/
DE

Jazz | Fusion Vinyl 686 Items

Hip Hop 77 Organic Grooves 1770 Funk | Soul 682 Contemporary Funk 2 Jazz | Fusion 686 Blues 35 Disco | Boogie 259 Latin | Brazil 138 Afrobeat 118 Original Breaks & Samples 25 Rock & Indie 2031 Electronic & Dance 328 Reggae & Dancehall 295 Pop 492 Classical Music 16 Soundtracks 128 Childrens 1
Hide Filter & Categories Show Filter & Categories
Filter Results
Format
Format
Vinyl
LP
12"
10"
7"
CD
Tape
Close
Used Vinyl
Used Vinyl
No Used Vinyl
Used Vinyl Only
Sealed
Mint
Near Mint
VG+
VG
G+
G
F
Close
Artist
Artist
Abdullah Ibrahim
Adelhard Roidinger
Airto
Akira Ishikawa & His Count Buffalos
Akira Ishikawa Count Buffalo Jazz And Rock Band
Alain Bellaiche
Alan Hawkshaw
Alan Hawkshaw & Brian Bennett
Alan Tew
Albert Ayler
Albert Dailey
Aleksandre Kiladze's Jazz Choral
Alessandro Alessandroni
Alessandro Alessandroni / Giovanni Tommaso
Alice Clark
Alice Coltrane
Allan Holdsworth
Allen Kwela
Almon Memela
Amancio D'Silva
Andy Bey
Antonio Carlos Jobim
Appendix
Archie Shepp
Area
Armando Trovaioli
Arthur Verocai
Atlantic Bridge
Atmo
Awakening
Ayako Shinozaki
Azar Lawrence
Azymuth
Babatunde And Phenomena
Babs Robert & The Love Planet
Baden Powell
Baikida E.J. Carroll
Barcelona Traction
Barney Wilen
Barry Morgan & Ray Cooper
Batsumi
Bemibem
Ben Webster
Benoit Widemann
Betty Lou Landreth
Beverly Glenn-Copeland
Bill Evans
Bill Withers
Billie Holiday
Billy Brooks
Billy Cobham
Billy Harper
Billy Harper Quintet
Billy Parker's Fourth World
Black Disco
Blue Mitchell
Bob James
Bobby Hamilton Quintet Unlimited
Bobby Hutcherson & Harold Land
Bra Sello
Brian Auger's Oblivion Express
Brian Brown Quintet
Broadway Quintet
Bruce Palmer
Bruno Nicolai
Brute Force
Capon - Maté - Morris - Rahoerson
Caribou (Cortex)
Carter Jefferson
Catch Up
Ccmc
Cecil McBee
Cecil Payne
Cecil Taylor
Cedar Walton
Cedar Walton / Hank Mobley Quintet
Celia
Charles Brackeen
Charles Mingus
Charles Tolliver / Music Inc & Orchestra
Charles Tolliver's Music Inc
Charlie Mingus
Charlie Parker
Chet Baker
Chet Baker With Bobby Jaspar
Cheyenne's Comin
Chivo Borraro
Chris McGregor's Brotherhood Of Breath
Christian Zysset
Circle
Circus Underwater
Clifford Jordan Quartet
Cohelmec Ensemble
Company
Cortex
COS
Courtial With Errol Knowles
Courtney Pine
Crash I Grazyna Lobaszewska
Cults Percussion Ensemble
Czeslaw Bartkowski
Czeslaw Niemen
Dana Kaproff
Daniel Bechet
Daniel Salinas
Dave Brubeck
Dave Holland Quartet
Dave Pike
David Axelrod
David Murray
David Wertman
Dee Dee Bridgewater
Deodato
Derek Bailey & Cyro Baptista
Derek Bailey & Tony Coe
Derek Bailey And Andrea Centazzo
Descendants Of Mike And Phoebe, The
Dieter Bihlmaier Selection
Digital Caresse
Django Reinhardt
Doctor Umezu Diva
Dollar Brand
Dollar Brand (Abdullah Ibrahim)
Don Blackman
Don Cherry
Don Rendell Quintet
Donald Byrd
Dorothy Ashby
Doug Carn
Doug Hammond & David Durrah
Duke Ellington
Eddie C. Campbell
Eden Rose
Edward Vesala
Eero Koivistoinen
Ella Fitzgerald
Elvin Jones
Enrico Intra
Ensemble Al-Salaam
Enzo Randisi
Erik Andresen Quartet
Esther Williams
Etron Fou Leloublan
Experience Unlimited
Extra Ball
Feso Trombone
Fisher
Fist Of Facts
Fitz Gore & The Talismen
Folk Magic Band
Four-Um
Francis Coppieters
Franck Valmont
Franco Cerri
François Jeanneau
Francois Tusques
Frank Sinatra
Fred Frith & Totsuzen Danball
Fred Lane
Fred Wesley
Freddie Hubbard
Freddie Hubbard & Art Blakey
Full Moon Ensemble
Fumio Itabashi
Fumio Itabashi Trio
Fusion
Gabor Szabo
Gabriella Ferri
Gary Burton
Gary Burton & Chick Corea
Gelson Oliveira & Luiz Ewerling
Genius
George Benson
George Coleman
Gerry Weil
Giacomo Dell’Orso
Gianni Safred
Gideon Nxumalo
Gigi Masin / Charles Hayward
Gino Marinacci
Giovanni Tommaso
Giuliano Sorgini
Governor's State University Jazz Band
Guy Pedersen
Haki R. Madhubut
Haki R. Madhubuti
Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble
Hal Singer Jazz Quartet
Hank Crawford
Hardy's Jet Band / Orchestra Klaus Wuesthoff / Jan Troysen Band / Orchestra Gary Pacific
Harold Land
Harold McKinney
Harold Vick
Haruomi Hosono, Takahiko Ishikawa & Masataka Matsutoya
Hazel Scott
Henri Texier
Henry Franklin
Herbie Hancock
Hideki Matsutake, Chojuro Imafuji, Masashi Komatsubara
Hiromasa Suzuki
Hiroshi Suzuki
Horace Tapscott with The Pan-Afrikan Peoples Arkestra
Howard Riley
Hozan Yamamoto With Sharps & Flats
I Marc 4
Ian Carr
ICP Tentet
Idris Muhammad
IDYLI TSALIKI
Imitation
Instant Composers Pool
Ira Nepus
Ivan Boogaloo Joe Jones
Jackie McLean
Jaco Pastorius
Jacques Thollot
James Brown
James Clarke
James Newton
Jan Erik Vold & Jan Garbarek
Janko Nilovic
Jay Richford And Gary Stevan
Jazz Carriers
Jean-Charles Capon / Philippe Maté / Lawrence "Butch" Morris / Serge Rahoerson
Jef Gilson
Jeff Beck
Jeff Majors
Jim Hall
Jim Marks
Jimmy Heath
Jimmy McGriff
Jiro Inagaki & Friends
Jiro Inagaki & Soul Media
Joe Farrell
Joe McPhee
Joe Pass
Joe Tossini And Friends
John Cameron
John Carter / Bobby Bradford
John Carter Octet
John Coltrane
John Gordon
John Hicks Trio
John Mclaughlin & John Surman
John Stubblefield
John Zorn / Andrea Centazzo / Eugene Chadbourne / Tom Corra / Toshinori Kondo / Polly Bradfield
Johnny Hammond
Jon Appleton & Don Cherry
Joni Mitchell
Jorge Galemire
Jorge Lopez Ruiz
Jothan Callins & The Sounds Of Togetherness
Juju
Jukka Tolonen
Jun Miyake
Karin Krog
Karlton Hester And The Contemporary Art Jazz Movement
Karma Moffett
Kei Ishiguro
Keith Jarrett
Keith Jarrett / Dennis Russell Davies
Keith Mansfield & John Cameron
Kellee Patterson
Kenny Cox
Khan Jamal
Khan Jamal's Creative Arts Ensemble
Kifu Mitsuhashi & Kiyoshi Yamaya
Kimiko Kasai with Herbie Hancock
Kippie Moketsi & Hal Singer
Klaus Weiss Rhythm And Sounds
Kohsuke Mine
Krystyna Pronko & Koman-Band
L'infonie
Larry Coryell
Larry Nozero
Le Theatre Du Chene Noir
Lee Konitz & Martial Solal
Lee Selmoco
Leon Redbone
Leon Russell
Leon Spencer
Leon Thomas
Leroy Vinnegar
Les Demerle Transfusion
Lesiman
Lester Bowie
Lining Time
Lionel Pillay
Lloyd McNeill Quartet
Lol Coxhill & Totsuzen Danball
Lonnie Liston Smith
Lonnie Liston Smith & The Cosmic Echoes
Lonnie Smith
Luis Gasca
Maajun
Machi Oul Big Band
Majoie Hajary
Maki Asakawa
Mal Waldron & Gary Peacock
Malagasy / Gilson
Maliks Emerging Force Arts Trio
Malombo Jazz Makers
Mandrassi & Zollinger
Mariah
Mario Molino
Marius Cultier
Martial Solal
Masahiko Sato
Masahiko Togashi
Masahiko Togashi / Don Cherry / Charlie Haden
Masao Nakajima Quartet
Matao With Atilla Engin
Matias Pizarro
Matti Oiling
Max Roach & Clifford Brown
McNeal & Niles
Michael Naura Quartett
Midori Takada
Mikio Masuda
Miles Davis
Milford Graves
Milt Jackson
Modern Sound Quartet
Modern Sound Quintet
Moggi (Piero Umiliani)
Monty Alexander
Motohiko Hino
Muhal Richard Abrams
Mulatu Astatke
Music Inc.
Mustafa
Nate Morgan
Nathan Davis
Ndikho Xaba And The Natives
Neil Ardley
Neil Ardley, Ian Carr, Don Rendell
New Tutenkhamen
Nick Ingman
Nico Gomez
Nina Simone
Noah Howard
Noriki
Norman Connors
Norman Williams And The One Mind Experience
Novi Singers
Nucleus
Okay Temiz
Oliver Nelson
Oliver Sain
Olympic
Omar Sosa
Oneness Of Juju
Orkiestra Pr I Tv W Lodzi
Ornette Coleman
Ornette, Coleman, Paul Bley, Don Cherry Charlie Haden & Billy Higgins
Oscar Brown Jr.
Oscar Peterson & The Singers Unlimited
Oscar Rocchi Quintet
Ozric Tentacles
Pacific Express
Paolo Casa
Pastor T.L. Barrett & The Youth For Christ Choir
Pat Martino
Pat Matshikiza
Patrice Rushen
Patrizio Fariselli
Patty Pravo
Paul Baillargeon & Dean Morgan
Penny Goodwin
Per Husby Septett
Per Tallec Trio
Perception
Perigeo
Pete Jolly
Pharoah Sanders
Phil Ranelin
Phil Ranelin & Wendell Harrison
Philippe Maté / Jef Gilson
Piero Umiliani
Pierre-Alain Dahan & Mat Camison
Pierre-Alain Dahan & Slim Pezin
Pleasure
Potter & Tillman
Premiata Forneria Marconi
Quincy Jones
Rahsaan Roland Kirk
Ralph Towner
Ray Stephen Oche And His Mutambo
Reuben Wilson
Ricardo Marrero & The Group
Rickey Kelly
Rigol / The Blue Sharks
Robert Ponger
Robert Watson Quartet
Rolf Kühn
Roy Brooks & The Artistic Truth
Roy Porter Sound Machine
Rupture
Rusty Bryant
Ryo Fukui
Ryusei Tomoyose
Sadik Hakim
Saheb Sarbib
Sahib Shihab
Sam Rivers
Sammy Burdson
Sammy Burdson, Klaus Weiss & Larry Robb
Sandro Brugnolini
Santana
Sarah Vaughan
Sarah Webster Fabio
Seikatsu Koyji Iinkai
Septet Matchi-Oul
Shamek Farrah
Shamek Farrah & Sonelius Smith
Shigeo Sekito
Shinsuke Honda
Siegfried Kessler
Siegried Kessler / Gus Nemeth / Stu Martin
Sirone
Smegma
Sonny Greenwich
Sonny Phillips
Sonny Stitt
Soul Media
Sphere
Stan Getz
Stan Getz & Bill Evans
Stanley Cowell
Stanley Turrentine
Stark Reality
Steve Grossman
Steve Lacy
Steve Lacy / Andrea Centazzo / Kent Carter
Steve Lacy And Andrea Centazzo
Steve Marcus, Miroslav Vitous, Sonny Sharrock & Daniel Humair
Steve Potts
Steve Reid
Stormy Six
Structure
Sun Ra
Sun Ra Arkestra & Salah Ragab
Sylvin Marc / Del Rabenja
Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto
Tadashi Kosaka
Takeshi Inomata & Sound Limited
Takeshi Inomata / Sound Limited
Takesi Inomata & Sound Limited
Tchiss Lopes
Ted Curson
Ted Moses Quintet
Terumasa Hino Quintet
Tete Mbambisa
Tete Montoliu
Thad Jones & Mel Lewis Orchestra
The Advanced Cookbook Of Mr Selig And Kanzler Z
The Alan Parsons Project
The Awakening
The Bridge
The Charles Lloyd Quartet
The Gypsy (Shirley Bunnie Foy)
The John Betsch Society
The Lightmen Plus One
The Piano Choir
The Positive Force With Ade Olatunji
The Pyramids
The Rolf Kühn Group
The Rova Saxophone Quartet With Andrea Centazzo
The Trio
Thelonious Monk
Tihomir "Pop" Asanovic
Tim Blake
Today's Latin Project
Tony Esposito
Tordenskjolds Soldater
Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra
Tülay German & Francois Rabbath
Tullio De Piscopo
Ugo Busoni
Un Drame Musical Instantane
V.A.
Victor Cavini
Viejas Raices
Virgilio Armas
Volker Kriegel
Vox Populi!
Weather Report
Weldon Irvine
Wendell Harrison
Wild Havana
William Penn Jazz Ensemble
Wojciech Karolak
Woo
Woody Shaw
Yamash'ta & The Horizon
Yasuda Minami
Yumi Murata
Zbigniew Namyslowski
Zbigniew Namyslowski Quintet
Zepiss
Close
Label
Label
20th Century Masterworks
678
Ada Music
Afrodelic
Aguirre
Alpha
Altercat
Alternative Fox
Amercia
Analogue October
Analogue Productions
Arabusta
Arsivplak
As Shams
Atlantic
AVI
Backatcha
BBE Music
Be With
Beaumonde
BeauMonde
Best Record Italy
BGP
BGP / Flying Dutchman
Black Fire
Black Jazz
Black Saint
Black Sweat
Blind Faith
Blue Note
Blue Note / Third Man
BMG
Broc Recordz
Cacophonic / Early Future Records
Capitol
Catalyst
Charly
Chiaroscuro
Cinedelic
Cinedelic Orient Series
Cobblestone
Columbia
Columbia Japan
Comet
Cool Cult
Cosmic Jazz
Cosmic Rock
Cotillion
Craft
Cramps
Cree
Croatia
CTI
Culture Factory
Decca
Deep Jazz Reality / Tribe / Octave-Lab
Dialogo
Discmedi
Doxy
Eargong
East End
Eastworld
Easy Tempo
Ebalunga!
ECM
Edition Hawara
Elemental
Elemental Music
Emotional Rescue
Endless Happiness
Enja
Etats-Unis
Everland
Evosound
Evosounds
Far Out
Farfalla
Fatima International
Favorite
Four Flies
Friday Music
Friends
Future Days
Get On Down
Goner
Goodtime
Groove Diggers
Groove Merchant
Groovie
Grrr
Guerssen
Heavenly Sweetness
High Jazz
Holy Basil
Honest Jon's
Ictus
Impex
Impulse
Invisible City Editions
Invitation
Jazzaggression
Jms
Joe Tossini Music
Klimt
Kscope
Kudu
Lantern
Le Très Jazz Club
Libreville
Life Goes On
Lipposen Levy Ja Kasetti
Little Butterfly
Mad About
Mainstream
Manifesto
Matsul
Matsuli
Matsuli Music
Mental Experience
Milestone
Mobile Fidelity
Mobile Fidelity Sound Lab
Modern Harmonic
Mono Jazz
Morning Trip
Moved By Sound
Mr Bongo
Mucho Gusto
Munster
Muse
Music Gallery Editions
Music On Vinyl
Musica & Entretenimiento
Musica Infinita
Musica Per Immagini
Musik Produktion Schwarzwald
Nature Sounds
Nelson
New Platform
Nicole
Nippon Columbia
Norske Albumklassikere
Not Now
Now-Again
Numero Group
Numero Uno
Nyami Nyami
On High
ORG Music
Ota
Our Swimmer
Outernational
P-Vine
Pablo
Palto Flats
Pausa
Per Tallec Trio
PM
Polskie Nagrania
Prestige
Produzioni Discografiche
Pure Pleasure
Rain&Shine
RCA
Rca Label
Real Gone
Real Gone Music
Rearward
Red
Redi
Reel
Replica
Return To Analog
Right Tempo
Rockbeat
Roundtable
SAAR
Salvation
Sam
Seriewoc
Sevenmen
Shadow World Archive
Shady Brook
Sharp Flat
Showboat
Slow Boat / Lawson Entertainment, Inc.
Soave
Sommor
Sonor Music Editions
Sonorama
Sony
Sony Music Japan
Souffle Continu
Soul Bank Music
Soul Brother
Soul Jazz
Soul Note
Sounds From The Screen Black Vinyl
Soundway
Sowing
Speakers Corner
Spectator
Spin The Blues
Stash
Strata East
Strata-East
Strut
Studio Mule
Superior Viaduct
Supraphon
Svart
Tbilisi
Telephone Explosion
Thank You
The Sun / Ascenzionale
Tidal Waves Music
Tiger Bay
Tomorrow
Trad Vibe
Trading Places
Tresor National
Trunk
Ultimo Tango
Underdog
Union
Universal Music Japan
Utter
Veego
Verve
Victor Entertainment / Hmv
Victor Entertainment Japan
Victory
Vinyl Magic
Vinyl Me, Please
Wagram
Wah Wah
Warner
Warner Music Poland
Waxtime
We Are Busy Bodies
We Release Jazz
Wewantsounds
WRWTFWW
Zehra
Close
Pressing
Pressing
Original
Reissue
Close
Country
Country
EU
JP
UK
US
Other Countries
Close
Year
Year
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1986
1985
1984
1983
1982
1981
1980
1979
1978
1977
1976
1975
1974
1973
1972
1971
1970
1969
1968
1967
1966
1965
1964
1963
1962
1961
1960
1959
1958
1957
1956
1955
1954
1953
1952
1950
Close
Price
Price
10 – 15 €
15 – 30 €
30 – 50 €
50 – 100 €
Close
Sale
Sale
No Sale Items
All Sale Items
Up to 30%
30 – 50%
Close
New In Stock
New In Stock
2 Days
5 Days
7 Days
14 Days
30 Days
60 Days
90 Days
180 Days
365 Days
Close
Back In Stock
Back In Stock
1 Day
2 Days
5 Days
7 Days
14 Days
30 Days
60 Days
90 Days
180 Days
365 Days
Close
Availability
Availability
Stocked Items Only
Close
Preorder
Preorder
Preorder Only
No Preorder
Close
Preorder expected in
Preorder expected in
This week
Next week
This month
Next month
Penultimate month
Close
Reset all Filters Vinyl No Used Vinyl 1970 1971 1972 1973 1974 1975 1976 1977 1979 1982 1983 1984 1986 1988 1989 Stocked Items Only
1 2 3 4
...
8
1
...
3
...
8
1
...
3
...
8
Doug Hammond & David Durrah - Reflections In The Sea Of Nurnen
Doug Hammond & David Durrah
Reflections In The Sea Of Nurnen
LP | 1975 | US | Reissue (Now-Again)
33,99 €*
Release: 1975 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Reflections IS NOW Available IN A Limited Edition Yellow Vinyl Pressing Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the de nitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
Harold McKinney - Voices & Rhythms Of The Creative Profile Green Vinyl Edition
Harold McKinney
Voices & Rhythms Of The Creative Profile Green Vinyl Edition
LP | 1974 | US | Reissue (Now-Again)
33,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Voices Of Rhythm & Creative Pro le Is Now Available In A Limited Edition Green Vinyl Pressing The in uential Detroit pianist’s sole 1970s album. Remastered and lacquered by Bernie Grundman. Now-Again presents the de nitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
Phil Ranelin & Wendell Harrison - Message From The Tribe Orange Vinyl Edition
Phil Ranelin & Wendell Harrison
Message From The Tribe Orange Vinyl Edition
LP | 1972 | Reissue (Now-Again)
33,99 €*
Release: 1972 / Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Message From THE Tribe IS NOW Available IN A Limited Edition Orange Vinyl Pressing The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
Weather Report - 8.30 Colored Vinyl Edition
Weather Report
8.30 Colored Vinyl Edition
2LP | 1979 | EU | Reissue (Music On Vinyl)
33,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Phil Ranelin - Vibes From The Tribe
Phil Ranelin
Vibes From The Tribe
LP | 1976 | JP | Reissue (P-Vine)
33,29 €* 36,99 € -10%
Release: 1976 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The final release from Tribe! Released in 1976, shortly before Phil Ranelin’s departure to Los Angeles, Vibes from The Tribe is a spiritual jazz / rare groove classic!

By 1976, Tribe had grown to be something much different than what it had started out as. A popular magazine and releases from a cadre of the most promising musicians Detroit had to offer had allowed the collective the space and finances needed to develop, and by the time of their final release, they had changed both in shape and scope. Yet their philosophy of “getting out the message” remained the same.

Since the early days of the Tribe, the influence of funk and popular music had been more evident in Ranelin’s music than that of his partner, Wendell Harrison. Even on Message From The Tribe’s first edition, Ranelin’s love for funk was clear, with songs such as “What We Need” featuring a mellow groove and horn lines that would sound at home on any Motown record. Phil Ranelin’s second album as a leader, Vibes From The Tribe sees those funk influences on full display. Opening track “Vibes From The Tribe (Prelude)” has the kind of steady snare beat that hip-hop producers would later kill for, and a bassline so groovy that you won’t be able to stop yourself from nodding along.

For The Children is breezy bossa nova of the finest degree. Ranelin’s voice is subdued and relaxed, probably taking more notes from Joao Gilberto than any of the poetry readings on Message From The Tribe. But when he begins his trombone solo, the edges of his more avant-garde past start to peek through. Lines that would sound right at home on any post-bop album are a-plenty, and as a sunny riff closes out the album, it seems like the perfect soundtrack for a warm summer night.

But the heart of the album lies in the closing track “He The One We All Knew (Parts 1 & 2)”. Here, Ranelin’s smorgasbord of influences seem to come together, creating an 18 minute long track that combines elements of Indian classical music, free jazz, funk, and more. The track begins with the gentle psychedelic sitar playing of Daud Abdul Kahafiz, creating a drone over which layers of percussion, piano, bass, and horns combine. Frequent collaborator and Tribe co-founder Wendell Harrison’s solo comes first, with the sparse arrangement giving him space to stretch out beyond the limits of conventional harmony or rhythm. It’s clear that these musicians were improvising in the truest sense of the word, and as they go from playing over ambient sitar, to what can only be described as “swing”, they never lose count or break rank. You can practically picture each of the musicians in the studio, deeply concentrated but supremely in tune with one another, communicating with nods and eye movement. Vibes From The Tribe takes everything that made the Tribe great: free jazz, funk, pop influences, and a tight-knit community and preserves it as one of the greatest spiritual jazz albums of all time.

With modern remastering and an obi-strip, this album has never looked or sounded this good! Make sure to get your copy while stock lasts!
Giovanni Tommaso - Indefinitive Atmosphere
Giovanni Tommaso
Indefinitive Atmosphere
LP | 1970 | EU | Reissue (Sonor Music Editions)
33,29 €* 36,99 € -10%
Release: 1970 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Giovanni Tommaso is the greatest Italian Jazz bassist and founder and member of the most important ever Italian Jazz Rock ensembles, the Perigeo band. He composed "indefinitive Atmosphere" at the end of 1969, released a few months after in 1970 on Sermi label, and recorded it at Rca studios in Rome. "indefinitive Atmosphere" represents a special album for him and for us as well, since it was his first album released as a sole composer/artist. The Maestro dug in personal archive for us and finally found a copy of the original master tape containing part of the recordings. Besides the misspelled title "Indefinitive" instead of "Indefinite", that became part of the legend here, this album was incredibly ahead of his time, with the young Maestro Tommaso playing electric bass and contrabass a in studio ensemble composed of 3/4 elements plus the strings section, with plenty of stunning Jazz-Funk, Jazz-Rock and Free Jazz tracks. The session is also known for including the legendary American Jazz soprano sax Steve Lacy on the track called "Steve", where he plays a sax solo. We entirely restored the full session from the original tapes found, and digitally remastered the sound for a greater sound experience, chasing the original analog source.
Carter Jefferson - Rise Of Atlantis Green Vinyl Edition
Carter Jefferson
Rise Of Atlantis Green Vinyl Edition
LP | 1979 | EU | Reissue (Music On Vinyl)
32,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Carter Jefferson was an American jazz tenor saxophonist who first made name for himself as member of Woody Shaw's first working quintet. As a sideman, Carter played amongst many jazz icons, including Art Blakey, Walter Davis, Jr. And Jack Walrath. In 1978, he released his first and only solo studio album, The Rise Of Atlantis, which was produced by Woody Shaw. For the recordings, Jefferson is backed by Terumasa Hino, Harry Whitaker, Clint Houston, Victor Lewis, Steve Thornton, Lani Groves, Shunzo Ono and John Hicks. The Rise Of Atlantis is available as a limited edition of 1000 individually numbered copies on translucent green colored vinyl and includes liner notes by Michael Cuscuna on the back sleeve.
Quincy Jones - Gula Matari Deluxe Gatefold Sleeve Edition
Quincy Jones
Gula Matari Deluxe Gatefold Sleeve Edition
LP | 1970 | EU | Reissue (Elemental Music)
32,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Sirone - Artistry Black Vinyl Edition
Sirone
Artistry Black Vinyl Edition
LP | 1979 | UK | Reissue (Moved By Sound)
32,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Artistry was Sirone's first album as a leader, recorded in 1978, just after the split of the Revolutionary Ensemble. Artistry has an Atypical combination of instruments, bass, cello , flute and percussion and delivers aplenty. Listen and you will know.

Sirone ( Norris Jones) had an enormously prolific career as a bassist, both as a member of the Revolutionary Ensemble and playing with many of the best musicians of the 20th century - from Pharoah Sanders, Albert Ayler, John Coltrane, Gato Barbieri, Noah Howard, William Parker, Cecil Taylor, Sun Ra, Sonny Sharrock,Marion Brown ... and the list goes on.
Maliks Emerging Force Arts Trio - Time & Condition Black Vinyl Edition
Maliks Emerging Force Arts Trio
Time & Condition Black Vinyl Edition
LP | 1983 | UK | Reissue (Moved By Sound)
32,99 €*
Release: 1983 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Malik King was an important part of the St Louis jazz scene of the 70's & 80's.

He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Human Arts Ensemble, as well as various Emerging Force Ensembles.

Zimbabwe Nkenya (1953-2022), a creative artist and innovative musician, was brought up on army bases in the USA and Spain. He spent 30 years traveling and performing in New York, New Mexico, Arizona and St Louis. playing with a who's who of jazz. In New Mexico he became an integral part of the scene, producing and hosting the Kunm's radio show "the House That Jazz Built" .

Luckily Malik self released "Time & Condition" in 1982, capturing his work together with Qaiyim Shabazz. It's not just a crate diggers Holy Grail, but an important artistic and historic document of the St Louis scene. Time & Condition stands alone as a (very) individual, spiritual jazz classic.

We hope this reissue will finally grant these musicians the wider acknowledgement & credit they deserved during their life time.
Larry Coryell - Fairyland Live In Montreaux Record Store Day 2022 Pink & White Vinyl Edition
Larry Coryell
Fairyland Live In Montreaux Record Store Day 2022 Pink & White Vinyl Edition
LP | 1971 | US | Reissue (Culture Factory)
32,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Piero Umiliani - Paesaggi Limited Edition
Piero Umiliani
Paesaggi Limited Edition
LP | 1970 | EU | Reissue (Four Flies)
32,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Limited to 700 copies. Four Flies Records is proud to present the first reissue of Piero Umiliani’s Paesaggi – a record that, despite remaining for many years pretty obscure compared to other titles in the maestro’s discography, is now regarded by collectors and experts as the gold standard in Italian library music. By using a multitude of instruments, such as flute, vibraphone, harpsichord, sitar, gong and others, it brings together a variety of arrangements, styles, and genres spanning from bossa nova to jazz, easy listening to psychedelic, Latin, exotica, and many more.
Mariah - Utakata No Hibi Black Vinyl Edition
Mariah
Utakata No Hibi Black Vinyl Edition
2LP | 1983 | EU | Reissue (Everland)
32,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!
The Charles Lloyd Quartet - The Flowering
The Charles Lloyd Quartet
The Flowering
LP | 1971 | EU | Reissue (Speakers Corner)
32,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Don Cherry - Mu. Second Part
Don Cherry
Mu. Second Part
LP | 1970 | UK | Reissue (Charly)
32,99 €*
Release: 1970 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Krystyna Pronko & Koman-Band - Krystyna Pronko
Krystyna Pronko & Koman-Band
Krystyna Pronko
LP | 1974 | EU | Reissue (Warner)
32,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Wojciech Karolak - Easy! Red Vinyl Edtion
Wojciech Karolak
Easy! Red Vinyl Edtion
LP | 1975 | EU | Reissue (Warner)
32,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ayako Shinozaki - Music Now For Harp
Ayako Shinozaki
Music Now For Harp
LP | 1974 | EU | Reissue (Wewantsounds)
32,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki"s hard to find LP "Music Now For Harp" released in 1974 by Nippon Columbia. The LP was released on the label"s cult "Master Sonic" series and features Shinozaki"s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. The album has been newly remastered by Nippon Columbia and is reissued here with its original artwork designed by legendary Japanese graphic designer Kohei Sugiura. It includes a 2 page insert with new liner notes by Alan Cummings.
Cecil Payne - Zodiac
Cecil Payne
Zodiac
LP | 1973 | UK | Reissue (Pure Pleasure)
32,39 €* 35,99 € -10%
Release: 1973 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
It's impossible to talk about this album without acknowledging the spectre of death that hangs over it - not only is it the third entry in Strata-East Records' Dolphy Series, a collection of archival recordings from some of the label's close associates honoring the recently deceased multi-instrumentalist, but it is actually dedicated to two members of the band, Wynton Kelly and Kenny Dorham, who died in between the recording sessions and its release. The point is driven home even further by the fact that the album begins with a tribute from Payne to the fallen Martin Luther King, Jr., a piece that acts as a de facto solo for Dorham - his playing all rosy elegance and regal warmth - before shifting into the lighter (though equally coolly-paced) "I Know Love," a showcase for Payne's sax. While not the most somber jazz track ever recorded, this opening suite is a low-key and mournful way to open the affair, but thankfully the album really picks off and shows these musicians more in their element the rest of the way.

"Girl, You Got a Home" is a funky piece, beginning very soulfully with some tight interplay among the rhythm section of Kelly, bassist Wilbur Ware and drummer Albert Heath. Ware is in especially fine form on this track, tying together the disparate passages of the piece by grounding the more ponderous moments in a deep funk, while Kelly's playing is especially ear catching in the way he stabs at his piano like it's an organ. After the first two tracks take up nearly twenty minutes, the four-minute "Slide Hampton" feels almost impossibly brief, a feeling that's enhanced by its quick, jittery, and infectious rhythm, driven by some really dexterous work from Kelly. The final track, "Flying Fish," may be the album's highlight, a Caribbean-inspired composition that casts the rhythm section as flighty ground for both Payne and Dorham to vamp on. The track is oddly danceable for something released on Strata-East, maybe the most fun moment ever for the label, and relentlessly uptempo. Though this release may be in part defined by the deaths that preceded it, it's clear that the recording process was actually a lot of fun for everybody, as their enthusiasm and energy jumps right out of the speakers. This is one of the first Strata East records I really got into and is still one of my favorites, a must-hear for any fans of the flightier moments of Dorham or Kelly's career, and a fitting tribute for both master musicians.
Chet Baker With Bobby Jaspar - Chet Baker In Paris/Vol 3/Barclay/1956
Chet Baker With Bobby Jaspar
Chet Baker In Paris/Vol 3/Barclay/1956
LP | 1986 | EU | Reissue (Sam)
31,99 €*
Release: 1986 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Jorge Galemire - Segundos Afuera
Jorge Galemire
Segundos Afuera
LP | 1983 | EU | Reissue (Little Butterfly)
31,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Directly connected with the universe of America Invertida, Jorge Galemire's second album, recorded and released in 1983, is considered a landmark of 80s Uruguayan music. Candombe, rock and jazz shake hands with singer- songwriter vibes, creating a sophisticated pop with South American roots and equal doses of groove and psychedelia. A forgotten gem reissued for the first time since its original release. '

Description

Segundos afuera was recorded at La Batuta, the first recording studio in Uruguay to have 16 channels. The sound engineer (and partly music co-producer) was again Dario Ribeiro.

Ribeiro was instrumental in the album's sonic experimentations, encouraging Galemire's ideas. The textures achieved with backward tapes in "Sin saber por qué" and "Un son", the overlapping female voices (performed by the trio Travesía) in that song, the three drums added in "Kublai Kan" and its male choral canon are a sample of these searches, unusual until that moment in Uruguayan music.

Segundos afuera had a generous studio budget for the time. It was recorded in about 300 hours, when it was usual for the Orfeo label to assign a maximum of 100 hours for these projects. Despite that fact, it’s surprising how Galemire and Ribeiro achieved a work so stylized taking the best of Uruguayan studios technical limitations.

The rhythm section of Segundos afuera was the same as the previous record: Andrés Recagno on bass (who also played synthesizers, backing vocals and some arrangements) and Gustavo Etchenique on drums, plus Carlos "Boca" Ferreira on percussion.

More than thirty musicians are featured in the album. Among them are some of Galemire's artistic heroes such as Osvaldo Fattoruso, Eduardo Mateo and Dino.

All played the best out of them, maybe at Galemire's influx or just for the joy of participating in such an attractive project.

Segundos afuera was released at the end of 1983 and went almost unnoticed by the general audience. However, it became an instant classic in the Uruguayan music scene from the very moment of its release. The sophistication of its sound; the unique way of combining pop, rock, jazz, candombe, milonga and murga; the search for moods and textures; the lyrics that mixed common themes and existential reflection dazzled and influenced different generations of artists.

Galemire released only three studio albums after Segundos afuera. None of them were as ambitious as this one. Its cult status was reinforced when it became inaccessible. After a first release of a few hundred vinyl and cassette copies, the album was never reissued in any format. The few copies available became a prized collector's item in Uruguay and abroad. It was only in 2020 that the album was released on streaming sites.

This mythical, but almost unknown album is now sounding again, showing its beauty intact.
Tullio De Piscopo - Sotto E 'Ncoppa
Tullio De Piscopo
Sotto E 'Ncoppa
LP | 1976 | EU | Reissue (New Platform)
31,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ensemble Al-Salaam - The Sojourner 2022 Repress
Ensemble Al-Salaam
The Sojourner 2022 Repress
LP | 1974 | EU | Reissue (P-Vine)
31,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Originally released in 1974 on pioneering jazz label Strata-East, ‘The Sojourner’ by the incredible Ensemble al-Salaam would become one of the label’s most sought-after records. Over nine tracks, the band is perfectly in sync, expressing their spirituality through one ethereal soulful groove after another. The closer “Peace (Salaam)” stands out as a highlight, with warm spiritual tones and a beautiful haunting melody bringing the album to a close. P-VINE is proud to be repressing this album for the third time, with a new and improved obi-strip attached
Mario Molino - Beat Gregoriano
Mario Molino
Beat Gregoriano
LP | 1971 | US | Reissue (We Are Busy Bodies)
31,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
We Are Busy Bodies is proud to announce the first official reissue of ‘Beat Gregoriano’ by Italian guitarist and composer, Mario Molino. Incorporating styles like surf, rock and folk, Beat Gregoriano is a unique album within the library music genre. Originally released on Dishi Monticarlo in 1971, the album has been remastered from the original recordings by Noah Mintz and art restored by Michael Dawson.
Pat Matshikiza - Sikiza Matshikiza
Pat Matshikiza
Sikiza Matshikiza
LP | 1976 | US | Reissue (We Are Busy Bodies)
31,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Recording for the As-Shams/The Sun label in the 1970s, Pat Matshikiza released the collaborative album Tshona! with sax giant Kippie Moeketsi in 1975. The album was followed in 1976 by Sikiza Matshikza, Pat's solo debut with Moeketsi appearing as a featured artist. The personnel on the album were an early iteration of the group that would become Spirits Rejoice in 1977, with Duke Makasi on tenor sax, George Tyefumani on trumpet, Sipho Gumede on bass, Gilbert Mathews on drums and Sandile Shange (who appears alongside Matshikiza and Moeketsi on the album's cover photo) on guitar.Pat Matshikiza's mid-70s recordings mark a high point in his career and are essential documents in the history of South African jazz on vinyl. With these reissues, we hope to bring his artistic legacy to prominence and share his work with lovers of jazz around the world.
Almon Memela - Funky Africa
Almon Memela
Funky Africa
LP | 1976 | CA | Reissue (We Are Busy Bodies)
31,99 €*
Release: 1976 / CA – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
We Are Busy Bodies returns with a reissue of composter, guitarist, and later producer, Almon Memela's ultra rare 1975 album, Funky Africa. From the original liner notes: Africa has always been many things to many people. To some, Africa is the Dark Continent, a mysterious, romantic and vast expanse of unexplored territory. To others, again, Africa is the ultimate symbol of man's triumph over his environment: a wakening giant destined to play a significant role in world affairs. But to Almon Memela, Africa is Home . . . and his music tells it like it really is. "Funky Africa" is the sound of Africa today. And as you listen, you will find that Africa is indeed many things. For in the music of Almon Memela lies everything that is Africa: the call of the wild and the scream of the Jumbo; the throb of the bush and the roar of Commissioner Street. So here it is . . . "Funky Africa". The sound of Africa, by an African, for the world.
Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble - Rise Vision Comin
Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble
Rise Vision Comin
LP | 1976 | JP | Reissue (P-Vine)
31,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
If being the founder and chairman of Third World Press Organisation - the largest independent black-owned publishers - wasn’t enough for activist and poet Haki R Madhubuti, he is also credited with a lesser-known yet remarkable music career. As the bandleader of Haki R. Madhubuti and Nation: Afrikan Liberation Arts Ensemble, Madhubuti combined his razor-sharp spoken-word poetry with a band of incredible musicians to create an unforgettable experience of avant-garde and spiritual jazz.

The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on saxophone who also served as creative director. It features 9 tracks with the title track, “Rise, Vision, Comin” a great example of the adhesive comradery between instrumentation and Madhubuti’s spoken-word. On the track, they match each other pace for pace and build into frenzy where they finally reach Madhubuti's prophetic words, “We are what we are, We are what we are not, we are what we are going to be”.

A prominent name in the Black Arts Movement, Haki R Madhubuti to date has published over 20 books with his direct and illuminating form of poetry having shared the same halls as other vital voices in the movement like Audre Lorde and Maya Angelou. P-vine is thrilled to reissue Rise Vision Comin on limited-edition vinyl with a unique Japanese obi strip, and celebrate the music of Madhubuti’s extraordinary career.
Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble - Medasi
Haki R. Madhubuti And Nation: Afrikan Liberation Arts Ensemble
Medasi
LP | 1984 | JP | Reissue (P-Vine)
31,99 €*
Release: 1984 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
If being the founder and chairman of Third World Press Organisation - the largest independent black-owned publishers - wasn’t enough for activist and poet Haki R Madhubuti, he is also credited with a lesser-known yet remarkable music career. As the bandleader of Haki R. Madhubuti and Nation: Afrikan Liberation Arts Ensemble, Madhubuti combined his razor-sharp spoken-word poetry with a band of incredible musicians to create an unforgettable experience of avant-garde and spiritual jazz.

The second album by the group Medasi was released in 1984, and features among others Geri Allen on piano, Clarence Seay on bass and Agyei Akoto on saxophone and flute. It features 5 tracks including the eleven minute second track “Children,” a great example what to expect from the record. It opens with a full-voice choir of children momentarily taking over Madhubuti’s duties, and when their role disperses into the spirit in the music, the percussion then kicks up the tempo with operatic vocals dancing with lead instruments. Over the top, Madhubuti reflects on the cyclical nature of life, and the importance to “be what you want your children to be”.

A prominent name in the Black Arts Movement, Haki R Madhubuti to date has published over 20 books with his direct and illuminating form of poetry having shared the same halls as other vital voices in the movement like Audre Lorde and Maya Angelou. P-vine is thrilled to reissue Medasi on limited-edition vinyl with a unique Japanese obi strip, and celebrate the music of Madhubuti’s extraordinary career.
Governor's State University Jazz Band - Gsu Jazz Live!
Governor's State University Jazz Band
Gsu Jazz Live!
LP | 1974 | JP | Reissue (P-Vine)
31,99 €*
Release: 1974 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This is a live albumperformed by a band of college students from the Governor's State University in Chicago under the direction of Warwick L. Carter.Although therewere many college bands that existed at the time, this is one quite unlike any other and under the strong leadership of Carter, the group rose to towering heights in a performance very fortunate to be recorded to tape.

The almighty jazz-funk cover of "Freedom Jazz Dance" under the title of "Listen Here" bursts with a strong break, and is full of intense jazz-funk that crosses the bounds of amateur performance into something else entirely. College band performances are often seen as just a means to an end; a necessary development stage before embarking on a career, but this doesn't apply here with renditions packed full of skillfully realised creative ambition owing greatly to the teaching of Carter. The originaledition which was released in 1974is hardly foundinmarkets becauseof its rarity. One of the long awaited reissuesforRare Groove fans is arriving at last on vinyl for the first time in the world!
Steve Reid - Nova Red Vinyl Edition
Steve Reid
Nova Red Vinyl Edition
LP | 1974 | UK | Reissue (Soul Jazz)
31,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Soul Jazz Records are re-releasing the debut album from the legendary Steve Reid. As a radical jazz artist, Steve Reid played with an extraordinary group of artists - Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie and many more. He began his career as a teenager in the 1960s as a drummer at Motown. Reid was born in the South Bronx, and grew up in Queens, New York, three blocks away from John Coltrane. In 1969, Reid refused to enlist to the Vietnam war and was arrested as a conscientious objector and given a four-year prison sentence. On his release in 1974, he formed the Legendary Master Brotherhood and the independent record label, Mustevic Sound, to release his debut LP Nova. At the start of the 21st century, Steve Reid began a successful collaboration with Kieran Hebden (Fourtet), who Reid referred to as his 'musical soul mate', resulting in a number of joint albums. Steve Reid died in New York in 2010. Subsequently the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists. "A truly phenomenal artist." Gilles Peterson "Steve Reid is one of the greatest drummers. He is a musical genius." Kieran Hebden (Fourtet)
Billy Brooks - Window Of The Mind Ultra Clear Vinyl Edition
Billy Brooks
Window Of The Mind Ultra Clear Vinyl Edition
LP | 1974 | EU | Reissue (Wewantsounds)
31,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Billy Brooks - Window Of The Mind Black Vinyl Edition
Billy Brooks
Window Of The Mind Black Vinyl Edition
LP | 1974 | EU | Reissue (Wewantsounds)
31,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
2022 restock; LP version. Wewantsounds reissue of Billy Brooks's much sought-after album Windows of the Mind, released in 1974 on Ray Charles's Crossover Records. The album was co-produced by Charles and features such heavy players as Herman Riley, Calvin Keys, and Larry Gales. There's not a huge amount of information to be found about trumpet player Billy Brooks. A solid session musician who'd been around since the '50s, he played with the likes of Lionel Hampton, Cal Tjader, and of course Ray Charles, who signed him to his sub label Crossover Records in the early '70s to release Windows of the Mind. Interestingly, Brooks also appears on Bea Benjamin's 1976 cult classic African Songbird produced by Dollard Brand. Windows of the Mind released in 1974 remains Brooks' only solo album. Windows of the Mind was recorded in Los Angeles and co-produced by Ray Charles. It is a skillful, brass-led mix of jazz and funk performed by such cult players as bassist Larry Gales (Thelonious Monk), drummer Clarence Johnston (Freddie Roach, James Moody), saxophonist Herman Riley (Side Effect, Pleasure, Earth Wind & Fire, Letta Mbulu), guitarists Jef Lee (Roy Ayers, Sylvia Striplin) and cult player Calvin Keys of Black Jazz Records fame. From the groove of "Rockin Julius", "Shetter Cheeze", and "Black Flag" to the mid-tempo jazz mood of "Cooling It" and "C.P. Time" and the cinematic brass pyrotechnics of "The Speech Maker", "Windows of the Mind" is a superb funked-up big band jazz album. Windows of the Mind did reasonably well among the jazz circles when it came out but its fate would change fifteen years later when, in 1990, A Tribe Called Quest heavily sampled its closing track "Fourty Days" for their own "Luck of Lucien" featured on the group's debut album People's Instinctive Travels And The Paths Of Rhythm (1990). The album revolutionized hip-hop and "Luck of Lucien" became one of the album's highlights, thus cementing the reputation of Billy Brooks original LP among DJs and collectors. Original LPs now change hands for a few hundred dollars. Wewantsounds now make this landmark album available again in partnership with The Ray Charles Foundation. Newly remastered audio; comes with original artwork.
Pharoah Sanders - Village Of The Pharoahs
Pharoah Sanders
Village Of The Pharoahs
LP | 1973 | EU | Reissue (Elemental)
31,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-09-20
The photo of Sanders in lotus position, generously collared psychedelic shirt poking out from under his white robes, says it all. Having abandoned the Ayler-influenced sound of Pharoah's First, released almost a decade previously, by Village Of The Pharoahs the saxophonist had jumped with both feet into the soaring and the spiritual. The album is a slightly mixed bag, with material from the main San Francisco sessions bulked out with tracks recorded in New Jersey and New York. It's also unusual in that Sanders plays tenor on just one track, the rest of the time contributing a combination of soprano, bells, percussion and vocals.
Antonio Carlos Jobim - Tide
Antonio Carlos Jobim
Tide
LP | 1970 | EU | Reissue (Elemental)
31,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-09-20
Reissue of the 6th studio album by Brazilian jazz legend Antônio Carlos Jobim. Released in 1970 on A&M Records, this instrumental Bossa Jazz masterpiece was produced by Creed Taylor and engineered by Rudy Van Gelder. It features the arrangements of Eumir Deodato (who also conducted the band), and includes a plethora of sidemen from the U.S. jazz scene, such as Joe Farrell, Hubert Laws and Ron Carter, as well as Brazilian stars like Hermeto Pascoal, Airto Moreira and João Palma.
Albert Ayler - Music Is The Healing Force Of The Universe
Albert Ayler
Music Is The Healing Force Of The Universe
LP | 1970 | EU | Reissue (Elemental)
31,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-09-20
One of the last records made by avant sax legend Albert Ayler – a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still steeped in free jazz and new thing ideals, but infused with a free-thinking approach to the music that allows for bold new styles and sounds. In addition to his own stunning work on tenor, Ayler's also blowing bagpipes and vocalizing a bit next to singer Mary Maria, who does a great recitation on one track of the record. Rhythm is by the two-bass team of Stafford James and Bill Folwell, next to drums by Muhammad Ali – and the whole thing's capped off by guitarist Henry Vestine, who plays in modes that range from bluesy to free. At the time, this one was kind of dismissed as a messed-up mistake that occurred at the end of Ayler's too-short life – but honestly, over the years, this record really really opens itself to us more and more, and we have to say that we think it's one of his most groundbreaking albums!
Pharoah Sanders - Thembi
Pharoah Sanders
Thembi
LP | 1971 | EU | Reissue (Elemental)
31,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The seventh album by spiritual jazz saxophonist Pharoah Sanders, Thembi was released in 1971. Recorded with two different ensembles, the album marked a departure from the slowly developing, side-long, mantra-like grooves Sanders had been pursuing for most of his solo career, and instead offers an intriguingly wide range of relatively concise ideas, making it something of an anomaly in Sanders' prime period. A//Music reviewer Steve Huey gave it a rating of four out of five stars. This would be the last time Sanders recorded with his regular collaborator, pianist and composer Lonnie Liston Smith, who began his experimentation with electric keyboards on this LP. Also featured are violinist Michael White, bassist Cecil McBee, and percussionists Chief Bey, Majid Shabbaz, and Nat Bettis.
John Betsch Society - Earth Blossom Deluxe Edition
John Betsch Society
Earth Blossom Deluxe Edition
LP | 1974 | Reissue (Heavenly Sweetness)
31,99 €*
Release: 1974 / Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Mulatu Astatke - Mulatu Of Ethiopia White Vinyl Edition
Mulatu Astatke
Mulatu Of Ethiopia White Vinyl Edition
2LP | 1972 | EU | Reissue (Strut)
31,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia".Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz.For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
Santana - Amigos Purple Vinyl Edition
Santana
Amigos Purple Vinyl Edition
LP | 1976 | EU | Reissue (Music On Vinyl)
31,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE
INCLUDES INSERT
FEATURING “LET IT SHINE” AND “EUROPA (EARTH’S CRY HEAVEN’S SMILE)”
CERTIFIED GOLD STATUS IN THE US
REACHED THE TOP 10 WORLDWIDE: AUSTRALIA, CANADA, THE NETHERLANDS,
FRENCH, GERMANY, ITALY, JAPAN, AND THE UNITED STATES

LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON PURPLE COLOURED VINYL
Deodato - Prelude Colored Vinyl Edition
Deodato
Prelude Colored Vinyl Edition
LP | 1973 | EU | Reissue (Music On Vinyl)
31,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Genius - Genius
Genius
Genius
LP | 1974 | EU | Reissue (Easy Tempo)
31,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Extremely obscure ‘Rare Groove’ album recorded in Argentina in 1974 and produced by great radio and music producer Mochin Marafioti. It has been impossible to learn who the musicians of the amazing session were. Soul, funk, psychedelia and latin melt into a sort of funkadelic sound. Spoken intro, sensual vocals and a monster rhythm section flirt with wah wah guitars and catchy melodies. A truly hidden treasury brought back to life by legendary Easy Tempo crew and destined to please the worldwide Rare Groove clubbing nation. To the original recording were added Edits by Andrea Passenger done in the spirit of the classic disco music manipulators like Tom Moulton, Danny Krivit and Walter Gibbons. To be played very loud.
Amancio D'Silva - Reflections Record Store Day 2024 Clear Vinyl Edtion
Amancio D'Silva
Reflections Record Store Day 2024 Clear Vinyl Edtion
LP | 1971 | CZ | Reissue (Decca)
31,44 €* 36,99 € -15%
Release: 1971 / CZ – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ornette, Coleman, Paul Bley, Don Cherry Charlie Haden & Billy Higgins - Live At The Hillcrest Club 1958
Ornette, Coleman, Paul Bley, Don Cherry Charlie Haden & Billy Higgins
Live At The Hillcrest Club 1958
2LP | 1976 | EU | Reissue (Doxy)
31,34 €* 32,99 € -5%
Release: 1976 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Limited to 500 copies, Audiophile Clear Vinyl Series!
Nucleus - Elastic Rock
Nucleus
Elastic Rock
LP | 1970 | EU | Reissue (Be With)
30,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
Nucleus - We'll Talk About It Later
Nucleus
We'll Talk About It Later
LP | 1971 | EU | Reissue (Be With)
30,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.
Nucleus - Solar Plexus
Nucleus
Solar Plexus
LP | 1971 | EU | Reissue (Be With)
30,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."

Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.

The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.

The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.

This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.
Wendell Harrison - Evening With The Devil
Wendell Harrison
Evening With The Devil
LP | 1973 | US | Reissue (Now-Again)
30,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The Tribe co-founder’s debut, remixed from the original mutli-track master tapes under the direction of its creator and lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
Weldon Irvine - Liberated Brother
Weldon Irvine
Liberated Brother
LP | 1972 | JP | Reissue (P-Vine)
30,99 €*
Release: 1972 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Liberated Brother was the debut album from Weldon Irvine, and remains a landmark jazz release from the multi-talented explorer of sound. Originally released in 1972, over the course of eight tracks Irvine weaves through a collage of genre and instrumentation, fusing elements that would come to define his pioneering jazz-funk sound.

The album features Irvine’s early instrumental jazz before his decidedly conversational approach on the follow-up album Time Capsule. The title and opening track 'Liberated Brother,' with its playful Latin arrangements introduces the first half in spritely fashion, and mellows as Irvine's piano sets the mood for “Here’s Where I Came In” - a track where sombre tones feel luxurious, and conscious instrumentation tests the waters, spreading weight evenly across the soundscape. Guitarist Tommy Smith emerges as a singular figure at the start of side B with 'Gloria' - a timeless guitar composition so wholesome with its delicate simplicity, it attests the level of musicianship that keeps Irvine company across these tracks. The two then strike up a jazz-funk partnership on the subsequent “Homey” with their respective keyboards and guitar.

P-vine is thrilled to be reissuing Liberated Brother as a limited edition LP with newly remastered audio, and an iconic Japanese obi strip attached.
Doug Hammond & David Durrah - Reflections In The Sea Of Nurnen
Doug Hammond & David Durrah
Reflections In The Sea Of Nurnen
LP | 1975 | US | Reissue (Now-Again)
30,99 €*
Release: 1975 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
Harold McKinney - Voices & Rhythms Of The Creative Profile
Harold McKinney
Voices & Rhythms Of The Creative Profile
LP | 1974 | US | Reissue (Now-Again)
30,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The influential Detroit pianist’s sole 1970s album. Remastered and lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
Phil Ranelin - The Time Is Now
Phil Ranelin
The Time Is Now
LP | 1974 | US | Reissue (Now-Again)
30,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The Tribe co-founder’s debut, lacquered directly from his master tapes in an all analog transfer by Bernie Grundman. The definitive reissue of this Spiritual Jazz album which set the stage for his Vibes from the Tribe The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
Weldon Irvine - Spirit Man
Weldon Irvine
Spirit Man
LP | 1975 | US | Reissue (BMG)
30,99 €*
Release: 1975 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
incl.'we gettin' down' sampled for A Tribe Called Quest's 'award tour'
George Benson - White Rabbit
George Benson
White Rabbit
LP | 1972 | EU | Reissue (Music On Vinyl)
30,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Brian Auger's Oblivion Express - Live Oblivion 2 Remastered Edition
Brian Auger's Oblivion Express
Live Oblivion 2 Remastered Edition
2LP | 1974 | EU | Reissue (Soul Bank Music)
30,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Live albums are often a "hit or miss" affair but "Live Oblivion 1 & 2" buck that trend. Recorded across 2 nights in 1974 at the Hollywood venue The Whisky A Go Go. Now released to mark the 50th Anniversary of their recording and release it"s the first ever vinyl reissue since the original releases in the 1970"s.
V.A. - I.D. Art #2 L
V.A.
I.D. Art #2 L
LP | 1976 | US | Reissue (Etats-Unis)
30,59 €* 35,99 € -15%
Release: 1976 / US – Reissue
Genre: Organic Grooves, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Lafms primarily reached outside Los Angeles via word-of-mouth and the United States Postal Service, foreshadowing the self-publishing and cassette trading networks of post-punk and industrial subcultures. In 1976, Joe Potts solicited recordings from Lafms affiliates and admirers to edit and compile I.D. Art #2, utilizing correspondence art's technique of "assemblings." (The first installment in this series was a magazine, and the third was a coloring book.) Potts received dozens of pieces by members of Le Forte Four, Doo-Dooettes, Smegma and Ace & Duce as well as painters, filmmakers and non-artists with few recording credits to their name, creating a delirious, winking sound-art collage of field recordings, voicemails and improvisations. Participants purchased time on the record and received one copy each of the finished LP, realizing the philosophy contained in Lafms' motto: "The music is free, but you have to pay for the plastic, paper, ink, glue and stamps." This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.
Leon Russell - Looking Back
Leon Russell
Looking Back
LP | 1973 | UK | Reissue (Goodtime)
29,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Looking Back is an instrumental album demonstrating Russell’s virtuosity on the harpsichord. Much of the material arose from recording sessions in the mid sixties. The album has remained a ‘must have’ component of every Russell fans’ record collection. By the time this album was released, he was considered to be the biggest concert draw of 1973 by Billboard magazine. Pressed on heavyweight purple vinyl in special edition orange sleeve.
John Hicks Trio - I'll Give You Something To Remember Me By White Vinyl Edition
John Hicks Trio
I'll Give You Something To Remember Me By White Vinyl Edition
LP | 1988 | US | Reissue (Tidal Waves Music)
29,99 €*
Release: 1988 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.
Hiromasa Suzuki - Rock Joint Cither - Silk Road Black Vinyl Edition
Hiromasa Suzuki
Rock Joint Cither - Silk Road Black Vinyl Edition
LP | 1973 | EU | Reissue (Cinedelic Orient Series)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the roots of China. If the Biwa lute characterized the previous chapter dedicated to the profound ancestral of Japan, here, the sitar, the Asian instrument par excellence, becomes a new narrator; Suzuki plans and manages the interventions by juxtaposing it with an opera that, like the previous one, always remains strongly jazz and rock, at times very similar to Ian Carr's Nucleus. A precious find in the endless and seminal musical archeology of modern Japanese music. Gatefold cover with insert.
Steve Reid - Odyssey Of The Oblong Square Gold Vinyl Edition
Steve Reid
Odyssey Of The Oblong Square Gold Vinyl Edition
2LP | 1977 | UK | Reissue (Soul Jazz)
29,99 €*
Release: 1977 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
New special one-off pressing limited-edition gold vinyl edition (and one-off pressing limited-edition gold CD edition) of this deep spiritual jazz classic. Drummer extraordinaire and legend, Vietnam conscientious objector, ex-Black Panther, Reid has played with everyone from James Brown to Sun Ra, Fela Kuti and Miles Davis, friend of John Coltrane, worked at Motown, and, in the latter part of his career, worked extensively with Kieran Hebden, following his path of a radical, revolutionary music up until his untimely death in 2010. Soul Jazz Records are re-releasing this rarest release of deep heavyweight jazz by Steve Reid and The Master Brotherhood, entitled ‘Odyssey of the Oblong Square’ first released over thirty five years ago on Steve Reid’s own Mustevic Sound record label (where it came out in an edition of 1000 copies) and has been a serious collectors album ever since. These special gold vinyl and CD editions are both one-off pressings, which, like the original, are limited to 1000 copies worldwide.
Steve Reid became known worldwide for his radical collaborations with Kieran Hebden after they first recorded together on the Steve Reid Ensemble album Spirit Walk, released on Soul Jazz in 2005, releasing five joint releases together in the following years. Steve Reid is steeped in musical history and a true pioneer of US deep left-field jazz. He played in Sun Ra’s Arkestra, was a Motown session drummer and backed James Brown at the Apollo! He was a Black Panther, imprisoned during the Vietnam war as a conscientious objector and lived in Africa in the early 1970s. Reid worked with Freddie Hubbard, Gary Bartz, Ornette Coleman, Lester Bowie, Fela Kuti, Leon Thomas, Miles Davis and many more in his long illustrious and groundbreaking career
Bruno Nicolai - Rendez-Vous HHV Exclusive Green Vinyl Edition
Bruno Nicolai
Rendez-Vous HHV Exclusive Green Vinyl Edition
LP | 1975 | EU | Reissue (Sounds From The Screen Black Vinyl)
29,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves, Soundtracks
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Green vinyl edition limited to 100 copies. Only available at HHV Records.

Licensed in 1975 by Gemelli, Rendez Vous is possibly a holy grail in Nicolai long-running career as a composer. The orchestra director and musical editor has been active for at least 30 years and his majestic opus an overwhelming data for any avantgarde freak or moviegoer obsessed. While studying piano and composition at the Santa Cecilia Conservatory in Rome, he befriended Ennio Morricone and formed a long working relationship, with Nicolai eventually conducting for and co-scoring films with Morricone. Nicolai also scored a number of giallo exploitation films and wrote many scores for director Jesús Franco. His work was featured in the Quentin Tarantino films Kill Bill: Volume 2 and Once Upon a Time in Hollywood. Tension! Pretty much what this whole record is all about. An imaginary soundtrack that turned out to be an in-demand obscure library, Rendez Vous shows up the many skills of the composer and his alumni. Possibly Morricone is playing muted trumpet in several episodes – Diffidenza and Subdolamente – absorbing thrilling experiences similar to the Maestro soundtracks for Dario Argento early movies (not a case that Nicolai was the conductor for several adventures in movie sound theatre such as ‘L’Uccello Dalle Piume Di Cristallo’, ‘ Il Gatto A Nove Code’ or ‘4 Mosche Di Velluto Grigio’).
Don Rendell Quintet - Space Walk British Jazz Explosion Series Edition
Don Rendell Quintet
Space Walk British Jazz Explosion Series Edition
LP | 1972 | EU | Reissue (Decca)
29,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
For the first time with the correct title sequence. More info coming soon.
Herbie Hancock - Crossings
Herbie Hancock
Crossings
LP | 1972 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Crossings is the second album in the experimental sextet trilogy Herbie Hancock released early
1970s. His electronic movements are further explored and the whole sound comes alive in the three
long tracks this album consists about. The album opens with some African drums before moving on
the to some of the unearthed sounds the sextet created for this album. Centerpiece "Sleeping Giant" is
nearly 25 minutes long and is divided into five funky and groovy parts. A transcendent experience that
has grown over time into one of the most moving, powerful and innovative artistic statements of the
modern era. Over forty years later this album still sounds incredibly ahead of its time.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.
Billy Cobham - Spectrum
Billy Cobham
Spectrum
LP | 1973 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Billy Cobham is one of the greatest jazz-fusion drummers from
the last decades. Shortly after he left the band Mahavishnu
Orchestra he released his debut solo album Spectrum. Influenced
by the music of Miles Davis he combines elements from the jazz
with rock and psychedelia. From the subtle parts to the more
aggressive moments, it’s an album in which Cobham shows his
identity to the public. The music quartet recorded some lengthy
pieces, out of which “Stratus” is the absolute masterpiece. The
funky grooves and effective guitar melodies blend together very
well and the jazz comes alive in the outstanding drum play by
Cobham. “Quadrant 4” is another great track in which the music
erupts and the synergy between the musicians can be felt.
As a member of the Mahavishnu Orchestra and in his
collaboration with Miles Davis, Billy Cobham earned recognition
for his impressive playstyle and live performance.
Potter & Tillman - …Space…Rapture
Potter & Tillman
…Space…Rapture
LP | 1982 | EU | Reissue (High Jazz)
29,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. 500 copy LTD edition!
This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.

This gem contains nothing but brilliant tracks like “…Space…Rapture”, “Love Is How”, “New Anniversary Waltz”, “It Must Be E.S.P.” and “(Sing) A Simple Song Of Praise”. Incredible golden lead and backing vocals, a super tight rhythm section, forward thinking arrangements, and an amazing combination of piano, Rhodes and various remarkable synthesizers makes this recording timelessly fresh. The beautiful “Time Is Love”, a tune of positive outlook written during her jazz composition studies, is performed by the one and only Carmen. Killer from the beginning to the end, one of our all-time favorite soul/jazz-funk LPs.
Chet Baker - She Was Good To Me
Chet Baker
She Was Good To Me
LP | 1974 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Miles Davis - On The Corner
Miles Davis
On The Corner
LP | 1972 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Scorned by critics at the time of its release, Miles Davis' 1972 album 'On The Corner' is now seen as a forerunner of Post Punk, Hip Hop, Drum and Bass and Electronic music, thanks to its revolutionary recording techniques. Miles wanted to reconnect with a younger audience, who had forsaken him for Rock and funk, and the experimental On The Corner was his answer. Leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. On The Corner' isn't one of Miles easiest records to listen to, but it can yield the most fruits. Now released with completely re-mastered audio.
Black Disco - Black Disco Black Vinyl Edition
Black Disco
Black Disco Black Vinyl Edition
LP | 1975 | EU | Reissue (Afrodelic)
29,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari. On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after session players on the South African jazz scene, Cape Town's sax and flute wizard Basil Coetzee, who had risen to fame in 1974 as one of the soloists on the hit “Mannenberg,” and Sipho Gumede, the young bass prodigy from the city of Durban. The album is a mostly downtempo affair with the drum machine on Mohamed’s organ laying down the beat while the trio soars in blissful improvisational territory. Bassist Peter Odendaal and drummer Monty Weber join Mohamed and Coetzee for Black Disco 3 in 1976, preserving the New Age lounge aesthetic but allowing the group to flex their jazz chops more adventurously. “Spiritual Feeling” from the debut album is revamped as “Spiritual Feeling Riding the Blue” but the album opener “Dawn” is the centrepiece – a trippy, flute-driven awakening that unfolds over a period of ten minutes. Reissued and available internationally for the very first time, Afrodelic's 2024 replica editions of Black Disco (1975) and Black Disco 3 (1976) are fully licensed and sourced from the original analog master tapes.
John Surman / Alan Skidmore / Tony Oxley - Jazz In Britain 68-69
John Surman / Alan Skidmore / Tony Oxley
Jazz In Britain 68-69
LP | 1972 | EU | Reissue (Endless Happiness)
29,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne - and no rhythm section, in the configuration that would emerge in the mid-'70s as S.O.S. For most of the other tracks, Oxley is the drummer, Kenny Wheeler plays flugelhorn, and John Taylor plays piano (acoustic and electric). The music here is all over the place stylistically, but it hardly matters because all the players are fully engaged, and as an ensemble, they all shine and were seemingly looking forward to the impact the new jazz would have.
Cedar Walton - Mobius
Cedar Walton
Mobius
LP | 1975 | UK | Reissue (Be With)
29,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Don't judge a book by its cover. Judge a record by its cover.

And, perhaps, its title.

Cedar Walton's Mobius is as outrageously, disorientatingly brilliant as the stunning jacket design, featuring the legendary jazz pianist morphing into a mobius strip, set against a beautiful sky filled with cumulus clouds. A proper jazz-funk fusion slapfest, Mobius is a stellar electric set from - essentially - one *hell* of a SUPERBAND.

Yes, in addition to Walton's Fender Rhodes wizardry, Mobius is elevated by Ryo Kawasaki's stinging electric guitar, pristinely clear vocals by Adrienne Albert and Lani Groves, rootsy percussion by Ray Mantilla and Omar Clay, alto and baritone from Charles Davis, trumpet from Roy Burrowes, Gordon Edwards on bass and Frank Foster's tenor sax. Oh and did we mention STEVE GADD ON DRUMS?!?!

Gem after gem of looping, bliss-inducing gold, it's an incredibly revelatory album. It presents a thrilling synthesis of R&B, funk, blues and hard bop (with a hint of rock), all driven by an idiosyncratic electronic keyboard. Walton, a giant in the jazz world, got quite the workout every time he played, from piano to arp synthesizer to clarinet to electric piano to mini-moog and back again.

Mobius was Cedar Walton's debut for RCA in 1975. The versatile artist confirmed his abilities as a player, composer, interpreter and arranger with this stunning record, and his own bright compositions offered a springboard for the improvisations of the different soloists. Coltrane's "Blue Trane" is the first classic to be given the funkafied Mobius treatment, Ryo Kawasaki let loose all over neck-snapping Gadd-drum gold before the horns take a fiery turn and subsequently give way to Cedar's virtuosity. A sparkling b-boy break version of Thelonious Monk's "Off Minor" (featuring an absolutely *fire* solo from Walton) really sets proceedings alight. Of the three original pieces, the shuffling, percussive power of "Soho" is just absolutely mind bending Latin-influenced jazzy soul whilst the mellow vibes of "The Maestro" bring elegant, sumptuous soul. And then there's the effortlessly funky "Road Island Red". Just too, too good.

Cedar Walton was born in Dallas, Texas, on January 17, 1934 and began his professional career in 1959 when he began touring for several years with the J.J. Johnson Quintet. He later joined the Art Farmer-Benny Golson Jazztet and then Art Blakey's Jazz Messengers. Pretty solid credentials, right? While based in New York City, Cedar played with such luminaries as Donald Byrd, Eddie Harris, Blue Mitchell, Kenny Dorham, Lee Morgan, Freddie Hubbard, Jimmy Heath and Milt Jackson. Without question, he was one of the most complete and gifted musicians of his time and Mobius provides proof of that. The fresh, danceable tracks, all firmly rooted in the living tradition of blues and gospel, are skilfully presented by a master who enjoyed keeping abreast of contemporary tastes and was always keen to renew his language.

As the album notes state: “Mobius, which is the theoretical shape of the infinite universe, makes use of the most modern recording techniques and synthesizers. We mastered and mixed so that it’s hotter than the competition, which should help radio play and in-store demonstration.” Indeed. Mobius is really gorgeous mid-70s fusion, ranging from the funky to the ecstatic. It's an absolute MONSTER that will completely blow you away; and, yes, it's as wild and hypnotic as the cover. The audio for Mobius has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Fisher - Fisher
Fisher
Fisher
LP | 1976 | EU | Reissue (Mad About)
29,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
A rare album, “Fisher” was originally released on the Nentu label in 1976. Think Grant Green meets Eddie Hazel.

This LP has it all: gorgeous Soul Jazz, wahed-out fuzz Rock, dirty, head-nodding Funk Rhythms. It's a monster psychedelic soul-funk instrumental album. This is less jazzy than the “Third Cup” and “The Next One Hundred Years”, released by Chicago’s Cadet label and more cosmic psych funk across both sides and gets super exploratory and trippy.
V.A. - Image (KPM)
V.A.
Image (KPM)
LP | 1974 | UK | Reissue (Be With)
29,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Impossible to find in the wild, KPM's Image is exactly that; this record paints extraordinary, hyper-vivid scenes with music, in the way only the library greats can. Originally released in 1974, Image is an absolutely stunning listen from start to finish, and arguably the most wanted KPM grail that's still not been reissued - until now! Just too good…

Worth the price of admission alone, and likely the reason you're all already drooling about this release, the mellow, dramatic beat of "Image", Brian Bennett's opener and title track, is a Jaylib-sampled firecracker. A reflective, scenic underscore which grows to full orchestra and ends as it begins - it's just beautiful. Next up, swoon to "The Little Orphan" by Neil Richardson featuring strings and harp. It's a deeply emotive, sweeping orchestral piece. Just straight gorgeous. It's followed by "Paradise Island", a lush, horizontal Balearic gem courtesy of Gordon Rees and David Gold; it'll send you into a blissful reverie with its elegant strings and gentle drums. From the same pair, "Forbidden Fruit" is, again, string-drenched but the strings are more insistent, stabbing even, and, with drums and Blaxploitation guitars high up in the mix, it's definitely a funkier proposition. "The Enchantress", again a Rees-Gold special, is a slower, groovy, synthy wonder. Closing out the A-Side, "Phenomena" is a mysterious gem, a Gold solo effort set at a breezier tempo with propulsive percussion and head nod, fast-paced breaks with ace keys.

Flip over for "Infinite Expanse", John Scott's dramatic panorama adorned with proud, triumphant horns. Scott's "Static Objects" paints patient, pastoral scenes; there's a serenity and stillness to the proceedings. Next up, Be With favourite John Fiddy delivers shifting shapes and patterns with his wonderful "Metamorphosis", all wah wah, harps, dramatic percussion and strings. It's by turns billowy and blasting. "Cubist Pictures" follows, Neil Richardson's brilliant nebulous, fragmentary piece. Better yet, Richardson's gorgeous, beatless "Analysis" follows, and it's an orchestral beauty featuring cello, harps and woodwind. It's no exaggeration to describe this as transcendental. His "Crystal Ball" presents more static scenes with cello, twinkling percussion and strings, before Steve Gray's fantastically-titled softly-ace "Gliding Through Clouds" closes out this remarkable set.

As with all of our KPM re-issues, the audio for Image comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity.
Alan Tew - Drama Suite Part I
Alan Tew
Drama Suite Part I
LP | 1976 | UK | Reissue (Be With)
29,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
It's the pair you've all been waiting for! FINALLY!

Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...

Racing out the gate, the gritty crime funk of "The Detectives" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. "Helicop" is another fast paced and energetic dramatic action background with great breaks and horns. "The Big One (Prelude)" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to "The Big One", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense "Headlights" and (even briefer) burner "The Burn" add some - you guessed it - deep drama over insistent rhythms to close out Side A.

Flip over for "The Detectives (Slow Version)", a relaxed, thoughtful version featuring synths. You might recognise it as being sampled by Domo Genesis and Evidence for "Tallulah" from their brilliant collaboration a few years ago. "The Detectives (Interlude)" is another slow, pensive version featuring electric piano and a trombone solo in the centre section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight "The Build Up" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled "Snout" is a slow, tense background theme which features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of "The Prowler" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.

As with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!
Alan Tew - Drama Suite Part II
Alan Tew
Drama Suite Part II
LP | 1976 | UK | Reissue (Be With)
29,99 €*
Release: 1976 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
It's the pair you've all been waiting for! FINALLY!

Alan Tew's Drama Suite Part II. What can we really say? Honestly? We guess the first thing that strikes you is how clean the drums are. Almost impossibly slick but dripping so, so heavy with the neck-snapping funk you'd expect from perhaps the most sought-after library funk set of them all! The cheapest on Discogs is, currently, £1300+. Now's your chance to remedy that. If you know, you know. And we think you know...

"The Rub" is a cool, low-slung heavy-funk roller with relaxed brass and alto flute phrases. Up next, "Money Runner" is another edgy funk glider, its easy-tempo moving in harmony with slinky rhythmic riffs and featuring a seemingly ad-libbed electric piano solo. Strutting along after, "White Elephant Walk" is another laconic, deeply stoned walking theme with electric piano and alto flutes. There follows a couple of brief "walking" links before the brilliantly tense "Master Plan" slowly builds. Expectancy grows to the main theme around a minute in and then a melodic theme builds slightly to the 3 minute mark before floating down gradually and elegantly to its climax. It's utterly fantastic. The smoky, after-hours "Night Watch" is a slow, cool gem featuring alto flutes and synths.

Now we're talking, "The Fence (a)" is just sensational and worth buying this album all on its own. It's likely the reason you're here, anyway. Another impossibly funky, slow and easy tempo with a bass riff to die for, dramatic guitar with gorgeous electric piano and alto flute phrases. It was sampled for "Action Satisfaction" by J5, way way back. "The Fence (b)" is a slower, more deliberate version of the previous heater, but it's no less essential. Indeed, it's absolutely jaw-drooping. Closing out this remarkable side, "Surveillance" is another horizontal masterpiece of relaxed yet dramatic jazz-funk. Vibes ad-lib in centre section and give you an idea of how Roy Ayers making library funk in the mid-late 70s might've sounded. Sensational.

Flip over for "Total Silence", a near-beatless and understated scene-setter featuring neat interplay of guitar and synthesizer themes over bass and hi-hats. The slow "Eyes" follows, a brief gem with subdued electric piano solo and a light climax. The fantastic "Drama Backcloth (1a)" is up next, a repetitive piano and bass refrain with guitar figures over the top. Its creeping crime-funk vibe was pilfered for "Outta Town Shit" by Ghostface Killah in 2006. "Drama Backcloth (1b)" is a short, subdued version without the guitar figure. "Drama Backcloth (2)" features an expectant, background marimba figure over light rhythm whilst the cool "Drama Backcloth (3)" centres around a relaxed riff and the angular "Drama Backcloth (4)" presents eerie progressions with piano interjections. It's decidedly non-rhythmic!

We're then onto 14 (!) different half-minute "Scenechanges", all jazzy and funky, some cool and dramatic, some slow and rhythmic. All ace and groove-fuelled. The aptly-titled "Final Statement" closes proceedings, a slow, pensive theme on guitar joined by cool brass and a solo trumpet to its climax.

As with all of our KPM re-issues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!
Masahiko Sato - Holography
Masahiko Sato
Holography
LP | 1970 | EU (Endless Happiness)
29,99 €*
Release: 1970 / EU
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his later projects. Born in Tokyo, in 1941, Masahiko Satoh's earliest influences came from Olivier Messiaen and Yuji Takahashi, although the pianist earned his living playing in various jazz combos in Japan, Europe and the USA throughout the late 1950s and early 1960s. As a jazz soloist, arranger, free player, or even as organist on the more extreme Japanese rock LPs of the time, Masahiko Satoh successfully navigated his way through it all. Indeed, in this way, Satoh is probably the Japanese equivalent of German free spirit Wolfgang Dauner, with whom he played in the very early 1970s.
Appendix - Space Trip
Appendix
Space Trip
LP | 1973 | EU | Reissue (Mad About)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
"Space Trip" is a cult record released in 1973 on the legendary Amigo catalog, the longest-running independent label in Sweden.

This amazing Spiritual Jazz-Funk/Fusion LP was very hard to find. Finally available again, fully licensed and remastered, with original artwork.

This album is a killer one in its entirety, with no fillers. Some of the best spiritual jazz on record!
Ornette Coleman - Crisis
Ornette Coleman
Crisis
LP | 1972 | EU | Reissue (Endless Happiness)
29,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
A superb and under-recognized recording, Crisis is one-third of a trilogy of extraordinary albums -- the others being Broken Shadows and Science Fiction -- by Coleman's small groups of the late '60s and early '70s. A rendition of the piece "Broken Shadows" itself, a dirge of astonishing beauty second only to his "Lonely Woman," opens the live performance and offers solos of deep and poignant probity from Coleman and tenorist Dewey Redman, whose earthy growled tones counterbalanced the leader's so well for so long. Crisis somehow lacks the reputation of the revolutionary Coleman albums from early in his career, but on purely musical grounds it ranks among his most satisfying works.
The John Betsch Society - Earth Blossom
The John Betsch Society
Earth Blossom
LP | 1974 | EU | Reissue (Heavenly Sweetness)
29,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-09-06
Limited to 1000 copies!

To celebrate the 15th birthday of our first ever vinyl reissue, we did a new edition of this spiritual Jazz classic on cult label Srata East.

New vinyl mastering and lacquers done by the great Frank Merritt at The Carvery (London).
Mastered to and from 1/4” tape for added warmth and character.
Tape layback to disc; direct analogue lacquer cut from 1/4” tape using pure analogue signal path. Studer A80 preview to Neumann VMS70.

180g black vinyl.

New scans of the original artwork . Exact replica of the original cover.
Printed on deluxe Tip-on sleeve. Heavy cardboard;

The definitive edition of this incredible album by drummer John Betsch and his Society.
A must have for any spiritual jazz fan.
George Coleman - Amsterdam After Dark Black Vinyl Edition
George Coleman
Amsterdam After Dark Black Vinyl Edition
LP | 1979 | Reissue (Tidal Waves Music)
29,99 €*
Release: 1979 / Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* Classic Jazz Album from 1979 * Featuring an all-star line-up * First ever vinyl reissue since 1985 * Released for the first time in the UK & North America * 180g Clear vinyl limited to 100 copies (lita Exclusive) * 180g Black vinyl limited to 500 copies (w/obi strip) / George Coleman (born March 8, 1935) is an American jazz saxophonist best known for his work with Miles Davis and Herbie Hancock in the 1960s. Coleman was born in Memphis, Tennessee and learned to play the alto saxophone in his teens. After his work with Ray Charles, George started working with B.B. King in 1953 and switched to playing the tenor saxophone. George Coleman was a member of legendary outfits such as Max Roach’s quintet, The Slide Hampton Octet, Miles Davis’ Quintet and The Chet Baker Quintet. The list of his collaborations is impressive to say the least, Mr. Coleman recorded and performed with greats such as Freddie Hubbard, Herbie Hancock, Charles Mingus, Ahmad Jamal, Idris Muhammad, Pharoah Sanders, Ornette Coleman, Melvin Sparks, Art Blakey…and many others. Coleman was named an NEA Jazz Master, was added to the Memphis Music Hall of Fame in 2015, and received a brass note on the Beale Street Brass Notes Walk of Fame. George Coleman’s performances were included on classic recordings released by prominent labels from the likes of Blue Note, Atlantic, Prestige, Strata-East, Muse, Verve and Impulse! On the album we are proudly presenting you today: Amsterdam After Dark (Recorded in 1978 at the famous NY Sound Ideas Studio and released on Timeless Records in 1979) the listener is treated to six majestic tracks of the highest caliber and features a remarkable outing of advanced musicianship by jazz-giants in their prime, delivering an inspirational gem of an album. The all-star line-up includes Sam Jones (Dizzy Gillespie, Duke Ellington, Ben Webster) on bass, Billy Higgins (Donald Byrd, Thelonious Monk, John Coltrane) on drums and Hilton Ruiz (Roy Brooks, Rashaan Roland Kirk, Sonny Rollins) on piano. Most players featured here were also part of the legendary ‘Eastern Rebellion’ collective responsible for releasing multiple ground-breaking albums over several decades. Amsterdam After Dark shows off George Coleman’s mastery of the sax, his brilliant vintage techniques and deep soulful tones. Coleman plays from the heart and is on top of his game. Expect both original compositions as well as standards, beautiful ballads with elegant (yet fierce) solos alternating between the instruments, growling blues-oriented themes…this is a contemporary sounding Hard Bop & Post-bop crossover album and a must have for any self-respecting jazz fan or collector! Tidal Waves Music now proudly presents a much-needed and long overdue vinyl reissue of this classic jazz album (originally released in 1979 and out of print on vinyl since 1985). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) featuring the original artwork. This will also be the the first time the album is being released in North America and in the UK.
George Coleman - Amsterdam After Dark Clear Vinyl Edition
George Coleman
Amsterdam After Dark Clear Vinyl Edition
LP | 1979 | Reissue (Tidal Waves Music)
29,99 €*
Release: 1979 / Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
* Classic Jazz Album from 1979 * Featuring an all-star line-up * First ever vinyl reissue since 1985 * Released for the first time in the UK & North America * 180g Clear vinyl limited to 100 copies (lita Exclusive) * 180g Black vinyl limited to 500 copies (w/obi strip) / George Coleman (born March 8, 1935) is an American jazz saxophonist best known for his work with Miles Davis and Herbie Hancock in the 1960s. Coleman was born in Memphis, Tennessee and learned to play the alto saxophone in his teens. After his work with Ray Charles, George started working with B.B. King in 1953 and switched to playing the tenor saxophone. George Coleman was a member of legendary outfits such as Max Roach’s quintet, The Slide Hampton Octet, Miles Davis’ Quintet and The Chet Baker Quintet. The list of his collaborations is impressive to say the least, Mr. Coleman recorded and performed with greats such as Freddie Hubbard, Herbie Hancock, Charles Mingus, Ahmad Jamal, Idris Muhammad, Pharoah Sanders, Ornette Coleman, Melvin Sparks, Art Blakey…and many others. Coleman was named an NEA Jazz Master, was added to the Memphis Music Hall of Fame in 2015, and received a brass note on the Beale Street Brass Notes Walk of Fame. George Coleman’s performances were included on classic recordings released by prominent labels from the likes of Blue Note, Atlantic, Prestige, Strata-East, Muse, Verve and Impulse! On the album we are proudly presenting you today: Amsterdam After Dark (Recorded in 1978 at the famous NY Sound Ideas Studio and released on Timeless Records in 1979) the listener is treated to six majestic tracks of the highest caliber and features a remarkable outing of advanced musicianship by jazz-giants in their prime, delivering an inspirational gem of an album. The all-star line-up includes Sam Jones (Dizzy Gillespie, Duke Ellington, Ben Webster) on bass, Billy Higgins (Donald Byrd, Thelonious Monk, John Coltrane) on drums and Hilton Ruiz (Roy Brooks, Rashaan Roland Kirk, Sonny Rollins) on piano. Most players featured here were also part of the legendary ‘Eastern Rebellion’ collective responsible for releasing multiple ground-breaking albums over several decades. Amsterdam After Dark shows off George Coleman’s mastery of the sax, his brilliant vintage techniques and deep soulful tones. Coleman plays from the heart and is on top of his game. Expect both original compositions as well as standards, beautiful ballads with elegant (yet fierce) solos alternating between the instruments, growling blues-oriented themes…this is a contemporary sounding Hard Bop & Post-bop crossover album and a must have for any self-respecting jazz fan or collector! Tidal Waves Music now proudly presents a much-needed and long overdue vinyl reissue of this classic jazz album (originally released in 1979 and out of print on vinyl since 1985). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) featuring the original artwork. This will also be the the first time the album is being released in North America and in the UK.
Batsumi - Batsumi
Batsumi
Batsumi
LP | 1974 | UK | Reissue (Matsuli Music)
29,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
BATSUMI’s 1974 classic. Repressed at Pallas in Germany on 180g black vinyl. Cover printed on reverse board and includes printed inner sleeve with liner notes from Francis Gooding. Initial copies shipped with exclusive 30cm x 30cm print of Batsumi performing in 1974. Batsumi is a masterpiece of spiritualised afro-jazz, and a prodigious singularity in the South African jazz canon. There is nothing else on record from the period that has the deep, resonant urgency of the Batsumi sound, a reverb-drenched, formidably focused pulse, underpinned by the tight-locked interplay of traditional and trap drums, and pushed on by the throb of Zulu Bidi’s mesmeric bass figures. The warm notes of Johnny Mothopeng’s guitar complete a soundscape that is at once closely packed with sonic texture and simultaneously vibrating with open space, and in whose shimmer and haze Themba Koyana and Tom Masemola soar. A sonorous echo emanating from an ancient well, reverberant with jazz ghosts and warmed by the heat of soul and pop, Batsumi is nothing short of revelatory. Many groups from this period did not issue recordings at all, and Batsumi are unusual in even having left an official recorded legacy. Out of print since the 1970s, and never issued outside of South African in its entirety, Batsumi is a landmark South African jazz recording, and a key musical document of its time.'
Dave Pike - The Doors Of Perception Record Store Day 2024 Blue Swirl Vinyl Edition
Dave Pike
The Doors Of Perception Record Store Day 2024 Blue Swirl Vinyl Edition
LP | 1970 | US | Reissue (Nature Sounds)
29,69 €* 32,99 € -10%
Release: 1970 / US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
For RSD 2024 The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full-fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience.
Weldon Irvine - Time Capsule
Weldon Irvine
Time Capsule
LP | 1973 | JP | Reissue (P-Vine)
29,44 €* 30,99 € -5%
Release: 1973 / JP – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The impact of Weldon Irvine’s music across a wealth of genres cannot be overstated with his piano playing and compositions regularly handed down through generations, and influencing new waves of musicians. Artists like Q-Tip and Mos Def are noted admirers of the jazz-funk artist, and the distinct sounds of Irvine can be heard in the tapestry of the 90s sound via samples appearing in key records of the jazz hip-hop movement and beyond.

Time Capsule was originally released in 1973, and is keen to strike up a conversation with the listener as social commentary and poetic reflections signpost the way through its otherworldly jazz. Early tracks like 'Feelin’ Mellow' see a contemplative Weldon brew a satisfying blend of soul with lovingly warm vocal harmonies and gliding instrumentation. In contrast, other windows into the mind of Weldon like the meandering 'Watergate - Don’t Bug Me!,' are as much a virtuoso display of his bouncing creativity, as a charting of the rocky political climate at the time.

P-vine is thrilled to be releasing Time Capsule as a limited edition LP with a newly remastered audio, and an iconic Japanese obi strip attached.
Lonnie Liston Smith - Live!
Lonnie Liston Smith
Live!
LP | 1977 | UK | Reissue (BGP / Flying Dutchman)
29,44 €* 30,99 € -5%
Release: 1977 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Lonnie Liston Smith cut his teeth as a sideman with legendary bandleaders like Art Blakey, Pharoah Sanders and Miles Davis. He first appeared on a Flying Dutchman LP when he played piano on the Leon Thomas album “Spirits Known And Unknown.” from 1969. Bob Thiele later signed Smith and his debut LP “Astral Travelling” under the banner of Lonnie Liston Smith and the Cosmic Echoes was released in 1973. This blend of jazz funk quickly found an audience that led to the follow-up “Cosmic Funk” in 1974. The seminal “Expansions” followed in 1975 which took Smith’s music to a wider audience and is now considered as a stone cold classic.
Paolo Casa - Nature
Paolo Casa
Nature
LP | 1977 | EU | Reissue (Redi)
29,44 €* 30,99 € -5%
Release: 1977 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Originally released in 1977 on Edizioni Leonardi’s Wild Cat label, “Nature” is one of the rarest Italian synchronization LP’s, and it is almost impossible to find traces of it among the library music enthusiasts communities despite having been recorded by a real ‘supergroup’ of its era. Finally, thanks to Redi Edizioni, this album is now available on black vinyl, in a sleeve that faithfully reproduces the original artwork.

The musical content of “Nature” is truly excellent: in addition to funk, jazz-rock and blues, Gabriele Ducros’ flute leads the listener towards pastoral atmospheres, typical of the early ’70s folk-prog genre. In addition to Paolo Casa (12-string guitar, Mellotron), this LP sees the participation of Alberto Visentin (piano, Fender, synth), Franco Di Stefano (drums, percussion), George Simms (guitars), Gianni Dall’Aglio (drums), Jeans Orchestra (strings), Mauro Chiari (bass, vocals), Remigio Ducros (piano Fender), Roberto Puleo (electric guitar) and Roger Smith (bass).

“Nature” was also recorded at Piero Umiliani’s Sound Work-Shop studio! A real must for any library music enthusiast!!!
Matti Oiling - Happy Jazz Band
Matti Oiling
Happy Jazz Band
LP | 1970 | EU | Reissue (Lipposen Levy Ja Kasetti)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Lipposen Levy ja Kasetti. An official repress of this classic Finnish jazz record from 1970, limited to 340 copies only.
Jukka Tolonen - Summer Games
Jukka Tolonen
Summer Games
LP | 1973 | EU | Reissue (Lipposen Levy Ja Kasetti)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Tolonen’s 2nd solo album from 1973 reissued in its original gatefold format with insert including new interviews with all key players – Tolonen, Esa Kotilainen, Häkä Virtanen, Måns Grundstroem.

100 copies available only.
Jukka Tolonen - Hysterica
Jukka Tolonen
Hysterica
LP | 1975 | EU | Reissue (Lipposen Levy Ja Kasetti)
28,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Tolonen's 1975 album Hysterica was nearly an international hit, with the band scheduled to appear on a major international tour. However, things didn't work out and the album remains a cult item. Some songs from it, such as Silva The Cat and Windermere Avenue, are perennial favorites on compilations of Tolonen's best work.

This edition features newly done interviews with Tolonen and other key players such as Esa Kotilainen and Häkä Virtanen. The cover is expanded to gatefold format.
Patrizio Fariselli - Antropofagia Red Vinyl Edition
Patrizio Fariselli
Antropofagia Red Vinyl Edition
LP | 1977 | EU | Reissue (Cramps)
28,99 €*
Release: 1977 / EU – Reissue
Genre: Organic Grooves, Classical Music
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Perigeo - Azimut Red Vinyl Edition
Perigeo
Azimut Red Vinyl Edition
LP | 1972 | EU | Reissue (RCA)
28,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Akira Ishikawa Count Buffalo Jazz And Rock Band - Bakishinba: Memories Of Africa Black Vinyl Edition
Akira Ishikawa Count Buffalo Jazz And Rock Band
Bakishinba: Memories Of Africa Black Vinyl Edition
LP | 1970 | EU | Reissue (Cinedelic)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz AND Rock BAND’s album was advertised by the Japanese press in 1970. The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to Miles Davis and orchestras like Blood Sweat and Tears and Chicago. This movement resulted in the empowerment of jazz and in the birth of a new musical genre: a perfect mix of jazz, latin influences, and rock. Akira Ishikawa and Count Buffalo’s jazz-rock band remind of Santana in the way they embody these energies in their album “Bakimba.” Yet, at the same time, they give life to even more impressive musical compositions. This is also thanks to Hiromasa Suzuki’s innovative electric piano. Often defined as a jazz-rock band, Count Buffalo scales new heights in the context of jazz thanks to the strong rock influences that characterize this work.
Edward Vesala - I'm Here Black Vinyl Edition
Edward Vesala
I'm Here Black Vinyl Edition
LP | 1973 | EU | Reissue (Svart)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Drummer and composer Edward Vesala, the most internationally renowned jazz musician from Finland, was very keen on percussion instruments. Oddly enough, this broad and enduring interest is hardly evident on his albums.

Whether playing on his own albums or contributing to other musicians’ work, Vesala played a standard drum kit most of the time. He hardly used external percussionists on his own albums either. And most of all: his music was almost never percussive, at least in the traditional manner. Perhaps even stranger is the fact that he barely played any drum solos on his own albums.

That’s why I’m Here (Blue Master Special, Spel 311, 1974), recorded in Helsinki in 1973, is such a rarity. Of course, being a limited release has also made it an expensive treasure among collectors.

Additionally, I’m Here is Vesala’s only solo album and only percussive album, and one of the few where he can be said to play drum solos, albeit in his own idiosyncratic way..

The idea of a jazz drummer making a solo album was in itself quite rare in 1973, although not entirely unheard of. French Pierre Favre had already made two solo albums (in 1970 and 1972), and Dutch Han Bennink and Swedish Sven-Åke Johansson one each, both recorded in 1972.

It wasn’t exactly Vesala’s first time either. He had already played drums alone on the second side of the album Yksi, kaksi, kolme, neljä soul jumppaa (One, two, tree, four soul gymnastics, Gross Records, Grlp-27, 1969), though for purely instructive purposes, showcasing different rhythms and tempos..

"My favorite music is so called ‘free’ or very modern music (classical as well as jazz). But ‘cause of a very little jazz audience in Finland, I’m playing also Pop-jazz to get bread", Vesala introduced himself with a self-written English text, almost as if foreshadowing the diverse solo album, I’m Here. Compared to other releases of its time, the album was indeed “free’ or very modern music (classical as well as jazz)”, which may be the reason why it didn’t make a significant mark on the music scene or significantly benefit Vesala’s career at the time.

Lauri Karvonen, a jazz critic of the largest Finnish newspaper, described Vesala’s album as “certainly uncommercial” (Helsingin Sanomat, 8th of December, 1974). At the same time, he was delighted that “the most controversial contemporary jazz musician from Finland” has, “after years of prostituting (pop music, schlager), been able to completely dedicate himself to his own music.”

“The man is doing what he wants”, Karvonen summarizes.

Now, after being re-released, I’m Here can be appreciated for its manifesto-like and almost documentary nature. The album can be valued as a greatly interesting peek into Edward Vesala’s preferences and efforts in 1973, when he was still looking for his "own thing".

The reissue comes on vinyl only and is limited to 500 copies. The release comes with extensive liner notes by jazz critic Harri Uusitorppa.
Bobby Hutcherson & Harold Land - San Francisco Blue Note Classic Vinyl Edition
Bobby Hutcherson & Harold Land
San Francisco Blue Note Classic Vinyl Edition
LP | 1970 | EU | Reissue (Blue Note)
28,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The musical partnership between vibraphonist Bobby Hutcherson and tenor saxophonist Harold Land fully blossomed on the 1970 album San Francisco, which found the musicians moving into fusion territory with relentlessly grooving tunes like “Goin’ Down South” and “Ummh” counterbalanced by exploratory pieces like the mesmerizing “Prints Tie.”



This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Johnny Hammond - Gamblers Life
Johnny Hammond
Gamblers Life
LP | 1974 | UK | Reissue (Soul Brother)
28,99 €*
Release: 1974 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This amazing album from 1974 was the natural predecessor to Johnny Hammond’s classic “Gears” recorded with the Mizell brothers the following year. It contains the rare groove/Jazz Funk anthems “Star Borne” and “Yesterday Was Cool”.

“Gambler’s Life” was the album where Hammond switched from his customary organ to electric piano at a time the Mizell brothers had just produced Donald Byrd and Bobbi Humphrey for Blue Note. They had become noted for their "multi-layered funky sound". As much as Hammond shines on electric piano, this album is a true band effort, an all-star jam session of sorts, thanks to the presence of ace musicians such as George Benson, Eric Gale, Melvin Sparks, Ron Carter, Harvey Mason, Billy Cobham, Steve Gadd, Airto Moreira, Ralph MacDonald, Grover Washington, and of course the Mizell brothers themselves.

In addition to the 8 tracks that were on the original "Gambler's Life" album, this CD reissue includes 4 bonus tracks, all of which originally appeared on other Kudu/CTI studio albums in 1971 and 1974, and on those 4 tracks you get to hear Hammond's trademark organ. Title track “Gambler’s Life” was also sampled by Erykah Badu on "Mama's Gun" LP
Rigol / The Blue Sharks - Itinerario Beat Limited Clear Blue Vinyl Edition
Rigol / The Blue Sharks
Itinerario Beat Limited Clear Blue Vinyl Edition
LP | 1973 | EU | Reissue (Redi)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ozric Tentacles - Pungent Effulgent 2020 Ed Wynne Remaster Black Vinyl Edition
Ozric Tentacles
Pungent Effulgent 2020 Ed Wynne Remaster Black Vinyl Edition
LP | 1989 | EU | Reissue (Kscope)
28,99 €*
Release: 1989 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Full Moon Ensemble - Crowded With Loneliness
Full Moon Ensemble
Crowded With Loneliness
LP | 1974 | EU | Reissue (Comet)
28,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Comet Records present the first release out of the Comet new reissue series with this cult French Free Jazz LP from 1974, Crowded with Loneliness by Full Moon Ensemble was produced by Claude Delcloo, check the classic ‘Samba `Miaou’, like a lost Pharoah Sanders tune mixed with politically-engaged French poetry! The whole LP is varied, avant-garde and spiritual and now available as Vinyl LP with Gatefold cover, set to become collectible as the original is impossible to find.
Back To Top
1 2 3 4 5
...
8
1 2 3 4 5
...
8
1 2 3 4
...
8