Jazz | Fusion Vinyl 3512 Items

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Four Flies)

Nora Orlandi

A Doppia Faccia

Matthew Tavares & Leland Whitty

Release: 2020 / EU – Original

Genre: Organic Grooves

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Limited to 300 copies.

We're proud to exhume another classic soundtrack from the world of Italian giallo with Nora Orlandi’s incredible score to the 1969 Riccardo Freda film, “A Doppia Faccia” (a.k.a. “Liz & Helen”). Starring Klaus Kinksi, Margaret Lee, and Annabella Incontrera, this film is from a story by the king of the macabre, Lucio Fulci.
For the first time ever on vinyl, this mysterious and charming soundtrack, leads off with a sensuous main theme; a powerful track with great harpsichord chords progression and a melody that really stands out. Maleficent sounds, gothic atmospheres, and alarming voices, all make this soundtrack captivating yet disturbing at the same time. Featuring exclusive liner notes by Nora Orlandi herself, and stunning artwork by Luke Insect.

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Visions Red Vinyl Edition

2LP | 2020 | EU | Original (Mr Bongo)

Matthew Tavares & Leland Whitty

Release: 2020 / EU – Original

Genre: Organic Grooves

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Germany exclusive Edition on Red Vinyl. ‘Visions’ is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. The Grammy Award winning, multi-platinum producers have been performing and writing music together for 10 years. They have achieved international acclaim with BADBADNOTGOOD and Tavares’ recent solo single ’Self-Portrait’ has been championed by tastemakers such as Gilles Peterson and Benji B. ‘Visions’ is the latest upshot of their incredibly fruitful partnership.
Recorded in Toronto, it was produced by Tavares and Whitty - with Tavares also mixing the album and arranging strings. After a three-week writing period it was played in its entirety in one continuous studio session; almost all the tracks on the album are the first take. Tavares is on piano and guitar, Whitty on saxophone and flute. The rhythm section of Julian Anderson-Bowes on bass and Matthew Chalmers on drums completes the players. They make an impressive collective and are performing at the peak of their powers.

Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements. It is a sound that is hard to date; it is certainly of the now but is also reminiscent of a lost classic. Similar to the process of its creation, the optimal listening experience for ‘Visions’ is in its entirety. As a coherent body of work it draws the listener in with waves of intensity and crescendos that release back into tranquility - there is both darkness and light in the album’s narrative arc. There is also rawness and honesty to the music, which makes it feel like an intensely personal and intimate offering.

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Visions

2LP | 2020 | EU | Original (Mr Bongo)

LP | 2020 | US | Original (Ubiquity)

Release: 2020 / EU – Original

Genre: Organic Grooves

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‘Visions’ is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. The Grammy Award winning, multi-platinum producers have been performing and writing music together for 10 years. They have achieved international acclaim with BADBADNOTGOOD and Tavares’ recent solo single ’Self-Portrait’ has been championed by tastemakers such as Gilles Peterson and Benji B. ‘Visions’ is the latest upshot of their incredibly fruitful partnership.

Recorded in Toronto, it was produced by Tavares and Whitty - with Tavares also mixing the album and arranging strings. After a three-week writing period it was played in its entirety in one continuous studio session; almost all the tracks on the album are the first take. Tavares is on piano and guitar, Whitty on saxophone and flute. The rhythm section of Julian Anderson-Bowes on bass and Matthew Chalmers on drums completes the players. They make an impressive collective and are performing at the peak of their powers.

Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements. It is a sound that is hard to date; it is certainly of the now but is also reminiscent of a lost classic. Similar to the process of its creation, the optimal listening experience for ‘Visions’ is in its entirety. As a coherent body of work it draws the listener in with waves of intensity and crescendos that release back into tranquility - there is both darkness and light in the album’s narrative arc. There is also rawness and honesty to the music, which makes it feel like an intensely personal and intimate offering.

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Baast

Trident

7" | 2020 | UK | Original (Athens Of The North)

Release: 2020 / US – Original

Genre: Organic Grooves

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The third installment of the Baast album series "Trident" sees the band heading into the direction of electronic soundscapes, delving deeper into soundtrack and ambient textures more so than previous albums "Dimension" and "Bazaar". R. Scott Dibble and the inimitable DJ Johnny Basil remain at the helm with a round of uber talented guest artists who've contributed in the past along with some new players, heavy on talent but even more so on the vibe that's captured in the recordings.

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Chuck Brimley

St. Elmos Fire

11,99 €*

LP | 2020 | EU | Original (Transversales Disques)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Milwaukee's artist Chuck Brimley's cover of Michael Frank's classic "St. Elmore Fire. An extremely hard to find record that even Andy Noble who runs a second hand record store in Milwaukee Wisconsin where the record is from had not heard, despite knowing Chuck who was a customer. Andy kindly put me in touch last summer and Chuck was happy for us to reissue this rare version.

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Pharoah Sanders

Live In Paris 1975

30,99 €*

Mr Jones Tone Poet Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Transversales Disques proudly presents Pharoah Sanders - Live in Paris (1975). A never-before-released ORTF recording performed live at studio 104, Maison de la Radio, Paris. First official release with the full permission and cooperation of the National Audiovisual Institute. Deluxe edition, Classic Tip-On Gatefold jacket, including exclusive liner notes and pictures. Mastered from the original master tapes

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Elvin Jones

LP | 2020 | DE | Original (Blue Note)

Release: 2020 / DE – Original

Genre: Organic Grooves

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2LP | 2020 | EU | Original (Blue Note)

Brian Blade

Brian Blade Fellowship

47,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Unseen Worlds)

Leo Takami

Felis Catus & Silence

Release: 2020 / US – Original

Genre: Organic Grooves

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8: Kindred Spirits - Live From Lobero

Charles Lloyd

2LP+DVD | 2020 | EU | Original (Blue Note)

29,99 €*

Le Città Invisibili (Le Città E I Morti)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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Marco Dalpane

LP | 2020 | EU | Original (Soave)

Release: 2020 / EU – Original

Genre: Organic Grooves

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A Marco Dalpane's unreleased recording (mainly known for the cult album “Scorie” released with Tiziano Popoli) produced in 1991 for Radio Rai as an accompaniment to the reading of Italo Calvino “Le città invisibili” ("Invisible Cities”).
First thing you notice is how Marco Dalpane personal soundtrack for “Le città invisibili” could be seen as a link towards the combinatorial approach adopted by Italo Calvino in the book, where he used the language as a semiotic system and the literature as a mechanism of possibilities, with the reader becoming active part in the process. You can see Dalpane detaching from a linear handling of the compositional resources, working instead with computer algorithms and emerging with a sound-sphinx that multiplies the listening interpretations, a sound that is characterized in form and timbre but at the same time is full of suggestions and summoning elements that the listener has to relate. In this it’s evident a constant in the Dalpane’s music, its sensitive side, away from every technical or conceptual precondition. In the five tracks created for this soundtrack, that finally are collected in this album, as in his other works, Marco is always capable to decode aesthetics coordinates of the cultural or temporary universe of reference, but mainly he is the vehicle of an artistic vision that is plausible incarnation of the essence of things, the very spirit of being a musician.

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3LP | 2020 | EU | Original (Jazz Images)

Young Chet

47,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Wayne Shorter

Second Genesis

Release: 2020 / EU – Original

Genre: Organic Grooves

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Larry Young

Young Blues

Release: 2020 / EU – Original

Genre: Organic Grooves

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John Coltrane

Giant Steps

Release: 2020 / EU – Original

Genre: Organic Grooves

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Clifford Brown

In Concert!

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Abeat)

Gaia Cuatro

Udin

23,99 €* 29,99 € -20%

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Impulse)

Ted Poor

You Already Know

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (ORG Music)

Art Ensemble Of Chicago

The Spiritual

35,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Pu: Colored Vinyl Edition

Ville Herrala

LP | 2020 | EU | Original (We Jazz)

LP | 2020 | EU | Original (We Jazz)

Release: 2020 / EU – Original

Genre: Organic Grooves

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We Jazz Records presents "Pu:", the boundary-breaking solo debut of bass player Ville Herrala, to be released on 21 February 2020. Utilising only the double bass but looking at the instrument from various different perspectives. The end result is an inspired set of 14 miniatures, each pushing the concept forward in a highly personal way.

The first single "Pu: 12" presents a rhythmic approach with echoes of from the world of minimal classical music and electronic music. Bowed tracks such as "Pu: 2" offer another perspective, as does the second single "Pu: 10", going back to the essence of the instrument and opening new doors while doing so. Each of the tracks is a compact musical adventure unto its own.

Ville Herrala (b. 1979) is one of the most higly-regarded bass players working in the Finnish scene. He's known from the ranks of such top ensembles as PLOP, Jukka Perko Jazztet, U-Street All Stars, Jukka Eskola Orquesta Bossa and UMO Helsinki Jazz Orchestra, to name but a few.

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Ville Herrala

Pu: Black Vinyl Edition

16,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Chet Baker Sings Tone Poet Vinyl Edition

LP | 2020 | EU | Original (Blue Note)

43,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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To Cy & Lee: Instrumentals Volume 1

Alabaster DePlume

LP | 2020 | US | Original (International Anthem)

LP | 2020 | EU | Original (Cosmic Compositions / HHV)

Release: 2020 / US – Original

Genre: Organic Grooves

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He's a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem's growing family of progressive musical explorationists.

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Clear Path Ensemble

Poppin' Tone Poet Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Clear Path Ensemble is the new project and brainchild of Wellington jazz and sonic arts graduate Cory Champion with the help of like-minded artists such as Mara TK, Jake Baxendale, Daniel Hayles and others. Also producing left field house and techno under the name Borrowed cs, Clear Path Ensemble is Cory’s first offering to the jazz gods. Having spent many years playing drums alongside some of New Zealand’s most talented musicians in the revered Wellington jam session scene this release is an amalgamation of the energy & spirit that the Wellington scene encompasses. Walking over the blurred lines of psychedelia and spiritual jazz and taking cues from planetary rhythms and celestial oddities, CPE invokes a higher sense of self through the transformative power of sound. In it’s truest essence these are a collection of cosmic compositions and a release that in our opinion is one of the heaviest to ever emerge from the New Zealand neo-jazz scene.

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Hank Mobley

LP | 2020 | EU | Original (Blue Note)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Schlingerland / Dynamische Schwingungen

Sven-Ake Johansson

LP | 2020 | EU | Original (Cien Fuegos / Cargo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (W.E.R.F.)

Commander Spoon

Spooning

LP | 2020 | EU | Original (Jazzaggression)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Brussellians of Commander Spoon interlace their eclectic wealth of influences into an energetic jazz sound, respectfully demolishing walls between jazz, hip hop, rock and electronica.

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Jan Simonsen Quintet

Amirtha Kidambi Elder Ones

Release: 2020 / EU – Original

Genre: Organic Grooves

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Previously unreleased SPIRITUAL JAZZ from NORWAY recorded in ASKER CHURCH in the mid-seventies. Playful rhythmical jazz with MODAL and LATIN influences with band members from THAT’S WHY, RUPHUS & EN TIEMPO.
Jan Simonsen Quintet was an active mid-seventies, Norwegian jazz group, drawing up influences from Herbie Hancock to McCoy Tyner the group’s very rhythmical approach fell positive with the crowd and landed them regular gigs at the famous Club7 venue in Oslo, the group also performed at Molde Jazz 1976. In Winter that same year the group recorded these four tracks to reel using Asker church for maximum reverb effect and broadened acoustics. Jan Simonsen on keys, Svein Hansen flute and percussions, Trond Mathisen sax and percussions, Kristian Røstad bass and Thor Bendiksen drums. Jazzaggression is pleased to present these 4 tracks on vinyl for the first time, with one bonus track (digital). Vinyl comes in special heavy paste-on sleeve with a printed inner sleeve containing full story and photos. Limited to 500 copies!

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Holy Science

LP | 2020 | UK | Original (Jazzman)

LP | 2020 | EU | Original (ECM)

Release: 2020 / UK – Original

Genre: Organic Grooves

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First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, ‘Holy Science’, the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, ‘Holy Science’ simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present.

Amirtha Kidambi, the Elder Ones’ leader, composer and vocalist, was a child of South Indian heritage, and she grew up immersed in the tradition of devotional singing, joining in with free-form, improvised Bhajans on regular Sundays. She began simultaneously accompanying her voice with the harmonium from the age of three. These formative experiences continued to instruct and merge with her ongoing musical explorations as she went on to study Classical music, all the while ingesting the Punk, R&B and Rap that surrounded her. A particularly significant discovery was that of free and avant jazz, and in particular the music of Alice and John Coltrane, in whom Kidambi found clear echoes and parallels with those Bhajans and Ragas of her earliest musical awakenings.

All these influences collide on ‘Holy Science’, at times as explosive blasts of sky-opening thunder, at others as moments of soothing, meditative bliss. These holy bursts are enacted by Kidambi’s assembled musicians and are given permission to explore the science of spiritual alchemy, plundering their individual and collective soul for the sake of musical expression, and all of the unpredictable and profound revelations such an approach might yield.

‘Holy Science’ is a work underpinned by traditions, be they the Bhajan spirituals, or the Jazz and Classical avant gardes, that are in their own manner, archetypal. But perhaps most importantly, all of these forms contain an inbuilt capacity for discovery and progression. Amirtha Kidambi’s musical pathway has been defined by a studied determination to occupy this specific space, the unbounded realm of improvisation and exploration, summoning the acquired instruments of experience, knowledge, culture and tradition to unlock secrets of the past, present and future. The most cherished music is often remarked upon as having a timeless quality – ancient, modern and futuristic, all at once. And so it is with ‘Holy Science’.

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Oded Tzur

Here Be Dragons

Release: 2020 / EU – Original

Genre: Organic Grooves

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Carla Bley / Andy Sheppard / Steve Swallow

Life Goes On

LP | 2020 | EU | Original (ECM)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Finest - Somewhere Over The Rainbow

Judy Garland

LP | 2020 | EU | Original (ZYX)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Sings And Plays With Len Mercer And His Orchestra Angel Eyes

LP | 2020 | IT | Original (Cinevox)

28,99 €*

2LP | 2020 | EU | Original (Motor Entertainment)

Release: 2020 / IT – Original

Genre: Organic Grooves

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The lyricism of Chet Baker cannot be doubted because Chet in his musical expressions remains as singer and musicians essentially romantic. He fits beautifully into a context created around him and for him, a context that finds in the sonority of his trumpet or in the opacity of his voice a leading element, dominator and at the same time attractive and fascinating.

The songs on this record are aimed to everyone: jazz fans and those who are not very familiar with jazz. For music arrangers Ezio Leoni and Giulio Libano the work ground with Chet has been smoothed out: there was no need to build beyond the measure, it was important to expand, enhance, galvanize what Chet wanted to express. They have alternated lyrical songs with more stringent and alive tracks. With the continuous alternation of times, expressions and atmospheres they made sure to avoid any monotony.

The orchestra that recorded the album was consisted of 16 violins, 4 violas, 4 cellos, a flute, a bass clarinet, an oboe, a French horn, a harp which matched with Glauco Massetti's alto sax, Fausto Papetti's baritone sax, Mario Pezzotta's trombone, Gianni Basso's tenor sax, Franco Cerri's double bass, Gene Victory's drums. An imposing orchestra that was able to mix perfectly and alternate purely jazzy instruments with strings during the performances.

The repertoire included in the album ranges a lot: from well-known motifs such as 'Angel Eyes', 'When I Fall In Love' or 'I Should Care', to others less known but very pleasant tracks as 'The Song Is You' or
'Forgetful'. Other tracks lend themselves perfectly to a wider orchestration such as 'Autumn In New York', 'Violets for Your Fur' or 'Deep in A Dream'. Another theme was treated with a thrifty intervention of the strings, almost a crown of the whole performance, represented by the recording 'Street of Dreams'. In the last track Good-bye of Side A Chet expresses an exceptional sadness in a very valid and unusual way.

The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. recording
studio.The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. studio

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Moka Efti Orchestra

Erstausgabe

30,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (ESP Disk)

Thollem / Parker / Cline

Gowanus Sessions Ii

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (La Sape)

Horatio Luna

Yes Doctor

Imagine Giving Up Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Henry Hicks AKA Horatio Luna is a Melbourne based improviser, composer, bassist and producer.
A founding member of hip-hop/soul community "30/70 collective", he is an active member of the Australian beatz, jazz and soul music scene.
After parting with 30/70 in 2019, Horatio featured on the Gilles Petersons Brownswood compilation 'Sunnyside Up', released a 12" 'Print It, Run It, Send It', Remixed Moodyman approved Jitwams music and focused his sights on working and collaborating with the younger generation of players in Melbourne, serving as the musical director on 'downundaground' and joining Antiphon among many other groups.

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Jonah Parzen-Johnson

LP | 2020 | UK | Original (We Jazz)

16,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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7" | 2020 | EU | Original (Six Nine)

Byron Jamez

Time Machine

14,99 €*

LP | 2020 | EU | Original (W.E.R.F.)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Soul/Disco/Funk single here for the first time ever on vinyl! The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents Byron Jamez who now makes his debut on the label! Born and raised in Detroit, Michigan, Mr. Jamez has been living and breathing soul music all his life (his mother was an active musician already during the 1970s). Byron Jamez is a multi-talented man; an artist in the music business, an established actor and a master of advanced media skills. What we cherish the most right now is his pillow clenching voice and fantastic music, which definitely make this world much more beautiful. This release contains the brand new and stunning groover “Let’s Get Together” backed with the stepper-esque “Time Machine” on the flipside. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

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Schntzl

Catwalk

I Didn't Know What Time It Was

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP + poster.Twelve characters of songs arose in bedrooms. Customized pop songs characterized by an open approach, musical humour and narrative power.

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Lonnie Smith

LP | 2018 | EU | Original (Jazzorchestra CTGBW)

29,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Jazz Orchestra of the Concert-gebouw, the JOC, is used to working with famous soloists originating from different directions in the industry. These soloists bring their own repertoire, that is arranged, prepped and performed in no time. In 2010, on a Thursday night in February, a unique concert took place in the Amsterdamse Bimhuis. Together with a living legend, Dr. Lonnie Smith, the group played a stunning concert. For the Sultan of the Hammond organ, a long-cherished desire to play with a big band was fulfilled. Most noticeable on Smith at this performance was his auditory memory and the lucid, varied sounds he managed to wrest his impressive B3. JOC knows how to expertly blend with Smith's timbre and his shouts. The orchestra can glow with sovereign intensity, sparkle and fire, but manages to also add to the expression that can be produced by the Hammond organ. This is an true tribute to soul jazz.

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Musax Background Music Library Volume 1

LP | 2020 | EU | Original (Farfalla)

LP | 2020 | EU | Original (Trost)

Release: 2020 / EU – Original

Genre: Organic Grooves

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For this first volume of Musax Background Music Library, Farfalla Records continues exploring the maze of the french library music through one of its most discreet and prolific representatives: Jacky Giordano and one of his many projects, the Musax label. Farfalla Records carefully selected this tracklisting among LPs recorded between 1978 and 1979 of which the originals became particularly sought after by the collectors. Jacky Giordano who appears under his aliases Joachim Sherylee and José Pharos, is surrounded by qualified and renowned musicians such as Jean-Pierre Decerf, Jean-Claude Pierric, Serge Planchon, Patrick Petitbon, Gérard Gesina, Jean-Charles Capon, Daniel Humair and also a band composed of members from the legendary Crazy Horse cabaret, namely Pedro Perea, Claude Brisset, Bruno Bompard, Jean-Claude Guselli, Claude Thirifays, Vincent Momplet and Joseph Gatineau. This selection mixing explosive jazz-funk, lascivious jazz and electronic music more spacey or experimental, which could also be the soundtrack for a TV show, a porn movie or a car chase between cops and gangsters in the bad neighbourhoods of Paris. A fascinating slice of the French music scene of the late 70 is brought to life before our very eyes. (Erwann Pacaud)

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16-17

Phantom Limb

Snekkestad / Fernandez / Guy

Release: 2020 / EU – Original

Genre: Organic Grooves

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Massive industrial noise and free jazz blasts_ 16-17 returning with new material after 25 years. Founded 1983 in Basel by saxophonist Alex Buess and former drummer Knut Remond, they have been shaping the forefront of a new sound area. Playing an abrasive distorted mix of dub, hardcore and free jazz that lead to a meeting of likeminded heavy heads that temporally took part in the band e.g. Kevin Martin (The Bug, Techno Animal) or G.C. Green (Godflesh). After marking their presence and extensive European tours, the band officially split up in 2000. The basis of the new LP Phantom Limb was recorded in 1995 by a new line-up with Alex Buess, Damian Bennett (Techno Animal) and Michael Wertmüller (Full Blast, Nohome, Alboth) additionally expanded by vocalist and writer Eugene S. Robinson (Oxbow) and Kasia Meow. New Line upAlex Buess: Saxes & Bassclarinet, Electronics, VoiceDamian Bennett: BassMichael Wertmüller: DrumsEugene S. Robinson: Voice, LyricsRoger Graf: E-Guitar, Dobro, VoiceKasia Meow: VoiceDaniel Buess: Drums

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The Swifted Traveler

LP | 2020 | EU | Original (Trost)

LP | 2020 | UK | Original (Social Beats)

Release: 2020 / EU – Original

Genre: Organic Grooves

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An exciting international trio initiated by Scandinavian improv saxophonist Torben Snekkestad, flanked by two esteemed international capacities in the field of free improvised music - the Spanish pianist Agustí Fernández and the British double bass player Barry Guy. The music they create together is situated somewhere between free improvisation, free jazz, and contemporary classical music and executed with lightning fast interaction and explorative innovative sounds and textures. Line-up :Torben Snekkestad: tenor & soprano sax, trumpet and clarinetAgusti Fernández: pianoBarry Guy: double bas Recorded at "LOFT" in Cologne, June 2018 by Stefan DeistlerMixed and Mastered by John Fomsgaard at KarmacrewProduced by Torben SnekkestadExecutive Producer: Konstantin DrobilCover design: Lasse Marhaug

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Flink

It's Dangerous

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (International Anthem)

Jeff Parker

Suite For Max Brown

2LP | 2018 | FR | Original (Stardown)

Release: 2020 / US – Original

Genre: Organic Grooves

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"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.

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Electro Deluxe

Apollo

28,99 €*

Release: 2018 / FR – Original

Genre: Organic Grooves

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LP | 2015 | EU | Original (Pepper Cake)

Raphael Wressnig

Soul Gumbo

Release: 2015 / EU – Original

Genre: Organic Grooves

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The 1954 Los Angeles Concert

Duke Ellington

LP | 2016 | EU | Original (ZYX)

Release: 2016 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Reissue (Jazz Images)

Sextete & Quartet

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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LP | 2018 | EU | Original (Elemental Music)

Dexter Gordon

Tokyo 1975

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | US | Original (Return To Analog)

Thelonious Monk

1961 Live In Paris

Release: 2018 / US – Original

Genre: Organic Grooves

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Jazz At Massey Hall - Limited Edition In Solid Yellow Colored Vinyl.

Charlie Parker

Release: 2018 / EU – Original

Genre: Organic Grooves

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Albert King

The Big Blues

Release: 2018 / EU – Original

Genre: Organic Grooves

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Beach Boys

Surfin' Safari

Release: 2018 / EU – Original

Genre: Organic Grooves

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Italian Movie Soundtracks

Release: 2018 / EU – Original

Genre: Organic Grooves

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Billie Holiday

All Or Nothing At All

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2018 | DE | Original (ECM)

Nik Bärtsch's Ronin

Awase

34,99 €*

Release: 2018 / DE – Original

Genre: Organic Grooves

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LP | 2018 | US | Original (ORG Music)

Milt Hinton

Here Swings The Judge

35,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Tradition & Moderne)

Holly Cole

Holly

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Rob Franken Electrification

Colours & Images

LP | 2018 | EU | Original (678)

Jones Jones & Larry Ochs / Mark Dresser / Vladimir Tarasov

Release: 2018 / EU – Original

Genre: Organic Grooves

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Born in 1941, Rob Franken played in more than just Dutch jazz-circles. People who worked with him describe him as a slightly introvert, but purely musical sorcerer. He had great influence on the people he worked with, not only the younger, but also the elder, like Toots Thielemans for instance, with whom he toured Europe for several years.
Rob Franken liked to experiment with new instruments, and was the first person in Holland who made good use of the electric Fender Rhodes piano. Sadly, he died too young, at the age of 42.

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A Jones In Time Saves Nine

LP | 2018 | EU | Original (No Business)

Bobby Bradford / Hafez Modirzadeh / Roberto Miranda / Vijay Anderson

Release: 2018 / EU – Original

Genre: Organic Grooves

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300 LP copies limited edition. All compositions created collectively by Mark Dresser (Del Dresser Music/ASCAP), Larry Ochs (Trobar/ASCAP/BMG) and Vladimir Tarasov (LATGAA)
Tracks Twelve Angry Jones and Three Jones Outside Ebbing, Missouri recorded live by Art Granoff in Berkeley, California, at the home of Harry Bernstein and Caren Meghreblian on May 28th, 2016
Other tracks recorded live by Tim Pinch in San Diego, California, at The Loft on May 24th, 2016
Mastered by Arūnas Zujus at MAMAstudios
Front cover photos by Peter Gannushkin /
Design by Oskaras Anosovas

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Live At The Blue Whale

LP | 2018 | EU | Original (No Business)

LP | 2018 | EU | Original (AR)

Release: 2018 / EU – Original

Genre: Organic Grooves

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500 LP copies limited edition. Composition FREE THE IDEA is variations on Ornette Coleman Theme
Recorded live on 15th January, 2017 at the Blue Whale, Los Angeles
Recorded, edited and mixed by Andersonix.com
Mastered by Arūnas Zujus at MAMAstudios
Design by Oskaras Anosovas
Diagram by Hafez Modirzadeh
Produced by Hafez Modirzadeh

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Fred Buscaglione

e i suoi Asternovas

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Fresh Sound New Talent)

Robert Glasper

Mood

Release: 2018 / EU – Original

Genre: Organic Grooves

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“In Passing” began as an elegy for Glasper’s Houston friend, Scooby, who died in 1999. “I never could finish the tune, but I started working on it again when Aliyah died,” Glasper says. “Not too long after that, 9/11 happened. That made me finish the song. It’s about how your time on earth is passing.” Glasper ends the program with the incendiary “L N K Blues,” setting up a John Ellis-Marcus Strickland tenor battle that implicitly affirms his connection to and extensions of the idiom that defined the sound of jazz in Houston from the ‘40s through the ‘60s. —Ted Panken, Downbeat, Jazziz, WKCR, 2003 The trio embarks on their own voyage with Glasper’s “Lil’ Tipsy,” using compression-expansion techniques to explore in painstaking detail a disjunctive dance of inebriation. Glasper uses the concluding vamp as a spur-of-the-moment opportunity to segue directly into “Alone Together.” There ensues an avid triologue, Hurst holding down the bottom as Glasper and Reid, with nonchalant confidence, weave through of an obstacle course of rhythmic signatures. On “Mood,” a quintet track, Moreno and Ellis offer beautiful contrapuntal section playing and pungent solos, capturing the composer’s intent to resolve from a melancholy opening to an impassioned feelgood vamp. Bilal ratchets the intensity on “Don’t Close Your Eyes,” a bluesy jazz ballad to which Glasper wrote the melody and the lyric. Glasper says: “I have a certain feel, a certain way of thinking and imagining of and hearing harmony, and it all descends from coming up in and playing music in the church.” Glasper returns to ebullience on a creative and virtuosic treatment of Irving Berlin’s “Blue Skies.” There was a detergent commercial that used it during my first year in school,” he relates, “and I was singing all the time. Then someone told me it was a jazz tune. I arranged it for a concert at school. A year later, I came up with this arrangement. “‘Interlude’ happened because we kept playing after I faded out from the drum solo, and when I listened to the tape I thought the hip-hop part was hot. Hip-hop is a part of me, too, and I wanted to have that influence on the album.”

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LP | 2018 | EU | Original (Philophon)

Bitteschön, Philophon!

LP | 2018 | EU | Original (Souffle Continu)

Release: 2018 / EU – Original

Genre: Organic Grooves

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"Bitteschön, Philophon!" presents a "best of" selection taken from the so far fifteen 7" releases by the Berlin-based label Philophon. Greats as Jimi Tenor, Alemayehu Eshete and Hailu Mergia as well as new discoveries such as Guy One, Alogte Oho and Y-Bayani echo on "Bitteschön" the wide spectrum of the Philophon catalogue.
Philophon puts its emphasis on authentic local styles - from heavy grooving Ethio-Jazz coming out of Addis Abeba to cheerful Frafra-Gospel, as it is celebrated in Bolgatanga/Northern Ghana. Most recordings took place where the music is located - and that's the recipe for Philophon's productions: go to the source and dive into the real.

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Camizole & Lard Free

LP | 2018 | EU | Original (Souffle Continu)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The ranks of Camizole included some of the most essential personalities of the French underground, notably Dominique Grimaud (Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan) and Bernard Filipetti (Art & Technique). Their idea of music, if we look further than the pair Dominique Grimaud – Bernard Filipetti and a style of music influenced by Klaus Schulze, is inspired by the liberty of free jazz. This is nonetheless modified by a cathartic approach close to the esthetic preoccupations of Julian Beckand Judith Malina's Living Theatre. The result is a musical happening, where the important thing is to improvise in the urgency of the moment in front of a not-always receptive public.

Before exploring constructed repetitive forms which would be perfected by Urban Sax, Lard Free were more in the domain of noise improvisation, or even a kind of jazz rock similar to that of Soft Machine, as can be heard on a late retrospective album, from which the track "À chacun son Boulez" emerged.

There was logically great complicity between Camizole and Lard Free, which would lead to the two groups finally merging. This was the case for four concerts in May before the two groups disbanded in order to finally get to grips with the free rock in the style of Faust that they liked so much. As an ode to anarchy, a record now bears witness to those communal experiences. 500 copies made. Obi Strip. 8 Page Booklet. Licensed from Camizole.

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Camizole

Live At The Playboy Jazz Festival

Release: 2018 / EU – Original

Genre: Organic Grooves

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Is freedom worth more than mastery, construction and achievement? In replying yes, the utopians of Camizole clear show which side they are on. For them, musical creation must be as spontaneous as possible. To achieve this, it is better to put egos to one side to concentrate on collective experimentation, to be tried and tested in front of a live audience. Playing the card of unlimited and unhindered improvisation is Camizole's crédo, having decided to get a taste of the urgent game-playing already established by the Nihilist Spasm Band and the Living Theatre research of Julian Beck and Judith Malina.

At the time, that is to say when punk was exploding, this concept, itself inherited from the May 68 events, made an impact on Chris Cutler of Henry Cow, but also Lindsay Cooper, who invited Camizole member Françoise Crublé to join the Feminist Improvising Group. Also, the Tapioca label run by Jean Georgakarakos (co-founder of BYG Records), considered producing an album, from a live recording made at the Théâtre de Chartres in November 1977. Unfortunately the label rapidly ceased all activities and the recording was left in a drawer, which was a real shame.

Today, after extracts and other live bits and pieces came out via Spalax at the end of the 1990s, an integral double-album is finally being released to do justice to the collective created by Jacky Dupéty, and which included, amongst others Dominique Grimaud(Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan, Urban Sax), Xavier Jouvelet (notably heard alongside Lol Coxhill) and Bernard Filipetti (Art & Technique). Better late than never! 500 copies made. Obi Strip. 8 Page Booklet. Licensed from Camizole.

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Dexter Gordon

LP | 2018 | US | Original (Rhino Custom Indie Retail)

30,99 €*

2LP | 2018 | US | Original (Now-Again)

Release: 2018 / US – Original

Genre: Organic Grooves

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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

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The Lightmen Plus One

Energy Control Center

LP | 2018 | EU | Original (678)

Release: 2018 / US – Original

Genre: Organic Grooves

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Revolutionary, spiritual jazz from the unlikely city of Houston, Texas: the definitive issue, mastered from the original tapes. Presented in a tip-on gatefold jacket.
Drummer, bandleader and activist Bubbha Thomas had toured America with R&B revues, served as a session musician for Peacock and Back Beat Records, and played straight ahead jazz with legends before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane. Energy Control Center, his third LP with his Lightmen band is his masterpiece: deep-set, maverick jazz on part with the best Tribe and Strata East titles. This is a highpoint amongst the best of the 1970s jazz underground, a collective voice of resistance to the musical and cultural status quo. Contains second disc with bonus tracks: unreleased alternate takes, including two versions of the spiritual jazz classic “All Praises To Allah”, all housed with an extensive booklet with photos and liner notes.

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Pork Pie

Berlin 1974

Release: 2018 / EU – Original

Genre: Organic Grooves

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Recorded at the Philharmonie Berlin, November 1, 1974. Source: Master tape from the private archive of Jasper van ’t Hof
Master digitized at Studio JDM Amsterdam by Frank Jochemsen
Edited & mastered by Marc Broer at Live Concert Recording Monnickendam
Release initiated by P-Dog & Zembie and produced by Frank Jochemsen (Gallio producties), Jasper van ’t Hof & Sander Huibers for 678 Records
Succesfully distributed by Sander Huibers for Painted Dog Records
Grafische verzorging: Piet Schreuders

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Dancefloor Stompers - Librerie Musicali

LP | 2018 | EU | Original (Four Flies)

LP | 2018 | EU | Original (Lalonova)

Release: 2018 / EU – Original

Genre: Organic Grooves

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When Soul-Jazz meets Italian Cinematic Style. 10 cool tracks from a super-groovy combo powered by an explosive horn section and a stunning strings orchestra. Dancefloor Stompers make their debut album on Four Flies Records, recording the music for a TV series that has not yet been written... 100% Black & Cinematic Groove!

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Footprint Project

Ask For Directions

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Sonor Music Editions)

New Tape

28,99 €*

7" | 2018 | EU | Original (We Jazz)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Founded in early 70s by historical Rai TV trumpeter and composer Cicci Santucci (Looking Around, On The Underground Road etc.), New Tape grown up during the golden period of Italian music production and was dedicated to experimentation of new forms of sound, always hailing from the solid Jazz basis of the musicians and theme music inspiration. Andrea Galtieri aka Cavalier Piscopo sequenced the very best shots from the whole label production including exclusive liner notes, with an explosive mix of Jazz-Rock, Bossa, spellbinding groove and raw Experimental stuff.
"A leading figure in the Italian Jazz scene, Francesco 'Cicci' Santucci worked as trumpeter in the legendary Rai TV orchestra for over 20 years. He was renowned for collaborations with such international jazz legends as Lionel Hampton, Gato Barbieri, and Kenny Clarke – that is until his foray into the avant-garde progressive experience of The Living Music, a project founded by his brother Umberto. During these same years, he took part in important Italian jazz sessions like "Looking Around", "Mondo Operaio", and "On The Underground Road", with his close colleague Enzo Scoppa.
It was just around this period of great music production and experimentation that Cicci founded his own label, the NEW TAPE, in the very early '70s. His goal was to dedicate himself to composing library music with a new expression of music, less linked to hard bop or American standards, but rather more focused on the new sounds of the time that brought the listener closer to modern vibes, like jazz-rock and avant-garde music.
"Mixed Grill" opens this series, composed by the maestro's alias, 'Girosan', along with Lesiman (a.k.a. Paolo Renosto) who added a more esoteric and captivating atmosphere, closer to English progressive rock. "Rengran Mix" and "Tropical" follow, with music by Paolo Renosto and the old avant-garde connoisseur, Romolo Grano. This work gave way to electronic instrumentation and weird experimentation, and was built on a rich rhythmical carpet – tropical percussions, rock and blues inspired vibes, sleazy psych, and jazz improvisations. Music from “Rengran Mix” was also used as the soundtrack for the TV programme "Futili Motivi", and also featured the great backing sound of I Marc 4 with the accompaniment of Nora Orlandi's warm vocals.
The trademark of the label, and the most important production, is the fourth album, "Mirage" by Cicci Santucci and Enzo Scoppa themselves. This record is an explosive mix of elegant jazz, funk, and psychedelia, where every instrument finds its expressive space. We can clearly hear the connection on both the 'On the Underground Road' and 'Looking Around' albums, recorded that same year, bringing that unmistakable underground jazz dopeness typical of the magical duo of Santucci and Scoppa.
The last album of the series is "Appunti Di Guerra" by the mysterious 'Ruscigan' – a very obscure alias which probably belongs to Renosto and Guido Baggiani. This work features complex and dramatic sounds properly composed for war scenes and gloomy atmospheres, with a large assortment of percussion, distorted effects, and tape manipulation – an album that foreshadowed what would become industrial music.
With a ridiculously small pressing of only 100 copies per title, NEW TAPE is among the most interesting discoveries to date in terms of original production library music, and as a result, a very respectable journey begins inside the creative underground jazz of 1970s."
Andrea Galtieri

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Mopo

Riisto / Acid Panama

9,99 €*

Chameleon / Watermelon Man

Release: 2018 / EU – Original

Genre: Organic Grooves

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Mopo presents a 7" with their scorching tune "Riisto" taken from the LP "Mopocalypse" on side A and a brand new cosmos-searching version of "Panama" on the flipside. "Acid Panama", as it's now called, features the Finnish scene legend Jimi Tenor on sax and various other instruments.

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Herbie Hancock

12" | 2018 | UK | Original (Columbia)

15,99 €*

LP | 2018 | EU | Original (Sonorama)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Major Keys is a brand-new audiophile label focusing on fully licensed reissues of jazz classics, pressed on 12” for a fuller, louder version compared to the original album cut. What better way to kick of the series than housing Herbie Hancock’s imitable ‘Chameleon’ and ‘Watermelon Man’, loud and proud on either side of a 12” - remastered and cut by the engineer of the original Head Hunters LP from 1973.

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Jazz Community

Revisited

Release: 2018 / EU – Original

Genre: Organic Grooves

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Selects From Both Directions At Once

John Coltrane

12" | 2018 | US | Original (Impulse)

A Louder Silence Black Vinyl Edition

Release: 2018 / US – Original

Genre: Organic Grooves

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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

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Leifur James

LP | 2018 | UK | Original (Night Time Stories)

27,99 €*

Release: 2018 / UK – Original

Genre: Organic Grooves

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The Brian Auger Piano Trio

Full Circle - Live At Bogie's

LP | 2018 | UK | Original (Freestyle)

Release: 2018 / UK – Original

Genre: Organic Grooves

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It's Nation Time: African Visionary Music

LP | 2018 | US | Original (Motown)

Release: 2018 / US – Original

Genre: Organic Grooves

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Alan Hawkshaw & Brian Bennett

Full Circle

LP | 2018 | UK | Original (Be With)

The Chase (Version 1) / The Hillary Step

Release: 2018 / UK – Original

Genre: Organic Grooves

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Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.

Their new album, in full, iconic KPM cover is a return to the laidback jazz-funk that helped Alan and Brian demonstrate their library chops. The album is classic Hawkshaw/Bennett. It swings, it grooves, moves and thrills with a flair these two have perfected over years.

Standout tracks such as "Hole In One", "In The Clouds", "Interchange", "Oasis", "On The Nile" and "Corcovado" are no mere excursions in nostalgia, for they carry lots of deft studio work that many a producer would give their right arm for. Hawkshaw’s arrangements allow the drums, guitar, bass, strings, Hammond, flute and brass to swirl elegantly around the 12 original tracks; a masterclass in recording.

Cut by Pete Norman, housed in a beautifully designed Richard Robinson sleeve and pressed at 180g by Record Industry in Holland, this release has been afforded the care and attention it rightly deserves. Essential.

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Bowman Trio

7" | 2018 | EU | Original (We Jazz)

9,99 €*

LP | 2018 | EU | Original (Orbeatize)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Bowman Trio returns with a strong double-sider 7". The trio delivers their trademark loft jazz with remarkable energy and swing on "The Chase (Version 1)" and "The Hillary Step". Both are fresh studio cuts which serve as tasters of the Helsinki trio's new music in anticipation of their second full-length expected to be released in 2019. The 7" vinyl version comes with beautiful "old-school" heat-pressed label and generic brown sleeve.

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Errol H. Tout

Sounds 1985-87

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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A collection of Errol's best compositions taken from his first two recordings (1985 Atmospherics and 1987 Sounds Of Swimming).
16 tracks: Open Jazz Guitar Masterpiece.

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Music Is The Most Beautiful Language In The World: Yiddisher Jazz In Londons East End 1920s To 1950s

LP | 2018 | EU | Original (JWM)

19,99 €*

Ella Wishes You A Swinging Christmas Colored Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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New label JWM Records launch with the selection 'Music is the Most Beautiful Language in the World'. A vibrant soundtrack to the Cockney Jewish experience, starting when the swinging hot dance bands were still all the rage, and the Yiddish language was spoken on the streets of Whitechapel, in London’s East End. For some, music or acting was a potential way out of the poverty experienced by these first and second generation refugees.

Sounds from long-forgotten 78 rpm discs only recently unearthed, reveal a host of recording artists, united here for the first time. Klezmer fused very easily with jazz, a connection that becomes apparent in these recordings. Hear the legendary dance band figures of the era like Bert Ambrose and his Orchestra, and Lew Stone and his Monseigneur Band, to the relatively unknown Jewish speciality acts like Johnny Franks and his Kosher Ragtimers, and Rita Marlowe, the siren of Yiddish song. Delight in the cheeky street patter of the incomparable slapstick drummer Max Bacon, rejoicing in the East Enders' love affair with ‘Beigels’; celebrate the world famous Petticoat Lane street market with not one, but two fox-trots - but also shed a tear with Leo Fuld, the remarkable Dutch Yiddish singer, whose recordings in post-war London were haunting reminders of a way of life decimated by the Holocaust.

‘Music is the most Beautiful Language in the World’ is compiled by Alan Dein, multi-award winning radio documentary presenter, whose own family harks back to the major wave of immigrants fleeing the pogroms in Eastern Europe from the end of the 19th century. The album title is inspired by a 1920s Yiddish slogan of an East London gramophone record shop, from a time when Whitechapel was a fertile breeding ground for singers, musicians, proprietors of record shops and club owners - according to Dein “their stories are now entwined with the development of the British recorded music industry. But for the first time ever, we can the discover the remarkable sounds of Jewish-themed jazz recorded in London between the 1920s and the 1950s - which thankfully had been preserved within the grooves of ancient discs”.

Designed by Will Bankhead, the LP comes with a fold-out insert, the slip-case CD with a 24 page booklet, both including a detailed essay by Dein, illustrated with rare photos and memorabilia. This release is co-compiled by Howard Williams, who has released a series of compilations spanning Moondog (The Viking of Sixth Avenue), Killing Melody (Japanese gangster soundtracks), cult Japanese jazz singer Maki Asakawa, and several other Japanese retrospectives.

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Ella Fitzgerald

LP | 2018 | EU | Original (Dol)

15,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Trost)

Full Blast

Rio

The Scorpions & Saif Abu Bakr

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited live release by Peter Brötzmann's Full Blast Power Free Jazz Trio
recorded at Audio Rebel, Rio de Janeiro, Brasil 2016. Mixed and Mastering :
Martin Siewert (Vienna) Artwork : Peter Brötzmann

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Jazz, Jazz, Jazz

LP | 2018 | EU | Original (Habibi Funk)

2LP | 2018 | US | Original (International Anthem)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Incredibly unique modernized adaptations of traditional rhythms of the diverse regions of Sudan, recorded in Kuwait 1980. The “holy grail” album from Sudan.
I heard about Seif Abu Bakr and The Scorpions maybe 3-4 years ago. Their album “Jazz, Jazz Jazz” ended up on my radar because of an eBay auction with the bids eventually rising daily up to a staggering 1000$. The music is a unique combination of incredible horn arrangements powerfully performed, a vigorous drummer contributing a funky backbone and Seif's vocals uniting those elements. The results range from instrumental tracks awaking memories of 1970s crime thriller soundtracks to more Sudanese-rooted tracks, a lot of them modernized versions traditional rhythms of the diverse regions of Sudan and even an excursion into Colgolese Soukouss.
I went for my second trip to Sudan in December 2018 and after doing some research on the first trip my local colleagues Larissa and Yassir had managed to reach Amir, The Scorpions band leader and he was happy to meet. We got together with him in a Cafe right at the Nile in Omdurman. It was a happy occasion for everyone. He told us stories about him meeting Jimmy Cliff and Lewis Armstrong when they visited Sudan and how he and his band mates from The Scorpions played extensively in Kuwait, both in club residencies as well as for television. Amir brought tons of incredible photos illustrating not only the bands history but the vivid cultural live in the many music clubs in Khartoum of the 1970s. During this decade up until 1983 the capital was home to a huge number of clubs, bards and concert halls. This scene started to perish after president Nimeiry's turn away from his socialist policies, that he was widely associated with in the first decade of his rule, towards the implementation of Sharia law in 1983. During the first decade of his rule he had actively supported various artists of the Jazz scene, taking some of them on trips throughout Africa. The 1989 coup of Bashir and his generals then caused the final blow to a once thriving scene. Both of these political events within 6 years lead to significant drawbacks for the Sudanese jazz scene resulting into hardly no gig opportunities left and parties and concerts being critically observed. A number of musicians faced prosecution, most of the time for their political views, some left Sudan for good. Music never completely vanished from public life and even the regime kept selected artists close, but for a majority of those bands affiliated to the jazz scene life and making ends became a lot harder. The Scorpions dissolved as a group around the same time.

The re-release was produced with a clean copy of the vinyl version as a source. The original reel tape of the album stayed with Saif Abu Bakr along with another reel with other recordings that were never released. Unfortunately it was lost when Saif Abu Bakr had to flee to Kuwait temporarily during the second gulf war when Iraq raided Kuwait. Both the CD and vinyl version come with extensive booklets with photos, interviews, liner notes. The vinyl version also has a DLL code.

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Makaya McCraven

Universal Beings

27,99 €*