Jazz | Fusion Vinyl 2738 Items

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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A Massy Record Store Day 2023 Clear Pink & White Vinyl Edition

Archie Shepp

2LP | 1976 | US | Reissue (Culture Factory)

41,99 €*

Antropofagia Red Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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1975 Iconic, Very Rare Live Recording from The Massy in France. Archie "Vernon" Shepp American is a tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement, known not only for his creative improvisation and colorful sound but also for his Afrocentric approach to music. The National Endowment for the Arts named Shepp a Jazz Master in 2016. This double LP set, has deluxe packaging that will include an OBI strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. 1st Opaque Pink & 2nd Opaque White Color Vinyl

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Patrizio Fariselli

LP | 1977 | EU | Reissue (Cramps)

20,99 €*

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Classical Music

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Amarena Red Vinyl Edition

Fabbri Lucio

LP | 1978 | EU | Reissue (Cramps)

20,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Akira Ishikawa Count Buffalo Jazz And Rock Band

Bakishinba: Memories Of Africa Black Vinyl Edition

LP | 1970 | EU | Reissue (Cinedelic)

LP | 1973 | UK | Reissue (Goodtime)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz AND Rock BAND’s album was advertised by the Japanese press in 1970. The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to Miles Davis and orchestras like Blood Sweat and Tears and Chicago. This movement resulted in the empowerment of jazz and in the birth of a new musical genre: a perfect mix of jazz, latin influences, and rock. Akira Ishikawa and Count Buffalo’s jazz-rock band remind of Santana in the way they embody these energies in their album “Bakimba.” Yet, at the same time, they give life to even more impressive musical compositions. This is also thanks to Hiromasa Suzuki’s innovative electric piano. Often defined as a jazz-rock band, Count Buffalo scales new heights in the context of jazz thanks to the strong rock influences that characterize this work.

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Leon Russell

Looking Back

29,99 €*

Live In Cleveland 1976 Clear Vinyl Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Looking Back is an instrumental album demonstrating Russell’s virtuosity on the harpsichord. Much of the material arose from recording sessions in the mid sixties. The album has remained a ‘must have’ component of every Russell fans’ record collection. By the time this album was released, he was considered to be the biggest concert draw of 1973 by Billboard magazine. Pressed on heavyweight purple vinyl in special edition orange sleeve.

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Gabor Szabo

LP | 1976 | EU | Reissue (Ebalunga!)

31,99 €*

At The Pershing Ballroom (Chicago 1950)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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“Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superbly captured for radio broadcast live in 1976 at the 600-seat Agora Ballroom in Cleveland, Ohio. It is a revelation. There is a sense here that concert patrons may have been hearing an altogether different Gabor Szabo than record buyers.

For one thing, Szabo is heard fronting what is likely his own group, rather than an army of studio musicians. In 1976, Szabo was leading a tremendous quartet with George Cables (or Joanne Grauer) on piano, Tony Dumas on bass and Sherman Ferguson on drums. Szabo had not had a band with this much jazz clout since his famed quartet with Jimmy Stewart in 1967-68 – and it is a union worth savoring: Szabo’s records during this period were light, at best, on jazz.

It’s unclear if any of these musicians are on the Agora date, but as Dumas’s “It Happens” opens the program, it’s a good bet, at least, that the bassist is on board here. But as Szabo’s ’76 quartet is not known to have recorded a studio record, Live in Cleveland is the closest thing to what a mid-seventies Szabo jazz album would sound like. Gone, are the strings, vocals, and concessions to commercial consideration so prevalent on so many of Szabo’s studio records at the time. What is present, though, is fine craftsmanship, tremendous interplay, and the exciting improvisation that good jazz always yields.

This particular concert was part of Sansui’s “New World of Jazz,” a series of 13-hour-long jazz concerts recorded at Cleveland’s iconic Agora Ballroom and broadcast over 40 FM radio stations. The series was sponsored by Sansui Electronics, a Japanese manufacturer of audio and video equipment, which previously sponsored a similar series of rock concerts recorded at the Agora as well. Sansui was promoting its matrix QS 4-channel sound system – offering, what was considered at the time, superior diagonal separation and stereo compatibility. The firm, partnering with Agora Ballroom and Agency Recording Studio owner Hank LoConti (1929-2014), was looking to take advantage of what they rightly felt was the then-current jazz renaissance. Each show’s 16-track master tape was mixed through the Sansui QS 4-channel encoder,” according to an August 1976 Billboard article detailing the arrangement, “for distribution to the 40 FM stations throughout the United States that bought the series” – allowing for three commercial spots for local dealers to advertise.”

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Charlie Parker

LP | 1976 | US | Original (Zim)

16,14 €* 16,99 € -5%

12" | 1978 | EU | Reissue (Disco Segreta)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Lele Patha

Stripiz

LP | 1976 | JP | Reissue (P-Vine)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Disco Segreta reissues another uber rare 70s Italian disco holy grail ! “Stripiz (Strapazzo)” - a made-up word meaning “Scramble” - was originally recorded in 1978 for the tiny Roman label SGR by Lele Pathà, moniker of musician Emanuele Degni, for what will be his only release, only issued on 45 in just a few hundred copies, specifically targeted to a clubbing environment. “Stripiz” is a truly unique record in the panorama of Italian 1970s disco during its climax years and is nothing short of pure madness: a fully instrumental track made out of synthesizers, moog lines, bells, drums topped by a male voice that goes “Striiiipiiiiiz”, a picture perfect portrait of the immensely free Italian creative outpour in disco music at the end of the 1970s, not to mention the wonderfully lisergic cover art! The first ever 12” reissue of “Stripiz” comes lovingly remastered, respectful of the actual tracks’ 70s vibe, and features the original 45 version plus a contemporary reintepretation by Italian mastermind Marcello Giordani DJ that turns “Stripiz” into a dark disco monster! Note this is a strictly limited edition and - as with all of our 2023 releases - will Never be reissued again.

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Phil Ranelin

Vibes From The Tribe

37,99 €*

Fred Frith & Totsuzen Danball

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The final release from Tribe! Released in 1976, shortly before Phil Ranelin’s departure to Los Angeles, Vibes from The Tribe is a spiritual jazz / rare groove classic!

By 1976, Tribe had grown to be something much different than what it had started out as. A popular magazine and releases from a cadre of the most promising musicians Detroit had to offer had allowed the collective the space and finances needed to develop, and by the time of their final release, they had changed both in shape and scope. Yet their philosophy of “getting out the message” remained the same.

Since the early days of the Tribe, the influence of funk and popular music had been more evident in Ranelin’s music than that of his partner, Wendell Harrison. Even on Message From The Tribe’s first edition, Ranelin’s love for funk was clear, with songs such as “What We Need” featuring a mellow groove and horn lines that would sound at home on any Motown record. Phil Ranelin’s second album as a leader, Vibes From The Tribe sees those funk influences on full display. Opening track “Vibes From The Tribe (Prelude)” has the kind of steady snare beat that hip-hop producers would later kill for, and a bassline so groovy that you won’t be able to stop yourself from nodding along.

For The Children is breezy bossa nova of the finest degree. Ranelin’s voice is subdued and relaxed, probably taking more notes from Joao Gilberto than any of the poetry readings on Message From The Tribe. But when he begins his trombone solo, the edges of his more avant-garde past start to peek through. Lines that would sound right at home on any post-bop album are a-plenty, and as a sunny riff closes out the album, it seems like the perfect soundtrack for a warm summer night.

But the heart of the album lies in the closing track “He The One We All Knew (Parts 1 & 2)”. Here, Ranelin’s smorgasbord of influences seem to come together, creating an 18 minute long track that combines elements of Indian classical music, free jazz, funk, and more. The track begins with the gentle psychedelic sitar playing of Daud Abdul Kahafiz, creating a drone over which layers of percussion, piano, bass, and horns combine. Frequent collaborator and Tribe co-founder Wendell Harrison’s solo comes first, with the sparse arrangement giving him space to stretch out beyond the limits of conventional harmony or rhythm. It’s clear that these musicians were improvising in the truest sense of the word, and as they go from playing over ambient sitar, to what can only be described as “swing”, they never lose count or break rank. You can practically picture each of the musicians in the studio, deeply concentrated but supremely in tune with one another, communicating with nods and eye movement. Vibes From The Tribe takes everything that made the Tribe great: free jazz, funk, pop influences, and a tight-knit community and preserves it as one of the greatest spiritual jazz albums of all time.

With modern remastering and an obi-strip, this album has never looked or sounded this good! Make sure to get your copy while stock lasts!

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LP | 1982 | JP | Reissue (P-Vine)

35,99 €*

An Evening With The Devil

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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The combined powers of Fred Firth (ex. Henry Cow) and Totsuzen Danball! Originally released on cassette in 1982, the collaborative album is getting its first release on vinyl!

The first album from Totsuzen Danball, Can I? (1981) made waves with its experimental new wave sound, and the band suddenly found themselves with more overseas fans than they knew what to do with. Chief among them was Fred Frith, guitarist and co-founder of British art-rock group Henry Cow, who played with Totsuzen Danball during what was no doubt a legendary live show at Shinjuku Loft on July 23rd 1981. The recording from that night, originally released on cassette from Totsuzen Danball’s own label Floor - is finally getting an analog release! Listen as the sounds, and occasional noises, of two guitars, a pump organ, and drums intermingle to create something that’s never been heard before or since!

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Wendell Harrison

LP | 1973 | JP | Reissue (P-Vine)

37,99 €*

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Tribe co-founder and saxophone legend Wendell Harrison’s 1973 leader debut!

Following the 1972 release of Message From The Tribe, the second release from vaunted spiritual jazz label Tribe, was co-founder Wendell Harrison’s solo debut, An Evening With The Devil. Originally included on the A-side of Message From The Tribe’s first version (the edition featuring a photo of a quay on the cover), the release of An Evening With The Devil in 1973 saw the suite fully realized, with two additional songs and studio knowhow making the album a true spiritual jazz masterpiece. Opener “Mary Had An Abortion” is part-spoken word poetry and part-free jazz freak out, but as Harrison’s gravelly baritone intermingles with atonal piano lines, it transcends the limitations of both. “Consciousness” is in a similar vein, with cymbal crashes and drum fills serving as a backdrop for a poem with references to police brutality and racism that seem as relevant now as they were 50 years ago.

“Angry Young Men”, originally recorded on Message From The Tribe, is now split into two parts and placed at the end of the A-side and opening of the B-side, physically and musically bridging the original suite with the new compositions. A horn line that could only be described as angry descends over an aggressive drum pattern, and as Tribe regulars Marcus Belgrave, Phil Ranelin, Charles Moore, and William Austin take turns soloing, the rhythm section seems to get more aggressive, undulating under these solos that take the song’s message and express it through simple notes. But it’s Harrison’s extended solo on the B-side that truly makes the song. He starts out almost subdued, playing fairly standard hard-bop lines over minimal accompaniment. But he quickly picks up, letting his horn honk and screech, with flurries of notes that almost sound like screams. The rhythm section matches him, building and building until Harrison plays the head once more - finally allowing the band to return to normalcy.

In comparison, album closer “Rebirth” is almost calm, with Marcus Belgrave playing a somber melody over a bed of rumbling percussion. It practically sounds like a requiem, until five major chords are struck by the band, ending the album on a literal joyous note. If Harrison hoped to express death and rebirth with this final song, the juxtaposition of the two completely disparate sections does a perfect job.

The hallmarks of a Tribe album are all over An Evening With The Devil. It’s spiritual and technical, and words simply don’t do it justice (despite my best attempts). Yet it also stands out among the Tribe releases by being one of the first. The DIY aesthetic and iconic design language are all there, but when presented with a sound that could only be described as raw, these early recording techniques are just right. The only way to truly experience the album is to put the needle to the groove, and let the music of Wendell Harrison wash over you. P-vine is proud to be reissuing Wendell Harrison’s An Evening With The Devil with modern remastering and an obi-strip on limited edition black vinyl.

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Siegfried Kessler

Solaire

25,99 €*

A Message From Mozambique

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Solaire, Siegfried Kessler, that is the least we can say! Aged 4: learns piano. Aged 6: his first concert. After this: studies classical music like everyone else... until the jazz of Jack Diéval and Stan Kenton turned everything upside down. So it was goodbye to Bach...

...And hello to Dexter Gordon, Joe Henderson, Ted Curson and Archie Shepp (who he would accompany over a long period). In 1969, with Yochk’o Seffer, Didier Levallet and Jean-My Truong, he formed a group which would mark history and create a sensation: Perception. If French free jazz exists, its thanks to Kessler (and company).

The following year, the pianist recorded his first album: Live at the Gill’s Club. On this one-night concert date can also be heard Barre Phillips and Steve McCall. But it was in 1971 that Kessler would record his greatest album; still in a trio setting, but this time with bassist Gus Nemeth and percussionist Stu Martin: Solaire. Five tracks of extraordinary music, moving back and forth between modal jazz and contemporary music.

Let’s begin at the end, with the title track Solaire, on which Kessler plays a melody on flute and piano which resists all onslaughts. It sends out powerful waves, Kessler’s jazz, bubbling like hot oil (Persécution, Drum), shaking modal jazz to its roots (De l’Orient à Orion) or upsetting the memory of a cantata (Bach Hcab). The piano is an instrument which can provide a tendency towards, demonstrative technique; with Kessler, it is something else: a joyful persecution!

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Juju

LP | 1973 | EU | Reissue (Strut)

Rise Of Atlantis Green Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Strut continue their in-depth work with Oneness Of Juju"s Plunky Branch with the first ever reissue of the powerful 1973 album for Strata-East, "A Message From Mozambique". The roots of JuJu started in San Francisco after Plunky had met his musical mentor, Zulu musician Ndikho Xaba, helping to form his band Ndikho and The Natives. Three members of The Natives (Plunky, bassist Ken Shabala and vibes / flute player Lon Moshe) then joined Marvin X"s theatrical production The Resurrection Of The Dead, joining local musicians Al-Hammel Rasul (keyboards), Babatunde Lea (percussion) and Jalango Ngoma (timbales).

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Carter Jefferson

LP | 1979 | EU | Reissue (Music On Vinyl)

32,99 €*

William Penn Jazz Ensemble

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Carter Jefferson was an American jazz tenor saxophonist who first made name for himself as member of Woody Shaw's first working quintet. As a sideman, Carter played amongst many jazz icons, including Art Blakey, Walter Davis, Jr. And Jack Walrath. In 1978, he released his first and only solo studio album, The Rise Of Atlantis, which was produced by Woody Shaw. For the recordings, Jefferson is backed by Terumasa Hino, Harry Whitaker, Clint Houston, Victor Lewis, Steve Thornton, Lani Groves, Shunzo Ono and John Hicks. The Rise Of Atlantis is available as a limited edition of 1000 individually numbered copies on translucent green colored vinyl and includes liner notes by Michael Cuscuna on the back sleeve.

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Carvings

LP | 1982 | EU | Reissue (Libreville)

Mystery Man Colored Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably, with Del Jones for the now cult album Positive Vibes. Carvings, recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and features clear influences of both jazz and classical music. The Ensemble's uncommon association of African American and white members at the time results in a unique fusion of cultural influences that is reflected in the music. The musical journey is both profound and spiritual, taking listeners on an experience that is both deep and meaningful.

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Leon Redbone

LP | 1982 | EU | Reissue (Reel)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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LP | 1979 | UK | Reissue (BBE)

Masao Nakajima Quartet

Kemo Sabe

40,99 €*

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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The long-awaited vinyl pressing is finally with us. BBE Music continues its highly acclaimed J Jazz Masterclass Series with Kemo Sabe, the debut album from pianist Masao Nakajima. Recorded in 1979 on Yupiteru Records, it’s an elusive beast in the field of J Jazz and balances delicate and refined playing with power and vigour.

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Etron Fou Leloublan

Les Poumons Gonflés

LP | 1982 | EU (Replica)

Frank Wright / Georges Arvanitas

Release: 1982 / EU

Genre: Organic Grooves, Rock & Indie

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With Les Poumons gonflés, the group led by Ferdinand Richard and Guigou Chenevier entered the 80. A unique sound with influences coming to shake up the usual recipe of the trio (addition of Jo Thirion on keyboards) for a result both innovative and fun. The third album of the French rock sounds totally free and original, produced by the legendary guitarist Fred Frith (Art Bears, Henry Cow, Naked City). An important album and often overshadowed in favor of its two predecessors. It is therefore high time to repair this absurd injustice!

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Shouting The Blues

LP | 1977 | FR | Original (Sun)

44,99 €*

Release: 1977 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Siegried Kessler / Gus Nemeth / Stu Martin

Solaire

LP | 1971 | EU | Reissue (Souffle Continu)

Une Bien Curieuse Planète

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.

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François Jeanneau

LP | 1975 | EU | Reissue (Souffle Continu)

Gula Matari Deluxe Gatefold Sleeve Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Quincy Jones

LP | 1970 | EU | Reissue (Elemental Music)

32,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | JP | Reissue (P-Vine)

Karin Krog

We Could Be Flying

34,19 €* 35,99 € -5%

LP | 1974 | EU | Reissue (Impulse)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Originally released in 1975, Norwegian jazz singer Karin Krog’s We Could Be Flying has long been called an underrated masterpiece. Although Krog is listed as the sole leader on the album, pianist Steve Kuhn’s presence is felt throughout. Composing four out of nine tunes and playing on all nine, the New York pianist’s brand of mellow jazz is on full display from beginning to end. Album opener and title track “We Could Be Love” sets the tone for the record, as spiritual chimes and rolling piano arpeggios make way for a gentle groove, over which Krog’s vocals soar. “The Meaning of Love” is a Kuhn composition, and sees the pianist take an understated, yet fantastic solo. However, the true highlights are the bass playing from Steve Swallow and drumming from John Christensen. The two are perfectly locked in, and you can practically imagine the two of them locking eyes as they create a rhythmic bedrock. The cover of Joni Mitchell’s “All I Want”, is another highlight of the record, with 70’s sensibilities oozing from practically every aspect of the performance. Despite that, the track has aged well, and perfectly shows the interplay between Krog and the immensely talented rhythm section. That’s not to say that the rest of the record is lacking in any way. From the loungey interpretation of Carla Bley’s “Sing Me Softly Of The Blues”, to the danceable samba-inspired “Raindrops, Raindrops” and “Hold Out Your Hand”, fans of all kinds of jazz are sure to be delighted from beginning to end. Reissued on vinyl with an obi-strip for the first time ever, this record is a must-have for any jazz fan!

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Keith Jarrett

Treasure Island

22,79 €* 23,99 € -5%

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | EU | Reissue (Acid Jazz)

Ogassa

Ogassa Original Vol. 1

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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The Advanced Cookbook Of Mr Selig And Kanzler Z

Niemand Tanzt

12" | 1989 | EU | Reissue (Thank You)

Chet Baker With Bobby Jaspar

Release: 1989 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Andreas Koeper is a German contemporary/experimental composer and drummer with a background in Philosophy and Art history. “Niemand Tanzt” was originally released in 1989 and in the past years it has become a sought after obscurity amongst diggers ever since Chee Shimizu put it on the radar after unearthing it throughout inspection rounds in Berlin record stores. Although the A-side might have been the essence of the single at the time, it's the B-side's “Pink Rhythm” that puts this release on the map for DJs, the track's gradient from an empty half tempo to rich 4 on the floor patterns serves any well versed DJ as an on-ramp for new gears to be put into place as the track grows into various ramifications of Andreas' studio production techniques: playful percussive elements, provocative guitar riffs over a solid rhythm section. Freshly remastered by manmade in Berlin.

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Chet Baker In Paris/Vol 3/Barclay/1956

LP | 1986 | EU | Reissue (Sam)

31,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1986 | CH | Original (Storyville)

Ralph Sutton

Ralph Sutton Quartet

5,49 €* 9,99 € -45%

Vivre La Mort Du Vieux Monde

Release: 1986 / CH – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Maajun

LP | 1971 | EU | Reissue (Souffle Continu)

25,99 €*

LP | 1985 | UK | Reissue (Theresa / Pure Pleasure)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Before Mahjun (of which Souffle Continu reissued, in 2016, the two albums released on Saravah), there was... Maajun. Five musicians (Jean-Pierre Arnoux, Cyril and Jean-Louis Lefebvre, Alain Roux and Roger Scaglia) and three times as many instruments at the service of an electric-poetic guerrilla group moulded from folk and blues. The group’s unique album, “Vivre la Mort du Vieux Monde” evokes an (imaginary) association of Frank Zappa and Jacques Higelin, of Sonny Sharrock and the Art Ensemble Of Chicago. Under these conditions, Long Live Death!

“The most French of all the French groups, determined to take Maurice Chevalier’s place in American hearts.” This was how Rock&Folk presented Mahjun in 1977. So be it. But when “Vivre la Mort du Vieux Monde”, was issued, it was 1971, and the name, though the same group, was still spelled Maajun. So, let’s look back at the story.

At the end of the sixties, five blues fans decided to form a French group ready to break down the barriers: Jean-Pierre Arnoux (drums, vibraphone, saxophone), Cyril Lefebvre (guitar, organ), Jean-Louis Lefebvre (bass, violin, guitar, vocals), Alain Roux (saxophone, flute, harmonica, vocals) and Roger Scaglia (guitar, vocals). This was Maajun, and Vivre la mort du vieux monde would be their only album, but which would (nevertheless) be followed by those of Mahjun created later by Lefebvre (Jean-Louis) and Arnoux.

Recorded for the Vogue label, “Vivre la Mort du Vieux Monde” would disturb a number of people. This is mostly due to the lyrics, many of which were written by Gérald Escot-Bocanegra, who, while summoning the spirit of Lautréamont and Rimbaud, turned the Maajun musicians on to rock and free jazz. Add a bit of politics into the mix, and the release of the album was delayed for several months. But then, wasn’t it worth waiting for?

Because “Vivre la Mort du Vieux Monde”, a real concept-album, is an important and iconoclastic statement made directly in the face of (francophone) dreamers of all countries. Over heavy guitar riffs, psychedelic interludes or fantasy-fuelled digressions, Maajun built mazes on the advice of alchemists known only to themselves before heading off on a long march on the “cracking walls”. It was an ambitious project, but Maajun could handle it, going so far as to proclaim: “Tomorrow will be a huge party!” But as we can see “tomorrow”, is now!

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Pharaoh Sanders

Shukuru

36,99 €*

Spectrum Crystal Clear Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Organic Grooves

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180g, standard sleeve, re-mastering by: Cicely Baston at Air Mastering, London

Pharoah Sanders' "Shukuru" is noteworthy as being the album that reunited Sanders with vocalist Leon Thomas, who sang on some of Sanders' most endearing and powerful compositions-- among them the legendary "The Creator Has a Masterplan".

Thomas only joins the band on two tracks-- "Mas in Brooklyn (Highlife)" and "Sun Song". The former gets a full calypso reading complete with steel drum sounds and chanted vocals traded between Sanders and Thomas. It's a lot of fun, but by and large, throwaway. The latter is one of the true gems on the album-- a pretty ballad that serves as both a launching point for Sanders' best balladry and Thomas' vocal, with the latter soaring in his upper register wordlessly between verses intoned in his trademark baritone. It's by and large simply stunning.

The rest of the record has got its issues however, and by and large this comes in the part of Henderson's synthesizer-- while his piano tone is virtually indistinguishable from an acoustic piano, several tracks receive irritating synth vocals or strings (it's really hard to tell which, it's fairly indistinct and obnoxious), mangling otherwise fine performances of traditional tenor feature "Body and Soul", Sanders-penned "Jitu" (although admittedly the leader manages such a powerful solo it gets past it) and an absolutely breathtaking reading of "Too Young to Go Steady". At least opener "Shukuru" and closing funereal piece "For Big George" are spared this as the use of synths of them are far more tasteful (although one questions Sanders' choice to intone his wife's name over the former's smokey lines, but that's another story). by Vine Voice

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Billy Cobham

LP | 1973 | EU | Reissue (Warner)

34,99 €*

LP | 1976 | US | Original (Marlin)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. Gepresst auf 140g Crystal Clear Vinyl, mit direct to board gatefold jacket / black poly-lined sleeve / Syeor sticker. Cobham's debut record after making a name for himself collaborating with Miles Davis and the Mahavishnu Orchestra remains a remarkable moment in progressive jazz. "Stratus" would later be sampled on Massive Attack's "Safe From Harm" and featured in Grand Theft Auto IV radio. (Original RD: October 1973)

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Ralph MacDonald

Sound Of A Drum

4,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Frankie Baum / Michael Goltz

Rhythm & Steel Guitars / Rhythm & Soft Guitars

LP | 1977 | IT | Original (Devega Records)

10,44 €* 18,99 € -45%

Release: 1977 / IT – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | EU | Reissue (Black Saint/Eargong)

Joseph Jarman / Don Moye

Earth Passage - Density

24,99 €*

Un Drame Musical Instantane

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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An outstanding yet obscure 1981 release by two Art Ensemble of Chicago members, multi reeds player Joseph Jarman and drummer Don Moye along with legendary bassist Rafael Garret (mostly remembered for his presence on Coltrane's masterpiece "Kulu se Mama") and young lion Craig Harris on trombone. Four great individuals digging deep between ancient African rituals and modern urban multidimensional grooves. A tribal ecstatic sound based on a multitude of instruments: reeds, bamboo flutes, didgeridoo, trombone, conch shell, panpipes and a sea of percussion. A beautiful example of Aacm "Ancient to the Future" aesthetic. A magic mixture of elements from the African American music continuum.

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À Travail Égal Salaire Égal

LP | 1982 | EU | Original (Grrr)

19,99 €*

Un Drame Musical Instantane

Release: 1982 / EU – Original

Genre: Organic Grooves

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Deadstock copy in Mint or NM condition

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Rideau!

LP | 1980 | EU | Original (Grrr)

19,99 €*

LP | 1978 | EU | Reissue (La Matta)

Release: 1980 / EU – Original

Genre: Organic Grooves

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Deadstock copy in Mint or NM condition

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Stani Labonia

Amarsi

Green Is Beautiful Blue Note Classic Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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La Matta Records proudly presents the First Official Reissue of the unique LP made by Stani Labonia, an Italian Soul-Funk masterpiece originally released in 1978 on Vincenzo Micocci's It/RCA label. This rare album recorded in Naples, finally comes out after more than 40 years, carefully restored from the original tape. Among the talented musicians who worked in the recording of this album we can find names as Jenny Sorrenti of “Saint Just”, Gaio Chiocchio founding member of “Pierrot Lunaire”, Enzo Avitabile and Gianni Guarracino, former “Città Frontale” but most importantly this LP boasts the courtesy arrangement of Pino Daniele in: La Prossima Donna. Labonia, whose real name is Stanislao Smiraglia, is from Bolzano but lived most of his life in Naples, collaborating with the main musicians of that city. He cou ld be compared with the best of the Italian scene, with strong funk and Latin influences. So this is a rare italian gem to anyone interested in Latin Jazz-Funk & Soul. Fully remastered and available as LP and in all digital stores.

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Grant Green

LP | 1970 | EU | Reissue (Blue Note)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1979 | UK (Outernational Sounds)

Betty Lou Landreth

Betty Lou

25,99 €*

LP | 1980 | DE | Original (CMP)

Release: 1979 / UK

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear. 2021 reissue.

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Charlie Mariano

Crystal Bells

6,99 €*

Release: 1980 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

LP | 1975 | US | Original (Springboard)

Brian Auger

17,99 €*

Artistry White Vinyl Edition

Release: 1975 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on cover.

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Sirone

LP | 1979 | UK | Reissue (Moved By Sound)

38,99 €*

Artistry Black Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know.

Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with many of the best musicians of the 20th century - from Pharoah Sanders, Albert Ayler, John Coltrane, Gato Barbieri, Noah Howard, William Parker, Cecil Taylor, Sun Ra, Sonny Sharrock,Marion Brown ... and the list goes on.

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Sirone

LP | 1979 | UK | Reissue (Moved By Sound)

32,99 €*

LP | 1978 | EU | Reissue (Mab About)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Joyce Hurley

Joyce

27,54 €* 28,99 € -5%

LP | 1987 | JP | Reissue (Lawson)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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The first album was recorded in Sydney in 1978 by Joyce Hurley, who learned piano basics in the United States and is currently a European singer, pianist, and composer. Although it has been featured in many record guides and reviews as one of the coveted DJs for a long time, it was, for a long time, a rare LP much sought after by collectors. In addition to the standard number, it is composed of instrumental songs by David Martin Group, who serves as a backing, and Afro-Cuban numbers such as "Sambole'" and "Here and now” are the highlights and killer version of Herbie Hancock's “Maiden Voyage. Joyce Hurley's first full-length release. Joyce was a Detroit-born singer who came to Sydney to study at the NSW Conservatorium and recorded this album with the David Martin Group while she was here. The album was recorded at Earth Media Studios in late 1977 and 1978.

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Marica

Jellyfish Jelly Fish

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Dialogo)

Enrico Rava

Pupa O Crisalide

30,99 €*

LP | 1981 | US | Original (Warner Bros.)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Enrico Rava was the first Italian jazz artist to represent the country internationally, born in Trieste in 1939. A border city with a long history as part of Austria, an important port on the Adriatic see, a places influenced by different cultures. Rava's music at its best is a product of this city - a mix of Central European and Italian culture. 'Pupa o Crisalide' is one of the most interesting works in Enrico's discography. It is a good summary of the first phase of his solo career, and contains tracks recorded with three different line-ups: an all-Italian line-up for the opener "Pupa O Crisalide" and the closer "Giromondo", recorded in Rome with Giovanni Tommaso, Bruno Biriaco, Franco D'Andrea, Michele Ascolese, Mandrake and Tommaso Vittorini - an Argentinian octet for the B-side of the LP, recorded in Buenos Aires, and finally an impressive American septet with Jack DeJohnette and John Abercrombie, to name a few for the A-side, recorded in New York. The musical style clearly reflects the composite nature of the album. The first half is funkier, edgier and more fiery, evidently influenced by the jazz-rock/fusion tendencies that were spreading at the time. The second is more placid, elegantly incorporating some Latin/samba elements into the alchemy. The two halves are held together by the similarity in timbre of the line-ups (which feature almost the same elements), and Enrico Rava's renowned trumpet style. Often compared to Miles Davis and Kenny Wheeler, his technique involves rarefied notes, full of atmosphere, and erratic melodic lines that surprisingly do not undermine the 'presence' of his trumpet sound. On the contrary, the charisma of Rava's trumpet seems to emerge precisely from this surprising balance of detachment and red blood.

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David Sanborn

Voyeur

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Masahiko Togashi / Don Cherry / Charlie Haden

Song Of Soil

LP | 1979 | EU | Reissue (Wewantsounds)

35,99 €*

The Manhattan Transfer = The Manhattan Transfer

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce a special edition of the legendary 1979 Masahiko Togashi album "Song of Soil," recorded in Paris with Don Cherry and Charlie Haden and released on Japanese label Paddle Wheel. Supervised by Parisian producer Martin Meissonnier - then Don Cherry"s right hand man - "Song of Soil" reaches heights of spirituality mixing Eastern influences with jazz and deep ambient soundscapes. The album is reissued here with its original artwork and remastered by King Records in Japan. It includes the original Japanese 2-p insert plus a deluxe 8-page booklet featuring new notes (Eng/Fr) by Martin Meissonnier in conversation with Jacques Denis and also an Togashi Biography by Paul Bowler and never-seen photos by cult French photographer philippe gras who witnessed this unique session.

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The Best Of The Manhattan Transfer = ベスト・オブマンハッタン・トランスファー

LP | 1981 | JP | Original (Atlantic)

4,99 €*

Philippe Maté / Jef Gilson

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Cover closer to VG+

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Workshop

LP | 1973 | EU | Reissue (Souffle Continu)

LP | 1978 | JP | Reissue (Royal Roost)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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In October 1974, the first number of “L'Indépendant du Jazz”, a small self-produced magazine DIY -before punk supposedly invented the concept- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiau and a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté : “The ‘Workshop’ is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely ‘the’ most inventive French saxophonist since Michel Portal burst onto the jazz scene (who has also worked with Jef Gilson on both “Enfin” and “Gaveau”).” Even though the author of the article is a mysterious I.H. Dubiniou, and it is difficult to know if it is a real person or a pseudonym used by one of the merry bunch, it is also tempting to hear it as what Jef Gilson really thought about his new discovery. Even more so as the two men would work together over a long period, as Maté became one of the key figures of Gilson’s Europamerica orchestra up until the 1980s. Philippe Maté had started to make a name for himself with the Acting Trio when they released an album on the BYG label in 1969, and he was also one of the regular sidemen for the Saravah studios (he can notably be heard on albums by Higelin, Fontaine or his cult duo album with Daniel Vallancien). The album was recorded on 4 February 1972, at the Foyer de Montorgueuil, where Gilson had set up his studio, with more or less the same team found on “La Marche Dans Le Désert” by Sahib Shihab + Gilson Unit (recorded ten days later). This was drummer Jean-Claude Pourtier and pianist Pierre Moret (regular Gilson accomplices since “Le Massacre Du Printemps”), alongside Maurice Bouhana and Bruno Di Gioa on various percussions and/or wind instruments. On bass is Didier Levallet, of the now mythical Perception, (Jean-François Catoire would replace him with Shihab) and Philippe Maté who took top billing, rather than the American saxophonist afterwards. The two albums are however quite different. This “Workshop” is more abrasive, more free. Made up of two long improvisations each of over 22mn, “L'Œil” on side A and “Vision” on side B (Gilson specialists would recognise the nod to one of his albums from the 60s), the album plunges you into the depths, attempting to drown you in electronic waves, dragging you back to the surface by the collar, giving you a good shakedown, before showing you the light, leaving you breathless on the shore after 46mn of the most intense music French has to offer. “An undeniable success”, they said.

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The Bud Powell Trio

17,99 €*

The Complete Roost Session Vol. 2

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

OBI is missing. vinyl is Close to VG+.

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Stan Getz

LP | 1981 | JP | Original (Royal Roost)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1976 | JP | Reissue (CBS/Sony)

Billie Holiday

Lady Day

16,99 €*

Hardy's Jet Band / Orchestra Klaus Wuesthoff / Jan Troysen Band / Orchestra Gary Pacific

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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Blue Butterfly

LP | 1971 | EU | Reissue (Be With)

Coast To Coast (Live In USA)

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Behold! Yes, Blue Butterfly, one of the absolute stunners on the revered Selected Sound, is finally available for all the beat-heads. Heavyweight library funk with a psychedelic touch, the super in-demand Blue Butterfly from *deep breath* Hardy's Jet Band, Orchestra Klaus Wuesthoff, Jan Troysen Band and Orchestra Gary Pacific - was originally released in 1971. Incredibly ahead of its time, it's been rare and sought-after for decades.

For many aficionados, this is the best Selected Sound release. Loaded with fuzzy wah-wah guitar, deep flute-lines atop soulful psych-rock breakbeats and huge organ action, its uncompromising funk will blow you away. Sampled for many hip hop beats and dropped by well known rare groove DJs around the world, one jewel in particular from this glorious German vault needs little introduction. The intro to Orchestra Gary Pacific's mesmeric "Soft Wind" rides the illest, crispest drum break you've perhaps never heard - like, the drum break to end them all - alongside a smooth, deep bass line from the heavens. It featured notoriously on the beloved Dusty Fingers comps of the 90s and was brilliantly sampled by Pacewon for his eternal "Sunroof Top". Just listen and be dazzled.

Beyond this mini-masterpiece, the other killer tracks offer brilliance in abundance. Hardy's Jet Band take control of the full A side, and it's full of dynamic psych-funk bombs. Hard, "big city" industrial groovers. In particular, the initial one-two of "Sorry, Doc!" and "Wind It Up" provide thrilling funky-blues rock instrumentals showcasing relentless guitars, flutes, sax and organ, the latter containing gorgeous, hypnotic breakdowns; these tracks just slay. The title track, "Blue Butterfly" is a real deep strut of a track with fantastic soloing from guitar and flute over crisp drums whilst the highway banger "What You Call To Be Free" certainly sounds a lot like unbridled, rhythmical liberty.

On the flip, the ghost-riding "Lady In Space" is a string-drenched acid-western foxtrot. Yep. “Pop Happening” by Jan Troysen Band is a heavy, druggy psych-fuzz organ groover whilst their slow beat-organ-flute gem "A Blue Message" is a gorgeous psych floater conjuring deeply strange frontier lands. Preceding their monster "Soft Wind", the soulful, uptempo groover “Ghetto Gap” by Orchestra Gary Pacific contains solo piano and flute whilst closing out the set is the free-and-easy samba beat of "So Far".

Founded in the late 60s by German composer and musician Klaus Netzle (who recorded under the alias Claude Larson for Sonoton) Selected Sound began as a production music company specialising in jazz, orchestral and electronic recordings. You can’t miss those early LPs in their iconic glossy metallic copper sleeves with minimal German typography. Serious, classy stuff.

The audio for Blue Butterfly has been remastered for vinyl by Be With regular Simon Francis whilst Richard Robinson has handled reproducing the glossy metallic (iconic) original Selected Sound sleeve. Essential.

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Native Son

2LP | 1980 | JP | Original (JVC)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1979 | JP | Original (Muse)

Richie Cole

Keeper Of The Flame

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1975 | JP | Reissue (Musik Produktion Schwarzwald)

Oscar Peterson

Travelin' On

15,99 €*

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

In Person, Saturday Nights At The Blackhawk, San Francisco, Volume II

Miles Davis

LP | 1979 | JP | Reissue (CBS/Sony)

Gary Burton / Chick Corea

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Crystal Silence

LP | 1980 | JP | Reissue (ECM)

21,99 €*

LP | 1974 | JP | Original (FM)

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert (with big stains). Vinyl close to NM and cover to VG+

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Chris Connor

At The Village Gate

13,99 €*

LP | 1986 | JP | Reissue (Signature)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With OBI

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Ray Bryant

Ray Bryant Plays

38,99 €*

LP | 1977 | JP | Original (CBS/Sony)

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI and insert.

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Bud Powell

A Portrait Of Thelonious

LP | 1973 | JP | Original (CBS/Sony)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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The Dave Brubeck Quartet

Brubeck Time

16,99 €*

Art Pepper Meets The Rhythm Section

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. OBI is missing. With insert.

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Art Pepper

LP | 1974 | JP | Reissue (Contemporary)

34,99 €*

LP | 1973 | EU | Reissue (Strut)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert.. Copy close to NM.

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The Pyramids

Lalibela

LP | 1974 | EU | Reissue (Strut)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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The debut album by the Pyramids was inspired by the group"s visit to the Lalibela monastery in Egypt, and was recorded in Yellow Springs Ohio in early 1973. Drawing on the teachings of Cecil Taylor and the influence of John Coltrane, combined with a barrage of intense percussion, the album evolves over several long-form pieces. Initially only 500 copies were pressed and sold to friends and followers in the local area.

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The Pyramids

King Of Kings

LP | 1976 | EU | Reissue (Strut)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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King Of Kings was recorded in 1974 and features a wider array of instruments including Ugandan Harp and Balafon. Perhaps best known for the expansive "Nsorama (The Stars)" a seminal work of Spiritual Jazz.

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The Pyramids

Birth / Speed / Merging

Dieter Bihlmaier Selection

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Birth / Speed / Merging was recorded in 1976 after the band"s move to San Francisco. The album closes the Pyramids" 70s trilogy and makes more use of studio technology: adding overdubs and other effects, a marked departure from the previous two releases, though at no cost to the urgent message and energy of their earlier works.

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Maskerade

LP | 1974 | EU | Reissue (Sonorama)

24,99 €*

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1980 | JP | Reissue (EM)

Roland P. Young

Isophonic Boogie Woogie

Soul On Top Verve By Request Edition

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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2022 repress. Reissue of the legendary 5-track first LP from horn wizard & original underground FM radio DJ Young, featuring soprano sax, clarinet, and electronically-processed bass clarinet. An enjoyable outing from a neglected musician. Cosmic afro mimimal electronic winds recorded in late 1970s San Francisco.

Thankfully, Isophonic Boogie Woogie is as weird and as wacked as all the above business would lead you to believe. Originally released in 1980, Isophonic Boogie Woogie was the first realization of Young's unique version of free jazz music, which he referred to as "Afro spiritual minimal electronic space music" which on closer listening is WAY more spot on... Some of the coolest, weird-est, most far out free jazz we've heard for sure (Aquarius Records)

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James Brown

LP | 1970 | EU | Reissue (Verve)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP+7" | 1980 | JP | Reissue (P-Vine)

Wendell Harrison

Dreams Of A Love Supreme

44,09 €* 48,99 € -10%

LP | 1985 | JP | Reissue (P-Vine)

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Wenha’s inaugural release! From Wenha and Tribe co-founder Wendell Harrison comes Dreams Of A Love Supreme with the never before-reissued 7” single “No Turnin’ Back / Rocket Love” for the first time ever!

Following the untimely collapse of Tribe Records, Tribe co-founder Wendell Harrison established the Wenha record label in 1980, followed that same year by its inaugural release : Dreams Of A Love Supreme. Spirituality and themes of Black Consciousness are apparent throughout, yet compared to the fiery hymnals of its namesake, or even the funky avant-garde jazz of The Tribe, Dreams Of A Love Supreme is mellow - a reflection of the changing landscape of Detroit’s jazz scene. Electric guitars and pianos twinkle behind Harrison’s always impressive playing, with soft tones tempering the fiery spirituality of his solos. Featuring many of Detroit’s greatest musicians, including Tribe co-founder Phil Ranelin (Tb.), Harold McKinney (pf.), and Roy Brooks (perc.), Dreams Of A Love Supreme is filled to the brim with spiritual jazz royalty! Reissued for the first time ever alongside a never before reissued 7” single “No Turnin’ Back / Rocket Love”, as well as one of our iconic obi-strips, everything about this screams deluxe! Don’t miss Dreams Of A Love Supreme (Deluxe Edition) available only from P-vine Records!

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Wendell Harrison

Reawakening

37,99 €*

The Eddie Davis-Johnny Griffin Quintet

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Established in 1985 by Tribe co-founder Wendell Harrison, Rebirth Records would become something of a rebirth for Harrison. The label’s inaugural release, ‘Reawakening’ saw him expressing a renewed interest in jazz, beginning with album opener ‘Winter’. Tribe and Wenha contemporary Harold McKinney’s magnificent piano playing, forms the basis of the rhythm section, over which Harrison plays fiery clarinet lines previously unheard of outside of New Orleans. In sharp contrast to the energizing spiritualism of ‘Winter’, ‘Love Dream’ is a laid-back bossa. The brawny baritone of Leon Thomas, Harrison’s sunny flute, and backing vocals from a who’s who of Detroit’s Jazz scene all combine to make the ultimate Bossa tune. Throughout the album, Wendell Harrison leads a rotating cast of musicians, including Tribe co-founder Phil Ranelin, Harold MicKinney, and Pamela Wise (Harrison’s second wife and the , bringing together their immense talents to create a spiritual jazz album quite unlike anything else. Remastered with contemporary technology and techniques, and reissued with an Obi-strip ‘Reawakening’ is a record you absolutely must not miss!

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Tough Tenors Again 'N' Again

LP | 1980 | US | Reissue (Pausa)

11,99 €*

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Lucky Thompson With Emmett Berry, Martial Solal, The Henri Renaud Trio, Gérard Pochonet, Guy Lafitte

Paris 1956 Volume 1

LP | 1985 | US | Original (Disques Swing)

8,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1978 | US | Reissue (Verve)

V.A.

Jam Session #4

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | US | Original (Columbia)

Patrick Williams

An American Concerto

LP | 1974 | HK | Reissue (Evosounds)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM.
Includes original inner sleeve.

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Bob James

One

54,99 €*

Release: 1974 / HK – Reissue

Genre: Organic Grooves

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LP | 1987 | JP | Reissue (Eastworld)

Maki Asakawa

Spilling Golden Sand

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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LP | 1978 | JP | Reissue (Victor)

Masako Miyazaki

Get My Wave

41,99 €*

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Sunset Hills Hotel Reservation Calendar

Shigeru Suzuki

LP | 1987 | JP | Reissue (PCM Digital)

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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LP | 1982 | JP | Reissue (Invitation)

Kei Ishiguro

Yokohama Ragtime

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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LP | 1977 | JP | Reissue (Showboat)

Tadashi Kosaka

Morning

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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LP | 1982 | US | Reissue (Xanadu)

Georgie Auld

Homage

6,99 €*

Stan Kenton Presents Gabe Baltazar

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with faint ring wear.

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Gabe Baltazar

LP | 1979 | US | Original (Creative World)

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1979 | US | Original (ABC)

Joe Sample

Carmel

6,99 €*

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | US | Original (Columbia)

Al Di Meola

Elegant Gypsy

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | JP | Original (Arista)

Hiroshima

16,99 €*

Scott Hamilton Is A Good Wind Who Is Blowing Us No Ill

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Scott Hamilton

LP | 1978 | JP | Reissue (Concord Jazz)

24,99 €*

LP | 1979 | JP | Original (JVC)

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1978 reissue.

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Native Son

LP | 1978 | JP | Reissue (CTI)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Hubert Laws

The Rite Of Spring

17,99 €*

2LP | 1981 | JP | Original (Legends Of Music)

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Lionel Hampton

Standard Best

11,99 €*

LP | 1979 | JP | Original (CBS/Sony)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.

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Tom Scott

Street Beat

19,99 €*

LP | 1982 | JP | Original (Polydor)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI! Cover has small writing on the back.

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Shakatak

The Best Of Shakatak

LP | 1982 | JP | Original (Polydor)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi and insert.

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Shakatak

Invitations

5,99 €*

LP | 1973 | UK | Reissue (Mr Bongo)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Daniel Salinas

Atlantis

22,99 €*