Jazz | Fusion Vinyl 2978 Items

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1985 | US | Original (Uptown)

Peter Leitch

Exhilaration

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1979 | US | Original (Concord Jazz)

Marian McPartland

From This Moment On

LP | 1974 | US | Reissue (Now-Again)

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Phil Ranelin

The Time Is Now

31,99 €*

LP | 1974 | Reissue (Nicole)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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The Tribe co-founder’s debut, lacquered directly from his master tapes in an all analog transfer by Bernie Grundman. The definitive reissue of this Spiritual Jazz album which set the stage for his Vibes from the Tribe The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Jim Marks

Touching Your Feelings

38,99 €*

Release: 1974 / Reissue

Genre: Organic Grooves

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A Trip Around The World Yellow Vinyl Edition

Alessandro Alessandroni

LP | 1973 | EU | Reissue (SAAR)

28,99 €*

LP | 1982 | US | Original (Elektra)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Saar Records is reissuing, in a limited edition and under its famous label Stella, thanks to the collaboration with Sonor Music Editions for the remastering, the long-playing “A Trip Around The World”, much sought after by vinyl collectors.

The album was recorded and produced in Pero (Milan, Italy), with the famous Italian composer, director, arranger and multi-instrumentalist Alessandro Alessandroni and was first published in 1973.

Limited edition on yellow vinyl.

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Grover Washington, Jr.

The Best Is Yet To Come

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

More From The Last Concert

The Modern Jazz Quartet

LP | 1981 | US | Original (Atlantic)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | EU | Reissue (Mad About)

Joel Fairstein

Umbra

Jean-Luc Ponty With Giorgio Gaslini / Steve Lacy / Harry Beckett / Tony Oxley / Gianni Bedori / Bruno Tommaso / Paul Rutherford

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Hailing from Knoxville, Tennesee, Joel Fairstein has earned critical praise as Jazz pianist, composer, producer, and studio musician. His first album, "Umbra", an LP recorded at age 24 with eighteen sidemen has since become a sought-after collector item. It includes an insert with interview and exclusive photos.

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Jean-Luc Ponty Meets Giorgio Gaslini

LP | 1976 | US | Original (Pausa)

15,99 €*

Bill Berry And The LA Band

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with foxing. Cover with cut corner

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Hello Rev

LP | 1976 | US | Original (Concord Jazz)

2LP | 1976 | US | Original (Verve)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with stains on the back

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Bud Powell

The Genius Of Bud Powell

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | US | Reissue (Inner City)

The Great Jazz Trio

Love For Sale

LP | 1985 | US | Original (Belladonna)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with promo stamp on the back

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Lingua Franca

Common Language

5,09 €* 5,99 € -15%

Clap Clap! The Joyful Noise

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Kenny Cox

2LP | 1975 | UK | Reissue (BBE)

41,99 €*

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Rough & Tumble Tone Poet Vinyl Edition

Stanley Turrentine

LP | 1973 | UK | Reissue (Blue Note)

33,99 €*

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Original (Philadelphia International)

MFSB

Love Is The Message

10,99 €*

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | US | Original (Warner Bros.)

David Sanborn

Hideaway

3,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Roland Hanna Plays The Music Of Alec Wilder

Roland Hanna

LP | 1980 | US | Original (Inner City)

Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US original pressing! Stuffed corners.

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Rise Vision Comin

LP | 1976 | JP | Reissue (P-Vine)

31,99 €*

The Franklin Street Arterial

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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If being the founder and chairman of Third World Press Organisation - the largest independent black-owned publishers - wasn’t enough for activist and poet Haki R Madhubuti, he is also credited with a lesser-known yet remarkable music career. As the bandleader of Haki R. Madhubuti and Nation: Afrikan Liberation Arts Ensemble, Madhubuti combined his razor-sharp spoken-word poetry with a band of incredible musicians to create an unforgettable experience of avant-garde and spiritual jazz.

The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on saxophone who also served as creative director. It features 9 tracks with the title track, “Rise, Vision, Comin” a great example of the adhesive comradery between instrumentation and Madhubuti’s spoken-word. On the track, they match each other pace for pace and build into frenzy where they finally reach Madhubuti's prophetic words, “We are what we are, We are what we are not, we are what we are going to be”.

A prominent name in the Black Arts Movement, Haki R Madhubuti to date has published over 20 books with his direct and illuminating form of poetry having shared the same halls as other vital voices in the movement like Audre Lorde and Maya Angelou. P-vine is thrilled to reissue Rise Vision Comin on limited-edition vinyl with a unique Japanese obi strip, and celebrate the music of Madhubuti’s extraordinary career.

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The Franklin Street Arterial Colored Vinyl Edition

LP | 1980 | EU | Reissue (Petit Cherie)

Klaus Weiss Rhythm And Sounds

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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The Franklin Street Arterial were from Portland, Maine and are the type of band to appreciate since the beginning of A Side. Late 70s and early 80s light fusion sound (but not smooth jazz!). Definitely more on the jazz side rather than rock, but with well crafted melodies and solid professional playing from all. Sublime synthesizer, fine guitar, and fantastic sax gives an honest and touchable value to this record.

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Sound Inventions (Selected Sound)

LP | 1979 | EU | Reissue (Be With)

LP | 1975 | EU | Reissue (Be With)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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The second Be With foray into the archives of revered German library institution Selected Sound is one of our favourites, Sound Inventions from Klaus Weiss Rhythm And Sounds, originally released in 1979. From the notoriously strong mind of Niagara drummer / library-funk overlord Klaus Weiss, Sound Inventions is loaded with tripped out studio funk-freakery, mad samples and swaggering abstract funk grooves. From dramatic deep disco with dark Italo/Moroder leanings to heavy German funk breaks, this is absolutely sensational. Absolute synth-and-string-drenched magic. Born in 1942 in Gevelsberg, Germany, Klaus Weiss began his career as a jazz drummer at sixteen (with a group called the Jazzopators) before working with the internationally successful 60s groups the Klaus Doldinger Quartet and the Erwin Lehn Big Band. In 1965 he formed his own trio, the first of many groups to bear his name, and as his renown as a bandleader grew over the next decade it naturally lead to working in production music. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Sammy Burdson

Background Action

LP | 1974 | IT | Original (Durium)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of super-heavyweight espionage-funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. Background Action’s first side is all Blaxploitation wah-wah, funky clav and heavy, heavy drums. It’s top-quality takes on the sort of hard-knocking psychedelic sleuth-funk that the library labels gave us in spades.

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V.A.

Saint Louis Blues

Release: 1974 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1977 | US | Original (Savoy)

V.A.

The Roots Of Rock'N Roll

10,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1974 | EU | Reissue (Speakers Corner)

Andy Bey

Experience And Judgement

33,99 €*

LP | 1973 | US | Original (Atlantic)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Andy Bey was one of the most sought-after vocalists in the era of jazz fusion. Between 1968 and 1973 he was first choice as a studio singer for Max Roach, Duke Pearson, Horace Silver, Gary Bartz and Stanley Clarke, to mention but a few. His warm and engaging baritone voice easily crossed the bridge from conventional blues and gospel to a pugnacious, politicising style of soul – Andy Bey was 'spiritual' in every sense of the word. "Experience And Judgment", his debut album under his own name, was recorded in New York in 1973 and quickly became a cult album. Bey delivers twelve songs in single length, which are full of relaxed, funky grooves, soulful and electrifying, and quite lacking in gimmickry – in many of them a blues number is lurking in the background as a basic idea. His most important colleagues are Wilbur Bascomb, who lets his electric slap bass really thump out, and Bill Fischer who joins in on an electric piano, synthesizer and various other keyboards and really sets off a little fusion firework display. The most powerful numbers come from Andy Bey himself, such as "Experience", "Judgment", "Celestial Blues", "Tune Up" and "Being Uptight" – often powering forwards with a vengeance. Bill Fischer – at that time Artistic Director at Atlantic Records – added a few soul ballads to balance out the LP. This album inspired numerous jazz singers, including Gregory Porter. Jamie Cullum says: »What I love about Andy Bey is that he creates an atmosphere. As soon as he opens his mouth, you’re transported to another place.«

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: July and September 1973 at Regent Sound Studios, New York, by Bob Liftin Production: William S. Fischer

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David "Fathead" Newman

The Weapon

LP | 1982 | US | Original (MCA)

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+. Saw cut.

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Spyro Gyra

Incognito

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

The Great Jazz Trio Direct From L.A.

The Great Jazz Trio

LP | 1978 | JP | Original (East Wind)

Premiata Forneria Marconi

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese reissue in gatefold.

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Jet Lag Blue Vinyl Edition

LP | 1977 | EU | Reissue (Rca Label)

22,94 €* 26,99 € -15%

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Bravo Pravo Yellow Vinyl Edition

Patty Pravo

LP | 1970 | EU | Reissue (Rca Label)

26,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Gente Distratta Red Vinyl Edition

Tony Esposito

LP | 1977 | EU | Reissue (Numero Uno)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Elkar)

William S. Fischer

Akelarre Sorta

LP | 1981 | US | Reissue (Applause)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pello Joxepe is in the bar, but this time he's moving his hips to the sound of Curtis Mayfield's Superfly funk-soul groove. These are the kind of psychedelic visions created by this esoteric "Akelarre Sorta", an unparalleled gem. The African-American saxophonist, pianist and composer William S. Fischer, who worked in the 1950s with stars of the stature of Ray Charles, Muddy Waters, Joe Zawinul and Roberta Flack, in 1972 made an album of catchy, funky versions of popular tunes. And that's it, as simple as it is mysterious and surprising. Little more has ever been known about this recording or about the reasons behind William's visit to the Basque Country. So here it is, ready to attract a new audience to join the cult following it has gradually built up over nearly 50 years.

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Bobby Hutcherson

Stick-Up!

LP | 1981 | US | Original (MCA)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US reissue from 1981.
Sleeve has water damage. and small tear on opening edge. no splits.

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The Crusaders

Standing Tall

Homecoming - Live At The Village Vanguard

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a cut-out.

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Dexter Gordon

2LP | 1977 | US | Original (Columbia)

Your Prayer Takes Me Off / The Captain Of Her Heart

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Double

12" | 1985 | DE | Original (Metronome)

3,99 €*

Release: 1985 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1983 | DE | Original (Windham Hill)

Shadowfax

Shadowdance

6,95 €*

LP | 1977 | CA | Reissue (Morning Trip)

Release: 1983 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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James Newton

Flute Music

21,99 €*

Metti Una Sera Cerri White Vinyl Edition

Release: 1977 / CA – Reissue

Genre: Organic Grooves

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Jame’s Newton’s 1977 self-released solo-debut, ‘Flute Music’ is an unheralded gem of the 70’s jazz underground. An album that showcases a diverse range of styles and fervent cross-pollination, while retaining a clear sense of direction and cohesion. An artist funnelling their wild expression into multiple facets of “The New Music”, crafting an auspicious and artistic debut. Newton would later go on to record with revered jazz labels like India Navigation and ECM, and collaborate with fellow creative luminaries like Sam Rivers, Anthony Davis, Andrew Cyrille, David Murray, and John Carter. But ‘Flute Music’ captures Newton’s fiery creativity and experimental nature in its earliest blossom.

The album’s opener, Arkansas Suite, finds Newton’s flute unaccompanied, but densely layered. Folding and cascading upon itself, he creates a ricocheting web of dense woodwind harmonics. The effect is deeply immersive and meditative. From first blush, it seems this could be an album of blissful new age. But after this track, Newton’s influences explode outwards. On the same LP side, Darlene’s Bossa welcomes a full band into the fold. The track expounds upon a latin-jazz groove as if the group were seasoned experts of the form. The next track once again finds Newton’s flute on its own as he upends Duke Ellington’s jazz standard, Sophisticated Lady. And finally, on the sidelong b-side track, Poor Theron, the band is suffused with free-jazz electricity - quietly roiling in the midst of musique concrete clatter, and exploding into a din of spiritual fervor. Flute Music pushes in many directions at once, and yet it revolves firmly around a singular smoldering core. That core is Newton’s unmistakable talent and musicianship. His flute anchors the whole affair, whether it’s in cascading sheets of unaccompanied wind, or flitting between the breathmarks of his backing band.

With ‘Flute Music’, James Newton casts himself as a potent force on the creative-jazz scene, and the rest of his career has certainly given credence to that promise.Reissued for the first time since its scarce private-press issue in 1977, Morning Trip are exceedingly proud to present the debut solo work by a renowned and prestigious jazz luminary.

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Franco Cerri

LP | 1973 | EU | Reissue (SAAR)

28,99 €*

LP | 1978 | US | Original (Elektra)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Franco Cerri is considered by many the best Italian guitarist and one of the best guitarists and 'music stylists' that European jazz has ever produced. He began his long and prolific career in 1945 with Gorni Kramer and in 1949 he accompanied Django Reinhardt. In the '50s he collaborated with great jazz masters. Working with musicians from Chet Baker to Gerry Mulligan, and from Billie Holiday to Lee Konitz, and in modern jazz quartet or quintet, with musicians such as Tullio De Piscopo, Pino Presti, Gianluigi Trovesi, Flavio Ambrosetti and Jean-Luc Ponty, made Franco Cerri a leader in the Italian and European jazz world.

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Lee Ritenour

The Captain's Journey

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Quincy Jones Presents Patti Austin

Every Home Should Have One

LP | 1981 | US | Original (Qwest)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | EU | Reissue (Musica Per Immagini)

Ugo Busoni

Valvole

George Shearing And Mel Tormé

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Ugo Busoni's “Valvole” is a classic example of the so-called library music records released – between the end of the Sixties and up to the Nineties – in Italy as in the rest of the world, in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized by a certain didactic 'formalism' that allowed an immediate choice for their main use. The titles given to the compositions had to recall a specific topic or setting that would make the choice of technicians easy for synchronization. Tokyo, Uscita Da Scuola, Raid, Polvere Cosmica, Su Una Nuvola, Controspionaggio and Starne are, not surprisingly, some of the titles of the tracks of this album published more than forty years ago by Nuova Idea. Sounds from the Far East, folky and rock guitars, psychedelic rhythms, avant-garde tunes, cosmic echoes and much more are some of the elements of one of the most indecipherable records of that historical period, reissued for the first time on vinyl by Musica Per Immagini with a brand new artwork.

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An Evening With George Shearing And Mel Tormé

LP | 1982 | US | Original (Concord Jazz)

6,29 €* 6,99 € -10%

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | US | Reissue (Pausa)

Oscar Peterson

Girl Talk

14,39 €* 15,99 € -10%

LP | 1976 | US | Original (Blue Thumb)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

1980 reissue.

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The Crusaders

Those Southern Knights

LP | 1976 | JP | Original (CBS/Sony)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on cover.

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Phoebe Snow

Second Childhood

LP | 1985 | JP | Original (Warner Bros.)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing, no Obi.
Sleeve has foxing and heavy wear.

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George Benson

20/20

Phoebe Snow = Phoebe Snow

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI. close to NM

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It Looks Like Snow = 雪模様

LP | 1976 | JP | Original (CBS/Sony)

LP | 1975 | EU | Reissue (Souffle Continu)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert.

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Jacques Thollot

Watch Devil Go

The Scene Changes, Vol. 5

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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To write these few lines, we spoke to saxophonist François Jeanneau, an old friend of Jacques Thollot who also played on several of his albums, including the “Watch Devil Go” which interests us here. He told us a story which, according to him, sums up the personality of Thollot. A noted studio had reserved three days for a Thollot recording session. The first morning was devoted to sound checks and putting some order in the score sheets which Jacques would hand out in a somewhat anarchic manner. Then everyone went for lunch. When the musicians returned to the studio, Thollot had disappeared. He wasn’t seen again for the three days. When he reappeared, he had already forgotten why he had left, The music of Jacques Thollot is in the image of its’ author: it takes you somewhere, suddenly escapes and disappears, returning in an unexpected place as if nothing had happened.

Four years after a first album on the Futura label in 1971, Jacques Thollot returned, this time on the Palm label of Jef Gilson, still with just as much surrealist poetry in his jazz. In thirty-five minutes and a few seconds, the French composer and drummer, who had been on the scene since he was thirteen, established himself as a link between Arnold Schoenberg and Don Cherry. Resistant to any imposed framework and always excessive, Thollot allows himself to do anything and everything: suspended time of an extraordinary delicacy, a stealthy explosion of the brass section, hallucinatory improvisation of the synthesisers, tight writing, teetering on the classical, and in the middle of all that, a hit; the title-track - that Madlib would one day end up hearing and sampling.

“Watch Devil Go” was in the right place in the Palm catalogue, which welcomed the cream of the French avant-garde in the 70s. But it is also the story of a long friendship between two men. Jacques Thollot and Jef Gilson had known and respected one another for a long time. Though barely sixteen years old, Thollot was already on drums on the first albums by Gilson starting in 1963 and would play in his big band (alongside François Jeanneau once again), ‘Europamerica’, until the end of the 70s.

In a career lasting half a century and centred on freedom Jacques Thollot played with the most important experimental musicians (Don Cherry, Sonny Sharrock, Michel Roques, Barney Wilen, Steve Lacy, François Tusques, Michel Portal, Jac Berrocal, Noël Akchoté...) and they all heard in him a pulsation coming from another world. (Jérôme "Kalcha" Simonneau)

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Bud Powell

LP | 1983 | JP | Original (Blue Note)

49,99 €*

LP | 1985 | US | Original (Doctor Jazz)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition.
OBI not included.
Includes original insert.
Record is close to VG+.

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Gato Barbieri

Apasionado

Charles Mingus Jazz Workshop

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.
LP is close to VG+.

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Pithecanthropus Erectus

LP | 1976 | JP | Reissue (Atlantic)

LP | 1983 | JP | Original (MCA)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Joe Sample

The Hunter

LP | 1978 | JP | Original (A&M)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Cover and vinyl are close to NM.

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Wes Montgomery

Greatest Hits

19,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | JP | Original (Better Days)

The 24th. Street Band

Share Your Dreams

LP | 1975 | JP | Reissue (Musik Produktion Schwarzwald)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert.

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Oscar Peterson

Action

12,99 €*

George Benson, George Duvivier, Al Harewood, Mickey Tucker

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Jazz On A Sunday Afternoon Vol. II

LP | 1981 | JP | Original (Polydor)

11,99 €*

LP | 1975 | JP | Reissue (Musik Produktion Schwarzwald)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Oscar Peterson

Girl Talk

LP | 1986 | JP | Original (A Touch)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing, no Obi.

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The Gadd Gang

13,99 €*

LP | 1976 | EU | Reissue (Dialogo)

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert

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Piero Umiliani

L'Uomo E La Citta'

LP | 1975 | EU | Reissue (Dialogo)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Piero Umiliani’s “L’Uomo e la Città” perfectly fits into the urban-themed section of Italian library music, an album where our Man is accompanied by jazz celebrities Bruno Tommaso, Oscar Valdambrini, Dino Piana and Nino Rapicavoli, all part of this Umiliani-led ensemble. “L’Uomo e la Città” takes less risks in favor of an extraordinary jazz tightness (“Rete Urbana”, “Quartieri Alti”, “Città Frenetica”), but amazes even more in the two excellent renditions of “Centrale Termica” and “Suoni della Città”, among the best tracks of the album.

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Piero Umiliani

Polinesia

LP | 1980 | JP | Original (Windham Hill)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“Polinesia” is another incredible example of Piero Umiliani’s versatility, showing how he could combine an artistic path intimately bound to Italy and to its traditions with the world’s sounds - and even more, given the cosmic ventures of some of his releases. Fully recorded with glowing percussion and exotic suggestions that remind of Martin Denny, bringing to mind sunny white beaches, Oceania and the famous Bora Bora island, “Polinesia” is the perfect soundtrack to a full-moon exotic night.

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George Winston

Autumn

14,99 €*

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1980 / JP – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI!

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Eddie Marshall

Dance Of The Sun

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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2LP | 1970 | JP | Reissue (CBS/Sony)

Teddy Wilson

The Teddy Wilson

Mr. Wilson (The Fabulous Teddy Wilson At The Piano)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with obi, includes insert | Shrink wrapped but opened | Foxing

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Teddy Wilson

LP | 1979 | JP | Reissue (CBS/Sony)

17,99 €*

Shadow Dancing Clear Vinyl Edition

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Azar Lawrence

LP | 1985 | US | Reissue (Tidal Waves Music)

39,99 €*

Shadow Dancing Black Vinyl Edition

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Saxophonist Azar Lawrence (born 1952) needs little introduction, as a young musical prodigy he was lovingly tutored by his mother, who taught music and led their church choir. At age 5, he played violin in the Los Angeles Junior Symphony, then viola, but his ears were turned to the saxophone at age 13. Azar spent his teen years immersed in jazz at the home of his best friend, none other than the late Reggie Golson, son of the great composer/arranger/saxophonist, Bennie Golson. From then on it was jazz, jazz and more jazz!

Azar Lawrence began his jazz career at the renowned Dorsey High School Jazz Workshop. After high school he played in Horace Tapscott's ‘Pan Afrikan Peoples Arkestra’ and started performing in the Los Angeles club circuit. He soon found himself playing with the Ike & Tina Turner band, the Watts 103rd Street Band and War. At the age of 19, Azar joined John Coltrane’s drummer Elvin Jones for over 3 years before being invited by McCoy Tyner to join his quartet (an alchemy that lasted for 5 exuberant years). During his tenure with Tyner, he also recorded with Miles Davis on the album Dark Magus at the famed Carnegie Hall.

Upon leaving Tyner, Azar Lawrence recorded his own projects on Prestige Records, including Bridge Into The New Age (1974), Summer Solstice (1975) and People Moving (1976). After these three albums it would take over a decade before Mr. Lawrence would record another solo album (Shadow Dancing, released in 1985). Azar went on to record/write and perform with luminaries such as Freddie Hubbard, Busta Rhymes, Roberta Flack, The Headhunters and Mulatu Astatke. His sensational collaborations of the period included writing and performing on Earth Wind & Fire’s highly acclaimed platinum album, Powerlight, and on Marvin Gaye’s Grammy award winning, Hear My Dear. Azar Lawrence’s work was sampled by renowned artists/acts from the likes of Madlib, Cypress Hill…and many others.

In the early 2000s, Lawrence surged back onto the jazz scene and continues to electrify audiences with outstanding original compositions and chart hitting albums. His band, The Azar Lawrence Experience (tale) appears with as many as eight musicians who sizzle to the sounds of Azar's powerful compositions, as well as songs from the Coltrane songbook. To this day Tale dedicates itself to sharing a lifetime of Azar Lawrence’s music, art and spirituality with global audiences.

On the album Shadow Dancing (released in 1985), which we are proudly presenting you today, you can hear the musical versatility only an artist like Azar Lawrence can deliver. Next to his trademark jazz sound, this album is filled with funk, soul and boogie influences. If you’re looking for THE perfect mix of synth filled boogie & jazz-funk where the Sax takes the center stage…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).

Also featured on these recordings are some serious all-star guest musicians from the likes of Oren Waters (Herbie Hancock, Curtis Mayfield), Roy Galloway (Jimmy Cliff, Gladys Knight), Fred Johnson (The Temptations, George Clinton), James Gadson (Bill Withers, Quincy Jones), Leo Nocentelli (The Meters, Maceo Parker), Marlo Henderson (Gil Scott-Heron, Ahmad Jamal), Denzil Miller (Kurtis Blow, Diana Ross) and Eddie Brown (Stevie Wonder, Dennis Coffey).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1985 on Riza Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Azar Lawrence

LP | 1985 | US | Reissue (Tidal Waves Music)

19,99 €*

LP | 1979 | JP | Original (Warner Bros.)

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Stuff

Stuff It!

LP | 1979 | JP | Original (Infinity)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert.

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Spyro Gyra

Morning Dance

LP | 1985 | JP | Original (Atlantic)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Small light scuffs on side 1.
Includes OBI.

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Jean-Luc Ponty

Fables

LP | 1978 | JP | Original (CBS/Sony)

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

The record is basically NM, there are one or two small spots related to humidity.
The cover has a bit of storage wear, insert and OBI included, has a small damage.

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Al Di Meola

Casino

20,99 €*

LP | 1983 | JP | Original (Warner Bros.)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without obi. close to NM

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David Sanborn

Backstreet

11,99 €*

The Saturday Night Live Band

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

incl. OBI

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Gotta Keep My Eye On You

LP | 1983 | JP | Original (Electric Bird)

Captain Caribe - The Best Of Earl Klugh

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Earl Klugh

LP | 1979 | JP | Original (Blue Note)

12,99 €*

LP | 1981 | JP | Original (MCA)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Record is close to NM. Cover has humidity stains, otherwise great shape. Comes with Obi and inserts.

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Joe Sample

Voices In The Rain

LP | 1979 | JP | Original (Infinity)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Spyro Gyra

Morning Dance

Landscape - Art Pepper Live In Tokyo '79

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi.

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Art Pepper

LP | 1979 | JP | Original (JVC)

LP | 1977 | EU | Reissue (Dialogo)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with insert and OBI.

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Steve Lacy

Straws

LP | 1975 | EU | Reissue (Sommor)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Steve Lacy’s LP, "Straws", issued as the sixth instalment of the label’s DIVerso series in 1977. Truly singular in the legendary American saxophonist’s discography - featuring stunning solo excursions and dialogs with himself - it remains one of the great documents of 1970s improvisation, and is as engrossing, creatively riveting, and as ahead of its time today as it was when it was laid to tape. Complete with original liner notes penned by Lacy himself, it’s not to be missed!

Steve Lacy (July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. His career has been long and prolific; Lacy worked extensively in experimental jazz and to a lesser extent in free improvisation, but his music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. In 1977 he released a one-off record titled Straws for the Italian Cramps Records label, as the 6th volume of the DIVerso series (which included, among others, Demetrio Stratos’ solo albums) dedicated to contemporary avant-garde composers. Straws is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork and inner sleeve.

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Barcelona Traction

LP | 1976 | EU | Reissue (Mad About)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“After recording in 1972 the cult album "We Are Digging The Beatles" with ex-Màquina! sax player Peter Rohr, innovative pianist Lucky Guri decided to form his own band, having jazz as a starting point but taking it to a more electric, eclectic sound with multiple influences. And thus, in 1973, he created the New Jazz Trio, which would become the embryo for Barcelona Traction. Lucky was accompanied by top double bass player Jordi Clua (ex-Dos +Un) and drummer Francis Rabassa (a veteran of the Barcelona 60s beat scene). The New Jazz Trio was the house band at the legendary La Cova del Drac jazz club, where they played every day, even acting as the backing band for international artists that came mainly through the USA-Paris jazz connection.

Performing life on a daily basis gave the trio great skills and the confidence to create a more personal sound through improvisation. But the turning point came when they decided to go electric. Lucky Guri moved to electric piano and even introduced the mini-moog to their sound. Jordi Clua never left the double bass, but started to use an electric bass as well. Add the modern, daring beat of Francis Rabassa and they started delivering a totally electric jazz-rock sound. The resulting mix arose the criticism of their more jazz-purist followers who turned their back on them, but the younger generations and a new audience coming from rock started to follow them instead.

After changing their name to Barcelona Traction, they caught the attention of popular catalan singer-songwriter Joan Manuel Serrat, who arranged for them to sign for his label, Òliba-Edigsa. The resulting LP contains five instrumental tracks. Three are written by Lucky Guri, the other two are fabulous covers of Rubens Serrano's "Sudamérica" and James Taylor's "Fire and Rain", here translated to Catalan as "Foc i pluja".

On Francesc Bellmunt's film about the famous Canet Rock festival, the band appears playing "Sudamérica". Thanks to this footage we can see how powerful the trio was on stage. Barcelona Traction marked an era, and their eponymous debut LP is here to prove it. Modern, fresh music that gets the attention of the listener. Unlike other bands like Música Urbana, more based in sophistication and more technical developments, Barcelona Traction is a combo that stands out due to the apparent simplicity and high energy of their sound, with the quality of being able to appeal and be listened in any situation, taking it beyond strict, pigeonholed mind sets.” - Álex Gómez-Font

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Tete Mbambisa

Tete's Big Sound

The Thad Jones Mel Lewis Quartet

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Tete Mbambisa has performed and recorded with many of the giants of South African Jazz (Bazil ‘Manenberg’ Coetzee, Johnny Dyani, Dick Khoza, Duku Makasi, Gideon Nxumalo, Dudu Pukwana, etc...), and is one of the very few South African jazz musicians that can claim to have played with the three jazz generations of the last fifty years. His work as a pianist, vocalist, composer and arranger is a landmark on South African jazz history.

After a recording hiatus, Mbambisa returned in 1974 with an octet album, 'Tete's Big Sound' released on a newly formed label, As Shams or The Sun, established by South African record store owner and independent producer Rashid Vally. 'Tet's Big Sound' included tracks like 'Unity' and the 'Black Heroes Lamentation', now considered a classic in the South African jazz underground. The sound that Mbambisa carved in this period was wholly acoustic, and is a style that now is often loosely labelled spiritual jazz, a sound that alludes to deep African textures and rhythms balanced with clear nods to American hard bop and modal jazz, sometimes edging toward free improvisation in echoes of John Coltrane and Pharaoh Sanders.

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The Thad Jones / Mel Lewis Quartet

LP | 1978 | US | Original (Artists House)

12,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

LP | 1983 | EU | Reissue (Altercat)

Zeca Do Trombone

Rota-Mar Feat. Azymuth

LP | 1980 | US | Original (Warner Bros.)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Mainly known to DJs for the funk groover "Te Queria", Rota-Mar is the first solo album by the charismatic Zéca do Trombone. During a vertiginous career which started in the late 60s, Zéca was a permanent member of Wilson Simonal's band, toured with Luiz Eça's Sagrada Família (alongside Joyce, Naná Vasconcelos, Nelson Angelo and others), recorded the seminal Brazilian funk "Coluna do Meio" for his joint effort with Roberto Sax, and played and recorded for some of the big names of Brazilian music such as Tim Maia or Martinho da Vila. Particularly for samba artists such as Alcione, Leci Brandão or Moreira da Silva, Zéca do Trombone was the trombonist of choice.

Rota-Mar displays the work of an established musician who has nothing to prove. Impregnated with Zéca's characteristic voice, the songs draw inspiration from the sea, love and bohemian life, and let us all dream of what life in Rio the Janeiro was during that time. "Te Queria", penned by Zéca's childhood friend Elízio de Búzios (known for his highly collectable funk/boogie single "Tamanqueiro") is the obvious highlight, although we believe the real beauty of the album lies in the relaxed sea-side groove and MPB in the rest of the songs, including Zéca's superb take on Martinho da Vila's "Manteiga de Garrafa".

As bonus tracks to this reissue, we include both sides from Zéca's rare 1977 single, featuring the allmighty trio Azymuth.

Comes with an 8-page booklet with bilingual (Portuguese / English) liner notes by Brazilian journalist Marcelo Pinheiro and previously unpublished pictures from the artist's archive.

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Al Jarreau

This Time

LP | 1981 | US | Original (Elektra)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy is close to VG+!

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Grover Washington, Jr.

Come Morning

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | UK | Reissue (Long Hair)

Dick Heckstall-Smith

A Story Ended

30,59 €* 35,99 € -15%

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Original (Inner City)

Pony Poindexter

Poindexter

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

George Shearing, Marian McPartland

Alone Together

LP | 1981 | US | Original (Concord Jazz)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Berliner Austausch Dienst

-Echo-

LP | 1983 | DE | Original (Uhlklang)

12" | 1980 | EU | Reissue (Far Out)

Release: 1983 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Close to NM.

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Freeez

Stay (Pinky 2)

14,99 €*

Ella Fitzgerald And Count Basie

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Two individually sold Vinyl 12"s. Far Out Recordings presents a double bill of two monumental Brit funk classics. 'Keep In Touch' and 'Stay' were the first two 12" singles by the iconic Freeez, both self-funded passion projects of its founding member John Rocca, for his own Pink Rythm imprint.

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A Perfect Match

LP | 1980 | US | Reissue (Pablo Today)

Kippie Moketsi & Hal Singer

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Red vinyl.

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Blue Stompin'

LP | 1977 | US | Reissue (We Are Busy Bodies)

37,99 €*

LP | 1982 | US | Original (Enja)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Blue Stompin' is a collaborative album between Kippie Moketsi and Hal Singer that was organized and produced by Rashid Vally, owner of The Sun record label. The album prominently features both influential saxophonists as well as other iconic South African players Barney Rachabane and Pat Matshikiza. It was originally released by The Sun in 1977 and is being reissued by We Are Busy Bodies in partnership with the original label. The album has been remastered by Noah Mintz at Lacquer Channel. ---- 'Kippie Morolong Moketsi will appear very prominently in any history of jazz in South Africa. He will span the period from the frantic years when the sounds of the Charlie Parker's and the Dizzy Gillespie's first hit our shores to the now. And into this story some will read a curve: from Kippie teaching himself music by imitation, to a climax of artistic achievement and renown in this country, and then the decline... Others will read a lifetime of involvement, in spite of personal problems. Count me among the latter. A life-time of involvement: Kippie was among the few who understood bebop while the rest of us were still doing the jitterbug to the sounds of swing. In his way he made us see what it was all about. He has seen a generation of colleagues go to join the Orchestra Up Yonder, or merely leave their horns to spiders and their webs while they got on the straight and narrow path of grandfather-hood and six to six jobs at factories. Kippie continues on the wide, wide ' often unappreciated - road, creating music.' Notes by JOE Thloloe (Jazz Critic Drum Magazine)

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Slickaphonics

Wow Bag

8,95 €*

Lionel Hampton And His Orchestra

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

writing and stickers on cover

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Lionel

LP | 1971 | US | Original (Audio Fidelity)

LP | 1977 | US | Original (ATCO)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Steve Hunter

Swept Away

Release: 1977 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | EU | Reissue (Our Swimmer)

ICP Tentet

Tetterettet