Jazz | Fusion Vinyl 2340 Items

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Col Nolan & The Soul Syndicate

Shades Of Mcsoul / Whatever It's Worth

7" | 2019 | EU | Original (Pacific Theatre Encore)

11,99 €*

Col Nolan & The Soul Syndicate

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Australian Soul Jazz holy grail from 1968! Limited to 300 copies w/wide. Debut release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Australian Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Two high energy Mod burners, both originals taken from the forthcoming album 'Whatever It's Worth'.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock).
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.

Go to Item

Whatever It's Worth

LP | 2019 | EU | Original (Pacific Theatre Encore)

Jazz Dance Fusion 3 Part 2

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Australian Soul Jazz holy grail from 1968! Debut album release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Vinyl includes download card and liner notes insert, CD in digipak and booklet.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock). Early '70s Soul Syndicate recordings have become highly sought by collectors, but this album is their rarest, with collectors paying sizable amounts on the rare occasion a copy appears.
The album was recorded in Sydney while they were the house band at the legendary Kings Cross nightclub, Whiskey A Go Go, during it's swinging sixties heyday. The city's best jazz players would play there and at surrounding clubs seven nights a week into the early hours, entertaining both high society and visiting American G.I.s on R&R, a far cry from the area's current lock out law enduced coma.
Their residency would allow them to break in new material night after night, much of it recorded on this album. The album is lead by some cracking originals written by Nolan, Loughnan and Sangster including the two Mod dancefloor burners, "Shades Of McSoul", the title track and the breakbeat monster "Rivera Mountain". But their versions of popular soings of the time are more like re-inventions, such as the drum heavy, low slung take on Bobbie Gentry's "Ode To Billie Joe" and a superlative rendition of Jimmy Webb's "By The Time I Get To Phoenix", which builds to a frantic, swirling psychedelic crescendo to close the album.
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.

Go to Item

Colin Curtis

LP | 2022 | EU | Original (Z)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

New History Warfare Volume 2

Colin Stetson

LP+CD | 2011 | CA | Original (Constellation)

Release: 2011 / CA – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Byrd Out)

Coma World

LP | 2016 | EU | Original (ZYX)

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Coma World is a new collaboration between Maxwell Hallett, a.k.a. Betamax (The Comet Is Coming/Soccer96) and Pete Bennie (Speaker's Corner Quartet) bringing together their potent chemistry in an intoxifying debut LP. Betamax drives the duo with his signature 'rhythmadelic' drum rapture as Pete elegantly pummels bass tones into an assortment of wonky pockets. Both layer on a blanket of electronic dark matter to create a sonic womb-like world laid out for the brave listener to explore. This is dub and jazz reduced to the raw fundamentals of experimentation, trance and spontaneity. Inspired by a friend's recollections of being in a coma, the duo delve through the mysteries of consciousness and return with a striking array of colourful sound artefacts. From Cosmic flushes that wouldn't sound amiss on a record by Byrd Out collaborator the late, great Andrew Weatherall, through to drowsy groove meditations and explosive eruptions, the album plays by its own rules but demands attention. The two artists sling their dirty funk through cold clouds of darkness leaving psychedelic trails of bleeping fractal spillage. The sonic experimentation is distilled through analogue studio relics followed by a rugged 'all hands on deck' live mix down performance from 1/4" tape. The result is a spontaneous collection of sonic debris that will be administered to willing participants through 12" vinyl format.

Go to Item

Comedian Harmonists

16,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2019 | UK | Original (Honest Jon's)

Company

Epiphanies I-VI

3LP | 2019 | UK | Original (Honest Jon's)

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Derek Bailey’s guests for Company Week at London’s ICA in July 1982 were contemporary classical pianist Ursula Oppens, folk/jazz singer-turned-improviser Julie Tippetts and her partner pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, and from Japan free jazz bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

Altogether they performed the stunning extended improvisation Epiphany.
In different, more intimate lineups they detonated numerous Epiphanies.

Here, to start, Yoshizawa and Oppens (both on the keyboard and inside her piano) bounce ideas off each other like ping-pong balls.
Then Tippetts, Wachsmann and Bailey do extraterrestrial cubist flamenco; and Lewis and Frith rumble at everyone magnificently.
Tippett and Oppens kaleidoscope the entire history of the piano into just over fifteen minutes (Fourth and Fifth) with added seasoning from LeBaron and Wachsmann.
To close, Akio Suzuki — despite once describing himself as “pursuing listening as a practice” — makes one hell of a racket with his self-made instruments: a flute, a spring gong and his analapos (two single-lidded cylinders attached by a long steel coil, which he can manipulate and strike, besides vocalising into the tube). Yoshizawa and Bailey give him a real run for his money, and it all builds to an ecstatic, swirling, grinding climax, with Suzuki whooping and hollering wildly.

Go to Item

Company

Epiphanies VII-XIII

2LP | 2019 | UK | Original (Honest Jon's)

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

More buried treasure from Company Week 1982: seven previously unissued Epiphanies by lineups involving Derek Bailey, Ursula Oppens, Julie Tippetts, Keith Tippett, Philipp Wachsmann, Fred Frith, George Lewis, Anne LeBaron, Motoharu Yoshizawa and Akio Suzuki.

Fred Frith is a stellar improviser — 1974’s Guitar Solos is still a seminal album of free improv — and he has three opportunities here to showcase his considerable talents. Eleventh is a tour de force of extended technique, with George Lewis working slowly but surely through a variety of trombone mouthpieces, while Frith’s guitar, strummed, bowed or prepared, could be a theremin, a koto, a mouse trapped inside a grandfather clock or a lion cub inside a shoebox. Bookending the album, on Seventh he swaps Webernian shards with Lewis and harpist Anne LeBaron and on Thirteenth, with pianist Keith Tippett, he condenses a whole lifetime of musical exploration into a mere twelve minutes. When it’s over both musicians are so amazed they burst out laughing.

Elsewhere, on Eighth, Wachsmann reveals his understated mastery of both his violin and the electronics he’s devised to extend its range, and pianist Ursula Oppens proves she’s as adept as conjuring forth magic from inside her instrument as she is at the keyboard. Major and minor triads too!

Ninth is spikier, with Lewis quacking, spitting and wheezing like a flock of geese let loose in a fairground, while Derek Bailey and Motoharu Yoshisawa patiently explore the outer limits of acoustic guitar and double bass. Bailey and Lewis team up again on Twelfth to take on Oppens — and everybody wins. Voice is more to the fore on Tenth, with Julie Tippetts’ coloratura and flute and Akio Suzuki’s analapos and spring gong flying high, while LeBaron, Wachsmann and Yoshizawa weave intricate webs of pizzicati, spiccati and glissandi beneath.

Go to Item

Company

Trios

Buy The Dip Black Vinyl Edition

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A typically eclectic collection of guests joined Derek Bailey for Company Week in 1983: saxophonists Evan Parker and Peter Brötzmann; cellist Ernst Reijseger, mainstay of Dutch new jazz (ICP Orchestra, Clusone Trio); American wind virtuoso J.D.Parran, veteran of the Black Artists’ Group and Anthony Davis and Anthony Braxton ensembles.
The French bassist Joëlle Léandre is equally at home playing free or performing works by Cage and Scelsi, while Vinko Globokar is an acclaimed composer as well as a trombonist of monstrous virtuosity.

British electronics pioneer Hugh Davies served time alongside Globokar with Karlheinz Stockhausen. Percussionist Jamie Muir was with Davies on the very first (Music Improvisation) Company outing in 1970, before a brief stint with King Crimson.

Is there an ideal number of musicians for free improvisation? Bailey once described playing solo as a “second-rate activity” – though he did it spectacularly well – while at the other end of the spectrum, large improvising ensembles can descend into an unwieldy racket.

Three may be a crowd for some, but for Pythagoras it was the perfect number, and trios work surprisingly well in improvised music. Sometimes one instrument takes centre stage, like Parker’s circular-breathing soprano at the beginning of Five, but knowing when to lie low, as he does in the brief austere Three, is just as crucial to the success of the whole. Muir makes sure he doesn’t get in the way of Globokar and Parran’s leisurely exchanges on Four, but the trombonist is all over the place on One, with Léandre racing up and down her bass and Davies all spikes, squeaks and squiggles.

With a touch of Bailey’s dry humour, two of these seven recordings aren’t trios at all: Trio Minus One is his duo with Reijseger, running the gamut from crazed polyrhythmic strumming (imagine Reinhardt and Grappelli playing Schoenberg and Nancarrow simultaneously) to what must be the fastest cello pizzicati ever recorded. And on the closing ecstatic nonet, Brötzmann and trumpeter John Corbett prove that more cooks don’t necessarily spoil the broth but sure as hell can spice it up.

Go to Item

Compro Oro

LP | 2022 | EU | Original (Sdban Ultra)

Buy The Dip Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Standard black vinyl version in printed innersleeve. Synthesizers and electronic effects spice up Compro Oro's distinctive musical marriage of vibraphones, electric guitars, jazzfunk rhythms, exotic percussions and dubby bass patterns.

Go to Item

Compro Oro

LP | 2022 | EU | Original (Sdban Ultra)

24,29 €* 26,99 € -10%

Gulliver Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition on clear vinyl in printed innersleeve. Synthesizers and electronic effects spice up Compro Oro's distinctive musical marriage of vibraphones, electric guitars, jazzfunk rhythms, exotic percussions and dubby bass patterns.

Go to Item

Condor Gruppe

LP | 2022 | EU | Original (Sdban Ultra)

2LP | 2012 | EU | Original (Vinyl Passion)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Standard edition on black vinyl in printed innersleeve. Fuse the melancholy of Pink Floyd, the heroism of Ennio Morricone and the world grooves of Goat and you get an idea of what Condor Gruppe is.

Go to Item

Congress Orchestra

Arvo Pärt: Tabula Rasa

23,39 €* 25,99 € -10%

Release: 2012 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2018 | US | Original (Mexican Summer)

Connan Mockasin

Jassbusters

32,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2022 | EU | Original (Itez)

Constantine Weir

People Power Aka Yahya

12,99 €*

2LP | 2021 | EU | Reissue (Gearbox)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Those who know, know. This is a man who has both stood on stage in front of thousands of fans and sat silently at the feet of Sufi masters. His journey began as a leading light within the underground club scenes of East London and Soho. There he co-founded the group Galliano and created the template for Acid Jazz - a movement that continues to this day. Having spent 10 years in Africa dedicated to self-development and study of Sufism. He has now returned to London and reconnected to his artistic roots. Writing, singing, producing, directing, designing, and collaborating by way of his new label Itez Records - with his own brand of afro folk, spiritual soul, jazz, and reggae, Itez Music marks the long-awaited return of 21st Century Renaissance Man, Constantine Weir a.k.a Yahya.

Go to Item

Cookers

Look Out!

Release: 2021 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | UK | Original (Ajxlp470)

Corduroy

Rare Stock

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cornell Dupree Meets The Texas Horns

Doin' Alright

LP | 2021 | EU | Original (P-Vine)

38,99 €*

LP | 2022 | EU | Original (Ubuntu)

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cornell Dupree was an American jazz and R&B guitarist. He iswell known as a founding member of the band Stuff, and worked at various times with Aretha Franklin, Bill Withers, Donny Hathaway, King Curtis and Steve Gadd, appeared on David Letterman. The album called "Doin' Alright" was originally released in 2011. Although it was the first album as leader since 1998, Dupree's groovy guitar play was more polished and it could have been another milestoneof his outstanding career. But unfortunately, Dupree had passed away in May 2011without seeing the album placed on the shelfof record shops.This analog reissue is newly rearrangedwith tough and fatty horn sections played by The Texas Horns including tenor saxophone player Kaz Kazanoff who participated in original recording sessions. 180g heavyweight vinyl with a Japanese OBI strip!

Go to Item

Corrie Dick

Sun Swells

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Worm Discs)

Corto.Alto

Not For Now

16,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2021 | UK | Original (Finders Keepers)

COS

Cosmix

Cos / Daniel Schell & Dick Annegarn

Release: 2021 / UK – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

COS might not be the first genre defying progressive music group you’ve heard who share both wordless onomatopoeic vocals and a snappy three letter title (complete with philosophical leanings and alchemic penchants) but on listening to this first ever custom Cos compendium you might have just discovered a new favourite! Perhaps it’s no coincidence that COS share close spiritual, stylistic or social connections to the aforementioned bands, as one of the few long-withstanding single-syllable ensembles to remain utterly idiosyncratic and incomparable within their hyper-focussed and impenetrable creative bubble. But as a 1970s group that effortlessly MIX head-nod prog, synth-driven jazz, cinematic sound-designs, dislocated disco, arkestral operatics and high-brow conceptual anti-pop grooves, it’s easier to remember the name COS than thumb the vast amount of genre-dividers in your local record shop which COS Could occupy. With the crème de la crème of Belgian jazz/prog/psych/funk within their ranks, their combined idea-to-ability ratio litters the Cos-ography with concepts that aficionados, future fans, collaborators and critics still haven’t began to unravel. With their earliest roots in the compact jazz group Brussels Art Quintet the group spent their sapling years creating art-school prog under the name Classroom, this flourishing collective, cultivated by multi-instrumentalist mainstay Daniel Schell, would soon shed its leaves, dropping band-members and typographics reducing its moniker to simply COS (a multi-purpose, globally recognised word, with links to Alchemy and philosophy, with a hard phonetic delivery to suit the groups heavier rhythmic approach). In it’s new skin COS also shed all forms of orthodox language to find its true exclusive voice. Fronted, in the conventional sense, by the daughter of author and part-time jazz player Jean De Trazegnies, the bands wordless singer changed her name to Pascale SON, to accentuate the French word for “sound”. Drawing comparisons with sound poets like Polish jazz legend Urszula Dudziak or Hungarian Katalin Ladik, but retaining the crystalline femininity (and funk) of Flora Purim, while effectively sharing an imaginary lyric book of non-words with Damo Suzuki, Magma or a future Liz Fr

Go to Item

Mein Maschin Ist Schön / The FF Boom

7" | 2021 | UK | Reissue (Finders Keepers)

14,99 €*

LP | 2022 | EU | Original (Overdrive)

Release: 2021 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

From the same continental cosmic egg that hatched Marc Moulin, Marc Hollander and Belgian synth fusion combo Placebo comes your favourite new Franco-Flemmish pop discovery. COS, where have you been all my life? Compact in name but wide-eyed in nature, it’s understandable how the 70’s band known simply as COS has remained trapped in the tight cracks between pop stardom and prog indulgence where other like minded names like CAN, Zao, Neu! And Egg have managed to squeeze into gaps of your record collection. In presenting one of the band’s most infectious and potentially crossover legible tracks on this exclusive user-friendly 45, COS mastermind Daniel Schell not only breaks an unlikely new format for this lesser-known femme-fronted, electro/jazz fusion/prog pop opera/would-be disco cinematic six-piece but also sends a sonic telegram to a new generation of futurist pop aficionados ready to explore the deep realms of his band’s dense, expansive and consistently rewarding catalogue. Placing the microscope over the central motif of the band’s onomatopoeic 1978 triptych known as Mein Maschine Ist Schön (My Machine Is Beautiful) this very rare proposed single edit from the group’s third album combines the type of warm, brooding, discoid funk and nymphish Morse code vocals that unite fans of Stereolab, Curved Air, Jan Hammer, Emerald Web and Ursula Dudziak not to mention Schell’s own close friends, the aforementioned, Hollander, Moulin and Placebo. A prog rock 45 might sound like a contradiction in terms but with a band like COS you can only expect them to defy convention. Backed here with another deeply conceptual sliced of deep orchestral symphonic psych from Schell’s short-lived FF Boom project from the previous year this suitably compact introduction to your new favourite COSmonauts provide digestible versions of some of Schell’s finest moments and clears the decks for future explorations of a wider musical universe waiting to be explored. Turn on this beautiful machine and let yourself melt into the COSmix.

Go to Item

Cosimo And The Hot Coals

Mississippi Journal

Love Thoughts / 1976 Interview Of Al Hall Jr With By Gerald Wilson

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cosimo and The Hot Coals represents the very roaring sound of 20s, a time machine will drag you to the New Orleans infamous jazz clubs where history was made. This new record is a journey on the early American railways. A journey made by an Italian emigrant discovering the American dream and looking forward to meet the love of his life. One of the most liked "new school" band by Michael Bublé with over 3 milions views on TikTok.

Go to Item

Cosmos Dwellerz Arkestra

12" | 2019 | EU | Original (Super Disco Edits)

16,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Atomic Mr. Basie Orange Edition

Count Basie

LP | 2019 | EU | Original (Waxtime In Color)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2017 | EU | Original (Freestyle)

Courtney Pine & Omar

Butterfly

10,99 €*

Double Dinners Black Vinyl Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

No musician embodies more the dramatic transformation in the British jazz scene over the past thirty years than Courtney Pine. His debut album, Journey To The Urge Within in 1987, was the first serious jazz album ever to make the British Top 40, notching up sales to qualify for a silver disc.
Aside from being the preeminent figure in the resurgence of British jazz, Courtney became a renowned presenter and broadcaster, best known for his long running radio show for BBC Radio 2, 'Jazz Crusade'. He was also awarded an O.B.E in the 2000 New Year's Honours, and was also made a C.B.E in 2009 for services to Music.
As an artist always looking to work outside of and across established musical genres, it is easier to list the musicians and artists he hasn't worked with, but now in 2017 Courtney releases brand new music featuring another British music legend of equal repute, his Freestyle Records label mate and an artist also honoured for his own creative endeavours; Omar Lyefook M.B.E.
Both tracks of this single are taken from Courtneys' forthcoming album Black Notes From The Deep - the 19th of his stellar career. The exciting and fresh interpretation of Herbie Hancocks' Butterfly demonstrates straight away that this is a dream team combination. With Alec Dankworth laying down the bass, Rod Youngs' drumming underpinning the groove, the song also gives the outstanding keyboards of Robert Mitchell space to stretch out - Omars fantastic vocal performance rides sweetly on top of the dreamy backing vocals of Charleen Hamilton - and of course Courtneys' flowing, imaginative and creative solo perfects this modern version of a much loved classic.
Rules is a brand new, collaborative composition by Courtney & Omar - the punchy drums and bass line patterns hints simultaneously at classic jazz and funkier club-centric sounds. Courtney cooks on tenor saxophone and also the organ - whilst Omar marinades the super catchy melody with that unmistakable voice.
As an introduction to the forthcoming albumÂ Black Notes From The Deep this single points the way to what 2 British legends, both exemplary in their own right - can come up with when joining forces.

Go to Item

Cousin Kula

LP | 2021 | EU | Original (Rhythm Section International)

21,99 €*

Double Dinners Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bristol based band Cousin Kula announce their debut album Double Dinners. With co-signs from the likes of Badbadnotgood and newly signed to Rhythm Section, Cousin Kula have created their own musical universe of otherworldly pop serenity with vastly distinct, but complementary elements: “the possibilities of jazz, the emphatic energy of club culture, and the sonic tapestries of psychedelia” Clash Magazine remark.

Living and recording together, nestled in the sun-drenched hills on the outskirts of Bristol, Cousin Kula are masters of their craft, and also of restraint; widely regarded by their fans for their superior live show. Having performed live in various bands for the past 10 years since their early teens, not being able to hit the stage during lockdown took its toll on these musicians. Ever resourceful, however, Cousin Kula began a series of their own home-made live sessions, which lead in turn to a Boiler Room Session and further a request from XL signees Badbadnotgood to record a live adaptation of their new single.

Now, Cousin Kula flutter into the collective consciousness with a timeless slice of psychedelic soul on debut album Double Dinners. The latest band to emerge out of the buoyant Bristol music scene, they have stripped back all excess baggage for their most accomplished recordings to date. Existing on a similar plane to contemporaries such as Connan Mockasin, Mildlife, Toro Y Moi, Mac DeMarco and Homeshake, the band caught the attention of renowned tastemaker Bradley Zero with their 'Casa Kula Cassette' EP at the end of 2020, with the Rhythm Section founder swiftly taking the 5 piece under his wing, with him commenting:

“The band balance an outsider approach with more hooks than you can shake a stick at... the result being a gently beguiling sound that effortlessly draws you in, revealing more character with each listen.”

Go to Item

Cousin Kula

LP | 2021 | EU | Original (Rhythm Section International)

LP | 2019 | EU | Original (Black Sweat)

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Cucoma Combo

Ballet - The Music Of Michael Gibbs

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cucoma Combo. Above all, the new boiling energy of pan-rhythmic music, the awakening dance of joy, the experimental space for ambitious arrangements and free-improvised parts of colorful horns. From Black Africa to South America, we travel on paths of Congolese soukuss and Amazonian carimbò, between accents of Colombian cumbia, kalimba vibes and tribal voices. We find seeded traces of space-funk and afrobeat, with amazing acid keyboards and an enchanting female voice. The power of rhythm and in general the whole project are leaded leaded by Marco Zanotti, a multifaceted drummer and fine poly-percussionist, expert of the African and South American sound universe. With his Classica Orchestra Afrobeat, he proudly took part in outstanding collaborations with Seun Kuti, Sekouba Bambino and Baba Sissoko, as well as a prestigious participation in the Glastonbury Fest.

Go to Item

Cuong Vu 4-Tet

LP | 2017 | EU | Original (Rarenoise)

LP | 2021 | US | Original (Out Of Your Head)

Release: 2017 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Vinyl LP pressing. 2017 release. On the heels of his acclaimed 2016 recording, Cuong Vu Trio Meets Pat Metheny and his 2014 collaboration with electro-acoustic pianist-composer and Director of the School of Music at the University of Washington Richard Karpen on their Ellington-Strayhorn tribute That The Days Go By And Never Come Again, trumpeter-composer Cuong Vu joins forces with guest guitarist Bill Frisell on Ballet, a tribute to renowned composer-arranger Michael Gibbs. With regular Vu 4Tet bassist Luke Bergman and drummer Ted Poor, the four exchange ideas in the moment in a collective fashion on the expansive opening track, "Ballet," which gradually morphs into a kind of quirky, dissonant blues waltz featuring brilliant solos from Vu and Frisell. Regarding this exhilarating Vu 4Tet project, Vu says, "This was a very collective/equal opportunity effort, so we just played and dealt with the cards collectively as they were dealt. I think it just comes down to the collection of players and our individual aesthetics coming together and trying to find a common goal/language." They succeed in triumphant fashion on Ballet, the second collaboration between Cuong Vu and Bill Frisell (their first was Vu's 2005 ArtistShare album Mostly Residual).

Go to Item

Curt Sydnor

Deep End Shallow

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2022 | EU | Original (Emarcy)

Curtis Stigers

This Life

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2017 | CH | Original (Les Disques Bongo Joe)

Cyril Cyril

Colosse De Rhodes

12,99 €*

Release: 2017 / CH – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

D'Virgilio, Morse & Jennings

Troika

LP+CD | 2022 | EU | Original (Insideoutmusic)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | US | Original (Pure Pleasure)

Dadisi Komolahe

Hassan's Walk

34,99 €*

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Don’t let the date fool you, released back in 1983 this modal to slightly free jazz outfit from California takes you on a journey back to the late 60s and very early 70s, into the spiritual realms of greats like John Coltrane, Pharoah Sanders, John McLaughlin and Miles Davis among others. A soul jazz treasure from the LA scene of the early 80s – a fantastic record that I rank with the best Strata East sides of the time! The group's led by alto saxophonist Dadisi Komolafe, and features vibes by Ricky Kelly, piano by Eric Tillman, bass by Roberto Miranda, and drums by Sunship Theus – all working together in a style that's infused with soulful, post-Coltrane exploratory energy, never going too far outside, and always staying true to the rhythmic pulse at its core. Kelly's vibes are really great – sparkling underneath solos by Komolafe that remind me a lot of Gary Bartz's earliest work.

Go to Item

Dagobert Bohm

Within A Dream

LP | 2022 | Original

31,49 €* 41,99 € -25%

Release: 2022 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2017 | EU | Original (INA)

Dalida

Premières Scènes - Live

LP | 2021 | EU | Original (Blacklake)

Release: 2017 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition 180gram vinyl edition!
Only one copy per customer!

From the Olympia stage at the end of 1961 to the Discoparade show in the beginning of 1962, the Radio recorded Dalida’s first public recitals. These yet unreleased live versions captured Dalida’s vitality and musical energy during her very first debuts performing on stage.

Go to Item

Damian Wilson

Limehouse To Lechlade

Damon Locks & Black Monument Ensemble

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Damian Wilson’s new album, Limehouse to Lechlade, will be out on November 12th on LP, CD and digital format. The album, produced by Andrew Holdsworth, is Damian’s first full-length solo album since 2016’s Built For Fighting. It contains 13 original songs and is Damian's most eclectic work yet. The album is mastered by Tony Lindgren (Billie Eilish, Opeth, Katatonia) and features a wide range of musicians, 17 in total, including Alex Reeves (Elbow), Lee Pomeroy (elo), Michael Buckley (Glen Hansard) and Chris Hill (Jamie Cullum). Known for his exploration into different genres, the songs on the album range from folk-rock to power pop, with the occasional Floydian guitar solo. The title, Limehouse to Lechlade, refers to the navigable length of the River Thames heading upstream from central London to the Cotswolds. Damian loved his many years living on river boats, and traveling the River Thames is particularly special to him. The album has an underlying concept throughout that represents our journey through life.

Go to Item

Now (Forever Momentary Space) Black Vinyl Edition

LP | 2021 | US | Original (International Anthem)

Damon Locks & Black Monument Ensemble

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally conceived as a medium for Chicago-based multi-media artist/activist Damon Locks’s sample-based sound collage work, Black Monument Ensemble (bme) has evolved from a solo mission into a vibrant collective of artists, musicians, singers, and dancers making work with common goals of joy, compassion, and intention. A genuinely multi-generational collective, ages of BME members range from 9 to 52 years old; members include instrumentalists and fellow

Iarc recording artists Angel Bat Dawid and Ben LaMar Gay. Their debut album Where Future Unfolds was released in 2019 by International Anthem glowing praise; landing at #3 on Bandcamp’s “Best Albums of the Year,” #25 on Wire Magazine’s “Best Albums of 2019,” and being repeatedly dubbed “The Best Album of 2019” by BBC/Worldwide radio titan Gilles Peterson.

Locks & BME’s new album NOW was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle & violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks,

the impetus was more about getting together to commune and make art than it was about producing an album. In his words: “It was about offering a new thought. It was about resisting the darkness. It was about expressing possibility. It was about asking the question, ‘Since the future has unfolded and taken a new and dangerous shape... what happens NOW?’”

Go to Item

Where Future Unfolds

LP | 2019 | EU | Original (International Anthem)

2LP | 2022 | UK | Original (Apollo)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Where Future Unfolds is a new work spirited by Chicago-based sound & visual artist Damon Locks. Starting as a solo sound collage piece (where Locks pulled samples from Civil Rights era speeches and recordings to create an improvisational pallet for performance on his drum machine), over 4 years the project has blossomed into his 15-piece Black Monument Ensemble - featuring musicians (including Angel Bat Dawid on clarinets and Dana Hall on drums), singers (alumni of the Chicago Children's Choir), and dancers (members of Chicago youth dance company Move Me Soul). Where Future Unfolds is a live capture of the ensemble's epic debut at the Garfield Park Botanical Conservatory on the West Side of Chicago. Recalling the spirits of Phil Cohran's Artistic Heritage Ensemble, Eddie Gale's Black Rhythm Happening, Archie Shepp's Attica Blues, and Public Enemy's It Takes a Nation of Millions to Hold Us Back, the album presents an inspired, innovative & immediate intersection of gospel, jazz, activism & 808 breaks. à

Go to Item

Dan Samsa

Contours

Daniel Carter / Evan Strauss / 5-Track / Sheridan Riley

Release: 2022 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-10-25

There is the contemporary music tradition, and then there is Dan Samsa. Seamlessly blending classical, techno, jungle and jazz, the musical pioneer joyfully imagines his debut album Contours as a genre-defying exploration far beyond the borders of sound as we know it.

Go to Item

The Uproar In Bursts Of Sound And Silence

LP | 2022 | US | Original (577)

19,19 €* 31,99 € -40%

Daniel Carter, Patrick Holmes, Matthew Putman, Hilliard Greene & Federico Ughi

Release: 2022 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Uproar in Bursts of Sound and Silence is a sort of emergent collage that came together over four years of composition, improvisation and production. The foundations for this album were initially recorded in 2018 by producer/engineer Jack Endino (Nirvana, Soundgarden, Mudhoney, Skinyard) at Soundhouse in Seattle, WA with myself (Evan Strauss, electric bass and upright bass), 5-Track (Guitar) and Sheridan Riley (Drums). The initial foundations of this music consisted of my long-form graphically notated conceptual compositions based on the calls of the Veery songbird (Catharus fuscescens), the astrological transits at the precise time of the recording session and some thematic elements from Ursula K. Le Guin’s novel The Dispossessed. In 2019 the album was given the working title Bird Songs for the Stars and I commissioned the cover art, Night Fisher, from Jeane Cohen. Also around this time, Daniel Carter had emphatically told me, “I’m going to become a rapper by the time I turn 90.” So, a few weeks later Daniel and I were hanging out, recording music and eating stir fry in my Ditmas Park apartment and I convinced him to make some progress on his goals by recording his voice into a microphone. Daniel began by recording an excerpt from Virginia Woolf’s The Waves and continued by recording some of his own poetry. The recordings of Daniel from that afternoon would eventually make their way onto this album alongside my own experimentations in production inspired by Lee Scratch Perry, J Dilla and Ingram Marshall. I have since come to believe that this music was waiting for Daniel’s voice and music. Over the next couple of years I experimented with production techniques, renamed the album The Uproar in Bursts of Sound and Silence after an excerpt from The Waves (“wind blows the uproar in bursts of sound and silence across the court / now again they are smashing the china / that is the convention”), moved to the pacific northwest, corresponded with the estate of Virginia Woolf, mastered the entire project onto a cassette tape and convinced 577 records to release it. I hope you enjoy it as much as I have! -Evan Strauss, February 2022

Go to Item

Telepatica

LP | 2022 | US | Original (577)

Daniel Casimir & Tess Hirst

Release: 2022 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

If 577 Records had a house-band, this would be it—a group of longtime friends, collaborators and established jazz musicians who are mainstays of the 577 Records’ catalogue, here playing together. The Telepathic Band named themselves after the sort of improvisational style that can only be accomplished with a decade or two of collaboration, playing a signature, boundary-pushing music between friends. Now, with their fifth album, Daniel Carter (Saxophone, Clarinet, Trumpet), Patrick Holmes (Clarinet), Matthew Putman (Piano, Rhodes), Hilliard Greene (Bass), and Federico Ughi (Drums) exemplify the possibilities of in-person improvisation once again. On Telepatica, the group offers extemporized performances live from the 577 Records-organized 2018 Forward Festival. This project displays their imaginative style, following previous albums Telepathic Alliances, Telepatia Liquida, Electric Telepathy, Vol. 1, and Telepathic Mysteries, Vol. 1.

Go to Item

These Days

LP | 2019 | UK | Original (Jazz Re:Freshed)

LP | 2022 | EU | Original (E2)

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Award-winning bassist Daniel Casimir and vocalist Tess Hirst release their debut album via pioneering London-based record labe Jazz re:freshed

Following the success of Daniel Casimir's critically acclaimed debut EP 'Escapee' which featured Hirst on vocals and fellow rising stars on the scene Moses Boyd, Joe Armon-Jones and Shirley Tetteh, this album - 'These Days' is inspired by the duo's London surroundings, delivering thought-provoking lyricism, neo-soul and modern jazz

Casimir, a former Birmingham Conservatoire student, has collaborated with Julian Joseph, Jason Rebello, Benet McLean, Lonnie Liston Smith, Nathan Facey, Shane Forbes, Chihiro Yamanaka, Ashley Henry, David Lyttle, Nubya Garcia, The Tracey Quintet (Meantime Jubilation), Tom Harrison (Unfolding In Tempo), Jasmine Power (Stories And Rhymes), Camilla George and Art Blakey Jazz Messenger saxophonist, Jean Toussaint

Named Young Jazz Musician of the Year by the Musicians' Company in 2016, Casimir has received plaudits for his arrangements and recital, while Hirst has made a name for herself with her vocals on the jazz circuit having moved between London, Leeds and LA to hone her craft. What sets Hirst apart as a musician is not only the originality of her music but her perspective of herself as an artist. She is an Ethnomusicology Graduate of Soas and her writing style walks us through her upbringing in West London and down the halls of academia

Casimir and Hirst fuse traditional jazz sounds into beautiful compositions, narrating their way through a political and cultural landscape across these twelve tracks. The frenzied groove heavy'Security' addresses the need to trust one another and how we protect ourselves personally, while the rich atmospherics of 'Freedom' combined with Hirst's vocals, explore liberation and the rejection of duty - from a female perspective.

At the heart of 'These Days', Casimir plays with a passion and power that resonates throughout each composition. His knack for complex chord changes are highlighted in 'What Did I Do', bringing an energy and enthusiasm to the track while Hirst decries our changing capital. Elsewhere, references to John Agard's poem 'Listen Mr. Oxford Don' in 'The Magic Money Tree', explore the past and its relevance to now while a re-imagining of Charles Mingus' 'Fables Of Faubus' further ensures this theme remains central to the essence of the album.

Go to Item

Daniel Herskedal

Out Of The Fog

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Daniel Humair & Francois Jeanneau &

Akagera

LP | 2021 | Original (Jms - Cream)

Release: 2021 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | US | Original (International Anthem)

Daniel Villarreal

Panama '77

Læhomme A Tete De Chou In Uruguay

Release: 2022 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Panamá-born, Chicago-based drummer Daniel Villarreal is known to many for his work in Dos Santos, Wild Belle, The Los Sundowns, Valebol Rudy de Anda, and many more. He's one of the busiest players on the Chicago scene. If you're in the Windy City, find him almost any night of the week at a bar, club, or venue near you, either behind the drumkit or behind the turntables, donning a beaver skin stetson hat, with his baby blue vintage Mercedes parked out front. For his lead artist debut Panamá 77 he engages a diverse array of friends and collaborators - including Bardo Martinez (Chicano Batman), Jeff Parker (Tortoise), Marta Sofia Honer (Adrian Younge), Anna Butterss (Jenny Lewis), and Aquiles Navarro (Irreversible Entanglements) - to create a vibrant and verdant suite of multi-textural psychedelic instrumental folk-funk.

Go to Item

Daniel Zimmermann

LP | 2022 | EU | Original (Label Bleu)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2016 | UK | Original (Cacophonic)

Daniela Casa

Arte Moderna

LP | 2022 | EU | Original (Unday)

Release: 2016 / UK – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Filed neatly and undisturbed within the micro-genre of 1970s Italian artsploitation, amongst
films soundtracks such as Girl With The Crystal Plumage, A Quiet Place In The Country and
House With The Laughing Windows, this obscure library LP is one of the few fully formed
concept albums from the recently reappraised discography of Rome’s most versatile and
adventurous female production music composer Daniela Casa. Once destined for a shelf life
within the storage rooms of defunct TV studios and educational facilities Daniela’s previously
strictly commercially unavailable music has in recent years been given new focus at the
hands of open-minded disc detectives and sonic salvage hunters earning Casa’s distinctive
feminine take on experimental instrumental mood and movie compositions a place next to
her widely respected masculine counterparts such as Alessandro Alessandroni, AR Luciani,
Pierro Umiliani, Morricone and Nicolai.
Sharing tight studio space and strict syndication schedules with all of the aforementioned
artists (under commission from Romano Di Bari’s fervently independent Flipper music factory)
Daniela Casa embraced a liberating wind change in affordable music technology which opened
doors for uninhabited solo compositions in home studios taking advantage of communal
recording consoles and domestic synthesisers which nurtured a lesser-documented creative
family tree (or rather secret society) and paved the way for individualistic projects from the
likes of Magnetic System’s Fabio Frizzi and Goblin’s Claudio Simonetti. Here, on this repress
of the impossibly rare, one-time subscription-only album, Arte Moderna, we find Daniela at
her versatile best creating a wide thematic suite (based on paintings and sculptures in an
abstract art gallery) for which she would deploy mostly organic and acoustic instruments
to construct a set of unorthodox compositions straddling avant garde, free jazz and Giallo
tension (with some brief moments of brooding electronics and italian pop).
Veering from her stylistic pop interests (which clearly included a fondness for the music of
Black Sabbath and Led Zeppelin) Daniela Casa’s Arte Moderna saw her adopt a less era
specific approach combining neo-classical elements and piano improvisations akin to the
likes of France’s Francois Tusques or Burton Greene, or America’s Mal Waldron without
compromising her strong narrative personality for this unique abstracted picture music.
Unintentionally but profoundly political in her prolific existence Daniela Casa’s contribution
to a predominantly male industry earned her a small clutch of inspired idiosyncratic Italian
female bedfellows such as Nora Orlandi, Giullia De Muittis (aka Kema), Fiorella Fratini, Emma
De Angelis and Maria Teresa Luciani, who, with faceless anti-celebrity as its essence, never
benefitted the wider critical focus that much of this music now duly commands on the
collectors circuit.
Finders Keepers Records, in continued collaboration with the Di Barri company, with the
Casa/Ducros family blessing, are now proud to shine new light on this sonic sculptures and
provide a fresh context where educated music listeners are ready to fill the gaps between
Delia Derbyshire, Ennio Morricone, Suzanne Ciani and Harry Partch and patronise a very
welcome considered alternative to the recent rise in popularity of Italian Giallo soundtracks
from a seldom savoured feminine creative vantage point. Daniela’s musical paintings can
now be unveiled to the public for the first time, with Modern Art sounding as contemporary
as it did when it was recorded forty years ago. The gallery is now open for limited sittings,
discerning ears and open minds.

Go to Item

Dans Dans

6 Black Vinyl Edition

Caminhos Cruzados: Antonio Carlos Jobim Song Book

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Standard edition on black vinyl. Dans Dans is back (already), with their most unfiltered, most spantenous, most 'punk' album to date. Three musicians, three days in the studio, one burst of energy.

Go to Item

Daria Toffali

LP | 2018 | JP | Original (Venus)

47,99 €*

Release: 2018 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Raw Demoon Alchemy (A Lone Operation)

Darius Jones

LP | 2021 | US | Original (Northern Spy)

LP | 2016 | EU | Original (Label Bleu)

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After separating from his partner of 10 years, saxophonist Darius Jones set out on tour 'to capture a moment in time, to crystallize the beginning of something at the end of something else.' Born from a live performance -- his last night on tour -- Raw Demoon Alchemy (A Lone Operation) unearths a deep and profound vulnerability that isn't just personal but also delves into the macro-level divisiveness of our current political climate, evoking sadness, rage, and confusion while still holding for glimmers of hope for the future. With four of its five tracks, Jones selects compositions from artists who are not just unapologetically Black but also notably ones that he regards as 'world builders.' From Sun Ra, Ornette Coleman, and Roscoe Mitchell right up through the present with Georgia Anne Muldrow, Alchemy draws immeasurable strength from each of these artists who dared to envision and create an entire universe unto themselves, on their terms. With 'Figure No. 2,' Jones offers us a modern-day version of the blues. Courtesy of Muldrow, her refrain encapsulates the vast breadth of the Black experience in America, transforming our deep-seated pain into our beauty and armor of resilience. Jones also proudly rests on the shoulders of Coleman and Mitchell, two of this music's known improvisers who often stood alone in this music's ever-changing landscape. He pays homage to Mitchell with 'Noonah,' which in the late 1970s was initially met with jeers from an audience, that is, until his 21+ minute long version overtook them. On Alchemy, Jones balances the emotional heft of closure with the simple act of standing alone as he taps into an unknown power of his lone voice, finding a newfound strength and enthusiasm that will carry him ' and its listeners ' beyond the uncertainty and doubt of not knowing.

Go to Item

Das Kapital

Kind Of Red

21,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2019 | EU | Original (Label Bleu)

Das Kapital

Vive La France

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | EU | Original (Timesig)

Datach'I

Bones

21,99 €*

LP | 2022 | UK | Original (Is It Jazz?)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Joseph Fraioli, a.k.a. Datach'i, returns with eighth album 'Bones'. Released on Venetian Snares' Timesig imprint, 'Bones' features 12 tracks of mind expanding electronica, once again recorded on his custom-built Eurorack modular system. Much like its predecessor, 'Bones' manages to make the most of the possibilities modular systems offer, whilst avoiding their many pitfalls that can often turn such music into little more than a dry academic exercise. Indeed 'Bones' is a remarkably intimate album, written and recorded in the time following his father's death, and reflects this intense period of personal change in Joseph's life. "Creating this music was a therapy of sorts," Joseph recalls. "It was almost like a close friend being there for me, and it's something that I hope others can perhaps utilize in the same way." The connection to his father is something that is reflected not just in the emotional intensity of 'Bones', but in the actual production itself. "My father and I were very close," he explains. "Whilst he was sick with cancer I bought him a guitar as he wanted to learn how to play, just to have something to do while he was getting treated. After he passed away my mother gave me the guitar to have as a sort of memory of him. I had the idea to record some sounds and music on the guitar and load it onto granular sample players on the modular synth so I could make new music from those sounds as a sort of tribute to my dad. You can hear some of those sounds on a few of the tracks here like 'Arrivals', 'Motion in the Living Room' and 'Undimension'." . Even though 'Bones' is about endings and finding closure, it also looks forward to new beginnings. "It was something very much on my mind throughout recording this album," he relates, "ends being beginnings and beginnings being the end. Cycles of time and how time works, it's all reflected throughout the album right down to how the tracks are ordered." Ranging from blissful ambience and guileless, starry eyed melodies, to intricate claustrophobic rhythms that forever sound close to collapsing in on themselves before expanding into bold new patterns, 'Bones' is the work of a producer who, twenty years on from his debut, continues to push the boundaries of electronic music.

Go to Item

Datadyr

Woolgathering

40,99 €*

LP | 2013 | EU | Original (Waxtime)

Release: 2022 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Datadyr is a jazz trio from Bergen, Norway. Their music ranges from the heartfelt and gentle to the energetic and explosive, and it's rarely far between those extremes. During four years of studying jazz at the Grieg Academy, the inspiration that accumulated and the expression that remains today is characterized by traditional jazz, newer directions in jazz and improvised music. Many of the songs on the debut album have their origins from the beginning of their studies and have developed in parallel with the band. Songwriting and arranging have gradually taken a bigger part in rehearsals, while the band works hard to retain the spontaneous and playful expression that was the starting point for the trio. As the band says themselves: “It was a conscious choice to record everything in the same room, with as few overdubs as possible. We wanted to have good communication between us to make playing as easy as possible, and to capture the energy that comes from the joy of playing music. We wanted the instruments to bleed into each other to get an organic room sound”. The album was recorded in Solslottet Studio at Bergen Kjøtt, with Iver Sandøy as engineer and producer. With “Woolgathering”, Datadyr shows a different and exciting direction of Norwegian jazz.

Go to Item

Dave Brubeck

Bossa Nova U.S.A.

Release: 2013 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Not Now)

Dave Brubeck

Jazz: Red Hot & Blue

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2022 | EU | Original (Lost)

Dave Brubeck

Live At The Kurhaus 1967

74,99 €*

LP | 2022 | EU | Original (Greenleaf Music)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

At the time of one of their last concerts in 1967, the Dave Brubeck Quartet had already been in existence for 16 years, in more or less the same formation. That's how well the four of them know each other! It was at the Black Hawk night club in San Francisco that Dave and Paul made their debut. Their trademark: to break down racial barriers against which they will fight without restraint, even in the most extreme period of McCarthyism, and to make jazz accessible to the greatest number of people, by revisiting ballads, popular songs or great themes of classical music. But above all, they developed an almost infinite variety of complex rhythms. In Scheveningen, on the evening of 24 October 1967, the Dave Brubeck Quartet was more than just a jazz band. He was the ambassador of American music in Europe.

Go to Item

Dave Douglas

Overcome

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | Original (Dot Time)

Dave Expansions Liebman

Selflessness

41,99 €*

Release: 2021 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

3LP | 2018 | US | Original (Dare 2)

Dave Holland

Uncharted Territories

41,99 €*

2LP | 2018 | EU | Original (Jazzline)

Release: 2018 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Uncharted Territorie reunites Dave Holland with saxophonist Evan Parker, a longtime friend from their early days in London. Theyre joined by Craig Taborn, on piano and electronics, and Ches Smith on percussion. In addition to quartet improvisations, they also broke off into every possible subset of duo and trio configurations. The group also recorded two compositions by Smith and one by Holland. A resulting 23 tracks present a series of deep, multi-layered conversations between the musicians, some of whom were interacting for the first time

Go to Item

Dave Liebman

Fire

15,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Countdown-Time In Outer Space

Dave Quartet Brubeck

LP | 2019 | EU | Original (Pan Am)

19,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | US | Original (Brubeck Editions)

Dave Quartet Brubeck

Time Outtakes

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dave Tucker / Pat Thomas / Thurston Moore / Mark Sanders

Educated Guess Volume 1

LP | 2021 | US | Original (577)

25,64 €* 26,99 € -5%

David Helbock & Camille Bertault

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dave Tucker says that he brought this disparate group of musicians together for a live performance at London’s Cafe Oto last March on “an educated guess,” predicting that the artists—MARK Sanders (drums & percussion), PAT Thomas (piano & keys), Dave Tucker (guitar) and Thurston Moore (guitar)—would be able to create something extraordinary through improvisation. The condition of their encounter would later become the collective’s name, an Educated Guess and the eponymous title of their first release, the first installment of a two-part volume. The album is another experiment in chance: an eclectic composition of spontaneous performance, layering guitars over complex, sometimes-scattered drum arrangements, and punctuating the noise with distinctive electronic manipulation. Demonstrating their different backgrounds, UK improvised music heroes Thomas and Sanders, already on a few 577 Records’ releases, join forces with UK-based guitarist Tucker (a longtime collaborator with The Fall, Dudu Pukwana, Louis Moholo) and Thurston Moore of Sonic Youth to create something deeply inventive and experimental, pushing the boundary of noise music towards a complicated, dissonant electronica.

Go to Item

Playground

LP | 2022 | EU | Original (Act Music)

LP | 2019 | EU | Original (Act Music)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A download code is included.

Go to Item

David Helbock

Playing John Williams

25,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Act Music)

David Helbock

The New Cool

25,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2021 | EU | Original (Kryptox)

David Nesselhauf

Rituals

14,99 €*

Glam Tear Stain Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kryptox records was born to show what’s happening in the new scene in germany. And David Nesselhauf is the next upcoming artist. Kryptox will release his 6 track EP.?Nesselhauf is a multi-talented artists: bass player, composer, bandleader and man of very original ideas. He was already featured on the Kryptox’ Kraut Jazz Futurism compilation vol 1 (2019) and now delivers his first solo EP for the label. This EP is a follow-up in a longer musical evolution that the Hamburg born talent has been making over the past years. A journey that’s basically a style he is building that he calls afro-kraut. Before joining Kryptox he already released 2 albums under the Afrokraut title on his own (Bandcamp) before meeting Mathias Modica (head of Kryptox) and they decided to work together. So on the “Rituals EP“ Nesselhauf salutes his personal pantheon of musical gods once again, leading the listener through his musical Jungle encompassing Krautrock, Downbeat, Drone, Electronica, Afrobeat, Lo-Fi, Shoegaze, Funk and Ambient textures in the blink of an eye.? The 6 new tracks share a common feel, but are colorful individuals at the same time. Some more organic, others with electronic elements. About Nesselhaufs workflow: Four of these compositions are based on quick, playful, raw jams recorded live within hours by a group of Nesselhauf’s inner circle musicians. Great grooves played by a heavy rhythm section that he uses also for his live gigs. Just on a few songs, Nesselhauf exchanged the human musicians with a legendary Vermona Drum Synthesizer as the main rhythm ingredient. Guests: One more track was recorded with Julian Gutjahr, Drummer for The Drawbars. Some tracks feature guest appearances by Dennis Rux (he also mixed the EP) and Graeme Currie on guitar.

Go to Item

David Norland

LP | 2019 | EU | Original (Denovali)

Organic Nation Listening Club (The Continual)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Vinyl: heavy gatefold sleeves + black polylined inner sleeves, 180g vinyl, free download code // CD: nice digipak packaging!David Norland is an Emmy-nominated English composer living and working in Los Angeles. Most recently he composed the score to the current HBO film "My Dinner With Herve" (HBO 2018) starring Peter Dinklage and Jamie Dornan. His work with Emmy-winning director Sacha Gervasi includes the award-winning documentary ""Anvil! The Story Of Anvil"", (which won the IDA Best Feature award, an Emmy award, the Indie Spirit Best Doc award, and numerous other best doc awards around the world) as well as the score for "November Criminals" (Sony 2017) starring Chloe Moretz and Ansel Elgort. David Norland was also the music supervisor for the movie ""Hitchcock"" featuring Anthony Hopkins, Helen Mirren & Scarlett Johansson.Since 2010 he has composed much of the music for US broadcasting giant ABC's primetime news documentaries. His work for ABC is broadcast in the US and around the world on a daily basis. Having been a chorister from an early age, singing daily in Westminster Abbey, and a boy treble in The Elizabethan Consort of Voices, a touring choral group of the time, he also composes choral music. His electronic band Solar Twins was signed by Madonna to Maverick Records, and rode high on the US dance charts, and his record writing, production and mixing work with Jamaican legends Sly and Robbie has been nominated for a Grammy.""Glam Tear Stain"" is the first real solo full length of David Norland. It combines electronic influences, elements of his film scoring work and more intimate, minimalistic piano and string arrangements.""The music I want to make has changed over time - from imitation baroque pieces as an 11 year old chorister, through guitar pop with my first teenage bands, experimental sonic works with my first rudimentary recording equipment in my early 20s, through electronics, drum and bass, and reggae, leading finally to piano, choral, and string music informed by my film scoring wor...

Go to Item

David Ornette Cherry

LP | 2021 | US | Original (Spiritmuse)

37,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

10" | 2016 | EU | Original (ECM)

David Virelles

Antenna

25,99 €*

David Wertman & Sun Ensemble

Release: 2016 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

David Virelles (born 1983) is a Cuban jazz pianist and composer. With “Antenna“, he releases his fourth album.

Go to Item

Wide Eye Culture

3LP | 2022 | UK | Original (BBE Music)

42,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2017 | EU | Original (Sdban Ultra)

De Beren Gieren

Dug Out Skyscrapers

2LP | 2021 | EU | Reissue (Sdban Ultra)

Release: 2017 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This LP comes in a printed innersleeve and a download card. De Beren Gieren confirms their reputation as one of the most adventurous jazz trios of the Benelux with their fourth album. Raw energy, impressionist melodies and complex structures are generated via piano, bass and drums provoking polyrhythmic soundscapes with unexpected twists and sudden turns.

Go to Item

De Beren Gieren

Less Is Endless

Release: 2021 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

De Evergreens & Les Jaguars De Casablanca

Es Lilin / Gonzales

7" | 2019 | EU | Original (Radio Martiko)

13,99 €*

Dean Martin-Greatest Hits

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

High Quality pressing in vintage silk screen sleeve. Surfing on the shores of Java and Casablanca! 2 un-expected tales from the Beat generation.Tony Turpijn and his Evergreens fulfill the dream of every pantropical music lover with a silky instrumental rhythm ’n blues take on the Sundanese love song “Es Lilin” (Ice Lolly). Link Wray meets Mulatu Astatke meets Oslan Husein in Rotterdam, 1965.

Go to Item

Dean Martin

LP | 2021 | EU | Original (Elemental)

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Act Music)

Dearest Sister

Collective Heart Black

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2017 | EU | Original (Chat Chapeau Nouveau)

Deladap

Rejazzed-Bring It On

33,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cavendish Series Volume 3

Dennis Farnon

7" | 2022 | UK | Original (KingUnderground)

8,99 €*

Cavendish Series Volume 4

Release: 2022 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

KingUnderground to release a collection of 8 45s from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners. Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.

This was often a musician’s first opportunity to become a composer, or what most would commonly know now as a producer of music. These composers would work with a stable of musicians to record 100s tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, etc. In the early days of Library Music, there were 3 major companies that acted as publishers. KPM, De Wolfe, and Boosey & Hawkes, which is now known as Cavendish Music. None of this music was made commercially available, so these companies were collecting vaults worth of material, later to be discovered as some of the most influential music for current producers across experimental, dance, house, hip hop, jazz and more. This influence has no doubt infected the KU catalogue of music, and is present in such records as the 2020 release from Robohands ‘Shapes’.

Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45rpm. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

One of the unique things about the genre of Library music is the way that it has stood the test of time. One factor is that Library music was made up of so many different genres, but a key contributor to the timelessness and the reason why so many current DJs and producers have found this important and inspiring to their work is that the music was made over several decades and often depicted to times sonically. There’s a boldness to Library music. It’s in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. Its music beamed in from a different galaxy! The first 45, titled ‘Dramatic’ features tracks from both John Scott and Tony Kinsey. Titling was important to Library music because it needed to clearly represent the emotions being expressed through the music, so it was easy for television and film executives to find what they needed to complete their projects. John Scott wasted no time getting into the dramatics with the opening track “Milky Way”, it displays the importance of grabbing a listener from the top, as well as being concise clocking in at just 47 seconds. Scott was not only a master composer but also known for his work on the Saxophone, including playing on John Barry’s soundtrack for ‘Goldfinger’ in the James Bond series. The juxtaposition of Tony Kinsey’s composition on the record offers a dynamic not present in the two tracks from Scott. Kinsey is more patient in his approach to “Kaleidoscope” building the tension with multiple movements and highlighting several instruments. The way the keys and bass play off each other leaves just enough room for a guitar lick to sneak in as if it is hinting toward something.

Go to Item

Dennis Farnon

7" | 2022 | UK | Original (KingUnderground)

8,54 €* 8,99 € -5%

LP | 2022 | US | Original (Now-Again)

Release: 2022 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

KU to release a collection of 8, 45’s from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners.
Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.
This was often a musician's first opportunity to become a composer, or what most would commonly know now as producer of music. These composers would work with a stable of musicians to record 100’s of tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, ect.
Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45RPM. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

There’s a boldness to Library music. It's in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. It’s music beamed in from a different galaxy!

Go to Item

Denny Zeitlin

The Name Of This Terrain

56,99 €*

2LP | 2018 | UK | Original (Honest Jon's)

Release: 2022 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

At Now-Again, we avoid hyperbole, yet we believe that this album is one of record collecting’s ultimate finds: the missing entry in jazz pianist/composer/psychiatrist Denny Zeitlin’s discography, a wonderful and weird fusion of avant-classical, jazz, funk, rock and electronic music. The Name Of This Terrain was recorded and pressed in a scant, custom run as a demo in 1969 –and it so defied its own existence that, even after its producer died and his copies were discovered, Zeitlin steadfastly resisted its release for almost 20 years, destroying his remaining demos so not to posthumously suffer the same ignominy. Following his reappraisal, this album is issued with its creator’s blessing and guidance. You will surely never hear an album like this again, by the musician the venerable jazz critic Leonard Feather called, “the most versatile young pianist to come to prominence in the early sixties,” and who took a left turn at the end of the decade, documenting a pivotal 20th century moment with passion, intellect, and humor in turn. The Name Of This Terrain found its way out of the depths – wonderful and having aged well, like well-corked, deep wine stored in a cold cellar. Ready for another moment to shine and be understood, redolent of the tastes and textures of a different time, one we pine for and that we won’t often see again, but can happily, momentarily, indulge. Now-Again’s Eothen Alapatt and Zeitlin-chonicler Andrew Gilbert collaborate here to tell the story of this amazing album. Never-before seen photos and ephemera appear in the oversized book. Download card for WAV files for all vinyl tracks, as well as bonus tracks, included.

Go to Item

Derek Bailey

Aida

Derek Bailey & Jamie Muir

Release: 2018 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

At last, the vinyl reissue of this masterwork, adding two hitherto unreleased gems recorded solo for Charles Fox’s Radio 3 programme Jazz in Britain, in the same few months of 1980 as the stunning Aida performances.

The phrase ‘in the moment’ is often bandied about with reference to free improvisation, and indeed there’s no better way to describe Derek Bailey’s playing. The acoustic guitar is notoriously lacking in natural reverberation — notes barely hang in the air for a couple of seconds before they disappear — which explains the almost non-stop flow of new material in these stellar performances. Bailey knew from one split-second to the next exactly where to find the same pitch on different strings, either as a stopped tone or a ringing harmonic, and there’s never a note out of place. ‘He who kisses the joy as it flies,’ in the words of William Blake, ‘Lives in eternity’s sunrise’ — and this music is forever in the moment, constantly active but never gabby, kissing the joy.

One of the special pleasures of the BBC set is the guitarist’s own laconic commentary, a deliciously deadpan description of what he’s doing while he’s doing it — “I like to think of it… as a kind of music” — and the interaction between words and music is a particular delight. “You may have noticed a certain lack of variety,” he quips, while unleashing a furiously complex volley. Is it a coincidence that the final seconds recall the famous cycling fifths of the coda to Thelonious Monk’s Round Midnight? Surely not — for Bailey, like Monk, was a note man par excellence. And they’re both still alive and well in eternity’s sunrise.

Go to Item

Dart Drug

LP | 2018 | UK | Original (Honest Jons)

19,99 €*

2LP | 2017 | UK | Original (Honest Jons)

Release: 2018 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Percussionist Jamie Muir was a member of King Crimson during the recording of Larks’ Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.

There’s no shortage of great percussionists in the brief history of free improvised music but on the strength of Dart Drug alone Jamie Muir deserves a place at High Table. Unlike for example Han Bennink and John Stevens, though, you can’t hear echoes of any particular jazz drummer in Muir’s playing, even if he has expressed appreciation for Milford Graves (who himself sounded like nobody else who’d come before him).

What on earth did Muir’s kit consist of? Some instruments are clearly identifiable (bells, gongs, chimes, woodblocks); others could be… well, anything. Old suitcases thwacked with rolled up newspapers? Tin cans and hubcaps inside a washing machine? Who cares? It sounds terrific – but if you’re the kind of person who faints at the sound of nails scraping a blackboard, you might want to nip out and put the kettle on towards the end of the title track.

Dart Drug is consistently thrilling, and often very amusing – but it’s certainly not easy listening. In music we talk about playing with other musicians, whereas in sport you play against another opponent (or with your team against another team). Why not play against in music, too? That’s precisely what happens very often in improvised music, and Bailey was particularly good at it. How can a humble acoustic guitar hope to compete with a Muir in full flight? Sometimes Bailey’s content to sit on those open strings, teasing out yet another exquisite Webernian constellation of ringing harmonics and wait for the dust to settle in Muir’s junkyard, but elsewhere he sets off into uncharted territory himself.

“The way to discover the undiscovered in performing terms is to immediately reject all situations as you identify them (the cloud of unknowing) – which is to give music a future.” Bailey evidently concurred with this spoken statement by Muir, including it in his book Improvisation.

Derek Bailey is no longer with us, of course, and Muir gave up performing music back in 1989. All the more reason for seeking out this magnificent, wild album.

Go to Item

Derek Bailey

Solo Guitar Volume 1

LP | 2022 | EU | Original (Les Giants)

Release: 2017 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded in 1971, Solo Guitar Volume 1 was Bailey’s first solo album. Its cover is an iconic montage of photos taken in the guitar shop where he worked. He and the photographer piled up the instruments whilst the proprietor was at lunch, with Bailey promptly sacked on his return.
The LP was issued in two versions over the years — Incus 2 and 2R — with different groupings of free improvisations paired with Bailey’s performances of notated pieces by his friends Misha Mengelberg, Gavin Bryars and Willem Breuker.
All this music is here, plus a superb solo performance at York University in 1972; a welcome shock at the end of an evening of notated music. It’s a striking demonstration of the way Bailey rewrote the language of the guitar with endless inventiveness, intelligence and wit.

Go to Item

Des Édens

La Non-Pareille

Descendants Of Mike And Phoebe, The

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Lava music, maybe. Lava music, always evolving, always surprising, always exciting because we don’t know what the other will bring to the music that we start improvising and exploring together. We’ll see what bubbles will form in this lava music And sometimes an idea comes up, a bubble pops and it becomes a track. Lava, like the wax that was melted to press the record. Lava, like energy flowing, slow. Improvising most of the time, you really connect with the other musician. It takes all your energy, trying to follow, trying to figure out where to go next, what will happen if I do this and if Pacôme, next to me, decides to change instrument. All of a sudden. Pacôme may be holding his clarinet in one hand, but he also has a synth on his lap and a harmonica around his neck. Oh, and he recalls : « I remember Antoine searching new rhythm ideas with his machines directly connected to an old cassette player with speakers. All these subtle changes gave the direction and the evolution of each track. We were side by side, maybe only one meter from each other -very close. This afternoon autumn session when we made the record was first to rehearse for a gig, so I think we were particularly taking care of transitions – while playing for an hour non-stop.»

This record was mostly improvised in a quiet bedroom, on the third floor of a building in Pantin, close to Paris. The room was filled with quiet sunlight. Instruments were all over the place, with some effects pedals, speakers for the electronic machines, a recorder to catch the whole atmosphere and music. A few overdubs later, the record was done.

Leafing through the pages of Flaubert’s novel, we found these two sentences; they became our track titles and shed a poetic light over the music. Thank you for listening."

Antoine Cortes & Pacôme Genty - des édens

Go to Item

A Spirit Speaks

LP | 2022 | JP | Original (P-Vine)

36,99 €*

LP | 2021 | EU | Original (NoBusiness)

Release: 2022 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Active during the prime years of New York jazz label Strata-East, The Descendants of Mike and Phoebe was one of the various projects on the label spearheaded by bassist Bill Lee. Together with siblings Cliff Lee on the flugelhorn and A. Grace Lee Mims adding enchanting soprano vocals to four of these tracks, the group composed hypnotic works of socially astute spiritual jazz on their only record A Spirit Speaks. P-vine is delighted to present the 1974 classic as a limited edition LP with an iconic Japanese obi strip attached.

Go to Item

Detail

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded on 21st November, 1990 at NRK-studios in Stavanger by Per Ravnås All music by Gjerstad (tono), Carter (sacem) and Stevens (prs)

Go to Item

LP | 2019 | EU | Original (Jazz Images)

Daddy Plays The Horn

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Live At The Playboy Jazz Festival

LP | 2018 | US | Original (Rhino Custom Indie Retail)

Release: 2018 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

Go to Item

LP | 2021 | EU | Original (Storyville)

Montmartre 1964

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2018 | EU | Original (Elemental Music)

Tokyo 1975

Release: 2018 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | EU | Original (Soundway)

Dexter Story

Bahir

17,99 €*

Wejene Aola Feat. Kamasi Washington

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dexter Story is an artistic spirit in the truest sense of the phrase. From his work as a multi-instrumentalist for acts like the Sa-Ra Creative Partners, to his management role with Snoop Dogg and his turn producing Daymé Arocena’s 2017 album Cubafonia, Story understands the business from every conceivable angle.
Initially inspired by the music and cultures pervasive throughout the Horn of Africa, Story translated his experiences there into his previous album Wondem, followed closely by the single Wejene Aola featuring jazz luminary Kamasi Washington, both on Soundway Records. If Wondem was a brief glance into Story’s new creative vision, Bahir is a pinpoint refinement of that purpose, the fine-tuning and expanding of the world he created on his Soundway debut.
On Bahir, Story steps in front of those influences and melds his world into the one he fell in love with so strongly while in Africa. One way in which he’s done so is by incorporating musicians from both sides of this coin. LA luminaries are featured throughout, as are African contemporaries he encountered throughout his travels. Sudan Archives gives a show-stealing vocal performance on “Gold”, while the Ethiopian producer Endeguena Mulu adds impenetrable and psychedelic texture to the album’s title track.
So Bahir finds the polymath musician not stuck between two worlds, but as a member of both. We get Ethiopian jazz tonalities, Tuareg grooves, ekista dance rhythms, Afro-funk, Somalian soul and forays into more contemporary jazz rhythms, too. Angelenos like Miguel Atwood-Ferguson and Josef Leimberg give the record its backbone, while African artists like the Ethiopian singer Hamelmal Abate give Bahir its glimmer and shine.

Go to Item

Dexter Story

7" | 2016 | UK | Original (Soundway)

10,99 €*