Jazz | Fusion Vinyl 2254 Items

LP | 2018 | EU | Original (Souffle Continu)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Is freedom worth more than mastery, construction and achievement? In replying yes, the utopians of Camizole clear show which side they are on. For them, musical creation must be as spontaneous as possible. To achieve this, it is better to put egos to one side to concentrate on collective experimentation, to be tried and tested in front of a live audience. Playing the card of unlimited and unhindered improvisation is Camizole's crédo, having decided to get a taste of the urgent game-playing already established by the Nihilist Spasm Band and the Living Theatre research of Julian Beck and Judith Malina.

At the time, that is to say when punk was exploding, this concept, itself inherited from the May 68 events, made an impact on Chris Cutler of Henry Cow, but also Lindsay Cooper, who invited Camizole member Françoise Crublé to join the Feminist Improvising Group. Also, the Tapioca label run by Jean Georgakarakos (co-founder of BYG Records), considered producing an album, from a live recording made at the Théâtre de Chartres in November 1977. Unfortunately the label rapidly ceased all activities and the recording was left in a drawer, which was a real shame.

Today, after extracts and other live bits and pieces came out via Spalax at the end of the 1990s, an integral double-album is finally being released to do justice to the collective created by Jacky Dupéty, and which included, amongst others Dominique Grimaud(Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan, Urban Sax), Xavier Jouvelet (notably heard alongside Lol Coxhill) and Bernard Filipetti (Art & Technique). Better late than never! 500 copies made. Obi Strip. 8 Page Booklet. Licensed from Camizole.

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Camizole & Lard Free

Cannonball Adderley / John Coltrane

Release: 2018 / EU – Original

Genre: Organic Grooves

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The ranks of Camizole included some of the most essential personalities of the French underground, notably Dominique Grimaud (Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan) and Bernard Filipetti (Art & Technique). Their idea of music, if we look further than the pair Dominique Grimaud – Bernard Filipetti and a style of music influenced by Klaus Schulze, is inspired by the liberty of free jazz. This is nonetheless modified by a cathartic approach close to the esthetic preoccupations of Julian Beckand Judith Malina's Living Theatre. The result is a musical happening, where the important thing is to improvise in the urgency of the moment in front of a not-always receptive public.

Before exploring constructed repetitive forms which would be perfected by Urban Sax, Lard Free were more in the domain of noise improvisation, or even a kind of jazz rock similar to that of Soft Machine, as can be heard on a late retrospective album, from which the track "À chacun son Boulez" emerged.

There was logically great complicity between Camizole and Lard Free, which would lead to the two groups finally merging. This was the case for four concerts in May before the two groups disbanded in order to finally get to grips with the free rock in the style of Faust that they liked so much. As an ode to anarchy, a record now bears witness to those communal experiences. 500 copies made. Obi Strip. 8 Page Booklet. Licensed from Camizole.

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Quintet In Chicago

LP | 2010 | EU | Reissue (Jazz Wax)

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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Cannonball Adderley Quintet / Benny Carter Sextet

Live In Cologne 1961

LP | 2015 | EU | Original (Jazzline)

24,99 €*

Release: 2015 / EU – Original

Genre: Organic Grooves

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LP | 2011 | EU | Reissue (Waxtime)

Cannonball Adderley

Sophisticated Swing

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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Truly Transparent Violet Vinyl Edition

Caoilfhionn Rose

LP | 2021 | UK | Reissue (Gondwana)

Captain Lowell E. Graham Conducts National Symphonic Winds

Release: 2021 / UK – Reissue

Genre: Organic Grooves

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Limited edition, celebrating 15 years of Gondwanan records!

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Center Stage 180g Vinyl, 45rpm Edition

2LP | 2021 | US | Original (Analogue Productions)

80,99 €*

LP | 2022 | EU | Original (Jazzjazz)

Release: 2021 / US – Original

Genre: Organic Grooves

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New from Wilson Audiophile Recordings, "Center Stage", featuring Lowell Graham conducting the National Symphonic Winds. These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, VA. The history of the hall parallels somewhat New York's Carnegie Hall. The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The result was a superb mix of seasoned and assured professionals for this single, five-hour recording session. Those who have already enjoyed the 33 1/3 Analogue Productions reissue of Center Stage know why it is an exceptional-sounding audiophile record. Now, cut at 45 RPM, and with wider grooves, you'll hear sound that's upgraded from exceptional, to brilliant. There's more depth and space to the orchestra as a whole, as well as individual instruments. This disc sports more detail, more human presence, more of what we as audiophiles, listen for. Lowell Graham, a graduate of the University of Northern Colorado, was also the first to be awarded the Doctor of Musical Arts degree in orchestral conducting from the Catholic University of America. He has led orchestras and bands in performances throughout the world, and he's the current conductor and commander of the United States Air Force Tactical Air Command Band. Recorded with minimal miking (Sennheiser), directly to 2-track half-inch, 30 ips tape using arguably the finest 2-track analog recorder in the world — the Wilson Ultramaster — a highly-modified Studer tape deck with custom-designed electronics designed by John Curl. To accomplish this difficult, time pressure recording, the recording engineering skills of the renowned Bruce Leek were employed. The extreme dynamic range of the music remains intact as well as the soundstage and timbre of the ensemble remaining completely natural. There is no added enhancement to the concert hall's natural reverberation. When raising the volume, be careful as these real world dynamics can be harmful to playback equipment if care is not taken. The musical repertoire was chosen to be user friendly, vivid, colorful and impactful. Selections from Tony-winning stage classics "Barnum", "West Side Story" and "Oklahoma" are joined by compositions from John Williams, including "Olympic Fanfare" composed for the 1984 Olympic Games. Selections from the Walt Disney favorite "Mary Poppins" include "Spoonful Of Sugar", "Chim Chim Cheree" and more. These significant recordings hold a distinctive place in the audio and musical world.

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Caris Hermes

Caris Hermes Gatefold

Release: 2022 / EU – Original

Genre: Organic Grooves

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Carl M. Neumann / Christian Reim Quartet

Live At Molde International Jazz Festival 1976

LP | 2021 | EU | Original (Jazzaggression)

Carla Bley / Andy Sheppard / Steve Swallow

Release: 2021 / EU – Original

Genre: Organic Grooves

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Classic Cool/Bop session from 76, and regarded as one of the finest Norwegian jazz live recordings of the seventies featuring an impeccable performance by alto sax player Carl Neumann, playing mostly original songs by pianist Christian Reim, Bjørn Kjellemyr on Bass and Ole Jacob Hansen on drums. First time on vinyl format and with great sound quality, new pictures, new notes

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Life Goes On

LP | 2020 | EU | Original (ECM)

Release: 2020 / EU – Original

Genre: Organic Grooves

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More Energy Fields, Current Black Vinyl Edition

Carlos Nino & Friends

LP | 2021 | DE | Original (International Anthem)

27,99 €*

Carlos Nino & Miguel Atwood Ferguson

Release: 2021 / DE – Original

Genre: Organic Grooves

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More Energy Fields, Current is a definitive new peak in the recorded continuum of prolific producer/percussionist Carlos Niño. Featuring contributions from more than a dozen exciting voices in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), including Sam Gendel, Nate Mercereau, Jamael Dean, and Jamire Williams, the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.

The album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity, and epic post-hip hop opuses like the heavy/heady “Thanking the Earth.” But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft a kinetic, cinematic sonic experience from dozens of independent, often rhythmically ambiguous improvisational memories is more fluently displayed on More Energy Fields, Current than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: "Real Time Interactive magination, Flow Texturization."

On More Energy Fields, Current, Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, bookending piece “Please, Wake Up.” (an extended version of the opening theme, featuring saxophonist Shabaka Hutchings), it’s like a return, safely to shore.

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Chicago Waves

LP | 2020 | US | Original (International Anthem)

Deleted Scenes From The Cutting Room Floor

Release: 2020 / US – Original

Genre: Organic Grooves

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In late November of 2018, long-time collaborators (& life-long Los Angelenos) Carlos Niño & Miguel Atwood Ferguson flew to Chicago to participate in the album release performance of Makaya McCraven's Universal Beings. Just 11 months prior, Carlos & Miguel were part of recording the 'Los Angeles Side' of Universal Beings at Jeff Parker's house in Altadena, California, and this performance in Chicago would be the first time that all of the musicians reunited to re-learn and perform the music they'd collectively composed during those sessions. The Universal Beings performance and preceding days of rehearsal took place at the iconic South Shore Cultural Center - a historic gilded-era urban club-turned-public facility deep on Chicago's Southside and right along the reedy shore of Lake Michigan, giving the building's backdrop an infinitely blue Northern expanse.

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Caro Emerald

2LP+CD | 2010 | EU | Original (Grandmono)

31,99 €*

Release: 2010 / EU – Original

Genre: Organic Grooves, Pop

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LP | 2021 | EU | Original (Sun Village)

Carolina Bubbico

Il Dono Dell'ubiquita'

29,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2020 | Original (Dot Time)

Catherine Russell

Alone Together

41,99 €*

Release: 2020 / Original

Genre: Organic Grooves

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LP | 2018 | Original (Rossori Music)

Cécile Aka No-Ce Nordegg

Jazz Proclamation Vol.2

17,99 €*

Release: 2018 / Original

Genre: Organic Grooves

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2LP | 2015 | US | Original (Mack Avenue)

Cecile Mclorin Salvant

For One To Love

43,99 €*

Release: 2015 / US – Original

Genre: Organic Grooves

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LP | 2022 | EU | Reissue (Nonesuch)

Cecile Mclorin Salvant

Ghost Song

Release: 2022 / EU – Reissue

Genre: Organic Grooves

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Ceilin Poggi Thierry Eliez

Berceuses & Balladines Jazz

LP | 2022 | EU | Original (Didier Jeunesse)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2011 | EU | Original (Music On Vinyl)

Chambers Brothers

Time Has Come Today

Release: 2011 / EU – Original

Genre: Organic Grooves

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I'll See You In My Dreams

Champion Fulton Trio

LP | 2022 | JP | Original (Venus)

63,99 €*

Release: 2022 / JP – Original

Genre: Organic Grooves

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LP | 2015 | HK | Original (Evosound)

Chantal Chamberland

Autobiography

47,99 €*

Release: 2015 / HK – Original

Genre: Organic Grooves

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8: Kindred Spirits - Live From Lobero

2LP+DVD | 2020 | EU | Original (Blue Note)

29,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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8: Kindred Spirits - Live From Lobero Super Deluxe Box

3LP+2CD+DVD | 2020 | EU | Original (Blue Note)

174,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Reissue (Blue Note)

Sacred Thread

12,99 €*

Charles Lloyd & The Marvels

Release: 2022 / EU – Reissue

Genre: Organic Grooves

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With the "Trios" album project, saxophonist Charles Lloyd is fulfilling himself an unusual dream: three thematically related albums, each with a different trio line-up, a "Trio of Trios". The first album "Chapel" he recorded with guitarist Bill Frisell and bassist Thomas Morgan, followed by "Ocean" with guitarist Anthony Wilson and pianist Gerald Clayton. "Sacred Thread" with guitarist Julian Lage and drummer Zakir Hussain is now the crowning glory.

1-lp, 180g, padded inner sleeve.

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Tone Poem Tone Poet Vinyl Edition

2LP | 2021 | EU | Original (Blue Note)

52,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Charles Lloyd & The Marvels

Vanished Gardens Feat. Lucinda Williams

2LP | 2018 | US | Original (Blue Note)

38,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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3LP | 2022 | EU | Reissue (Blue Note)

Trio Of Trios Box Set

60,99 €*

Release: 2022 / EU – Reissue

Genre: Organic Grooves

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All three albums of saxophonist Charles Lloyd's "Trios" project in one luxurious LP set. Contains „Chapel” (feat. Bill Frisell and Thomas Morgan), “Ocean” (feat. Anthony Wilson and Gerald Clayton) and “Sacred Thread” (feat. Julian Lage and Zakir Hussain) in a sturdy slipcase

3 LPs, 3 x 180g, padded inner sleeves, slipcase

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LP | 2022 | DE | Original (Blue Note)

Trios: Chapel

11,99 €*

Release: 2022 / DE – Original

Genre: Organic Grooves

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Essential Works: 1955-1959

2LP | 2022 | EU | Original (Masters Of Jazz)

39,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2010 | EU | Reissue (Music On Vinyl)

Mingus Ah Um

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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Mingus Ah Um - Jean-Pierre Leloir Collection

LP | 2016 | EU | Original (Jazz Images)

Release: 2016 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Pan Am)

Pithecantropus Erectus

16,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes one bonus track.

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Shadows Clear Vinyl Edtion

LP | 2015 | EU | Reissue (Destination Moon)

LP | 2020 | EU | Original (Blue Note)

Release: 2015 / EU – Reissue

Genre: Organic Grooves

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John Cassavetes’ directorial debut Shadows was a largely improvised film set in the bohemian jazz scene of 1950s New York; often referred to as the first truly independent film of American cinema, it featured a brief disjointed soundtrack improvised by Charles Mingus and his saxophonist Shafi Hadi, with various percussionists slotting in, including Phineas Newborn Jr. Gloriously messy, reportedly unfinished and referred to with scorn by Mingus, the Shadows soundtrack sketches ultimately yielded the great ‘Nostalgia In Times Square’ ‘Alice’s Wonderland’ and ‘Self-Portrait In Three Colours,’ all included here – astounding!

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Charles Pasi

Zebra

Release: 2020 / EU – Original

Genre: Organic Grooves

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Step On Step Black Vinyl Edition

Charles Stepney

2LP | 2022 | US | Original (International Anthem)

32,99 €*

Step On Step Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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Chicago-born composer, producer and arranger Charles Stepney is known to some for his work with Earth, Wind & Fire, Deniece Williams, and Ramsey Lewis, or for his work with Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many many more. In the decades since his untimely death in 1976, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he supported while he was alive, Stepney is a greatly under-appreciated figure... a genius relegated to the shadows.

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Charles Stepney

2LP | 2022 | EU | Original (International Anthem)

LP | 2020 | EU | Reissue (Gearbox)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Charles Tolliver

Connect

21,99 €*

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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LP | 2020 | US | Original (Gearbox)

Charles Tolliver

Connect

30,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Charles Tolliver/Music Inc

Compassion

LP | 2020 | UK | Original (Pure Pleasure)

35,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 2022 | US | Original (Sub Pop)

Charlie Gabriel

89 Gold Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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Limited-edition first pressing on translucent gold vinyl. Sub Pop debut by Preservation Hall Jazz Band member and 89-year-old clarinet and saxophone legend Charlie Gabriel from New Orleans, Louisiana. This is Charlie's first album as a bandleader. He has played with Lionel Hampton, Charles Mingus, Cab Calloway drummer J.C. Heard, Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more. "I've been playing since I was 11 years old," says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, "I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how." While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to Covid-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. "I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in." That day was to be the first session for 89, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. 89 was different, and not simply due to a smaller ensemble. "We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation," Charlie says, further musing, "Musical conversations cancel out complications." 89 includes six standards and three newer pieces on which Gabriel is a writer: "Yellow Moon," "The Darker It Gets" and "I Get Jealous." The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. "The clarinet is the mother of the saxophone," he says. "I started playing clarinet early in life, and this [taught me] the saxophone." Finally, 89 includes three tracks of Charlie singing. "I always sung, but it wasn't my forte to become a singer," he says. "The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them."

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LP | 2012 | EU | Original (Waxtime)

Jazz At Massey Hall

Release: 2012 / EU – Original

Genre: Organic Grooves

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Jazz At Massey Hall - Limited Edition In Solid Yellow Colored Vinyl.

LP | 2018 | EU | Original (Waxtime)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Magnificent Charlie Parker

LP | 2020 | US | Original (Emarcy)

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (BMG)

Now's The Time

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (New Continent)

The Hits

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Mercury And Clef 10-Inch LPs Limited Edition

5x10" | 2020 | EU | Original (Verve)

150,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2016 | EU | Original (Tricatel)

Chassol

Indiamore

LP | 2022 | EU | Original (Komos)

Release: 2016 / EU – Original

Genre: Organic Grooves

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The album from 2013 now available on vinyl!

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Cheick Tidiane Seck

Kelena Foly

Release: 2022 / EU – Original

Genre: Organic Grooves

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Cheick Tidiane Seck placed his hands on a keyboard for the first time in the late 60s, on a harmonium of the Catholic convent in Sikasso, where he was a boarding pupil preparing his junior high diploma. From the age of 12 onwards, he would compose pieces by singing them to his mother, a,famous singer. Realizing he had talent, one of the nuns instructed him in music theory during his 3 years at school there. Diploma in hand, he that studied fine art at the Bamako National Arts Institute, tinkled the keys at night, playing with the Rail Band at the Buffet de la Gare hotel, moonlighting like his idol, Jimmy Smith,. He also made the most of his free time by playing on the Art Institute’s piano when the music students had gone home. He was swiftly adopted by the musical community of the Malian capital, and set off on Africa-wide tours with Les Ambassadeurs. He set up shop in Abidjan before arriving in France in the mid-80s. Since then, he has multiplied collaborations with jazz artists (Randy Weston, Dee Dee Bridgewater, Ornette Coleman ...), African musicians (Manu Dibango, Salif Keita...) and even pop singers (Daman Albarn, Carlos Santana...) After the international success of Sarala, a record he arranged and co-directed with Hank Jones, Cheick released 5 albums under his own name which saved a lot of room for the science of electric keyboards, from the Hammond to the Moog. Kelena Fôly (‘expressing oneself only in music’ in Bamana) is his first solo record in a career spanning almost fifty years. There is no artifice here, just his deep voice and the Steinway grand piano of the Studio Pigalle. Cheick plays pieces anchored in the Mandinka tradition like Kana Kassi, which recounts an episode in the life of the founder of the Wassoulou empire, Samory Touré. He also takes us on American adventures with 56 Walker Street, a theme written at this Manhattan address, where, in the early 2000s, he held legendary jam-sessions with attendees such as Dr Lonnie Smith, Roy Hargrove and Vernon Reid. Kelena Fôly plays out around a poignant tribute to Aimé Césaire. On the track, Cheick Tidiane Seck narrates an extract from the poem Souffles, penned by another great proponent of négritude, Birago Diop. Here, he remembers an invitation from the Martiniquais poet to play in Fort de France, to celebrate the 120 th anniversary of the abolition of slavery. The only cover on the record is his version of Sometimes I feel Like a Motherless Child to which he has added a verse in bamana dedicated to his own mother. The album ends with a piece improvised in just one take. Corona contains a Message of Love for humanity by a musician who survived Covid 19. Hospitalised in Bamako in December 2020 and placed on a respirator, Cheick felt himself leave this world before coming gradually back to life. Today, back on track, this ‘warrior’ has embarked on new cross-continental musical endeavours with this record where he has summoned jazz, blues, Mandinka folk sounds and sources of African music to come together, unified by his exceptional playing style and a voice gorged on soul.

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LP | 2021 | EU | Original (Not Now)

Best Of

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2011 | EU | Reissue (Waxtime)

Chet Baker & Bill Evans

Alone Together

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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2LP | 2021 | Original (Groove Replica)

Chet Baker & Bill Evans

Alone Together

Release: 2021 / Original

Genre: Organic Grooves

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Alone Together - Jean-Pierre Leloir Collection

Chet Baker & Bill Evans

LP | 2016 | EU | Original (Jazz Images)

23,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

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1958 And 1969 Milano Sessions

Chet Baker / Bud Shank

LP | 2022 | EU | Original (SAAR)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Craft)

Chet

34,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Not Now)

Chet

17,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Chesney Henry Baker Jr was more than just a trumpet player. He was so many things to so many people. To some, a Bix Beiderbecke for the post-bebop generation, forever creating lyrical phrases that sometimes jumped for joy, or opting for a melancholy beauty, so sad you could almost hear the tears falling. To others he was a flawed Hollywood hero, a face that set him apart from the usual run of 52nd Street icons; a From Here To Eternity Montgomery Clift or James Dean in headhung frustration in Rebel Without A Cause. Released in 1959 the Chet album proved to be one of the trumpet star s last offerings before heading back to Europe for what would become know as the Milano sessions.

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LP | 2020 | US | Original (Craft)

Chet Baker In New York

34,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Chet Baker Plays The Best Of Lerner And Loewe

LP | 2020 | US | Original (Craft)

34,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Chet Baker Plays Vladimir Cosma

LP | 2020 | EU | Original (Wagram)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2016 | UK | Original (Not Now)

Chet Baker Sings

Release: 2016 / UK – Original

Genre: Organic Grooves

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Chet Baker Sings Tone Poet Vinyl Edition

LP | 2020 | EU | Original (Blue Note)

43,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2010 | UK | Original (Pure Pleasure)

Chet Baker & Crew

50,99 €*

Release: 2010 / UK – Original

Genre: Organic Grooves

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For Lovers Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Italian Movie Soundtracks

LP | 2018 | EU | Original (Waxtime)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Jazz At Ann Arbor Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Dom-Ermitage)

Live In Milan

Release: 2020 / EU – Original

Genre: Organic Grooves

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My Funny Valentine Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2018 | EU | Original (New Continent)

Chet Baker Quartet

In Paris

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (SAAR)

Sextet & Quatet

Release: 2020 / EU – Original

Genre: Organic Grooves

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Saar Records, through its famous Music subsidiary, re-releases the second Chet Baker's LP, recorded with his sextet and quartet and originally released in March 1960; one of the rare occasions for our musicians to team together with an American trumpet player for a rather long period.

Chet Baker is one of the most important and essential characters of modern jazz and over the years he has not lost his strength and colour, a fact that's clearly demonstrated by this release, indeed showing us a quite different Chet Baker. His style has become less slender, more excited, more precise, more violent, and several tracks of this record prove it.

The musicians here accompanying Chet Baker are the very best the Italian jazz scene of the time could offer: Glauco Masetti on alto sax, Gianni Basso on tenor sax, Renato Sellani on piano, Franco Cerri on double bass, together with the Italian-American Gene Victory on drums. As usual in such situations, arrangements were entrusted to Giulio Libano, who wisely provided the musicians with ample space for their solos. Chet Baker is undoubtedly the protagonist, but a lot of freedom of expression is granted to his fellow adventurers.

The album was recorded on 25 and 26 September and on 6 October 1959 at the Guertler Bros studio.

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LP | 2018 | EU | Reissue (Jazz Images)

Sextete & Quartet

23,99 €*

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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LP | 2015 | EU | Original (Jazz Wax)

Sings

Release: 2015 / EU – Original

Genre: Organic Grooves

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180g vinyl including two bonus tracks!

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2LP | 2011 | UK | Reissue (Not Now)

Sings And Plays

Release: 2011 / UK – Reissue

Genre: Organic Grooves

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180gram vinyl

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Sings And Plays With Len Mercer And His Orchestra Angel Eyes

LP | 2020 | IT | Original (Cinevox)

Release: 2020 / IT – Original

Genre: Organic Grooves

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The lyricism of Chet Baker cannot be doubted because Chet in his musical expressions remains as singer and musicians essentially romantic. He fits beautifully into a context created around him and for him, a context that finds in the sonority of his trumpet or in the opacity of his voice a leading element, dominator and at the same time attractive and fascinating.

The songs on this record are aimed to everyone: jazz fans and those who are not very familiar with jazz. For music arrangers Ezio Leoni and Giulio Libano the work ground with Chet has been smoothed out: there was no need to build beyond the measure, it was important to expand, enhance, galvanize what Chet wanted to express. They have alternated lyrical songs with more stringent and alive tracks. With the continuous alternation of times, expressions and atmospheres they made sure to avoid any monotony.

The orchestra that recorded the album was consisted of 16 violins, 4 violas, 4 cellos, a flute, a bass clarinet, an oboe, a French horn, a harp which matched with Glauco Massetti's alto sax, Fausto Papetti's baritone sax, Mario Pezzotta's trombone, Gianni Basso's tenor sax, Franco Cerri's double bass, Gene Victory's drums. An imposing orchestra that was able to mix perfectly and alternate purely jazzy instruments with strings during the performances.

The repertoire included in the album ranges a lot: from well-known motifs such as 'Angel Eyes', 'When I Fall In Love' or 'I Should Care', to others less known but very pleasant tracks as 'The Song Is You' or
'Forgetful'. Other tracks lend themselves perfectly to a wider orchestration such as 'Autumn In New York', 'Violets for Your Fur' or 'Deep in A Dream'. Another theme was treated with a thrifty intervention of the strings, almost a crown of the whole performance, represented by the recording 'Street of Dreams'. In the last track Good-bye of Side A Chet expresses an exceptional sadness in a very valid and unusual way.

The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. recording
studio.The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. studio

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Sings Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Sings - Jean-Pierre Leloir Collection

LP | 2016 | EU | Original (Jazz Images)

Release: 2016 / EU – Original

Genre: Organic Grooves

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Sings Yellow Vinyl Edition

LP | 2018 | EU | Original (Waxtime In Color)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | Original (Groove Replica)

Sings10 Tracks

Release: 2020 / Original

Genre: Organic Grooves

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LP | 2011 | UK | Original (Pure Pleasure)

Chet Baker & Strings

35,99 €*

Release: 2011 / UK – Original

Genre: Organic Grooves

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LP | 2010 | EU | Reissue (Jazz Wax)

The Lyrical Trumpet

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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3LP | 2020 | EU | Original (Jazz Images)

Young Chet

47,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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12" | 2022 | EU | Original (Four Flies)

Chiara Civello

Sono Come Sono

17,99 €*

Chick Corea: The Montreux Years

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The first Italian adaptation of famous Brazilian song “Olhos Coloridos”, this new single by singer, multi-instrumentalist and songwriter Chiara Civello is an irresistible eighties-inspired boogie-funk track that celebrates diversity and inclusion. The 3 remixes by eclectic Neapolitan DJ/producer Whodamanny add groovy and tribal influences to the mix and further enhance the track’s dancefloor potential.

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Chick Corea

2LP | 2022 | EU | Original (BMG Rights Management)

32,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | US | Original (Concord)

Chick Corea

Plays

50,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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2LP | 2020 | EU | Original (Gearbox)

Chiminyo

I Am Panda

Release: 2020 / EU – Original

Genre: Organic Grooves

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Endless Era Black Vinyl Edition

Chino Corvalán

LP | 2022 | EU | Original (Urban Waves)

Endless Era Marbeld Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Hailing from Paraguay in South America, Chino Corvalán is a talented young musician, composer and producer. For this gem of an album titled "Endless Era" he invited a lot of his musician friends from all around the world to perform and record the songs that he wrote. The album represents an age of spiritual elevation in the form of contemporary, modern, free jazz. As a live performer and stage musician Chino learned a lot of different instruments and express himself with music in a natural way. Endless Era is his most ambitious project to date including 18 songs that will impress and please all the fans of the genre. The album sounds like it will be a cult piece of the Jazz culture in the years to come.

Chino's words: Endless Era is the collection of music I wrote in the last part of the pandemic, it was a true and honest moment of creating music, specially with my friends Telemakus and Ted Taforo, we been collaborating and sharing music for the last 3 years, and the process was so natural and fluid. Mainly because we think the same way when it comes to the process of music creation.

“Endless Era is a tribute to a certain way of creating instrumental music that should never end”

All the songs represent a honest moment of life and music for me. Each songs were recorded and mixed in my studio, where I’ve been using the same setup trough the past few years. With the exception of the remote recordings from my dear friends.

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Chino Corvalán

LP | 2022 | EU | Original (Urban Waves)

23,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2020 | UK | Reissue (Lovemonk)

Blue To Red

21,99 €*

Release: 2020 / UK – Reissue

Genre: Organic Grooves

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Chip Wickham made a splash in the UK scene with 2016's La Sombra and 2018's Shamal Wind, garnering attention from all the right people in the jazz scene. Chip's back for more, partnering with Lovemonk once again to enchant and heal with his cosmic, spiritual jazz.

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Blue To Red Black Vinyl Edition

LP | 2020 | UK | Original (Lovemonk)

21,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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12" | 2022 | UK | Original (Lovemonk)

Blue To Red Remixed

13,59 €* 15,99 € -15%

Release: 2022 / UK – Original

Genre: Organic Grooves

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Three songs taken from Chip Wickham's spiritual jazz album Blue to Red get reshaped by Photay, Medlar, and Chip Wickham himself. The result is a lush ep, every bit as good as the combination of a wonderful original track and an uber-talented remixer could be.

Photay has deconstructed the peaceful Blue to Red to turn it into a bomb—a storming dance track that keeps the spiritual vibe intact. The extra beatless version soothes your ear while creating a certain sense of anticipation.

The original version of Interstellar blends fusion jazz with the sound of West London's seminal broken beat scene. Medlar has plucked the track apart, then rebuilt it by adding some extra perc and synth sounds to the bass-driven beats. The result is some deep and heavy and funky business.

And finally, Chip recovered a take of wonderful astral slow jam The Cosmos that didn't make it onto the album, one with no drums, and cooked up a roomy cosmic dub, full-on Space Echo.

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Cloud 10 Black Vinyl Edition

LP | 2022 | UK | Original (Gondwana)

27,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves

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Saxophonist, flautist Chip Wickham takes us to Cloud 10 with his most soulful and lyrical album to date

Chip Wickham is a jazz musician and producer who divides his time between Spain, UK and the Middle-East and who has made a name for himself with a series of beautifully crafted solo albums that draw equally on the hard swinging spiritual jazz of Roland Kirk, Yusef Lateef and Sahih Shihab, alongside the music of British jazz legends such as Tubby Hayes and Harold McNair and the more contemporary sounds of Jazzanova, Kyoto Jazz Massive and Robert Glasper.

Originally from Brighton, Chip studied in Manchester and became involved in the 00's UK jazz, soul. trip-hop and funk scenes, working with the likes of The Pharcyde, The New Mastersounds and Nightmares On Wax as well as playing with Matthew Halsall's Gondwana Orchestra. And his relationship with Gondwana Records goes right back to the very beginning as he played on Halsall's 2008 debut Sending My Love.

Cloud 10 is his debut album for Gondwana Records (following a 12" of Lonnie Liston Smith covers in May) and it is a wonderful, timeless, lyrical, slice of hard-hitting, soulful, spiritual jazz and modal hard-bop with a distinctly UK flavour - driven by Chip's deftly funky flute work and hard-hitting tenor. Underpinned by Chip's restless energy and driven by his desire to connect with the listener on a deeper level.

"My albums are my legacy. Each one is a statement to the world of music and my contribution to its growth, its energy and ultimately its history."

Cloud 10 features pianist Phil Wilkinson, vibes player Ton Risco, bassist Sneaky and drummer Jon Scott (all veterans of previous albums) together with harpist Amanda Whiting and percussionist Jack McCarthy whom Chip met touring in the Gondwana Orchestra, and rising star Irish trumpeter Eoin Grace who also doubles on flugel horn. The album was recorded at the legendary all analogue Estudios Brazil in Madrid, with the band spending a week at Chip's house in the mountains just outside the city, eating and drinking together, listening to music till the small hours and recording all day. It was a magical time and the positivity seeped into the recording.

"It was a beautiful week of pure music and joy, I think you can hear it in the recording and that's the inspiration for the title: Cloud 10 is a place of a great happiness, way out beyond Cloud 9!"

And it is that purity, energy and joy, that makes Cloud 10 such a life-affirming recording and makes Chip the perfect addition to the Gondwana Records family. Lean in, you'll be on Cloud 10 too!

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LP | 2018 | UK | Reissue (Lovemonk)

Shamal Wind

Brother Sister / Candlelight Hugo Lx / DJ Spinna Remix

Release: 2018 / UK – Reissue

Genre: Organic Grooves

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Recorded in Madrid in July 2017, Shamal Wind combines Chip Wickham's globetrotting, spiritual jazz expeditions with hard-won schoolings in the funk. Following his critically acclaimed 2017 debut, La Sombra, the record draws on spiritual jazz influences like Yusef Lateef and Sahib Shihab, and rests on Chip's many-sided experience as a musician, spanning left-field beat experiments to hard-hitting funk heavyweights.

After the Latin and flamenco whispers on La Sombra, Shamal Wind adds some Arab-influence percussion to the mix, most notably on the title track. Elsewhere, 'Barrio 71' sees him nodding to Shihab: high energy, lyrical and absorbing, with sax and the vibraphone taking the lead. 'Snake Eyes' taps into the meditative exaltations of modal jazz, while 'Soho Strut' nods to the jazz fusion, funk-influenced side of Chip's playing.

Like the Persian Gulf winds referenced in the album title, which often mark the shift to a new season, this album signals a new chapter for Chip, opening up a newfound energy and inclusiveness in his music, and further expanding on what he achieved in the past year. "Shamal Wind" is a heavy record, built on strong foundations.

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Cho & Random Impetus

12" | 2022 | EU | Original (Menace)

18,69 €* 21,99 € -15%

7" | 2020 | EU | Original (Cordial)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Straight out of New York, the debut 7 inch by Cho and Random Impetus was presented by Menace label and first released in the USA in July 2019. Featuring the two singles "Brother Sister" and "Candlelight", the EP is a powerful call to humanity. Previously released on vinyl, this project was directed by Japanese artist Cho and features local musicians. It was recorded in analog, giving the track a very old school vibe by utilizing jazz, funk, soul and disco melodies to create a rich 1970s-esque sound. "Brother Sister", is a feel-good modern disco that could easily pass as something from the heyday of the genre, and "Candlelight," another sure-shot tune is a funk groover with its jazzy horn harmonies and strong male vocals. Many DJs featured the 7 inch record during their sets shortly after its release, including Floating Points, DJ Muro, Richie Medina and many more... becoming a club anthem in New York City. The record also caught the attention of Paris-based French DJ Hugo LX, who is very close to the Menace collective and also a genuine funk and disco enthusiast. Offering a remix album for Cho and Random Impetus' 7-inch record seemed evident for him. He invited DJ Spinna, the renowned hip-hop and house producer from Brooklyn, as well as his long-time friend and collaborator, to join him on the project. This remixed record actually enters a cycle in Hugo LX's work, as he collaborates with Japanese artists on a yearly-basis, among others Satoshi Tomiie, Toshio Matsuura, Kuniyuki or Takecha. The Paris-NYC-Tokyo triangle is also key in his work: his music drew many influences from these cities. Hugo LX remixed the track "Brother Sister" in a style matching the soul, funk, and disco vibes of his DJ sets, with a more contemporary approach. As for DJ Spinna, he delivered a progressive version of the track "Candlelight": more electronic-sounding, it feels softly psychedelic

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Chordially

Atomic Soul

12,99 €*