around the world. The reissue of Shigeo Sekito's masterpiece includes the song. This is the most listened to Electone album in the world, attracting attention from a diverse range of musical genres, including hip-hop, Balearic, and dream pop.
Charles Mingus - Mingus At Antibes
Charles Mingus
Mingus At Antibes
2LP | 1976 | EU | Reissue (Speakers Corner)
55,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.
The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.
Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond
Production: Neshui Ertegun
Herbie Hancock - Flood
Herbie Hancock
Flood
2LP | 1975 | EU | Reissue (Speakers Corner)
55,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. The last LP that the keyboard virtuoso had recorded, "Thrust", was already one year old, and the film music for the Charles Bronson classic "Death Wish" was received negatively by his fans. At his concerts in Tokyo, Herbie Hancock reached back to his hits: "Maiden Voyage", "Chameleon", and the famous, soulful "Watermelon Man" made the fans at his concert hall and open-air appearances go wild with enthusiasm. Forty years later I have the courage to confess that I couldn’t have cared less about this music at the time; in Europe there was enough that was new and exciting to see and listen to. However, this re-release in its original format has given me the opportunity to check out whether this music has withstood the test of time. And I must say: it has passed the test! Just listen to Herbie at his best!
Dr. Michael Frohne
Chet Baker - At Capolinea
Chet Baker
At Capolinea
LP | 1984 | EU | Reissue (Red)
56,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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Mustafa - Polygamy Purple Vinyl Edition + Booklet
Mustafa
Polygamy Purple Vinyl Edition + Booklet
LP | 1984 | EU | Reissue (Fatima International)
59,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.
Wendell Harrison - An Evening With The Devil
Wendell Harrison
An Evening With The Devil
LP | 1973 | JP | Reissue (Deep Jazz Reality / Tribe / Octave-Lab)
62,99 €*
Release: 1973 / JP – Reissue
Genre: Organic Grooves
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Kifu Mitsuhashi & Kiyoshi Yamaya - Shakuhachi Mountain Poetry
Kifu Mitsuhashi & Kiyoshi Yamaya
Shakuhachi Mountain Poetry
LP | 1976 | JP | Reissue (Columbia Japan)
65,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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First released in 1976, 'Shakuhachi Mountain Poetry' is one of a two part album collaboration between Shakuhachi master, Kifu Mitsuhashi and jazz musician, Kiyoshi Yamaya. Together, the two artists blended their individual musical disciplines to compose an album that beautifully captures the spirit of both traditional Japanese folk music and jazz. Don't miss out on this incredibly unique Japanese-jazz fusion record!
Mikio Masuda - Mickey's Mouth
Mikio Masuda
Mickey's Mouth
LP | 1976 | JP | Reissue (Universal Music Japan)
69,69 €* 81,99 € -15%
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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Mikio Masuda, who went to the U.S. as an independent member of Terumasa Hino's group, formed the crossover/fusion group 'Mickey's Mouth' after returning to Japan. This is the band's first album, featuring mainly original compositions.
Al Di Meola, Hon Mclaughlin, Paco De Lucia - Friday Night In San Francisco
Al Di Meola, Hon Mclaughlin, Paco De Lucia
Friday Night In San Francisco
2LP | 1981 | EU | Reissue (Impex)
73,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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Duke Ellington - Indigos Black Vinyl Edition
Duke Ellington
Indigos Black Vinyl Edition
2LP | 1989 | US | Reissue (Impex)
73,99 €*
Release: 1989 / US – Reissue
Genre: Organic Grooves
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Ella Fitzgerald - Sings The George & Ira Gershwin Songbook
Ella Fitzgerald
Sings The George & Ira Gershwin Songbook
Box | 1985 | Reissue (Not Now)
73,99 €*
Release: 1985 / Reissue
Genre: Organic Grooves
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Herbie Hancock - Headhunters
Herbie Hancock
Headhunters
2LP | 1973 | US | Reissue (Analogue Productions)
80,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Miles Davis - Tribute To Jack Johnson
Miles Davis
Tribute To Jack Johnson
LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)
83,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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Duke Ellington - Indigos Indigo Purple Vinyl Edition
Duke Ellington
Indigos Indigo Purple Vinyl Edition
2LP | 1989 | US | Reissue (Impex)
93,99 €*
Release: 1989 / US – Reissue
Genre: Organic Grooves
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