Jazz | Fusion Vinyl 624 Items

Sons And Daughters Of Lite

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Long-awaited repress of this Japanese jazz album
Japanese pressing, comes with obi, limited edition.

This is their second album, recorded about a year after “Scenery”.

The delicate yet emotionally rich performance is still there, but this album has more power, and the world that Fukui depicts comes closer with a clearer outline and a sense of three-dimensionality. The sweet and sad melody of “Mellow Dream” and the dynamic and fast-paced “Horizon” are among the dazzling performances. In addition, this album has three original songs, compared to only one in the previous album, and it is a pleasure to enjoy Fukui’s musicality even more. In light of its maturity and richness of content, it can be said to be a masterpiece that surpasses the first album. Sadly, Ryo Fukui passed away in 2016. His delicate touch, rich tone, and beautiful musicianship. I would like to express my deepest gratitude for the “earthly dreams” he showed me. (From the manufacturer’s information)

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Let The Sun Shine In

LP | 1978 | US | Reissue (Ubiquity)

Doug Hammond & David Durrah

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Formed in Oakland in the early 1970s, the Sons and Daughters of Lite recorded Let The Sun Shine In, their only LP, which has now achieved holy grail status among collectors. Let The Sun Shine In is a spiritual recording filled with soul, funk, jazz, and African percussion. The musical collective described themselves as a mix of African rhythms, Latin flavors, and Far Eastern textures. This album was virtually unknown to DJs and collectors until Michael McFadin's discovery in the late 80s. He then scoured the bay area and bought up multiple copies for his record store The Groove Merchant on Haight Street in San Francisco, many of which were bought from flea markets and the dollar bins of other shops. The outrageously funky title track became a jazz dance classic, courtesy of heavy radio and club play by top UK DJ and tastemaker Gilles Peterson.

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Reflections In The Sea Of Nurnen

LP | 1975 | US | Reissue (Now-Again)

31,99 €*

LP | 1971 | EU | Reissue (Svart)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Eero Koivistoinen

Original Sin

14,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1981 | US | Reissue (Pure Pleasure)

Adele Sebastian

Desert Fairy Princess

Descendants Of Mike And Phoebe, The

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Adele Sebastian was an Afro American jazz flutist and singer, active from the early 70s (when she was still a teenager) until her untimely death at the age of 27 (!) in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospective sound considering the year the album was recorded. Adele and her band pull it off right from the start as if it had been 1966 and it was time for a revolution to shake the dust from the old time jazz. In a perfect way she mixes classic American vocal jazz elements with playful and more free passages, Latin music and tribal African sounds in the lengthy and quite rhythm oriented “Man From Tanganyika” and makes the title track start with a mystical “Allahu akbar“ chant while it turns more and more into a dark and gloomy song with something like a psychedelic edge reminiscent of Pharoah Sanders on his early works. Wild rhythms from drums, percussions with tons of bells and chimes weave a thick groove carpet and conjure a magical atmosphere. Those jazz aficionados who love the mid 60s John Coltrane, his sidekick Pharoah Sanders and Alice Coltrane will go crazy for this album.

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A Spirit Speaks

LP | 1974 | UK | Reissue (Pure Pleasure)

LP | 1971 | UK | Reissue (Pure Pleasure)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! "Descendents Of Mike & Phoebe" is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have an undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan.

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Freddie Hubbard

Straight Life

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | UK | Reissue (Pure Pleasure)

Stan Getz

Captain marvel

LP | 1971 | PL | Reissue (Warner)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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limited remastered edition 180 gram vinyl

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Novi Singers

Novi Sing Chopin

Release: 1971 / PL – Reissue

Genre: Organic Grooves

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LP | 1975 | HK | Reissue (Evosound)

Bob James

Two Gold Vinyl Edition

47,99 €*

Release: 1975 / HK – Reissue

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Redi)

Paolo Casa

Nature

Brown Rice Brown Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1977 on Edizioni Leonardi’s Wild Cat label, “Nature” is one of the rarest Italian synchronization LP’s, and it is almost impossible to find traces of it among the library music enthusiasts communities despite having been recorded by a real ‘supergroup’ of its era. Finally, thanks to Redi Edizioni, this album is now available on black vinyl, in a sleeve that faithfully reproduces the original artwork.

The musical content of “Nature” is truly excellent: in addition to funk, jazz-rock and blues, Gabriele Ducros’ flute leads the listener towards pastoral atmospheres, typical of the early ’70s folk-prog genre. In addition to Paolo Casa (12-string guitar, Mellotron), this LP sees the participation of Alberto Visentin (piano, Fender, synth), Franco Di Stefano (drums, percussion), George Simms (guitars), Gianni Dall’Aglio (drums), Jeans Orchestra (strings), Mauro Chiari (bass, vocals), Remigio Ducros (piano Fender), Roberto Puleo (electric guitar) and Roger Smith (bass).

“Nature” was also recorded at Piero Umiliani’s Sound Work-Shop studio! A real must for any library music enthusiast!!!

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Don Cherry

LP | 1975 | EU | Reissue (Klimt)

Rough & Tumble Tone Poet Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Brown Rice is probably the most accessible entry point into Cherry's borderless ideal, jelling into a personal, unique, and seamless vision that's at once primitive and futuristic in the best possible way. Its title track is a sensual fusion of various styles and sounds from the African, Indian and Arabic traditions. It also represents the spiritual multiculturalism that Cherry was interested in exploring during this creative period. With ex-Ornette Coleman cohorts on board – Billy Higgings on drums and Charlie Haden on double bass (also heard on electric) – the album (originally released in Italy in 1975) is a cult on its own.

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Stanley Turrentine

LP | 1973 | UK | Reissue (Blue Note)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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LP | 1981 | EU | Reissue (No Frills)

Glenn Miller

Very Best Of

LP | 1979 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Glenn Miller, leader of the best-loved dance band of all time enlisted in 1942 in a personal crusade to entertain Allied troops with his own distinctive brand of music. Whether delivering ballads or setting the dancefloor moving with 'Pennsylvania 6-5000' and 'The Woodpecker Song', Miller and his merry men set the mood of not only his fellow troops but whole nations. He, and they, will never be forgotten.

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Rolf Kühn

Symphonic Swampfire

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Locomotion Colored Vinyl Edition Record Store Day 2020 Edition

Martial Solal

LP | 1974 | EU | Reissue (Underdog)

LP | 1971 | EU | Reissue (Cosmic Jazz)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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After JANKO NILOVIC and HARLEM POP TROTTERS, Underdog Records has now reissued MARTIAL SOLAL – Locomotion in a colored vinyl edition. This grooviest French jazz-funk and avant-garde album features Henri Texier and Bernard Lubat, and was originally released in 1974 on the PSI label. A masterpiece!

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The Chitinous Ensemble

Chitinous

LP | 1977 | EU (Trading Places)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Certainly one of the most obscure and perhaps one of the most fascinating work of the English jazz revolution. Master of ceremonies is cellist Paul Buckmaster, known for his work with the Third Ear Band and for his (later) collaborations with Miles Davis, David Bowie and Elton John. Chitinous is his the only album as leader and it was recorded between 31 March and 13 April 1970, by an orchestra of no less than 51 players, with violins, violas and cellos. In this enormous line-up we find the cream of English musicians involved, starting with trumpeter Ian Carr and ending with drummer John Marshall. The leader is on cello, his main instrument, but also on keyboards, which he shares with the excellent Pete Robinson. The music is organized in suites, with very broad suggestions that draw from classical and contemporary music and then move back into jazz territory.

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Albert Dailey

Renaissance

Singin' In The Midnight Clear Vinyl Edtion

Release: 1977 / EU

Genre: Organic Grooves

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Modern and grounded in 1960s hard-bop sensibility, the American pianist and composer Albert Dailey (1939 – 1984) had perfect control over his instrument. Since an early age he played with cutting-edge musicians, the likes of Art Blakey, Sarah Vaughan, Stan Getz, Charles Mingus and Lee Konitz to name just a few. But despite that, he was an underrated artist during his lifetime receiving deserved recognition only after his death. Renaissance 2 November 1977 is his second album, played by a bold group that includes the voice of Cheryl Alexander, Carter Jefferson on sax, Cecil McBee on bass and features both Cheryl Alexander and Adam Nussbaum on drums.

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Chet Baker Quartet

LP | 1987 | EU | Reissue (Klimt)

2LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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Recorded during Christmas time 1986 in Holland together with Jon Burr on bass, Ben Riley on drums and Harold Danko on piano, this album will be released only in Japan the following year. It is a rare compilation of mostly standard songs reinterpreted by Chet with his personal decadent, intense and timeless taste.

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Miles Davis

Get Up With It

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Freddie Hubbard & Art Blakey

Feel The Wind Clear Vinyl Edition

LP | 1989 | US | Reissue (Tidal Waves Music)

LP | 1972 | EU | Reissue (Holy Basil)

Release: 1989 / US – Reissue

Genre: Organic Grooves

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Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Imp ulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.

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V.A.

Underground Mood

Sings The Duke Ellington Songbook

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First launched in 1971, Flirt Records was one of the many notable production music imprints distributed by Flipper Music, iconic publishing company founded by Romani Di Bari in 1968 and house to some of the best Italian library music. Back in 1972 the label released this compilation entitled "Underground Mood" featuring music composed by Emma De Angelis, Roberto Conrado, Luigi Lopez as well as Amedeo Minghi, whose anthemic "Lustful" track went on to be sampled by Justin Timberlake in 2013. An incredible 12-tracks collection of guitar driven jazz-funk tinted with fuzzy psychedelic rock vibes, making it one of the most interesting and sought-after releases of the Flirt Records catalog. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.

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Ella Fitzgerald

2LP | 1975 | EU | Reissue (Waxtime)

28,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Dialogo)

Enrico Rava

Pupa O Crisalide

LP | 1977 | EU | Reissue (Dialogo)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Enrico Rava was the first Italian jazz artist to represent the country internationally, born in Trieste in 1939. A border city with a long history as part of Austria, an important port on the Adriatic see, a places influenced by different cultures. Rava's music at its best is a product of this city - a mix of Central European and Italian culture. 'Pupa o Crisalide' is one of the most interesting works in Enrico's discography. It is a good summary of the first phase of his solo career, and contains tracks recorded with three different line-ups: an all-Italian line-up for the opener "Pupa O Crisalide" and the closer "Giromondo", recorded in Rome with Giovanni Tommaso, Bruno Biriaco, Franco D'Andrea, Michele Ascolese, Mandrake and Tommaso Vittorini - an Argentinian octet for the B-side of the LP, recorded in Buenos Aires, and finally an impressive American septet with Jack DeJohnette and John Abercrombie, to name a few for the A-side, recorded in New York. The musical style clearly reflects the composite nature of the album. The first half is funkier, edgier and more fiery, evidently influenced by the jazz-rock/fusion tendencies that were spreading at the time. The second is more placid, elegantly incorporating some Latin/samba elements into the alchemy. The two halves are held together by the similarity in timbre of the line-ups (which feature almost the same elements), and Enrico Rava's renowned trumpet style. Often compared to Miles Davis and Kenny Wheeler, his technique involves rarefied notes, full of atmosphere, and erratic melodic lines that surprisingly do not undermine the 'presence' of his trumpet sound. On the contrary, the charisma of Rava's trumpet seems to emerge precisely from this surprising balance of detachment and red blood.

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Steve Lacy

Straws

LP | 1975 | EU | Reissue (ECM)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Steve Lacy’s LP, "Straws", issued as the sixth instalment of the label’s DIVerso series in 1977. Truly singular in the legendary American saxophonist’s discography - featuring stunning solo excursions and dialogs with himself - it remains one of the great documents of 1970s improvisation, and is as engrossing, creatively riveting, and as ahead of its time today as it was when it was laid to tape. Complete with original liner notes penned by Lacy himself, it’s not to be missed!

Steve Lacy (July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. His career has been long and prolific; Lacy worked extensively in experimental jazz and to a lesser extent in free improvisation, but his music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. In 1977 he released a one-off record titled Straws for the Italian Cramps Records label, as the 6th volume of the DIVerso series (which included, among others, Demetrio Stratos’ solo albums) dedicated to contemporary avant-garde composers. Straws is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork and inner sleeve.

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Ralph Towner

Solstice

LP | 1978 | US | Reissue (Frederiksberg)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Featuring a lineup of musicians who would go on to weave ECM’s significance into the fabric of time, Solstice is a tour de force of musicianship, writing, arrangement, and recording.

Each track is brimming with life and features the sensitive application of a variety of instrumental combinations and studio savvy. “Oceanus” showcases Garbarek in his prime, soaring with an unbridled emotional register. As always, Towner’s 12-string speaks in 360 degrees. Superb drumming from Christensen complements lush melodic lines from Weber, who stretches a melodic cello into infinity while his bass arises like the conical aftereffect of a water droplet. “Visitation” clouds this ardor in a nocturnal vision filled with laughing spirits. “Drifting Petals” is a slow progression, a timid look out onto a dusty plain where the promise of freedom looms larger than the possibility of danger. But then an elder’s advice rings in our ears and pushes us onward. Feet move of their volition and pull us into the ever-receding horizon as the first drops of a squall streak across our foreheads. Towner proves again that his piano musings are not to be taken lightly, as they make for one of the most evocative tracks on the album. A transcendental 12-string solo (with gentle dimensional support from Weber) opens “Nimbus,” soon blossoming into a flourish of flutes, drums, and a bowed bass that cries with the grating fluidity of a sarangi. Garbarek’s sax joins in the fray and lets loose its harmonious fire. The deftly overdubbed flutes return, spreading their wings for a few moments before fluttering off into the distance. “Winter Solstice,” “Piscean Dance,” and “Red and Black” comprise a triptych of duets: the first for classical guitar and sax, the second a prime jam for 12-string and drums, and the third for 12-string and bass. “Sand” ends our cosmic journey with one of Garbarek’s deepest meditations for sax set to the strangely compelling ululations of Christensen’s flexatone lolling about in the background.

Melodically robust while structurally yielding, this is an album to be treasured and is a must-listen for anyone desiring to know what ECM is all about. An astounding meeting of musical minds if there ever was one.

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Spirits Rejoice

Spirits Rejoice!

32,99 €*

Lonnie Liston Smith & The Cosmic Echoes

Release: 1978 / US – Reissue

Genre: Organic Grooves

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First ever reissue of this excellent self-titled South African jazz album by Spirits Rejoice. Check out tracks like 'Woza Uzo Kudanisa Nathi' or 'Papa's Funk' !

The 1970s is regarded as a period of experimentation, boundary-breaking and hybridization in modern music and this spirit certainly informed the mushrooming of ideas that occurred in South African jazz during this time. In the shadow of more commercial township jive and soul, South African jazz evolved on the fringe, nurtured by passionate and enterprising independent producers who courted the interest of the mainstream with enchanting concoctions of jazz with folk, rock, soul and funk.

With a lineup hailing from far flung regions of South Africa, the mercurial sound of Spirits Rejoice and its willingness to weave a patchwork of different influences into its recordings is not hard to account for. More difficult to reconcile is that the band didn’t manage to level up to the status enjoyed by its peers in larger music markets abroad. Nevertheless, Spirits Rejoice has maintained its revered status in the collective memory of South African jazz for over four decades and their recorded artifacts return in the 2020s with the group’s vitality and energy undiminished.

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Cosmic Funk

LP | 1974 | Reissue (Real Gone Music)

Release: 1974 / Reissue

Genre: Organic Grooves

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Lonnie Liston Smith & The Cosmic Echoes

Astral Traveling

LP | 1973 | Reissue (Real Gone Music)

Release: 1973 / Reissue

Genre: Organic Grooves

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John Zorn / Andrea Centazzo / Eugene Chadbourne / Tom Corra / Toshinori Kondo / Polly Bradfield

Environment For Sextet

LP | 1979 | EU | Reissue (Ictus)

LP | 1978 | EU | Reissue (Speakers Corner)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Recorded live at Wkcr Radio in New York City in 1978 and issued by Ictus the following year, Environment for Sextet encounters John Zorn at the earliest stages of his career, resting within a sextet of a new generation of stunning improvisers emerging at the tail end of the '70s who would go on to define a vast swath of the '80s sound - Polly Bradfield on violin, Andrea Centazzo on percussion, Eugene Chadbourne on guitar, Tom Corra on cello, and Toshinori Kondo on trumpet - it roughly builds on the series of collaborations that had featured on Centazzo’s 1978 Ictus LP U.S.A. Concerts.

Launching from a total wall of sound - full throttle fire on the boundaries of outright noise - Environment for Sextet takes the listening on an endlessly surprising journey through its players’ inner world, shifting between airy open passages that feature endless combinations of one or more players, to furious moments of sonorous lashings where the group falls in together in brilliant dialogical periods of converstant texture and tonal intervention.

An engrossing and relentless listen from the first moment to the last - featuring two works built from two of Andrea Centazzo’s earliest graphic scores - Environment for Sextet is an absolutely stunning body of improvised work by what were then among the most important rising stars on the free music scene.

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Al Di Meola

Casino

LP | 1974 | US | Reissue (BMG)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Master of the strings, Al Di Meola, who turn his back on over-ambitious manual dexterity as in "Elegant Gypsy" to concentrate more on musical substance, demonstrates his intensive work with the material in the follow-up album "Casino". For example in "Egyptian Danza", an amalgamation of melodies which circle around one another and evoke with light electronics the contrasting worlds of the Orient, Occident and New World. A far sharper sound is conjured up in "Chasin‘ The Voodoo", which escalates to an extremely tightly-knit continuous fire, infused with the maestro‘s familiar guitar sound. Di Meola - with himself alone - combines the idea of multiple rhythms and parts: In the "Fantasia Suite For Two Guitars", four miniatures with percussive zapateado and whirling flamenco, he accompanies himself thanks to multi-tracking. All great stuff, but the best comes last: in the lengthy title number "Casino" all powers come together to create a magnificent performance with varying tempos, layered patterns, deceptive metrical changes and, of course, guitar playing of the highest order.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: May - September 1977 at Electric Lady Studios, New York, by Dave Palmer
Production: Al Di Meola

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Weldon Irvine

Cosmic Vortex

LP | 1972 | US | Reissue (Decca)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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David Axelrod

The auction

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Until It's Time For You To Go

Rusty Bryant

LP | 1974 | US | Reissue (Prestige)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Prestige)

Rusty Bryant

For The Good Times

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Dollar Brand (Abdullah Ibrahim)

The Journey

LP | 1977 | US | Reissue (Chiaroscuro)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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A Message From Mozambique

Juju

LP | 1973 | US | Reissue (Black Fire)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Atlantic)

Oscar Brown Jr.

Movin' On

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Reissue (Salvation)

Gabor Szabo

Macho

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Farfalla)

The Rainbow Orchestra

Wonderland Of Sound

LP | 1973 | US | Reissue (We Are Busy Bodies)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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To mark its 50th anniversary, Farfalla Records is proud to announce the reissue of the highly sought after German library gem "Wonderland of Sound". Originally released in 1974, the album was produced by Brillant-Musik's founder Werner Tautz and recorded in Zurich. Wonderland of Sound is the epitome of the classic 70s library sound. A jazzy bliss orchestrated by the hottest European session players making up the Big Band "Rainbow-Orchestra". A Splendidly funky and stunning set of compositions and arrangements with ultra-stylish horn section.

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Virgilio Armas

Espejismo

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Who Needs It / Jungle Kitten

Manfredo Fest

7" | 1979 | JP | Reissue (P-Vine)

2LP | 1971 | US | Reissue (Craft)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Manfredo Fest who is a blind genius pianist, and pop bossa evangelist alongside Sergio Mendes. Brazilian Fusion Classic "Who Needs It" and "Jungle Kitten" from "Manifestations" in 1979 is released 7inch for the first time!

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Woody Shaw

Blackstone Legacy

47,99 €*

Malombo Jazz Makers Volume 2

Release: 1971 / US – Reissue

Genre: Organic Grooves

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The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.

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Malombo Jazz Makers

LP | 1971 | EU | Reissue (Strut)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Afro Blue Impressions Back To Black Edition

John Coltrane

2LP | 1977 | EU | Reissue (Pablo)

38,99 €*

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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LP | 1973 | UK | Reissue (Mr Bongo)

Daniel Salinas

Atlantis

22,99 €*

Hear & Now Yellow Vinyl Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Atlantis' is a smouldering jazz-funk, cinematic excursion courtesy of the Brazilian maestro, Daniel Salinas. A conductor, pianist, arranger, and producer, he has worked across several genres within Brazil’s rich musical tapestry, including the Beatles-inspired Jovem Guarda movement, jazz-funk, and MPB to name just a few. He featured on records by Franco, Célia, Perfume Azul Do Sol, Wilson Simonal, Juca Chaves and a whole host of Brazilian greats.

Released in 1973 on Top Tape Records, 'Atlantis’, features one of Salinas’ best-known recordings (at least in Europe), his much-loved interpretation of 'Also Sprach Zarathustra’ entitled 'Straussmania’. It was inspired by Eumir Deodato's global hit of the same year and went on to be adopted by various scenes becoming a classic within rare groove circles as well as amongst breaks and beats diggers.

Other highlights include the only original Salinas composed track on the album; the driving, orchestrated Brazilian groover, 'Baião', and an epic, head nod breakbeat interpretation of Donovan's folky 'Atlantis'.

'Atlantis' was also issued by the American record label Cadet in 1974 with alternative yellow sleeve artwork; this re-issue is a replica of the original Brazilian Top Tape version from 1973.

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Don Cherry

LP | 1977 | EU | Reissue (Klimt)

LP | 1978 | EU | Reissue (Mad About)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Recorded in December 1976, Hear And Now was produced by drummer/keyboardist Narada Michael Walden (ex-member and session man for Journey, Mahavishnu Orchestra, Weather Report). The album – licensed by major label Atlantic – has been often dismissed by jazz purist and early days Cherry fans as a commercial effort. To be true it is a record that epitomize the ‘club’ tendencies discovered in the second half of the decade by many jazz and fusion artists. Led by the incredible ‘world’ rare groove of Universal Mother, the album is to be rediscovered in a different light.

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Joel Fairstein

Umbra

LP | 1978 | EU | Reissue (Adarce)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Hailing from Knoxville, Tennesee, Joel Fairstein has earned critical praise as Jazz pianist, composer, producer, and studio musician. His first album, "Umbra", an LP recorded at age 24 with eighteen sidemen has since become a sought-after collector item. It includes an insert with interview and exclusive photos.

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Paco Ros

Clasicos Con Ritmo

LP | 1983 | UK | Reissue (Pure Pleasure)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Adarce proudly presents the reissue of ‘Clásicos con Ritmo’ by Paco Ros. Originally released in 1978 on Discos Maller, still sounds as special and out of time as when it was released; a strange album that has become one of the most sought after jewels - and most hard to find - for lovers of Spanish Groove. 'Clásicos con Ritmo' offers a mix of sounds that range from a kind of analog pre-Balearic to something similar to Library Music, passing through a slow cadence groove based on sinuous layers of Hammond organ, Fender pianos, vibraphones and xylophones. During the 11 songs on the album, Paco Ros revisits his life trajectory through memories: his Valencian childhood in Godella, his professional beginnings in Madrid and his musical adventures as a backing band, his return to Valencia -where he would form 'Los 4 Ros, then simply the Ros - to finally take refuge in his Mallorcan retreat, cradled between Party Rooms, Hotel Discotheques and endless sunrises, moved as always by his infinite love for music.

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Nate Morgan

Journey Into Nigrita

LP | 1977 | EU | Reissue (Mental Experience)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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At the dawn of the Reagan years, LA jazz pianist Nate Morgan recorded his first album for Nimbus West. "Journey Into Nigritia" portrays an artist marked by the icons of his day, and striving for reinvention. Although he came from a solid jazz background, coming up through the Pan Afrikan People's Arkestra, Morgan found more exciting work with pop bands in the seventies, including glory years with Rufus w/Chaka Khan. On "Journey Into Nigritia", Morgan re-embraces jazz. Included in the band are Jeff Littleton on bass, Fritz Wise on drums, and Dadisi Komolafe on alto sax. The collection opens with the Trane-ish "Mrafu". Komolafe blasts off in short order, and while the modal chording recalls Tyner, Morgan shows flashes of the nimble loquacious gift that define him. While Alice Coltrane incense perfumes "Morning Prayer", Morgan's devotional sincerity and personnel expression triumph. Suitably complex with yearning minors, "Mother" features the trio performing a memorable composition. Littleton's deep-note sustain contrasts Wise's shimmering cymbals, while Morgan tells heart-wrenching truth. With a somewhat solemn theme, "He Left Us A Song" regularly bursts through into straight-ahead fast break sprints up and down the court. The unexpected "Study In C.T." offers an homage to Cecil Taylor and Morgan's musical roots with free improvisations on a dense and spiky theme. The exhilarating result has Morgan exploring his own way, with a winking slinging of jagged bass chords halfway through. While a quarter century's experience has nurtured Morgan's prodigious gifts beyond this ambitious debut, "Journey Into Nigritia" offers enjoyable insights into his artistic evolution, while adding another precious title to the discography of one of the most woefully under-recorded greats of our time. Review by Rex Butters

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Wild Havana

2LP | 1977 | EU | Reissue (Munster)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.
Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the “Wild Havana” album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.
Buried for many years, we’re excited to bring to life this unique album.

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Tim Blake

Crystal Machine

22,99 €*

LP | 1978 | US | Reissue (Acoustic Sounds)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Hold your body and mind belts, and immerse yourself into a cornerstone of cosmic music in a double remastered vinyl - one them filled with rarities - called "Crystal Machine" by the visionary Tim Blake, English composer and synthesizer master. Recorded in 1976/7, it remains echoing as a timeless effort, pretty much still alive. This is a deadly serious art piece, accordingly trippy in all its aspects, full of strangeness and sheer beauty.

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Tommy Flanagan

Overseas Mono Edition

55,99 €*

Release: 1978 / US – Reissue

Genre: Organic Grooves

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John Carter / Bobby Bradford

Self Determination Music

LP | 1971 | UK | Reissue (BGP / Flying Dutchman)

We'll Talk About It Later

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought them together to lead their own band.

Their first outing on Flying Dutchman was “Flight For Four” as the Carter Bradford Quartet that was released in 1969. This is the second album they recorded where Carter and Bradford were supported by Tom Williamson (bass), Buzz Freeman (drums) and another uncredited bass player on four extended improvisations – ‘The Sunday Afternoon Jazz Blues Society’, ‘The Eye Of The Storm’, ‘Loneliness’ and ‘Encounter’.

The album has been out of print on vinyl since 1971 and Ace are delighted to release it with audio taken from hi-res digital transfers from the original masters.

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Nucleus

LP | 1971 | EU | Reissue (Be With)

Inner Feelings Deluxe Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.

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Roy Porter Sound Machine

LP+7" | 1975 | JP | Reissue (P-Vine)

51,99 €*

LP | 1981 | EU | Reissue (Favorite)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

After spending the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971. Four years later, he followed that up with “Inner Feelings”. Listeners back then had to wait four years for the sequel, but you don’t have to wait at all!

The seven-man band, with its powerful horns and phat grooves, is no doubt worthy of the name ‘Sound Machine’ Praise has been sung of this record in and among rare groove circles for over three decades, with mere rumors of original copies being enough to cause collectors to begin salivating. Album opener, “Party Time”, begins with an almost mechanical drum break - a groove so tight, you just might think Roy Porter is a metronome. Jpegmafia certainly thought so, sampling the drum beat on “Free the Frail”. Fans of classic hip-hop may also recognize “Panama”, not just for its beautiful melody and iconic groove, but from DJ SPINNA’s hit-song “rock”. The re-recorded version of “Jessica” adds vocals and a touch of melancholy to the jazz-funk classic. It’s still danceable, but it might also make you stop and think for a second. Album closer, “Out on the Town Tonight”, takes the funk one step further, with an even larger horn section, and fiery solos. Yet throughout the whole album, the drumming remains steadily funky, a reminder that Roy Porter sits at the heart of the Sound Machine.

With the LP reissued on clear blue vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a re-edit by the legendary DJ Muro, and the nearly impossible to find vocal version of “Panama”, this reissue is no doubt going to be legendary! Don’t miss this iconic album, reissued for the first time on clear blue vinyl with a 7” record, available only from P-vine Records!

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Twylyte '81

The First Coming

SAC - School Of American Craftsmen

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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We are very proud to presents this official and first ever reissue of The First Coming, by Twylyte ’81, an extremely rare and underrated Soul-Jazz album produced and released in 1981.
Twylyte ’81 was a 3 pieces band composed of Frank Jones Jr., Alfred Brown Jr. and John Belzaguy, who, except for John, have never recorded anything else than this incredible album. The First Coming is primarily standing out by a superb composition, mixing touch of Soul, Jazz, and Disco together. It secondly shines thanks to the amazing deep and spiritual voice of the band leader, Frank Jones Jr., whose vocals style can sometime remind of John Lucien. Even more impressive is the fact that these 3 fellas were all less or close to 18 years old when composing and recording this beauty. As did others brilliant hidden projects such as Ted Coleman Band, or Minority Band, it was also useful for Twylyte ’81 to receive the support of JSR Records, a kind of non-profit label dedicated to help young bands and artists in recording and producing their own records.
Here are a few words from Al Brown Jr. about this release: “After 38 years, I still have the euphoric feeling while listening to this album. I would say that this was one of my greatest achievements. I want to say "Thank you" Pascal Rioux and associates for sharing the group's vision with the rest of the world. I pray the listeners will feel a portion of what we tried to convey through these songs. When I first began this project, I thought it was just killing time. Being 17 years old at the time, I didn't see the music we worked on being recorded. We (Frank and I) were in a basement practicing each song. Who knew that this music would be recorded let alone picked up 38 years later? I still remember every beat, drum roll, every stop/start; everything. Wow, the nostalgia of it all. I wish this album much successful and I hope in the future I can perform this album live.”

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Jeff Resnick

LP | 1978 | UK | Reissue (Outernational Sounds)

23,99 €*

LP | 1973 | EU | Reissue (Strut)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Organically funky, laced with avant-garde synth textures, and studded with breakbeats, the second Outernational is Jeff Resnick’s unique, ultra-rare, 1978 promotional recording for the School for American Craftsmen, at the Rochester Institute of Technology. Five tracks of soul jazz and modal fusion — re-modelling Trane, and opening with a variation of Norwegian Wood — by a local group including trumpeter Jeff Tyzik and pianist Sonny Kompanek; then Resnick mostly solo for the second side, when the money ran out, multi-tracking synthesizers on his home set-up, in an engrossing blend of reflective abstraction, grooving electro and spiritualised fourth-world tropicalism.
Bim!

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The Pyramids

Lalibela

LP | 1974 | EU | Reissue (Strut)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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The debut album by the Pyramids was inspired by the group"s visit to the Lalibela monastery in Egypt, and was recorded in Yellow Springs Ohio in early 1973. Drawing on the teachings of Cecil Taylor and the influence of John Coltrane, combined with a barrage of intense percussion, the album evolves over several long-form pieces. Initially only 500 copies were pressed and sold to friends and followers in the local area.

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The Pyramids

King Of Kings

LP | 1981 | EU | Reissue (Petit Cherie)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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King Of Kings was recorded in 1974 and features a wider array of instruments including Ugandan Harp and Balafon. Perhaps best known for the expansive "Nsorama (The Stars)" a seminal work of Spiritual Jazz.

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Dewey Jeffries

This Is For You

LP | 1984 | EU | Reissue (Life Goes On)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Dewey Jeffries was a renowned jazz pianist for 40 years in the Greater Cleveland area as well as cities throughout the United States and Canada. He frequently played with jazz giants such as Miles Davis, Benny Carter. Dewey Jeffries was appeared in the early 70s when he released some singles and then in 1981 he released "This Is For You" an incredible piece of rare modern soul funk. For Motown and Daptone sounds extimators.

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Haki R. Madhubut

Medasi

14,99 €*

LP | 1983 | EU | Reissue (Be With)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Super-rare deep spiritual jazz from 1977! A little-known sought after obscurity of indy label afro-centric deep jazz recorded in 1976-7!

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Victor Cavini

Japan

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The first Be With foray into the archives of revered German library institution Selected Sound is one of our favourites on the label - the super in-demand Japan from Victor Cavini, originally released in 1983. Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness! Victor Cavini was the library music pseudonym of prolific German composer and musician Gerhard Trede. He was known for exploring instruments and styles from around the world (he played over 50 different instruments himself) and Japan is his collection of 14 musical sketches painted with traditional Japanese wind and string instruments. These are the sounds of traditional Japanese folk music re-interpreted through Western ears, with the occassional contemporary twist.

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Herbie Hancock

Crossings

29,99 €*

LP | 1979 | EU | Reissue (Soul Note)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Crossings is the second album in the experimental sextet trilogy Herbie Hancock released early
1970s. His electronic movements are further explored and the whole sound comes alive in the three
long tracks this album consists about. The album opens with some African drums before moving on
the to some of the unearthed sounds the sextet created for this album. Centerpiece "Sleeping Giant" is
nearly 25 minutes long and is divided into five funky and groovy parts. A transcendent experience that
has grown over time into one of the most moving, powerful and innovative artistic statements of the
modern era. Over forty years later this album still sounds incredibly ahead of its time.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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Billy Harper Quintet

In Europe

Musique Pour Le Film D'un Ami

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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This is Texas-born tenor sax giant Billy Harper captured on tour in Europe in 1979. Mr Harper's gorgeous tone drives a highly energetic quintet featuring a young Fred Hersch on piano, Everett Hollins on trumpet, Louie "Mbiki" Spears on bass and Horace Arnold on drums. A beautiful live document from the Post-Bop era! "In Europe gives a fine glimpse at the power and intensity of Harper's compositions and his tremendous abilities as an improviser... Highly recommended music for post-bop and free jazz appreciators." Allmusic

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Steve Potts

LP | 1975 | EU | Reissue (Souffle Continu)

David Wertman & Sun Ensemble

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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In 1975, Steve Potts left Steve Lacy for a time to compose Musique pour le film d’un ami following the proposition from the film’s director Joaquín Lledó. With guest musicians of quality and from vairied horizons (Ambrose Jackson, Jean-Jacques Avenel, Frank Abel, Elie Ferré, Christian Escoudé…), the saxophonise recorded a soundtrack ranging from modal jazz to free funk and from dirty grooves, to java wah-wah with disconcerting elegance. Rather than blaxploitation, Potts and his group offer us their mixploitation made in Paris which would be recognised way beyond the boundaries of La Défense.

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Earthly Delights

2LP | 1978 | EU | Reissue (BBE)

23,99 €*

LP | 1974 | EU | Reissue (Seriewoc)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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‘Earthly Delights’ is a forgotten 1978 free-jazz masterpiece by bass player, composer and improviser David Wertman, alongside his Sun Ensemble.

Born in 1952 and raised in Queens NY, Wertman’s distinctive upright playing style was entirely self-taught. He cut his teeth in the notorious New York Jazz lofts, jamming for hours and hours with the likes of Billy Bang, Arthur Blythe, Marion Brown, Steve Reid, Dave Pike, William Parker, Brandon Ross and Charles Tyler to name but a few.

‘Earthly Delights’ is the first recording by the Sun Ensemble band and features the original line-up of Greg Wall (Baritone Saxophone), Jay Conway (Drums), John Sprague Jr. (Flute and Percussion), David Swerdlove (Soprano/Alto Saxophone), and John Zieman (Synthesizer). John Sprague Jr. financed and produced the album, releasing it on his own label Sweet Earth Records, a short-lived but bountiful imprint, perhaps best known for issuing Sun Ra And His Arkestra’s 1979 album “The Other Side Of The Sun”.

‘Earthly Delights’ is perhaps best described as loosely composed, or highly improvised, depending on where you stand on such subjective matters. Containing just 4 compositions, ‘Earthly Delights’ explores man’s relationship with nature; at times subtle and delicate, at times wide and sweeping in its gestures. The record’s spiritual message is conveyed by heartfelt, virtuoso performances from all six players, drifting together seamlessly from one sonic wave to the next.

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Khan Jamal

Give The Vibes Some

43,99 €*

LP | 1972 | EU | Reissue (Elkar)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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It's quite simple, if you have a good connection with music, to find things that should be reissued due to their exceptional quality, but, like a diviner, being able to unravel the problems related to the licensing of a record, well, that's much more difficult. Finding someone is Sherlock's job! After 4 years, Khan Jamal II (son of Khan Jamal) delighted us with a "Let's go my guy". Khan Jamal doesn't need much introduction: Born Warren Robert Cheeseboro, he was a jazz vibraphone and marimba player from Philly. He founded the band Sounds of Liberation in 1970 with Byard Lancaster. In 1974, during one of his many trips to the old continent, he recorded this album in France at Jeff Gilson's Palm studio. It is a delicate game of lucid and intense contrasts between Christian Vander's drums provides a rock oriented touch, the marimba and the vibes with influences from the lands of the rising sun of Jamal and the composed trumpet of Clint Jackson III which anchor "Give the vibes Some" in a sort of Space Age Jazz era. In the end, you know what? This album is a transcendent journey into yourself, like an intense session of meditation...even if "35.007 Feet Up" could easily be played by Jeff MiIls in his DJ Set

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William S. Fischer

Akelarre Sorta

23,99 €*

LP | 1973 | US | Reissue (Cobblestone)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pello Joxepe is in the bar, but this time he's moving his hips to the sound of Curtis Mayfield's Superfly funk-soul groove. These are the kind of psychedelic visions created by this esoteric "Akelarre Sorta", an unparalleled gem. The African-American saxophonist, pianist and composer William S. Fischer, who worked in the 1950s with stars of the stature of Ray Charles, Muddy Waters, Joe Zawinul and Roberta Flack, in 1972 made an album of catchy, funky versions of popular tunes. And that's it, as simple as it is mysterious and surprising. Little more has ever been known about this recording or about the reasons behind William's visit to the Basque Country. So here it is, ready to attract a new audience to join the cult following it has gradually built up over nearly 50 years.

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Norman Connors

Dark of Light

Max Roach & Clifford Brown

Release: 1973 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Daahoud

LP | 1972 | US | Reissue (Mainstream)

18,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Speakers Corner)

Herbie Hancock

Crossings

Gary Burton & Chick Corea

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In the 1970s, Herbie Hancock’s "Crossings" was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us …
Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s "Quasar" launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.
This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason
Production: David Rubinson

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Crystal Silence

LP | 1973 | EU | Reissue (ECM)

LP | 1973 | US | Reissue (Black Jazz)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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The Corea/Burton duo was brought together by producer Manfred Eicher, and “Crystal Silence” brought a new chamber music sensibility into jazz improvisation, distinguished by an effervescence of melody and countermelody, with synchronized cascades of sound in continually changing harmonic movement.

It all begins here, with “Crystal Silence”. The title says it all: silence crystallized into dazzling melodic gems, each its own prismatic doorway into improvisatory translucence. Corea offers a fine set of five compositions (the most notable being the slick opener "Señor Mouse"), along with three beautifully realized tunes by bassist Steve Swallow ("Arise, Her Eyes" being a personal favorite), and another by Mike Gibbs (the somber "Feelings And Things"). In spite of the variety of voices represented here, the album grows like one long, extended story, a dynamic that seems to shadow the musicians wherever they set foot.

The title track is a subdued tour de force in style, presentation, and content. "Falling Grace" (Swallow) is one of the shorter pieces on tap, but what it lacks in time it makes up for in exhilaration. The album ends with an instrumental version of another Return classic, "What Game Shall We Play Today." Each piece is rendered with such dynamic sensitivity that one can immediately recognize the effect Crystal Silence must have had when originally released, and no doubt continues to have to this day. Connected as they are by the same mellow fuse, these tunes need hardly a spark to set them to glowing.

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Kellee Patterson

Maiden Voyage

15,99 €*

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Seven Songs For Quartet And Chamber

Gary Burton

LP | 1974 | EU | Reissue (ECM)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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2LP | 1977 | UK | Reissue (BBE)

Per Husby Septett

Peacemaker

44,99 €*

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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2LP | 1982 | UK | Reissue (Mobile Fidelity)

Alan Parsons Project

Eye In The Sky

85,99 €*

A Message From Mozambique

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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180g 2LP 45rpm Gatefold Sleeve

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Juju

LP | 1973 | EU | Reissue (Strut)

Human Egg (Jean-Pierre Massiera)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Strut continue their in-depth work with Oneness Of Juju"s Plunky Branch with the first ever reissue of the powerful 1973 album for Strata-East, "A Message From Mozambique". The roots of JuJu started in San Francisco after Plunky had met his musical mentor, Zulu musician Ndikho Xaba, helping to form his band Ndikho and The Natives. Three members of The Natives (Plunky, bassist Ken Shabala and vibes / flute player Lon Moshe) then joined Marvin X"s theatrical production The Resurrection Of The Dead, joining local musicians Al-Hammel Rasul (keyboards), Babatunde Lea (percussion) and Jalango Ngoma (timbales).

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Human Egg

LP | 1978 | EU | Reissue (Favorite)

Reflections Record Store Day 2024 Clear Vinyl Edtion

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Super-obscure oddball disco funk goody by French studio wizz Jean-Pierre Massiera, re-released to celebrate the 50th release on Favorite!

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Amancio D'Silva

LP | 1971 | CZ | Reissue (Decca)

35,14 €* 36,99 € -5%

Release: 1971 / CZ – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Croatia)

Tihomir "Pop" Asanovic

Majko Zemljo

2LP | 1979 | EU | Reissue (Honest Jon's)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180 gram vinyl in a fold out cover with an insert.

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Derek Bailey & Tony Coe

Time

Brian Auger's Oblivion Express

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Multi-reedist Tony Coe was born in 1934, four years after guitarist Derek Bailey. He cut his teeth as a career jazzman with Humphrey Lyttleton, before an extended stint with the Kenny Clarke/Francy Boland Big Band. On this rare 1979 duo outing, he sticks to clarinet. And though that instrument has an illustrious jazz pedigree, Coe’s playing here is something else.

It’s worth noting that the clarinettist has also played under the baton of arch-modernist Pierre Boulez, the kind of composer Derek Bailey enjoyed taking to task in his book Improvisation. You might think the Frenchman’s uncompromising serialism and the free playing Bailey defended with such passion all his life would have little in common, yet both men were hugely influenced by Anton Webern. It’s an influence you can hear right through Bailey’s career in his obsessive exploration of tight parcels of registrally-fixed pitches, notably those trademark ringing harmonics. Meanwhile, Coe’s meandering semitones and sinuous arabesques here recall both Boulez’s clarinet writing in Domaines, and the harmonic world of Boulez’s own teacher Olivier Messiaen.

Still, no traditional classical musical notation could ever render the extraordinary rhythmic subtlety and timbral complexity of this music. It’s at one and the same time dazzlingly virtuosic — Coe and Bailey are on stellar form throughout, and have enough sense to, yes, accompany each other where needs be — and supremely lyrical and spacious.

An absolute delight.

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Live Oblivion 2 Remastered Edition

2LP | 1974 | EU | Reissue (Soul Bank Music)

Brian Auger's Oblivion Express

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Live albums are often a "hit or miss" affair but "Live Oblivion 1 & 2" buck that trend. Recorded across 2 nights in 1974 at the Hollywood venue The Whisky A Go Go. Now released to mark the 50th Anniversary of their recording and release it"s the first ever vinyl reissue since the original releases in the 1970"s.

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Live Oblivion 1 Remastered Edition

LP | 1974 | EU | Reissue (Soul Bank Music)

LP | 1973 | EU | Reissue (Holy Basil)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Lesiman

High Tension Volume 1

I'll Give You Something To Remember Me By Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Following the release of Lee Selmoco's "Mosaico" we continue our journey with Vedette Records to bring back to life part of their incredible catalog, with the reissue of the first instalment of the "High Tension" series by Lesiman. Born in Florence in 1935, Paolo Renosto, the man behind the moniker Lesiman, was an incredible composer, experimenter, music teacher and piano player whose amazing skills and sound research brought him to work with Luigi Dallapiccola and Bruno Maderna, as well as being a member of the Associazione Nuova Consonanza of Roma. He obviously joined, for some time, the renowned Gruppo d’Improvvisazione, with Franco Evangelisti and Domenico Guaccero. Released exactly 50 years ago and packed with dramatic tension, obscure drums and asphyxiating atmospheres revolving around the theme of war, composed with the additional input of Romolo Grano, Sandro Brugnolini and Guido Baggiani, this first volume in the series is a holy grail in Italian libraries as well as a prime example of "music especially crafted for films, television, radio, publicity and industrial use". Now available on vinyl for the first time as a limited edition of 500 copies.

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John Hicks Trio

LP | 1988 | US | Reissue (Tidal Waves Music)

Rock Joint Biwa - Kumikyoku Fulukotofumi Black Vinyl Edition

Release: 1988 / US – Reissue

Genre: Organic Grooves

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* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.

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Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

LP | 1974 | EU | Reissue (Speakers Corner)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

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Andy Bey

Experience And Judgement

LP | 1975 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Andy Bey was one of the most sought-after vocalists in the era of jazz fusion. Between 1968 and 1973 he was first choice as a studio singer for Max Roach, Duke Pearson, Horace Silver, Gary Bartz and Stanley Clarke, to mention but a few. His warm and engaging baritone voice easily crossed the bridge from conventional blues and gospel to a pugnacious, politicising style of soul – Andy Bey was 'spiritual' in every sense of the word. "Experience And Judgment", his debut album under his own name, was recorded in New York in 1973 and quickly became a cult album. Bey delivers twelve songs in single length, which are full of relaxed, funky grooves, soulful and electrifying, and quite lacking in gimmickry – in many of them a blues number is lurking in the background as a basic idea. His most important colleagues are Wilbur Bascomb, who lets his electric slap bass really thump out, and Bill Fischer who joins in on an electric piano, synthesizer and various other keyboards and really sets off a little fusion firework display. The most powerful numbers come from Andy Bey himself, such as "Experience", "Judgment", "Celestial Blues", "Tune Up" and "Being Uptight" – often powering forwards with a vengeance. Bill Fischer – at that time Artistic Director at Atlantic Records – added a few soul ballads to balance out the LP. This album inspired numerous jazz singers, including Gregory Porter. Jamie Cullum says: »What I love about Andy Bey is that he creates an atmosphere. As soon as he opens his mouth, you’re transported to another place.«

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: July and September 1973 at Regent Sound Studios, New York, by Bob Liftin Production: William S. Fischer

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The Rolf Kühn Group

Total Space

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1979 | UK | Reissue (Pure Pleasure)

Babatunde And Phenomena

Levels Of Consciousness

LP | 1972 | EU | Reissue (Wewantsounds)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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This reissue of an LP cut for the Theresa label contains plenty of exciting music. Percussionist Babatunde Lea takes stirring solos and constantly inspires the ensembles and soloists during a generally high-powered set. The musicians were all based in San Francisco at the time, including guest soloists trumpeter Eddie Henderson and trombonist Julian Priester. The music is Afro-Cuban jazz with bits of 1970s electronics and funk added to the mix. But despite some R&B-ish vocals (which dominate a bit during the last few tracks) and commercial moments, the music is excellent, there are some strong solos.

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Alice Clark

34,99 €*

Bemowe Frazy Yellow Vinyl Edtion

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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2022 repress. Following the success of Wewantsounds' Alice Clark RSD edition featuring an extra 20-page booklet, the label reissues the standard version of Alice Clark's highly sought-after soul jazz classic produced by Mainstream Records' Bob Shad in 1972. Featuring original artwork, remastered sound making this reissue is the first official reissue of Alice Clark's original album for decades, a long overdue release of one of the best Soul albums ever recorded. When it comes to legendary albums, very few can match the cult status achieved on the international jazz and funk scene, by Alice Clark's eponymous album, recorded for Mainstream Records in 1972. The record which went unnoticed when it first came out has become one of the most sought-after albums ever since it became cult on the London jazz and funk scene in the late '80s. It is now being acknowledged as one of the best soul albums of all-times. Recorded live over two days at the Record Plant studios in New York City, the album was produced by Bob Shad and arranged by jazz veteran Ernie Wilkins with a big band setting. The music is a superb mix of jazz and soul blessed by Clark's superb singing and including two all-time favorites, "Don't You Care" and "Never Did I Stop Loving You" plus a selection of heart-wrenching songs beautifully sung by Clark. Hailed as a soul masterpiece alongside Aretha Franklin or Roberta Flack's best albums, Alice Clark's LP took almost fifty years to achieve classic status and Alice Clark is now finally getting the recognition she deserves.

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Bemibem

LP | 1974 | EU | Reissue (Warner)

25,64 €* 26,99 € -5%

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The Battle Of Disco Black Vinyl Edition

Bra Sello

LP | 1977 | EU | Reissue (Afrodelic)

LP | 1984 | EU | Reissue (Comet)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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Ayizan

Dilijans

28,99 €*