Jazz | Fusion Vinyl 565 Items

LP | 1977 | EU | Reissue (Be With)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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‘Earthly Delights’ is a forgotten 1978 free-jazz masterpiece by bass player, composer and improviser David Wertman, alongside his Sun Ensemble.

Born in 1952 and raised in Queens NY, Wertman’s distinctive upright playing style was entirely self-taught. He cut his teeth in the notorious New York Jazz lofts, jamming for hours and hours with the likes of Billy Bang, Arthur Blythe, Marion Brown, Steve Reid, Dave Pike, William Parker, Brandon Ross and Charles Tyler to name but a few.

‘Earthly Delights’ is the first recording by the Sun Ensemble band and features the original line-up of Greg Wall (Baritone Saxophone), Jay Conway (Drums), John Sprague Jr. (Flute and Percussion), David Swerdlove (Soprano/Alto Saxophone), and John Zieman (Synthesizer). John Sprague Jr. financed and produced the album, releasing it on his own label Sweet Earth Records, a short-lived but bountiful imprint, perhaps best known for issuing Sun Ra And His Arkestra’s 1979 album “The Other Side Of The Sun”.

‘Earthly Delights’ is perhaps best described as loosely composed, or highly improvised, depending on where you stand on such subjective matters. Containing just 4 compositions, ‘Earthly Delights’ explores man’s relationship with nature; at times subtle and delicate, at times wide and sweeping in its gestures. The record’s spiritual message is conveyed by heartfelt, virtuoso performances from all six players, drifting together seamlessly from one sonic wave to the next.

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Alan Hawkshaw

The Road Forward

LP | 1974 | EU | Reissue (Croatia)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A comprehensive collection of descriptive contemporary scores. We say: Just look at the track titles of The Road Forward and swoon: Strangelands, A Man Alone, Sheer Elegance, Mystique Voyage, Cruising. Don’t you just want to hear those? The maestro Alan Hawkshaw really spoils us on this, one of the most sought after KPM greensleeves. This collection from 1977 is a brilliantly varied blend of silky smooth synths, funk-fuelled clavichord grooves and soft focus space beats. Essential. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Tihomir "Pop" Asanovic

Majko Zemljo

Karlton Hester And The Contemporary Art Jazz Movement

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180 gram vinyl in a fold out cover with an insert.

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Hesterian Musicism

LP | 1982 | EU | Reissue (Cool Cult)

14,99 €*

LP | 1988 | EU | Reissue (Studio Mule)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Musicism is the core concept of transcultural artistic research that rose to prominence at the beginning of the 80s thanks to the ingenious mind of Karlton Hester. Composer, flautist and saxophonist Hester set himself as the promoter of a multidisciplinary idea in which musicians, visual artists and poets collaborate in a synergic manner to produce new art forms. Hesterian Musicism is an avant-garde spiritual jazz record composed and issued by Hester on his San Francisco based label Hesteria in 1982.

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Doctor Umezu Diva

Diva Feat. Midori Takada

LP | 1978 | UK | Reissue (Spiritmuse)

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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Doctor Umezu diva is a japanese sax player Kazutoki Umezu’s one off project which he invited two female artists, one is a legendary marimba player Midori Takada and one more is a vocalist&pianist and half of japanese newwave band colored music in the end of 80’s. This album was one of the best kept secret jazz album from Japan. Dubby from ondas tokyo(he compiled “va/midnight in tokyo vol.2” on studio mule) brought me this record. It was really hard to find as the amount of copies has been very limited. This album is a unique mixture of modern classical sound and avant-garde jazz which is kind of similar with strata east or nimbus.

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Abdullah Sami

Peace Of Time

36,99 €*

LP | 1981 | US | Reissue (Pure Pleasure)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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An ultra-rare, spiritual jazz Holy Grail from Abdullah Mudon Sami and
New York’s & Chicago’s late 70s underground jazz scene, that has acquired
mythical status.

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Adele Sebastian

Desert Fairy Princess

Derek Bailey & Cyro Baptista

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Adele Sebastian was an Afro American jazz flutist and singer, active from the early 70s (when she was still a teenager) until her untimely death at the age of 27 (!) in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospective sound considering the year the album was recorded. Adele and her band pull it off right from the start as if it had been 1966 and it was time for a revolution to shake the dust from the old time jazz. In a perfect way she mixes classic American vocal jazz elements with playful and more free passages, Latin music and tribal African sounds in the lengthy and quite rhythm oriented “Man From Tanganyika” and makes the title track start with a mystical “Allahu akbar“ chant while it turns more and more into a dark and gloomy song with something like a psychedelic edge reminiscent of Pharoah Sanders on his early works. Wild rhythms from drums, percussions with tons of bells and chimes weave a thick groove carpet and conjure a magical atmosphere. Those jazz aficionados who love the mid 60s John Coltrane, his sidekick Pharoah Sanders and Alice Coltrane will go crazy for this album.

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Cyro

2LP | 1988 | EU | Reissue (Honest Jon's)

LP | 1980 | UK | Reissue (Pure Pleasure)

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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When Cyro Baptista moved to New York in 1980 from his home city of São Paulo, he brought with him an arsenal of percussion instruments, including the cuica (friction drum), surdo (the booming bass drum associated with samba), berimbau (single-string bow with resonating gourd), and cabasas galore, in the next few years deploying them most notably in numerous ensembles curated by John Zorn, who helped set up this studio session in 1982.

As you might expect from someone whose infectious grooves have graced the work of Herbie Hancock, Astrud Gilberto and Cassandra Wilson, Baptista expertly fires off cunning polyrhythms, even traces of thumping samba, with restless fluency. Bailey the wily old fox skirts and eschews the bait, which is quickly conjured away and newly fashioned. The guitarist homes in on the delicious squeaks of the cuica and the twanging drones of the berimbau with truly awesome tonal precision. You could sing along if you wanted, after a caipirinha or two. And he gets almost as many different sounds from his instrument as Baptista can from his kit – check out the stratospheric plings and string-length fret-sweeps of Tonto, which sound more like a prepared piano than an acoustic guitar.

Wonders abound, from the berimbau/bent-string exchanges that open Quanto Tempo to the delightful collision of howling cuica and spiky bebop on Polvo, and the spare, preposterous Webernian samba of Improvisation 3.

These days, ‘improvisation’ often appears without its customary qualifier ‘free’. If there were ever a case to be made for its reinstatement, this album is the best supporting evidence. Freedom means you’re free to get into the groove, free not to, free to play with each other, free to play against each other. Sometimes frustrating, even scary, but more often than not in the hands of these two great masters it’s hilarious, exhilarating and utterly irresistible.

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John Hicks

Hells Bells

LP | 1979 | EU | Original (Nyami Nyami)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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John Hicks (1941-2006) gave much to jazz over several decades but never really received the appreciation he so richly deserved. As a pianist, he proved himself in the Art Blakey and Betty Carter universities. He was also the prototypical musician's musician, a first-call pianist for many jazz greats and a magnificent accompanist to the art's best saxists, including Pharoah Sanders, Arthur Blythe, Chico Freeman, Archie Shepp, and David Murray.
He was often accused of hovering in McCoy Tyner's shadow, which is unfair and untrue. But he evinced a great fondness for Coltrane's music and was often heard on many a Coltrane tribute, showing affection for the saxophonist and his appreciation for Tyner's contribution to Coltrane's finest music.
Another facet of John Hicks' career, which gets even less attention than his wondrous playing, is his ability to craft identifiable compositions that are wandering and melodic, suggestive and malleable yet memorable all at once.
It would be difficult to conceive the ideal tribute to John Hicks. As a jazz contributor, he wasn't easily pigeon-holed. While he was always a (straight) jazz player, he skirted the edges of free jazz and pure romanticism that neither side ever appreciates in the other. But both camps could find moments of joyous life in all the ways Hicks chose to express himself. He was an unmistakably perfect accompanist in any mode.

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New Tutenkhamen

I Wish You Were Mine

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1979 / EU – Original

Genre: Organic Grooves

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A lost piece of Zimbabwean musical history: the only album from local legends the New Tutankhamen, combining Jazz, Soul, Folk and Township rhythms. With only 2 copies of the original LP known to exist and no trace anywhere on the internet, the band's magnum opus is available for the first time in over 40 years.

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Herbie Hancock

Crossings

LP | 1980 | EU | Reissue (Out-Sider)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Crossings is the second album in the experimental sextet trilogy Herbie Hancock released early
1970s. His electronic movements are further explored and the whole sound comes alive in the three
long tracks this album consists about. The album opens with some African drums before moving on
the to some of the unearthed sounds the sextet created for this album. Centerpiece "Sleeping Giant" is
nearly 25 minutes long and is divided into five funky and groovy parts. A transcendent experience that
has grown over time into one of the most moving, powerful and innovative artistic statements of the
modern era. Over forty years later this album still sounds incredibly ahead of its time.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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Tony Branker

For The Children

An Evening With The Devil

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this Spiritual / Modal Jazz private album from 1980, originally released on the RPC custom label from the US. Including top modal tracks like “Do Dat” or “Circles”, the terrific jazz-funk of “Unicorn” and more.
"For The Children" was written and produced by Anthony "Tony" Branker while he was a senior in the Princeton University Department of Music in 1980. It features Branker on trumpet, a young Stanley Jordan on guitar (this is his earliest recorded work), Glenn Cashman on alto, soprano and tenor sax, Gary Monhein on piano, Dan Krimm on bass and Jeff Penney on drums.
Remastered sound, original artwork.

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Wendell Harrison

LP | 1972 | UK | Reissue (Pure Pleasure)

LP | 1976 | EU | Reissue (Jms)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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»The compositions we play are reflective of the music of our times whereby we play Jazz, Rock, and African music with its poly or many rhythms. I wrote all the tunes on this particular LP and it is written as a suite in 5 movements which means that the music can be performed along with poetry and dancers. On our last LP called “Message From The Tribe” we featured the compositions of our very talented composer, arranger, and trombonist Phil Ranelin. On one side he wrote all the compositions and on the flip side I wrote all the tunes. This album was produced by us on the Tribe record label. As far as the music on “Evening With The Devil” is concerned it really speaks for itself. In addition to the music it features some relevant poetry by two very talented young poets named Oba and Vajava who are also members of a very excellent theatre group in Detroit called The Black Messengers.«
Extract from the sleeve notes of this album by Wendell Harrison.

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Henri Texier

Amir

26,99 €*

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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LP | 1988 | EU | Reissue (Telephone Explosion)

Fist Of Facts

Fugitive Vesco

Alan Hawkshaw & Brian Bennett

Release: 1988 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Melodic Energy Commission is a Canadian gem and an interesting branch of the Hawkwind family tree (featuring Del Delmar on electronics.) Hailing from British Columbia, their unique blend of space rock, progressive and hippie psychedelia began in 1977 as a recording-only project titled "The Melodic Energy Commission of Collected Artists."
In 1985 Ken Man showed up in the studio with this IBM AT computer. It had a 1/2 MB of RAM and some Voyetra software that could sequence music, becoming the duo’s backing band. Fist Of Facts contributors included Mark Cunningham from Mars, Felice Rosser, Genevieve De Monvel Boutet, Carlos Vivanco, Scott Hartley from the Liquids and a whole host of others. Fist of Facts expand the natural groove that Liquid Liquid established over their quick career, with a strong political message combined with abstract dub soundscapes.

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Synthesizer And Percussion

LP | 1974 | UK | Reissue (Be With)

LP | 1974 | UK | Reissue (Be With)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.

This is one of Hawkshaw and Bennett’s wilder joints and aeons ahead of its time. Bennett’s tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw’s deranged clavinet-funk-rock. There are heavenly break loops galore.

Opener "Mon Amour" is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal "Oddball" is an incredible hard electro strut with a knocking break. "Mile High Swinger" is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating "Auto Pilot" has a percussive groove elevated by electric piano and synthesizer. Check "Driving Force”, “Home Run” and "Pacesetter" for electroid prog-funk dripped in acid squelch.

All five final tracks are beatless synth workouts, because they can.

As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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James Clarke

Mystery Movie

LP | 1979 | EU | Reissue (Sommor)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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James Clarke’s Mystery Movie was released in 1974 as “modern, small group compositions in various moods. Ideally suited to the new Americanised style of T.V. and cinema film where music is used to create the mood and carry the action”.

So this collection covers a lot of bases, but it does so brilliantly and has absolutely no right to be such a fantastic listen from start to finish.

Mystery Movie is best known for the slick drum breaks underpinning the top-notch jazz-funk chase theme “Car Patrol”, the fuzz riffing and ARP soloing of “The Heavies” and the slow-mo strut of “Mystery Moll”. “Study In Fear” and “Empty Streets” are horror soundtrack fodder of the finest sort.

However, it’s the understated, plaintive pieces that we find the most rewarding. Ambient feels and strung-out fried-folk treats, full of cyclical naïve melodies. Music that evokes the ‘downlifting’ Ronnie Lane and Ron Wood instrumentals from their great Mahoney’s Last Stand LP, as well as the beautiful soundtrack work of Jack Nitzsche and Ry Cooder. You might also recognise “Waiting Game” from being sampled by melodic downbeat masters Express Rising.

Check “Relaxed Theme”, “Quiet Girl”, “Routine Procedure” and “Quietness Sustained” for a melodic, melancholic set, with the last three performed on just acoustic guitar and harp. Gorgeous work.

As with all ten re-issues, the audio for Mystery Movie comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Benoit Widemann

Tsunami

Distinctive Themes / Race To Achievement

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Second album, released in 1979, by French keyboard wizard Benoit Widemann (ex-Magma). “Tsunami” is an incredible mix of electronics and jazz-fusion with prog / avant-garde /minimal elements. Treated Minimoog, Oberheim synths, Rhodes, early computer sequencing plus bass, drums, guitar, sax… Featuring Jean-Pierre Fouquey (ex-Magma), Jean-Pierre Grasset (Verto) and Jean-Paul Ceccarelli among others.
"Digital computer-based sound in 1979! We were the avant-garde!" - Benoit Widemann.

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Nick Ingman

LP | 1976 | UK | Reissue (Be With)

LP | 1986 | EU | Reissue (BeauMonde)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Released in 1976, Distinctive Themes / Race To Achievement is legendary arranger Nick Ingman exploring the two distinct ideas of “impressive themes varying in style from ‘Basie to Elgar’” and “a study in the pressure and rewards of achievement”.

Distinctive Themes is a veritable indulgence of variously-tempoed, full orchestra, big band workouts, from relaxed swing to more propulsive themes. The progressively building “Expanding Markets” is a true highlight, with its rolling pianos, contemplative electric guitar solos and moody horns over skipping beats. The dramatic “Against The Odds” is another stand-out.

Race To Achievement is all rugged funk with stabbing chords and strutting horns and it’s probably our favourite side. Of course we have to acknowledge the fantastic “Tense Preparation”, sampled by Prince Paul and Dan The Automator for Handsome Boy Modeling School’s seminal “Magnetizing” with Del Tha Funky Homosapien. But the whole side’s range from tense underscores to fast and punchy chase themes makes this is a gem of the KPM catalogue.

As with all ten re-issues, the audio for Distinctive Themes / Race To Achievement comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Digital Caresse

Demain

LP | 1978 | EU | Reissue (Speakers Corner)

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Produced by Serge Fabriano (of Fabriano Fuzion fame) in 1986, Digital Caresse is considered one of the holy grails of West Indies electronics made in Guadeloupe. Fulle remastered and limited to 700 copies!

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Al Di Meola

Casino

LP | 1976 | UK | Reissue (Pure Pleasure)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Master of the strings, Al Di Meola, who turn his back on over-ambitious manual dexterity as in "Elegant Gypsy" to concentrate more on musical substance, demonstrates his intensive work with the material in the follow-up album "Casino". For example in "Egyptian Danza", an amalgamation of melodies which circle around one another and evoke with light electronics the contrasting worlds of the Orient, Occident and New World. A far sharper sound is conjured up in "Chasin‘ The Voodoo", which escalates to an extremely tightly-knit continuous fire, infused with the maestro‘s familiar guitar sound. Di Meola - with himself alone - combines the idea of multiple rhythms and parts: In the "Fantasia Suite For Two Guitars", four miniatures with percussive zapateado and whirling flamenco, he accompanies himself thanks to multi-tracking. All great stuff, but the best comes last: in the lengthy title number "Casino" all powers come together to create a magnificent performance with varying tempos, layered patterns, deceptive metrical changes and, of course, guitar playing of the highest order.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: May - September 1977 at Electric Lady Studios, New York, by Dave Palmer
Production: Al Di Meola

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John Gordon

Step By Step

Melodic Energy Commission

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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John Gordon, a trombone master, brings us another gem from that most renowned of 70’s record labels, Strata-East. The trombone is a difficult instrument. In the hands of an artist like John Gordon, however, it can create vivid images and conjure up beautiful music. And when the cohort of other players includes the likes of Charles Tolliver & Stanley Cowell, you know you’re in for an extra treat.

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Migration Of The Snails

LP | 1980 | EU | Reissue (Telephone Explosion)

LP | 1986 | EU | Reissue (Invisible City Editions)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Jeff Majors

For Us All (Yoka Boka)

LP | 1981 | EU | Reissue (Warner Music Poland)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Private Press Spiritual Jazz from D.C's Jeff Majors. Featuring harp, drum machines and synths. Jeff was one of Alice Coltrane's students at the ashram. He also played in Brother Ah's band. Each song on this album is an inspired vision of the personal and the devotional via the harps universal gilstening range and Linn drums. Comes with info booklet. TIP!

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Stanislaw Sojka

Blublula

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (Warner Music Poland)

Extra Ball

Birthday

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (Warner Music Poland)

Czeslaw Bartkowski

Drums Dream

26,99 €*

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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LP | 1977 | US | Reissue (Chiaroscuro)

Dollar Brand

Cape Town Fringe

LP | 1974 | US | Reissue (Muse)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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180 gram pressing!

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Pat Martino

Consciousness

Max Roach & Clifford Brown

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Muse 5039

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Daahoud

LP | 1972 | US | Reissue (Mainstream)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | US | Reissue (CTI)

Joe Farrell

Outback

Release: 1979 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | UK | Reissue (Pure Pleasure)

Shamek Farrah

First Impressions

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | UK | Reissue (Pure Pleasure)

Norman Connors

Love From The Sun

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Reissue (Philadelphia)

Dexter Wansel

Voyager

Release: 1978 / US – Reissue

Genre: Organic Grooves

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12" | 1983 | EU | Reissue (Best Record Italy)

Tullio De Piscopo

Stop Bajon

LP | 1972 | EU | Reissue (Mr Bongo)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1983 Stop Bajon (Primavera) became a favourite in Rimini Discotheques, Balearic Islands and even Chicago during the early house days. It was an anthem on what went on to become the Italo Disco movement. The vocal mix is still revered and played to this day by DJ's such as DJ Harvey at his Mercury Rising night at Pikes, Ibiza. This special limited edition release from Best Record Italy features for the first time the original acapellas (tracked down during tape restoration) plus the song Stadera that was available only on the first italian pressing and of course the original extended club vocal and instrumental.

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Celia

22,99 €*

LP | 1977 | EU | Reissue (Mental Experience)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Célia Regina Cruz recorded four self-titled albums for Continental between 1971 and 1977, ‘Amor’ in 1982 plus several more before she sadly passed away late in 2017. Célia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career.
This, her second self-titled LP from 1972, features an all-star line up including Arthur Verocai, Erasmo Carlos, Roberto Carlos, Marcos Valle, Antonio Carlos Jobim, Nonato Buzar and Vinicius de Moraes amongst others. Célia’s version of ‘Na Boca do Sol’ – taken from this album – is arguably her most well-known and well-loved song. An incredible take on Verocai’s original, featuring waling fuzz guitars, strings, piano, horns and drums. Needless to say clean, original versions of this record now change hands for silly money! We are very proud to be able to reissue it officially, at long last. Official Mr Bongo reissue. Replica original gatefold artwork. Licensed from Warner Music.

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Wild Havana

SAC - School Of American Craftsmen

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.
Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the “Wild Havana” album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.
Buried for many years, we’re excited to bring to life this unique album.

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Jeff Resnick

LP | 1978 | UK | Reissue (Outernational Sounds)

23,99 €*

LP | 1976 | UK | Reissue (Pure Pleasure)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Organically funky, laced with avant-garde synth textures, and studded with breakbeats, the second Outernational is Jeff Resnick’s unique, ultra-rare, 1978 promotional recording for the School for American Craftsmen, at the Rochester Institute of Technology. Five tracks of soul jazz and modal fusion — re-modelling Trane, and opening with a variation of Norwegian Wood — by a local group including trumpeter Jeff Tyzik and pianist Sonny Kompanek; then Resnick mostly solo for the second side, when the money ran out, multi-tracking synthesizers on his home set-up, in an engrossing blend of reflective abstraction, grooving electro and spiritualised fourth-world tropicalism.
Bim!

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Stanley Cowell

Regeneration

LP | 1974 | EU | Reissue (Discmedi)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Around the time of this recording, Stanley Cowell had achieved a degree of prominence as the pianist for the advanced bop quartet Music Inc., which he co-led with trumpeter Charles Tolliver, as well as for unusual projects like his Piano Choir. With Regeneration he chose another path, essentially trying to produce a jazz-infused pop album with strong African roots, perhaps owing a little bit to Stevie Wonder. He assembled an extremely strong cast of musicians for the venture, including Marion Brown, Billy Higgins, and Ed Blackwell, as well as several African string and percussion masters and, by and large, succeeded conceptually if not commercially. A few songs use vocals in a fairly standard pop framework, and, while they are performed capably enough, the lyrical content leaves something to be desired in typical mid-'70s fashion. But much of the rest of the music makes up for this with, among other things, a delightful fife and drum piece by Brown and strong bass work by Bill Lee (Spike's dad). Regeneration is an interesting, often enjoyable album which, aside from its own small pleasures, provides a snapshot of some of the cross-fertilization in genres occurring at the time.

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Tete Montoliu

Boleros

LP | 1974 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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A reissue of a fine Spanish jazz-album, recorded in 1975. Here Tete Montoliu is accompanied by Manuel Elias (bass), Peer Wyboris (drums) and Rogelio Juárez (percussion).

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Bill Evans

Symbiosis

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | EU | Reissue (Everland Jazz)

John Gordon

Erotica Suite

Very Special Stash: Best Of Reefer Songs

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Official reissue of mega rare 1978 LP! Licensed by Strate-East.

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V.A.

LP | 1981 | US | Reissue (Stash)

LP | 1986 | US | Original (Milestone)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Originally released in 1981, now available again on vinyl, this is a very stoned collection of jazz tunes about - or dedicated to - grass, weed, marihuana, Marie-Jane or whatever you call it in your neighborhood.

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Azymuth

Tightrope Walker

14,99 €*

Release: 1986 / US – Original

Genre: Organic Grooves

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Descendants Of Mike And Phoebe, The

A Spirit Speaks

LP | 1974 | UK | Reissue (Pure Pleasure)

LP | 1972 | EU | Reissue (Wagram)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! "Descendents Of Mike & Phoebe" is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have an undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan.

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Billie Holiday

Strange Fruit

15,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1982 | EU | Reissue (High Jazz)

Potter & Tillman

…Space…Rapture

LP | 1976 | UK | Reissue (Matsuli)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. 500 copy LTD edition!
This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.

This gem contains nothing but brilliant tracks like “…Space…Rapture”, “Love Is How”, “New Anniversary Waltz”, “It Must Be E.S.P.” and “(Sing) A Simple Song Of Praise”. Incredible golden lead and backing vocals, a super tight rhythm section, forward thinking arrangements, and an amazing combination of piano, Rhodes and various remarkable synthesizers makes this recording timelessly fresh. The beautiful “Time Is Love”, a tune of positive outlook written during her jazz composition studies, is performed by the one and only Carmen. Killer from the beginning to the end, one of our all-time favorite soul/jazz-funk LPs.

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Pacific Express

Black Fire

26,99 €*

12" | 1980 | US (Prelude)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Militant jazz, fusion, funk and soul from mid-seventies Manenberg, outside Cape Town, with a set of roots in club dance traditions like ballroom ('langarm'), Khoisan hop-step and the whirling 'tickey draai' ('spin on a sixpence') of the mine camps; others in jazz-rock and the New Thing, from Santana and Chicago to Shepp and Coltrane.

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The Nick Straker Band

A little Bit Of Jazz

13,99 €*

LP | 1972 | EU | Reissue (Speakers Corner)

Release: 1980 / US

Genre: Organic Grooves

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/ space age

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Herbie Hancock

Crossings

2LP | 1972 | EU | Reissue (ECM)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In the 1970s, Herbie Hancock’s "Crossings" was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us …
Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s "Quasar" launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.
This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason
Production: David Rubinson

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Circle

Paris Concert

34,99 €*

LP | 1978 | EU | Reissue (ECM)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Circle was a band on fire with creativity. Corea and Holland had just left Miles Davis' band, keen to explore all parameters of new music in an improvised context. Braxton, equally inspired by Stockhausen and Coltrane, brought in new directions from the AACM. Altschul's resume included extensive work with Paul Bley. Together they were, for a while, matchless.

The short-lived Chick Corea outfit outdoes itself in this 1971 live recording. A delicate piano intro primes us for an extended rendition of Wayne Shorter’s “Nefertitti” to start. Once Braxton throws himself on top of incoming bass and drums, however, what began as contemplative awakening quickly turns into a spastic jaunt into more upbeat territory. The gnarled unity of the quartet paints in bold strokes, all the while flirting with total breakdown. Braxton’s perpetual motion and uncompromising tone make a superb tune out of a great one. “Song For The Newborn” gives Holland a moment in the spotlight. Swaddled in all the innocence of its title and bound by a mature sense of structure, this is an engaging interlude to the Braxton/Corea duet that follows. Corea’s frenetic style in the latter works its way through a host of rhythmic options before settling into a row of block chords. Braxton’s heady phrasing tears a page from the book of Coltrane, while his solitary diversions crackle with the urgency of a broken mirror, as yet unframed by the bastion of mundanity. Altschul delights in “Lookout Farm,” in which he dives headfirst into his percussive arsenal. The tinkling of icicles and cowbells in an open field give way to an extended solo, thus providing ample segue into “73 degrees Kelvin,” a beautifully convoluted organism that could only come from the mind of Braxton. Below its cacophonous surface pulsates a vast network of instrumental veins, through which flows the passionate immediacy that is Circle’s lifeblood, and from which Holland’s rapture sings with detail and imagination. “Toy Room Q&A” (Holland) boasts Corea in notably fine form, leaving plenty of elbowroom for Braxton to flex his reeds. The freer aesthetic crashes in on itself by the end, leaving us craving a familiar foothold. This, we get in the standard “No Greater Love,” capping things off with notable turns from all.

Corea busts out with some of his most captivating fingerwork, proving himself finely attuned to the mechanisms of his caravan at every rest stop along the way; Braxton’s “Pharaonic” sound titillates the ear; and one could hardly ask for a tighter rhythm section at one’s side. As a collective unit, Circle doesn’t so much make music out of as inhabit its raw melodic materials. This recording is a lasting testament to a vibrant formative period for ECM. The audience’s enthusiastic reactions give the listener the feeling of being present in the making of history.

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Jan Garbarek

Places

LP | 1977 | EU | Reissue (ECM)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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“Places” is an important album for the Norwegian saxophonist with its stellar transatlantic line-up.

“Places” brings together another congregation of musicians that could only come from ECM. Drummer Jack DeJohnette lassoes his scurrying loops to the acoustic hooks of guitarist Bill Connors, while John Taylor supplements most of the cargo with organ. At the helm of this vessel is Jan Garbarek, whose saxophonism starts high and goes only higher. With cumulative notecraft and a heartfelt commitment to atmosphere, he and Taylor unwrap a lush nexus in the stunning opener. The occasional harmonic falls like a dandelion seed onto this pool of night as cymbals splash all around us. Taylor weaves a fine spread, anchoring us with sustained bass lines and attentive chording, leaving Garbarek to seal every crack with his sonic caulk. Connors seeks to light his surroundings, striking at the flint with his percussive gesticulations in hopes that one spark might show the way. Garbarek sharpens himself with arid flavor and carves out a miniature oasis in the crumbling image of exotic desire. The organ weaves in and out like a halo circumscribing us with subtle urgency until it pulls us beyond the point of no return, where dwells only silence in these “Reflections.” We then find the organ “Entering” into an electric guitar embrace. Bass and drums give us footholds where we might not expect to find them. Thus, what began as an elegy turns into a far-reaching journey that is over too soon. But in the next track we’re still “Going Places,” spurred by DeJohnette’s steady pulse and Garbarek’s hidden thermals. The energy comes in waves, subsiding here for a guitar solo and swelling there at Garbarek’s call. “Passing” ends where the album began, in a fluid ostinato of organ over which Connors looses his wavering song. Garbarek draws an ascendant pattern between those quiet strings, lifting us to an arena in which age curls into a semblance of time.

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Keith Jarrett

The Survivors' Suite

LP | 1972 | US | Reissue (Decca)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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The 1977 released album is considered to be the crowning achievement of Jarrett's American Quartet consisting of himself, Dewey Redman, Charlie Haden and Paul Motian.

"A brilliantly organized and full-blooded work... a very complete record. It creates its own universe and explores it thoroughly, leaving the listener awed and satisfied... An unashamedly ardent album." - Melody Maker

"The labyrnthine composition seems to redefine 'intensity' each time it turns a corner. The drive toward the climax of Side Two is among the most moving in modern music." - The Wire

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David Axelrod

The auction

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Souffle Continu)

Cohelmec Ensemble

22,99 €*

LP | 1977 | US | Reissue (PM)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Next' (originally from 1972) is even more audacious than its 1971 predecessor 'Hippotigris Zebra Zebra'. Relatively brief tracks follow hot on the heels of one another, bolstered by a poly-instrumentality which stands out even more than in the past, giving the album the feel of a contrasting suite. Limited to 700 copies in a gatefold sleeve with an obi.

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Steve Grossman

Terra Firma

2LP+DVD | 1972 | EU | Reissue (Souffle Continu)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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An exact repro vinyl reissue of a great 1977 jazz-rock/fusion LP.

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Barney Wilen

Moshi

39,99 €*

LP | 1976 | US | Reissue (Stash)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa in order to record the music of the native pygmy tribes. Upon returning to Paris, two years later, he created 'Moshi', a dark, eccentric effort fusing avant-jazz sensibilities with African rhythms, ambient sound effects and melodies rooted in American blues traditions. Cut with French and African players, including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon, this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. The set includes a 20-page booklet with rare pictures, sheet music and original liner notes. The DVD includes Caroline de Bendern's movie 'A L'Intention De Mlle Issoufou A Bilma', documenting this incredible African journey.

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V.A.

Reefer Songs

LP | 1976 | US | Reissue (Black Saint)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Originally issued in 1976, this LP offers 16 jazz songs about marijuana, cannabis, bo-bo, weed, wacky weed, tea, reefer, boom, burnie, grass, pot, Mary Jane, crazy herb, or whatever you wanna call it.

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Muhal Richard Abrams

Sightsong

17,99 €*

Release: 1976 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | US | Reissue (Muse)

Lester Bowie

Fast Last

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1980 | EU | Reissue (Music On Vinyl)

Grover Washington, Jr.

Winelight

LP | 1976 | US | Reissue (Friends)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Winelight (1980) is a Grammy Award winning album by revered Jazz musician Grover Washington Jr. It received the Grammy Award for Best Jazz Fusion Performance in 1982. The album also includes the Grammy Award winning hit "Just the Two of Us" sung by Bill Withers.

180g vinyl.

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Esther Williams

Let Me Show You

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Suite For Dr. Martin Luther King, Jr

Nathan Davis

LP | 1976 | US | Reissue (Tomorrow)

15,29 €* 16,99 € -10%

Release: 1976 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Cobblestone)

Sonny Stitt

Constellation

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Cedar Walton / Hank Mobley Quintet

Breakthrough!

LP | 1972 | US | Reissue (Cobblestone)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (Music On Vinyl)

Jaco Pastorius

Word Of Mouth

LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Word Of Mouth was the second album by virtuoso bassist Jaco Pastorius, released in 1981 while he was still a member of Weather Report. Word Of Mouth focused on his ability to compose and arrange for a larger band than was previously featured on his first self titled album from 1976 [MOVLP136]. The band's all-star cast included Herbie Hancock, Wayne Shorter, Peter Erskine, Jack DeJohnette, Michael Brecker, Don Alias and Toots Thielemans who is featured on harmonica on many of the songs.

180g vinyl.

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Joe Pass

Intercontinental

Postaeolian Train Robbery

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Joe Pass (born Joseph Passalaqua) knew how to conjoin melody and chords. Moreover, he brought the walking bass line into the jazz guitar repertoire, as heard in his duo performances with Ella Fitzgerald. Deftly accompanied by German bass virtuoso Eberhard Weber and English drummer Kenny Clare, the music runs the gamut of genres – a meditative Jobim bossa nova, a lusciously relaxed version of the jazz standard, “Stompin' at the Savoy”, a blues-drenched rendition of the Bobby Gentry pop classic, “Ode to Belly Joe”, and a display of dynamically controlled guitar pyrotechnics on the exhilarating “I Love You”.

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COS

LP | 1974 | EU | Reissue (Wah Wah)

Babs Robert & The Love Planet

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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An obscure classic from the 1970's Belgian jazzy prog scene that has become a much sought after piece in the collector's market since it was originally released in 1974. Highly inspired by both the UK's Canterbury scene and the zeuhl sound, the debut album by Cos has been compared to the likes of Soft Machine, Gong, Hatfield & The North, National Health, Gilgamesh, Egg, Placebo, Magma or Zao, with Pascale Son's unique wordless vocals and nonsense syllables singing in a voice that some sources have compared to Flora Purim's.

The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality. The album was released on the small obscure label Plus, and has arised interest not only among prog-rock psych-heads and jazz experimentalists, but also among those looking for breaks and bits to sample.

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LP | 1970 | EU | Reissue (Alpha)

44,99 €*

Until It's Time For You To Go

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.

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Rusty Bryant

LP | 1974 | US | Reissue (Prestige)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Ornette, Coleman, Paul Bley, Don Cherry Charlie Haden & Billy Higgins

Live At The Hillcrest Club 1958

2LP | 1976 | EU | Reissue (Doxy)

31,34 €* 32,99 € -5%

Dollar Brand (Abdullah Ibrahim)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Limited to 500 copies, Audiophile Clear Vinyl Series!

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The Journey

LP | 1977 | US | Reissue (Chiaroscuro)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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LP | 1979 | EU | Reissue (ECM)

Sam Rivers

Contrasts

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (ECM)

Miroslav Vitous Group

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Keith Jarrett / Dennis Russell Davies

Ritual / Piano

LP | 1977 | EU | Reissue (ECM)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (ECM)

Keith Jarrett

Arbour Zena

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Seven Songs For Quartet And Chamber

Gary Burton

LP | 1974 | EU | Reissue (ECM)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Spectator)

Tordenskjolds Soldater

Peace

39,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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If You're Ready Come Go With Me

Jimmy McGriff

LP | 1974 | US | Reissue (Groove Merchant)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Music On Vinyl)

Chet Baker

She Was Good To Me

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Wah Wah)

Neil Ardley

A Symphony Of Amaranths

20,99 €*

Thad Jones & Mel Lewis Orchestra

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this 1972 masterpiece by another of the big names in UK Jazz. Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in musicians such as Mike Gibbs (trombone), Harry Beckett and Henry Lowther (trumpets) or even Jack Bruce (bass), some of them also contributed with the writing of some original compositions, making the NJO the root from which the UK's 70's jazz scene was to blossom.

The Wah Wah reissue features newly mastered sound from the original tapes and will include one bonus track recorded in the same sessions. Limited to only 500 copies.

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Consummation

LP | 1970 | UK | Reissue (Pure Pleasure)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Cobblestone)

Sonny Stitt

Tune-Up!

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Ray Stephen Oche And His Mutambo

Interpretation Of The Original Rhythm

LP | 1970 | EU | Reissue (Favorite)

15,99 €*

LP | 1972 | US | Reissue (Atlantic)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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High on everyones afro-jazz wishlist!

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Oscar Brown Jr.

Movin' On

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1976 | US | Reissue (Shady Brook)

Cheyenne's Comin

Release: 1976 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1980 | US | Reissue (Muse)

Vic Juris

Horizon Drive

LP | 1974 | US | Reissue (Music On Vinyl)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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sampled by DJ Premier for Gang Starr 'mass appeal'

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Herbie Hancock

Thrust

Release: 1974 / US – Reissue

Genre: Organic Grooves

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180g audiophile pressing

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George Benson

The world is a ghetto

12" | 1977 | US (Warner)

13,99 €*

Annette Peacock And Paul Bley

Release: 1977 / US

Genre: Organic Grooves

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/ breezin

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Dual Unity

LP | 1972 | EU | Reissue (Cosmic Jazz)

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Here's the reissue of Annette Peacock and Paul Bley's "Dual Unity" album, originally released in 1972 on Freedom Records. Hailed as a pioneer and artistic genius by many, this album captures Peacock in her element alongside husband, Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision captured on tape in 1970, during their first European tour. For 33 minutes and 21 seconds, the listener is absorbed by other spirits. Using Robert Moog's earliest synthesizers, Bley and Peacock apply the strategic use of silence to indicate its reflective nature with captivating results. A statement of immensity through synthetic minimalism and a milestone in the avant-garde, free jazz movement. Guests musicians: Han Bennink (drums) on "M.J." and "Gargantuan Encounter", Mario Pavone (bass) and Laurence Cook (drums) on "Richter Scale" and "Dual Unity".

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George Benson

White Rabbit

30,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1986 | EU | Reissue (Music On Vinyl)

Chet Baker

Sings Again

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Archie Shepp/Lars Gullin Quintet

The House I Live In

LP | 1980 | WW | Reissue (SteepleChase)

43,99 €*

Release: 1980 / WW – Reissue

Genre: Organic Grooves

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John Surman / Alan Skidmore / Tony Oxley

Jazz In Britain 68-69

LP | 1972 | EU | Reissue (Endless Happiness)

LP | 1970 | US | Reissue (Nature Sounds)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne - and no rhythm section, in the configuration that would emerge in the mid-'70s as S.O.S. For most of the other tracks, Oxley is the drummer, Kenny Wheeler plays flugelhorn, and John Taylor plays piano (acoustic and electric). The music here is all over the place stylistically, but it hardly matters because all the players are fully engaged, and as an ensemble, they all shine and were seemingly looking forward to the impact the new jazz would have.

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Dave Pike

The Doors Of Perception

26,09 €* 28,99 € -10%