Jazz | Fusion Vinyl 1722 Items

What A Difference A Day Makes! Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes one bonus track.

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Dinah Washington

Release: 2018 / EU – Original

Genre: Organic Grooves

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My Funny Valentine Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Sings Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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For Lovers Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Sunday At The Village Vanguard Gatefold Sleeve Edition

The Bill Evans Trio

Release: 2018 / EU – Original

Genre: Organic Grooves

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Midori Takada & Lafawndah

Le Renard Bleu Etched Single Sided Edition

LP | 2018 | EU | Original (!K7)

Release: 2018 / EU – Original

Genre: Organic Grooves

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It is said that every generation casts its mind back to a previous era in times of crisis; the resources that will allow us to decode the questions of our moment may lie in the myths of another era. Le Renard Bleu, the new musical and cinematic collaboration between Lafawndah and composer Midori Takada, and filmmakers Partel Oliva, takes a cross- generational echo as ground zero for recovering a crucial myth for uncertain times: the blue fox. As transmitted by Takada, the fox appears in both ancient Senegalese and Japanese folktales as the trickster archetype; belonging both to the heavens and to the earth, the fox is the agent of chaotic good, shaking the world up when its energy has become stagnant. Above all else, the fox is famous for its cunning nature. Renard Bleu marks the first new music released by Takada in nearly twenty years; it would be difficult to overstate the importance of her return to the public eye. Her first solo record, 1983's Through the Looking Glass, has been rediscovered and heralded as a lost classic; the influence of her percussion trio, the Mkwaju Ensemble, continues to permeate and inspire a new generation entranced by its lucid beauty, playfulness, and sensual patience. Takada has performed in numerous film score orchestras, including the ensemble for Akira Kurasawa’s Dreams, coincidentally a key influence on Renard Bleu.

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Agile Experiments Volume 1

LP | 2018 | UK | Original (Agile Experiments)

Johannes Enders & Micha Acher

Release: 2018 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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At the beginning of 2015 I approached Victor Greetham at The Agile Rabbit Pizzeria about programming a series of concerts at his spot in Brixton Village, an open air marketplace in the heart of Brixton (London, UK).

The premise being that I would bring a selection of great, strictly one hour long concerts every Thursday night, some of which would be completely improvised free form music. These performances came to be named “Agile Experiments”, paying homage to Victor & his venue for allowing us to expose the market's passing trade audiences to something they may well have never had an opportunity to hear before or ever again for that matter.

We implemented two simple rules for the performances:
1. We wouldn't discuss or plan anything around what we were going to play.
2. We would play for an hour straight with no breaks.

After a year of concerts in the market place, I organised 8 one hour long recording sessions in a studio with 8 different combinations of musicians I had had the honor of performing with over this period and we applied the same rules as we did for the live performances in order to document these happenings.

Two further years down the line, after sitting on these recordings trying to find a way for them to be heard, I am extremely pleased to announce a sequential release of two limited edition vinyls featuring 12 extracts from these raw & unpredictable performances.

I hope that you will truly enjoy these minutes of off-the-cuff cooperative creativity.

In good faith and love for people and music,

Dave De Rose

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Brookland Suite

LP | 2018 | EU | Original (Alien Transitor)

Mingus Ah Um - Jean-Pierre Leloir Collection

Release: 2018 / EU – Original

Genre: Organic Grooves

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‘Brookland Suite’ is inspired by Micha Acher travels to New Orleans and Johannes Enders’ admiration for Gil Evans soundscapes. The unique instrumentation and the rough sound make Brookland a very special Suite for lovers of deep sounds. Johannes Enders is a saxophone player with his own distinguished voice, and a rich international performing experience, covering gigs with artists as diverse as Donald Byrd, Jeff Watts, Roy Hargrove, Vincent Herring, George Cables, Lester Bowie and Jamaaladeen Tacuma.

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Charles Mingus

LP | 2016 | EU | Original (Jazz Images)

Release: 2016 / EU – Original

Genre: Organic Grooves

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Plays Ballads - Jean-Pierre Leloir Collection

Miles Davis

LP | 2016 | EU | Original (Jazz Images)

Release: 2016 / EU – Original

Genre: Organic Grooves

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Sings - Jean-Pierre Leloir Collection

LP | 2016 | EU | Original (Jazz Images)

Release: 2016 / EU – Original

Genre: Organic Grooves

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LP | 2015 | UK | Original (Not Now)

Django Reinhardt

Djangology

Release: 2015 / UK – Original

Genre: Organic Grooves

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LP | 2013 | EU | Original (Unit)

Tobias & Stefan

Bitter Sweet

Release: 2013 / EU – Original

Genre: Organic Grooves

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LP | 2013 | EU | Original (Unit)

Organutan

Endangered Sounds

Release: 2013 / EU – Original

Genre: Organic Grooves

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LP | 2012 | EU | Original (Unit)

Pommelhorse

Release: 2012 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (JazzSick)

Monika & Peter Herzig

The Time Flies

Release: 2018 / EU – Original

Genre: Organic Grooves

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Questo Sogno E' Vita White Vinyl Edition

Statuto

LP | 2022 | EU (Onde Italiane)

The Hottest New Group In Jazz

Release: 2022 / EU

Genre: Organic Grooves, Rock & Indie

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Recorded in Florence in May 1991, the concert is part of the tour between "Senza di Lei" in 1990 and "Zighidà", which will be released in 1992 after Sanremo festival. Three days after the concert the group will enter the recording studio (the Westlink in Pisa) to record the single for EMI "Qui non c'è il mare / Noi duri" with the production of Gianni Maroccolo. Classic lineup with Oskar on vocals, Naska on drums, Alex Loggia on guitar, Rudy Ruzza on bass and Senior on keyboards with in addition a wind section made up of trumpet, saxophone and trombone. 300 hand-numbered copies on white vinyl.

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Lambert Hendricks & Ross

LP | 2012 | Reissue (Jazz Images)

Release: 2012 / Reissue

Genre: Organic Grooves

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LP | 2022 | EU | Original (Fun In The Church)

Windisch Quartet

Meander

19,19 €* 23,99 € -20%

Release: 2022 / EU – Original

Genre: Organic Grooves

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Daniel Carter / Evan Strauss / 5-Track / Sheridan Riley

The Uproar In Bursts Of Sound And Silence

LP | 2022 | US | Original (577)

19,19 €* 31,99 € -40%

LP | 2022 | EU | Original (Warner Music International)

Release: 2022 / US – Original

Genre: Organic Grooves

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The Uproar in Bursts of Sound and Silence is a sort of emergent collage that came together over four years of composition, improvisation and production. The foundations for this album were initially recorded in 2018 by producer/engineer Jack Endino (Nirvana, Soundgarden, Mudhoney, Skinyard) at Soundhouse in Seattle, WA with myself (Evan Strauss, electric bass and upright bass), 5-Track (Guitar) and Sheridan Riley (Drums). The initial foundations of this music consisted of my long-form graphically notated conceptual compositions based on the calls of the Veery songbird (Catharus fuscescens), the astrological transits at the precise time of the recording session and some thematic elements from Ursula K. Le Guin’s novel The Dispossessed. In 2019 the album was given the working title Bird Songs for the Stars and I commissioned the cover art, Night Fisher, from Jeane Cohen. Also around this time, Daniel Carter had emphatically told me, “I’m going to become a rapper by the time I turn 90.” So, a few weeks later Daniel and I were hanging out, recording music and eating stir fry in my Ditmas Park apartment and I convinced him to make some progress on his goals by recording his voice into a microphone. Daniel began by recording an excerpt from Virginia Woolf’s The Waves and continued by recording some of his own poetry. The recordings of Daniel from that afternoon would eventually make their way onto this album alongside my own experimentations in production inspired by Lee Scratch Perry, J Dilla and Ingram Marshall. I have since come to believe that this music was waiting for Daniel’s voice and music. Over the next couple of years I experimented with production techniques, renamed the album The Uproar in Bursts of Sound and Silence after an excerpt from The Waves (“wind blows the uproar in bursts of sound and silence across the court / now again they are smashing the china / that is the convention”), moved to the pacific northwest, corresponded with the estate of Virginia Woolf, mastered the entire project onto a cassette tape and convinced 577 records to release it. I hope you enjoy it as much as I have! -Evan Strauss, February 2022

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Zk Collaboration

Slow Food

19,49 €* 25,99 € -25%

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Super Bad Disco / HHV)

Athletic Progression

Live Cookin' With Blue Note At Montreux

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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After the 2019 release of their debut album "Dark Smoke", the Danish trio Athletic Progression has gone from strength to strength in Denmark. Multiple sold out shows in DK and abroad, as well two Danish Jazz Award nominations - and even one for Danish musician of the year! - later, the group is now ready to release their next album, an instrumental opus years in the making. Highly recommended for fans of Thundercat, J Dilla, Comet is Coming and the likes.

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Donald Byrd

LP | 2022 | EU | Original (Blue Note)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Blue Note Records will release the first-ever official release of Donald Byrd Live: Cookin’ with Blue Note at Montreux on what would have been the legendary trumpeter’s 90th birthday: December 9, 2022. The LP of the dynamic 1973 live set is all-analog cut directly from the original analog master tapes.

In July 1973, Blue Note Records headed to Montreux, Switzerland to showcase several of the label’s stars at the Montreux Jazz Festival. Produced by Blue Note President George Butler, live albums all titled Live: Cookin’ with Blue Note at Montreux followed from vibraphonist Bobby Hutcherson, organist Ronnie Foster, flutist Bobbi Humphrey, and vocalist Marlena Shaw, but one of the performances by trumpeter Donald Byrd remained unreleased in the Blue Note vaults, until now.

Donald Byrd: trumpet, flugelhorn, vocals - Fonce Mizell: trumpet, vocals - Allan Barnes: tenor saxophone, flute - Nathan Davis: tenor & soprano saxophone - Kevin Toney: electric piano - Larry Mizell: synthesizers - Barney Perry: electric guitar - Henry Franklin: electric bass - Keith Killgo: drums, vocals - Ray Armando: congas, percussion

Original recordings produced by George Butler

Recorded live by Chris Penycote at Montreux Jazz Festival, Montreux, Switzerland, July 5, 1973

Mixed by Qmillion at EastWest Studios Los Angeles, CA

1-lp, 180g, unprinted polylined paper inner sleeve.

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LP | 2022 | EU | Original (Wagram)

Nu Jazz

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Alien Transistor)

Fuchs

LP | 2015 | EU | Original (Waxtime)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Fuchs is a band that never was. It vanished as quickly as it appeared in the picture, much like the animal that can be seen on this album and after whom it was named. In 2005, Kante singer and guitarist Peter Thiessen travelled to Weilheim to visit Markus and Micha Acher in their studio, where they were joined, among others, by Notwist-affiliated musicians like Cico Beck, Robert Klinger, Carl Oesterhelt and Stefan Schreiber. Spirits were high, but schedules were full: after a week of improvised sessions, everyone went their own way. The recordings gathered dust until Markus Acher found them again in 2021 while cleaning out his studio. After carefully re-evaluating the rough mixes, the musicians decided to finally release them. The resulting album comprises six tracks that musically draw on jazz, aesthetically lean on dub techniques and ideologically pick up on krautrock: there’s no solos to be heard on this record, just a few equally skilled and open-minded musicians listening to each other carefully, providing each other with space in which to unfold. »Fuchs« is a document of egos dissolving in a collective spirit. Thiessen and the Acher brothers met in the 1990s and bonded not only over their shared background in hardcore music and the DIY ethos in which it was rooted, but also over their love for jazz. »If you look at those two things combined, you will eventually become convinced that you don’t have to be formally trained to make music that at least resembles jazz«, says Thiessen today. He invited Micha Acher to join his band Kante on flügelhorn in 2004 for a tour that saw the expanded group play unusual encores after the official concert was over. »Micha had taught us some dixie pieces, so night after night we would play a freestyle dixieland ska set in front of the remaining audience!« Naturally, the Acher brothers didn’t have to ask twice when they invited him for a visit in Weilheim to further explore their mutual interests in a studio setting. »I got on my way immediately and took two or three loose ideas, a tape echo and a guitar on whose headplate you could create fantastic sounds with me«, says Thiessen. Between immersing themselves in books by the photographer Leonore Mau, cooking together and drinking the occasional fruit schnapps, the trio went into the studio. Says Thiessen, »Micha brought his flügelhorn and some wonderful ideas with him, Markus an Indian harmonium and a plan, Carl Oesterhelt came with a glockenspiel and a Chinese zither and a bunch of amazing jazz musicians joined in, too.« He considers the resulting recording sessions to be a kind of attempt at musically translating their conversations during those days. They discussed different approaches to jazz, whether sampling and musical miscitations can unlock ecstatic potentials and the possible parallels between syncretistic religions and pop music. »There’s traces of glossolalia, it's like a blurry séance«, adds Thiessen in regard to the sessions. It is especially this spirit that managed to live on even though the recordings themselves were abandoned. »What we all liked most when listening back to the recordings is probably their marginal and fragmentary character, the empty spaces—the moments in which the virtuoso solo never comes, in which the centre remains empty.« The six pieces on »Fuchs« are chock-full of exactly these moments. When at one instant, the players seem to disperse and improvise freely, they always meet again on common ground a short time later, continuing on their way together. There are no conventions or even previous agreements that guide them, just a shared will to explore a vast range of curious sounds and unusual rhythms together as a truly unified constellation of very different musicians. Fuchs is a band that never was. Its ideas still reverberate vividly even 17 years later.

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Billie Holiday

Solitude

Release: 2015 / EU – Original

Genre: Organic Grooves

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Includes a bonus track.

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The Bill Evans Trio

Explorations

LP | 2013 | EU | Original (Panam)

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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limited 180 gram pressing

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Miles Davis

Milestones

Release: 2013 / EU – Original

Genre: Organic Grooves

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Welcome To Anxiety Group Red Vinyl Edtion

Drone Operator

12" | 2022 | UK | Original (Participant)

Release: 2022 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Preorder shipping from 2024-10-25

“There is a German satellite falling to earth!” a woman’s voice urgently announces. “She says, what if it hits me? Welcome to anxiety group.” A dense cloud on the horizon heralds a fresh onslaught from that infamous swarm of free jazz killer bees, a new project from self-described “conceptual kleptomaniac post digital free jazz outfit” Drone Operatør. Riding hard along the line between experimental electronics, blockbuster sound design and the loosest jazz improvisation, this rogue’s gallery of players, headed up by art world provocateurs Paul Barsch and Tilman Horning, take the fevered pulse of the relentlessly flattened now and note down four key observations which presented together make up Welcøme TO Anxiety Group. Coaxing lively theatricality from a continually provoked altercation between acoustic instrumentation and synthetic sound, each of the project’s four tracks provides a new perspective on what it means to improvise through technological mediation. “Here we are now,” write Drone Operatør. “22 after 2k. mp4 flex to 32bit float. The sax - the heart. The quadcopter - the brain. Duo d'Allemagne not wasting a life time learning jazz standards.” To open proceedings, our faithful operatør whips up exquisite dissonance with ‘Bot Møther’, smashing together squalls of saxophone and ripples of percussion with the sounds of sci-fi artillery, like an amphetamine-fuelled, midnight jam hammered out oblivious to an ongoing alien invasion. Slowing to a furtive creep for ‘German Satellite’, picking out keenly felt anxiety in suggestive plucks, stuttering clacks and strained wails, their cosmic warning signalling a neurotic climax before settling back into a post-coital skitter, flourishes of keys, both digital and analogue, harmonising with Drone Operatør’s weary welcome to the group. Eschewing the electronic completely for the cacophonous gallop of ‘Røhrstøck’, we’re invited to hold on for dear life during a mad scramble towards the ‘The Vessel,’ a staggering sequence of tumbling synthetic chimes, embellished with peals of ornate sax that flare up and out to illuminate the track’s irregularity, alternately submerged and retrieved through a subtle manipulation of filters. It’s a session that has to be heard to be believed, crammed with as much difficulty and as much revelation as any good therapy should. As Drone Operatør describe: “From iconic spamming to intellectual nonsense. Always never predictable, never not cheesy. Battery life cycles full of joy. You say you like free jazz. We don’t believe you.” Welcøme to Anxiety Group will be released on July 29th, 2021 by Participant, on limited edition clear red vinyl, and digital download via the Participant Bandcamp. The release will be accompanied by a series of films by Drone Operatør, featuring editing, FX, and CGI by digital artist Darío Alva. Text by: Henry Bruce Jones Participant is a record label and creative studio run by filmmaker William Markarian-Martin and conceptual artist Richie Culver

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Music For Dance & Theatre Volume One

12" | 2020 | EU | Original (Music From Memory)

Live At The Village Vanguard

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Music From Memory are happy to finally announce MFM045 - VA ‘Music For Theatre And Dance’ (EP).
This will be the first in a small series of EPs which will focus on music which was initially created for or inspired by dance and performance. Created as a dialogue with the avant-garde and highly experimental work in dance, theatre and art evolving at the time, the music was in turn at times greatly innovative.

That it was created for a dance or performance though means that such music was also often highly rhythmic and a number of pieces from this time stand out and seem greatly deserving of a new context.

Whether it’s more ambient or atmospheric works or whether it’s in the more rhythmic or percussive pieces, Music From Memory brings together a selection of tracks which aim to highlight this highly innovative direction in music.

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Bill Evans

LP | 2015 | EU | Original (Vinyl Lovers)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Frank Sinatra

In The Wee Small Hours

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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Duke Armstrong

The Great Summit

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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LP | 2013 | EU | Original (Vinyl Lovers)

The Dave Brubeck Quartet

Time Out

Release: 2013 / EU – Original

Genre: Organic Grooves

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OST Breakfast At Tiffany's

Henry Mancini

LP | 2013 | UK | Reissue (Waxtime)

Release: 2013 / UK – Reissue

Genre: Organic Grooves, Soundtracks

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Hyper-Dimensional Expansion Beam Limited Clear Vinyl Edition

The Comet Is Coming

LP | 2022 | EU | Original (Impulse)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2015 | EU | Original (HighNote)

Larry Coryell

Monk, Trane, Miles & Me

Release: 2015 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Green Cookie)

Souled Out

Sunny Side Up

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Xxim)

GoGo Penguin

Between Two Waves

Release: 2022 / EU – Original

Genre: Organic Grooves

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Movies & Stories Like This

Asbjornsen & Aarum

LP | 2022 | EU | Original (Musikkoperatore)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Rotary Phono Lab)

3 Zvo

One

LP | 2022 | EU | Original (Zephyrus)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Catchy melodies are gleaming through a colorful cloud of sounds and spheres, constantly driven by extensive grooves.

Andrej Ugoljew and his 3 ZVO crew carry along and invite you into an energized world between hip-hop, afro funk and a nu jazz aesthetic, containing a lot of nodding and little pathos.

The music floats. It is modern, fresh and astonishingly free of clichés. Cinematic trip jazz.

3 ZVO is a septet led by jazz musician and composer Andrej Ugoljew. Very well known and in great demand as a sideman and studio musician, Andrej has worked with Tony Allen, Salif Keita, Nils Frahm, Andromeda Mega Express, WDR Bigband, Megaloh, The Omniversal Earkestra and many more.

A brand new Berlin brew, the band features guitar virtuoso Keisuke Matsuno, bassmaster Thomas Stieger, violin player Johanna Burnheart, percussionist Max Klaas, saxophonist Bastian Duncker, grooving drummer Hanno Stick and Andrej Ugoljew on trombone and keyboards.

A1. 3 ZVO - Easy Does It A2. 3 ZVO - Blue Doc A3. 3 ZVO - Dunkelgold

B1. 3 ZVO - Terre Battue B2. 3 ZVO - Morning B3. 3 ZVO - Ballad From The East

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Hands In Motion

Dawn

Why Is It They Say A City Like Any City

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Darbuka, gongs, berimbaus, kalimbas, pandeiro, riqq, doholla, bendirs, udu,… These are just some of the instruments that make up the sound universe of Hands in Motion. This percussion trio brings together musicians Simon Leleux (Fabrizio Cassol / I Silenti, Refugees for Refugees), Robbe Kieckens (Lamekan Ensemble, Myrddin De Cauter) and Falk Schrauwen (Compro Oro, Echoes of Zoo) who create a sound universe that does not knows any limits.

From Senegal to Eastern Europe, from Brazil to India, from the classical conservatory to nomadic people, it is nourished by all their influences that Hands in Motion juggles with the codes of tradition to create a new space of expression, resolutely current and innovative.

Minimalist sound layers, captivating grooves, acoustic trance, their music is organic, contrasting, deep and subtle at the same time. They alternately create melodies and textures that might as well make you think of Philip Glass, Mammal Hands or Why the Eye?. The atmospheres they create invite movement and sharing.

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Ale Hop

LP | 2022 | EU | Original (Karl)

Edward Ka-Spel / Steven Stapleton, Colin Potter / Quentin Rollet

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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A download code is included.

The new album by the Peruvian-born / Berlin-based experimental artist Ale Hop was conceived in a context of immobility and provides six sonic vignettes that wonder about location, circularity, rootedness and experience. In collaboration with Ana Quiroga, Concepcion Huerta, Daniela Huerta, Elsa M’balla, Felicity Magan, Fil Uno, Ignacio Briceño, KMRU, Manongo Mujica, Moises Horta, Nicole L’huillier, Raul Jardín, Sukitoa Onamau, Tomas Tello.

Following her explorations on music's inherent fixation to geographic space and time, be it through the longing of home ("Apophenia" 2019) or scientific magnification of invisible worlds ("The Life of Insects" 2020), Berlin-based Peruvian-born experimental composer Ale Hop's fourth album, "Why Is It They Say a City Like Any City?", was conceived in a context of immobility. During the lockdown months, she started a process of remote collaboration, by sending messages, posted from various cities along a South American trip, to thirteen musicians from around the world. She journaled her impressions upon these places to an intimate fictional character while reflecting on matters of time, sound, space, cosmology and colonial memory. The thirteen musicians dialogued with this voice by
taking upon the challenge of responding to the messages with sound collaborations.

Field recordings, mouth drumming, drone cellos, electronic loops, arrhythmic rhythms and voices came back from this experiment. Ale assembled them, by layering, twisting and turning, into sonic vignettes that wonder about location, circularity, rootedness and experience, making it the first time she's set her guitar aside. Expect no answers to the album's title question, but an innermost psychedelic rumination.

"Despite the technological resources that appear to dilute distances, the simulation of closeness mirrored on the digital space is an emptied body, a state of precarity, a flat surface; unable to withhold an experience of exchange," Ale states. "So, I began this project by asking myself, how can we escape from the reduced experience of the virtual? The idea behind this experiment was that my messages and the places they describe could drive the composition, be a catalyzer, a score. Thus, to use geography as a tool to remember and imagine, to allow new soundscapes to emerge."

"Memory, diffuse and divergent, sometimes reaches out to the future in its search for form, taking shape from the reflections and echoes that come back … like throwing a rock in a pond and having a rock thrown back at you." The release of "Why Is It They Say a City Like Any City?" is accompanied by a 50-min audiovisual installation that will premiere at CTM 2022 Exhibition in January, which was created in collaboration with the Mexican technologist and artist Moises Horta. For this piece, an Artificial Intelligence multi-modal neural network was fed with readings of the messages written by Ale, synthesizing them into free-flowing images. The visual imagery resembles the way memory works
when triggered by words, by traveling freely through mental images unfolding them into openended assemblages of spaces and temporalities.

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The Man Who Floated Away / The Closer You Are To The Center, The Further You Are From The Edge

LP | 2018 | EU | Original (Bisou)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2020 | EU | Original (Everest)

Schrödingers Katze

Superposition

19,99 €* 24,99 € -20%

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Prodigal Son Colored Vinyl Edition

Ry Cooder

LP | 2018 | EU | Original (Caroline)

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Dom-Ermitage)

Live In Milan

Release: 2020 / EU – Original

Genre: Organic Grooves

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Jonny Nash & Teguh Permana

Poe

LP | 2020 | EU | Original (Melody As Truth)

Muster Point Black Vinyl Edition Edition

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Recorded over the course of March 2020 in Bandung and Amsterdam, ‘Poe’ is a collaboration between Jonny Nash and Teguh Permana. Permana is a renowned player of the Tarawangsa, a two-stringed instrument used in the sacred Tarawangsa music of Sunda, Indonesia. Poe’, meaning ‘Days’ in Sundanese, is a meditation on death and rebirth as reflected in the passing of time and the changing of the seasons. Permana is also active in the group Tarawangsawelas who released their debut album on Morphine records in 2017.

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Stanley J. Zappa

LP | 2020 | EU | Original (We Jazz)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | CH | Original (Les Disques Bongo Joe)

Cyril Cyril

Yallah Mickey Mouse

Release: 2020 / CH – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Black Sweat)

Addict Ameba

Panamor

LP | 2020 | EU | Original (Black Sweat)

Release: 2020 / EU – Original

Genre: Organic Grooves

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More than simply being a band, Addict Ameba is a wide Italian collective that makes brotherhood the weapon to live music together crossing all cultural boundaries. The driving force lies in the heterogeneous background of its members and the relative familiarity with different folkloric areas. The original and ambitious arrangements make the result a delicious soup! In this first work, their personal Afro-latin-beat reveals a sincere meeting between African and Central American traditions… for this reason they are against the drift of continents! The collective is connected to Al Doum and the Faryds, sharing some of their members, the same music label and the Guscio Studio where the album has been cooked thanks to the wisdom of the great master pirate. You can travel halfway between the Atlantic continents, where a gritty guitar deploys a solid knowledge of the stronger Latin-rock - you know the “Santana of Piola” is on board! - but it absorbs Funky and Tuareg riffs too, as well as brilliant psych deviations. Heavy horns abound with solutions and influences, blowing arias of Ethio-jazz or Cuban-Salsa crossings, such as Calypso and Caribbean progressions. However, it’s the rhythmic sailors section that supports all the dynamics of the sound with impeccable qualities of polyrhythm, sending seas of bodies into ecstasy; maybe they learn this rowing on a boat? Panamor represents "a profound union between living beings and objects in an increasingly divided World”. Such pirates of love!

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Agostino Nirodh Fortini

Suoni Immaginari

I'm Always Right (The WDR Tapes 1977)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters. “Suoni Immaginari”, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines his planetary odysseys as a complex of harmonic devices, nebula storms, glassy explosions and gravity-free falls. His operational horizon reflects further cultural ideas and suggestions; not only the artifice between natural sounds and the programmed machine but also the intrusion of arabesque dreams and jungles contaminated by invading insects and mad pipers. These are spectral symphonies which can have analogies with the fourth world of Hassell and Eno.

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Imagination

LP | 2020 | EU | Original (The Outer Edge)

Tony Allen & Hugh Masekela

Release: 2020 / EU – Original

Genre: Organic Grooves

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We are proud to present "I'm Always Right" by Imagination, an unreleased jazz rock LP from 1977. Comprised of five tracks with a playtime of roughly 30 minutes, you will hear one of the finest German late-70s rock-tinged electric jazz albums of the era. The recording is a delightful stand-out with unique compositions, aspiring solo work, and a soulful spirit throughout. Additionally, the album veritably glows with exceptional sound quality, as it has been remastered from original tapes that were cut more than four decades ago at the WDR Funkhaus, Cologne.
Here is the story of how label founder John Raincoatman became aware of these lost tapes:
"I first got in touch with members of Imagination from Düsseldorf (not to be confused with the UK disco band under the same name) in 2017 for licensing the track "Strawberry Wine" from their collectible "Shake It" album from 1980. A couple of months later, when I was speaking with Willi Hövelmann, the guitarist for Imagination, he told me about some recordings the band had made a couple of years before, when they had been invited to to the studio of the WDR, a major German broadcaster. A couple of weeks later, when Hövelmann finally sent me the files that he had requested from the WDR, I could not believe... more

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Rejoice

LP | 2020 | EU | Original (World Circuit)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Diapositive Black Vinyl Edition

Massimo Guantini

LP | 2020 | EU | Original (Loneos)

LP | 2020 | EU | Original (Eskapaden Musik)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Beside the telluric year in pop music and culture, 1977 was still ranked as the future for Italian leftfield composers. Published by roman imprint Gemelli and credited to the elusive Massimo Guantini (none else than influential jazz player and composer Sandro Brugnolini), Diapositive is a fully cinematic journey in the realm of sci-fi and cool jazz. Fully produced at famous roman Emmequattro Studios (home of many fascinating recordings by piano player Enrico Pieranunzi) the album is deeply rooted in the coolness of italian libraries, showing up such an incredible music craftsmanship. Fully adorned by a vibrant rhythm section, an acoustic piano, a clavinet, a Fender Rhodes and a proper ‘acid jazz’ guitar-playing, this album will lift your mind and soul for good.

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Sepalot Quartet

NOWNEXT

Release: 2020 / EU – Original

Genre: Organic Grooves

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The second offering by SEPALOT QUARTET presents itself as a loosely layered fusion album incorporating the best of jazz, indie and electronics - constantly infused by SEPALOT's HipHop roots. On A NEW CYCLE, the quartets first release, they had to limit themselves to delivering versions of SEPALOTS already released discography, a trial run they stated then. But the concept blossomed and with this album it came to fruition. The work on NOWNEXT provided a solid foundation for self-discovery on a grand scale. NOWNEXT is an unambiguous, contemporary album with international format, that draws its rich repertoire from the musical background of its diverse members (Sepalot, Angela Aux, Fabian Füss, Matthias Lindermayr). Memories, associations and visions are awakened and poured into a musical form.

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Music Is The Most Beautiful Language In The World: Yiddisher Jazz In Londons East End 1920s To 1950s

LP | 2018 | EU | Original (JWM)

LP | 2018 | EU | Original (Growing Bin)

Release: 2018 / EU – Original

Genre: Organic Grooves

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New label JWM Records launch with the selection 'Music is the Most Beautiful Language in the World'. A vibrant soundtrack to the Cockney Jewish experience, starting when the swinging hot dance bands were still all the rage, and the Yiddish language was spoken on the streets of Whitechapel, in London’s East End. For some, music or acting was a potential way out of the poverty experienced by these first and second generation refugees.

Sounds from long-forgotten 78 rpm discs only recently unearthed, reveal a host of recording artists, united here for the first time. Klezmer fused very easily with jazz, a connection that becomes apparent in these recordings. Hear the legendary dance band figures of the era like Bert Ambrose and his Orchestra, and Lew Stone and his Monseigneur Band, to the relatively unknown Jewish speciality acts like Johnny Franks and his Kosher Ragtimers, and Rita Marlowe, the siren of Yiddish song. Delight in the cheeky street patter of the incomparable slapstick drummer Max Bacon, rejoicing in the East Enders' love affair with ‘Beigels’; celebrate the world famous Petticoat Lane street market with not one, but two fox-trots - but also shed a tear with Leo Fuld, the remarkable Dutch Yiddish singer, whose recordings in post-war London were haunting reminders of a way of life decimated by the Holocaust.

‘Music is the most Beautiful Language in the World’ is compiled by Alan Dein, multi-award winning radio documentary presenter, whose own family harks back to the major wave of immigrants fleeing the pogroms in Eastern Europe from the end of the 19th century. The album title is inspired by a 1920s Yiddish slogan of an East London gramophone record shop, from a time when Whitechapel was a fertile breeding ground for singers, musicians, proprietors of record shops and club owners - according to Dein “their stories are now entwined with the development of the British recorded music industry. But for the first time ever, we can the discover the remarkable sounds of Jewish-themed jazz recorded in London between the 1920s and the 1950s - which thankfully had been preserved within the grooves of ancient discs”.

Designed by Will Bankhead, the LP comes with a fold-out insert, the slip-case CD with a 24 page booklet, both including a detailed essay by Dein, illustrated with rare photos and memorabilia. This release is co-compiled by Howard Williams, who has released a series of compilations spanning Moondog (The Viking of Sixth Avenue), Killing Melody (Japanese gangster soundtracks), cult Japanese jazz singer Maki Asakawa, and several other Japanese retrospectives.

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Singu

Siki

LP | 2018 | EU | Original (Music From Memory)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2022 repress

Free your mind and float away, you’re now entering the mode of the Growing Bin. Hamburg’s centre for audio enlightenment is back with another sublime sensory experience, this time from the land of the rising sun.
Keen to get another stamp on his passport, Basso reached out to Japanese duo Singu, two open minded cats who just love to jam. Marrying Kiyo’s free drumming with Keta Ra’s melodic mastery of keyboard and guitar, the two-piece fuse free jazz, post-rock, kosmische and ambient into immersive and esoteric improvisations. Free from any compositional concerns, the Hiroshima outfit trade in energy, emotion and expression.
The frenetic percussion and ephemeral melodies of opener ‘Aurora Gate’ instantly transport you to the breathless churn of a Tokyo crossroads, where thousands of people rush by but you stand still in the eye of the storm. Though they may be explosive, the drums sit back in the mix, offering a soft intensity behind the shimmering wall of melody. A nimble and nuanced affair, ‘Bop’ brings rapid fire rhythm, slick syncopation and hypnotic piano refrains. Cool bass rolls along like KDJ’s ‘Rectify’, as Singu update the acid jazz template like Toshio Matsuura covering Carl Craig. Singu journey from far out to Furthur on Aside closer ‘Nagebu’, strapping in for psychedelic synth wig out which is heavy on the resonance and free on the filter.
Blooming out of the darkness on the B1, Basso favourite ‘Fazaria’ soothes and moves you with its twinkling keys, nebulous wave forms and delicate guitar, leaving you wide eyed in wonder as the drum fills burst like fireworks across a star-filled sky. ‘828’ sweeps into abstraction as Kiyo and Keta Ra combine snapping glitches and aquatic electronics with fractal guitar tones and woozy bass, pushing through a portal to see what’s beyond. An a-grade wall melter, this trip makes great use of tension as the crisp machine drums stand in sharp contrast to the whirring, blurring guitars. Finally ’44’ carries you home on a downbeat drift, a flawless fusion of buzzing electronics, misty pads and relentless percussion played with perfect poise. Turn on, tune in and trip out, Singu bring you music from the moment that you’ll love for a lifetime.

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Gunther Beckers

Walkman

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Derek Bailey & Jamie Muir

Dart Drug

LP | 2018 | UK | Original (Honest Jons)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Percussionist Jamie Muir was a member of King Crimson during the recording of Larks’ Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.

There’s no shortage of great percussionists in the brief history of free improvised music but on the strength of Dart Drug alone Jamie Muir deserves a place at High Table. Unlike for example Han Bennink and John Stevens, though, you can’t hear echoes of any particular jazz drummer in Muir’s playing, even if he has expressed appreciation for Milford Graves (who himself sounded like nobody else who’d come before him).

What on earth did Muir’s kit consist of? Some instruments are clearly identifiable (bells, gongs, chimes, woodblocks); others could be… well, anything. Old suitcases thwacked with rolled up newspapers? Tin cans and hubcaps inside a washing machine? Who cares? It sounds terrific – but if you’re the kind of person who faints at the sound of nails scraping a blackboard, you might want to nip out and put the kettle on towards the end of the title track.

Dart Drug is consistently thrilling, and often very amusing – but it’s certainly not easy listening. In music we talk about playing with other musicians, whereas in sport you play against another opponent (or with your team against another team). Why not play against in music, too? That’s precisely what happens very often in improvised music, and Bailey was particularly good at it. How can a humble acoustic guitar hope to compete with a Muir in full flight? Sometimes Bailey’s content to sit on those open strings, teasing out yet another exquisite Webernian constellation of ringing harmonics and wait for the dust to settle in Muir’s junkyard, but elsewhere he sets off into uncharted territory himself.

“The way to discover the undiscovered in performing terms is to immediately reject all situations as you identify them (the cloud of unknowing) – which is to give music a future.” Bailey evidently concurred with this spoken statement by Muir, including it in his book Improvisation.

Derek Bailey is no longer with us, of course, and Muir gave up performing music back in 1989. All the more reason for seeking out this magnificent, wild album.

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Township Jive & Kwela Jazz Volume 4

LP | 2016 | EU | Original (Ubuntu Publishing)

Release: 2016 / EU – Original

Genre: Organic Grooves

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On this great compilation you’ll find 16 early vocal & jazzy tunes from the Golden Age of Jive & Kwela in South Africa. All released originally on fragile shellac discs only, which is a very delicate material but the music survived thanks to the archives of ILAM. A truly great source of South African music is being preserved here for new generations, to inspire young and hopeful musicians and singers from all over the world. These treasures of musical genius were recorded in the glory years of Jive and Kwela, the years 1940-1965.
On side A it is not very difficult to recognize the similarities to American popular music like R&B and small combo close harmony singing. But most of all notice that typical South African swing, that Jive, that incredible smooth form of African Jazz on side B; Kwela!

The rarest and most treasured finds are collected here, some with the original spoken intros, ‘sketches’ as these were called. Characteristic conversations between the musicians, often in a humoristic slang, always extremely funny. The record is pressed to 180gram vinyl.

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LP | 2015 | EU | Original (Jazz Wax)

Sings

Release: 2015 / EU – Original

Genre: Organic Grooves

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180g vinyl including two bonus tracks!

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Billie Holiday

Lady In Satin

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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The Bill Evans Trio

Waltz For Debby

Someday My Prince Will Come

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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limited 180 gram Vinyl LP !

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Miles Davis

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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Thelonious Monk & Art Blakey

With Thelonious Monk

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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LP | 2013 | EU | Original (Vinyl Lovers)

John Coltrane

Giant Steps

Release: 2013 / EU – Original

Genre: Organic Grooves

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Italian Movie Soundtracks

LP | 2013 | US | Original (Waxtime)

Release: 2013 / US – Original

Genre: Organic Grooves

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LP | 2013 | US | Original (Waxtime)

Joao Gilberto

Warm World

Release: 2013 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Reissue (Waxtime)

Dexter Gordon

Blows Hot And Cool

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Shadows Clear Vinyl Edtion

Charles Mingus

LP | 2015 | EU | Reissue (Destination Moon)

LP | 2016 | Original (Glm Gmbh)

Release: 2015 / EU – Reissue

Genre: Organic Grooves

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John Cassavetes’ directorial debut Shadows was a largely improvised film set in the bohemian jazz scene of 1950s New York; often referred to as the first truly independent film of American cinema, it featured a brief disjointed soundtrack improvised by Charles Mingus and his saxophonist Shafi Hadi, with various percussionists slotting in, including Phineas Newborn Jr. Gloriously messy, reportedly unfinished and referred to with scorn by Mingus, the Shadows soundtrack sketches ultimately yielded the great ‘Nostalgia In Times Square’ ‘Alice’s Wonderland’ and ‘Self-Portrait In Three Colours,’ all included here – astounding!

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Lania

Airy

Release: 2016 / Original

Genre: Organic Grooves

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LP | 2016 | Original (Glm Gmbh)

Evelyn Huber

Inspire Vinyl

Release: 2016 / Original

Genre: Organic Grooves

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Piero Milesi / Daniel Bacalov

La Camera Astratta

LP | 2018 | EU | Original (Soave)

20,24 €* 26,99 € -25%

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | EU | Original (Conrad Sound)

The Touchables

Svart/Hvitt

20,24 €* 26,99 € -25%

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (De W.E.R.F.)

Gratitude Trio

Birth

20,39 €* 23,99 € -15%

LP | 2022 | EU | Original (Solidude)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Gratitude Trio is a Belgian/French band based in Brussels. The music of this power trio is tinged with spacy sounds, African rhythms, sexy grooves, endless trances, sensitive ballads, crazy free jazz, and a large dose of unpredictability.After 11 years of existence, Gratitude Trio releases on September 2nd, 2022 its 4th album " Birth" on the remarkable Belgian label W.E.R.F. Records in partnership with Mercury and Collectif Koa from Montpellier, France.

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Rapidman

20,39 €* 23,99 € -15%

LP | 2022 | EU | Original (Enja & Yellowbird)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP.With bursting energy, lilting lyricism and catchy melodies, the five-piece band seamlessly blends the jazz tradition with diverse influences from rock and experimental electronic music.

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Sparks And Tides

Hotel Florida

20,79 €* 25,99 € -20%

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Ubiquity)

Mekbuda

Convincing Delusional

20,79 €* 25,99 € -20%

Taped Heart Sounds 2023 Repress

Release: 2020 / US – Original

Genre: Organic Grooves

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Mekbuda, translated from Arabic is the "lion's folded paw" as well as a star in the constellation of Gemini and in this case Russia's preeminent entry into the burgeoning contemporary jazz scene with their debut album Convincing Delusional. Residing on the spacier and cosmic side of the jazz spectrum, the quartet consists of Roman Zyryanov on drums, Dmitry Rubanov on bass, Alex Petrov on Rhodes and keys, rounded out by Igor Shilov on trumpet. Informed by the UK's jazz and electronic scene, spiritual and modal jazz, along with ambient and a tinge of hip-hop, Mekbuda's sound is a heady brew of instrumental soundscapes. The 6-track album seamlessly crescendoes from uptempo drum and bass to dubbed out rhythmic excursions, all layered within a brooding and hypnotic atmosphere.

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Jesper Munk

LP | 2022 | EU (Billbrook)

20,79 €* 25,99 € -20%

All News Is Good News Black Vinyl Edition

Release: 2022 / EU

Genre: Organic Grooves, Pop

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Since Jesper Munk's debut album in 2013 the German singer-songwriter has made a name for himself as multi-

instrumentalist , "in the paths of Jack White and Dan Auerbach," as the Rolling Stone Magazine puts it, playing

music that ranges from Blues and Soul to heartfelt Pop and indulging Jazz, all this with a very unique, post-Punk

edge. His new album Taped Heart Sounds offers an evolution of Munk's sound: warm, gentle and soft vibes that

go deep. "If there is a way to give you a hug in form of an album, this is how I'd attempt to do so," says Munk.

Recorded in an offbeat band room in Berlin with The Cassette Heads, the album brings together classics reaching from Blues to Rock'n Roll. Twelve songs of legendary artists who have influenced and inspired Munk since his early days, including Tom Waits, JJ Cale, Etta James, Hank Williams, Willie Dixon, Jacques Brel, and Mocky.
The entire album was recorded with a Tascam Portastudio 8-Track Cassette Recorder which brought an original and authentic sound to each song: "The technical limitations immediately liberated all other aspects of the recording," Munk says. "It shows how much of making music is just listening and without a screen to catch your eye, you really have no choice but to do so." All Songs face realness and live from these volatile moments that reveal vulnerability and musical generosity. The outcome of this analogue experiment is a very personal album, both inspiring and consoling.
Taped Heart Sounds courageously opens with Donnie & Joe Emerson's Baby; a song so iconic that it actually cannot be enhanced. However, Munk's interpretation stands out and has a presence that gives the song a life of its own - made for walking. Smoke Gets in Your Eyes, All the World Is Green, I'd Rather Go Blind, Head in the Clouds - what follows is a journey through Blues and Soul that is so vital and "now" that End of the Line may be the final track but certainly not the end of the story.
The album wouldn't be what it is without collaboration and partnership. Munk's special thanks go to his fans who helped to crowd-fund the recording. "On top of having had a real fun learning experience it all felt like a community project with real support from friends, the Cassette Heads, incredibly inspiring guests, and from Miles Deico, a wonderfully open and able engineer," so Munk about the making of the album.
Taped Heart Sounds is Jesper Munk's 4th album, following acclaimed debut album For in My Way it Lies (2013), CLAIM (2016), and Favourite Stranger (2018). Released via Billbrook Records, Hamburg-based Distributor Wordandsound's new label, the album is available for pre-order now - for purchase on vinyl and CD. The first single 'Baby' is going to be released on November 19, 2021.

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Surprise Chef

LP | 2020 | EU | Original (Mr Bongo)

LP | 2020 | Original (Just Looking Pr)

Release: 2020 / EU – Original

Genre: Organic Grooves

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There is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-eqsue cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time this is a truly contemporary record that could have only been made now. The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies. Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way". The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.

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Sylvain Luc

By Renaud Letang

Release: 2020 / Original

Genre: Organic Grooves

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Black Acid Soul Deluxe Edition

Lady Blackbird

2LP | 2022 | EU | Original (BMG Rights Management)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Chick Corea: The Montreux Years

Chick Corea

2LP | 2022 | EU | Original (BMG Rights Management)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | UK | Original (Boogie Angst)

Moods

Music Ruined My Life

Release: 2022 / UK – Original

Genre: Organic Grooves

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Dutch producer returns to Boogie Angst for instrumental sophomore LP

Rotterdam, The Netherlands - Boogie Angst proudly presents Music Ruined My Life, the brand new instrumental LP from Rotterdam-based artist and producer Moods.

Dropping in the wake of front runner singles 'Talk About It,' and 'Music Saved My Life',' the Dutchman's notorious fusion of soul, R&B, and alternative influences takes a whole new dynamic courtesy of his first fully live recorded offering.

Recorded live in the city of Leiden during the peak of the pandemic alongside a full band, the LP taps effortlessly into the balance of soulful and jazz-inspired undertones that have hallmarked the project since breakthrough single 'Love Is Real.' A tastemaker favorite and label staple, the LP shows a more intricate and uncaged spin on the Moods sound, which has been consistently hailed by tastemakers globally and sampled by the likes of Logic.

The supple guitar plucks and resonating brass of 'Deeper Water' sets the LP in motion, building towards the funkier and perkier swells of album cuts such as 'Ecstacy' and 'Push Pull.' Capped by 'Return To 4ever,' a sultry and deeply atmospheric fusion of jazz and contemporary soul sounds, the eight-track endeavour shows that for all his streaming and collaborative success, the rich musicianship of the Moods project has not waivered.

"There really wasn't a huge concept or target for this record, it was more about tapping into the pure joy of making and creating music," he explains. "The pandemic was such a weird time, there was a lot of uncertainty in all aspects of life. So it almost felt like the perfect time to try something new. Having the band together in one room was a real rush, I liked how the record came together and how each artist brought their own energy to the project.

"I enjoy working with vocals, and I think the vocalists I have worked with on projects so far have been amazing. But when you take that element out and focus more on the instrumentation and arrangement, it's a really different experience, and that's something I really enjoyed for Music Ruined My Life.

Moods garnered more than 30m+ streams globally for debut LP Zoom Out, and has continued to leap from strength-to-strength courtesy of his soulful take on the boundaries between electronic and contemporary R&B.

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LP | 2022 | EU | Original (Wagram)

The Beatles In Jazz

Release: 2022 / EU – Original

Genre: Organic Grooves

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Chet Baker Plays Vladimir Cosma

LP | 2020 | EU | Original (Wagram)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (W.E.R.F.)

Schntzl

Catwalk

LP | 2022 | UK | Reissue (Running Circle)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP + poster.Twelve characters of songs arose in bedrooms. Customized pop songs characterized by an open approach, musical humour and narrative power.

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Kinkajous

Hidden Lines

LP | 2018 | UK | Original (Amp Music &)

Release: 2022 / UK – Reissue

Genre: Organic Grooves

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Kinkajous' debut album 'Hidden Lines' is a compelling mix of tonalities and influences, orchestral to jazz, world and electronic. The sublime, interwoven melodies of woodwind, analogue synths and percussion invoke the likes of Steve Reich, Floating Points and Badbadnotgood.

Hidden Lines received wide acclaim from club-jazz figureheads Bradley Zero, Toshio Matsuura and Gilles Peterson, and set the stage for numerous collaborations, like their live performance with the London Contemporary Orchestra in 2023, and more recently on the visualisation of their 2024 album 'Nothing Will Disappear' with Grammy nominated visual artists Eric Timothy Carlson and Aaron Anderson.

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Slow Is The New Fast

Slow

Release: 2018 / UK – Original

Genre: Organic Grooves

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Endless Era Black Vinyl Edition

Chino Corvalán

LP | 2022 | EU | Original (Urban Waves)

LP | 2022 | Original (Just Looking Pr)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Hailing from Paraguay in South America, Chino Corvalán is a talented young musician, composer and producer. For this gem of an album titled "Endless Era" he invited a lot of his musician friends from all around the world to perform and record the songs that he wrote. The album represents an age of spiritual elevation in the form of contemporary, modern, free jazz. As a live performer and stage musician Chino learned a lot of different instruments and express himself with music in a natural way. Endless Era is his most ambitious project to date including 18 songs that will impress and please all the fans of the genre. The album sounds like it will be a cult piece of the Jazz culture in the years to come.

Chino's words: Endless Era is the collection of music I wrote in the last part of the pandemic, it was a true and honest moment of creating music, specially with my friends Telemakus and Ted Taforo, we been collaborating and sharing music for the last 3 years, and the process was so natural and fluid. Mainly because we think the same way when it comes to the process of music creation.

“Endless Era is a tribute to a certain way of creating instrumental music that should never end”

All the songs represent a honest moment of life and music for me. Each songs were recorded and mixed in my studio, where I’ve been using the same setup trough the past few years. With the exception of the remote recordings from my dear friends.

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Nojazz

Nojazz Play Jazz

Release: 2022 / Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Not Now)

Tony Bennett

Best Of Tony Bennett

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Komos)

Cheick Tidiane Seck

Kelena Foly

LP | 2022 | UK | Original (Actions For Free Jazz)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Cheick Tidiane Seck placed his hands on a keyboard for the first time in the late 60s, on a harmonium of the Catholic convent in Sikasso, where he was a boarding pupil preparing his junior high diploma. From the age of 12 onwards, he would compose pieces by singing them to his mother, a,famous singer. Realizing he had talent, one of the nuns instructed him in music theory during his 3 years at school there. Diploma in hand, he that studied fine art at the Bamako National Arts Institute, tinkled the keys at night, playing with the Rail Band at the Buffet de la Gare hotel, moonlighting like his idol, Jimmy Smith,. He also made the most of his free time by playing on the Art Institute’s piano when the music students had gone home. He was swiftly adopted by the musical community of the Malian capital, and set off on Africa-wide tours with Les Ambassadeurs. He set up shop in Abidjan before arriving in France in the mid-80s. Since then, he has multiplied collaborations with jazz artists (Randy Weston, Dee Dee Bridgewater, Ornette Coleman ...), African musicians (Manu Dibango, Salif Keita...) and even pop singers (Daman Albarn, Carlos Santana...) After the international success of Sarala, a record he arranged and co-directed with Hank Jones, Cheick released 5 albums under his own name which saved a lot of room for the science of electric keyboards, from the Hammond to the Moog. Kelena Fôly (‘expressing oneself only in music’ in Bamana) is his first solo record in a career spanning almost fifty years. There is no artifice here, just his deep voice and the Steinway grand piano of the Studio Pigalle. Cheick plays pieces anchored in the Mandinka tradition like Kana Kassi, which recounts an episode in the life of the founder of the Wassoulou empire, Samory Touré. He also takes us on American adventures with 56 Walker Street, a theme written at this Manhattan address, where, in the early 2000s, he held legendary jam-sessions with attendees such as Dr Lonnie Smith, Roy Hargrove and Vernon Reid. Kelena Fôly plays out around a poignant tribute to Aimé Césaire. On the track, Cheick Tidiane Seck narrates an extract from the poem Souffles, penned by another great proponent of négritude, Birago Diop. Here, he remembers an invitation from the Martiniquais poet to play in Fort de France, to celebrate the 120 th anniversary of the abolition of slavery. The only cover on the record is his version of Sometimes I feel Like a Motherless Child to which he has added a verse in bamana dedicated to his own mother. The album ends with a piece improvised in just one take. Corona contains a Message of Love for humanity by a musician who survived Covid 19. Hospitalised in Bamako in December 2020 and placed on a respirator, Cheick felt himself leave this world before coming gradually back to life. Today, back on track, this ‘warrior’ has embarked on new cross-continental musical endeavours with this record where he has summoned jazz, blues, Mandinka folk sounds and sources of African music to come together, unified by his exceptional playing style and a voice gorged on soul.

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Signe Emmeluth