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Jazz | Fusion Vinyl 2710 Items

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Reset all Filters Vinyl 1970 1972 1973 1974 1976 1977 1978 1979 1980 1981 1982 1983 1984 1986 1987 1988 Stocked Items Only
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Billy Cobham - Spectrum
Billy Cobham
Spectrum
LP | 1973 | US | Reissue (Friday Music)
41,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Herbie Hancock - Headhunters
Herbie Hancock
Headhunters
2LP | 1973 | US | Reissue (Analogue Productions)
80,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Jon Hassell - Surgeon Of The Nightsky Restores Dead Things Byteh Power Of Sound
Jon Hassell
Surgeon Of The Nightsky Restores Dead Things Byteh Power Of Sound
LP | 1987 | EU | Reissue (Intuition)
36,99 €*
Release: 1987 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Aleksandre Kiladze's Jazz Choral - Aleksandre Kiladze's Jazz Choral
Aleksandre Kiladze's Jazz Choral
Aleksandre Kiladze's Jazz Choral
LP | 1986 | Reissue (Tbilisi)
24,49 €* 34,99 € -30%
Release: 1986 / Reissue
Genre: Organic Grooves
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Weather Report - Sweetnighter
Weather Report
Sweetnighter
LP | 1973 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Akira Mitake - Himawari Black Vinyl Edition
Akira Mitake
Himawari Black Vinyl Edition
LP | 1987 | JP | Reissue (HMV Record Shop)
42,99 €*
Release: 1987 / JP – Reissue
Genre: Organic Grooves
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Soundtrack of the documentary program for Japanese art history, “Japan: Its Heart and Form” which was aired on NHK educational channel from 1987 to 1988. Akira Mitake worked on it, and after the dissolution of Ippudo, he produced music for the media and provided music to many artists, mainly pop music. It’s an electronic work that expresses the silence, space, romance reminiscent of Japanese spirit. The entire contents has a mysterious atmosphere, “Yasha” and “Keisetsu” are particularly captivating, evoking the beauty of Japan. Truly amazing piece left by the talent behind Masami Tsuchiya, who can be interpreted as ambient music.
Ara Tokatlian & Enrique Villegas - Inspiracion
Ara Tokatlian & Enrique Villegas
Inspiracion
LP | 1978 | EU | Reissue (Altercat)
24,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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This top-notch spiritual jazz album from Argentina will leave fans of Pharoah Sanders and John Coltrane astonished. Recorded in 1975 and still surprisingly off the radar, this is one of the deepest jazz albums from South America.

Inspiración is the meeting of two generations united by music: Ara Tokatlian and Guillermo Bordarampé, members of the influential 70s rock band Arco Iris (which Tokatlian cofounded with the now Oscar award-winning composer Gustavo Santaolalla), join forces with Enrique "Mono" Villegas, an admired jazz pianist who had been active since the 1930s.

Meditative, soothing and serene, Inspiración is music your soul yearns for.

Official reissue with sound off the master tapes, including a reproduction of the original 16-page booklet. With the blessing and support from Ara Tokatlian and Guillermo Bordarampe.
David Murray - Lucky Four
David Murray
Lucky Four
LP | 1988 | UK | Reissue (Pure Pleasure)
35,99 €*
Release: 1988 / UK – Reissue
Genre: Organic Grooves
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Tommy Flanagan - Overseas Mono Edition
Tommy Flanagan
Overseas Mono Edition
LP | 1978 | US | Reissue (Acoustic Sounds)
55,99 €*
Release: 1978 / US – Reissue
Genre: Organic Grooves
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Shigeo Sekito - Special Sound Series - Volume 3: Pathetique
Shigeo Sekito
Special Sound Series - Volume 3: Pathetique
LP | 1976 | EU | Reissue (Holy Basil)
28,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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We are very happy to continue the reissue series of Shigeo Sekitō's iconic "Sepcial Sound" series with its 3rd instalment, "Pathétique", a mesmerizing musical journey crafted by the visionary Japanese musician Shigeo Sekitō. Released in the 1970s, this album stands as a testament to Sekito's innovative genius and his ability to seamlessly blend genres, resulting in a captivating and groundbreaking sonic experience.

"Pathétique" showcases Sekitō's masterful fusion of jazz, funk, and electronic elements, creating a unique and otherworldly soundscape that transports listeners to a realm of musical exploration. The album features a series of compositions that are not only technically impressive but also emotionally resonant, evoking a range of feelings from nostalgia to euphoria.

The album's title, "Pathétique," is a nod to Tchaikovsky's renowned "Pathétique Symphony," and it hints at the emotional depth and complexity found within the music. Sekito's virtuosity on various instruments, including keyboards, synthesizers, and guitar, is on full display throughout the album, as he weaves intricate melodies and harmonies that take listeners on a sonic adventure.
Donald Byrd - Electric Byrd Opaque Turquoise Blue Vinyl Edition
Donald Byrd
Electric Byrd Opaque Turquoise Blue Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
49,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Weldon Irvine - In Harmony
Weldon Irvine
In Harmony
LP | 1974 | JP | Reissue (Groove Diggers)
35,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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* Originally released in 1974 on the famed spiritual jazz label Strata-East * New remastering * Japanese Obi-strip In Harmony' is the fourth album by American jazz pianist and composer Weldon Irvine, released in 1974 on the famed spiritual jazz label Strata-East and acclaimed as one of his finest catalog in his early career. P-vine delightedly presents this great jazz album with new remastering just for this reissue!
"Stix" Hooper - The World Within
"Stix" Hooper
The World Within
LP | 1979 | JP | Original (MCA)
10,99 €*
Release: 1979 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing with obi.
Jon Appleton & Don Cherry - Human Music
Jon Appleton & Don Cherry
Human Music
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
25,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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A forward thinking collaboration between electronic music pioneer Jon Appleton and trumpet great Don Cherry, that explores the relationship between the humanity and the manufactured robotic future.

Using the techniques associated with Musique Concrete the ensuing improvisations create a unique entry into the great trumpeter's discography. It was an in vogue attempt to render the music of tomorrow, and today sounds more like the soundtrack to a truly great sci-fi movie

Reissued in a fascimile of the original gatefold sleeve, and remastered from new 24/96 transfers, this is part of Ace's HiQ LP series
Guy Pedersen - Maxi Music
Guy Pedersen
Maxi Music
LP | 1972 | Reissue (Be With)
27,99 €*
Release: 1972 / Reissue
Genre: Organic Grooves
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Guy Pedersen's magical Maxi Music, originally released on cult Parisian library label tele Music in 1972, is psyche-rock and jazz-funk gold. It's a vital Pederson outing, oscillating between the rough and the smooth, but always with those hypnotic grooves. It's a start-to-finish winner, yet the final 13-minute-long opus will blow minds. Trust!

Stirring opener, "Prétexte Pour Indicatifs" is so mighty, it was covered by Keith Mansfield on "Hot Property" from Big Business/Wind Of Change on KPM. It's a track in 4 deliberate parts, the first a rapid tour de force, the second and third presenting organ-and-wah-wah-drenched slo-mo funk workouts and the fourth a return to the frenetic energy of the opening bars. Phew, pretty sensational. "Purgatoire Mood (Interlude)" is a beautiful segue into the stunning horn-laced, swift-paced aggressive jazzy excellence of "Purgatoire Mood 1" and the more poetic "Purgatoire Mood 2". Fast-paced funk beats and dramatic interplay!

"Christophus Colombus" is another song with multiple sections; the intro a rapid wah-wah-enhanced psych-rock statement that truly thrills before settling into a more steady yet no-less unrelenting guitar-funk showcase with wordless vocals and, later, reflective guitar and piano in gorgeous harmony. Closing out this electrifying side, the elegant "Bass In Love" is a soft'n'sultry slo-mo funk instrumental, as rough cello, jazzy piano and salacious, breathy vocals combine to create the scent of lingering heat to pretty rousing effect.

Ushering in Side B, "Sing Song Bass" is a slow starter but, once the drums kick in brilliantly, we're treated to a deeply melodic, propulsive, organ-flute-piano-bass gem - it's truly memorable and absolutely fantastic. The wonky, delirious psych-pop of "Petit Moujik De Nuit" is a curiously compelling number but it serves, for us at least, only as the pre-curser to the phenomenal closing track. An absolute beast that totally slays all before it!

Yes, despite Maxi Music being that rarest of library records - a record that can stand up on its own from front to back - it really does contain that *one* absolute killer track. And Peterson saved the best until last. The real highlight - can you imagine there's better?! - is the blazing psych-rock funky burner that is the infamous 13 minute thriller "Kermesse Non Héroique". Containing a wicked flute solo it genuinely sounds like something off the first Dungen album. Yes, that good. What a way to go out!

The audio for Maxi Music has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sun Ra - Space Is The Place
Sun Ra
Space Is The Place
LP | 1973 | EU | Reissue (Verve)
35,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Space Is The Place – highlighted by the rousing 21-minute title track – is both an essential album and a great onramp for new listeners to travel the spaceways of Sun Ra’s other-worldly blend of avant-garde jazz, experimental rock, and Afrofuturism.



Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.
Pierre-Alain Dahan & Slim Pezin - Neo Rythmiques
Pierre-Alain Dahan & Slim Pezin
Neo Rythmiques
LP | 1976 | Reissue (Be With)
27,99 €*
Release: 1976 / Reissue
Genre: Organic Grooves
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Pierre-Alain Dahan & Slim Pezin's Neo Rythmiques is an absolute KILLER Tele Music library classic from 1976. It's absolutely sensational throughout, all scorching, uptempo jazzy soul funk that Mr James Brown himself would've been envious of. This is serious business with breaks for days. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet. With Neo Rhythmiques, he's joined by his eternal guitar colleague Slim Pezin (Voyage, Manu Dibango, Nino Ferrer), so you know this Be With reissue is fundamentally vital.

Opener "Soul Car" is a swaggering, horn-drenched jazz-funk beast whilst the slick JBs funk of "Happy Penalty" is just plain irresistible. Definitely influenced by American funk flavours, it stands alone on its own right as a brilliant piece of music, no question about that. The blazing "Kuzi-Kuza" is again horn-fuelled but has a more exotic, Latino feel, all loose grooves and bastard blues with funky organ and shredding guitars. The stomping, proto-disco of "Mercy Boa" is a guitar-sizzled Bohannon-esque hypno-groove for adventurous dance floors the world over. Outstanding. And if all that wasn't enough from one half of a 70s French library LP, the A side ends with the monumental, stratospheric "Slim Bertha"! I mean, what can you even say about this absolute monster?! Slo-motion, deep drama funk breaks with jazzy guitar and gleaming percussion. Just sensational.

Side B opens with "Country + Country", a rather forgettable slice of piano driven bluegrass funk (?!) Aaaaannyway, "Super Airship" follows and is a driving fuzz-guitar psych-rock workout of the highest order. We're back on track now. The brilliantly titled "Electronic Mutation" is a total highlight, the funk most definitely returning and, indeed, strong in this one with its deep clean breaks (with some particularly ace hi-hats), echoey effects and funky clavs. "Africa Semper" follows, all funky percussion, trippy echo and distorted, psychy guitar licks. To close out the set, "Neo Rythmiques 1 and 2" form a great salvo of top-tier, percussion-heavy synthy-funk-fusion. For our money, the bugged-out echoey space-soul of "N° 2" just about edges it.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member - alongside his partner here, Slim Pezin - in the legendary Arpadys, Disco & Co and Voyage. Dahan also featured in Tumblack (with Wally Badarou, Sauveur Mallia et al) and Jef Gilson Septet (alongside Henri Texier), whilst the CCCP Pezin backed, among others, Manu Dibango and Nino Ferrer. Some pedigree.

The audio for Neo Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Lonnie Liston Smith & The Cosmic Echoes - Reflections Of A Golden Dream
Lonnie Liston Smith & The Cosmic Echoes
Reflections Of A Golden Dream
LP | 1976 | UK | Reissue (BGP)
24,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
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Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album 'Expansions' is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis. Released in 1976,"Reflections On A Golden Dream", the follow-up to "Expansions", was his fifth album for Flying Dutchman and featured the core band of the Cosmic Echoes, including his brother Donald Smith, David Hubbard and Wilby Fletcher. As for the music, this album is a classic, with the funky 'Get Down Everybody (It's Time For World Peace)', the reflective 'Quiet Dawn' and 'Meditations' and the sumptuous 'Beautiful Woman'. "Reflections Of A Golden Dream" was also the first of Lonnie's albums to feature his own vocals. It's a lost classic everyone should own.
Zepiss - Natibel
Zepiss
Natibel
LP | 1983 | EU | Reissue (Beaumonde)
25,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves
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Edmony Krater grew up on the side of Morne Rouge in Sainte-Rose, north of Guadeloupe. His mother sang in church, but Edmony was drawn to the sound of Gwo Ka, which was frowned upon but very present in ceremonies or funeral vigils. As both a fashion designer for the theater and a musician (percussion, trumpet, vocals) in the group Gwakasonné, formed by Robert Oumaou and Georges Troupé, Edmony left Guadeloupe in 1983 to settle in mainland France just after recording their first album. Upon his arrival in Paris, with the desire to give his own version of Gwo Ka, he founded the group Zepiss with Eddy Lebouin, Freddy Tisseur, Philippe Augusty, and Rico Toto and immediately recorded a first album, Natibel. In a singular way, Natibel perpetuates Gwo Ka Modèn, a movement initiated by the iconic jazz guitarist Gérard Lockel, who was the first to theorize and politicize this music previously transmitted only orally. In just six tracks, Natibel combines the sophistication and roughness of its root music, as Gwo Ka combines an intense rhythmic section with intoxicating melodies. In the tradition of other Gwo Ka musicians who took the music further such as Guy Conquet, Fabriano Fuzion, Gwakasonné, Erick Cosaque, and above all legendary drummer Marcel Lollia aka Vélo, Edmony Krater and his group Zepiss have contributed to preserving its heritage and bringing an obvious touch of modernity.
Eleonora Giorgi - Quale Appuntamento... / Magic
Eleonora Giorgi
Quale Appuntamento... / Magic
7" | 1980 | EU | Reissue (Sonor)
23,99 €* 29,99 € -20%
Release: 1980 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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The magic 80s nostalgia is here! Sonor Music Editions in collaboration with Beppe Savoni and Giuseppe Giammetta, respectively known in the digital space as Disco Bambino and Sovraimpressione announce a special release by the Italian queen of silver screen, actress Eleonora Giorgi. The limited edition 7-inch includes a rework of the 1981 soulful disco track "Quale Appuntamento...", written by Bipap, Cristiano Malgioglio & Pino Presti, originally released on the iconic Ricordi label; on the B-side, restored and for the first time ever on vinyl, "Magic", taken from the 1980 original soundtrack of the film "Mia Moglie È Una Strega", with music arranged and directed by Detto Mariano.
Bob James - One
Bob James
One
LP | 1974 | HK | Reissue (Evosounds)
50,99 €*
Release: 1974 / HK – Reissue
Genre: Organic Grooves
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Joni Mitchell - Mingus
Joni Mitchell
Mingus
LP | 1979 | US | Original (Asylum)
7,99 €*
Release: 1979 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: G+
Lee Oskar - Before The Rain
Lee Oskar
Before The Rain
LP | 1978 | US | Original (Elektra)
3,99 €*
Release: 1978 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Chet Baker - Sings Again
Chet Baker
Sings Again
LP | 1986 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-08-09
Picture
Coming Soon
Masaki Matsubara
Painted Woman White Vinyl Edition
LP | 1983 | JP | Reissue (Pony Canyon)
47,99 €*
Release: 1983 / JP – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-08-09
Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc.
Blood, Sweat And Tears - Blood, Sweat & Tears Greatest Hits
Blood, Sweat And Tears
Blood, Sweat & Tears Greatest Hits
LP | 1972 | UK | Original (CBS)
3,99 €*
Release: 1972 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Picture
Coming Soon
Masaki Matsubara
Sniper White Vinyl Edtion
LP | 1984 | JP | Reissue (Pony Canyon)
47,99 €*
Release: 1984 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Preorder shipping from 2024-08-09
Legendary Japanese guitarist Masaki Matsubara’s two solo albums will be reissued on Pure Virgin Vinyl by Canyon/agharta label, which is known worldwide for its “city Pop” works in recent years! Scheduled for release on August 3rd 2024! A City POP classic album “sniper” featuring vocals of popular AOR singer Jesse Barish, known as the composer of Marty Balin’s hit single “Hearts”, which was also a worldwide hit tune. “Painted Woman” includes the popular song “Silly Crush”, features Eric Tagg of Lee Ritenour band on vocal, which has been played 2.5 million times on Spotify (as of March 2024) and is enjoyed by listeners worldwide, including in L.A. and Jakarta, Bangkok, Santiago, Seoul, etc. These are two masterpieces that the world has been eager to see reissued. For inquiries about products, please contact local record stores.
Louis Armstrong - The Definitive Album By Louis Armstrong Blue Vinyl Edition
Louis Armstrong
The Definitive Album By Louis Armstrong Blue Vinyl Edition
LP | 1970 | EU | Reissue (L.M.L.R.)
24,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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George Benson - The George Benson Collection
George Benson
The George Benson Collection
2LP | 1981 | JP | Original (Warner Bros.)
11,99 €*
Release: 1981 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing, comes with Obi and inserts. Cover has light foxing.
Spyro Gyra - Morning Dance
Spyro Gyra
Morning Dance
LP | 1979 | JP | Original (Infinity)
8,99 €*
Release: 1979 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing, comes with Obi and no inserts.
Larry Carlton = Larry Carlton - Larry Carlton = 夜の彷徨
Larry Carlton = Larry Carlton
Larry Carlton = 夜の彷徨
LP | 1978 | JP | Original (Warner Bros.)
8,99 €*
Release: 1978 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
No Obi, with insert.
Archie Shepp/Lars Gullin Quintet - The House I Live In
Archie Shepp/Lars Gullin Quintet
The House I Live In
LP | 1980 | WW | Reissue (SteepleChase)
43,99 €*
Release: 1980 / WW – Reissue
Genre: Organic Grooves
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Billy Cobham - Spectrum Blue Vinyl Ediiton
Billy Cobham
Spectrum Blue Vinyl Ediiton
LP | 1973 | US | Reissue (Friday Music)
42,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Preorder shipping from 2024-07-26
Władysław Sendecki - Men From Wilnau
Władysław Sendecki
Men From Wilnau
LP | 1988 | US | Original (Antilles)
4,19 €* 5,99 € -30%
Release: 1988 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover has a cut-out.
All-State Honors Jazz Band - 1983 Illinois All-State Jazz Night
All-State Honors Jazz Band
1983 Illinois All-State Jazz Night
2xLP | 1983 | US | Original (Mark)
15,39 €* 21,99 € -30%
Release: 1983 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+. Cover with cut corner and writing on the back.
All-State Jazz Band - 1981 Illinois All-State Jazz Night
All-State Jazz Band
1981 Illinois All-State Jazz Night
2xLP | 1981 | US | Original (Mark)
15,39 €* 21,99 € -30%
Release: 1981 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+. Cover with cut corner and writing on the back.
Midori Takada - Through The Looking Glass
Midori Takada
Through The Looking Glass
2LP | 1983 | EU | Reissue (WRWTFWW)
36,09 €* 37,99 € -5%
Release: 1983 / EU – Reissue
Genre: Organic Grooves
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2023 repress, limited to 500 with Original Stoughton Tip On Sleeve!
Axolotl - Abrasive
Axolotl
Abrasive
LP | 1981 | EU | Reissue (Souffle Continu)
27,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born. Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album In spring 1981 three days were just enough to complete »Axolotl«.
Nucleus - Elastic Rock
Nucleus
Elastic Rock
LP | 1970 | EU | Reissue (Be With)
30,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
Larry Bright - New Dimensions Record Store Day 2023 Edition
Larry Bright
New Dimensions Record Store Day 2023 Edition
LP | 1987 | UK | Reissue (New Dimensions Productions)
20,39 €* 23,99 € -15%
Release: 1987 / UK – Reissue
Genre: Organic Grooves
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Having spent the majority of his career in the world of jazz fusion backing up the likes of Sun Ra and Ahmad Jamal, Larry Bright climbed out from behind the kit on his sophomore solo album New Dimensions. Self-released in 1987, an original of the eight-song LP will set you back £150 and finds Bright experimenting with spaced out synths, pop song structures, and drum machine-led electro-funk beat, pushing the boundaries of nu-jazz to the absolute edge. Remastered 180g Heavyweight vinyl.

Accompanied by guitarist John Grant, bassists Tony Bunn and Mark Easley, and dueling trumpeters Jimmy Wilson and Ivan Smart, the resulting album reads like a score to an afro-futurist sci-fi film. Float out into deep space and let Larry Bright’s smooth jazz-terpiece greet you like a warm wind hitting a docking bay in a far-off galaxy. Expertly remastered for your audiophile pleasure. LP in original picture sleeve.
V.A. - Movin' And Groovin' - Vol. 2
V.A.
Movin' And Groovin' - Vol. 2
LP | 1980 | BE (Groove)
8,44 €* 12,99 € -35%
Release: 1980 / BE
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Record has a few hairlines.
Oliver Nelson - Black,Brown And Beautiful
Oliver Nelson
Black,Brown And Beautiful
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
24,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Originally released in 1970, “Black, Brown and Beautiful” saw legendary composer and arranger Oliver Nelson musically address the state of black America in the wake of the assassination of Martin Luther King. Tracks like ‘Requiem’, ‘Lamb Of God’ and ‘Martin Was A Man, A Real Man’ directly address the passing of King, whereas ‘Self Help Is Needed’ and ‘I Hope In Time A Change Will Come’ orchestrally and passionately ask questions that still remain unanswered today. Indeed, Nelson, writing about the track ‘Self Help Is Needed’ stated “I have always felt that the Federal Government wasn’t going to do a damn thing and American Blacks were going to have to do it themselves. However, you can’t have a foot on your neck making it impossible for you to help yourself. That seems logical – doesn’t it?” Sadly, those words still hold true today.

Musically, this is a sumptuous, almost big band, banquet with Nelson himself talking the soprano sax solo on the aching ‘I Hope In Time A Change Will Come’. Those who are fans of classic Nelson albums like “The Blues And The Abstract Truth” (1961) and the equally polemical “The Mayor And The People” (1971) will find much to enjoy here.

This reissue replicates the original high-quality gatefold sleeve of the original and is pressed on 180gm vinyl.

“Black, Brown And Beautiful” has never been reissued on vinyl since the original 1970 US pressing.
Letta Mbulu - There's Music In The Air Blue Vinyl Edtion
Letta Mbulu
There's Music In The Air Blue Vinyl Edtion
LP | 1976 | EU (Future Shock)
19,99 €*
Release: 1976 / EU
Genre: Organic Grooves
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Letta Mbulu was lucky when she emigrated from South Africa, where blacks were troubled and ridiculed by the Apartheid system. She was lucky to rescue a recording deal with A&M records, and even the label's founder, Herb Albert, produced the record, Johnny Mandel did the orchestrations, and Quincy Jones wrote the liner notes. However, it wasn't only luck - Letta Mbulu's talents as a singer are such that they couldn't be overheard. Her husband, Caiphus Semenya, also from South Africa and a musician, helped her throughout. There's Music in the Air from 1976 features songs varying in tempos and moods and languages, and there's a mellow aura of purity and peace, almost innocence, that captures the listener.
Jacques Demierre - Assemblance
Jacques Demierre
Assemblance
LP | 1987 | CH | Original (Unit)
6,49 €* 9,99 € -35%
Release: 1987 / CH – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Matti Oiling - Happy Jazz Band
Matti Oiling
Happy Jazz Band
LP | 1970 | EU | Reissue (Lipposen Levy Ja Kasetti)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Lipposen Levy ja Kasetti. An official repress of this classic Finnish jazz record from 1970, limited to 340 copies only.
Jukka Tolonen - Summer Games
Jukka Tolonen
Summer Games
LP | 1973 | EU | Reissue (Lipposen Levy Ja Kasetti)
26,09 €* 28,99 € -10%
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Tolonen’s 2nd solo album from 1973 reissued in its original gatefold format with insert including new interviews with all key players – Tolonen, Esa Kotilainen, Häkä Virtanen, Måns Grundstroem.

100 copies available only.
Alan Parsons Project - Eye In The Sky
Alan Parsons Project
Eye In The Sky
2LP | 1982 | UK | Reissue (Mobile Fidelity)
85,99 €*
Release: 1982 / UK – Reissue
Genre: Organic Grooves
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180g 2LP 45rpm Gatefold Sleeve
Mustafa - Polygamy Purple Vinyl Edition + Booklet
Mustafa
Polygamy Purple Vinyl Edition + Booklet
LP | 1984 | EU | Reissue (Fatima International)
59,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.
Tony Lada - The Very Thought Of You
Tony Lada
The Very Thought Of You
LP | 1988 | US | Original (Sterling Bell Records)
7,14 €* 10,99 € -35%
Release: 1988 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Vinyl close to NM. Cover with cut corner and writing on the back.
Jeanne Peterson - Triplicity
Jeanne Peterson
Triplicity
LP | 1984 | US | Original (Celebration)
13,64 €* 20,99 € -35%
Release: 1984 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Cover with saw cut. Vinyl with just a couple of scuffs.
Jim Pugh - Crystal Eyes
Jim Pugh
Crystal Eyes
LP | 1984 | US | Original (Pewter Records)
18,89 €* 20,99 € -10%
Release: 1984 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl closer to VG+. Cover with cut corner / sticker
Jazz At The Philharmonic - Bird And Pres: The '46 Concerts
Jazz At The Philharmonic
Bird And Pres: The '46 Concerts
2LP | 1977 | US | Original (Verve)
7,14 €* 10,99 € -35%
Release: 1977 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Steve Grossman - Love Is The Thing
Steve Grossman
Love Is The Thing
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Cedar Walton - The Trio 3
Cedar Walton
The Trio 3
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Robert Watson Quartet - Love Remains
Robert Watson Quartet
Love Remains
LP | 1986 | EU | Reissue (Red)
45,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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Archie Shepp - A Massy Record Store Day 2023 Clear Pink & White Vinyl Edition
Archie Shepp
A Massy Record Store Day 2023 Clear Pink & White Vinyl Edition
2LP | 1976 | US | Reissue (Culture Factory)
41,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
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1975 Iconic, Very Rare Live Recording from The Massy in France. Archie "Vernon" Shepp American is a tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement, known not only for his creative improvisation and colorful sound but also for his Afrocentric approach to music. The National Endowment for the Arts named Shepp a Jazz Master in 2016. This double LP set, has deluxe packaging that will include an OBI strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. 1st Opaque Pink & 2nd Opaque White Color Vinyl
Patrizio Fariselli - Antropofagia Red Vinyl Edition
Patrizio Fariselli
Antropofagia Red Vinyl Edition
LP | 1977 | EU | Reissue (Cramps)
20,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves, Classical Music
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Perigeo - Azimut Red Vinyl Edition
Perigeo
Azimut Red Vinyl Edition
LP | 1972 | EU | Reissue (RCA)
20,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Fabbri Lucio - Amarena Red Vinyl Edition
Fabbri Lucio
Amarena Red Vinyl Edition
LP | 1978 | EU | Reissue (Cramps)
20,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Chet Baker - At Capolinea
Chet Baker
At Capolinea
LP | 1984 | EU | Reissue (Red)
56,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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Joel Vandroogenbroeck - L'immagine Del Suono
Joel Vandroogenbroeck
L'immagine Del Suono
LP | 1972 | EU | Reissue (Musica Per Immagini)
24,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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Joel Vandroogenbroeck was an arranger, conductor, producer and, above all, a unique multi-instrumentalist in the world of music. The Belgian artist was also famous for being the only permanent member of the group Brainticket and the main promoter of its creativity, often renewed with the contribution of exotic instruments. At the dawn of the Seventies, this versatile musician began a parallel life as a composer of singular music libraries tailored to comment documentary images. “L'Immagine Del Suono” was one of them, originally released by Italy's Flirt Records and now repressed on vinyl by Musica Per Immagini for the first time. This album circulated, however, unnoticed in a limited number of copies among insiders, only rediscovered later by fans, thus raising Joel Vandroogenbroeck as a real pioneer of ambient and new age music. It is appropriate to consider the twelve short-lived pieces of “L'Immagine Del Suono” as a sort of continuous and visionary experiment, with the addition of electronic gasps, a strong dose of inevitable psychedelia, fragments of synthesized jazz, all coming from experiences both internal and external, hallucinatory and hedonistic. All of this combined creates a mysterious and abstract hybrid. Sonic raw material is sculpted with artisanal care, at times twisted and cryptic, characterized by a transversal irony, to the point that the interference of rock elements in the course of the set divert the listener's attention and momentarily interrupt the flow of consciousness. “L'Immagine Del Suono” is a concentrated example of the avant-garde, free from categorisation of any kind, developed in a non-commercial key and, equally, is drawn from a direct line via what was previously expressed within the folds of the then contemporary works of Brainticket.
Leon Russell - Looking Back
Leon Russell
Looking Back
LP | 1973 | UK | Reissue (Goodtime)
29,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Looking Back is an instrumental album demonstrating Russell’s virtuosity on the harpsichord. Much of the material arose from recording sessions in the mid sixties. The album has remained a ‘must have’ component of every Russell fans’ record collection. By the time this album was released, he was considered to be the biggest concert draw of 1973 by Billboard magazine. Pressed on heavyweight purple vinyl in special edition orange sleeve.
Gabor Szabo - Live In Cleveland 1976 Clear Vinyl Edition
Gabor Szabo
Live In Cleveland 1976 Clear Vinyl Edition
LP | 1976 | EU | Reissue (Ebalunga!)
31,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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“Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superbly captured for radio broadcast live in 1976 at the 600-seat Agora Ballroom in Cleveland, Ohio. It is a revelation. There is a sense here that concert patrons may have been hearing an altogether different Gabor Szabo than record buyers.

For one thing, Szabo is heard fronting what is likely his own group, rather than an army of studio musicians. In 1976, Szabo was leading a tremendous quartet with George Cables (or Joanne Grauer) on piano, Tony Dumas on bass and Sherman Ferguson on drums. Szabo had not had a band with this much jazz clout since his famed quartet with Jimmy Stewart in 1967-68 – and it is a union worth savoring: Szabo’s records during this period were light, at best, on jazz.

It’s unclear if any of these musicians are on the Agora date, but as Dumas’s “It Happens” opens the program, it’s a good bet, at least, that the bassist is on board here. But as Szabo’s ’76 quartet is not known to have recorded a studio record, Live in Cleveland is the closest thing to what a mid-seventies Szabo jazz album would sound like. Gone, are the strings, vocals, and concessions to commercial consideration so prevalent on so many of Szabo’s studio records at the time. What is present, though, is fine craftsmanship, tremendous interplay, and the exciting improvisation that good jazz always yields.

This particular concert was part of Sansui’s “New World of Jazz,” a series of 13-hour-long jazz concerts recorded at Cleveland’s iconic Agora Ballroom and broadcast over 40 FM radio stations. The series was sponsored by Sansui Electronics, a Japanese manufacturer of audio and video equipment, which previously sponsored a similar series of rock concerts recorded at the Agora as well. Sansui was promoting its matrix QS 4-channel sound system – offering, what was considered at the time, superior diagonal separation and stereo compatibility. The firm, partnering with Agora Ballroom and Agency Recording Studio owner Hank LoConti (1929-2014), was looking to take advantage of what they rightly felt was the then-current jazz renaissance. Each show’s 16-track master tape was mixed through the Sansui QS 4-channel encoder,” according to an August 1976 Billboard article detailing the arrangement, “for distribution to the 40 FM stations throughout the United States that bought the series” – allowing for three commercial spots for local dealers to advertise.”
Charlie Parker - At The Pershing Ballroom (Chicago 1950)
Charlie Parker
At The Pershing Ballroom (Chicago 1950)
LP | 1976 | US | Original (Zim)
15,29 €* 16,99 € -10%
Release: 1976 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Copy close to VG+
Lele Patha - Stripiz
Lele Patha
Stripiz
12" | 1978 | EU | Reissue (Disco Segreta)
18,04 €* 18,99 € -5%
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Disco Segreta reissues another uber rare 70s Italian disco holy grail ! “Stripiz (Strapazzo)” - a made-up word meaning “Scramble” - was originally recorded in 1978 for the tiny Roman label SGR by Lele Pathà, moniker of musician Emanuele Degni, for what will be his only release, only issued on 45 in just a few hundred copies, specifically targeted to a clubbing environment. “Stripiz” is a truly unique record in the panorama of Italian 1970s disco during its climax years and is nothing short of pure madness: a fully instrumental track made out of synthesizers, moog lines, bells, drums topped by a male voice that goes “Striiiipiiiiiz”, a picture perfect portrait of the immensely free Italian creative outpour in disco music at the end of the 1970s, not to mention the wonderfully lisergic cover art! The first ever 12” reissue of “Stripiz” comes lovingly remastered, respectful of the actual tracks’ 70s vibe, and features the original 45 version plus a contemporary reintepretation by Italian mastermind Marcello Giordani DJ that turns “Stripiz” into a dark disco monster! Note this is a strictly limited edition and - as with all of our 2023 releases - will Never be reissued again.
Donald Byrd - Street Lady Black Vinyl Edition
Donald Byrd
Street Lady Black Vinyl Edition
LP | 1973 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Phil Ranelin - Vibes From The Tribe
Phil Ranelin
Vibes From The Tribe
LP | 1976 | JP | Reissue (P-Vine)
37,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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The final release from Tribe! Released in 1976, shortly before Phil Ranelin’s departure to Los Angeles, Vibes from The Tribe is a spiritual jazz / rare groove classic!

By 1976, Tribe had grown to be something much different than what it had started out as. A popular magazine and releases from a cadre of the most promising musicians Detroit had to offer had allowed the collective the space and finances needed to develop, and by the time of their final release, they had changed both in shape and scope. Yet their philosophy of “getting out the message” remained the same.

Since the early days of the Tribe, the influence of funk and popular music had been more evident in Ranelin’s music than that of his partner, Wendell Harrison. Even on Message From The Tribe’s first edition, Ranelin’s love for funk was clear, with songs such as “What We Need” featuring a mellow groove and horn lines that would sound at home on any Motown record. Phil Ranelin’s second album as a leader, Vibes From The Tribe sees those funk influences on full display. Opening track “Vibes From The Tribe (Prelude)” has the kind of steady snare beat that hip-hop producers would later kill for, and a bassline so groovy that you won’t be able to stop yourself from nodding along.

For The Children is breezy bossa nova of the finest degree. Ranelin’s voice is subdued and relaxed, probably taking more notes from Joao Gilberto than any of the poetry readings on Message From The Tribe. But when he begins his trombone solo, the edges of his more avant-garde past start to peek through. Lines that would sound right at home on any post-bop album are a-plenty, and as a sunny riff closes out the album, it seems like the perfect soundtrack for a warm summer night.

But the heart of the album lies in the closing track “He The One We All Knew (Parts 1 & 2)”. Here, Ranelin’s smorgasbord of influences seem to come together, creating an 18 minute long track that combines elements of Indian classical music, free jazz, funk, and more. The track begins with the gentle psychedelic sitar playing of Daud Abdul Kahafiz, creating a drone over which layers of percussion, piano, bass, and horns combine. Frequent collaborator and Tribe co-founder Wendell Harrison’s solo comes first, with the sparse arrangement giving him space to stretch out beyond the limits of conventional harmony or rhythm. It’s clear that these musicians were improvising in the truest sense of the word, and as they go from playing over ambient sitar, to what can only be described as “swing”, they never lose count or break rank. You can practically picture each of the musicians in the studio, deeply concentrated but supremely in tune with one another, communicating with nods and eye movement. Vibes From The Tribe takes everything that made the Tribe great: free jazz, funk, pop influences, and a tight-knit community and preserves it as one of the greatest spiritual jazz albums of all time.

With modern remastering and an obi-strip, this album has never looked or sounded this good! Make sure to get your copy while stock lasts!
Lol Coxhill & Totsuzen Danball - Lol Coxhill & Totsuzen Danball
Lol Coxhill & Totsuzen Danball
Lol Coxhill & Totsuzen Danball
LP | 1983 | JP | Reissue (P-Vine)
35,99 €*
Release: 1983 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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Only a year after their collaboration with Fred Firth, Totsuzen Danball teamed up with English saxophonist Lol Coxhill to record this monster of an album! Reissued on analog vinyl for the first time ever!

Without DAWs and online file sharing (or really, the concept of online), Totsuzen Danball and Coxhill painstakingly sent each other tapes, overdubbing repeatedly to make the off-kilter rock and roll you hear on this album. Immediately, you can tell that every second of effort was worth it. The opening track “Moyou” (lit. pattern) is oddly charming, with a bouncing bassline, motorik-esque drum beat, and lyrics about being on all-fours at a pedestrian crossing. But Coxhill’s improvisations bring the song to another level, and as he squeaks notes out over a repeating guitar riff, you won’t be able to stop yourself from nodding your head.

Totsuzen Danball classic “Natsu wa Kagerou” (Also included on their first album, Can I?) also takes on a new dimension of freakiness when played with Coxhill, whose free improvisations seem to soar over the simple beat and vocals from Totsuzen Danball. Combined, they create a sound that is both pop and avant-garde, if only in spirit.

Reissued on analog vinyl for the first time ever, the collaboration between Totsuzen Danball and Lol Coxhill is new wave, avant-garde, and everything in between!
Fred Frith & Totsuzen Danball - Fred Frith & Totsuzen Danball
Fred Frith & Totsuzen Danball
Fred Frith & Totsuzen Danball
LP | 1982 | JP | Reissue (P-Vine)
35,99 €*
Release: 1982 / JP – Reissue
Genre: Organic Grooves, Rock & Indie
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The combined powers of Fred Firth (ex. Henry Cow) and Totsuzen Danball! Originally released on cassette in 1982, the collaborative album is getting its first release on vinyl!

The first album from Totsuzen Danball, Can I? (1981) made waves with its experimental new wave sound, and the band suddenly found themselves with more overseas fans than they knew what to do with. Chief among them was Fred Frith, guitarist and co-founder of British art-rock group Henry Cow, who played with Totsuzen Danball during what was no doubt a legendary live show at Shinjuku Loft on July 23rd 1981. The recording from that night, originally released on cassette from Totsuzen Danball’s own label Floor - is finally getting an analog release! Listen as the sounds, and occasional noises, of two guitars, a pump organ, and drums intermingle to create something that’s never been heard before or since!
Wendell Harrison - An Evening With The Devil
Wendell Harrison
An Evening With The Devil
LP | 1973 | JP | Reissue (P-Vine)
37,99 €*
Release: 1973 / JP – Reissue
Genre: Organic Grooves
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Tribe co-founder and saxophone legend Wendell Harrison’s 1973 leader debut!

Following the 1972 release of Message From The Tribe, the second release from vaunted spiritual jazz label Tribe, was co-founder Wendell Harrison’s solo debut, An Evening With The Devil. Originally included on the A-side of Message From The Tribe’s first version (the edition featuring a photo of a quay on the cover), the release of An Evening With The Devil in 1973 saw the suite fully realized, with two additional songs and studio knowhow making the album a true spiritual jazz masterpiece. Opener “Mary Had An Abortion” is part-spoken word poetry and part-free jazz freak out, but as Harrison’s gravelly baritone intermingles with atonal piano lines, it transcends the limitations of both. “Consciousness” is in a similar vein, with cymbal crashes and drum fills serving as a backdrop for a poem with references to police brutality and racism that seem as relevant now as they were 50 years ago.

“Angry Young Men”, originally recorded on Message From The Tribe, is now split into two parts and placed at the end of the A-side and opening of the B-side, physically and musically bridging the original suite with the new compositions. A horn line that could only be described as angry descends over an aggressive drum pattern, and as Tribe regulars Marcus Belgrave, Phil Ranelin, Charles Moore, and William Austin take turns soloing, the rhythm section seems to get more aggressive, undulating under these solos that take the song’s message and express it through simple notes. But it’s Harrison’s extended solo on the B-side that truly makes the song. He starts out almost subdued, playing fairly standard hard-bop lines over minimal accompaniment. But he quickly picks up, letting his horn honk and screech, with flurries of notes that almost sound like screams. The rhythm section matches him, building and building until Harrison plays the head once more - finally allowing the band to return to normalcy.

In comparison, album closer “Rebirth” is almost calm, with Marcus Belgrave playing a somber melody over a bed of rumbling percussion. It practically sounds like a requiem, until five major chords are struck by the band, ending the album on a literal joyous note. If Harrison hoped to express death and rebirth with this final song, the juxtaposition of the two completely disparate sections does a perfect job.

The hallmarks of a Tribe album are all over An Evening With The Devil. It’s spiritual and technical, and words simply don’t do it justice (despite my best attempts). Yet it also stands out among the Tribe releases by being one of the first. The DIY aesthetic and iconic design language are all there, but when presented with a sound that could only be described as raw, these early recording techniques are just right. The only way to truly experience the album is to put the needle to the groove, and let the music of Wendell Harrison wash over you. P-vine is proud to be reissuing Wendell Harrison’s An Evening With The Devil with modern remastering and an obi-strip on limited edition black vinyl.
Juju - A Message From Mozambique
Juju
A Message From Mozambique
LP | 1973 | EU | Reissue (Strut)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Strut continue their in-depth work with Oneness Of Juju"s Plunky Branch with the first ever reissue of the powerful 1973 album for Strata-East, "A Message From Mozambique". The roots of JuJu started in San Francisco after Plunky had met his musical mentor, Zulu musician Ndikho Xaba, helping to form his band Ndikho and The Natives. Three members of The Natives (Plunky, bassist Ken Shabala and vibes / flute player Lon Moshe) then joined Marvin X"s theatrical production The Resurrection Of The Dead, joining local musicians Al-Hammel Rasul (keyboards), Babatunde Lea (percussion) and Jalango Ngoma (timbales).
William Penn Jazz Ensemble - Carvings
William Penn Jazz Ensemble
Carvings
LP | 1982 | EU | Reissue (Libreville)
27,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably, with Del Jones for the now cult album Positive Vibes. Carvings, recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and features clear influences of both jazz and classical music. The Ensemble's uncommon association of African American and white members at the time results in a unique fusion of cultural influences that is reflected in the music. The musical journey is both profound and spiritual, taking listeners on an experience that is both deep and meaningful.
Leon Redbone - Mystery Man Colored Vinyl Edition
Leon Redbone
Mystery Man Colored Vinyl Edition
LP | 1982 | EU | Reissue (Reel)
26,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Structure - Pop Music Black Vinyl Edition
Structure
Pop Music Black Vinyl Edition
LP | 1970 | EU | Reissue (Sommor)
25,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Cool library-styled French album from 1970. Psychedelic, proggy jazz-funk with Brazilian/Bossa touches! Groovy flute by Bernard Wystraëte plus heavy bass, drums (by André Ceccarelli), violin, occasional fuzz-wah guitar and Urszula Dudziak-like scat vocals. In 1970, the AFA label asked flautist Bernard Wystraëte to register a “pop” album after the worldwide impact of progressive bands like Aphrodite’s Child and Jethro Tull. Bernard recruited some of his friends who were professional musicians and Structure was born. He wrote a collection of songs influenced by progressive rock, jazz and Brazilian music. The “Pop Music” album was recorded live in the studio to give a “live show” feel. It was released later that year housed in a superb psychedelic sleeve. The band even toured across France and several countries at the same time that Bernard and other Structure members started backing famous French singer Marie Laforêt live. After the good reception given to the album, another label asked Bernard to record a Structure 45. “Dilatation” / “Scale” was released under a new line-up. Both tracks of this 45 are included as bonus tracks on the Digital Download version and the CD.
Etron Fou Leloublan - Les Poumons Gonflés
Etron Fou Leloublan
Les Poumons Gonflés
LP | 1982 | EU (Replica)
18,99 €*
Release: 1982 / EU
Genre: Organic Grooves, Rock & Indie
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With Les Poumons gonflés, the group led by Ferdinand Richard and Guigou Chenevier entered the 80. A unique sound with influences coming to shake up the usual recipe of the trio (addition of Jo Thirion on keyboards) for a result both innovative and fun. The third album of the French rock sounds totally free and original, produced by the legendary guitarist Fred Frith (Art Bears, Henry Cow, Naked City). An important album and often overshadowed in favor of its two predecessors. It is therefore high time to repair this absurd injustice!
Frank Wright / Georges Arvanitas - Shouting The Blues
Frank Wright / Georges Arvanitas
Shouting The Blues
LP | 1977 | FR | Original (Sun)
42,74 €* 44,99 € -5%
Release: 1977 / FR – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Edward Vesala - I'm Here Black Vinyl Edition
Edward Vesala
I'm Here Black Vinyl Edition
LP | 1973 | EU | Reissue (Svart)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Drummer and composer Edward Vesala, the most internationally renowned jazz musician from Finland, was very keen on percussion instruments. Oddly enough, this broad and enduring interest is hardly evident on his albums.

Whether playing on his own albums or contributing to other musicians’ work, Vesala played a standard drum kit most of the time. He hardly used external percussionists on his own albums either. And most of all: his music was almost never percussive, at least in the traditional manner. Perhaps even stranger is the fact that he barely played any drum solos on his own albums.

That’s why I’m Here (Blue Master Special, Spel 311, 1974), recorded in Helsinki in 1973, is such a rarity. Of course, being a limited release has also made it an expensive treasure among collectors.

Additionally, I’m Here is Vesala’s only solo album and only percussive album, and one of the few where he can be said to play drum solos, albeit in his own idiosyncratic way..

The idea of a jazz drummer making a solo album was in itself quite rare in 1973, although not entirely unheard of. French Pierre Favre had already made two solo albums (in 1970 and 1972), and Dutch Han Bennink and Swedish Sven-Åke Johansson one each, both recorded in 1972.

It wasn’t exactly Vesala’s first time either. He had already played drums alone on the second side of the album Yksi, kaksi, kolme, neljä soul jumppaa (One, two, tree, four soul gymnastics, Gross Records, Grlp-27, 1969), though for purely instructive purposes, showcasing different rhythms and tempos..

"My favorite music is so called ‘free’ or very modern music (classical as well as jazz). But ‘cause of a very little jazz audience in Finland, I’m playing also Pop-jazz to get bread", Vesala introduced himself with a self-written English text, almost as if foreshadowing the diverse solo album, I’m Here. Compared to other releases of its time, the album was indeed “free’ or very modern music (classical as well as jazz)”, which may be the reason why it didn’t make a significant mark on the music scene or significantly benefit Vesala’s career at the time.

Lauri Karvonen, a jazz critic of the largest Finnish newspaper, described Vesala’s album as “certainly uncommercial” (Helsingin Sanomat, 8th of December, 1974). At the same time, he was delighted that “the most controversial contemporary jazz musician from Finland” has, “after years of prostituting (pop music, schlager), been able to completely dedicate himself to his own music.”

“The man is doing what he wants”, Karvonen summarizes.

Now, after being re-released, I’m Here can be appreciated for its manifesto-like and almost documentary nature. The album can be valued as a greatly interesting peek into Edward Vesala’s preferences and efforts in 1973, when he was still looking for his "own thing".

The reissue comes on vinyl only and is limited to 500 copies. The release comes with extensive liner notes by jazz critic Harri Uusitorppa.
John Hicks Trio - I'll Give You Something To Remember Me By White Vinyl Edition
John Hicks Trio
I'll Give You Something To Remember Me By White Vinyl Edition
LP | 1988 | US | Reissue (Tidal Waves Music)
29,99 €*
Release: 1988 / US – Reissue
Genre: Organic Grooves
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* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.
John Hicks Trio - I'll Give You Something To Remember Me By Black Vinyl Edition
John Hicks Trio
I'll Give You Something To Remember Me By Black Vinyl Edition
LP | 1988 | US | Reissue (Tidal Waves Music)
19,99 €*
Release: 1988 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.
Quincy Jones - Gula Matari Deluxe Gatefold Sleeve Edition
Quincy Jones
Gula Matari Deluxe Gatefold Sleeve Edition
LP | 1970 | EU | Reissue (Elemental Music)
32,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Keith Jarrett - Treasure Island
Keith Jarrett
Treasure Island
LP | 1974 | EU | Reissue (Impulse)
21,59 €* 23,99 € -10%
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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Flip Phillips - A Melody From The Sky
Flip Phillips
A Melody From The Sky
LP | 1984 | US | Original (Doctor Jazz)
5,49 €* 10,99 € -50%
Release: 1984 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Promo copy with golden stamp on the back cover and sticker on the front
Ogassa - Ogassa Original Vol. 1
Ogassa
Ogassa Original Vol. 1
LP | 1978 | EU | Reissue (Acid Jazz)
28,99 €*
Release: 1978 / EU – Reissue
Genre: Organic Grooves
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Chet Baker With Bobby Jaspar - Chet Baker In Paris/Vol 3/Barclay/1956
Chet Baker With Bobby Jaspar
Chet Baker In Paris/Vol 3/Barclay/1956
LP | 1986 | EU | Reissue (Sam)
31,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
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The Max Neissendorfer Trio - For You...
The Max Neissendorfer Trio
For You...
LP | 1988 | DE | Original (Swingtime)
13,59 €* 16,99 € -20%
Release: 1988 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Cover close to VG+
Dick Wellstood & Dick Hyman - I Wish I Were Twins
Dick Wellstood & Dick Hyman
I Wish I Were Twins
LP | 1983 | DE | Original (Swingtime)
8,99 €* 17,99 € -50%
Release: 1983 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Ralph Sutton - Ralph Sutton Quartet
Ralph Sutton
Ralph Sutton Quartet
LP | 1986 | CH | Original (Storyville)
4,99 €* 9,99 € -50%
Release: 1986 / CH – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Cover close to VG+
Tiny Alice - Tiny Alice
Tiny Alice
Tiny Alice
LP | 1972 | US | Original (Kama Sutra)
7,19 €* 8,99 € -20%
Release: 1972 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
US original. Sonic Pressing.
Ralph MacDonald - Sound Of A Drum
Ralph MacDonald
Sound Of A Drum
LP | 1976 | US | Original (Marlin)
4,99 €*
Release: 1976 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: VG
Frankie Baum / Michael Goltz - Rhythm & Steel Guitars / Rhythm & Soft Guitars
Frankie Baum / Michael Goltz
Rhythm & Steel Guitars / Rhythm & Soft Guitars
LP | 1977 | IT | Original (Devega Records)
9,49 €* 18,99 € -50%
Release: 1977 / IT – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Stark Reality - Discovers Hoagy Carmichael's Music Shop
Stark Reality
Discovers Hoagy Carmichael's Music Shop
2LP | 1970 | US | Reissue (Now-Again)
36,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Definitive reissue of the album Mojo Magazine called “one of the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes. Contains an extensive, oversized booklet with rare photos, liner notes and annotation. The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.
Mustafa - Polygamy Black Vinyl Edition
Mustafa
Polygamy Black Vinyl Edition
LP | 1984 | EU | Reissue (Fatima International)
42,99 €*
Release: 1984 / EU – Reissue
Genre: Organic Grooves
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In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.
Joseph Jarman / Don Moye - Earth Passage - Density
Joseph Jarman / Don Moye
Earth Passage - Density
LP | 1981 | EU | Reissue (Black Saint/Eargong)
24,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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An outstanding yet obscure 1981 release by two Art Ensemble of Chicago members, multi reeds player Joseph Jarman and drummer Don Moye along with legendary bassist Rafael Garret (mostly remembered for his presence on Coltrane's masterpiece "Kulu se Mama") and young lion Craig Harris on trombone. Four great individuals digging deep between ancient African rituals and modern urban multidimensional grooves. A tribal ecstatic sound based on a multitude of instruments: reeds, bamboo flutes, didgeridoo, trombone, conch shell, panpipes and a sea of percussion. A beautiful example of Aacm "Ancient to the Future" aesthetic. A magic mixture of elements from the African American music continuum.
Lol Coxhill/Pierre Courbois/Jasper Van't Hof - Toverbal Sweet
Lol Coxhill/Pierre Courbois/Jasper Van't Hof
Toverbal Sweet
LP | 1972 | EU | Reissue (Lantern Heights)
32,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Fully licensed, ltd to 500 copies. Released on cultish London based label Mushroom in 1972, this album brought together the anarchic genius of saxophone player Lol Coxhill, with the pure magic of a dutch rhythm section: Pierre Curbois on the drums and keyboard player Jasper Van’t Hof. A clash of the titans as a matter of fact, with the more classical and impro sounding lines of Coxhill and the straight – almost jazz-rock – harmonies of the other two players. A fascinating record comparable to Keith Tippett small groups and the rise of the most peculiar impro-jazz scene.
Un Drame Musical Instantane - Les Bons Contes Font Les Bons Amis
Un Drame Musical Instantane
Les Bons Contes Font Les Bons Amis
LP | 1983 | EU | Original (Grrr)
19,99 €*
Release: 1983 / EU – Original
Genre: Organic Grooves
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Deadstock copy in Mint or NM condition
Un Drame Musical Instantane - À Travail Égal Salaire Égal
Un Drame Musical Instantane
À Travail Égal Salaire Égal
LP | 1982 | EU | Original (Grrr)
19,99 €*
Release: 1982 / EU – Original
Genre: Organic Grooves
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Deadstock copy in Mint or NM condition
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