Jazz | Fusion Vinyl 2489 Items

LP | 1977 | US | Reissue (Spin The Blues)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* Originally released in 1974 on the famed spiritual jazz label Strata-East * New remastering * Japanese Obi-strip In Harmony' is the fourth album by American jazz pianist and composer Weldon Irvine, released in 1974 on the famed spiritual jazz label Strata-East and acclaimed as one of his finest catalog in his early career. P-vine delightedly presents this great jazz album with new remastering just for this reissue!

Go to Item

Eddie C. Campbell

King Of The Jungle

Un Hombre De Buenos Aires

Release: 1977 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* Originally released in 1977 * First ever reissue * Japanese Obi-strip * The jacket is reproduced based on the original edition Eddie C. Campbell was a great blues guitarist who competed with Magic Sam and other greats on Chicago's West Side on his purple Jazz master guitar. P-vine is proud to present the first ever reissue of his long underrated Chicago blues masterpiece, his recording debut released in 1977, in the same jacket and with the same specifications as the original.

Go to Item

Jorge Lopez Ruiz

LP | 1978 | EU | Reissue (Altercat)

24,99 €*

Four On The Outside Black Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Here's one for your long, breezy summer afternoons by the sea. Jazz, funk, tango and bossa vibes kiss each other, all wrapped up in JLR's trademark cinematic feel. In his colourful Un Hombre de Buenos Aires, recorded in 1978, JLR puts the political outcry of his early 70s works aside and focuses on his love for the city of Buenos Aires.

As always, Jorge López Ruiz enroled for the recording of Un Hombre de Buenos Aires some of the best musicians in the country. The line-up includes Dino Saluzzi on bandoneon, Domingo Cura on percussion and his lifelong friend Pocho Lapouble on drums.

Jorge López Ruiz gets far less credit than he deserves. His crucial role in shaping Argentina's jazz history should place him right next to Gato Barbieri and Lalo Schifrin, giants who found success abroad. It's an honour do dig deeper into his vast discography after having already reissued his masterpiece Viejas Raíces and his historical milestone album Bronca Buenos Aires.

Go to Item

Curtis Fuller

LP | 1978 | US | Reissue (Tidal Waves Music)

29,99 €*

Release: 1978 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1973 | EU | Reissue (Verve)

Sun Ra

Space Is The Place

LP | 1974 | EU | Reissue (Easy Tempo)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Space Is The Place – highlighted by the rousing 21-minute title track – is both an essential album and a great onramp for new listeners to travel the spaceways of Sun Ra’s other-worldly blend of avant-garde jazz, experimental rock, and Afrofuturism.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

Go to Item

Genius

31,99 €*

LP | 1979 | EU | Reissue (Holy Basil)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Extremely obscure ‘Rare Groove’ album recorded in Argentina in 1974 and produced by great radio and music producer Mochin Marafioti. It has been impossible to learn who the musicians of the amazing session were. Soul, funk, psychedelia and latin melt into a sort of funkadelic sound. Spoken intro, sensual vocals and a monster rhythm section flirt with wah wah guitars and catchy melodies. A truly hidden treasury brought back to life by legendary Easy Tempo crew and destined to please the worldwide Rare Groove clubbing nation. To the original recording were added Edits by Andrea Passenger done in the spirit of the classic disco music manipulators like Tom Moulton, Danny Krivit and Walter Gibbons. To be played very loud.

Go to Item

Oscar Rocchi Quintet

Alchemy In Jazz

Una Magnum Special Per Tony Saitta

Release: 1979 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Besides being a leading session musician in Milan's jazz scene between the 60s and 90s, Italian pianist Oscar Rocchi created a number of exquisite library albums in the pop-jazz genre. These include among others "Erbe Selvatiche", "Pop-Paraphrenia" and "Woman's Colours" (the latter co-written with his friend Giancarlo Barigozzi) as well as "Alchemy in Jazz", which is now available in digital format for the first time ever. Originally released on Ring, an imprint of Edizioni Minstrel, the album was recorded by a quintet featuring Rocchi on piano plus long-time collaborators Hugo Heredia (sax and flute), Sergio Fanni (trumpet), Gianni Cazzola (drums) and Furio Di Castri (double bass), and has since become a cult record in countries from the US to Japan, where it was released for the first time on CD in 2013. With a palette ranging from frenzied post-bop echoes("Gold-Fast", "Nigredo") to sentimental nocturnal ballads ("Solution", "Rubedo") to cheerful modern-jazz vibes ("Mercury", "Silver-Bop", "Sulphur"), here Rocchi paints an elegantly syncopated musical fresco that, like the magical, alchemical process referred to in the title, transmutes the harsher aspects of jazz syntax into a graceful and more euphonic style that is approachable for jazz neophytes and yet enjoyable for seasoned jazz lovers.

Go to Item

Armando Trovaioli

LP | 1976 | EU | Reissue (Holy Basil)

The Gypsy (Shirley Bunnie Foy)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Una Magnum Special Per Tony Saitta (aka. Blazing Magnum: Strange Shadows In An Empty Room)> is a cop movie directed in year 1976 by Alberto De Martino and starring Stuart Whitman, Martin Landau, Tisa Farrow, and Gayle Hunnicutt. It was co-produced by Italy and Canada. An Ottawa police captain searches for the person who poisoned his sister, who was attending the university in Montreal. Later on, he desperately starts to use his own brutal methods to find the killer, but the truth turns out to be something different than what he had expected. Trovajoli has composed and conducted a score that elegantly occupies a place of all respect in the Cops/Giallo movies’ scoring. The score alternates between action-driven funky music to nostalgic/ romantic music in a reflection of the two dimensions of the protagonist: his cop job full of tasks and his private life full of sadness, but he becomes the superhero of the story by taking vengeance against those who hurt him by killing his beloved sister, and ultimately discovering the unexpected truth. For this vinyl album the original record master in stereo sound was used, restored and remastered to the highest quality. More or less the music in the movie is featured on this album, prepared for release by the composer himself for a very fine listening experience. Enjoy a half-hour with Armando Trovajoli and his cool sound!

Go to Item

Way-O

LP | 1974 | EU | Reissue (Mono Jazz)

25,99 €*

Temi Descrittivi Per Piccolo Complesso

Release: 1974 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This extraordinary album, which we are re-issuing on the occasion of RT 30 (the celebration of Right Tempo's thirty years of activity), is a tribute to the great Trinidadian pianist Sonnie Taylor who in these recordings, accompanied by the singer Bunnie Foy, expresses all his musical nature connected to Africa and the spiritual roots of jazz music. Many of you will recall Mayfra Combo, well, the leader of that seminal soul jazz ensemble was Sonnie Taylor. “I'm a Harlem Flower” sais Bunnie “I was born right in Harlem, where I've listened to an infinite number of popular songs of all kinds since I was a child. That's why I learned to sing spirituals, blues, classic and modern jazz pieces by Billie Holiday and Ella Fitzgerlad, and even calypso and African music. These are things that are all equally familiar to me. On this record, for example, I interpret a Gershwin medley but also Go Down Moses which is spiritual, Uelelé which is an Angolan piece and Way-O Comin' home which comes from the Caribbean”. Her real name is Shirley, but the nickname - which in Italian means bunny - grew up with her. She arrived in Italy in 1968 after a very flattering career start, during which she collaborated with famous names such as Dizzy Gillespie and John Coltrane. When she decided to settle in Milan she had already been to France, Switzerland, Germany, Belgium and North Africa. Sonnie Taylor, the distinguished pianist and organist who leads the nine recordings contained herein, is a native of Trinidad. He has performed in England, Spain and Italy with a rhythm and blues ensemble. He currently leads a quintet that plays Afro-Cuban music. For about a year he has been working with Bunnie Foy on her concert tours.

Go to Item

Piero Umiliani

LP | 1976 | EU | Reissue (Holy Basil)

LP | 1978 | JP | Reissue (P-Vine)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1976 as part of the "Background Music" series on Piero Umiliani's own Liuto Records, "Temi Descrittivi Per Piccolo Complesso" is a real gem in the maestro's vast and and intricate catalogue. Flutes and horns alternate with pianofender to create some magical, sweet and intimate atmospheres, crafting an abstract and mysterious soundscape that could reminisce of medieval times as much as some distant galaxies. We are happy to bring back "Temi Descrittivi Per Piccolo Complesso" in our series of reissues from his catalog, officially licensed by Piero Umiliani's family and available as a limited edition pressing of 500 copie

Go to Item

Les DeMerle

Transfusion

LP | 1976 | EU | Reissue (Mad About)

Release: 1978 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

P-vine is proudly reissuing a classic album of rare groove released by West Coast-born funky drummer Les Demarle at the height of his career in the 1970s, "Transfusion" with a Japanese OBI strip!

This is a studio recording in 1977 on the jazz label called "Dobre Records", which was run by Ray Lawrence. The introductory drum break to 'Moondial' has been sampled by many artists including Jurassic 5's 'Lesson 1', De La Soul's 'Stone Age', DJ Shadow and Greyboy. Other jazz funk tracks such as 'Canned Heat Suite' and 'Kaballa', and the bewitching Afro-latin funk of 'Bacchanal', this is a funky fusion full of groovy tracks throughout the album.

Go to Item

Dana Kaproff

Lonnie Liston Smith & The Cosmic Echoes

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Jazz Funk Masterpiece reissued for the first time Worldwide. For every celebrated record in jazz, soul, and related music, there are probably thousands more with all the genius for which widespread recognition never came or was delayed. In 1976, Dana Kaproff released one of the most wanted jazz-funk albums recorded in Los Angeles. A jazz fusion record for the discerning connoisseur. Tight drums and well-programmed synths. Excellent production and recording. Fans of 70s Herbie Hancock, George Duke, Weather Report, funky library records... heads up.

Go to Item

Reflections Of A Golden Dream

LP | 1976 | UK | Reissue (BGP)

24,99 €*

LP | 1982 | EU | Reissue (Arabusta)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album 'Expansions' is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis. Released in 1976,"Reflections On A Golden Dream", the follow-up to "Expansions", was his fifth album for Flying Dutchman and featured the core band of the Cosmic Echoes, including his brother Donald Smith, David Hubbard and Wilby Fletcher. As for the music, this album is a classic, with the funky 'Get Down Everybody (It's Time For World Peace)', the reflective 'Quiet Dawn' and 'Meditations' and the sumptuous 'Beautiful Woman'. "Reflections Of A Golden Dream" was also the first of Lonnie's albums to feature his own vocals. It's a lost classic everyone should own.

Go to Item

Tchiss Lopes

Stranger Ja Catem Traboi

22,99 €*

Release: 1982 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1979 | EU | Reissue (Mad About)

Daniel Bechet

Songs To My Father

8.30 Colored Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

French drummer and Jazz musician/composer Daniel Bechet dedicated 1979 “Songs to My Father” to his father, the famous Sax/Clarinet player Sydney Bechet.

Sydney Bechet’s son-only LP is a hidden treasure we are proud to reissue. The base is a solid Fusion and Jazz Funk sound. Still, the mellow and soulful moment is wonderfully groovy with arrangements reminding George Duke’s albums, or Cortex plenty of funky Fender Rhodes.

Go to Item

Weather Report

2LP | 1979 | EU | Reissue (Music On Vinyl)

33,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Rubaiyat Of Dorothy Ashby Verve By Request

Dorothy Ashby

LP | 1970 | EU | Reissue (Verve)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Voices And Rhythms Of The Creative Profile

Harold McKinney

LP+7" | 1974 | EU | Reissue (P-Vine)

47,99 €*

2LP | 1988 | US | Reissue (Palto Flats)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The sole solo album from Harold McKinney! Originally released in 1974 from vaunted spiritual jazz label Tribe, Voices & Rhythms of the Creative Profile sees the pianist, who was the backbone of many a Tribe recording, in tip-top shape. Opener “Ode to Africa” is a nine-minute, groove session, with African rhythms that would fit on any Tribe recording. Congas interplay with writhing basslines, for a track that feels as fresh now as it did nearly half a century ago. The Eddie Harris penned “Freedom Jazz Dance” is just as groovy, with amazing showings from the typical Tribe cadre of musicians, including Wendell Harrison (ts.) and Marcus Belgrave (tp.). But from the gospel-inflicted “Heavenese”, to Herbie Hancock’s classic “Dolphin Dance”, the groove never lets up, with eight hard hitting tracks showing exactly why McKinney was the go-to pianist for Tribe. P-vine is proud to be reissuing Voices & Rhythms of the Creative Profile along with a reissue of a 7-inch containing “Ode To Africa (single version)” and “Jelly Loa”, initially also released around the same time. This deluxe edition LP+7-inch is available on limited edition vinyl, now with an obi-strip and modern digital remastering! Make sure to get this while it’s hot!

Go to Item

Woo

In The Heart Of Love

47,99 €*

LP | 1977 | EU | Reissue (Four Flies)

Release: 1988 / US – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Absolutely essential. Deluxe 2LP edition of this impeccable album from 1988. The spot glossed Gatefold jacket features artwork including archival photos & drawings from Woo’s archives as well as liner notes by Clive Ives.

Issued for the first time in its entirety on vinyl, spread over two LPs, and remastered from newly discovered hi-quality DAT sources, we’re thrilled to present the definitive version of Woo’s most fully-formed album. A cosmic testament to the healing power of love, utilizing vocoded clarinets, pastoral guitars, homespun folk lullabies, and lilting electronics, coalescing into a an hour plus long journey through their otherworldly soundscapes. A prime entry point to Woo’s sound, containing some of their most beloved songs, such as ‘Make Me Tea,’ ‘It’s Love,’ ‘Hopi’ and many others, and also including a never-before heard bonus track – the vocal version of ‘It’s Love.’

Into The Heart Of Love was originally self-released on cassette in 1988, with a wider cassette release in 1990. Compiled from home recordings from the preceding years, and released during a transitional point for the band, the Ives brothers see this album as their most complete work, offering space to the listener to stretch out and immerse themselves into the warmth of their sound.

Woo is the uncategorizable project of Clive and Mark Ives from Brighton, UK. Since the 1970s, the duo have been recording a plethora of eclectic sounds, most falling under the blanket genre of new age, but spiraling out toward notions of ambient sounds, jazz, and other spiritual takes on modern music. They received some acclaim for their early releases, including 1982's Whichever Way You Are Going, You Are Going Wrong and 1989's It's Cosy Inside, but their work began to receive renewed appreciation during the 2010s, when labels such as Drag City and Palto Flats reissued the band's albums. The brothers remained active all the while, digitally self-issuing material.

Go to Item

Gianni Safred

Electronic Designs

Jay Richford & Gary Stevan

Release: 1977 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Entirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies.

Go to Item

Feelings

LP | 1974 | US | Reissue (Be With)

21,99 €*

LP | 1970 | EU | Reissue (Elemental)

Release: 1974 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Near Mint

2021 reissue. Vinyl is close to NM.

Go to Item

Antonio Carlos Jobim

Tide

31,99 €*

LP | 1982 | US | Original (Concord Jazz)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-09-20

Reissue of the 6th studio album by Brazilian jazz legend Antônio Carlos Jobim. Released in 1970 on A&M Records, this instrumental Bossa Jazz masterpiece was produced by Creed Taylor and engineered by Rudy Van Gelder. It features the arrangements of Eumir Deodato (who also conducted the band), and includes a plethora of sidemen from the U.S. jazz scene, such as Joe Farrell, Hubert Laws and Ron Carter, as well as Brazilian stars like Hermeto Pascoal, Airto Moreira and João Palma.

Go to Item

Stan Getz Quartet

Pure Getz

Release: 1982 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1982 | EU (Black Saint)

John Carter Octet

Dauwhe

LP | 1976 | US | Reissue (Fantasy)

Release: 1982 / EU

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1982, "Dawhe" is the first chapter in John Carter's "Roots and Folklore" saga. A five parts epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford - cornet, James Newton - flute, Charles Owens - soprano sax, oboe, clarinet, Red Callender - tuba, Roberto Miranda - bass, William Jeffrey - drums and Luis Peralta - percussion. This is a highly integrated form of Jazz based on the processing of different musical forms and related topics. From the ancient African mythology through the Blues experience towards the open land of Creative Jazz. A strong musical and cultural statement from one of the greatest West Coast modern Jazz composers.
Highly recommended for open-eared listeners - Scott Yanow - All Music Guide

Go to Item

The Bill Evans Trio

Since We Met

LP | 1970 | US | Original (Cotillion)

Release: 1976 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. US repress.

Go to Item

Young Holt Unlimited

Mellow Dreamin'

22,99 €*

Jujus / Alchemy Of The Blues Vinyl Me, Please Edition

Release: 1970 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Still in shrink but opened, small saw cut. Original US MO-pressing.

Go to Item

Sarah Webster Fabio

LP | 1976 | US | Reissue (Vinyl Me, Please)

33,99 €*

Milt Jackson And Wes Montgomery = Milt Jackson & Wes Montgomery

Release: 1976 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-09-27

Why you'll love it...
All of Sarah’s albums were created after a near-death experience, which brought an urgency to her wanting to leave a legacy, and made her four-albums-in-five-years output understandable. The tediousness of her recovery ended up replenishing her artistic spirit, leaving her with a thirst for life. She collaborated with intensity. She knew her four albums on Folkways would translate her poems from the page to a permanent, lasting expression. She picked from her body of work the poems that would take her further than written text could ever promise.

Go to Item

Bags Meets Wes! = バグス・ミーツ・ウェス

LP | 1974 | JP | Reissue (Riverside)

16,99 €*

Music Is The Healing Force Of The Universe

Release: 1974 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

Go to Item

Albert Ayler

LP | 1970 | EU | Reissue (Elemental)

31,99 €*

LP | 1978 | JP | Original (Eastworld)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-09-20

One of the last records made by avant sax legend Albert Ayler – a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still steeped in free jazz and new thing ideals, but infused with a free-thinking approach to the music that allows for bold new styles and sounds. In addition to his own stunning work on tenor, Ayler's also blowing bagpipes and vocalizing a bit next to singer Mary Maria, who does a great recitation on one track of the record. Rhythm is by the two-bass team of Stafford James and Bill Folwell, next to drums by Muhammad Ali – and the whole thing's capped off by guitarist Henry Vestine, who plays in modes that range from bluesy to free. At the time, this one was kind of dismissed as a messed-up mistake that occurred at the end of Ayler's too-short life – but honestly, over the years, this record really really opens itself to us more and more, and we have to say that we think it's one of his most groundbreaking albums!

Go to Item

Clifford Jordan

Hello, Hank Jones

22,99 €*

LP | 1983 | EU | Original (Black Lion)

Release: 1978 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Japanese pressing. With insert. OBI is missing.

Go to Item

Earl Hines

The Pearls

Release: 1983 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1978 | US | Original (Gryphon)

The Phil Woods Quintet

Song For Sisyphus

3,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: G+

LP | 1973 | UK | Original (Black Lion)

Teddy Wilson

Runnin' Wild

Release: 1973 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Sonny Stitt, Harry Edison & Eddie "Lockjaw" Davis

Sonny, Sweets & Jaws

LP | 1982 | US | Original (Who's Who In Jazz)

Release: 1982 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1981 | US | Original (Phoenix 10)

Art Tatum

Piano Magic

LP | 1978 | US | Original (Century)

Release: 1981 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy with storage wear!

Go to Item

The Phil Woods Quintet

Song For Sisyphus

5,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

2LP | 1978 | US | Reissue (Savoy)

J.J. Johnson

Mad Be Bop

9,99 €*

LP | 1977 | US | Original (Muse)

Release: 1978 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG

Cut corner!

Go to Item

Hank Jones

'Bop Redux

9,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 1979 | FR | Original (Black And Blue)

Hank Jones

Bluesette

8,99 €*

Release: 1979 / FR – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1977 | CA | Original (Atlantic)

Passport

Iguaçu

5,99 €*

Release: 1977 / CA – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | US | Reissue (Prestige)

Coleman Hawkins

Night Hawk

Release: 1972 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1973 | UK | Original (Spotlite)

Coleman Hawkins Quintet

Disorder At The Border

Release: 1973 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Live At The Savoy Ballroom

Lester Young

LP | 1981 | US | Original (Charlie Parker)

Release: 1981 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1973 | EU | Reissue (Altercat)

Naná Vasconcelos

Africadeus

Red Rodney Featuring Ira Sullivan

Release: 1973 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Black Vinyl Edition.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.

Go to Item

Hi Jinx At The Vanguard

LP | 1984 | US | Original (Muse)

5,99 €*

Release: 1984 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Bill Mays Quintet Featuring Andrew Simpkins, Tom Harrell, Ralph Moore And Shelly Manne

Tha's Delights

LP | 1983 | US | Original (Trend)

Release: 1983 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Quincy Jones Presents Patti Austin

Every Home Should Have One

LP | 1981 | US | Original (Qwest)

3,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

2LP | 1986 | US | Original (Bluebird)

Coleman Hawkins

Body And Soul

11,99 €*

Release: 1986 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Omar Sosa's 88 Well-Tuned Drums

Omar Sosa

LP | 1988 | Reissue (Ota)

Release: 1988 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-10-18

All-State Honors Jazz Band

1983 Illinois All-State Jazz Night

2xLP | 1983 | US | Original (Mark)

12,09 €* 21,99 € -45%

1981 Illinois All-State Jazz Night

Release: 1983 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with cut corner and writing on the back.

Go to Item

All-State Jazz Band

2xLP | 1981 | US | Original (Mark)

12,09 €* 21,99 € -45%

Blue Note 86, A New Generation Of Jazz

Release: 1981 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with cut corner and writing on the back.

Go to Item

V.A.

LP | 1986 | US | Reissue (Blue Note)

Release: 1986 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1981 | EU | Reissue (Souffle Continu)

Axolotl

Abrasive

New Dimensions Record Store Day 2023 Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born. Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album In spring 1981 three days were just enough to complete »Axolotl«.

Go to Item

Larry Bright

LP | 1987 | UK | Reissue (New Dimensions Productions)

23,99 €*

Black,Brown And Beautiful

Release: 1987 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Having spent the majority of his career in the world of jazz fusion backing up the likes of Sun Ra and Ahmad Jamal, Larry Bright climbed out from behind the kit on his sophomore solo album New Dimensions. Self-released in 1987, an original of the eight-song LP will set you back £150 and finds Bright experimenting with spaced out synths, pop song structures, and drum machine-led electro-funk beat, pushing the boundaries of nu-jazz to the absolute edge. Remastered 180g Heavyweight vinyl.

Accompanied by guitarist John Grant, bassists Tony Bunn and Mark Easley, and dueling trumpeters Jimmy Wilson and Ivan Smart, the resulting album reads like a score to an afro-futurist sci-fi film. Float out into deep space and let Larry Bright’s smooth jazz-terpiece greet you like a warm wind hitting a docking bay in a far-off galaxy. Expertly remastered for your audiophile pleasure. LP in original picture sleeve.

Go to Item

Oliver Nelson

LP | 1970 | UK | Reissue (BGP / Flying Dutchman)

24,99 €*

LP | 1987 | CH | Original (Unit)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1970, “Black, Brown and Beautiful” saw legendary composer and arranger Oliver Nelson musically address the state of black America in the wake of the assassination of Martin Luther King. Tracks like ‘Requiem’, ‘Lamb Of God’ and ‘Martin Was A Man, A Real Man’ directly address the passing of King, whereas ‘Self Help Is Needed’ and ‘I Hope In Time A Change Will Come’ orchestrally and passionately ask questions that still remain unanswered today. Indeed, Nelson, writing about the track ‘Self Help Is Needed’ stated “I have always felt that the Federal Government wasn’t going to do a damn thing and American Blacks were going to have to do it themselves. However, you can’t have a foot on your neck making it impossible for you to help yourself. That seems logical – doesn’t it?” Sadly, those words still hold true today.

Musically, this is a sumptuous, almost big band, banquet with Nelson himself talking the soprano sax solo on the aching ‘I Hope In Time A Change Will Come’. Those who are fans of classic Nelson albums like “The Blues And The Abstract Truth” (1961) and the equally polemical “The Mayor And The People” (1971) will find much to enjoy here.

This reissue replicates the original high-quality gatefold sleeve of the original and is pressed on 180gm vinyl.

“Black, Brown And Beautiful” has never been reissued on vinyl since the original 1970 US pressing.

Go to Item

Jacques Demierre

Assemblance

4,99 €* 9,99 € -50%

Release: 1987 / CH – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1970 | EU | Reissue (Lipposen Levy Ja Kasetti)

Matti Oiling

Happy Jazz Band

LP | 1973 | EU | Reissue (Lipposen Levy Ja Kasetti)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lipposen Levy ja Kasetti. An official repress of this classic Finnish jazz record from 1970, limited to 340 copies only.

Go to Item

Jukka Tolonen

Summer Games

2LP | 1982 | UK | Reissue (Mobile Fidelity)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tolonen’s 2nd solo album from 1973 reissued in its original gatefold format with insert including new interviews with all key players – Tolonen, Esa Kotilainen, Häkä Virtanen, Måns Grundstroem.

100 copies available only.

Go to Item

The Alan Parsons Project

Eye In The Sky

77,39 €* 85,99 € -10%

Polygamy Purple Vinyl Edition + Booklet

Release: 1982 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g 2LP 45rpm Gatefold Sleeve

Go to Item

Mustafa

LP | 1984 | EU | Reissue (Fatima International)

59,99 €*

LP | 1984 | US | Original (Celebration)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.

Go to Item

Jeanne Peterson

Triplicity

10,49 €* 20,99 € -50%

LP | 1984 | US | Original (Pewter Records)

Release: 1984 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Cover with saw cut. Vinyl with just a couple of scuffs.

Go to Item

Jim Pugh

Crystal Eyes

15,74 €* 20,99 € -25%

LP | 1986 | EU | Reissue (Red)

Release: 1984 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Vinyl closer to VG+. Cover with cut corner / sticker

Go to Item

Steve Grossman

Love Is The Thing

45,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1986 | EU | Reissue (Red)

Cedar Walton

The Trio 3

45,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1986 | EU | Reissue (Red)

Robert Watson Quartet

Love Remains

45,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Afro Cuban Bop: The Long Lost Bird Live Recordings Record Store Day 2023 Edition

Charlie Parker

2LP | 1977 | US | Reissue (Rockbeat)

59,99 €*

Release: 1977 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A Massy Record Store Day 2023 Clear Pink & White Vinyl Edition

Archie Shepp

2LP | 1976 | US | Reissue (Culture Factory)

41,99 €*

Antropofagia Red Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1975 Iconic, Very Rare Live Recording from The Massy in France. Archie "Vernon" Shepp American is a tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement, known not only for his creative improvisation and colorful sound but also for his Afrocentric approach to music. The National Endowment for the Arts named Shepp a Jazz Master in 2016. This double LP set, has deluxe packaging that will include an OBI strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. 1st Opaque Pink & 2nd Opaque White Color Vinyl

Go to Item

Patrizio Fariselli

LP | 1977 | EU | Reissue (Cramps)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Classical Music

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1972 | EU | Reissue (RCA)

Perigeo

Azimut Red Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Amarena Red Vinyl Edition

Fabbri Lucio

LP | 1978 | EU | Reissue (Cramps)

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1984 | EU | Reissue (Red)

Chet Baker

At Capolinea

56,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Akira Ishikawa Count Buffalo Jazz And Rock Band

Bakishinba: Memories Of Africa Black Vinyl Edition

LP | 1970 | EU | Reissue (Cinedelic)

LP | 1973 | UK | Reissue (Goodtime)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz AND Rock BAND’s album was advertised by the Japanese press in 1970. The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to Miles Davis and orchestras like Blood Sweat and Tears and Chicago. This movement resulted in the empowerment of jazz and in the birth of a new musical genre: a perfect mix of jazz, latin influences, and rock. Akira Ishikawa and Count Buffalo’s jazz-rock band remind of Santana in the way they embody these energies in their album “Bakimba.” Yet, at the same time, they give life to even more impressive musical compositions. This is also thanks to Hiromasa Suzuki’s innovative electric piano. Often defined as a jazz-rock band, Count Buffalo scales new heights in the context of jazz thanks to the strong rock influences that characterize this work.

Go to Item

Leon Russell

Looking Back

29,99 €*

Live In Cleveland 1976 Clear Vinyl Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Looking Back is an instrumental album demonstrating Russell’s virtuosity on the harpsichord. Much of the material arose from recording sessions in the mid sixties. The album has remained a ‘must have’ component of every Russell fans’ record collection. By the time this album was released, he was considered to be the biggest concert draw of 1973 by Billboard magazine. Pressed on heavyweight purple vinyl in special edition orange sleeve.

Go to Item

Gabor Szabo

LP | 1976 | EU | Reissue (Ebalunga!)

28,79 €* 31,99 € -10%

At The Pershing Ballroom (Chicago 1950)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superbly captured for radio broadcast live in 1976 at the 600-seat Agora Ballroom in Cleveland, Ohio. It is a revelation. There is a sense here that concert patrons may have been hearing an altogether different Gabor Szabo than record buyers.

For one thing, Szabo is heard fronting what is likely his own group, rather than an army of studio musicians. In 1976, Szabo was leading a tremendous quartet with George Cables (or Joanne Grauer) on piano, Tony Dumas on bass and Sherman Ferguson on drums. Szabo had not had a band with this much jazz clout since his famed quartet with Jimmy Stewart in 1967-68 – and it is a union worth savoring: Szabo’s records during this period were light, at best, on jazz.

It’s unclear if any of these musicians are on the Agora date, but as Dumas’s “It Happens” opens the program, it’s a good bet, at least, that the bassist is on board here. But as Szabo’s ’76 quartet is not known to have recorded a studio record, Live in Cleveland is the closest thing to what a mid-seventies Szabo jazz album would sound like. Gone, are the strings, vocals, and concessions to commercial consideration so prevalent on so many of Szabo’s studio records at the time. What is present, though, is fine craftsmanship, tremendous interplay, and the exciting improvisation that good jazz always yields.

This particular concert was part of Sansui’s “New World of Jazz,” a series of 13-hour-long jazz concerts recorded at Cleveland’s iconic Agora Ballroom and broadcast over 40 FM radio stations. The series was sponsored by Sansui Electronics, a Japanese manufacturer of audio and video equipment, which previously sponsored a similar series of rock concerts recorded at the Agora as well. Sansui was promoting its matrix QS 4-channel sound system – offering, what was considered at the time, superior diagonal separation and stereo compatibility. The firm, partnering with Agora Ballroom and Agency Recording Studio owner Hank LoConti (1929-2014), was looking to take advantage of what they rightly felt was the then-current jazz renaissance. Each show’s 16-track master tape was mixed through the Sansui QS 4-channel encoder,” according to an August 1976 Billboard article detailing the arrangement, “for distribution to the 40 FM stations throughout the United States that bought the series” – allowing for three commercial spots for local dealers to advertise.”

Go to Item

Charlie Parker

LP | 1976 | US | Original (Zim)

12,74 €* 16,99 € -25%

In Hot House Record Store Day 2023 Edition

Release: 1976 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

Go to Item

Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

Ricardo Marrero & The Group

Release: 1972 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2023 first time ever on vinyl exclusive release limited to 500 copies with OBI strip. Rare Private Pressed Dutch Recordings From 1972

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual.

The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra.

Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians.

Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note.

Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others.

On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game.

Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

Go to Item

Babalonia / And We'll Make Love

7" | 1976 | JP | Reissue (P-Vine)

LP | 1976 | JP | Reissue (P-Vine)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Considered ultra rare, even amongst TSG’s mythical catalog, Ricardo Marrero and The Group’s A Taste is getting a special edition 7-inch single! Featuring “Babalondia” and “And We’ll Make Love” this is a one of a kind doublesider!

Active in the Latin music scene of New York City during the 1970’s, pianist and composer Ricardo Marrero’s debut album “A Taste” has been considered by some collectors as the crown jewel of releases from famed tax scam label TSG. This special edition 7-inch single features floor killer latin funk number “Babalonia” on the A-side, and the mellow grooves and lively female vocals of “And We’ll Make Love” on the B-side.

Go to Item

Phil Ranelin

Vibes From The Tribe

33,29 €* 36,99 € -10%

Lol Coxhill & Totsuzen Danball

Release: 1976 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The final release from Tribe! Released in 1976, shortly before Phil Ranelin’s departure to Los Angeles, Vibes from The Tribe is a spiritual jazz / rare groove classic!

By 1976, Tribe had grown to be something much different than what it had started out as. A popular magazine and releases from a cadre of the most promising musicians Detroit had to offer had allowed the collective the space and finances needed to develop, and by the time of their final release, they had changed both in shape and scope. Yet their philosophy of “getting out the message” remained the same.

Since the early days of the Tribe, the influence of funk and popular music had been more evident in Ranelin’s music than that of his partner, Wendell Harrison. Even on Message From The Tribe’s first edition, Ranelin’s love for funk was clear, with songs such as “What We Need” featuring a mellow groove and horn lines that would sound at home on any Motown record. Phil Ranelin’s second album as a leader, Vibes From The Tribe sees those funk influences on full display. Opening track “Vibes From The Tribe (Prelude)” has the kind of steady snare beat that hip-hop producers would later kill for, and a bassline so groovy that you won’t be able to stop yourself from nodding along.

For The Children is breezy bossa nova of the finest degree. Ranelin’s voice is subdued and relaxed, probably taking more notes from Joao Gilberto than any of the poetry readings on Message From The Tribe. But when he begins his trombone solo, the edges of his more avant-garde past start to peek through. Lines that would sound right at home on any post-bop album are a-plenty, and as a sunny riff closes out the album, it seems like the perfect soundtrack for a warm summer night.

But the heart of the album lies in the closing track “He The One We All Knew (Parts 1 & 2)”. Here, Ranelin’s smorgasbord of influences seem to come together, creating an 18 minute long track that combines elements of Indian classical music, free jazz, funk, and more. The track begins with the gentle psychedelic sitar playing of Daud Abdul Kahafiz, creating a drone over which layers of percussion, piano, bass, and horns combine. Frequent collaborator and Tribe co-founder Wendell Harrison’s solo comes first, with the sparse arrangement giving him space to stretch out beyond the limits of conventional harmony or rhythm. It’s clear that these musicians were improvising in the truest sense of the word, and as they go from playing over ambient sitar, to what can only be described as “swing”, they never lose count or break rank. You can practically picture each of the musicians in the studio, deeply concentrated but supremely in tune with one another, communicating with nods and eye movement. Vibes From The Tribe takes everything that made the Tribe great: free jazz, funk, pop influences, and a tight-knit community and preserves it as one of the greatest spiritual jazz albums of all time.

With modern remastering and an obi-strip, this album has never looked or sounded this good! Make sure to get your copy while stock lasts!

Go to Item

LP | 1983 | JP | Reissue (P-Vine)

Fred Frith & Totsuzen Danball

Release: 1983 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Only a year after their collaboration with Fred Firth, Totsuzen Danball teamed up with English saxophonist Lol Coxhill to record this monster of an album! Reissued on analog vinyl for the first time ever!

Without DAWs and online file sharing (or really, the concept of online), Totsuzen Danball and Coxhill painstakingly sent each other tapes, overdubbing repeatedly to make the off-kilter rock and roll you hear on this album. Immediately, you can tell that every second of effort was worth it. The opening track “Moyou” (lit. pattern) is oddly charming, with a bouncing bassline, motorik-esque drum beat, and lyrics about being on all-fours at a pedestrian crossing. But Coxhill’s improvisations bring the song to another level, and as he squeaks notes out over a repeating guitar riff, you won’t be able to stop yourself from nodding your head.

Totsuzen Danball classic “Natsu wa Kagerou” (Also included on their first album, Can I?) also takes on a new dimension of freakiness when played with Coxhill, whose free improvisations seem to soar over the simple beat and vocals from Totsuzen Danball. Combined, they create a sound that is both pop and avant-garde, if only in spirit.

Reissued on analog vinyl for the first time ever, the collaboration between Totsuzen Danball and Lol Coxhill is new wave, avant-garde, and everything in between!

Go to Item

LP | 1982 | JP | Reissue (P-Vine)

An Evening With The Devil

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The combined powers of Fred Firth (ex. Henry Cow) and Totsuzen Danball! Originally released on cassette in 1982, the collaborative album is getting its first release on vinyl!

The first album from Totsuzen Danball, Can I? (1981) made waves with its experimental new wave sound, and the band suddenly found themselves with more overseas fans than they knew what to do with. Chief among them was Fred Frith, guitarist and co-founder of British art-rock group Henry Cow, who played with Totsuzen Danball during what was no doubt a legendary live show at Shinjuku Loft on July 23rd 1981. The recording from that night, originally released on cassette from Totsuzen Danball’s own label Floor - is finally getting an analog release! Listen as the sounds, and occasional noises, of two guitars, a pump organ, and drums intermingle to create something that’s never been heard before or since!

Go to Item

Wendell Harrison

LP | 1973 | JP | Reissue (P-Vine)

A Message From Mozambique

Release: 1973 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tribe co-founder and saxophone legend Wendell Harrison’s 1973 leader debut!

Following the 1972 release of Message From The Tribe, the second release from vaunted spiritual jazz label Tribe, was co-founder Wendell Harrison’s solo debut, An Evening With The Devil. Originally included on the A-side of Message From The Tribe’s first version (the edition featuring a photo of a quay on the cover), the release of An Evening With The Devil in 1973 saw the suite fully realized, with two additional songs and studio knowhow making the album a true spiritual jazz masterpiece. Opener “Mary Had An Abortion” is part-spoken word poetry and part-free jazz freak out, but as Harrison’s gravelly baritone intermingles with atonal piano lines, it transcends the limitations of both. “Consciousness” is in a similar vein, with cymbal crashes and drum fills serving as a backdrop for a poem with references to police brutality and racism that seem as relevant now as they were 50 years ago.

“Angry Young Men”, originally recorded on Message From The Tribe, is now split into two parts and placed at the end of the A-side and opening of the B-side, physically and musically bridging the original suite with the new compositions. A horn line that could only be described as angry descends over an aggressive drum pattern, and as Tribe regulars Marcus Belgrave, Phil Ranelin, Charles Moore, and William Austin take turns soloing, the rhythm section seems to get more aggressive, undulating under these solos that take the song’s message and express it through simple notes. But it’s Harrison’s extended solo on the B-side that truly makes the song. He starts out almost subdued, playing fairly standard hard-bop lines over minimal accompaniment. But he quickly picks up, letting his horn honk and screech, with flurries of notes that almost sound like screams. The rhythm section matches him, building and building until Harrison plays the head once more - finally allowing the band to return to normalcy.

In comparison, album closer “Rebirth” is almost calm, with Marcus Belgrave playing a somber melody over a bed of rumbling percussion. It practically sounds like a requiem, until five major chords are struck by the band, ending the album on a literal joyous note. If Harrison hoped to express death and rebirth with this final song, the juxtaposition of the two completely disparate sections does a perfect job.

The hallmarks of a Tribe album are all over An Evening With The Devil. It’s spiritual and technical, and words simply don’t do it justice (despite my best attempts). Yet it also stands out among the Tribe releases by being one of the first. The DIY aesthetic and iconic design language are all there, but when presented with a sound that could only be described as raw, these early recording techniques are just right. The only way to truly experience the album is to put the needle to the groove, and let the music of Wendell Harrison wash over you. P-vine is proud to be reissuing Wendell Harrison’s An Evening With The Devil with modern remastering and an obi-strip on limited edition black vinyl.

Go to Item

Juju

LP | 1973 | EU | Reissue (Strut)

Rise Of Atlantis Green Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Strut continue their in-depth work with Oneness Of Juju"s Plunky Branch with the first ever reissue of the powerful 1973 album for Strata-East, "A Message From Mozambique". The roots of JuJu started in San Francisco after Plunky had met his musical mentor, Zulu musician Ndikho Xaba, helping to form his band Ndikho and The Natives. Three members of The Natives (Plunky, bassist Ken Shabala and vibes / flute player Lon Moshe) then joined Marvin X"s theatrical production The Resurrection Of The Dead, joining local musicians Al-Hammel Rasul (keyboards), Babatunde Lea (percussion) and Jalango Ngoma (timbales).

Go to Item

Carter Jefferson

LP | 1979 | EU | Reissue (Music On Vinyl)

32,99 €*

William Penn Jazz Ensemble

Release: 1979 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Carter Jefferson was an American jazz tenor saxophonist who first made name for himself as member of Woody Shaw's first working quintet. As a sideman, Carter played amongst many jazz icons, including Art Blakey, Walter Davis, Jr. And Jack Walrath. In 1978, he released his first and only solo studio album, The Rise Of Atlantis, which was produced by Woody Shaw. For the recordings, Jefferson is backed by Terumasa Hino, Harry Whitaker, Clint Houston, Victor Lewis, Steve Thornton, Lani Groves, Shunzo Ono and John Hicks. The Rise Of Atlantis is available as a limited edition of 1000 individually numbered copies on translucent green colored vinyl and includes liner notes by Michael Cuscuna on the back sleeve.

Go to Item

Carvings

LP | 1982 | EU | Reissue (Libreville)

LP | 1979 | EU | Reissue (We Are Busy Bodies)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably, with Del Jones for the now cult album Positive Vibes. Carvings, recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and features clear influences of both jazz and classical music. The Ensemble's uncommon association of African American and white members at the time results in a unique fusion of cultural influences that is reflected in the music. The musical journey is both profound and spiritual, taking listeners on an experience that is both deep and meaningful.

Go to Item

McNeal & Niles

Thrust

33,99 €*

Release: 1979 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mystery Man Colored Vinyl Edition

Leon Redbone

LP | 1982 | EU | Reissue (Reel)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1979 | UK | Reissue (BBE Music)

Masao Nakajima Quartet

Kemo Sabe

40,99 €*

Release: 1979 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The long-awaited vinyl pressing is finally with us. BBE Music continues its highly acclaimed J Jazz Masterclass Series with Kemo Sabe, the debut album from pianist Masao Nakajima. Recorded in 1979 on Yupiteru Records, it’s an elusive beast in the field of J Jazz and balances delicate and refined playing with power and vigour.

Go to Item

Etron Fou Leloublan

Les Poumons Gonflés

LP | 1982 | EU (Replica)

18,99 €*

I'm Here Black Vinyl Edition

Release: 1982 / EU

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With Les Poumons gonflés, the group led by Ferdinand Richard and Guigou Chenevier entered the 80. A unique sound with influences coming to shake up the usual recipe of the trio (addition of Jo Thirion on keyboards) for a result both innovative and fun. The third album of the French rock sounds totally free and original, produced by the legendary guitarist Fred Frith (Art Bears, Henry Cow, Naked City). An important album and often overshadowed in favor of its two predecessors. It is therefore high time to repair this absurd injustice!

Go to Item

Edward Vesala

LP | 1973 | EU | Reissue (Svart)

LP | 1983 | JP | Reissue (Limelight)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Drummer and composer Edward Vesala, the most internationally renowned jazz musician from Finland, was very keen on percussion instruments. Oddly enough, this broad and enduring interest is hardly evident on his albums.

Whether playing on his own albums or contributing to other musicians’ work, Vesala played a standard drum kit most of the time. He hardly used external percussionists on his own albums either. And most of all: his music was almost never percussive, at least in the traditional manner. Perhaps even stranger is the fact that he barely played any drum solos on his own albums.

That’s why I’m Here (Blue Master Special, Spel 311, 1974), recorded in Helsinki in 1973, is such a rarity. Of course, being a limited release has also made it an expensive treasure among collectors.

Additionally, I’m Here is Vesala’s only solo album and only percussive album, and one of the few where he can be said to play drum solos, albeit in his own idiosyncratic way..

The idea of a jazz drummer making a solo album was in itself quite rare in 1973, although not entirely unheard of. French Pierre Favre had already made two solo albums (in 1970 and 1972), and Dutch Han Bennink and Swedish Sven-Åke Johansson one each, both recorded in 1972.

It wasn’t exactly Vesala’s first time either. He had already played drums alone on the second side of the album Yksi, kaksi, kolme, neljä soul jumppaa (One, two, tree, four soul gymnastics, Gross Records, Grlp-27, 1969), though for purely instructive purposes, showcasing different rhythms and tempos..

"My favorite music is so called ‘free’ or very modern music (classical as well as jazz). But ‘cause of a very little jazz audience in Finland, I’m playing also Pop-jazz to get bread", Vesala introduced himself with a self-written English text, almost as if foreshadowing the diverse solo album, I’m Here. Compared to other releases of its time, the album was indeed “free’ or very modern music (classical as well as jazz)”, which may be the reason why it didn’t make a significant mark on the music scene or significantly benefit Vesala’s career at the time.

Lauri Karvonen, a jazz critic of the largest Finnish newspaper, described Vesala’s album as “certainly uncommercial” (Helsingin Sanomat, 8th of December, 1974). At the same time, he was delighted that “the most controversial contemporary jazz musician from Finland” has, “after years of prostituting (pop music, schlager), been able to completely dedicate himself to his own music.”

“The man is doing what he wants”, Karvonen summarizes.

Now, after being re-released, I’m Here can be appreciated for its manifesto-like and almost documentary nature. The album can be valued as a greatly interesting peek into Edward Vesala’s preferences and efforts in 1973, when he was still looking for his "own thing".

The reissue comes on vinyl only and is limited to 500 copies. The release comes with extensive liner notes by jazz critic Harri Uusitorppa.

Go to Item

The Oscar Peterson Trio

Eloquence

11,99 €*

I'll Give You Something To Remember Me By White Vinyl Edition

Release: 1983 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

No obi.

Go to Item

John Hicks Trio

LP | 1988 | US | Reissue (Tidal Waves Music)

29,99 €*

I'll Give You Something To Remember Me By Black Vinyl Edition

Release: 1988 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.

Go to Item

John Hicks Trio

LP | 1988 | US | Reissue (Tidal Waves Music)

Gula Matari Deluxe Gatefold Sleeve Edition

Release: 1988 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Quincy Jones

LP | 1970 | EU | Reissue (Elemental Music)

32,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1974 | JP | Reissue (P-Vine)

Clifford Jordan Quartet

Glass Bead Games

47,99 €*

LP | 1981 | JP | Reissue (P-Vine)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

There are few saxophonists who were able to hold their own against the late great Eric Dolphy. Clifford Jordan is one of them. As a member of the Charles Mingus sextet on his legendary 1964 European tour with Eric Dolphy, Jordan is featured on iconic albums such as The Great Concert of Charles Mingus and Town Hall Concert. Born in 1931, the tenor saxophonist was a giant of the hard bop genre, with an adaptable style that could match the earthsy avant-blues of Mingus, or soar into space alongside Dolphy. Originally released in 1974 and recorded the year prior, Glass Bead Games was the fifth and final installment in Strata-East’s Dolphy series, and undoubtedly one of the fantastic series’ highlights. The recording features two different quartets, with only Billy Higgins (ds.) and Jordan (ts.) appearing on all tracks; Cedar Walton and Stanley Cowell take turns on piano, while Sam Jones and Bill Lee (father of Spike!) take turns on bass. Across 12 tracks and two sides, Clifford Jordan’s two quartets are consistent, with some of the tightest grooves and most spiritual playing of the 70’s being recorded during these two sessions. Album opener “Powerful Paul Robeson” is an homage to the legendary singer and activist, and is the kind of spiritual jazz that immediately sends chills down your spine. It opens with atmospheric piano rolls and percussion, over which Jordan’s free improvisations take on an almost devotional sound. Homages to great jazz men are frequent throughout, with half of the tracks being named after musicians, including the Lee penned “John Coltrane”. The song opens with a bass solo from Lee, before the quartet settles into a steady mid-tempo groove. Jordan plays the angular melody alone, and with every refrain, the melody takes on a haunting quality, until it descends into a subdued bass solo. The chant-like choral refrain that follows, laid gently over a repetitive bassline and delicate percussion is hypnotic, and as Jordan picks up the melody once more, you’ll feel as though this is somehow different. Glass Bead Games is undoubtedly one of the finest spiritual jazz recordings to come out of the 70s, and is one that you absolutely must not miss! We are proud to be reissuing Clifford Jordan’s Glass Bead Games, available on limited edition vinyl with an obi-strip, only from P-vine Records.

Go to Item

Wendell Harrison

Organic Dream

LP | 1984 | JP | Reissue (P-Vine)

Release: 1981 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1981, the second release from Wendell Harrison’s Wenha label (following Dreams of A Love Supreme), Organic Dream is one of the finest records to come out of Detroit’s DIY jazz scene in the 80’s. Album opener “Ginseng Love” is as smooth as butter, with warm analog synth strings and a gentle groove, over which Harrison plays saxophone, clarinet, and flute. His playing is as energetic as ever, with his free jazz tendencies tempered by mellow R&B influenced phrases. This is followed by “Winter”, a ballad that sees Harrison on clarinet playing with acoustic backing, showing off a softer side of Harrison’s playing that rarely gets the attention it deserves. However, things quickly pick up with “Love Juice”, a disco-boogie number perfect for any dance party. Staccato guitar rhythms, and a bouncing bassline combine to create a groove so perfect you’ll be nodding your head even just thinking about it. Harrison’s playing is louder and freer, with lines clearly inspired by the great R&B and pop saxophonists of the 80’s. “The Wok”, highly regarded by many as one of Harrison’s best compositions, is a mellow funk track, and despite its brevity, contains some of the deepest grooves in Harrison’s 80’s discography. As the name would suggest, oriental sounds are incorporated with funk grooves to create a sound that defies immediate characterization, but is fantastic nonetheless. With modern remastering and an obi-strip this album has never looked or sounded this good! Don’t miss Wendell Harrison’s Organic Dream, from P-vine Records!

Go to Item

Jun Miyake

Especially Sexy