Jazz | Fusion Vinyl 568 Items

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1965 | DE | Reissue (AAA / Amiga)

Rolf Kühn Quintett

Solarius

17,99 €*

Ella Wishes You A Swinging Christmas

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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One of the most important Jazz Albums from the mighty Amiga catalogue is back in print!

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Ella Fitzgerald

LP | 1960 | US | Original (Verve)

LP | 1968 | US | Original (Revelation)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: VG

Vinyl with many scuffs, hairlines and some deeper marks. Cover with punch hole, stains and shelf wear

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Gary Foster

Subconsciously

16,99 €*

Tex Book Tenor Tone Poet Vinyl Edition

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Booker Ervin

LP | 1968 | Reissue (Blue Note)

43,99 €*

Release: 1968 / Reissue

Genre: Organic Grooves

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A Cozy Conception Of Carmen

Cozy Cole

LP | 1962 | US | Original (Charlie Parker)

LP | 1962 | UK | Reissue (Be! Jazz)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover is close to VG+.

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Duke Jordan

Les Liasons Dangereuses

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Look To The Rainbow Verve By Request Edition

Astrud Gilberto

LP | 1966 | EU | Reissue (Verve)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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James Clay & David Fathead Newman

The Sound Of The Wide Open Spaces!!!!

LP | 1960 | EU | Reissue (Jazz Workshop)

LP | 1962 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"James Clay's debut album as a leader (and one of only two that he cut before moving back to Dallas for nearly 30 years) matches him with fellow Texas tenor David 'Fathead' Newman, pianist Wynton Kelly, bassist Sam Jones and drummer Art Taylor. Cannonball Adderley supervised the session, putting the spotlight on the competitive horns who really battle it out on the Babs Gonzales blues "Wide Open Spaces." Clay, who plays flute on the date's lone standard "What's New," holds his own with Newman and plenty of sparks fly." —Scott Yanow (All Music Guide)

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John Wright

Mr. Soul

24,99 €*

LP | 1962 | EU | Reissue (Jazz Images)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7233)
Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7233)

The John Wright Trio
John Wright (piano), Wendell Roberts (bass), Walter Perkins, Jr. (drums).
Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, April 10, 1962

Engineered & mastered by Rudy Van Gelder
Cover photo & design: Don Schlitten
Back-liner notes: Tom Wilson
Recording supervised by Esmond Edwards

180 Gram Newly Remastered Vinyl Reissue of the original Prestige Prlp 7233 Limited edition in Solid carton sleeve

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John Coltrane

Plays The Blues

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Change Of The Century Clear Vinyl

Ornette Coleman

LP | 1960 | Reissue (Gm & Publishing)

27,99 €*

Release: 1960 / Reissue

Genre: Organic Grooves

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LP | 1966 | DE | Reissue (Blue Note)

Joe Henderson

Mode For Joe

Release: 1966 / DE – Reissue

Genre: Organic Grooves

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Dinah Sings - Previn Plays

Dinah Shore

LP | 1960 | EU | Reissue (Supper Club)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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The Ornette Coleman Quartet

This Is Our Music

2LP | 1960 | DE | Reissue (ORG Music)

54,99 €*

The Dave Brubeck Quartet Featuring Jimmy Rushing

Release: 1960 / DE – Reissue

Genre: Organic Grooves

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Pressed at Pallas in Germany

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Brubeck & Rushing

LP | 1960 | US | Original (Columbia)

9,99 €*

LP | 1966 | US | Original (Blue Note)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Wayne Shorter

The All Seeing Eye

49,99 €*

"Live" At The Village Vanguard

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Vinyl with many marks, scuffs, hairlines and deeper scratches, plays with grainy background noise. Cover with completely open top and bottom spine, shelf wear

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John Coltrane

LP | 1962 | US | Original (Impulse!)

114,99 €*

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Plays with faint surface noise but far from overpowering the music.
Upper and lower seam are split. Sticker on back cover.

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Sorcerer Crystal Clear Vinyl Edition

LP | 1967 | EU | Reissue (Music On Vinyl)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (20th Century Masterworks)

Herbie Hancock

Takin' Off

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Original (Cadet)

The Ramsey Lewis Trio

Hang On Ramsey!

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record has some hairlines and a few superficial scratches.

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My Funny Valentine - Miles Davis In Concert

LP | 1965 | US | Original (Columbia)

29,99 €*

LP | 1962 | US | Reissue (Prestige)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Record has some hairlines and a few superficial scratches.
Cover with storage abrasions.

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Larry Young

Groove street

15,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Ain't Doing Too B-a-d, Bad

Bobby Bryant Sextet

LP | 1967 | US | Original (Cadet)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1966 | DE | Original (Marcato)

Nichts Für Zarte Seelen

4,99 €*

Release: 1966 / DE – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Original (United Artists)

Count Basie Orchestra

Basie Meets Bond

12,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

LP+CD | 1960 | EU | Reissue (Groove Replica)

Bill Evans Trio

Portrait In Jazz

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Original (RCA Victor)

Della Reese

Della

Art Blakey & The Afro-Drum Ensemble

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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The African Beat

LP | 1962 | US | Original (Blue Note)

59,99 €*

Budd Johnson And The Four Brass Giants

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US original.

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Budd Johnson

LP | 1960 | US | Reissue (Original Jazz Classics)

9,99 €*

LP | 1960 | US | Original (HiFi Jazz)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue from 1985.

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The Paul Horn Quintet

Something Blue

46,99 €*

LP | 1962 | Reissue (Not Now)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

tear in spines

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Herbie Hancock

Takin' Off

20,99 €*

Release: 1962 / Reissue

Genre: Organic Grooves

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Wishes You A Swinging Christmas Acoustic Sounds Edition

Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

38,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Jimmy Smith / Wes Montgomery

Jimmy & Wes: The Dynamic Duo

LP | 1966 | US | Reissue (Anagram Music)

39,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The Dave Brubeck Trio & Gerry Mulligan

Blues Roots

LP | 1968 | UK | Reissue (Pure Pleasure)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Original (Impulse!)

The New Wave In Jazz

LP | 1965 | EU (Endless Happiness)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is Close to VG

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Astrud Gilberto

The Shadow Of Your Smile

21,99 €*

LP | 1965 | US | Original (Atlantic)

Release: 1965 / EU

Genre: Organic Grooves

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The Shadow of Your Smile is a studio album by Astrud Gilberto. With arrangements by Don Sebesky, Claus Ogerman, and João Donato, it was released via Verve Records in 1965. It peaked at number 66 on the Billboard 200 chart.

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Nat Adderley

Autobiography

15,99 €*

LP | 1966 | US | Original (Capitol)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Tears in spines. Writing on cover. Drill hole.

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Lou Rawls

Live!

14,99 €*

LP | 1962 | US | Original (Verve)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Scranton pressing. Close to VG+

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The Oscar Peterson Trio

West Side Story

11,99 €*

LP | 1960 | EU | Reissue (Honeypie)

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

US original.
Sleeve has seam-split.

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Ahmed Abdul-Malik

East Meets West

24,99 €*

Down With It! Tone Poet Vinyl Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960 the album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Malik's eight originals vary from track to track. On the mournful "La Ibky (Don't Cry)," Malik's oud shares the spotlight with a tenor sax (either Benny Golson or Johnny Griffin) plus trumpeter Lee Morgan. "Rooh (The Soul)" features the 72-string kanoon (which is sort of a brittle sounding and much smaller harp) played by Ahmed Yetman, along with Malik's arco bass and the droning violin of Naim Karacand. His ability to fuse Western Jazz with the driving rhythms created by his oud that seems almost sequenced, are startling.

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Blue Mitchell

LP | 1965 | EU | Original (Blue Note)

43,99 €*

LP | 1962 | EU | Reissue (Speakers Corner)

Release: 1965 / EU – Original

Genre: Organic Grooves

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Trumpeter Blue Mitchell had a soulful, swinging style and was equally at home in jazz, R&B, and funk settings. This 1965 date featured his Horace Silver bandmates Junior Cook on tenor sax and Gene Taylor on bass along with a 24-year-old Chick Corea on piano and 22-year-old Al Foster on drums.

“BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Herbie Mann

At The Village Gate

33,99 €*

Jazz Portrait Oscar Peterson

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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"Comin’ Home Baby" – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as 'our man with the flute', and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. 'The Man' serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of "Comin’ Home Baby", Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from "Porgy And Bess" offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.

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Oscar Peterson

LP | 1966 | GDR | Reissue (AMIGA)

LP | 1965 | DE | Reissue (Blue Note)

Release: 1966 / GDR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

1980 reissue

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Anthony Williams

Spring

26,09 €* 28,99 € -10%

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Blue Note)

Cecil Taylor

Unit Structures

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Not Now)

At Carnegie Hall

29,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (ESP Disk)

Albert Ayler

Bells

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Dinah Washington Sings The Blues

Dinah Washington

LP | 1966 | US | Reissue (Grand Award)

10,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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LP | 1960 | EU | Reissue (Sony)

Sketches Of Spain

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Soul Station Red Vinyl Edition

Hank Mobley

LP | 1960 | EU | Reissue (Second)

20,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Soul Station Red Marble Vinyl Edition

Hank Mobley

LP | 1960 | EU | Reissue (Second)

22,49 €* 24,99 € -10%

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Second)

Hank Mobley

Soul Station

16,14 €* 16,99 € -5%

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Richard Groove Holmes & Rusty Bryant

That Healin' Feelin'

LP | 1968 | US | Reissue (Prestige)

19,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Intermusic)

Ben E. King

Dont Play That Song!

40,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (20th Century Masterworks)

Wes Montgomery

Incredible Jazz Guitar

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Milford Graves / Don Pullen

Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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Les McCann

The Truth

23,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Melba Liston and Her 'Bones

Melba Liston

LP | 1960 | EU | Reissue (Jazz Workshop)

23,99 €*

LP | 1960 | EU | Reissue (Honeypie)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo as MetroJazz LP (SE 1013)

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Ahmad Jamal

Happy Moods

24,99 €*

LP | 1967 | US | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmad Jamal's contribution to the expansion of the Jazz art form is undeniable. A true genius and a source of inspiration for other Jazz greats, one for all: Miles Davis. Jamal's piano style and music aesthetic come as a unique blend of sophistication and taste. Recorded in Chicago and first released on Argo in 1960 "Happy Moods" is the result of a happy studio date and lush production featuring his great trio with Israel Crosby on bass and Vernel Fournier on drums.

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Lou Donaldson

Lush Life

Release: 1967 / US – Reissue

Genre: Organic Grooves

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You've Got To Hear It To Believe It!

LP | 1966 | US | Original (Solid State)

6,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1965 | EU | Reissue (Impulse)

Sonny Rollins

On Impulse!

23,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Jazz Wax)

Wes Montgomery

Montgomeryland

16,14 €* 16,99 € -5%

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ella Wishes You A Swinging Christmas Clear Vinyl Edtion

Ella Fitzgerald

LP | 1960 | EU | Reissue (Destination Moon)

21,99 €*

LP | 1968 | EU | Reissue (Mad About)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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First Lady of Song Ella Fitzgerald overcame the challenges of a tumultuous youth through music, her performances with the Chick Webb Orchestra at the Savoy Ballroom and distinctive scat singing leading to early recordings and the 1938 breakthrough, ‘A Tisket A Tasket.’ After recording bebop LPs for Decca, manager Norman Granz launched the Verve label to allow her to broaden her musical horizons, exploring the Great American Songbook. Released in 1960, Ella Wishes You A Swinging Christmas sees her tackle Christmas classics as only Ella can, the lavish orchestration overseen by noted conductor Frank de Vol.

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Paulo Moura Hepteto

Mensagem

29,99 €*

LP | 1966 | UK | Reissue (Pure Pleasure)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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One of the greatest musicians in the history of Brazilian music. Conductor, composer, arranger, band leader and, without a doubt, one of Brazil's most brilliant sax and flute players.

In 68, Paulo Moura brought together a notable group from the country's jazz and instrumental music to record the album "Mensagem". He walked between African rhythm and American and European avant-garde, transforming the Brazilian soul.

Licensed by Halina Grynberg

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Charles Lloyd

Dream Weaver

The Wonderful World Of Jazz

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. "Dream Weaver" is a fully realized project by a band -- a real band -- in which each member has a unique part of the whole to contribute. Jarrett's unusual piano style fits musically with Lloyd's lyricism in a way that it shouldn't. Jarrett was even then an iconoclast, playing harmonic figures from the inside out and relying on counterpoint to create new spaces, not fill them in. (Just listen to "Autumn Sequence", where his solos and his backing harmonics are equally strident and inventive as Lloyd's Eastern explorations of mood and mode.) And then there's the rhythm section of McBee and DeJohnette, whose modal inventions on the intervals make the "Dream Weaver" suite an exercise in open time, allowing all players to wander around inside it and take what they want out. The set closes with a group party jam on "Sombrero Sam", with Lloyd and Jarrett trading eights on a Cuban variation on a fantasia. There were no records like this one by new groups in 1966.

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John Lewis

LP | 1960 | UK | Reissue (Pure Pleasure)

LP | 1967 | EU | Reissue (Speakers Corner)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body And Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
S.C.Berry
Whether you're an old-time jazz afficionado or new to the genre, this album is essential. In my opinion, Lewis' lovely solo on "Body & Soul" makes his version virtually definitive - 15 minutes of bliss. The rest of the album, particularly "Afternoon In Paris", is at the same level. "Wonderful" is the perfect title for this record.
E Barrios

Recording: July and September 1960
Production: Nesuhi Ertegun & Tom Dowd

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Charles Lloyd

Forest Flower

33,99 €*

LP | 1962 | US | Reissue (Return To Analog)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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It was a clever move by George Avakian, producer at Atlantic Records, to record live the Charles Lloyd Quartet during their appearance in Monterey, and to release the LP under the title "Forest Flower". Although the hippy flower-power movement tended towards a rather different musical genre at the end of the Sixties, they were blown away by this music. The four artists attracted masses of people and ensured that every seat was taken and all standing room filled at jazz festivals such as Newport, Molde (Norway), Antibes (France) and the Fillmore East and West. The super group also appeared in Monterey, 120 Km south of San Francisco, the centre of the hippy movement, on 18 September 1966.
On the LP we have the almost 18-minute-long title piece and the standard work "East Of The Sun", which were recorded at the festival. The disc is complemented by a Keith Jarrett composition and one by Cecil McBee, both of which were recorded in the studio ten days before the festival.
Of particular note is the rich interplay, the energy that is palpable throughout, the perfect harmony in each and every change of mood, and the intensity. Even 50 years later, it is quite clear that Charles Lloyd managed to break down the barriers between pop and jazz.
Charles Lloyd is committed to this objective to this very day! All four musicians are still active, although they no longer appear together as a group. Such a special treat for the ears is offered by this newly mastered disc only.

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Jimmie Rowles

Kinda Groovy!

21,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Original (Atlantic)

Carmen McRae

Portrait Of Carmen

40,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Dreams Black Vinyl Edition

Gabor Szabo

LP | 1968 | EU | Reissue (Skye)

LP | 1968 | US | Reissue (Columbia)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Arrangements by Gary McFarland Recorded at Western Recording, Los Angeles
August 6th, 7th and 9th, 1968

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Don Ellis

Shock Treatment

10,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Coleman Hawkins & The Trumpet Kings

Swinging Sounds Of The 40's

LP | 1965 | US | Original (Trip Jazz)

Milford Graves / Don Pullen

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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In Concert At Yale University

LP | 1966 | US | Reissue (Superior Viaduct)

Live At The Sands (Before Frank)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC's loft era – he is, simply put, free jazz royalty. In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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Count Basie

2LP | 1966 | US | Reissue (Mobile Fidelity Sound Lab)

73,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, limited & numbered!

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LP | 1968 | UK | Original (Saga Eros)

Vol. 5 / Bird And Diz

Release: 1968 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1960 | US | Reissue (Mercury)

Maynard Ferguson

Boy With Lots Of Brass

4,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1962 | US | Original (Columbia)

Art Van Damme

Swings Sweetly

6,99 €*

Release: 1962 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1966 | UK | Original (Saga Eros)

Vol 1 Cool Blues

6,99 €*

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1966 | UK | Original (Saga Eros)

Vol 2 Be Bop

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Billy Eckstine and The Count Basie Orchestra

Basie Eckstine Inc

LP | 1968 | US | Reissue (Roulette)

3,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Extensions Tone Poet Vinyl Edition

McCoy Tyner

LP | 1968 | EU | Reissue (Blue Note)

43,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Nature Sounds)

Roy Ayers

Stoned Soul Picnic

Love Cry Verve By Request Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the late 1960s, vibraphonist Roy Ayers was among the top young talents in jazz, thriving during a remarkable era for the genre. While Ayers would later become a jazz-funk pioneer and delve heavily into R&B fusions, his third album Stoned Soul Picnic is a masterful showcase of soul-jazz grooves. Produced by Herbie Mann, Stoned Soul Picnic features a memorable Laura Nyro-penned title track, along with an exceptional lineup of musicians, including Gary Bartz, Hubert Laws, Ron Carter, Herbie Hancock, and Grady Tate. Originally released in 1968, this early Roy Ayers classic is now receiving an official reissue via Nature Sounds.

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Albert Ayler

LP | 1967 | EU | Reissue (Verve)

31,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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1968’s Love Cry mixes Albert Ayler’s free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler’s last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of bassist Alan Silva and drummer Milford Graves, and harpsichordist Call Cobbs.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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LP | 1966 | UK | Original (Saga Eros)

Vol 3 Groovin' High

7,99 €*

Release: 1966 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1962 | EU | Reissue (Dialogo)

Passaporto Per L'italia

63,04 €* 96,99 € -35%

LP | 1962 | EU | Reissue (Not Now)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Bill Evans & Jim Hall

Undercurrent