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All Items / HHV Records / Vinyl, CD & Tape / Organic Grooves / Jazz | Fusion

Jazz | Fusion Vinyl 660 Items

Hip Hop 51 Organic Grooves 1770 Funk | Soul 706 Contemporary Funk 2 Jazz | Fusion 660 Blues 45 Disco | Boogie 265 Latin | Brazil 138 Afrobeat 124 Original Breaks & Samples 30 Rock & Indie 2006 Electronic & Dance 328 Reggae & Dancehall 294 Pop 500 Classical Music 17 Soundtracks 132 Childrens 1
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Abdullah Ibrahim
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Reset all Filters Vinyl No Used Vinyl 1970 1971 1972 1973 1974 1975 1977 1978 1980 1981 1982 1984 1985 1986 1989 Stocked Items Only
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Jean-Charles Capon / Philippe Maté / Lawrence "Butch" Morris / Serge Rahoerson - Jean-Charles Capon - Philippe Maté - Lawrence "Butch" Morris - Serge Rahoerson
Jean-Charles Capon / Philippe Maté / Lawrence "Butch" Morris / Serge Rahoerson
Jean-Charles Capon - Philippe Maté - Lawrence "Butch" Morris - Serge Rahoerson
LP | 1977 | EU | Reissue (Souffle Continu)
25,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
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Jean-Jacques Birgé, Francis Gorgé & Shiroc - Défense De
Jean-Jacques Birgé, Francis Gorgé & Shiroc
Défense De
LP+DVD | 1975 | EU | Reissue (Fauni Gena)
17,99 €* 19,99 € -10%
Incl. VAT plus Shipping Costs
Release: 1975 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First ever vinyl reissue of this cult album from 1975. Défense de was the first album of Jean-Jacques Birgé and Francis Gorgé, before founding Un Drame Musical Instantane with Bernard Vitet in 1976. They had started to play together while at high school, and on their debut LP they were joined by percussionist Shiroc (who also played in Speed Limit). The DVD will include the experimental movie La Nuit Du Phoque made by Jean-Jacques Birge and Bernard Mollerat in 1974. The movie is a mix between avant-garde French movie and experimental ambience which takes the viewer back in time to 1974. The second part of the DVD will include 'June Sessions' which are very long pieces made by the trio (or quartet at times). Total of about 6 hours of music and 40 minutes movie in a Double LP & DVD set.
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Jef Gilson - Malagasy At Newport-Paris
Jef Gilson
Malagasy At Newport-Paris
LP | 1973 | EU | Reissue (Souffle Continu)
25,99 €*
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Release: 1973 / EU – Reissue
Genre: Organic Grooves
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In 1973, Jef Gilson gave new impetus to his already long career by reforming ‘Malagasy’ with young musicians from Madagascar exiled in Paris. The group was very successful and played in clubs and festivals on the same bill as Ray Charles, Sun Ra, Terry Riley, Hal Singer or Chris McGregor’s Brotherhood of Breath. The meeting between two generations and two cultures created a new mix between jazz, traditional music and electric funk. Jef Gilson had reinvented himself yet again, and it wouldn’t be the last time.

"In May 1972, the wave of anger and the thirst for freedom that had swept the world in 1968 arrived in Madagascar. The Malagasy youth took the opportunity to exile in search of a brighter future. Several of them, all jazz musicians and often polyintrumentalists, came to Paris with their afro hair and bellbottoms. Their names were Sylvin Marc, his cousin Ange "Zizi" Japhet, Del Rabenja, Gérard Rakotoarivony and Frank Raholison.

By chance, they crossed paths with pianist and bandleader Jef Gilson, who they had already met as kids during a series of concert and workshops in Tananarive four years earlier. Gilson was far from an unknown on the French jazz scene. He had played with Boris Vian and André Hodeir at the end of the forties, he was one of the first French composers to move away from the New-Orleans style to try his hand at bebop, had launched numerous young stars (Ponty, Texier, Portal...), was a polemical critic for Jazz Hot, had opened for Coltrane at Antibes/Juan Les Pins, and was part of the Double Six... But it was tough to make a living playing personal compositions and Jef, who didn’t have enough money to return to the island and continue mining the seam of Malagasy jazz, saw an opportunity to relaunch ‘Malagasy’.

He had his recording studio in the Les Halles area, at the Foyer Montorgueil, where he was teaching jazz to a choir. He set to work with the new Malagasy group, working on a repertoire and reviving some of his compositions from the 50s/60s ("Requiem Pour Django", "Dizzy 48", "Anamorphose" here renamed "Salegy Jef" as a nod to an ancestral rhythm reworked in a contemporary style...), and also included more recent tunes ("Newport Bounce" which opens this current album is a reworking of a track called "Interlude", recorded in 69 with the drummer from Miles Davis’ first quintet, Philly Joe Jones). The group Malagasy 73 gigged a lot. One of their concerts was recorded on the 14 March in a club, ‘Le Newport’, in rue Grégoire de Tours, Saint Germain des Prés, not far from the ‘Kiosque d'Orphée’ where Gilson worked at the beginning of the 60s when he brought bebop and avant-garde jazz to the attention of a generation of musicians with his records imported from USA.

This meeting between two generations and two cultures created a new mix between jazz, traditional music and electric funk. Jef Gilson had reinvented himself yet again, and it wouldn’t be the last time." --- Jérôme « Kalcha » Simonneau

Album Release
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Jeff Majors - For Us All (Yoka Boka)
Jeff Majors
For Us All (Yoka Boka)
LP | 1986 | EU | Reissue (Invisible City Editions)
27,99 €*
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Release: 1986 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Private Press Spiritual Jazz from D.C's Jeff Majors. Featuring harp, drum machines and synths. Jeff was one of Alice Coltrane's students at the ashram. He also played in Brother Ah's band. Each song on this album is an inspired vision of the personal and the devotional via the harps universal gilstening range and Linn drums. Comes with info booklet. TIP!
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Jeff Resnick - SAC - School Of American Craftsmen
Jeff Resnick
SAC - School Of American Craftsmen
LP | 1978 | UK | Reissue (Outernational Sounds)
23,99 €*
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Release: 1978 / UK – Reissue
Genre: Organic Grooves
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Organically funky, laced with avant-garde synth textures, and studded with breakbeats, the second Outernational is Jeff Resnick’s unique, ultra-rare, 1978 promotional recording for the School for American Craftsmen, at the Rochester Institute of Technology. Five tracks of soul jazz and modal fusion — re-modelling Trane, and opening with a variation of Norwegian Wood — by a local group including trumpeter Jeff Tyzik and pianist Sonny Kompanek; then Resnick mostly solo for the second side, when the money ran out, multi-tracking synthesizers on his home set-up, in an engrossing blend of reflective abstraction, grooving electro and spiritualised fourth-world tropicalism.
Bim!
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Jim Hall - It's Nice To Be With You: Jim Hall In Berlin
Jim Hall
It's Nice To Be With You: Jim Hall In Berlin
LP | 1972 | EU | Reissue (Musik Produktion Schwarzwald)
24,99 €*
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Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Jim Marks - Touching Your Feelings
Jim Marks
Touching Your Feelings
LP | 1974 | Reissue (Nicole)
38,99 €*
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Release: 1974 / Reissue
Genre: Organic Grooves
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Jimmy Heath - The Gap Sealer
Jimmy Heath
The Gap Sealer
LP | 1972 | US | Reissue (Cobblestone)
15,99 €*
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Release: 1972 / US – Reissue
Genre: Organic Grooves
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Jimmy McGriff - If You're Ready Come Go With Me
Jimmy McGriff
If You're Ready Come Go With Me
LP | 1974 | US | Reissue (Groove Merchant)
18,99 €*
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Release: 1974 / US – Reissue
Genre: Organic Grooves
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Jimmy McGriff, Lucky Thompson & O'donel Levy - Friday The 13th Cook County Jail
Jimmy McGriff, Lucky Thompson & O'donel Levy
Friday The 13th Cook County Jail
LP | 1973 | US | Reissue (Groove Merchant)
16,99 €*
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Release: 1973 / US – Reissue
Genre: Organic Grooves
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Jiro Inagaki And Soul Media - In The Groove White Coloured Vinyl Edition
Jiro Inagaki And Soul Media
In The Groove White Coloured Vinyl Edition
12" | 1973 | EU | Reissue (Columbia Japan)
57,99 €*
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Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.

Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.

This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”

Text by Yusuke Ogawa (universound/deep Jazz Reality)
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Jiro Inagaki & Soul Media - Head Rock Clear Blue Vinyl Edition
Jiro Inagaki & Soul Media
Head Rock Clear Blue Vinyl Edition
LP | 1970 | JP | Reissue (Nippon Columbia)
54,99 €*
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Release: 1970 / JP – Reissue
Genre: Organic Grooves
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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.
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Jiro Inagaki + Soul Media - Memory Lane
Jiro Inagaki + Soul Media
Memory Lane
LP | 1980 | JP | Reissue (Columbia Japan)
46,99 €*
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Release: 1980 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Soul Media is led by Jiro Inagaki, who played a part in the development of jazz rock in Japan. This album “Memory Lane” was recorded in 1980.

Regarding this work, Inagaki said, “We made this work while anticipating the fate of fusion music.”

This album contains the mellow and emotional track “Memory Lane”, the stormy and refreshing “I Will Give You Samba”, and the groovy and edgy “Take My Hand”

The sound that Jiro created with his sworn friend Norio Maeda while looking ahead to the future of Jazz has an extraordinary degree of perfection in terms of song, arrangement, and performance. Listening to this album years later, it’s still vivid and fresh.
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Jiro Inagaki & Soul Media - Onna Tomodachi (Wandering Birds)
Jiro Inagaki & Soul Media
Onna Tomodachi (Wandering Birds)
LP | 1971 | JP | Reissue (Nippon Columbia)
54,99 €*
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Release: 1971 / JP – Reissue
Genre: Organic Grooves
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This is the first time Jiro Inagaki has featured vocals in this bold take on new rock. The mysterious, blackened rock groove roars out. This jazz-rock work is particularly unique among Jiro Inagaki's works, featuring vocals by Sammy and Yasushi Sawada for the first time, and backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida, and others.
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Joe McPhee - Black Magic Man
Joe McPhee
Black Magic Man
LP | 1975 | US | Reissue (Superior Viaduct)
26,99 €*
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Release: 1975 / US – Reissue
Genre: Organic Grooves
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“Black Magic Man is arguably the pivotal Joe McPhee release. It bridged the span between the regional and the international, bypassing the national altogether. “Recorded in the same sessions that produced Nation Time, Black Magic Man consists of music not chosen for that LP. Like its much-feted sister, technically it falls under the domain of CjR, Craig Johnson’s herculean effort in support of McPhee. An erstwhile painter, Johnson became a self-taught audio engineer, acquiring equipment expressly to document McPhee’s music. In December 1970, five years after Johnson and McPhee had met, they recorded two days of activity —a concert followed by an additional day of recordings—at Vassar College where McPhee was teaching in the Black Studies department. About half of the material was used to make Nation Time. While they had planned to issue a follow-up, the money wasn’t there, so the tapes sat dormant. “Fast-forward five years—Werner X. Uehlinger, a Swiss businessman who worked for Sandoz Pharmaceuticals, contacted Johnson while on a trip to the US, and over dinner with McPhee, they discussed putting out some of the unused tracks from the Nation Time sessions. With this casual encounter in 1975, Hat Hut Records was inaugurated. The new label’s maiden release was Black Magic Man, dubbed Hat Hut A, the first in what would become Hat Hut’s letter series. Along the way, the series would feature seven Joe McPhee records, including the first four in a row.” John Corbett (excerpt from the liner notes)
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Joe McPhee - Tenor
Joe McPhee
Tenor
LP | 1977 | US | Reissue (Superior Viaduct)
25,99 €*
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Release: 1977 / US – Reissue
Genre: Organic Grooves
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“There are lots of outstanding Joe McPhee LPs. Nation Time being chief among them, but there’s also Pieces Of Light, Oleo and Topology. The Poughkeepsie, New York-based multinstrumentalist, by now an international star of free music, has amassed a daunting discography, no doubt. If you want to peer deeply into the soul of Joe McPhee, however, there’s no way around it, you need to spend some quality time with Tenor. “Tenor is McPhee’s first solo record. He did not set out to make it. It was an afterthought, quite literally, born of a gathering of friend s at the Swiss farmhouse of cellist Michael Overhage. A beautiful meal, some drinks, warm conversation, and ... why not, an impromptu recital. Hat Hut producer Werner X. Uehlinger was there and a year later issued it as McPhee’s third LP for the label (Hat Hut C in their famed letter series). “The existential blues ‘Knox’ sets the stage, indicating that this will not just be a toss-off postprandial singalong. ‘Good-Bye Tom B.’ carries on with aching melancholy, through burred notes and hushed harmonics. The relatively jaunty ‘Sweet Dragon’ is also emotionally loaded with Ayler-esque vibrato, slurs, wipes, and blasts of tone. The side-long title track comes without a theme, as a kind of pure investigation of the horn, its potential, its limits, its expressive capacity. There have been few solo sessions as comprehensive and devastating as this spontaneous after-dinner diversion in rural Switzerland in 1976. We’re very lucky someone pressed record.” John Corbett (excerpt from the liner notes)
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Joe Pass - Better Days
Joe Pass
Better Days
LP | 1971 | JP | Reissue (P-Vine)
37,99 €*
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Release: 1971 / JP – Reissue
Genre: Organic Grooves
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Joe Pass plays funk? Check out the master of mellow guitar, Joe Pass, as he takes on the only thing scarier than a broken string - jazz funk!

Originally released on session legend Carol Kaye’s short lived California label, Gwyn Records, in 1970, the album saw Joe Pass as he explored a genre that was quickly making waves - jazz funk. From album opener and title track “Better Days”, it’s immediately clear that this isn’t your average Joe Pass album. As Kaye’s iconic Fender bass mingles with Marvin Gaye collaborator Paul Nelson Humphrey’s simple yet solid drumming, it’s impossible to mistake this for Pass’s earlier works. Yet his tone is as sweet and mellow as ever, with his masterful bebop soloing a welcome respite from the wah’d out funk guitar playing of the time. Despite his gentle tone, the grooves are deep and rhythmic - ranging from the bossa-inspired “Balloons”, to the lively bass-driven funk of “Head Start”. Of course, it wouldn’t be a Joe Pass record without a solo track. Album closer “We’ll be Together Again” sees Pass alone - his masterful chord-melody techniques and phrasing on full display as he manipulates tempo and time. The subtle tape hiss practically accompanies Pass until the rhythm section comes in - with the quartet’s simple, elegant playing bringing the album to a gentle close. Whether you’re on the dance floor, or in a cafe, this is one album that you absolutely must not miss. P-vine is proud to be reissuing Joe Pass’s Better Days on limited edition vinyl for the first time ever!
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Joe Pass - Intercontinental
Joe Pass
Intercontinental
LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Joe Pass (born Joseph Passalaqua) knew how to conjoin melody and chords. Moreover, he brought the walking bass line into the jazz guitar repertoire, as heard in his duo performances with Ella Fitzgerald. Deftly accompanied by German bass virtuoso Eberhard Weber and English drummer Kenny Clare, the music runs the gamut of genres – a meditative Jobim bossa nova, a lusciously relaxed version of the jazz standard, “Stompin' at the Savoy”, a blues-drenched rendition of the Bobby Gentry pop classic, “Ode to Belly Joe”, and a display of dynamically controlled guitar pyrotechnics on the exhilarating “I Love You”.
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Joe Tossini And Friends - Lady Of Mine
Joe Tossini And Friends
Lady Of Mine
LP | 1989 | EU | Reissue (Joe Tossini Music)
21,99 €*
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Release: 1989 / EU – Reissue
Genre: Organic Grooves
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A download code is included. Carefully ReEdited, 100% Original Lady of Mine is the 1989 debut LP by self-made Italian-American Joe Tossini. An astoundingly honest, passionate record of cosmopolitan lounge music, he willed this charming suburban oddity into existence without any formal musical training.
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Joel Fairstein - Umbra
Joel Fairstein
Umbra
LP | 1978 | EU | Reissue (Mad About)
24,99 €*
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Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Hailing from Knoxville, Tennesee, Joel Fairstein has earned critical praise as Jazz pianist, composer, producer, and studio musician. His first album, "Umbra", an LP recorded at age 24 with eighteen sidemen has since become a sought-after collector item. It includes an insert with interview and exclusive photos.
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Joel Vandroogenbroeck - L'immagine Del Suono
Joel Vandroogenbroeck
L'immagine Del Suono
LP | 1972 | EU | Reissue (Musica Per Immagini)
24,99 €*
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Release: 1972 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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Joel Vandroogenbroeck was an arranger, conductor, producer and, above all, a unique multi-instrumentalist in the world of music. The Belgian artist was also famous for being the only permanent member of the group Brainticket and the main promoter of its creativity, often renewed with the contribution of exotic instruments. At the dawn of the Seventies, this versatile musician began a parallel life as a composer of singular music libraries tailored to comment documentary images. “L'Immagine Del Suono” was one of them, originally released by Italy's Flirt Records and now repressed on vinyl by Musica Per Immagini for the first time. This album circulated, however, unnoticed in a limited number of copies among insiders, only rediscovered later by fans, thus raising Joel Vandroogenbroeck as a real pioneer of ambient and new age music. It is appropriate to consider the twelve short-lived pieces of “L'Immagine Del Suono” as a sort of continuous and visionary experiment, with the addition of electronic gasps, a strong dose of inevitable psychedelia, fragments of synthesized jazz, all coming from experiences both internal and external, hallucinatory and hedonistic. All of this combined creates a mysterious and abstract hybrid. Sonic raw material is sculpted with artisanal care, at times twisted and cryptic, characterized by a transversal irony, to the point that the interference of rock elements in the course of the set divert the listener's attention and momentarily interrupt the flow of consciousness. “L'Immagine Del Suono” is a concentrated example of the avant-garde, free from categorisation of any kind, developed in a non-commercial key and, equally, is drawn from a direct line via what was previously expressed within the folds of the then contemporary works of Brainticket.
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John Betsch Society - Earth Blossom Deluxe Edition
John Betsch Society
Earth Blossom Deluxe Edition
LP | 1974 | Reissue (Heavenly Sweetness)
31,99 €*
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Release: 1974 / Reissue
Genre: Organic Grooves
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John Carter / Bobby Bradford - Self Determination Music
John Carter / Bobby Bradford
Self Determination Music
LP | 1971 | UK | Reissue (BGP / Flying Dutchman)
25,99 €*
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Release: 1971 / UK – Reissue
Genre: Organic Grooves
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The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought them together to lead their own band.

Their first outing on Flying Dutchman was “Flight For Four” as the Carter Bradford Quartet that was released in 1969. This is the second album they recorded where Carter and Bradford were supported by Tom Williamson (bass), Buzz Freeman (drums) and another uncredited bass player on four extended improvisations – ‘The Sunday Afternoon Jazz Blues Society’, ‘The Eye Of The Storm’, ‘Loneliness’ and ‘Encounter’.

The album has been out of print on vinyl since 1971 and Ace are delighted to release it with audio taken from hi-res digital transfers from the original masters.
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John Carter Octet - Dauwhe
John Carter Octet
Dauwhe
LP | 1982 | EU (Black Saint)
19,99 €*
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Release: 1982 / EU
Genre: Organic Grooves
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Originally released in 1982, "Dawhe" is the first chapter in John Carter's "Roots and Folklore" saga. A five parts epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford - cornet, James Newton - flute, Charles Owens - soprano sax, oboe, clarinet, Red Callender - tuba, Roberto Miranda - bass, William Jeffrey - drums and Luis Peralta - percussion. This is a highly integrated form of Jazz based on the processing of different musical forms and related topics. From the ancient African mythology through the Blues experience towards the open land of Creative Jazz. A strong musical and cultural statement from one of the greatest West Coast modern Jazz composers.
Highly recommended for open-eared listeners - Scott Yanow - All Music Guide
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John Coltrane - Afro Blue Impressions Back To Black Edition
John Coltrane
Afro Blue Impressions Back To Black Edition
2LP | 1977 | EU | Reissue (Pablo)
38,99 €*
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Release: 1977 / EU – Reissue
Genre: Organic Grooves
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John Gordon - Erotica Suite
John Gordon
Erotica Suite
LP | 1978 | EU | Reissue (Everland Jazz)
19,99 €*
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Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Official reissue of mega rare 1978 LP! Licensed by Strate-East.
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John Hicks - Hells Bells
John Hicks
Hells Bells
LP | 1980 | UK | Reissue (Pure Pleasure)
35,99 €*
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Release: 1980 / UK – Reissue
Genre: Organic Grooves
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John Hicks (1941-2006) gave much to jazz over several decades but never really received the appreciation he so richly deserved. As a pianist, he proved himself in the Art Blakey and Betty Carter universities. He was also the prototypical musician's musician, a first-call pianist for many jazz greats and a magnificent accompanist to the art's best saxists, including Pharoah Sanders, Arthur Blythe, Chico Freeman, Archie Shepp, and David Murray.
He was often accused of hovering in McCoy Tyner's shadow, which is unfair and untrue. But he evinced a great fondness for Coltrane's music and was often heard on many a Coltrane tribute, showing affection for the saxophonist and his appreciation for Tyner's contribution to Coltrane's finest music.
Another facet of John Hicks' career, which gets even less attention than his wondrous playing, is his ability to craft identifiable compositions that are wandering and melodic, suggestive and malleable yet memorable all at once.
It would be difficult to conceive the ideal tribute to John Hicks. As a jazz contributor, he wasn't easily pigeon-holed. While he was always a (straight) jazz player, he skirted the edges of free jazz and pure romanticism that neither side ever appreciates in the other. But both camps could find moments of joyous life in all the ways Hicks chose to express himself. He was an unmistakably perfect accompanist in any mode.
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John Mclaughlin & John Surman - Where Fortune Smiles Color Vinyl Edition
John Mclaughlin & John Surman
Where Fortune Smiles Color Vinyl Edition
LP | 1970 | EU | Reissue (Tiger Bay)
15,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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John Stubblefield - Bushman Song
John Stubblefield
Bushman Song
LP | 1986 | UK | Reissue (Pure Pleasure)
35,99 €*
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Release: 1986 / UK – Reissue
Genre: Organic Grooves
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Johnny Hammond - Breakout
Johnny Hammond
Breakout
LP | 1971 | US | Reissue (Kudu)
19,99 €*
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Release: 1971 / US – Reissue
Genre: Organic Grooves
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Johnny Hammond - Gamblers Life
Johnny Hammond
Gamblers Life
LP | 1974 | UK | Reissue (Soul Brother)
28,99 €*
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Release: 1974 / UK – Reissue
Genre: Organic Grooves
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This amazing album from 1974 was the natural predecessor to Johnny Hammond’s classic “Gears” recorded with the Mizell brothers the following year. It contains the rare groove/Jazz Funk anthems “Star Borne” and “Yesterday Was Cool”.

“Gambler’s Life” was the album where Hammond switched from his customary organ to electric piano at a time the Mizell brothers had just produced Donald Byrd and Bobbi Humphrey for Blue Note. They had become noted for their "multi-layered funky sound". As much as Hammond shines on electric piano, this album is a true band effort, an all-star jam session of sorts, thanks to the presence of ace musicians such as George Benson, Eric Gale, Melvin Sparks, Ron Carter, Harvey Mason, Billy Cobham, Steve Gadd, Airto Moreira, Ralph MacDonald, Grover Washington, and of course the Mizell brothers themselves.

In addition to the 8 tracks that were on the original "Gambler's Life" album, this CD reissue includes 4 bonus tracks, all of which originally appeared on other Kudu/CTI studio albums in 1971 and 1974, and on those 4 tracks you get to hear Hammond's trademark organ. Title track “Gambler’s Life” was also sampled by Erykah Badu on "Mama's Gun" LP
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Johnny Hammond - Gears
Johnny Hammond
Gears
LP | 1975 | US | Reissue (Craft)
37,99 €*
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Release: 1975 / US – Reissue
Genre: Organic Grooves
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Johnny Hammond - Los Conquistadores Chocolates
Johnny Hammond
Los Conquistadores Chocolates
12" | 1975 | US (East End)
13,99 €*
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Release: 1975 / US
Genre: Organic Grooves
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Jon Appleton & Don Cherry - Human Music
Jon Appleton & Don Cherry
Human Music
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
25,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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A forward thinking collaboration between electronic music pioneer Jon Appleton and trumpet great Don Cherry, that explores the relationship between the humanity and the manufactured robotic future.

Using the techniques associated with Musique Concrete the ensuing improvisations create a unique entry into the great trumpeter's discography. It was an in vogue attempt to render the music of tomorrow, and today sounds more like the soundtrack to a truly great sci-fi movie

Reissued in a fascimile of the original gatefold sleeve, and remastered from new 24/96 transfers, this is part of Ace's HiQ LP series
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Jorge Lopez Ruiz - Coraje Buenos Aires
Jorge Lopez Ruiz
Coraje Buenos Aires
LP | 1973 | EU | Reissue (Altercat)
23,99 €*
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Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Jorge Lopez Ruiz - Un Hombre De Buenos Aires
Jorge Lopez Ruiz
Un Hombre De Buenos Aires
LP | 1978 | EU | Reissue (Altercat)
24,99 €*
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Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Here's one for your long, breezy summer afternoons by the sea. Jazz, funk, tango and bossa vibes kiss each other, all wrapped up in JLR's trademark cinematic feel. In his colourful Un Hombre de Buenos Aires, recorded in 1978, JLR puts the political outcry of his early 70s works aside and focuses on his love for the city of Buenos Aires.

As always, Jorge López Ruiz enroled for the recording of Un Hombre de Buenos Aires some of the best musicians in the country. The line-up includes Dino Saluzzi on bandoneon, Domingo Cura on percussion and his lifelong friend Pocho Lapouble on drums.

Jorge López Ruiz gets far less credit than he deserves. His crucial role in shaping Argentina's jazz history should place him right next to Gato Barbieri and Lalo Schifrin, giants who found success abroad. It's an honour do dig deeper into his vast discography after having already reissued his masterpiece Viejas Raíces and his historical milestone album Bronca Buenos Aires.
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Joseph Jarman / Don Moye - Earth Passage - Density
Joseph Jarman / Don Moye
Earth Passage - Density
LP | 1981 | EU | Reissue (Black Saint/Eargong)
24,99 €*
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Release: 1981 / EU – Reissue
Genre: Organic Grooves
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An outstanding yet obscure 1981 release by two Art Ensemble of Chicago members, multi reeds player Joseph Jarman and drummer Don Moye along with legendary bassist Rafael Garret (mostly remembered for his presence on Coltrane's masterpiece "Kulu se Mama") and young lion Craig Harris on trombone. Four great individuals digging deep between ancient African rituals and modern urban multidimensional grooves. A tribal ecstatic sound based on a multitude of instruments: reeds, bamboo flutes, didgeridoo, trombone, conch shell, panpipes and a sea of percussion. A beautiful example of Aacm "Ancient to the Future" aesthetic. A magic mixture of elements from the African American music continuum.
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Jothan Callins & The Sounds Of Togetherness - Winds Of Change
Jothan Callins & The Sounds Of Togetherness
Winds Of Change
LP | 1975 | EU | Reissue (Mad About)
25,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Rare Spiritual Jazz Funk masterpiece reissued for the first time ever worldwide with the original 4 page booklet. Jothan Callins had played with Olatunji in the late 1960s, he both joined the Sun Ra Arkestra and founded his own Sound of Togetherness. The incarnation of the band featured on this 1975 New York recording includes Cecil McBee, Norman Connors, Joseph Bonner and Roland Duval. “Winds of Change” is generally compared to the Strata East style of Jazz. Under exclusive license from Amadi Aziliwe.
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Joyce Hurley - Joyce
Joyce Hurley
Joyce
LP | 1978 | EU | Reissue (Mab About)
27,54 €* 28,99 € -5%
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Release: 1978 / EU – Reissue
Genre: Organic Grooves
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The first album was recorded in Sydney in 1978 by Joyce Hurley, who learned piano basics in the United States and is currently a European singer, pianist, and composer. Although it has been featured in many record guides and reviews as one of the coveted DJs for a long time, it was, for a long time, a rare LP much sought after by collectors. In addition to the standard number, it is composed of instrumental songs by David Martin Group, who serves as a backing, and Afro-Cuban numbers such as "Sambole'" and "Here and now” are the highlights and killer version of Herbie Hancock's “Maiden Voyage. Joyce Hurley's first full-length release. Joyce was a Detroit-born singer who came to Sydney to study at the NSW Conservatorium and recorded this album with the David Martin Group while she was here. The album was recorded at Earth Media Studios in late 1977 and 1978.
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Juan Pablo Torres - Algo Nuevo
Juan Pablo Torres
Algo Nuevo
LP | 1978 | WW | Reissue (Mr Bongo)
23,99 €*
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Release: 1978 / WW – Reissue
Genre: Organic Grooves
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Next up in the Mr Bongo Cuban Classics series is an outing by the mighty Juan Pablo Torres from 1978. Released on Cuba’s state-owned Areito imprint, Algo Nuevo showcases trombonist, bandleader, arranger and producer Juan Pablo Torres' unique scope of sound. A melting pot of an album that weaves together jazz-funk and traditional Afro-Cuban genres with tripped-out synth touches and dancefloor grooves.

The opener 'Pan Caliente' is a fiery celebration, combining a driving groove with Latin percussion, feverish horns and infectious “la-la-la” vocals. The wild, squelching cosmic synthlines give an otherworldly touch to proceedings that sit nicely on a modern dancefloor. 'Guajira 2001' is perhaps Juan's future-focussed take on the vibrant style of Cuban dance-led music called guajira. Blistering bongos, congas and claves moving together with trumpets, trombones and twanging acoustic guitars that you can’t help but bounce to.

Other highlights include, 'Cacao', a Cuban cosmic funk strutter that places the claves upfront, with a scatting vocal line and percussive climax reminiscent of George Kranz electronic disco anthem 'Din Daa Daa' from 1983. Elsewhere, 'Elvira' further showcases the psychedelic essence of many of the album’s tracks. A deep Latin workout where tasty percussive breaks and scorching keys blend with trippy vocals and rumbling synths.

A varied album encompassing a variety of Afro-Cuban genres and rhythms entwined with flashes of mind-bending cosmic influence. Algo Nuevo is a further jewel in Cuba’s musical crown of riches, with plenty of dancefloor treats and downtempo numbers held within.
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Juan Pablo Torres - Cuba Disco
Juan Pablo Torres
Cuba Disco
LP | 1984 | EU | Reissue (Mondo Groove)
27,99 €*
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Release: 1984 / EU – Reissue
Genre: Organic Grooves
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Juan Pablo Torres was one of the best trombone players in the Latin-jazz community of the second half of the 20th century. He was the director of Algo Nuevo and a member of Irakere, two of the leading exponents of Afro-Cuban jazz in the 1970s and 1980s. He has also directed various Cuban supergroups such as Estrellas de Areito and Cuban Masters. Almost all of his albums were made for Areito de La Habana, Cuba. ‘Cuba Disco’ was the only album released in his name in Europe; recorded in Milan in 1984 and produced by Aldo Pagani. In Italy in the same year he participated in two records by Pino Daniele and one by Astor Piazzolla. Accompanied by his faithful Gruppo Algo Nuevo, with the addition of some guests such as the Italian jazz guitarist Angelo Arienti, his traditional Afro-Cuban vein is contaminated by disco and balearic moments; as in the case of the magnificent ‘Bermuda Triangle’ which anticipates the current atmosphere of Nu Genea. Limited edition. Released from the transfer of the original master tapes.
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Juan Pablo Torres Y Algo Nuevo - Super Son
Juan Pablo Torres Y Algo Nuevo
Super Son
LP | 1977 | WW | Reissue (Mr Bongo)
23,99 €*
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Release: 1977 / WW – Reissue
Genre: Organic Grooves
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The next release in the Mr Bongo Cuban Classics series, is one of Juan Pablo Torres' most-known and loved albums, the iconic Super Son from 1977. A wonderful record of tripped-out rumbas, psych-Afro-Latin funk and quirky orchestrated tracks with a big band horn section courtesy of Torres’ band, Algo Nuevo.

As well as being the director of Algo Nuevo and Cuban all-star ensemble Estrellas De Areito, the trombonist, bandleader, arranger and producer also released a wealth of albums under his own name predominately on the state-owned imprint Areito/EGREM.

Post-revolution, there was a contrast in Cuba’s musical world. State censorship was at play, but professional musicians were on the government payroll which gave them an artistic freedom. Experimentation emanated in the ‘70s and ‘80s and Super Son is a prime example of that. ‘Y Que Bien' kicks off the album taking you down a tripped-out, cosmic rabbithole, psych guitars and skat vocals opening up into a joyful funk groove laced with jazzy Afro-Cuban horns stabs. Tracks such as 'Pastel En Descarga' seem to come out of nowhere and are completely unique. Fuzzed-up guitar lines and percussion lay the groundwork, with those jubilant horns adding to the energy of this forever building track.

Elsewhere, there’s the ‘70s TV theme-tune feeling of 'Con Aji Guaguao', a playful funk number that boils and bubbles with blistering trombone playing by Torres. Or ‘Son A Propulsión' and ‘Son Riendo’, two more brilliant examples of psychedelic funk, wrapped up in a blanket of Afro-Cuban rhythms. The former sweeping you up in rushes of wind as trumpets, trombones and distorted guitars trade off, the latter, an intergalactic fiesta of tradition and exploration.

Super Son is up there as one of the funkiest Cuban records around, a playful fusion of ideas from a producer, player and group on fine form and, for us, one of our favourite gems to come out of Cuba in this period. A sheer masterpiece.
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Judy Anton - Smile
Judy Anton
Smile
LP | 1980 | JP | Reissue (Teichiku)
72,99 €*
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Release: 1980 / JP – Reissue
Genre: Organic Grooves, Pop
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Released in 1980, late AB’s, Makoto Matsushita and Cassiopeia members participated in the city pop masterpiece reissued on LP! Arranged by Makoto Matsushita and Minoru Mukai, and the participating musicians are Takeshi Ito and Akira Jimbo.
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Juju - A Message From Mozambique
Juju
A Message From Mozambique
LP | 1973 | EU | Reissue (Strut)
26,99 €*
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Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Strut continue their in-depth work with Oneness Of Juju"s Plunky Branch with the first ever reissue of the powerful 1973 album for Strata-East, "A Message From Mozambique". The roots of JuJu started in San Francisco after Plunky had met his musical mentor, Zulu musician Ndikho Xaba, helping to form his band Ndikho and The Natives. Three members of The Natives (Plunky, bassist Ken Shabala and vibes / flute player Lon Moshe) then joined Marvin X"s theatrical production The Resurrection Of The Dead, joining local musicians Al-Hammel Rasul (keyboards), Babatunde Lea (percussion) and Jalango Ngoma (timbales).
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Juju - A Message From Mozambique
Juju
A Message From Mozambique
LP | 1973 | US | Reissue (Black Fire)
20,99 €*
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Release: 1973 / US – Reissue
Genre: Organic Grooves
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Jukka Tolonen - Summer Games
Jukka Tolonen
Summer Games
LP | 1973 | EU | Reissue (Lipposen Levy Ja Kasetti)
28,99 €*
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Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Tolonen’s 2nd solo album from 1973 reissued in its original gatefold format with insert including new interviews with all key players – Tolonen, Esa Kotilainen, Häkä Virtanen, Måns Grundstroem.

100 copies available only.
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Justo Almario - Interlude
Justo Almario
Interlude
LP | 1981 | UK | Reissue (Expansion)
28,99 €*
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Release: 1981 / UK – Reissue
Genre: Organic Grooves
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Karin Krog - We Could Be Flying
Karin Krog
We Could Be Flying
LP | 1975 | JP | Reissue (P-Vine)
35,99 €*
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Release: 1975 / JP – Reissue
Genre: Organic Grooves
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Originally released in 1975, Norwegian jazz singer Karin Krog’s We Could Be Flying has long been called an underrated masterpiece. Although Krog is listed as the sole leader on the album, pianist Steve Kuhn’s presence is felt throughout. Composing four out of nine tunes and playing on all nine, the New York pianist’s brand of mellow jazz is on full display from beginning to end. Album opener and title track “We Could Be Love” sets the tone for the record, as spiritual chimes and rolling piano arpeggios make way for a gentle groove, over which Krog’s vocals soar. “The Meaning of Love” is a Kuhn composition, and sees the pianist take an understated, yet fantastic solo. However, the true highlights are the bass playing from Steve Swallow and drumming from John Christensen. The two are perfectly locked in, and you can practically imagine the two of them locking eyes as they create a rhythmic bedrock. The cover of Joni Mitchell’s “All I Want”, is another highlight of the record, with 70’s sensibilities oozing from practically every aspect of the performance. Despite that, the track has aged well, and perfectly shows the interplay between Krog and the immensely talented rhythm section. That’s not to say that the rest of the record is lacking in any way. From the loungey interpretation of Carla Bley’s “Sing Me Softly Of The Blues”, to the danceable samba-inspired “Raindrops, Raindrops” and “Hold Out Your Hand”, fans of all kinds of jazz are sure to be delighted from beginning to end. Reissued on vinyl with an obi-strip for the first time ever, this record is a must-have for any jazz fan!
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Karlton Hester And The Contemporary Art Jazz Movement - Hesterian Musicism
Karlton Hester And The Contemporary Art Jazz Movement
Hesterian Musicism
LP | 1982 | EU | Reissue (Cool Cult)
14,99 €*
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Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Musicism is the core concept of transcultural artistic research that rose to prominence at the beginning of the 80s thanks to the ingenious mind of Karlton Hester. Composer, flautist and saxophonist Hester set himself as the promoter of a multidisciplinary idea in which musicians, visual artists and poets collaborate in a synergic manner to produce new art forms. Hesterian Musicism is an avant-garde spiritual jazz record composed and issued by Hester on his San Francisco based label Hesteria in 1982.
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Karma Moffett - Chomolhari
Karma Moffett
Chomolhari
12" | 1984 | CA | Reissue (Morning Trip)
33,99 €*
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Release: 1984 / CA – Reissue
Genre: Organic Grooves, Electronic & Dance
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On 1984's Chomolhari, new age pioneer Karma Moffett eschews the arsenal of Tibetan bells and resonant singing bowls, which he usually uses to conjure his healing ambient works. Instead, he opts for the shimmering arpeggiation and gentle glissando of the Moog synthesizer. With this aural palette, he soundtracks a rich inner voyage of peace and reflection. Bookended by the calming drone of the Tibetan longhorn, the trip to Chomolhari and back is one worth taking again and again.

Karma Moffett reminisces: “Chomolhari. Bhutan’s deeply venerated guardian peak. While living in San Francisco, I wandered into the first Tibet Shop in the city. I met Dorje Lama, the creator.He became my good friend and guide, and introduced me to His Holiness the Dalai Lama, the 16th Gyalwa Karmapa, the venerable Kalu Rinpoche, and Tai Situ Rinpoche. He opened the door to the path of an inspired and enlightened journey for me. After reading ‘Seven Years in Tibet’, I created ‘Chomolhari’ as a mystical journey to the higher planes of the majestic mountains. Dorje would say: ‘The wildest dreams of the Americas are the facts of Tibet.
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Kei Ishiguro - Yokohama Ragtime
Kei Ishiguro
Yokohama Ragtime
LP | 1982 | JP | Reissue (Invitation)
39,99 €*
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Release: 1982 / JP – Reissue
Genre: Organic Grooves
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Keith Jarrett / Dennis Russell Davies - Ritual / Piano
Keith Jarrett / Dennis Russell Davies
Ritual / Piano
LP | 1977 | EU | Reissue (ECM)
25,99 €*
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Release: 1977 / EU – Reissue
Genre: Organic Grooves
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Keith Jarrett - Treasure Island
Keith Jarrett
Treasure Island
LP | 1974 | EU | Reissue (Impulse)
22,79 €* 23,99 € -5%
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Release: 1974 / EU – Reissue
Genre: Organic Grooves
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Keith Mansfield & John Cameron - Voices In Harmony
Keith Mansfield & John Cameron
Voices In Harmony
LP | 1973 | UK | Reissue (Be With)
24,99 €*
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Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Voices In Harmony was released in 1973 as “a selection of contemporary pop titles featuring voices, brass and rhythm”. We choose to describe this collection of works by Keith Mansfield and John Cameron as “a string-laced, harmony-drenched KPM classic”.

From the bright, lilting harmonies of “Liquid Sunshine” to the melting flutes of “Loving Touch” and “Gentle Persuasion”, this is warm, effervescent soul music for dreamy, idyllic moods. The supreme “Husky Birdsong” is so, so smooth, with its unrelenting bossa bassline and warm keyboards. “Half Forgotten Daydreams” is a gorgeous wordless groove.

As with all ten re-issues, the audio for Voices In Harmony comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
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Kellee Patterson - Maiden Voyage
Kellee Patterson
Maiden Voyage
LP | 1973 | US | Reissue (Black Jazz)
15,99 €*
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Release: 1973 / US – Reissue
Genre: Organic Grooves
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Kenny Cox - Clap Clap! The Joyful Noise
Kenny Cox
Clap Clap! The Joyful Noise
2LP | 1975 | UK | Reissue (BBE)
39,99 €*
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Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Kenny Cox - Multidirection Black Vinyl Edition
Kenny Cox
Multidirection Black Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
43,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Kenny Cox - Multidirection Coke Bottle Clear Vinyl Edition
Kenny Cox
Multidirection Coke Bottle Clear Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
49,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Khan Jamal - Give The Vibes Some
Khan Jamal
Give The Vibes Some
LP | 1974 | EU | Reissue (Seriewoc)
43,99 €*
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Release: 1974 / EU – Reissue
Genre: Organic Grooves
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It's quite simple, if you have a good connection with music, to find things that should be reissued due to their exceptional quality, but, like a diviner, being able to unravel the problems related to the licensing of a record, well, that's much more difficult. Finding someone is Sherlock's job! After 4 years, Khan Jamal II (son of Khan Jamal) delighted us with a "Let's go my guy". Khan Jamal doesn't need much introduction: Born Warren Robert Cheeseboro, he was a jazz vibraphone and marimba player from Philly. He founded the band Sounds of Liberation in 1970 with Byard Lancaster. In 1974, during one of his many trips to the old continent, he recorded this album in France at Jeff Gilson's Palm studio. It is a delicate game of lucid and intense contrasts between Christian Vander's drums provides a rock oriented touch, the marimba and the vibes with influences from the lands of the rising sun of Jamal and the composed trumpet of Clint Jackson III which anchor "Give the vibes Some" in a sort of Space Age Jazz era. In the end, you know what? This album is a transcendent journey into yourself, like an intense session of meditation...even if "35.007 Feet Up" could easily be played by Jeff MiIls in his DJ Set
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Khan Jamal's Creative Arts Ensemble - Drum Dance To The Motherland
Khan Jamal's Creative Arts Ensemble
Drum Dance To The Motherland
LP | 1973 | EU | Reissue (Aguirre)
25,99 €*
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Release: 1973 / EU – Reissue
Genre: Organic Grooves
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There’s not another album on the planet that sounds even remotely like vibraphonist Khan Jamal’s eccentric, one-of-a-kind masterpiece, Drum Dance To The Motherland. Thirty years after its release, the album’s tapestry of sound, fearless abstractions, relentless grooves, cool swing, flashes of ecstasy, & pan cultural embrace remain powerful & beyond category. One of only three albums released on the Philadelphia-based Dogtown label, it was barely distributed beyond the city’s limits when it came out in the early ‘70s.

Finally available again, a really stunning document of musical exploration, a classic session. In its improbable fusion of free jazz expressionism, black psychedelia, & full-on dub production techniques, Drum Dance remains a bracingly powerful outsider statement fifty years after it was recorded live at the Catacombs Club in Philadelphia, 1972. Comparisons to Sun Ra, King Tubby, Phil Cohran & BYG/Actuel merely hint at the cosmic otherness conjured by The Khan Jamal Creative Arts Ensemble & by sound engineer Mario Falana's real-time enhancements.

Clearly, the members of the Khan Jamal Creative Arts Ensemble saw African American music as a continuum that stretched from the Motherland through the blues, R&B, jazz, & free jazz, & they prided themselves on mastering the continuum. In the early ‘70s, these were fairly new ideas, but they had taken firm root in Philadelphia. The search for an African American music that is modern & culturally progressive but rooted in an African tradition is the music’s heart & soul. Its connection to the specific African American community in Philadelphia is its immediate inspiration. “My ancestors eventually show up in my music every time i play,” Jamal says. “I’ve always said that my backyard is Africa.”

Originally issued by Jamal in 1973 in an edition of three hundred copies on ‘Dogtown’ records, Drum Dance To The Motherland was effectively a myth until eremite’s 2005 CD reissue. With the master tapes long vanished, the audio was transferred at Sony Music's 54th street studio from a minty copy of the original LP. Includes an insert with Ed Hazell's detailed telling of Drum Dance's incredible history. Under License From Eremite Records.
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Kippie Moketsi & Hal Singer - Blue Stompin'
Kippie Moketsi & Hal Singer
Blue Stompin'
LP | 1977 | US | Reissue (We Are Busy Bodies)
37,99 €*
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Release: 1977 / US – Reissue
Genre: Organic Grooves
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Blue Stompin' is a collaborative album between Kippie Moketsi and Hal Singer that was organized and produced by Rashid Vally, owner of The Sun record label. The album prominently features both influential saxophonists as well as other iconic South African players Barney Rachabane and Pat Matshikiza. It was originally released by The Sun in 1977 and is being reissued by We Are Busy Bodies in partnership with the original label. The album has been remastered by Noah Mintz at Lacquer Channel. ---- 'Kippie Morolong Moketsi will appear very prominently in any history of jazz in South Africa. He will span the period from the frantic years when the sounds of the Charlie Parker's and the Dizzy Gillespie's first hit our shores to the now. And into this story some will read a curve: from Kippie teaching himself music by imitation, to a climax of artistic achievement and renown in this country, and then the decline... Others will read a lifetime of involvement, in spite of personal problems. Count me among the latter. A life-time of involvement: Kippie was among the few who understood bebop while the rest of us were still doing the jitterbug to the sounds of swing. In his way he made us see what it was all about. He has seen a generation of colleagues go to join the Orchestra Up Yonder, or merely leave their horns to spiders and their webs while they got on the straight and narrow path of grandfather-hood and six to six jobs at factories. Kippie continues on the wide, wide ' often unappreciated - road, creating music.' Notes by JOE Thloloe (Jazz Critic Drum Magazine)
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Klaus Wiese - Baraka
Klaus Wiese
Baraka
LP | 1981 | EU | Reissue (Black Sweat)
21,99 €*
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Release: 1981 / EU – Reissue
Genre: Organic Grooves
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After his participation in a masterpiece such as Popol Vuh's Hosianna Mantra, in the early 1980s Klaus Wiese produced a series of seminal works in the field of ambient-drone and healing music. The first of these, Baraka, was released on tape by Acquamarin in 1981, and already contained all the aspects of his future research into the mysticism of sound. Wiese shares the path with other German explorers such as Hamel, Fricke, Micus or Deuter, but he focuses his attention on the most essential nature of sounds, on their acoustic purity, which is always infinite spiral, vortex of frequencies and cosmic bath. It takes only a few means (zither, tampoura, cybals, singing bowls) to reach the absolute through vibration. Like the archaic mood of a great universal harmony, the sound suggests a complete state of otherworldly meditation, an enveloping cloud of peace in the eternity of the present. The musician is only the one who distributes and directs the thickenings of ethereal matter, microtonal agglomerates, cascades of celestial harmonics and emotional floods, petals and stems of devotion.
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Kohsuke Mine - First
Kohsuke Mine
First
2LP | 1970 | UK | Reissue (BBE)
39,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.

Reissued for the first time since original 1970 release, Mine is joined by master keyboard player Masabumi Kikuchi on electric piano, and two American players – bassist Larry Ridley and drummer Lenny McBrowne – to deliver one of the strongest debuts in the J Jazz canon. ‘First’ announced the arrival of a serious talent, one who was to be a hugely influential figure in the Japanese jazz scene across the decade that followed and beyond. ‘First’ established an artist who built a reputation for standout albums spanning spiritual jazz, post-bop, modal and funk-fusion. All of that started here, on this exemplary album.

‘First’ is issued on CD, digital and vinyl. The vinyl edition is presented as a double album, cut at 45rpm by the Grammy-nominated Carvery, with full original reproduction artwork, including obi strip. Both CD and vinyl comes with a 4500 word sleeve note and interview with Kohsuke Mine by Tony Higgins, plus artist portraits by Shigeru Uchiyama.

J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.
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Krystyna Pronko & Koman-Band - Krystyna Pronko
Krystyna Pronko & Koman-Band
Krystyna Pronko
LP | 1974 | EU | Reissue (Warner)
32,99 €*
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Release: 1974 / EU – Reissue
Genre: Organic Grooves
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L'infonie - Volume 333
L'infonie
Volume 333
2LP | 1972 | CA | Reissue (Mucho Gusto)
25,99 €*
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Release: 1972 / CA – Reissue
Genre: Organic Grooves
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Larry Coryell - Fairyland Live In Montreaux Record Store Day 2022 Pink & White Vinyl Edition
Larry Coryell
Fairyland Live In Montreaux Record Store Day 2022 Pink & White Vinyl Edition
LP | 1971 | US | Reissue (Culture Factory)
32,99 €*
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Release: 1971 / US – Reissue
Genre: Organic Grooves
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Larry Nozero - Time
Larry Nozero
Time
2LP | 1975 | EU | Reissue (BBE Music)
35,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Le Theatre Du Chene Noir - Aurora
Le Theatre Du Chene Noir
Aurora
LP | 1971 | EU | Reissue (Souffle Continu)
23,99 €*
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Release: 1971 / EU – Reissue
Genre: Organic Grooves
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"In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to all kinds of artistic audacity, but also the name of the great Theatre Group which resides there. Gérard Terronès showed some flair when he published, in 1971 on Futura, the first album by Théâtre du Chêne Noir. It has to be said that the group run by Gérard Gelas was right up his street: non-conformist, eccentric, protesting, just so alive… Singing too, as we can still hear today on Aurora, recorded at Avignon the 22 and 23 June 1971.

Aurora, which had been created a few weeks earlier at Ariane Mnouchkine’s Théâtre du Soleil, is according to, Gelas’ own words, a fantastic tale with actor musicians who play out the fabulous story of the Earth, and children who fight against terrifying bird men who fly from planet to planet to enslave the inhabitants and become the masters of the universe. It is an ambitious subject and thankfully (even more so for the album than for the play), the actors are also excellent musicians! If we can find «Chêne Noir» between Checkpoint Charlie and Chillum in the Nurse With Wound List created by Steven Stapleton and John Fothergill, Aurora is closer to Stances à Sophie by the Art Ensemble Of Chicago and the Divine Comédie by Bernard Parmegiani and François Bayle.

So, we need to move forward cautiously in this landscape of recitals and songs, of mysteries and cries, where saxophones and flutes, electric guitars and percussions spring up… Could the tragic climax have been possible without music? The Théâtre du Chêne Noir replies no to the question and creates a fascinating mix of text and music without one dominating the other. Enjoy the show!"
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Le Theatre Du Chene Noir - Miss Madonna
Le Theatre Du Chene Noir
Miss Madonna
7" | 1973 | EU | Reissue (Souffle Continu)
12,99 €*
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Release: 1973 / EU – Reissue
Genre: Organic Grooves
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"Two years after having recorded Aurora, which Gérard Terronès released on his Futura Records label in 1971, the Théâtre du Chêne Noir put on another show, Miss Madona, first at Avignon, and then at Ariane Mnouchkine’s Théâtre du Soleil. From this play, Gérard Gelas’ group took three sound extracts which they made, with no further ado, into a single.

Miss Madona is thus the second recording by Théâtre du Chêne Noir. The two sides(and three tracks) offer up an unbelievable instrumental theatre with something of a white magic ritual about it. The actors, so much better for the record, were also musicians; alongside Miss Madona, ex-star of the circus and now idol, were the piano and electric organ of Daniel Dublet, the saxophones of Pierre Surtel and Jean-Louis Canaud, and the trumpet of Gilbert Say.

But there are also the vocals of Beatrice Le Thierry, Bénédicte Maulet, Jean Paul Chazalon, Monik Lamy, Nicole Aubiat... which added to the mystery of what happened on stage. The sound of this particular theatre may remind us as much of John Coltrane as of Ravi Shankar, Pierre Henry or the Art Ensemble of Chicago. There are voices from beyond the grave, inspirational for future musicians: Steven Stapleton, for example who included Théâtre du Chêne Noir in his Nurse With Wound List."
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Lee Konitz & Martial Solal - Live At The Berlin Jazz Days 1980
Lee Konitz & Martial Solal
Live At The Berlin Jazz Days 1980
LP | 1982 | EU | Reissue (Musik Produktion Schwarzwald)
24,99 €*
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Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Lee Selmoco - Mosaico (Le Tastiere Di Lee Selmoco)
Lee Selmoco
Mosaico (Le Tastiere Di Lee Selmoco)
LP | 1972 | EU | Reissue (Holy Basil)
26,99 €*
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Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Francesco Anselmo, also known as Lee Selmoco, Dorsey Dodd, Alex Brown, Arsenio Bracco or Tommy Ruff, is an Italian keyboardist that covered the role of of artistic director for Vedette Records, historical Italian imprint founded by director and violinist Armando Sciascia, and also recorded for its notorious Phase 6 Super Stereo, its sub-label focused on instrumental records and production music. "Mosaico (Le Tastiere Di Lee Selmoco)" is an incredible display of his creative and composing skills, featuring 14 tracks of what could be classified as "happy music", with killer electric organ and rhythms alternating with fuzzy guitars and spacey / psychedelic hints thrown in for good measures, written alongside Guido Baggiani, alias Ruscigan. We are very happy to start a series of reissues from the Vedette Records catalog with the first ever reissue of this title after 50 years from its original release, and since the original pressing did not feature the correct track listing, it is reissued here for the first time in its correct version!
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Lele Patha - Stripiz
Lele Patha
Stripiz
12" | 1978 | EU | Reissue (Disco Segreta)
18,04 €* 18,99 € -5%
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Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Disco Segreta reissues another uber rare 70s Italian disco holy grail ! “Stripiz (Strapazzo)” - a made-up word meaning “Scramble” - was originally recorded in 1978 for the tiny Roman label SGR by Lele Pathà, moniker of musician Emanuele Degni, for what will be his only release, only issued on 45 in just a few hundred copies, specifically targeted to a clubbing environment. “Stripiz” is a truly unique record in the panorama of Italian 1970s disco during its climax years and is nothing short of pure madness: a fully instrumental track made out of synthesizers, moog lines, bells, drums topped by a male voice that goes “Striiiipiiiiiz”, a picture perfect portrait of the immensely free Italian creative outpour in disco music at the end of the 1970s, not to mention the wonderfully lisergic cover art! The first ever 12” reissue of “Stripiz” comes lovingly remastered, respectful of the actual tracks’ 70s vibe, and features the original 45 version plus a contemporary reintepretation by Italian mastermind Marcello Giordani DJ that turns “Stripiz” into a dark disco monster! Note this is a strictly limited edition and - as with all of our 2023 releases - will Never be reissued again.
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Leon Redbone - Mystery Man Colored Vinyl Edition
Leon Redbone
Mystery Man Colored Vinyl Edition
LP | 1982 | EU | Reissue (Reel)
26,99 €*
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Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Leon Russell - Looking Back
Leon Russell
Looking Back
LP | 1973 | UK | Reissue (Goodtime)
29,99 €*
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Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Looking Back is an instrumental album demonstrating Russell’s virtuosity on the harpsichord. Much of the material arose from recording sessions in the mid sixties. The album has remained a ‘must have’ component of every Russell fans’ record collection. By the time this album was released, he was considered to be the biggest concert draw of 1973 by Billboard magazine. Pressed on heavyweight purple vinyl in special edition orange sleeve.
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Leon Spencer Jr. - Sneak preview!
Leon Spencer Jr.
Sneak preview!
LP | 1971 | US | Reissue (Prestige)
21,99 €*
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Release: 1971 / US – Reissue
Genre: Organic Grooves
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with Melvin Sparks, Idris Muhammad, Grover Washington Jr., ...
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Leon Spencer - Where I'm Coming From
Leon Spencer
Where I'm Coming From
LP | 1973 | US | Reissue (Craft)
37,99 €*
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Release: 1973 / US – Reissue
Genre: Organic Grooves
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Leon Thomas - Blues And The Soulful Truth
Leon Thomas
Blues And The Soulful Truth
LP | 1972 | UK | Reissue (BGP / Flying Dutchman)
25,99 €*
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Release: 1972 / UK – Reissue
Genre: Organic Grooves
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The title of Thomas’s third album for Bob Thiele’s Flying Dutchman referenced Oliver Nelson’s classic 1961 LP “The Blues and the Abstract Truth”. Released in 1972, “Blues And The Soulful Truth” featured an expansive all-star band that included Pretty Purdie (drums), Stanley Clarke (bass), Cecil Payne (Baritone sax) and the unsung Neal Creque (keyboards). It’s a soul meets jazz meets the blues masterpiece with arrangements from ex-James Brown horn-man Pee Wee Ellis.

This astounding album features the extraordinary ‘Shape Your Mind To Die’, ‘l-o-v-e’, a captivating vocal version of Gabor Szabo’s ‘Gypsy Queen’, the compelling ‘Love Each Other’, the plaintive ‘China Doll’ and a driving version of John Lee Hooker’s ‘Boom-Boom-Boom’.

Pressed on 180gm vinyl we have remained faithful to the original pressing, replicating the Flying Dutchman label style and gatefold sleeve.
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Les DeMerle - Concerts By The Sea
Les DeMerle
Concerts By The Sea
LP | 1978 | JP | Reissue (P-Vine)
36,99 €*
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Release: 1978 / JP – Reissue
Genre: Organic Grooves
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From the opening announcement of the MC, the first live album of jazz drummer Les Demerle’s glowing career jumps right into the thick of it. Live At The Concerts By The Sea was originally released in 1978, and showcases the live performance of Demerle’s band at Howard Rumsey’s iconic jazz club Concerts By The Sea; a club which produced a series of concerts from 1971 to 1985 in Redondo Beach, California. From the jazz-fusion opener “Quetzal” to the pacy jazz-funk of “San Quentin Quail,” Les Demerle leads his band through a memorable set of genre-hopping jazz with a steady and exemplary command of his kit. P-vine is thrilled to be producing the first official reissue on its Groove-Diggers imprint with a limited edition LP pressing, and an iconic Japanese obi strip attached.
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Les DeMerle - Transfusion
Les DeMerle
Transfusion
LP | 1978 | JP | Reissue (P-Vine)
35,99 €*
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Release: 1978 / JP – Reissue
Genre: Organic Grooves
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P-vine is proudly reissuing a classic album of rare groove released by West Coast-born funky drummer Les Demarle at the height of his career in the 1970s, "Transfusion" with a Japanese OBI strip!

This is a studio recording in 1977 on the jazz label called "Dobre Records", which was run by Ray Lawrence. The introductory drum break to 'Moondial' has been sampled by many artists including Jurassic 5's 'Lesson 1', De La Soul's 'Stone Age', DJ Shadow and Greyboy. Other jazz funk tracks such as 'Canned Heat Suite' and 'Kaballa', and the bewitching Afro-latin funk of 'Bacchanal', this is a funky fusion full of groovy tracks throughout the album.
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Lesiman - High Tension Volume 1
Lesiman
High Tension Volume 1
LP | 1973 | EU | Reissue (Holy Basil)
25,99 €*
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Release: 1973 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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Following the release of Lee Selmoco's "Mosaico" we continue our journey with Vedette Records to bring back to life part of their incredible catalog, with the reissue of the first instalment of the "High Tension" series by Lesiman. Born in Florence in 1935, Paolo Renosto, the man behind the moniker Lesiman, was an incredible composer, experimenter, music teacher and piano player whose amazing skills and sound research brought him to work with Luigi Dallapiccola and Bruno Maderna, as well as being a member of the Associazione Nuova Consonanza of Roma. He obviously joined, for some time, the renowned Gruppo d’Improvvisazione, with Franco Evangelisti and Domenico Guaccero. Released exactly 50 years ago and packed with dramatic tension, obscure drums and asphyxiating atmospheres revolving around the theme of war, composed with the additional input of Romolo Grano, Sandro Brugnolini and Guido Baggiani, this first volume in the series is a holy grail in Italian libraries as well as a prime example of "music especially crafted for films, television, radio, publicity and industrial use". Now available on vinyl for the first time as a limited edition of 500 copies.
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Lester Bowie - Fast Last
Lester Bowie
Fast Last
LP | 1974 | US | Reissue (Muse)
19,99 €*
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Release: 1974 / US – Reissue
Genre: Organic Grooves
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Lester Young - Jazz At The Philharmonic: Lester Young Carnegie
Lester Young
Jazz At The Philharmonic: Lester Young Carnegie
LP | 1985 | US | Reissue (Verve)
37,99 €*
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Release: 1985 / US – Reissue
Genre: Organic Grooves
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Lining Time - Strike
Lining Time
Strike
LP | 1982 | UK | Reissue (Shadow World Archive)
23,99 €* 31,99 € -25%
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Release: 1982 / UK – Reissue
Genre: Organic Grooves, Rock & Indie
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Here I AM is the first thing. A powerful incantation sung in full choral style at Dartington College of Arts in 1982 and captured on tape, now in 1s and 0s for all eternity. It’s a bold phrase, this assertion of existence, this permanent claiming of space in time; these three words we were made to sing in church, that we used to recite one after another at the beginning of class. Doing so might seem mundane, or easy, but it’s not. What’s easy is not. Not declaring one’s presence, not showing up at all. Claire Bushe, Cathy Frost, Lisa Halse, Cathy Josefowitz, and Mara de Wit showed up, took a side. They called themselves Lining Time. They were here. ANY Woman CAN SAY I’M A Witch, they said. Strike is the album Lining Time made. It plays out like a freedom spell, like liberatory healing magic. Reveling in the power of the voice, Lining Time sing. Not at us, but for us. As if by putting voice to the traumas inflicted by the patriarchy and capital, they could be made right. As if the whole world might join in and sing along, might join in and take action - might join in and strike.There’s nothing exclusive about the music Lining Time made. Like many of the best and weirdest records of the post-punk era, Strike wears its amateurism as a badge of honour, flies it like a flag to rally around. It is inclusive to the extreme. Which isn’t to say anyone could’ve made Strike. That’s the thing. The music preserved here is too weirdly spare and idiosyncratic - and wildly overconfident in the way that only the young and young at heart can be. Sometimes it’s almost protest folk, acappella or accompanied by a single acoustic guitar, as on ‘It’s Possible’. Sometimes schoolroom auxiliary percussion clunks out a cyclical, ritual rhythm, as on the title track. At no point does it feel less than singular. Still, this is music about and for universal sisterhood. It invites solidarity. Take up an instrument for the cause and sing your own song. Time Passes Time Passes Time Passes Time Recorded music often functions like a time capsule. It’s not rare that an album is “lost”. Rather, it’s rare that a work is heard widely at the time it was made. Often, it’s barely heard at all. It just exists somewhere, a cave painting or an ancient piece of graffiti, waiting to be stumbled upon for whatever reason. The reason, in Strike’s case, is a wonderful posthumous exhibition of Cathy Josefowitz’s artwork, The Thinking Body, a cooperative effort between Kunsthaus Langenthal, Centre Culturel Suisse, Paris, Macro Roma, Les Amis de Cathy Josefowitz, and Elise Lammer. It’s possible that some might be tempted to think of Lining Time as a sideshow curiosity to the main event, but that’d be foolish. Strike, nearly forty years old, is as alive and relevant as it was when it was recorded in the wake of the Reclaim the Night march. If anything, it’s shocking how potent and necessary its message remains today.
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Lionel Pillay - Deeper In Black
Lionel Pillay
Deeper In Black
LP | 1980 | US | Reissue (We Are Busy Bodies)
33,99 €*
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Release: 1980 / US – Reissue
Genre: Organic Grooves
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Lionel Pillay’s broad list of associations is a testament to how widely respected he was in South Africa’s diverse jazz scene. In addition to his work with Mankunku, he played with Hugh Masekela in the early 1960s, produced the exquisite long-form recordings “Shrimp Boats” and “Cherry” with Basil Coetzee in the 1970s and collaborated with trumpeter Murray Campbell and saxophonist Bez Martin in the 1980s. However, is it with his 1980 album Deeper in Black, backed by core members of the jazz-fusion supergroup Spirits Rejoice, that his legacy was cemented.Deeper in Black was inspired by the 1969 Blue Note recording of American trumpeter Blue Mitchell entitled Collision in Black and took its name from Pillay’s cover of the album’s Peggy Grayson composition. Pillay’s album featured another two compositions from Collision in Black by way of the Monk Higgins track “Keep Your Soul,” with distinct arrangements straddling Side A and Side B, and Vee Pea’s “Jo Ju Ja” closing out the set. Although the source material was over a decade old when Pillay recorded his album, Collision in Black had struck a chord in South Africa with its first pressing in 1969 and even seen a local repressing in 1978. Blue Mitchell owed much of his popularity in South Africa to a six-week tour with saxophonist Harold Land in 1976. It was during this time that As-Shams/The Sun producer Rashid Vally seized the opportunity to record the Dollar Brand album Blues for a Hip King with Mitchell and Land backing Abdullah Ibrahim. Although the recording and release of Pillay’s Deeper in Black coincides with Blue Mitchell’s death in May 1979, the album was not explicitly promoted as a tribute but did certainly offer a respectful nod to the esteemed trumpeter who was among the few American jazz heavyweights who managed to connect with the South African scene during the Apartheid era.
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Lloyd McNeill Quartet - Washington Suite Ox Blood Red Vinyl Edition
Lloyd McNeill Quartet
Washington Suite Ox Blood Red Vinyl Edition
LP | 1970 | UK | Reissue (Soul Jazz)
28,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Soul Jazz Records' new ox-blood red Colored Vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album, first released as a private-press album in 1970 on flautist Lloyd McNeill's own Asha Record label in Washington, DC. Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill's hypnotic 'Washington Suite' was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.
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Logic System - Venus
Logic System
Venus
LP | 1981 | JP | Reissue (Universal Music Japan)
39,89 €* 56,99 € -30%
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Release: 1981 / JP – Reissue
Genre: Organic Grooves, Pop
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Lol Coxhill/Pierre Courbois/Jasper Van't Hof - Toverbal Sweet
Lol Coxhill/Pierre Courbois/Jasper Van't Hof
Toverbal Sweet
LP | 1972 | EU | Reissue (Lantern Heights)
32,99 €*
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Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Fully licensed, ltd to 500 copies. Released on cultish London based label Mushroom in 1972, this album brought together the anarchic genius of saxophone player Lol Coxhill, with the pure magic of a dutch rhythm section: Pierre Curbois on the drums and keyboard player Jasper Van’t Hof. A clash of the titans as a matter of fact, with the more classical and impro sounding lines of Coxhill and the straight – almost jazz-rock – harmonies of the other two players. A fascinating record comparable to Keith Tippett small groups and the rise of the most peculiar impro-jazz scene.
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Lonnie Liston Smith - Live!
Lonnie Liston Smith
Live!
LP | 1977 | UK | Reissue (BGP / Flying Dutchman)
30,99 €*
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Release: 1977 / UK – Reissue
Genre: Organic Grooves
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Lonnie Liston Smith cut his teeth as a sideman with legendary bandleaders like Art Blakey, Pharoah Sanders and Miles Davis. He first appeared on a Flying Dutchman LP when he played piano on the Leon Thomas album “Spirits Known And Unknown.” from 1969. Bob Thiele later signed Smith and his debut LP “Astral Travelling” under the banner of Lonnie Liston Smith and the Cosmic Echoes was released in 1973. This blend of jazz funk quickly found an audience that led to the follow-up “Cosmic Funk” in 1974. The seminal “Expansions” followed in 1975 which took Smith’s music to a wider audience and is now considered as a stone cold classic.
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Lonnie Liston Smith & The Cosmic Echoes - Astral Traveling
Lonnie Liston Smith & The Cosmic Echoes
Astral Traveling
LP | 1973 | Reissue (Real Gone Music)
35,99 €*
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Release: 1973 / Reissue
Genre: Organic Grooves
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Lonnie Liston Smith & The Cosmic Echoes - Astral Travelling
Lonnie Liston Smith & The Cosmic Echoes
Astral Travelling
LP | 1973 | UK | Reissue (BGP / Flying Dutchman)
25,99 €*
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Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Born and raised in Richmond, Virginia, keyboard player Lonnie Liston Smith moved to New York in 1963 playing with the likes of Dakota Staton, Al Hibbler, Max Roach and Abbey Lincoln and Roland Kirk. He made his first recordings with Kirk and in 1968 entered into a mutually rewarding and instructive partnership with Pharoah Sanders and Leon Thomas. In 1971-2 he toured Europe with saxophonist Gato Barbieri appearing on his 1973 albums “Under Fire” and “Bolivia”. His growing reputation was also burnished by playing Fender Rhodes with Miles Davis electric band.
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Lonnie Liston Smith & The Cosmic Echoes - Cosmic Funk
Lonnie Liston Smith & The Cosmic Echoes
Cosmic Funk
LP | 1974 | Reissue (Real Gone Music)
35,99 €*
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Release: 1974 / Reissue
Genre: Organic Grooves
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Lonnie Liston Smith & The Cosmic Echoes - Expansions HHV Exclusive Transparent Yellow Vinyl Edition
Lonnie Liston Smith & The Cosmic Echoes
Expansions HHV Exclusive Transparent Yellow Vinyl Edition
LP | 1975 | UK | Reissue (BGP)
24,99 €*
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Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Limited to 500 copies on transparent yellow vinyl in gatefold sleeve, exclusively available at HHV.
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Lonnie Liston Smith & The Cosmic Echoes - Visions Of A New World Remastered Edition
Lonnie Liston Smith & The Cosmic Echoes
Visions Of A New World Remastered Edition
LP | 1975 | UK | Reissue (Pure Pleasure)
35,99 €*
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Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Pianist Lonnie Liston Smith began his true professional career with Pharoah Sanders and then moved on to the very electric Miles Davis band before embarking on his own journey -- one that took him deep into the waters of pop music and disco by the late '70s. On Visions of a New World, Smith, accompanied by his working unit the Cosmic Echoes, digs deeper into the soul-jazz vein that he had begun exploring on Expansions and Funk Extraction in 1973 and 1974, respectively. In 1975, Smith was looking for a smoother, more soulful groove than he had displayed previously. Elements of the earlier band are in evidence: Vocalist Donald Smith is still on board, as are Dave Hubbard and Cecil Bridgewater on horns. Reggie Lucas even helps out on guitar in one or two places, and Ray Armando helps the percussion section. Despite these fiery players, the music here is strictly a late-night seduction/meditation groove. Tracks like the opener, "A Chance for Peace," keep the funk in mid-tempo while rounding off the edges, but "Love Beams" sounds exactly like its name. "Colours of the Rainbow" is a duet between Donald and Lonnie on keyboard and vocals, and "Devika" is the first place where the groove exceeds the mood. Latin rhythms, loosely woven horn lines, funky backbeats, and a slinky melody bring the whole thing up a couple of notches. The only other place the album heats up is on the final two tracks: the second part of the title suite -- when Donald Smith stops singing -- and "Summer Nights," when the concentration is on pure movement and sweaty, shimmering late-night funk. - ThomJurek/AMG

Recorded in 1975 at Electric Lady Studios
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Lonnie Smith - Afro-Desia
Lonnie Smith
Afro-Desia
LP | 1975 | UK | Reissue (Mr Bongo)
26,99 €*
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Release: 1975 / UK – Reissue
Genre: Organic Grooves
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The second in our Mr Bongo series opening the vault on classic recordings from the fabled Groove Merchant Records catalogue. This time the spotlight turns to the Hammond B3 organ maestro Lonnie Smith, as we proudly present a reissue of his cosmic jazz-funk journey, ‘Afro-Desia’.

Originally released in 1975, this much-loved album was produced by Groove Merchant label owner Sonny Lester and features the mysterious 'Compliments Of A Friend' on guitar. Considering Smith was part of George Benson’s quartet in the ‘60s, that not so discreet veil appears to have been lifted on who this ‘friend’ might be. However, presumably due to contractual reasons, Benson had to remain covert for this recording. The lineup doesn’t stop there though, with the likes of legendary bassist Ron Carter and Grammy award winning saxophonist Joe Lavano joining the outfit.

An album of two parts, the first side sees Lonnie Smith in a spaced-out, cosmic jazz funk setting. The opener 'Afrodesia' is a funk flexing, steamy groover. Greg Hopkins and Lavano trading off on trumpet and sax respectively, as that bassline walks its way over fluttering jazz percussion and off-kilter electronics. 'Spirits Free' is an epic 15-minute free-wheeling jazz-funk workout. A mind melting trip that rises and falls, in parts spacey and serene, with Smith’s organ playing complimented by stretched out horns. Before long it opens out into unconstrained fluid sections that do its title proud. Pure ‘70s jazz-funk at its most stellar.

Side B takes a more classic soul-jazz flavour, with touches of Latin spice. 'Straight To The Point' kicks off with a carnival zing, full-frontal horn and organ lines providing a fiery party punch. It’s a swinging jazz cut that used to receive spins by DJs at Russ Dewbury's Jazz Room's sessions in Brighton in the ‘90s.

Finally, 'Favors' and 'The Awakening' close out the release. Two sure shot, quintessential Lonnie Smith firing Hammond grooves. Each conjuring up images of packed out, smokey jazz bar jams, every player letting loose with masterful improv sections to whip the crowd up into a frenzy.

A truly wonderful album, and an archetypal release showcasing the height of jazz musician excellence from this era.
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Lonnie Smith - Funk Reaction
Lonnie Smith
Funk Reaction
LP | 1977 | Reissue (Mr Bongo)
23,99 €*
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Release: 1977 / Reissue
Genre: Organic Grooves
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Lou Donaldson - Forgotten Man
Lou Donaldson
Forgotten Man
LP | 1981 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1981 / EU – Reissue
Genre: Organic Grooves
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