Jazz | Fusion Vinyl 626 Items

LP | 1973 | US | Reissue (Catalyst)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Originally issued in 1976, this LP offers 16 jazz songs about marijuana, cannabis, bo-bo, weed, wacky weed, tea, reefer, boom, burnie, grass, pot, Mary Jane, crazy herb, or whatever you wanna call it.

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Chivo Borraro

Buenos Aires blues

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | US | Reissue (Muse)

Lester Bowie

Fast Last

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Dollar Brand (Abdullah Ibrahim)

The Journey

LP | 1977 | US | Reissue (Chiaroscuro)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Blue Note)

Blue Mitchell

Collision In Black

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Cosmic Rock)

Brute Force

Steve Marcus, Miroslav Vitous, Sonny Sharrock & Daniel Humair

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Blessed by producer Herbie Mann, who released their sole record in 1970 on his personal imprint Embryo, Brute Force were a singular jazz funk group, who filled the gap between heavy rhythm n blues and the jazz-rock revolution already professed by Miles Davis. The Herbie Mann connection was solidified by the presence of guitarist Sonny Sharrock - who plays on the first half of the record - at the time in the flutist supergroup. With the distinctive electric piano of Richard Daniel and brother Ted (a future key figure in New York downtown jazz scene) on trumpet the record still retains a fascinating mood.

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Green Line

LP | 1970 | EU (Endless Happiness)

Release: 1970 / EU

Genre: Organic Grooves

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In Hot House White Vinyl Edition

Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

LP | 1978 | EU | Reissue (Ictus)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game. Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember). Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Andrea Centazzo

U.S.A. Concerts

19,54 €* 22,99 € -15%

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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The Italian Ictus imprint was founded in 1976 by percussionist and composer, Andrea Centazzo, and his wife Carla Lugli. Running for just under a decade, until relaunching during the mid-2000s, the label produced a couple of dozen highly celebrated releases, the majority of which loosely fall under the banner of free jazz. Ictus’ second batch of releases from the label’s historic archives logically begins with Andrea Centazzo’s “U.S.A. Concerts”, originally issued in 1978 and out of print on vinyl for the majority of the time since.

“U.S.A. Concerts” draws on the same rough period when Centazzo was working in the United States at “Environment for Sextet”, which was reissued in the previous batch, and features many of the same players - Polly Bradfield on violin, Eugene Chadbourne on guitar, Tom Cora on cello, and Toshinori Kondo on trumpet, and John Zorn on saxophone - in different configurations. In fact, the first, second, and seventh tracks - “Sextet Improvisation”, “Duet Improvisation # 1”, “Duet Improvisation # 4” - were all recorded on the same day at the same location - Wkcr Radio in New York on November 7, 1978 - as the aforementioned album.

Beginning with the brilliant textural and tonal explorations of the full ensemble encountered in “Sextet Improvisation”, the album quickly moves toward quieter and more restrained investigations of roughly similar ground, moving through a series of duo improvisations between the percussionist and Eugene Chadbourne, Tom Cora, and the under-celebrated saxophonist, Jack Wright, whose howling horn is transformed to otherworldly effect by the reverberance of the space within which he works.

From here Centazzo embraces the trio form with an improvisation with two more under-celebrated figures from the American scene - Davey Williams playing guitar and banjo, and LaDonna Smith on violin, viola, and voice - capturing a performance in Jackson, Mississippi on November 19, 1978, during which the three fire responsive statements that hang like barbs in the spacious air, before conceding the LP with a brilliant suite of duos with Toshinori Kondo, Williams, and Smith.

Offering incredible insight into Centazzo’s unique sensibility, as well as into the work of a new generation of stunning improvisers as they emerged at the tail end of the 70s, before going on to help define the 80s free jazz sound, “U.S.A. Concerts” is a crucial artefact of free music at the juncture; fire on the boundaries of outright noise. An endlessly surprising journey between shifting between airy open passages that feature striking combinations of players, it’s sure to knock the socks off more than a few well-seasoned fans.

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Etron Fou Leloublan

Les Poumons Gonflés

LP | 1982 | EU (Replica)

LP | 1981 | EU | Reissue (Warner Music Poland)

Release: 1982 / EU

Genre: Organic Grooves, Rock & Indie

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With Les Poumons gonflés, the group led by Ferdinand Richard and Guigou Chenevier entered the 80. A unique sound with influences coming to shake up the usual recipe of the trio (addition of Jo Thirion on keyboards) for a result both innovative and fun. The third album of the French rock sounds totally free and original, produced by the legendary guitarist Fred Frith (Art Bears, Henry Cow, Naked City). An important album and often overshadowed in favor of its two predecessors. It is therefore high time to repair this absurd injustice!

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Stanislaw Sojka

Blublula

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (Warner Music Poland)

Extra Ball

Birthday

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Max Roach & Clifford Brown

Daahoud

LP | 1972 | US | Reissue (Mainstream)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Reissue (Philadelphia)

Dexter Wansel

Voyager

Release: 1978 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Cobblestone)

Sonny Stitt

Constellation

Release: 1972 / US – Reissue

Genre: Organic Grooves

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If You're Ready Come Go With Me

Jimmy McGriff

LP | 1974 | US | Reissue (Groove Merchant)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Cobblestone)

Norman Connors

Dark of Light

17,99 €* 19,99 € -10%

LP | 1976 | US | Reissue (Black Saint)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Muhal Richard Abrams

Sightsong

17,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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12" | 1981 | EU | Reissue (Funkscapes)

Dortmund

Titanic / The Deep

17,09 €* 18,99 € -10%

7" | 1977 | EU | Reissue (Trad Vibe)

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Official reissue of Dortmund's self-released single from 1981. For those in the know a sought-after gem, for everybody else the single you didn't know you need in your life! Comes in picture sleeve with the original artwork. Limited edition. 'Titanic' - quite self-explanatory - is about the queen of the ocean and her sinking as a ship believed as unsinkable. Starting off with its morse code-like sounds it evolves into a heavy grooving mélange of alternative rock, funk, new wave and synth pop. The B-Side 'The Deep' explores depths you didn't know about. This instrumental jazz boogie funk fusion piece takes you on a five minute journey that will be your life-saver on any day. In the early 1980s the scene of the Ruhr area was alive and kicking but still under the radar. Musicians played in different bands and projects of various styles. Three guys gathered simply under their city name "Dortmund" and did their own thing which led to this conceptual single - their only release.

Before that Elmar Krohn (keyboards) and Thomas Meyer (vocals, bass, guitar, keyboards) were part of the "Mardi Gras Band", a funk and soul band with a great reputation for their live shows. They were also involved in writing 'Blame It On The Boogie' which got performed by "The Jacksons" in 1978 but that is another story. On the drums they were joined by Siegfried Hermes who also played in the band "Die Salinos".

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Caribou (Cortex)

Californie

LP | 1970 | US | Reissue (Prestige)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Trad Vibe Records proudly presents a first-time reissue of Caribou, a side-project of Cortex, originally released in 1977. A great and rare double-sider jazz-funk 7inch, now available as a reissue.

French avantgarde Jazz-Funk pioneers Cortex released three milestone albums during the seventies including the iconic Troupeau Bleu. Their music has been sampled by Hip Hop artists such as MF Doom, Wiz Khalifa, Lupe Fiasco and Rick Ross and as a consequence is still very much alive today.

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Sonny Phillips

Black Magic

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Cedar Walton / Hank Mobley Quintet

Breakthrough!

LP | 1972 | US | Reissue (Cobblestone)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Until It's Time For You To Go

Rusty Bryant

LP | 1974 | US | Reissue (Prestige)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Prestige)

Rusty Bryant

For The Good Times

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Kudu)

Johnny Hammond

Wild Horses Rock Steady

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Atlantic)

Oscar Brown Jr.

Movin' On

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Human Egg (Jean-Pierre Massiera)

Human Egg

LP | 1978 | EU | Reissue (Favorite)

LP | 1976 | US | Reissue (Shady Brook)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Super-obscure oddball disco funk goody by French studio wizz Jean-Pierre Massiera, re-released to celebrate the 50th release on Favorite!

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Cheyenne's Comin

Release: 1976 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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John Mclaughlin & John Surman

Where Fortune Smiles Color Vinyl Edition

LP | 1970 | EU | Reissue (Tiger Bay)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Wagram)

Billie Holiday

Strange Fruit

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1979 | EU | Reissue (Wagram)

Dave Brubeck

Take Five

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Prestige)

Ivan Boogaloo Joe Jones

Snake Rhythm Rock

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Cobblestone)

Jimmy Heath

The Gap Sealer

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (CTI)

Airto

Free

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Ray Stephen Oche And His Mutambo

Interpretation Of The Original Rhythm

LP | 1970 | EU | Reissue (Favorite)

12" | 1981 | UK | Reissue (Panorama)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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High on everyones afro-jazz wishlist!

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Haze

Jazz Carnival

12" | 1981 | UK | Reissue (Major Keys)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Back in 1981 Haze were a band consistently touring the south west of England, rocking shows from Torquay, Exeter and slightly further beyond, their release, recorded to campaign to save milk bottle tops for the local disabled school, did quite well.

On the record is a few classics, a cover of Johnny Cash, a cover of Abba, a cover of… Azymuth? Yep, the trio from Rio made an impression on Tony Ridley as he took it to the band to include on their record.

For 43 years their version hasn’t even graced youtube, and with only 3 wants at the time of writing on discogs this version truly did get lost along the way. Now Panorama unearth this gem in their trademark 7inch format, from Rio to Torquay - Haze knew how to jazz funk.

Panorama Records is a newly established label based in London, is dedicated to rediscovering and showcasing musical gems with a fresh approach. With early support from notable DJs such as Gilles Peterson, Patrick Forge, Rainer Trueby, Mr Bongo DJs and Zag Erlat from My Analog Journal. Their unique take on Jazz and Funk from the further afield has shown they will become trailblazers in the reissue game for a long time.

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Ray Barretto

Pastime Paradise

Suite For Dr. Martin Luther King, Jr

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Pastime Paradise, first released by Stevie Wonder in 1976 got a new lease of life when sampled by Coolio on his Grammy Award winning Gangsta’s Paradise. It has also over the years been covered by Patti Smith as well as our fave version, courtesy of Latin percussionist Ray Barretto. First released on CTI in 1981, to this day it remains a staple for both the jazz and soul rooms. Never before released on a 12 inch, Major Keys continue their fine form with this extended floor filler that will appeal to DJ’s and collectors alike. It also flips it with La Cuna and Mambotango taken from the same 1981 LP. This is a special EP and one that you will want for your collection.

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Nathan Davis

LP | 1976 | US | Reissue (Tomorrow)

15,29 €* 16,99 € -10%

Release: 1976 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Black Jazz)

Kellee Patterson

Maiden Voyage

15,19 €* 15,99 € -5%

Release: 1973 / US – Reissue

Genre: Organic Grooves

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O Primeiro Amor Blue Vinyl Edition

Hazel Scott

7" | 1973 | EU | Reissue (Groovie)

12" | 1980 | EU | Reissue (Far Out)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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History has proven that the recording industry allows more than one artist or band with the same name, and the least successful isn’t always the less talented. Take the case of British Nirvana and American Psychedelic band Genesis, or even the Jazz projects like the Americans Air and Marc Moulin’s Placebo from Belgium.

The coincidence in the name Hazel Scott with the popular Trinidadian pianist from the New York jazz clubs scene did not bring any disadvantages to this English singer who traveled the world spreading her love for the music of Brazil.

It cames with 8 pages booklet, photos and postcard

Killer tracks for the dance floor!

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Freeez

Stay (Pinky 2)

LP | 1984 | EU | Reissue (Life Goes On)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Two individually sold Vinyl 12"s. Far Out Recordings presents a double bill of two monumental Brit funk classics. 'Keep In Touch' and 'Stay' were the first two 12" singles by the iconic Freeez, both self-funded passion projects of its founding member John Rocca, for his own Pink Rythm imprint.

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Haki R. Madhubut

Medasi

Karlton Hester And The Contemporary Art Jazz Movement

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Super-rare deep spiritual jazz from 1977! A little-known sought after obscurity of indy label afro-centric deep jazz recorded in 1976-7!

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Hesterian Musicism

LP | 1982 | EU | Reissue (Cool Cult)

LP | 1986 | US | Original (Milestone)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Musicism is the core concept of transcultural artistic research that rose to prominence at the beginning of the 80s thanks to the ingenious mind of Karlton Hester. Composer, flautist and saxophonist Hester set himself as the promoter of a multidisciplinary idea in which musicians, visual artists and poets collaborate in a synergic manner to produce new art forms. Hesterian Musicism is an avant-garde spiritual jazz record composed and issued by Hester on his San Francisco based label Hesteria in 1982.

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Azymuth

Tightrope Walker

Release: 1986 / US – Original

Genre: Organic Grooves

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You Gotta Shout / Love And Romance

Spoilsports

7" | 1980 | UK | Reissue (Freestyle)

O Primeiro Amor Black Vinyl Edition

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Freestyle Records reissue a DIY 7" from 1980 by short-lived all-female group Spoilsports. Existing at the intersection of post-punk, jazz-rock and modern soul - these two political yet playful numbers were laid down by a band formed from a range of players active in London's feminist and improvised music scenes at the time, and represent the groups only recordings.

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Spoilsports began in 1979 with the aim of having an all-female band that could be actively feminist and playful at the same time, with an eye toward gaining an appeal beyond that of the wider women's lib movement of the time. The line-up originally consisted of Carole Nelson on keys, Angele Veltmeijer on saxophone, Sheelagh Way on drums, Lesley Shone on bass, Isabel on congas and with Laka Koq providing vocals. After a short while this would become just Carole, Angele & Sheila - with Ruth Bitelli being brought in on bass, and Barbara Stretch topping things off on vocals. The band played at Gay Pride '79 in Hyde Park, a Women's Music Festival in Neimegen, Holland; lots of benefits, and maintained a weekly residency at The Earl of Aberdeen in Mile End (now sadly demolished).

Unfortunately the group lasted only 18 months or so all in all, and this is their first and last record - in fact, they intentionally laid it down to tape in order to provide a memory of the group before they called it a day, and we are so glad they did! Recorded in Pimlico's Archipelago Studios in the same year that Elvis Costello would record his album Get Happy there, the original 7" gained a review in the NME, whom dubbed it "a cross between Steely Dan and The Joy of Cooking".

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Hazel Scott

7" | 1973 | EU | Reissue (Groovie)

12" | 1980 | US (Prelude)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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The Nick Straker Band

A little Bit Of Jazz

Release: 1980 / US

Genre: Organic Grooves

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/ space age

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George Benson

The world is a ghetto

12" | 1977 | US (Warner)

Rodney Franklin / Willie Bobo

Release: 1977 / US

Genre: Organic Grooves

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/ breezin

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The Groove / Always There

12" | 1980 | US (Columbia)

Release: 1980 / US

Genre: Organic Grooves

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7" | 1973 | EU | Reissue (Souffle Continu)

Le Theatre Du Chene Noir

Miss Madonna

12,99 €*