Jazz | Fusion Vinyl 812 Items

The Oscar Peterson Trio / Clark Terry

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Helen Merrill with Piero Umiliani!

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+ One

LP | 1964 | JP | Reissue (Fontana)

Summer Dawm (With Seamsplit)

Release: 1964 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1972 reissue. Slightly stained cover. OBI is missing.

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Sahib Shihab

LP | 1964 | EU | Reissue (Rearward)

LP | 1962 | Reissue (Not Now)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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A few copies arrived with a seamsplit Cover. We're therefore selling it on a reduced price.

Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.

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Herbie Hancock

Takin' Off

Release: 1962 / Reissue

Genre: Organic Grooves

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Miss Etta James Orange Vinyl Edition

Etta James

LP | 1961 | EU | Reissue (Second)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

A Night In Tunisia Orange Vinyl Edition

LP | 1961 | EU | Reissue (Second)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Original (Impulse!)

Chico Hamilton

Man From Two Worlds

LP | 1961 | EU | Reissue (Now Or Never)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks

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Bo Diddley

Is A Lover

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Free Jazz Limited Edition Colored Vinyl

Ornette Coleman

LP | 1961 | EU | Reissue (Now Or Never)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Mal Waldron With Eric Dolphy And Booker Ervin

The Quest

LP | 1962 | EU | Reissue (Soundsgood)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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In Person, Friday Night At The Blackhawk, San Francisco, Volume 1

Miles Davis

LP | 1961 | US | Reissue (Columbia)

LP | 1961 | EU | Reissue (Honeypie)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

US reissue. Vinyl is Close to VG+. With insert.

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Quincy Jones & Band

I Dig Dancers

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Deliberately presented as a dance music release, this brilliant Quincy Jones album - first released on Mercury label in 1961 - comprises material from two marvelous big band performances recorded the year before in Paris and New York. Here the great composer and arranger leads a first class "dance organization", a top-flight big band featuring the cream of NY Jazz musicians, among them: Clark Terry and Freddie Hubbard - trumpets, Curtis Fuller and Melba Liston - trombones, Phil Woods, Oliver Nelson and Sahib Shihab - saxes, Stu Martin - drums. An exquisite platter of highly swinging and danceable grooves signed by the genius of Quincy Jones

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LP | 1967 | EU (Endless Happiness)

Kulu Sé Mama

LP | 1969 | US | Reissue (Return To Analog)

Release: 1967 / EU

Genre: Organic Grooves

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Reissue for this classic album from '67 on Orange Impulse Rec. Considered to be the last Coltrane's lifetime release it includes the all-time classic "Welcome", as defined by Coltrane himself “the song is that feeling you have when you finally do reach an awareness, an understanding which you have earned through struggle. It is a feeling of peace. A welcome feeling of peace."

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Lee Gagnon

Jazzzzz

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Le Quatuor De Jazz Libre Du Quebec

LP | 1969 | US | Reissue (Return To Analog)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Return To Analog)

Jimmie Rowles

Kinda Groovy!

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Jazz Images)

Charles Mingus

Presents Charles Mingus

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Modern Sounds In Country & Western Music

Ray Charles

LP | 1962 | EU | Reissue (Jazz Images)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Meantime)

Karin Krog

Joy

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | UK | Reissue (Cacophonic)

Francois Tusques

Free Jazz

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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As Finders Keepers disobedient little-sister-label reaches her 20th (release) anniversaries
Cacophonic Records are proud to present a record that will not only leave rare record
collectors salivating but will open ambitious ears to a truly pioneering album from the seldom
celebrated and individualistic micro-genre that is French free Jazz. Comprising some of the
earliest uninhibited performances from key musicians behind records by Serge Gainsbourg,
Jef Gilson, Triangle, Don Cherry, Barbara and countless other groundbreaking European jazz
records and freakish films, this LP captures the birth of an exciting movement that would
soon earn its Parisian birthplace as the go-to European spiritual home of improvised and
avant-garde music. Spearheaded by polymath pianist and composer François Tusques this
1965 French LP coined the phrase “free jazz” before the American genre of the same name
had fully taken shape and packed its suitcase; laying the foundations (alongside Jef Gilson’s
Enfin!) for a unique satellite brand of jazz that would later provide visiting afro American
avant-gardeners with a vibrant Parisian platform. Having recorded a very rare single in
celebration of the architect Le Corbusier in late 1964 Tusques was lucky enough to play
live with Don Cherry (a key player on Ornette Coleman’s 1961 Free Jazz LP) thus planting a
pedigreed seed for this vibrant cultivar.
With this record we not only hear the unique differences within the Gallic approach to the art
form (combining masterful sombre cinematic changes with aerated free-form percussion and
erratic reed and brass) but we also get to witness the early lesser savoured secret ingredients
that would carry France’s mainstream pop culture into truly uncharted and unrivalled
territories throughout the following decades. Best known to faithful Finders Keepers fans as
the soundtrack composer to the horrortica films of Jean Rollin, Tusques is joined here by sax
and flute player Francois Jeanneau, who’s electronic jazz album Such A Weird Plane” would
later lead to his own band Triangle gaining recognition as France’s leading French language
prig-jazz-rock act. Featuring three players from the aforementioned Enfin! LP by French jazz
pioneer and producer Jef Gilson, Free Jazz combines the skills of Jeanneau, with clarinet
player Michel Portal (Gainsbourg Percussions/Claude Nougaro) and trumpeter Bernard Vitet
(whose avant-garde appearances on the Futura label are indispensable). In addition to this,
Free Jazz also boasts the inclusion of Tusques’ sidekick and double bass master Bernard
“Beb” Guérin (of Sonny Sharrock Monkey-Pockie-Boo infamy) who had also appeared on
the earlier Don Cherry/Le Corbusier recording providing further kudos to this LPs historical
importance.
It is by no coincidence that this carefully selected ensemble would around this time become
enlisted as the backing group for politically driven singer-songwriter Colette Magny (an action
which would arguably later influence Brigitte Fontaine’s choice to adopt The Art Ensemble Of
Chicago as her backing band after the Actuel records Pan-African Jazz festival and record
series). The fact that Colette Magny would provide the art direction for this very LP is a cute
small-print signifier of this LPs intended manifesto status. This album also captures a rare
glimpse of percussionist Charles Saudrais in free-form mode after his departure from the
Barney WIlen Quartet (Moshi) - an inclusion that would surely galvanise the relationship
between WIlen and Tusques resulting in the follow-up record Nouveau Jazz for actor Marcel
Mouloudji’s privately funded Disques Mouloudji label (on which both rare LPs were originally
pressed).
This glimpse into a seldom documented underground of a domestic, revolutionary,
uncompromised spiritual art-form successfully reveals the other-side of abstracted French
music which alongside musique concrète, protest pop, symphonic rock and Zeuhl-skool
electronic prog created a homegrown, self-contained music industry that went on to influence
a universe of Gallic magnetic inspiration. “This is free jazz, Jim; but not as we know it.”

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Standard Coltrane Back To Black Edition

LP | 1962 | EU | Reissue (Prestige)

LP | 1964 | US | Reissue (ESP)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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180g vinyl including download code.

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Pharaoh Sanders

Pharaoh Sanders Quintet

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Albert Mangelsdorff And His Friends

Albert Mangelsdorff

LP | 1967 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1967 | US | Original (Atlantic)

Brother Jack McDuff

Tobacco Road

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1966 | UK | Reissue (Far Out)

José Roberto Trio

LP | 1965 | EU (Endless Happiness)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

UK reissue 2022. Still in shrink but opened. Tiny corner wear.

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Astrud Gilberto

The Shadow Of Your Smile

Roland Kirk With Brother Jack McDuff

Release: 1965 / EU

Genre: Organic Grooves

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The Shadow of Your Smile is a studio album by Astrud Gilberto. With arrangements by Don Sebesky, Claus Ogerman, and João Donato, it was released via Verve Records in 1965. It peaked at number 66 on the Billboard 200 chart.

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Funk Underneath

LP | 1967 | US | Reissue (Prestige)

LP | 1966 | US | Reissue (Blue Note)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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Jimmy Smith

Midnight Special

LP | 1969 | EU (Trading Places)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with shelf wear and seam split

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Amalgam

Prayer For Peace

Nina Simone With Strings Clear Vinyl Edtion

Release: 1969 / EU

Genre: Organic Grooves

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While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts’ spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is jazz improv at its most melodic, an unpredictable album of varying shades, with three unique takes of the song ‘Judy’s Smile.’

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Nina Simone

LP | 1966 | EU | Reissue (Destination Moon)

LP | 1962 | UK | Reissue (Be! Jazz)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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The singer-songwriter and pianist Nina Simone came to prominence in the late 1950s after she signed to the Bethlehem label for her debut album, Little Girl Blue. Her move to Coolpix Records, the audio subsidiary of Columbia Pictures, allowed her near total artistic control of her material and her lengthy tenure with the company brought plenty of popular album releases. The 1966 oddity Nina With Strings was issued by Coolpix a couple of years after she left the company to begin recording for Philips; a strange mix of live recordings and studio outtakes, released without her knowledge or permission where the presence of orchestral strings on several tracks gives the album its title and overriding theme.

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Duke Jordan

Les Liasons Dangereuses

22,09 €* 25,99 € -15%

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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LP | 1962 | UK | Reissue (Blue Note)

Freddie Hubbard

Ready For Freddie

22,79 €* 23,99 € -5%

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Rearward)

Sahib Shihab

Summer Dawm 2024 Repress

22,79 €* 23,99 € -5%

LP | 1969 | EU | Reissue (Liberation Hall)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.

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Chet Baker

Albert's House

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

Art Blakey

Heavy Soul Clear Vinly Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and band leaders in the history of Jazz. No need to add that "Paris Jam Session" is regarded as an essential release in Blakey's extensive discography.

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Ike Quebec

Art Blakey & The Jazz Messengers

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"Heavy Soul" can be easily considered as one of Ike Quebec's best showcases. Recorded in 1961 by master Rudy Van Gelder and originally released on Blue Note, this fine studio session sounds as a perfect mixture of down-home blues spirit and warm, sensual ballads, with Quebec's big tenor sax voice as the leading force of a hard swinging quartet featuring Freddie Roach - organ, Milt Hinton - bass and Al Harewood - drums.

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LP | 1961 | FR | Original (Impulse!)

Dexter Calling Clear Vinyl Edtion

Release: 1961 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with tear on opening.

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Dexter Gordon

LP | 1969 | EU | Reissue (Svart)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Dexter Gordon, one of the true sax giants in the history of Jazz. Recorded in 1961 and released the following year, "Dexter calling" is his second recording for Blue Note.A solid swinging session with Gordon at the head of a great quartet featuring pianist Kenny Drew and the great bass and drums team of Paul Chambers and Philly Joe Jones. This is a very well-balanced selection of hard-driving numbers, gospel-tinged blues, and deep ballads.

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Heikki Sarmanto Sextet

Flowers In The Water

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Original (Solid State)

Chico Hamilton

The Head Hunters

LP | 1962 | US | Original (Atlantic)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cut corner.

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Hank Crawford

From The Heart

LP | 1969 | EU | Reissue (Concord)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Tear in opening. Vinyl is Close to VG.

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John Lee Hooker

That's Where It's At!

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Saturday Night / Sunday Night At The Blackhawk, San Francisco

Cal Tjader Quartet

LP | 1962 | US | Original (Verve)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1962 | US | Reissue (Blue Note)

Don Wilkerson

Preach Brother!

LP | 1969 | EU | Reissue (Endless Happiness)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

2022 reissue. Still sealed.

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The Orient Express

LP | 1967 | JP | Original (Mercury)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Orient Express' sole LP from 1969 stands today as an early experiment in world fusion - and a pretty successful one at that, at least artistically. Guitarist Guy Duris is a Frenchman who became enamored with the oud, a classical Arabian guitar. Belgian Bruno Giet is a bass player with a rock background. Iranian Farshid Golesorkhi is an award-winning percussionist in the Persian tradition. As a trio, they only left 35 minutes for posterity, but these minutes are filled with interesting ideas and kitschy songs, all originals.

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Oscar Peterson

Soul Español

Herb Ellis And The All-Stars

Release: 1967 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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The Midnight Roll

LP | 1962 | JP | Reissue (Epic)

Sunday At The Village Vanguard

Release: 1962 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

1977 reissue. Still in shrink but opened. With OBI and insert. Tiny wear. Vinyl seems unplayed.

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Bill Evans Trio

LP+7" | 1961 | EU | Reissue (Glamourama)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Original (Atlantic)

Charles Lloyd

Forest Flower

LP | 1969 | EU (Endless Happiness)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Taped top spine. Original US Monarch pressing. Writing on cover.

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L'infonie

LP | 1969 | EU | Reissue (Mad About)

Release: 1969 / EU

Genre: Organic Grooves

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Beat poetry influence free form jazz collective, formed in Montreal in 1967, L'Infonie existed officially until 1974. Lead by composer Walter Boudreau (aka retlaW uaerduoB) and poet, singer, trumpeter Raôul Duguay (aka luôaR yauguD) this very loose collective featured up to 33 artists from various backgrounds ranging from free jazz, classical, contemporary, rock, visual arts and poetry.

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The Four Sounds

Jazz From District Six

23,74 €* 24,99 € -5%

Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Impossible-to-find gem from 1969 finally reissued in a deluxe edition. Ultra Rare South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.

True Jazz today is becoming a rare art whose existence depends not only on the Jazz-musician but also on the medium by means of which it is propagated. This album is the combined effort of musician and Trutone Record Company to add their contribution to the interest of the arts. The theme for this album is set in "District Six", the community which brought forth "The Four Sounds".

Basil Moses is perhaps most widely known, in the context of South African jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim’s 1970s recordings. He also features on Sathima Bea Benjamin’s African Songbird (The Sun, GL 1839).

Guitarist Cliffie Moses, three years older than brother Basil, was also a professional musician and the two, along with Richard Schilder and Billy Bowers (aka Billie Dollie), formed the Four Sounds in the early 1960s. The group with Basil ‘Manenburg’ Coetzee and Roy Nolly recorded their debut album, Jazz from District Six, in 1969 for Trutone (tblc 1).

In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as the core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. Percy Sledge described it as the “greatest tour of [his] career”.

Notes by Siemon Allen at Flatinternational”

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Ewa Demarczyk

LP | 1967 | EU | Reissue (Warner)

23,79 €* 27,99 € -15%

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Milford Graves & Don Pullen

Nommo

LP | 1967 | EU | Reissue (Chush)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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In his 1967 DownBeat review of the initial release, Amiri Baraka wrote: "The music is beautiful on this album... These two players... are making some of the deepest music anywhere. It wants nothing."

Peter Margasak included the album in his list of "Favorite Albums of 2020," and wrote: "Essential coupling of two insanely rare duo albums from a 1966 concert at Yale University: Pullen at his most ferocious and probing, Graves making a huge step in establishing his radical approach to polymetric movement."

In a review for Point of Departure, John Sharpe commented: "The five pieces represent a true dialogue... Although intensity levels vary, the exchanges remain resolutely non-melodic and non-metric throughout... Even after all this time the music still challenges preconceptions. It remains a classic of the genre and deserves to be widely heard."

Thurston Moore included Nommo in his "Top Ten From The Free Jazz Underground" list, first published in 1995 in the second issue of the defunct Grand Royal magazine, calling the interplay between the musicians "remarkable."

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LP | 1962 | DE | Reissue (Impulse)

Ballads

Release: 1962 / DE – Reissue

Genre: Organic Grooves

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LP | 1965 | DE | Reissue (Impulse)

A Love Supreme

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Cortizona)

Patty Waters

You Loved Me

LP | 1962 | EU | Reissue (Blue Note)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single 'My One And Only Love' and a recorded live session at Lone Mountain College in 1974.

The album 'You Loved Me' is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60's and her post 90's releases. The missing link between the radical ingenue of the 1960s and her late 90's songs wherein she expressed the resolution of all of her life's moments through mature readings of traditional songs and jazz standards. This collection aims to provide that missing link and to finally complete the picture of her storied recording career.

In what would have been her third LP, the 'You Loved Me' album serves as the inverse of Patty's debut. While her debut "Sings" concerned itself with themes of heartbreak, loneliness and yearning, there's an abundance of love, joy and togetherness on "You Loved Me".

Or in Patty's own words:

"I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love could be"

On 'You Loved Me' Patty Waters velvet voice captures this longing for love, straight from her soul to your heart. Crossing the border of the avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-sides while the 14 minute composition 'Touched By Rodin In A Paris Museum' on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.

'You Loved Me' proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, impressed Miles Davis, Pharoah Sanders and Henry Grimes with her concerts and can count Patti Smith and Yoko Ono (to name a few) amongst her fans.

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Dexter Gordon

Go!

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Life Goes On)

Hal Blaine

Psychdelic Percussion

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Psychedelic Percussion definitely sticks to his title. With the help from Paul Beaver of Beaver & Krause (famous keyboard wizard and sound engineer for the likes of Stevie Wonder), vibe master Emil Richards (check is two fantastic album on Impulse! with The Microtonal Blues Band featuring Joe Porcaro, father of the famed Toto brothers) and Gary Coleman (percussionist in the famous Wrecking Crew), Blaine goes wild in the studio with drums, gong, xylophone, organ, bongos, congas and timpani. Unusual textures and tones lead the way to 12 instrumental exotic numbers similar in a way to Raymond Scott most visionary experiments. This is pure madness, a record full of breaks and still unsurpassed in many ways. Blaine was an American drummer and session musician, estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one, as well as many film and television soundtracks. He became one of the regular players in Phil Spector's de facto house band, which Blaine nicknamed "the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond and the Byrds.

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Clifford Jordan

Starting Time

LP | 1964 | EU | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"This fine set matches together the already distinctive tenor of Clifford Jordan with veteran trumpeter Kenny Dorham, pianist Cedar Walton, bassist Wilbur Ware and drummer Albert "Tootie" Heath. Other than Duke Ellington's "Don't You Know I Care," the group sticks to originals by Jordan, Dorham and Walton. The music is straight-ahead, and although the tunes are pretty obscure, the solos and high musicianship uplift the music. Recommended to straight-ahead jazz collectors." Scott Yanow -All Music Guide

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Lee Morgan

The Sidewinder

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Horace Silver

Song For My Father

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Mal Waldron

The Quest

LP | 1965 | EU | Reissue (Impulse)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"Although often reissued under Eric Dolphy's name, this reissue gives the leadership back to pianist Mal Waldron. The seven originals not only feature altoist Dolphy (who makes a rare appearance on clarinet during "Warm Canto") but tenor-saxophonist Booker Ervin, Ron Carter (on cello) and Waldron. With bassist Joe Benjamin and drummer Charlie Persip giving alert support, the complex music (which falls between hard bop and the avant-garde) is successfully interpreted. Worth checking out." Scott Yanow -All Music Guide

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Sonny Rollins

On Impulse!

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Images)

Sonny Rollins

The Bridge

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Images)

Stan Getz

Big Band Bossa Nova

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Joe Harriott Quintet

Free Form

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Where? Feat. Eric Dolphy And Mal Waldron

Ron Carter

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Workshop)

Don Ellis

The Essence

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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The Message From Britain Feat. Tubby Hayes And Ronnie Scott

Jazz Couriers

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Skye)

Gabor Szabo

Bacchanal

The Cannonball Adderley Quintet

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Labeled “the Nureyev of the guitar” by jazz critic Leonard Feather, Gabor Szabo was at his creative peak at the end of the 60s, when he recorded his masterpiece “Bacchanal”. Szabo’s 60s quintet, featuring guitarist Jimmy Stewart, is on top
form here with another of his unique collections of both jazz and pop hits. His restrained use of feedback at just the right moments shows Szabo was willing to open up to new sounds yet he keeps a tight grip on his signature sound throughout these eight cuts.

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Accent On Africa

LP | 1968 | US | Original (Capitol)

LP | 1961 | JP | Reissue (CBS/Sony)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Split at bottom seam. Back cover has a big water stain.

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Ray Bryant Trio

Con Alma

The World Of Harry Partch

Release: 1961 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1973 reissue.

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Harry Partch

LP | 1969 | US | Reissue (Columbia)

Gals And Pals Sing Gals And Pals' Favorites

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

A composer, a theorist, and an innovator, Harry
Partch stands out among so many other
American classical artists as one of the most
eccentric. He notably rejected the tradition of
composers like Beethoven and Bach for a lack
of theatricality and drama, and took his greatest
inspirations from Eastern Noh theater,
frequently incorporating speecn and dance into
his pieces, as well as requiring participants to
perform multiple parts. His theories reflected
this dismissal, which sought to return musical
tradition to those of the pre-Classical era, with a
heavy focus on microtonality, and octave
intervals beyond what was traditionally utilized.
Many of the pieces he composed would
prominently feature instruments of his own
invention, including heavily modified string
instruments, mallet instruments, and
pipe organs.
Over the course of his life, Partch released a
number of records, soundtracked numerous
films by Madeline Tourtelot, and wrote the highly
influential text Genesis Of A Music, which would
introduce his theories to a contemporary
audience, and inspire fellow avant-garde
composers as Lou Harrison, Ben Johnston,
James Tenney, and even the famed
experimental collective The Residents.

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Gals And Pals

LP | 1964 | SE | Original (Metronome)

Release: 1964 / SE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

With A Little Help From My Friends

Volker Kriegel

LP | 1968 | EU | Reissue (Cinedelic)

LP | 1969 | EU | Reissue (Eargong)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Volker Kriegel is considered the pioneering Jazz-rock and Fusion guitarist from Europe. 1968 was a crucial year for his career as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist Claudio Szenkar. The covers performed are the two by Lennon-McCartney 'With A Little Help From My Friends' and 'Norwegian Wood’, and the traditional Brazilian 'Nãnã Imborô'. Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over 9 minutes and featuring Tony Scott on Clarinet and Gustl Mayr on Tenor Sax. Over the years, Kriegel would go on to participate in over 200 albums.

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Barre Phillips

Unaccompanied Barre

LP | 1962 | EU | Reissue (Culture Factory)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Holland, Archie Shepp, Marion Brown, John Surman, Paul Bley, Evan Parker just to name a few! Originally recorded as part of a 3 hours session this solo tour-de force expresses the true essence of a genius. A multifaceted, kaleidoscopic journey through a myriad of melodic, rhythmic, fretted and bowed lines. In other words: a true master class and a seminal statement from one of the greatest figures in creative music! ‘...Not just an improviser of the highest order; but a true sound sculptor capable of drawing from his instrument such a vast array of shapes and colours that his creation is almost a form of visual art for the ears.’ Jazzwise

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Donald Byrd

Cat Walk

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Culture Factory)

Grant Green

Grant's First Stand

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Barry Harris Quintet

Newer Than New

Twistin' The Night Away Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"A quick listen to the lively bop on 'Newer Than New' may enlist a perplexing question: Was this music really recorded 40 years ago? Apparently so, but the music still sounds fresh and exciting. If pianist Harris set out to show bop was still a vital force in 1961, he accomplished his task. Of course he didn't do this alone. Trumpeter Lonnie Hillyer, alto Charles McPherson, bassist Ernie Farrow, and drummer Clifford Jarvis join him on eight tunes that would've made Parker and Gillespie proud. The influence of bop pioneers is evident on tunes like "The Last One" and "Anthropology," both giving the horns lots of room to soar against the backdrop of dynamic rhythm. "Mucho Dinero," one of several Harris originals, has an exuberant Latin feel. After the horns set the piece in motion, Harris takes the first solo, creating colorful textures with his keen sense of harmony. Newer Than New also places special emphasis on the young horn players, providing McPherson and Hillyer lots of room to show what they've got. Both echo Parker and Gillespie without copying them. Hillyer displays a fat rich tone on numbers like "Easy to Love," while McPherson's resonant pitch, no matter how quickly he's playing, always comes across. Farrow and Jarvis keep the shifting rhythms heavy in the mix, pushing each soloist to create something vital. The title 'Newer Than New' perhaps mocks the obsession with the latest thing, as opposed to opting for the timelessness of high-octane improvising. Jazz styles, like all styles, come and go, but great music like 'Newer than New' transcends styles. It's also fun (and illustrative) to listen to an album like this back to back with the latest retro jazz. Barry Harris and his colleagues make great jazz without the least bit of self-consciousness."

—Ronnie D. Lankford, Jr. (All Music Guide)

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Sam Cooke

LP | 1962 | EU | Reissue (Sowing)

LP | 1968 | JP | Original (A&M)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Twistin' the Night Away is Sam Cooke's eighth studio album. Released in April 1962 by RCA Victor, the album shows how the one and only Sam Cooke approached the twist dance phenomenon and as a result became one of Cooke's most successful releases. In fact Twistin' the Night Away peaked while the single of the same name charted high at number nine on the Billboard Hot 100. Twistin' the Night Away stands as one of the great dance albums of its period,"and "a brilliant soul album as well.

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Herbie Mann

Glory Of Love

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Soul Trombone And The Jazz Clan

Curtis Fuller

LP | 1962 | EU | Reissue (Sowing)

LP | 1967 | EU | Reissue (Survival Research)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Originally released on Impulse in 1962 "Soul Trombone and the Jazz Clan" was a major statement from one of the great trombone players in American jazz. Here Fuller displays an outstanding hard-bop ensemble based on a bunch of great individuals all at the top of their game. Fuller himself is part of a super strong horn section with trumpeter Freddie Hubbard and tenor saxophonist Jimmy Heath, while the groove is assured by a hard swinging rhythm section with pianist Cedar Walton, bassist Jimmie Merritt and drummer Jimmy Cobb. Fuller gives lots of space to his musicians who naturally respond and empathize with great solos.In one word: an outstanding record!

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Yusef Lateef

Jazz Mood

Oliver Nelson With Eric Dolphy

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his Quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messenger Curtis Fuller on trombone. The use of an argol on 'Metaphor' and a rabat and finger cymbals on 'Morning' point to Lateef's Islamic grounding and his belief that music serves a higher purpose; this edition has bonus track 'Passion,' from the equally excellent Before Dawn. Rich, deep, and varied, this is required listening for all serious jazz heads.

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Straight Ahead Clear Vinyl Edition

Roland Kirk With Jack Mcduff

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Originally released in 1961 by Prestige/New Jazz label, "Straight Ahead" marks the last Dolphy's appearance within a series of fortunate collaborations with saxophonist Oliver Nelson. This is a great modern jazz album taking shape from a quintet studio session (all first takes) engineered and supervised by master Rudy Van Gelder and featuring: Oliver Nelson - alto and tenor saxes, clarinet - Eric Dolphy - alto sax, bass clarinet, flute - Richard Wyands - piano - George Duvivier - double bass and Roy Haynes on drums. A serious bunch of jazz stylists all caught in fine form and concentration. Needless to add that the Nelson-Dolphy sax tandem shines throughout the whole album while Duvivier and Haynes inject their angular yet hard swinging groove. The track list consists of five Nelson's originals plus Milt Jackson's "Ralph's new blues".

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Kirk's Work Clear Vinyl Edtion

Speed And Space - The Concept Of Space In Music

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Roland Kirk was one of the most creative, extravagant figures in jazz history. A master multi instrumentalist with no boundaries in terms of language, style and technique. Here we find him co-leading a strong studio session with organ specialist Brother Jack Mcduff. Backed up by Joe Benjamin on bass and Art Taylor on drums, Kirk and McDuff give voice to a soulful post-bop set full of groovy riffs and highly inventive instrumental ping pong. Recorded by Rudy Van Gelder and released in 1961 by Prestige Records, this is a fine early step in Kirk's varied and intense career.

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Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

LP | 1969 | JP | Original (Atlantic)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

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Herbie Mann

Memphis Underground

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI!

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John Wright

Mr. Soul

LP | 1968 | EU | Reissue (Morgan Blue Town)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7233)
Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7233)

The John Wright Trio
John Wright (piano), Wendell Roberts (bass), Walter Perkins, Jr. (drums).
Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, April 10, 1962

Engineered & mastered by Rudy Van Gelder
Cover photo & design: Don Schlitten
Back-liner notes: Tom Wilson
Recording supervised by Esmond Edwards

180 Gram Newly Remastered Vinyl Reissue of the original Prestige Prlp 7233 Limited edition in Solid carton sleeve

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Judd Proctor

Guitars Galore

Soft Winds: The Swinging Harp Of Dorothy Ashby Clear Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Re-issue of 1968 album by British jazz guitarist (born January 2, 1933 in Doncaster, England). He played with Norman Burns, "Ray Ellington's Quartet", Benny Goodman (in tour in England, 1971), "Don Lusher's Big Band", and as a session man in the 1970s, 1980s and 1990s.

Judd uses varying permutations of the following instruments on various tracks. Twelve string guitar, electric Fender guitar, electric Gibson guitar (l4) with a Charlie Christian bar pick-up, and a Maton acoustic guitar.

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Dorothy Ashby