Jazz | Fusion Vinyl 2810 Items

Manhattan Trio And The Sylvet's

Release: 1970 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2014 reissue.

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Manhattan Score

7" | 1970 | FR | Reissue (Vadim Music)

17,99 €*

LP | 1970 | US | Original (Enterprise)

Release: 1970 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

2009 reissue. Limited edition

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Isaac Hayes

...To Be Continued

22,99 €*

2LP | 1970 | NL | Original (CBS)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Original US Pressing!

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V.A.

Fill Your Head With Jazz

8,99 €*

Release: 1970 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Jiro Inagaki & Soul Media

Head Rock Clear Blue Vinyl Edition

LP | 1970 | JP | Reissue (Nippon Columbia)

54,99 €*

The Cannonball Adderley Quintet With Special Guest Stars Nancy Wilson & Lou Rawls

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.

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In Person

LP | 1970 | DE | Original (Capitol)

Release: 1970 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sérgio Mendes & Brasil '66

Stillness

LP | 1970 | US | Original (A&M)

36,99 €*

Composers A Go-Go (German Hit Sounds Today)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with many scuffs and hairlines

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The High Music Society

LP | 1970 | DE | Original (Stern Musik)

14,99 €*

LP | 1970 | AT | Original (Audio Fidelity)

Release: 1970 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+

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V.A.

Stereo Demonstration

3,99 €*

LP | 1970 | DE | Original (Fa, Henkel-Khasana Düsseldorf)

Release: 1970 / AT – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

small Writing on cover.

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Unknown Artist

Exotic Sounds

28,99 €*

LP | 1970 | UK | Reissue (Charly)

Release: 1970 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Don Cherry

Mu. Second Part

31,99 €*

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Charlie (The Bird) Parker Vol. 1

Charlie Parker

LP | 1970 | JP | Original (Columbia)

Herb Alpert & The Tijuana Brass

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with Obi.

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Greatest Hits

LP | 1970 | JP | Original (A&M)

The Golden Hits Of Sam Taylor

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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Sam Taylor

LP | 1970 | JP | Original (MCA)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1970 | US | Original (A&M)

Quincy Jones

Gula Matari

Live At The Whisky A Go Go

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with faint ring wear.

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Herbie Mann

LP | 1970 | JP | Original (Atlantic)

LP | 1970 | JP | Reissue (Verve)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI:

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Anita O'Day

Pick Yourself Up

2LP | 1970 | JP | Original (Polydor)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Kanji Harada

Drum Drum Drum Best 28

19,99 €*

Manuel And His Music Of The Mountains

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Ebb Tide

LP | 1970 | JP | Original (World Record Club)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1970 | JP | Original (Daiei)

The Sounds Ace

New Hits In Autumn

Spirituals To Swing – John Hammond's Carnegie Hall Concerts 1938/9

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with Obi.

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V.A.

2LP | 1970 | JP | Reissue (Vanguard)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Golden Hits Of Louis Armstrong

Louis Armstrong

LP | 1970 | JP | Original (MCA)

2LP | 1970 | JP | Original (Capitol)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Cannonball Adderley

LP | 1970 | US | Original (Warner Bros. - Seven Arts)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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Van Morrison

Moondance

39,99 €*

Montreux II Blue Vinyl Edtion

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Splits in seams.

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Bill Evans

LP | 1970 | EU | Reissue (Klimt)

Milt Jackson Quintet Featuring Ray Brown

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Recorded live at the Montreux Festival, 1970, and originally released on CTI, this stunning album features a piano trio led by Bill Evans with bassist Eddie Gomez and drummer Marty Morrell.

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That's The Way It Is

LP | 1970 | US | Original (Impulse!)

8,99 €*

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1970 | US | Original (Verve)

Wes Montgomery

Eulogy

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Many Faces Of Jazz Vol. 45

Thelonious Monk

LP | 1970 | FR | Reissue (Disques Vogue)

The John Coltrane Quartet

Release: 1970 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

US original.

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Africa / Brass

LP | 1970 | JP | Reissue (Impulse!)

34,99 €*

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Promo copy with white labels . Japanese pressing without OBI, but with insert. Cover with shelf wear and tears on the inside

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Gal Costa

Legal

22,99 €*

Rock Communication Yagibushi

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Pure class as always from Gal Costa! The record is her first after the immediate Tropicalia years, and it's a stunning blend of styles that seems to draw heavily from changes going on in the American rock scene at the time. The core of the music is still steeped in Brazilian elements – but there's a lot of influences coming into play on the album, like bluesy rock phrasing, showy nostalgia-heavy arrangements, psychedelic production elements, and some of the baroque orchestrations that would show up on Gal's later albums in the 70s.

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Norio Maeda & All Stars

LP | 1970 | EU | Reissue (Wewantsounds)

33,99 €*

LP | 1970 | US | Reissue (Blue Note)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the reissue of Norio Maeda"s cult classic "Rock Communication Yagibushi" released in Japan in 1970. The album has since become a Japanese Jazz Funk cornerstone and is now highly sought-after on the international DJ scene. The album reinterprets 14 traditional Japanese folk songs into jaw-dropping Jazz Funk instrumentals featuring killer arrangements by Maeda that would fit perfectly between David Axelrod and Lalo Schifrin. One of the most prolific Nippon arrangers, Norio Maeda on a par with Yuji Ohno and Kentaro Haneda and this album has long been on many collectors" wantlist. "Rock Communication Yagibushi" is reissued internationally for the first time, with newly remastered audio, original gatefold artwork and new liner notes by Paul Bowler.

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Reuben Wilson

Blue Mode

Takeshi Inomata / Sound Limited

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2019 reissue.

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Sounds Of Sound L.T.D. Clear Vinyl Edition

LP | 1970 | JP | Reissue (Columbia Japan)

39,99 €*

LP | 1970 | US | Reissue (Nature Sounds)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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"Japanese jazz and Jazz Rock masterpieces are re-released on clear vinyl!

The raging drums scorch the times. Accompanied by a whirlwind of young talents, Takeshi Inomata proudly heralds the arrival of the golden age of jazz-rock.
Takeshi Inomata, a drummer who led the jazz scene in Japan with his precise stick work and musicality that looked ahead to the times. At the end of the 1960s, he was influenced by brass rock, which was flourishing at the time, and formed Sound Limited.
""I want to fuse jazz and rock and bring together young musicians to do music with vitality, and I want this group to be a large-scale group that does not fit into the small framework of modern jazz,"" he says.
His first album and masterpiece was ""Sounds of Sound L.T.D.""(1970). Led by ""Theme ~ Moustache"", which is loved as a symbolic song, it is a masterpiece full of dynamism and enthusiasm throughout the film.
text by Yusuke Ogawa (UNIVERSOUNDS/DEEP JAZZ REALITY)"

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Dave Pike

The Doors Of Perception

28,99 €*

2LP | 1970 | US | Original (Columbia)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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"The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing. The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience."

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Don Ellis

Don Ellis At Fillmore

12,99 €*

Herb Alpert & The Tijuana Brass

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with ring wear

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Double Deluxe ∗ 2

2LP | 1970 | JP | Original (A&M)

LP | 1970 | JP | Original (A&M)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. With OBI.

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Burt Bacharach

Golden Prize

Jeux Interdits / Paul Mauriat Best 20

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. close to NM

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Paul Mauriat

LP | 1970 | JP | Original (Philips)

12,99 €*

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1970 | JP | Original (Odeon)

Franck Pourcel

All About Franck Pourcel

18,99 €*

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Concert In Stereo (Live At The Sahara/Tahoe)

Ray Conniff

2LP | 1970 | JP | Original (CBS/Sony)

LP | 1970 | US | Original (Paramount)

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing. With OBI. vinyl is close to NM. tiny wear

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Francis Lai

OST Love Story

4,99 €*

Sérgio Mendes & Brasil '66

Release: 1970 / US – Original

Genre: Organic Grooves, Classical Music, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Shelley pressing. Tear in spine.

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Double Deluxe

2LP | 1970 | JP | Original (A&M)

15,99 €*

The Best Of Nat King Cole Vol. 2

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. With OBI.

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Nat King Cole

LP | 1970 | JP | Original (Capitol)

LP | 1970 | JP | Original (A&M)

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Red translucent vinyl. Japanese pressing. With OBI.

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Burt Bacharach

Golden Prize

12,99 €*

Overground HHV Exclusive Grey Vinyl Edition

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Without OBI. Few paper scuffs. Cover is close to NM.

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Sandro Brugnolini

LP | 1970 | EU | Reissue (Sonor Music Editions)

23,99 €*

John McLaughlin = John McLaughlin

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Limited to 300 copies on grey vinyl. Only available at hhv.de

Sonor Music Editions proudly presents this restored issue of Maestro Sandro Brugnolini's Overground. This elusive masterpiece in library music captures the most impressive work, alongside Underground (1970), of the Italian composer and alto sax player. Overground was released on Sincro Edizioni Musicali in 1970 as the soundtrack to Enrico Moscatelli and Mario Rigoni's documentary Persuasione, commissioned by Ente Provinciale Per Il Turismo Di Trento, a local tourism board in Italy, with music composed by Sandro Brugnolini and Luigi Malatesta featuring some of the best musicians in Italy at the time like Angelo Baroncini and Silvano Chimento on guitars, Giorgio Carnini on piano and organ, Enzo Restuccia on drums, and Giovanni Tommaso on bass and effects. The music spans from underground Psychedelic Prog. Rock with swirling organs, trippy effects, and distorted fuzz guitars to sophisticated Lounge grooves with Avant- garde orchestrations. The music has been transferred and remastered from the original master tapes. It has been lacquer cut in stereo by Jukka Sarapää at Timmion Cutting and packed in a thick cardboard sleeve featuring a fully restored painting by Umberto Mastroianni licensed by Centro Studi dell’Opera di Umberto Mastroianni.

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Devotion = デボーション

LP | 1970 | JP | Original (Epic)

27,99 €*

LP | 1970 | JP | Original (CBS/Sony)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI.

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Billie Holiday

Lady Day

8,99 €*

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Akira Ishikawa & His Count Buffalos

Electrum Clear Orange Vinyl Edition

LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)

47,99 €*

LP | 1970 | US | Original (King)

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Arthur Prysock

Fly My Love

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1970 | JP | Original (Musik Produktion Schwarzwald)

Count Basie Orchestra

High Voltage

LP | 1970 | JP | Original (Paramount)

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Francis Lai

ある愛の詩 = Love Story

Release: 1970 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1970 | JP | Reissue (CBS/Sony)

Teddy Wilson

The Teddy Wilson

LP | 1970 | JP | Reissue (CBS/Sony)

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with obi, includes insert | Shrink wrapped but opened | Foxing

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Louis Armstrong

Plays W.C. Handy

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1970 | EU | Reissue (Cosmic Rock)

Brute Force

19,99 €*

LP | 1971 | US | Reissue (RCA)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Blessed by producer Herbie Mann, who released their sole record in 1970 on his personal imprint Embryo, Brute Force were a singular jazz funk group, who filled the gap between heavy rhythm n blues and the jazz-rock revolution already professed by Miles Davis. The Herbie Mann connection was solidified by the presence of guitarist Sonny Sharrock - who plays on the first half of the record - at the time in the flutist supergroup. With the distinctive electric piano of Richard Daniel and brother Ted (a future key figure in New York downtown jazz scene) on trumpet the record still retains a fascinating mood.

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David Axelrod

Messiah

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Alice Coltrane with Pharoah Sanders

Journey in satchidananda

LP | 1971 | US | Reissue (Impulse!)

36,99 €*

LP | 1971 | US | Reissue (Prestige)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Alice Coltrane’s Journey in Satchidananda, named for her spiritual adviser Swami Satchidananda, is just that: a journey: one of transition and transcendence; it is one of emotion, and one of being human and of divine flow.

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Sonny Phillips

Black on black!

LP | 1971 | US | Reissue (Prestige)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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with Bernard Purdie, Melvin Sparks, ...

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Leon Spencer Jr.

Sneak preview!

Companionship Jazz Joint 2

Release: 1971 / US – Reissue

Genre: Organic Grooves

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with Melvin Sparks, Idris Muhammad, Grover Washington Jr., ...

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Sahib Shihab

LP | 1971 | EU | Reissue (Rearward)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Verve)

Bruce Palmer

The Cycle Is Complete

20,99 €*

LP | 1971 | US | Reissue (Cotillion)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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180 Gram Pressing

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Hank Crawford

It's A Funky Thing To Do

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Freddie Hubbard

Straight Life

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Speakers Corner)

Bill Evans

The Bill Evans Album

33,99 €*

LP | 1971 | EU | Reissue (Four Flies)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meagre result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm – and ever better – trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in "The Bill Evans Album".
The LP is remarkable in that only Evans’s own compositions were recorded – three previously recorded pieces and four brand-new works. Of particular note is the melancholy "Two Lonely People", Evans’s musical interpretation of a poem by Carol Hall. "Sugar Plum" and "T.T.T." were to remain in his repertoire right up until his very last recordings. Unusual but very commendable because it begins with an ad hoc introductory improvisation is the electric piano version of Evans’s most well-known composition – "Waltz For Debby".
The excellent technical facilities at the Columbia Studio were used to the full by Bill Evans, even though they were only recording a small ensemble. And that is why the seven numbers sound far better than most of the trio’s live recordings. And as Bill Evans once said, it was with this trio that he could fulfil his musical ambitions.

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The Green Birds

Diapason

23,99 €*

LP | 1971 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Totally brilliant and obscure psych era Italian library music. Originally released in 1971 for the microsmall label Vi.Di.Elle, the same label as another psych bomb, "The Black Fire - Cream". Behind the mysterious "The Green Birds" name is a marvellous trio of unsung
composers like Franco Bonfanti, Romano Rizzati (Corfull)and Renato Sperduti (Myrval), playing here some really dope jams in the style of the Braen's Machine's Underground LP. The whole album is full of psych effects, synth melodies, wah-wah & fuzz guitars, drum breaks & loungey vibes. Track A4 "Ambiente Elegante" by Franco Bonfanti was compiled in the cultish Speedball Experience in 1996.

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Monty Alexander

Here Comes The Sun

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Nelson)

I Marc 4

G.L.P. 1007

2LP | 1971 | US | Reissue (Now-Again)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The best and most valued volume of GLP series featuring the fantastic modal madness of "André", "Peroche", "Suoni Distorti" and the milestone “Alfio” feat the flute by Alfio Galigani. The music goes from insane Psychedelic tunes to Jazz, Funk and more Bossa and Lounge tracks with plenty of Fuzz guitars, amazing Hammond job, and totally catching drum Breaks. An insane trip into early gold Italian Psychedelic and Underground vibes with loads of laden beats and grooves with the mark of the legendary Italian quartet. Simply essential!

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The Lightmen Plus One

Fancy Pants

27,99 €*

LP | 1971 | US | Reissue (Kudu)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Revolutionary, spiritual jazz from Houston, reissued for the first time – expanded reissue of The Lightmen Plus One’s Spiritual Jazz classic, on sale and shipping now. (Worldwide release in March.) The second in a series of four expanded reissues of drummer and bandleader Bubbha Thomas’s lauded catalog.

Now-Again Records celebrated the expanded reissue of The Lightmen’s Fancy Pants with a pop-up record shop at Rappcats on February 24th. The sale was hosted by Egon of Now-Again, with records sourced from Bubbha Thomas and his Lightmen bandmates: saxophonist Doug Harris and bassist Don Patterson’s collections, one-of-a-kind rarities and classic soul, funk, jazz and rock LPs and 45s that inspired Thomas and his band.

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Johnny Hammond

Breakout

19,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Phil Ranelin

Vibes From The Tribe

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Phil Ranelin was a session trombonist recording with the likes of Steve Wonder before setting up the Tribe label with Wendell Harrison in Detroit.
Like other contemporary artist run labels like Strata East and Black Jazz, Tribe releases were characterised by a heady mix of post Coltrane free jazz, soul and funk, all informed by a strong political conscience.
"Vibes From the Tribe" is a fine record. The title track is lusciously, greasily funky and stands in pretty stark contrast to the kind of airbrushed fusion that was in vogue at the time. "Sounds From The Village" is even better (and dirtier), showcasing Ranelin's oily trombone gymnastics and a viciously fuzzed guitar solo. "Wife" features Phil's singing and is oddly reminiscent of Frank Zappa's writing on "Sleep Dirt"; an affecting, snaking melody topped off with a beautiful solo from the leader, whose playing here has the grace of Bob Brookmeyer coupled with the agility of George Lewis.
"He The One We All Knew" is the obligatory Coltrane tribute and is a trip into the kind of groove based free playing typical of Pharoah Sanders, though only really picks up when the band launch into post bop swing mode in the last six minutes or so, provoking another fine Ranelin solo. Bassist Ralph Armstrong is particularly strong here; his brief solo passages are a wonder of agility and tough lyricism that make me wonder why he's not better known. Other highlights come from the mellifluous flute of Wendell Harrison. Beautiful stuff, and it's good to know that Ranelin is still at work even now. Essential.

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Music Inc.

LP+CD | 1971 | EU | Reissue (Jazzaggression)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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The remarkable Music, Inc. Big Band remains the apotheosis of trumpeter Charles Tolliver's singular creative vision. Rarely if ever has a big band exhibited so much freedom or finesse, while at the same time never overwhelming the virtuoso soloists on whom the performances pivot. Built around the core of Tolliver, pianist Stanley Cowell, bassist Cecil McBee, and drummer Jimmy Hopps, the music boasts the kind of give-and-take born equally of talent and telepathy -- each player seems to communicate with his colleagues on a higher plane, delivering performances to rival any in their careers. Tolliver in particular plays like a man possessed, summoning an energy and clarity that slice through the big, bold arrangements like the proverbial hot knife through butter.

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Erik Andresen Quartet

Gip

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Cree)

Modern Sound Quintet

Otinku

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Musik Produktion Schwarzwald)

Volker Kriegel

Spectrum

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Musik Produktion Schwarzwald)

Michael Naura Quartett

Call

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Stanley Turrentine

Sugar

The Charles Lloyd Quartet

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Recorded: November 1970 in Rudy Van Gelder Studios, Englewood Cliffs, NJ, USA

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The Flowering

LP | 1971 | EU | Reissue (Speakers Corner)

32,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Oscar Peterson & The Singers Unlimited

In Tune

LP | 1971 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Le Theatre Du Chene Noir

Aurora

23,99 €*

LP | 1971 | EU | Reissue (Eargong)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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"In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to all kinds of artistic audacity, but also the name of the great Theatre Group which resides there. Gérard Terronès showed some flair when he published, in 1971 on Futura, the first album by Théâtre du Chêne Noir. It has to be said that the group run by Gérard Gelas was right up his street: non-conformist, eccentric, protesting, just so alive… Singing too, as we can still hear today on Aurora, recorded at Avignon the 22 and 23 June 1971.

Aurora, which had been created a few weeks earlier at Ariane Mnouchkine’s Théâtre du Soleil, is according to, Gelas’ own words, a fantastic tale with actor musicians who play out the fabulous story of the Earth, and children who fight against terrifying bird men who fly from planet to planet to enslave the inhabitants and become the masters of the universe. It is an ambitious subject and thankfully (even more so for the album than for the play), the actors are also excellent musicians! If we can find «Chêne Noir» between Checkpoint Charlie and Chillum in the Nurse With Wound List created by Steven Stapleton and John Fothergill, Aurora is closer to Stances à Sophie by the Art Ensemble Of Chicago and the Divine Comédie by Bernard Parmegiani and François Bayle.

So, we need to move forward cautiously in this landscape of recitals and songs, of mysteries and cries, where saxophones and flutes, electric guitars and percussions spring up… Could the tragic climax have been possible without music? The Théâtre du Chêne Noir replies no to the question and creates a fascinating mix of text and music without one dominating the other. Enjoy the show!"

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Howard Riley

Flight

13,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Svart)

Eero Koivistoinen

Original Sin

14,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Ted Curson

Pop Wine

LP | 1971 | EU | Reissue (Vinyl Magic)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Originally from Philadelphia, invited to New York by Miles Davis, playing at Antibes in 1960 with Charles Mingus and Eric Dolphy, here is trumpeter Ted Curson in 1971... in Paris. With him, a legendary trio: Georges Arvanitas (piano), Jacky Samson (double bass) and Charles Saudrais (drums). A new transatlantic alliance in the service of jazz of all kinds: classic, modal, fusion and even free... Pop Wine is – between Coltrane and Miles with a nod to roots in the club the Caveau de la Huchette – an explosive cocktail but which leaves no stains!

In 1960, trumpeter Ted Curson played with Charles Mingus and Eric Dolphy on stage at the Antibes jazz festival. Eleven years later he was in Paris to record one of the gems of his discography, with a hard-hitting French trio: Georges Arvanitas (piano), Jacky Samson (double bass) and Charles Saudrais (drums).

Arvanitas was also someone who had travelled widely. Originally from Marseille, he had accompanied visiting American musicians in Paris before moving to the States. It was when he came back that the charismatic trio was created with Samson and Saudrais and who recorded, in 1970 on Futura, the unforgettable In Concert and then, the following year, Pop Wine with Ted Curson.

Pop Wine: don’t be fooled into thinking you are going to hear jazz musicians trying to play pop after uncorking too many bottles. For, although the album occasionally tends toward fusion, it is first and foremost a wonderful jazz recording; and a recording with enough fizz to make your head spin!

There are five tracks in total: Quartier Latin reminds us a little of Olé Coltrane (Curson, like the saxophonist, is originally from Philadelphia), Flip Top where the trumpet and piano play out a chase scene through the streets of Paris, Pop Wine where funk and cool jazz meet on the barricades of black and white, L.S.D. Takes A Holiday which breaks out in a style close to free jazz, and finally Lonely One, with the impression that ends this unclassifiable album. Unclassifiable, unless we decide to elevate Pop Wine to the rank of a great vintage.

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Giuliano Sorgini

Percussioni In Crescendo

28,99 €*

LP | 1971 | EU | Reissue (Wewantsounds)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious library music and soundtrack composers: practically nothing is known about his life, despite his name being linked to dozens of albums and compositions, and to various collaborations with artists such as Alessandro Alessandroni and Lesiman - for which he used the pseudonym of Raskovich. Compared to the already reissued experimental and avant-garde LP "Elettroformule", "Percussioni in Crescendo" is much more heterogeneous and melodic, suspended between jazz-rock and lounge, bossa nova and funk, with sometimes minimal keyboards that evoke exotic atmospheres.

"Percussioni in Crescendo" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

First official reissue ever on black vinyl.

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Yamash'ta & The Horizon

Sunrise From West Sea

34,99 €*

Akira Ishikawa & His Count Buffalos

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the first-ever release 'Sunrise From West Sea', a mesmerising performance by Stomu Yamash'ta accompanied by Jazz pianist Masahiko Satoh (well known for his involvement in the New Herd Orchestra and his 'Belladonna of Sadness' soundtrack) and Taj Mahal Travellers founder Takehisa Kosugi on Electric Violin. The line up, also comprising Hideakira Sakurai on Electric Shamisen, is a spaced-out improvisational soundscape over the two LP sides. Remastered from the original tapes, the album is reissued here for the first time ever on LP and CDd. The LP comes in its beautiful original gatefold artwork with OBI strip, 2 page insert and a new introduction by journalist Paul Bowler. Stomu Yamash'ta has been hailed as one of the best percussionists in the world by John Cage. Born Tsutomu Yamashita in 1947 in a musical family (his father was the conductor of the Kyoto Philharmonic), he studied at Julliard and Berklee in the 60s where he honed his skills as one of the most gifted percussionists of his generation, playing both modern classical music (Cage, Morton Feldman, Toru Takemitsu...) and improv jazz. In New York, he witnessed the birth of the New Thing revolution led by John Coltrane which had a profound effect on him and decided him to go to pursue his studies at Berklee in Boston. There he met fellow Japanese musician Masahiko Satoh who was also studying there. Their friendship led to the recording of the landmark album Metempsychosis for Nippon Columbia a few years later. The album released in 1971 consisted in a "composition for percussion and jazz orchestra" that mixed Yamash'ta percussion and Satoh's piano playing with the full-on sound of Toshiyuki Miyama's New Herd Orchestra in a groundbreaking free improvisation. 1971 was also the year Yamash'ta released his highly-acclaimed 'Red Buddha' solo album which was released in Europe and in the US. Inspired by the Metempsychosis experience Yamash'ta set to recreate the flowing energy of the album in a live setting with a smaller line up. Recorded live at Yamaha Hall in Tokyo on April 18, 1971, just a few days after the end of the Red Buddha recording sessions, The all-night concert was recorded in front of an invite-only audience consisting of friends and musicians. Yamash'ta enrolled Satoh on keyboards together Taj Mahal Travellers leader Takehisa Kosugi, whom he'd met through his mentor, Japanese composer Toru Takemitsu. Hideakira Sakurai on electric shamisen was also added the lineup. ?Edited down to fit two sides of an album that will become 'Sunrise From West Sea', the performance is both hypnotic and ethereal. It starts with Kosugi's distinctive electric violin and develops into a deep, spiritual free form conversation between the four musicians, giving them all the space they need to freely improvise and interact with each other, mixing electronics, percussion, electric organ and shamizen without ever clashing. The interaction alternates between quiet, tranquil Eastern meditations and more paced parts, fuelled by Yamash'ta's extraordinary percussion playing. ?Later known for his involvement in soundtracks for Robert Altman's 1972 film Images - collaborating with John Williams - and Nic Roeg's 1976 classic 'The Man Who Fell To Earth,' and also for his foray into fusion with his group Go, Yamash'ta never reached the creativity heard in 'Sunrise From Red Sea' again. The album was recorded during one of the most fertile periods in Japan where such groups as Les Rallizes Denudes and Taj Mahal Travellers and jazz musicians like Masahiko Satoh and Yamash'ta were revolutionising the Japanese music scene. Wewantsounds is pleased to reissue this key album which had oddly never been reissued in fifty years.

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African Rock

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Fairyland Live In Montreaux Record Store Day 2022 Pink & White Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Japanese jazz drummer Akira Ishikawa has recorded countless albums with the band Count Buffalos, though few are quite as revered and sought-after as 1971 set African Rock. Of his albums, this is certainly the most dazzling and impactful, flawlessly produced. More than "African rock" it is psychedelic spiritual jazz with funky veins; the set is a brilliant blend of Akira Ishikawa's favorite styles with juicy, tribal and deep percussive elements - his drums are flanked by Kenji Shiraishi's marimba and Masami Kawahara's percussion - which in some moments they recall Fela Kuti (see the superb "Animals / Mnama") and in many other the electric Miles Davis. He bring a completely new global sound to his music with the inclusion of the electronic component with the ‘ tabbing' Kimio Mizutani's guitar solos and electric piano accompaniment by the great Hiromasa 'Colgen’ Suzuki (also on acoustic piano and composition). Undoubtedly one of the best records produced in Japan in the 70s. Unmissable!

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Larry Coryell

LP | 1971 | US | Reissue (Culture Factory)

32,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Francois Tusques

Piano Dazibao N°2

Strayhorn: A Mitchell-Ruff Interpretation

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Between May and September 1970, pianist François Tusques recorded »Piano Dazibao«, an album on which he multiplied joyful escapades as a critical iconoclast. The following year Tusques recorded »Dazibao N°2«, which shows him as an incisive commentator of his times. Following in the footsteps of Don Cherry, who he had met a few years earlier in Paris, Tusques made a plea for “friendship between all the peoples of the world” to the sound of Universalist hymns which transported us from Africa to Asia. But it is really a song to America, evoking the assassination of the activist George Jackson and the mutiny in Attica prison, before covering “Seize the Time” by Elaine Brown – three years after the release of Dazibao N°2, she became the first (and only) woman to lead the Black Panther Party.

The turmoil of Piano Dazibao, was opposed, on Dazibao N°2, by long, labyrinthine tracks with alternating discords and repetitions. Often using prepared piano, Tusques was more percussive (even heady) than ever, exposing a melody with solid hammer strikes or painting an image which radiated peace in spite of the storms. Piano Dazibao and Dazibao N°2 thus form the two sides of one coin, which displays the effigy of François Tusques, an international national monument.

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The Mitchell-Ruff Duo

LP | 1971 | US | Original (Mainstream)

LP | 1971 | EU | Reissue (Supraphon)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Promo copy.

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Olympic

Jedeme, Jedeme

Ndikho Xaba And The Natives

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Continuation of the successful reissue series, this time in 1971

Olympic’s third album was the result of personnel and author changes. The co-founder, bassist and lyricist Pavel Chrastina left the band. Jan Hauser took his place at the instrument and Zdenek Rytir added lyrics to Janda’s melodies. The arrangements became more colourful, the stylistic Olympic anchorage was preserved. The shift took place in a looser compositional form, allowing for songs in previously unconventional lengths of over five minutes.

Jiri Stivin was a surprise guest, adding flute and saxophone passages to the rock. From today’s point of view, the biggest hit was “Bon soir, mademoiselle Paris”, but you will also remember “Kdyz jsem bejval tramp” (When I Was a Tramp), “Blaznivej Kiki” (Crazy Kiki), “Elixir” or “Strazce majaku” (The Lighthouse Keeper).

Not only the music has changed, but also the cover art. After Pacak’s recession-era Turtle and pop-art Wolverine, Olympic dressed up in historical cycling, motoring or aviation costumes to feature a stylish collage of Alan Pajer’s photographs on the cover and inside.

Reconstructing the fold-out packaging was extremely difficult this time, as the source photos were confiscated by the StB during the raid. The surprise will be the vinyl sound, newly recorded this year from the original tapes. The extensive editorial notes by O. Zamostny also push this release into the ultimate form of Olympic album reissues.

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50th Anniversary Remaster 2022

LP | 1971 | UK | Reissue (Matsuli)

LP | 1971 | US | Reissue (We Are Busy Bodies)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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• 1971 revolutionary spiritual afro jazz from exile • Fully licensed from Nomusa Xaba, and re-issued in association with Mississippi Records for the North American market • Presented with a four page insert containing unseen photographs and concert bills from Ndikho Xaba’s personal archive, together with a personal recollection from Plunky Branch and extensive sleeve notes by Francis Gooding • Audio mastered and cut for vinyl by Frank Merritt at The Carvery with heavyweight 180g vinyl pressed at Pallas in Germany

"Matsuli Music presents soul, spirituality and avant-garde jazz from South African political exile Ndikho Xaba. Its rarity has until now served to obscure both its beauty and its historical significance. Making profound links between the struggle against apartheid and the Black Power movement in the USA, Ndikho Xaba and the Natives is arguably the most complete and complex South African jazz LP recorded in the USA. It stands out as a critical document in the history of transatlantic black solidarity and in the jazz culture of South African exiles.

Ndikho Xaba and the Natives opens a fluid channel of sonic energy that courses between two liberation struggles and two jazz traditions, making them one. It is a critical statement in the history of transatlantic black solidarity, unifying voices stretching from San Francisco to Johannesburg. There is no other recording or group in which the new jazz spirituality of the late 1960s is so fully blended with an African jazz tradition."

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Mario Molino

Beat Gregoriano

31,99 €*

Pastor T.L. Barrett & The Youth For Christ Choir

Release: 1971 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of ‘Beat Gregoriano’ by Italian guitarist and composer, Mario Molino. Incorporating styles like surf, rock and folk, Beat Gregoriano is a unique album within the library music genre. Originally released on Dishi Monticarlo in 1971, the album has been remastered from the original recordings by Noah Mintz and art restored by Michael Dawson.

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Like A Ship Without A Sail Ice Wind Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Vivre La Mort Du Vieux Monde

Maajun

LP+7" | 1971 | JP | Reissue (P-Vine)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Before Mahjun (of which Souffle Continu reissued, in 2016, the two albums released on Saravah), there was... Maajun. Five musicians (Jean-Pierre Arnoux, Cyril and Jean-Louis Lefebvre, Alain Roux and Roger Scaglia) and three times as many instruments at the service of an electric-poetic guerrilla group moulded from folk and blues. The group’s unique album, “Vivre la Mort du Vieux Monde” evokes an (imaginary) association of Frank Zappa and Jacques Higelin, of Sonny Sharrock and the Art Ensemble Of Chicago. Under these conditions, Long Live Death!

“The most French of all the French groups, determined to take Maurice Chevalier’s place in American hearts.” This was how Rock&Folk presented Mahjun in 1977. So be it. But when “Vivre la Mort du Vieux Monde”, was issued, it was 1971, and the name, though the same group, was still spelled Maajun. So, let’s look back at the story.

At the end of the sixties, five blues fans decided to form a French group ready to break down the barriers: Jean-Pierre Arnoux (drums, vibraphone, saxophone), Cyril Lefebvre (guitar, organ), Jean-Louis Lefebvre (bass, violin, guitar, vocals), Alain Roux (saxophone, flute, harmonica, vocals) and Roger Scaglia (guitar, vocals). This was Maajun, and Vivre la mort du vieux monde would be their only album, but which would (nevertheless) be followed by those of Mahjun created later by Lefebvre (Jean-Louis) and Arnoux.

Recorded for the Vogue label, “Vivre la Mort du Vieux Monde” would disturb a number of people. This is mostly due to the lyrics, many of which were written by Gérald Escot-Bocanegra, who, while summoning the spirit of Lautréamont and Rimbaud, turned the Maajun musicians on to rock and free jazz. Add a bit of politics into the mix, and the release of the album was delayed for several months. But then, wasn’t it worth waiting for?

Because “Vivre la Mort du Vieux Monde”, a real concept-album, is an important and iconoclastic statement made directly in the face of (francophone) dreamers of all countries. Over heavy guitar riffs, psychedelic interludes or fantasy-fuelled digressions, Maajun built mazes on the advice of alchemists known only to themselves before heading off on a long march on the “cracking walls”. It was an ambitious project, but Maajun could handle it, going so far as to proclaim: “Tomorrow will be a huge party!” But as we can see “tomorrow”, is now!

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Roy Porter Sound Machine

Jessica Deluxe Edition

51,99 €*

LP | 1971 | JP | Reissue (P-Vine)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

Roy Porter spent the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy, quickly becoming a sought-out drummer in the blossoming bebop scene before disappearing from the music industry. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971.

There’s no doubt that his early work in the bebop scene would alter the shape of jazz to come, but it’s his work with Roy Porter Sound Machine where you can really hear the iconic drummer let loose. Recorded at the age of 50, Roy Porter is no longer content to sit back and let others take the spotlight, and his drumming has all the fervent energy of a young drummer who just moved to New York. The title track and album opener, “Jessica” (supposedly written for his girlfriend at the time) quickly became a jazz-funk classic, making appearances on ‘Inner Feelings’ (1975) and ‘Generations’(1994). Throughout the album, Porter shows his incredible talent, whether it’s the downtempo cool swing of “Hip City”, the almost maniacal drum solo on “Drums for Daryl”, or the Jobim-inspired Afro-cuban “Ooh-La-La”. It seems implausible that this was Porter’s first recorded material in over a decade, and one of his first albums as a leader, but it is. With original pressings going for over a thousand dollars on the second-hand market, there’s no doubt that this record is worth its weight in gold.

With the LP reissued on clear yellow vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a vocal version of “Jessica”, and a remix by the one and only Kenny Dope, this reissue has “Deluxe” written all over it. Don’t miss this legendary album, reissued for the first time on clear yellow vinyl with a 7” record, available only from P-vine Records!

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Joe Pass

Better Days

37,99 €*

Hardy's Jet Band / Orchestra Klaus Wuesthoff / Jan Troysen Band / Orchestra Gary Pacific

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Joe Pass plays funk? Check out the master of mellow guitar, Joe Pass, as he takes on the only thing scarier than a broken string - jazz funk!

Originally released on session legend Carol Kaye’s short lived California label, Gwyn Records, in 1970, the album saw Joe Pass as he explored a genre that was quickly making waves - jazz funk. From album opener and title track “Better Days”, it’s immediately clear that this isn’t your average Joe Pass album. As Kaye’s iconic Fender bass mingles with Marvin Gaye collaborator Paul Nelson Humphrey’s simple yet solid drumming, it’s impossible to mistake this for Pass’s earlier works. Yet his tone is as sweet and mellow as ever, with his masterful bebop soloing a welcome respite from the wah’d out funk guitar playing of the time. Despite his gentle tone, the grooves are deep and rhythmic - ranging from the bossa-inspired “Balloons”, to the lively bass-driven funk of “Head Start”. Of course, it wouldn’t be a Joe Pass record without a solo track. Album closer “We’ll be Together Again” sees Pass alone - his masterful chord-melody techniques and phrasing on full display as he manipulates tempo and time. The subtle tape hiss practically accompanies Pass until the rhythm section comes in - with the quartet’s simple, elegant playing bringing the album to a gentle close. Whether you’re on the dance floor, or in a cafe, this is one album that you absolutely must not miss. P-vine is proud to be reissuing Joe Pass’s Better Days on limited edition vinyl for the first time ever!

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Blue Butterfly

LP | 1971 | EU | Reissue (Be With)

27,99 €*

Siegried Kessler / Gus Nemeth / Stu Martin

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Behold! Yes, Blue Butterfly, one of the absolute stunners on the revered Selected Sound, is finally available for all the beat-heads. Heavyweight library funk with a psychedelic touch, the super in-demand Blue Butterfly from *deep breath* Hardy's Jet Band, Orchestra Klaus Wuesthoff, Jan Troysen Band and Orchestra Gary Pacific - was originally released in 1971. Incredibly ahead of its time, it's been rare and sought-after for decades.

For many aficionados, this is the best Selected Sound release. Loaded with fuzzy wah-wah guitar, deep flute-lines atop soulful psych-rock breakbeats and huge organ action, its uncompromising funk will blow you away. Sampled for many hip hop beats and dropped by well known rare groove DJs around the world, one jewel in particular from this glorious German vault needs little introduction. The intro to Orchestra Gary Pacific's mesmeric "Soft Wind" rides the illest, crispest drum break you've perhaps never heard - like, the drum break to end them all - alongside a smooth, deep bass line from the heavens. It featured notoriously on the beloved Dusty Fingers comps of the 90s and was brilliantly sampled by Pacewon for his eternal "Sunroof Top". Just listen and be dazzled.

Beyond this mini-masterpiece, the other killer tracks offer brilliance in abundance. Hardy's Jet Band take control of the full A side, and it's full of dynamic psych-funk bombs. Hard, "big city" industrial groovers. In particular, the initial one-two of "Sorry, Doc!" and "Wind It Up" provide thrilling funky-blues rock instrumentals showcasing relentless guitars, flutes, sax and organ, the latter containing gorgeous, hypnotic breakdowns; these tracks just slay. The title track, "Blue Butterfly" is a real deep strut of a track with fantastic soloing from guitar and flute over crisp drums whilst the highway banger "What You Call To Be Free" certainly sounds a lot like unbridled, rhythmical liberty.

On the flip, the ghost-riding "Lady In Space" is a string-drenched acid-western foxtrot. Yep. “Pop Happening” by Jan Troysen Band is a heavy, druggy psych-fuzz organ groover whilst their slow beat-organ-flute gem "A Blue Message" is a gorgeous psych floater conjuring deeply strange frontier lands. Preceding their monster "Soft Wind", the soulful, uptempo groover “Ghetto Gap” by Orchestra Gary Pacific contains solo piano and flute whilst closing out the set is the free-and-easy samba beat of "So Far".

Founded in the late 60s by German composer and musician Klaus Netzle (who recorded under the alias Claude Larson for Sonoton) Selected Sound began as a production music company specialising in jazz, orchestral and electronic recordings. You can’t miss those early LPs in their iconic glossy metallic copper sleeves with minimal German typography. Serious, classy stuff.

The audio for Blue Butterfly has been remastered for vinyl by Be With regular Simon Francis whilst Richard Robinson has handled reproducing the glossy metallic (iconic) original Selected Sound sleeve. Essential.

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