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Jazz | Fusion Vinyl 595 Items

Name: Bud Shank - Bud Shank And The Sax Section
Brand: Pacific Jazz
SKU: 1026835v1
Price: 7.64 EUR
Availability: InStock

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Reset all Filters Vinyl 1961 1962 1965 1966 1967 1968 Stocked Items Only

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Bud Shank

Bud Shank And The Sax Section

LP | 1966 | US | Original (Pacific Jazz)

7,64 €* 8,99 € -15%

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Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

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Ray Charles

Ray Charles At Newport

LP | 1962 | US | Reissue (Atlantic)

12,74 €* 14,99 € -15%

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Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

1962 US mono repress.

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Archie Shepp

Four For Trane

LP | 1965 | EU | Reissue (Impulse)

32,99 €*

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Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Yusef Lateef

Live At Pep's

LP | 1965 | EU | Reissue (Impulse)

32,99 €*

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Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Wes Montgomery

Bumpin'

LP | 1965 | EU | Reissue (Verve)

30,99 €*

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Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Byard Lancaster

It's Not Up To Us

LP | 1968 | US | Reissue (Superior Viaduct)

26,99 €*

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Release: 1968 / US – Reissue

Genre: Organic Grooves

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Byard Lancaster was a composer/multi-instrumentalist born in Philadelphia in 1942. He started playing alto saxophone at an early age and later took up flute and bass clarinet. While attending Berklee College of Music, Lancaster and pianist Dave Burrell organized late-night jam sessions with fellow students and touring musicians. In 1965, he moved to New York and quickly became part of the city's burgeoning scene – playing with jazz luminaries such as Archie Shepp, Sunny Murray, Bill Dixon and Marzette Watts. It's Not Up To Us, Lancaster's 1968 debut as a leader, was originally released on Vortex, a subsidiary of Atlantic responsible for first albums by Chick Corea, Keith Jarrett and Sonny Sharrock. Featuring guitarist Sharrock (another Berklee alum), It's Not Up To Us is true fire music – fusing elements of free jazz, soul/R&B and traditional folk song. On the opening title track, Lancaster's luminous flute draws the listener in, while bassist Jerome Hunter grounds the tune with a simple descending theme over Keno Speller and Eric Gravatt's syncopated rhythms. "John's Children," a reference to the group's status as post-Coltrane players, showcases the modal strumming of Sharrock's steady drones as Lancaster cries into the void. After repeated listens, Lancaster's original compositions become visceral aural memories ingrained in the ear, while the standards ("Misty" and "Over The Rainbow") sound the most avant-garde pieces on the album. This first-time vinyl reissue is recommended for fans of Albert Ayler, Don Cherry and Pharoah Sanders.

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Volker Kriegel

With A Little Help From My Friends

LP | 1968 | EU | Reissue (Cinedelic)

23,99 €*

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Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Volker Kriegel is considered the pioneering Jazz-rock and Fusion guitarist from Europe. 1968 was a crucial year for his career as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist Claudio Szenkar. The covers performed are the two by Lennon-McCartney 'With A Little Help From My Friends' and 'Norwegian Wood’, and the traditional Brazilian 'Nãnã Imborô'. Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over 9 minutes and featuring Tony Scott on Clarinet and Gustl Mayr on Tenor Sax. Over the years, Kriegel would go on to participate in over 200 albums.

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Albert Ayler

In Greenwich Village

LP | 1967 | US | Reissue (Superior Viaduct)

27,99 €*

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Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the mid-'60s, Albert Ayler found himself at the center of major transformations within jazz. On his albums for ESP-Disk', his delivery was radically aggressive and his tone blistering – aiming for something beyond the New Thing. His music would be further energized when (at the behest of John Coltrane) Bob Thiele signed him to Impulse! As Ayler told The Plain Dealer at the time, "It's not about notes anymore. It's a sound – a feeling. The approach we're taking will discontinue the use of the word 'jazz.'" In Greenwich Village, Ayler's first LP on Impulse!, perfectly captures the Cleveland-born saxophonist's radiant intensity. Sourced from a pair of live engagements – February '67 at the Village Theatre on New York's Lower East Side and December '66 at the Village Vanguard – these recordings show an improved clarity in production and performance. Both sets feature two basses (including Alan Silva and Henry Grimes) which allowed the ensemble to go in different harmonic directions while maintaining an organic unity. Of particular interest are "For John Coltrane," a tribute to Ayler's mentor who would pass later that year, and "Truth Is Marching In" where trumpeter Donald Ayler joins his brother to celebrate and ultimately deconstruct several jazz traditions to stunning effect. Vibrant in sound and vision, Albert Ayler's In Greenwich Village is a landmark statement in free jazz and a career high-point for this truly original artist. Superior Viaduct is honored to present this classic album on vinyl for the first time domestically in 30 years.

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Vi Redd

Bird Cal

LP | 1962 | EU | Reissue (Honeypie)

13,99 €*

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Release: 1962 / EU – Reissue

Genre: Organic Grooves

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A quite obscure release from a Los Angeles based alto saxophonist named Vi (Elvira) Redd, a blues infected player, singer and educator who since the early 50's has performed with many Jazz greats like Dexter Gordon, Max Roach, Roland Kirk, Count Basie and others. Originally released in 1962, "Bird Call" was Redd's debut album, a hard swinging studio session featuring a top class band that included pianist Russ Freeman, Leroy Vinnegar or Bob Whitlock on bass, guitarist Herb Ellis, trumpeter Carmell Jones, vibraphonist Roy Ayers and her then-husband, Richie Goldberg, on drums. Another invaluable document from the historical yet unknown L.A.'s black community Jazz scene.

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Roy Ayers

Virgo Vibes

LP | 1967 | US | Reissue (Nature Sounds)

28,99 €*

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Release: 1967 / US – Reissue

Genre: Organic Grooves

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Long before becoming an icon of funk, acid jazz, and R&B, Roy Ayers was a promising young jazz vibraphonist. Originally released in 1967, Virgo Vibes was Ayers' second album, and his debut for Atlantic. With five cool, funky jazz tracks, the LP features talented musicians like Joe Henderson, Charles Tolliver, Bruno Carr, Jack Wilson and the mysterious pianist Ronnie Clark (Herbie Hancock playing under a pseudonym). A rare treasure infused with the relaxed, sunny vibe that defined Ayers’ stellar career, Virgo Vibes is now available again on vinyl.

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Bill Doggett Combo

Oops!

LP | 1962 | US | Original (Columbia)

9,34 €* 10,99 € -15%

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Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs

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Eric Dolphy

At The Five Spot Volume 1 Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

24,99 €*

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Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Recorded live by Rudy Van Gelder this is one of a pair of Dolphy's albums documenting the 1961 historical residency at the Five Spot, the New York's major temple of the early avantgarde. This is timeless music performed by one of the essential lineups in modern Jazz. A marvelous quintet featuring the great Booker Little on trumpet and the amazing rhythm section of Mal Waldron — piano, Richard Davis — double bass and Ed Blackwell — drums plus, of course, master Eric Dolphy on alto saxophone, bass clarinet and flute. "All forward thinking and challenged listeners need to own these epic club dates" Allmusic

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Donald Byrd

Royal Flush

LP | 1961 | EU | Reissue (Culture Factory)

24,99 €*

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Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Gloria Lynne

Where It's At!

LP | 1966 | US | Original (Fontana)

5,99 €*

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Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

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Stan Getz & Charlie Byrd

Jazz Samba Acoustic Sounds Vinyl Edition

LP | 1962 | EU | Reissue (Verve)

33,99 €*

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Release: 1962 / EU – Reissue

Genre: Organic Grooves

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When Charlie Byrd toured South America in 1961, Bossa Nova—a melding of Brazilian samba rhythms with the harmonic structures and cool sound of West Coast jazz—was booming. He brought back records for Stan Getz to hear and they planned a session. The result was Jazz Samba—the first album of Bossa Nova music by jazz artists and the one that created the Bossa Nova wave.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Mamie Lee

Once In A Lifetime

LP | 1966 | US | Original (MGM)

6,29 €* 8,99 € -30%

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Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with open seam splits on top and bottom spines. Punch hole.

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Nina Simone

Nina Simone With Strings Clear Vinyl Edtion

LP | 1966 | EU | Reissue (Destination Moon)

21,99 €*

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Release: 1966 / EU – Reissue

Genre: Organic Grooves

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The singer-songwriter and pianist Nina Simone came to prominence in the late 1950s after she signed to the Bethlehem label for her debut album, Little Girl Blue. Her move to Coolpix Records, the audio subsidiary of Columbia Pictures, allowed her near total artistic control of her material and her lengthy tenure with the company brought plenty of popular album releases. The 1966 oddity Nina With Strings was issued by Coolpix a couple of years after she left the company to begin recording for Philips; a strange mix of live recordings and studio outtakes, released without her knowledge or permission where the presence of orchestral strings on several tracks gives the album its title and overriding theme.

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Charlie Mingus

Town Hall Concert

LP | 1962 | EU (Destination Moon)

17,99 €*

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Release: 1962 / EU

Genre: Organic Grooves

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Charles Mingus brought together an amazing lineup spanning the totality of the nation's jazz scene with such luminaries as Eric Dolphy, Buddy Collette, Clark Terry, Zoot Sims, Pepper Adams, Jaki Byard, Grady Tate, and more. Brought together to perform new Mingus compositions for the first time in public, the recording was initially considered weak due to limited rehearsal time but the years have been kind to this recording and it's a fantastic set of Mingus compositions, including the powerful "Freedom" which rivals the works on Mingus Ah-Um (1959) for its strength of purpose and message, in a similar vein to Max Roach's legendary We Insist! album (1960). Mingus is one of the most important figures in 20th century music and this live recording documents his compositional and arranging process as well as sheer swinging joy.

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Ken Mcintyre / Eric Dolphy

Looking Ahead Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

24,99 €*

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Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Looking Ahead is the debut album by American jazz musician Ken McIntyre, recorded with fellow alto saxophonist Eric Dolphy in 1960 and released on the New Jazz label in January 1961. From the beginning Mr. McIntyre considered himself part of the avant-garde or ''new thing'' movement in jazz, as spearheaded by musicians like Ornette Coleman, Bill Dixon and Cecil Taylor, although his own music was considerably more traditionally melodic than theirs. He played a whole fleet of reed instruments, including oboe, bassoon, bass clarinet and saxophones. In 1964, on the album ''Way, Way Out,'' he recorded bouncing, urgent jazz tunes with chilly, dissonant string arrangements; in 1966, he accompanied Mr. Taylor on the album ''Unit Structures,'' a landmark recording of the jazz avant-garde.

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