Jazz | Fusion Vinyl 2791 Items

Bud Shank And The Rhythm Section Of Ron Carter, Kenny Barron, Al Foster

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition.
OBI not included.
Includes original insert.
Record is close to VG+.

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This Bud's For You...

LP | 1985 | US | Original (Muse)

LP | 1980 | JP | Original (Concord Concerto)

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy with white labels. Cover with cut corner

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Bud Shank - Bill Mays

Explorations: 1980

5,99 €*

LP | 1987 | US | Original (Contemporary)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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Bud Shank - Bill Perkins

Serious Swingers

Bud Shank Quartet Featuring Claude Williamson

Release: 1987 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with punch hole

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Bud Shank

LP | 1973 | JP | Reissue (Liberty)

19,99 €*

LP | 1986 | US | Original (Contemporary)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Front cover shows some foxing.
Record is close to VG+.
Includes original insert.

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Bud Shank Quartet

That Old Feeling

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | JP | Original (MGM)

Buddy DeFranco

18,99 €*

LP | 1985 | JP | Reissue (Verve)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM. With OBI. Vinyl seems unplayed. Original Japanese pressing.

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Buddy DeFranco Quartet

Mr. Clarinet

24,99 €*

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1976 | JP | Reissue (Verve)

Buddy DeFranco Quintet

Sweet And Lovely

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | JP | Original (Philips)

Buddy Rich

Buddy's Bounce

LP | 1983 | JP | Original (Baybridge)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Buddy Rich & His Buddies

Playtime

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Bunk Johnson And His New Orleans Band

Bunk Johnson 1944 Vol. 3

LP | 1978 | JP | Original (DAN)

Bunk Johnson And His New Orleans Band

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Bunk Johnson 1944 Vol. 3

LP | 1973 | JP | Original (DAN)

4,99 €*

Bunk Johnson And His New Orleans Band

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

Strong yellowing and seam split!

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Bunk Johnson 1944 Vol. 3

LP | 1973 | JP | Original (DAN)

LP | 1973 | JP | Original (DAN)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Strong yellowing inside the gatefold sleeve!

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Bunk Johnson

Bunk Johnson 1944 vol.4

Bunk Johnson, Ollie "Dink" Johnson

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

Cover with strong yellowing and seam split!

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American Music By

LP | 1974 | JP | Original (DAN)

LP | 1970 | JP | Original (A&M)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Promo copy. OBI is missing.

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Burt Bacharach

Golden Prize

LP | 1970 | JP | Original (A&M)

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Without OBI. Few paper scuffs. Cover is close to NM.

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Burt Bacharach

Golden Prize

LP | 1971 | JP | Original (A&M)

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. close to NM

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Burt Bacharach

The Best Burt Bacharach

2LP | 1970 | JP | Original (Capitol)

Release: 1971 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Vinyl closer to VG+

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Cannonball Adderley

Capon - Maté - Morris - Rahoerson

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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LP | 1977 | EU | Reissue (Souffle Continu)

25,99 €*

Captain Matchbox Whoopee Band

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In November 1976, Jef Gilson’s phone rang. What a surprise! It was Serge Rahoerson, one of the musicians he had met in Madagascar at the end of the 60s and who had played on his first album “Malagasy”. Rahoerson announced that he was in Paris for a few days.

Immediately, Jef wanted to organise a recording session, starting the next day. He thought of a trio including Serge, Eddy Louiss on organ and cellist Jean-Charles Capon, who had also been on one of the trips to Tananarive and so had also known Rahoerson there. Unfortunately, Eddy Louiss –who had already played with Gilson and Capon on the album “Bill Coleman Sings And Plays 12 Negro Spirituals” in 1968- had to drop out at the last minute: he was delayed by a session with Claude Nougaro. Jean-Charles Capon had also become a sought-after studio musician since his trip to Madagascar in 1969. He appeared on several key albums on the Saravah label including the now famous “Comme À La Radio” by Brigitte Fontaine, “Un Beau Matin” by Areski and “Chorus” by Michel Roques, without mentioning the album by his own Baroque Jazz Trio. He was also to be found with Jef Gilson for his album on Vogue with the ex-drummer from Miles Davis’ first great quintet, Philly Joe Jones, or also in the orchestra led by Jean-Claude Vannier for the album “Nino Ferrer & Leggs”. He also played regularly on albums by Georges Moustaki.

Jean-Charles Capon and Serge Rahoerson found themselves thus in the studio, with Jef at the controls. He had decided to record the rhythmic structure right away. He would find the soloists later, that didn’t worry him. Serge Rahoerson was on drums. Though a saxophonist by training, Jef remembered that Serge was also capable of great things behind a drum kit: he was the improvised drummer on their cover of “The Creator Has A Master Plan” on the album “Malagasy”... The great memories came flooding back (the nod on the title “Orly - Ivato”), and the old magic worked again.

Brought in momentarily from Europamerica, Gilson’s new big band, in which JC Capon also played, the saxophonists Philippe Maté, from France (another Saravah stablemate) and the American Butch Morris (soon to be a key member of David Murray’s band) were invited to record their parts later and Gilson mixed it all as if it had been one single session (as he had already done on other albums, with the tracks by Christian Vander recorded before the creation and success of Magma).

The album would not appear until 1977, on Palm, Jef’s own label, and was dedicated to the memory of Georges Rahoerson, Serge’s father, who had also played on the album “Malagasy” and who had died prematurely at the age of 51 in 1974. “I only received my own copy of the album in 1981 when I came to live in France definitively”, a still-moved Serge Rahoerson told us in 2013. “I was playing in a club one night and Jef turned up by surprise with a copy of the album for me, I was so pleased to see him again. When I arrived in France, I told everyone that I had played with Jef Gilson a few years previously, and I was surprised to learn that so few people knew of him. For us, he was of one of the great jazz visionaries.” (Jérôme "Kalcha" Simonneau)

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Smoke Dreams

LP | 1973 | US | Original (ESP Disk)

4,99 €*

Caravelli And His Magnificent Strings

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Splits in seams.

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Caravelli Canzone Deluxe

LP | 1970 | JP | Original (CBS/Sony)

14,99 €*

Caravelli And His Magnificent Strings

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Cover has foxing inside gatefold.

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New Gold Disc

LP | 1975 | JP | Original (Epic)

6,99 €*

LP | 1988 | US | Original (Polydor)

Release: 1975 / JP – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. close to NM

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Carl Anderson

An Act Of Love

8,49 €* 9,99 € -15%

LP | 1985 | EU | Reissue (Morning Trip)

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+

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Carl Erdman

Bizzarrophytes

18,99 €* 19,99 € -5%

LP | 1984 | DE | Original (WATT)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a geologist.

After settling in Roswell, Erdmann procured a Tascam 4-track reel to reel tape machine and began to experiment with recording. He played most of the instruments himself, and followed a fresh muse each day. One day his recordings would mine the same instrumental guitar territory as Leo Kottke and John Renbourn, like on Bizzarrophytes’ opening track, Majesty. The next day Erdmann might multi-track some bass and drums and end up landing in the same hazy psych-folk territory as Relatively Clean Rivers, as evidenced on album standouts Turritella Flats, and Portugal. And then, perhaps his Ravi Shankar influence would shine through, and he’d deliver a stirring sitar raga like Dhun. Erdmann explored all of these sounds without ever considering releasing them into the world. He was simply experimenting with his equipment and his instruments, and flexing his muscles with whatever kind of inspiration happened to strike. It wasn’t until 1980 that a friend convinced Carl to assemble some of these recordings into an album and self-release it.

Bizarrophytes was released in a miniscule private press run, financed and distributed by Erdmann himself. Most copies didn’t make it out of the southwest. And it has remained woefully hard to find until now. The disparate sounds of Erdmann’s experimentation hang together as a beautifully cohesive tapestry of home-brewed psychedelic folk. A menagerie of eclectic instrumental experimentation, baked in the desert sun, and captured to tape. Morning Trip Records is proud to present Bizzarrophytes.

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Carla Bley

Heavy Heart

Release: 1984 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Carlos Santana, John McLaughlin

Love Devotion Surrender

LP | 1973 | JP | Original (CBS/Sony)

Everybody's Got A Little...Soul

Release: 1973 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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Carmel

LP | 1987 | DE | Original (Metronome)

Release: 1987 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | DE | Original (Metronome)

Carmel

The Falling

Release: 1986 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Fascinating Latin Piano Of Carmen Cavallaro

Carmen Cavallaro

LP | 1970 | JP | Original (MCA)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Carmen McRae - George Shearing

Two For The Road

LP | 1980 | US | Original (Concord Jazz)

10,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1980 | JP | Original (Trio)

Carmen McRae

I'm Coming Home Again

24,99 €*

The Great American Songbook

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear. Japanese pressing. OBI is missing

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Carmen McRae

2LP | 1972 | JP | Original (Atlantic)

LP | 1977 | JP | Original (Trio)

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Carol Sloane

Sophisticated Lady

LP | 1978 | UK | Original (Elektra)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

OBI is missing! Cover with seam split!

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Carole Bayer Sager

...Too

6,99 €*

Release: 1978 / UK – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI!

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Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: G, Cover: VG

Japanese pressing without OBI, but with insert

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6,99 €*

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G+

No obi.

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LP | 1983 | US | Original (Audiophile)

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With original plastic sleeve. close to NM

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Carrie Smith

Fine & Mellow

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1972 | JP | Original (JVC)

CD-4 Sound Orchestra

CD-4 Golden Screen Theme

LP | 1974 | UK | Reissue (Pure Pleasure)

Release: 1972 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Small light scuff on side 1.

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Cecil McBee

Mutima

Sextet: Music From The Source

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A landmark recording in early creative improvised modern music, bassist Cecil McBee's recording for the Strata East label is an important document introducing him as a leader from the international jazz-based scene in New York City via his native Tulsa, OK and following a brief mid-'60s stint in Detroit. McBee as a pure musician has staggering technique, rich harmonic ideas, and an indefatigable swing, but it is as a composer that he is set apart from other musicians of this mid-'70s era. "Life Waves" is a stunning piece of composed and improvised music, with a brief clarion horn section setting off McBee's chordal strumming and harp bop drive. Trumpeter Tex Allen's brash lines, the incendiary tenor saxophonist George Adams, and more thoughtful alto saxophonist Allen Braufman dig into hefty but contrasting solos, while drummer Jimmy Hopps stokes the coals. The other premier piece, "Mutima", has a soaring longer melody switching on and off onto a samba palate that is pretty, beautiful, and much more introspective than other wild and woolly cuts. The legendary but under recognized flutist Art Webb shines on the floaty free "A Feeling", and the atypical but wholly contemporized "Tulsa Black", a portent to the music that would be made later in this time period by Sonny Fortune, and featuring the wah-wah electric bass guitar work of Cecil McBee, Jr. The two-minute "Voice Of The Seventh Angel" sports the disparity of a complex arrangement alongside the beautiful singing of a young Dee Dee Bridgewater, while the marathon "From Within" has McBee performing solo, but overdubbed on two basses in opposite stereo channels, using serene long-toned arco and static pizzicato in arresting sounds that meld into a bridge squawk reminiscent of the saxophone playing of bandmate Adams. In retrospect, McBee's great career was ostensibly launched well before this recording, having worked with prominently with Charles Lloyd, Alice Coltrane, Pharoah Sanders, Yusef Lateef, Charles Tolliver, and countless others. "Mutima" (translated as "unseen forces") undoubtedly solidified his stature and brilliance as a major player.

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Cecil McBee

LP | 1978 | UK | Reissue (Pure Pleasure)

LP | 1973 | UK | Reissue (Pure Pleasure)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Recording with a sextet at the New York jazz club Sweet Basil in August 1977, McBee’s band included Chico Freeman on reeds, Dennis Moorman on piano, Joe Gardner on trumpet, Steve McCall on drums, and Famoudou Don Moye on percussion. Two complete albums of music were released by Enja Records from this engagement, the ground breaking recordings "Music From The Source" [1978] and "Compassion" [1979]. »Few groups today sound as fresh, generate as high an emotional charge, or leave as lasting an impression as McBee’s sextet,« Chris Albertson wrote upon the release of these recordings. »It is as if each member were a unique piece of a puzzle, carefully placed to complete precisely the breath taking picture intended. The music is adventurous enough to satisfy any aural daredevil who has not completely lost his or her sense of beauty, yet all the basic jazz values have been preserved with due reverence.«

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Cecil Payne

Zodiac

LP | 1975 | US | Reissue (ORG Music)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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It's impossible to talk about this album without acknowledging the spectre of death that hangs over it - not only is it the third entry in Strata-East Records' Dolphy Series, a collection of archival recordings from some of the label's close associates honoring the recently deceased multi-instrumentalist, but it is actually dedicated to two members of the band, Wynton Kelly and Kenny Dorham, who died in between the recording sessions and its release. The point is driven home even further by the fact that the album begins with a tribute from Payne to the fallen Martin Luther King, Jr., a piece that acts as a de facto solo for Dorham - his playing all rosy elegance and regal warmth - before shifting into the lighter (though equally coolly-paced) "I Know Love," a showcase for Payne's sax. While not the most somber jazz track ever recorded, this opening suite is a low-key and mournful way to open the affair, but thankfully the album really picks off and shows these musicians more in their element the rest of the way.

"Girl, You Got a Home" is a funky piece, beginning very soulfully with some tight interplay among the rhythm section of Kelly, bassist Wilbur Ware and drummer Albert Heath. Ware is in especially fine form on this track, tying together the disparate passages of the piece by grounding the more ponderous moments in a deep funk, while Kelly's playing is especially ear catching in the way he stabs at his piano like it's an organ. After the first two tracks take up nearly twenty minutes, the four-minute "Slide Hampton" feels almost impossibly brief, a feeling that's enhanced by its quick, jittery, and infectious rhythm, driven by some really dexterous work from Kelly. The final track, "Flying Fish," may be the album's highlight, a Caribbean-inspired composition that casts the rhythm section as flighty ground for both Payne and Dorham to vamp on. The track is oddly danceable for something released on Strata-East, maybe the most fun moment ever for the label, and relentlessly uptempo. Though this release may be in part defined by the deaths that preceded it, it's clear that the recording process was actually a lot of fun for everybody, as their enthusiasm and energy jumps right out of the speakers. This is one of the first Strata East records I really got into and is still one of my favorites, a must-hear for any fans of the flightier moments of Dorham or Kelly's career, and a fitting tribute for both master musicians.

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Cecil Taylor

Silent Tongues

31,44 €* 36,99 € -15%

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Cedar Walton / Hank Mobley Quintet

Breakthrough!

LP | 1972 | US | Reissue (Cobblestone)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | UK | Reissue (Be With)

Cedar Walton

Mobius

29,99 €*

LP | 1986 | EU | Reissue (Red)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Don't judge a book by its cover. Judge a record by its cover.

And, perhaps, its title.

Cedar Walton's Mobius is as outrageously, disorientatingly brilliant as the stunning jacket design, featuring the legendary jazz pianist morphing into a mobius strip, set against a beautiful sky filled with cumulus clouds. A proper jazz-funk fusion slapfest, Mobius is a stellar electric set from - essentially - one *hell* of a SUPERBAND.

Yes, in addition to Walton's Fender Rhodes wizardry, Mobius is elevated by Ryo Kawasaki's stinging electric guitar, pristinely clear vocals by Adrienne Albert and Lani Groves, rootsy percussion by Ray Mantilla and Omar Clay, alto and baritone from Charles Davis, trumpet from Roy Burrowes, Gordon Edwards on bass and Frank Foster's tenor sax. Oh and did we mention STEVE GADD ON DRUMS?!?!

Gem after gem of looping, bliss-inducing gold, it's an incredibly revelatory album. It presents a thrilling synthesis of R&B, funk, blues and hard bop (with a hint of rock), all driven by an idiosyncratic electronic keyboard. Walton, a giant in the jazz world, got quite the workout every time he played, from piano to arp synthesizer to clarinet to electric piano to mini-moog and back again.

Mobius was Cedar Walton's debut for RCA in 1975. The versatile artist confirmed his abilities as a player, composer, interpreter and arranger with this stunning record, and his own bright compositions offered a springboard for the improvisations of the different soloists. Coltrane's "Blue Trane" is the first classic to be given the funkafied Mobius treatment, Ryo Kawasaki let loose all over neck-snapping Gadd-drum gold before the horns take a fiery turn and subsequently give way to Cedar's virtuosity. A sparkling b-boy break version of Thelonious Monk's "Off Minor" (featuring an absolutely *fire* solo from Walton) really sets proceedings alight. Of the three original pieces, the shuffling, percussive power of "Soho" is just absolutely mind bending Latin-influenced jazzy soul whilst the mellow vibes of "The Maestro" bring elegant, sumptuous soul. And then there's the effortlessly funky "Road Island Red". Just too, too good.

Cedar Walton was born in Dallas, Texas, on January 17, 1934 and began his professional career in 1959 when he began touring for several years with the J.J. Johnson Quintet. He later joined the Art Farmer-Benny Golson Jazztet and then Art Blakey's Jazz Messengers. Pretty solid credentials, right? While based in New York City, Cedar played with such luminaries as Donald Byrd, Eddie Harris, Blue Mitchell, Kenny Dorham, Lee Morgan, Freddie Hubbard, Jimmy Heath and Milt Jackson. Without question, he was one of the most complete and gifted musicians of his time and Mobius provides proof of that. The fresh, danceable tracks, all firmly rooted in the living tradition of blues and gospel, are skilfully presented by a master who enjoyed keeping abreast of contemporary tastes and was always keen to renew his language.

As the album notes state: “Mobius, which is the theoretical shape of the infinite universe, makes use of the most modern recording techniques and synthesizers. We mastered and mixed so that it’s hotter than the competition, which should help radio play and in-store demonstration.” Indeed. Mobius is really gorgeous mid-70s fusion, ranging from the funky to the ecstatic. It's an absolute MONSTER that will completely blow you away; and, yes, it's as wild and hypnotic as the cover. The audio for Mobius has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Cedar Walton

The Trio 3

45,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Chaka Khan / Freddie Hubbard / Joe Henderson / Chick Corea / Stanley Clarke / Lenny White

Echoes Of An Era

LP | 1982 | JP | Original (Elektra)

Chaka Khan / Freddie Hubbard / Joe Henderson / Chick Corea / Stanley Clarke / Lenny White

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Includes OBI and insert.

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Echoes Of An Era

LP | 1982 | US | Original (Elektra)

17,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Chaka Khan / Freddie Hubbard / Joe Henderson / Chick Corea / Stanley Clarke / Lenny White

Echoes Of An Era

LP | 1982 | US | Original (Elektra)

LP | 1973 | UK | Reissue (Pure Pleasure)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The cover has slight wear and a cut corner.
Vinyl shows a few scuffs.
Cops is between VG and VG+!

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Charles Brackeen

Rhythm X

LP | 1970 | US | Original (Prestige)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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On this record, the little-known Charles Brackeen brings his saxophone to a party with most of Ornette Coleman's band. As might be expected, while Brackeen certainly holds his own, it's Ornette's boys who bring the thunder, playing around Brackeen's muscular alto as if they were a gang jumping on a new member. Haden's bass playing provides the frantic pulse, here and there ceding the stage to Blackwell's flexible drumming and dropping out to provide rolling sheets of sound by bowing his instrument. Brackeen and Cherry wrestle across this solid bedrock, with results that are often surprising and never short of beautiful.

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Charles Earland

Black Talk!

19,99 €*

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G

LP | 1982 | US | Original (Columbia)

Charles Earland

Earland's Jam

LP | 1971 | FR | Original (America)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Big sticker on the cover front!

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Charles Mingus

Blue Bird

37,99 €*

Release: 1971 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Charles Mingus Jazz Workshop

Pithecanthropus Erectus

LP | 1976 | JP | Reissue (Atlantic)

22,99 €*

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Charles Mingus

Mingus At Antibes

55,99 €*

Music Inc.: Live At Slug's Volume 1

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.
The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.
Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond
Production: Neshui Ertegun

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Charles Tolliver

LP | 1972 | UK | Reissue (Pure Pleasure)

Music Inc.: Live At Slug's Volume 2

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Where have you gone, Charles Tolliver? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement: »Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an Art in the hopes that the sacrifices and high level of communication between them will eventually reach every soul.« And he isn't kidding. You won't find a much higher level of communication than he, Cecil McBee, Stanley Cowell, and Jimmy Hopps engaged in on May 1, 1970 at Slugs' in New York City. This was much more than an attempt to merely 'preserve acoustic jazz' as in the stilted Marsalis vein. This was an attempt to preserve a measure of authenticity while maintaining the notion of forward-thinking, present-tense improvised music. They deserved a greater response than the lukewarm, sparse applause they received that night, and continue to deserve a far more cognizant audience for their efforts. Tolliver ('Drought"), McBee ("Felicite"), and Cowell ("Orientale") each contribute a track to the set; though very much distinct, each is equally strong. "Drought" is the kind of dark-hued, well-honed burner which Tolliver routinely produced in his fertile years. "Felicite" is a more contemplative affair, a deeply felt and empathically performed piece; the unit here is in particularly sublime form, merging considerable skill with a staggering depth of emotion. "Orientale" falls somewhere in between the pace of the two, with Cowell's Eastern scales establishing an austere, industrious tone throughout its seventeen-and-a-half-minute length. Through its duration, the music on Live at Slugs' is often riveting and incessantly compelling. Hopps is a lesser-known entity to me, but the other three players featured here are some of the all-time underrated presences in the jazz pantheon, and they play nothing short of masterfully. Always a presence on his recordings, Tolliver demonstrates tremendous range, flair, and command as a trumpeter and leader. Had he not come along at a time when pure jazz was falling out of favour, I have to believe his name (along with Woody Shaw's) would be every bit as prolific as Freddie Hubbard's or Lee Morgan's; the same holds for the always brilliant and expressive McBee on bass. I feel saddened that Music Inc. fell so far short of »eventually reach[ing] every soul« - yet fortunate that it eventually reached mine. RYM

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Charles Tolliver

LP | 1972 | UK | Reissue (Pure Pleasure)

Charles Tolliver / Music Inc & Orchestra

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Owning both this disc and "Live at Slugs', Volume 1" is essential for hardcore Jazz fans. Part two of the Slugs' date is just as impressive and again feature three originals all penned by the group. Here we get a better example of Tolliver's compositional work with the touching Coltrane tribute "Our Second Father". Again Tolliver's trumpet is simply stunning. The rhythm section of Cecil McBee and Jimmy Hopps also deserve mention as these two really drive the quartet along in a similar fashion to Garrison and Jones did with Coltrane. The McBee original Wilpan's also highlights the strength of McBee's writing and is probably the pick of the tunes here.

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Impact

LP | 1976 | UK | Reissue (Pure Pleasure)

Charles Tolliver's Music Inc

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Trumpeter/flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, "Impact" contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format. Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre through the multiple textures. Featured soloists in the remarkable reed section include Charles McPherson, James Spaulding, George Coleman, and Harold Vick.

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Live At The Loosdrecht Jazz Festival

LP | 1972 | UK | Reissue (Strata-East)

51,99 €*