Jazz | Fusion Vinyl 2553 Items

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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LP | 1985 | EU | Reissue (Orbeatize)

Armando Bertozzi

Fantastic World

Bande Sonore Originale Du Film "Le Sexe Fou" (Sesso Matto)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Orbeatize first release remastered limited gatefold edition 180g, features one of the biggest italian drummers Armando Bertozzi who has made a significant contribution to the world percussion literature and considered the Polyritmia Maestro for his style of playing different ryhthms at the same time. This Album from 1985 is a true jurney into Jazz and electronic music full of ambient landscapes and atmospheres. Drums and percussions are heavy on all the songs!

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Armando Trovaioli

7" | 1974 | FR | Original (Vogue)

Una Magnum Special Per Tony Saitta

Release: 1974 / FR – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: G+, Cover: G

Vinyl with many scuffs and hairlines, close to VG. Writing on labels and cover. Cover with yellowing, tape and tears

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Armando Trovaioli

LP | 1976 | EU | Reissue (Holy Basil)

26,99 €*

Arnett Cobb / Dizzy Gillespie / Jewel Brown

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Una Magnum Special Per Tony Saitta (aka. Blazing Magnum: Strange Shadows In An Empty Room)> is a cop movie directed in year 1976 by Alberto De Martino and starring Stuart Whitman, Martin Landau, Tisa Farrow, and Gayle Hunnicutt. It was co-produced by Italy and Canada. An Ottawa police captain searches for the person who poisoned his sister, who was attending the university in Montreal. Later on, he desperately starts to use his own brutal methods to find the killer, but the truth turns out to be something different than what he had expected. Trovajoli has composed and conducted a score that elegantly occupies a place of all respect in the Cops/Giallo movies’ scoring. The score alternates between action-driven funky music to nostalgic/ romantic music in a reflection of the two dimensions of the protagonist: his cop job full of tasks and his private life full of sadness, but he becomes the superhero of the story by taking vengeance against those who hurt him by killing his beloved sister, and ultimately discovering the unexpected truth. For this vinyl album the original record master in stereo sound was used, restored and remastered to the highest quality. More or less the music in the movie is featured on this album, prepared for release by the composer himself for a very fine listening experience. Enjoy a half-hour with Armando Trovajoli and his cool sound!

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Show Time

LP | 1988 | US | Original (Fantasy)

Art Blakey, Horace Silver

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl seems unplayed. Punch hole.

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Art Blakey And Horace Silver

LP | 1981 | JP | Original (CBS/Sony)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

A Night At Birdland, Volume 2

Art Blakey Quintet

LP | 1978 | JP | Reissue (Blue Note)

Art Blakey & The Jazz Messengers

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with light foxing and a bent corner, closer to VG+. Japanese pressing with OBI and insert

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Art Blakey Gold Deluxe

2LP | 1975 | JP | Original (RCA)

16,99 €*

Art Blakey & The Jazz Messengers

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover close to VG+

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Buttercorn Lady

LP | 1974 | US | Reissue (Trip)

16,99 €*

Art Blakey & The Jazz Messengers

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag and some sticker residue on front cover. Small drill hole.

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Live

LP | 1981 | US | Reissue (Jazz Bird)

9,89 €* 10,99 € -10%

LP | 1986 | JP | Reissue (Cadet)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Reissue from 1981.

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Art Farmer

Art

Release: 1986 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1976 | JP | Reissue (United Artists)

Art Farmer

Modern Art

Art Farmer with Joe Henderson

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with Obi.
Sleeve has foxing.

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Yama

LP | 1979 | JP | Original (CTI)

22,99 €*

No Message Blue Vinyl Edtion

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Art P

LP | 1985 | EU | Reissue (The Outer Edge)

19,19 €* 23,99 € -20%

Art Pepper And George Cables

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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We are proud to present the first ever vinyl release of “No Message” by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On “No Message”, originally released in 1985, we hear the band’s most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.

The two artists from Bremen, the second largest city in Northern Germany after Hamburg, initially met in early 1982 due to a small add in a local newspaper when Grotelüschen was selling his Roland 101 synthesizer. Wegener became the new owner of the machine, the two kept in touch and soon became friends. When Grotelüschen was on holiday for a while he was nice enough to borrow his TR 808 drum machine as well as his Jupiter 4 synth to Wegener. During those six weeks he composed about 6 to 7 tunes that amazed his newly found partner, so that they decided to work together. Art Programming was born and from then on the two electronic music enthusiasts combined forces and released music on various projects. On their first album, the self titled “Art Programming” (1983), they worked with instruments like the Korg Mono/Poly which they mainly used for their bass sounds, a Roland Tb-303 as well as a Fricke sequencer. Later, newer synths like the Yamaha Dx-9 came into play.

We initially discovered Art P on the tape compilation “berlincassette 2-85” a couple of years ago. Their contribution, the title track from their second and last album “No Message”, blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having “no message”. A couple of months later, when we finally were lucky to get hold of an original full length tape (which is pretty hard to come by!), we couldn’t ask for more: powerful apocalyptic Synth Wave on “A Place To Fear”, thrilling vocoder Electro Funk on “Polaroid”, uptempo New Wave Synth Pop on “Sounds of the City”, dreamy and melodic Electro on “Without Jackets”, and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.

“No Message” was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!

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Goin' Home

LP | 1982 | US | Original (Galaxy)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US original.

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Art Pepper Meets The Rhythm Section

LP | 1974 | JP | Reissue (Contemporary)

34,99 €*

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert.. Copy close to NM.

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Direct From Original SP Vol. 3

LP | 1985 | JP | Reissue (Savoy)

19,99 €*

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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LP | 1982 | JP | Reissue (Contemporary)

Gettin' Together!

29,99 €*

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Landscape - Art Pepper Live In Tokyo '79

LP | 1979 | JP | Original (JVC)

23,99 €*

LP | 1979 | JP | Reissue (Nadja)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with insert and OBI.

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Art Pepper Quartet

Art Is The Art Vol. 1

The Maiden Voyage Sessions, Vol. 3

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI and insert.

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Art Pepper Quartet

LP | 1985 | JP | Original (Galaxy)

17,99 €*

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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LP | 1976 | JP | Original (Contemporary)

Stereo Laboratory Vol.22

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | IT | Original (Joker)

Art Tatum 1945

11,99 €*

Release: 1971 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Art Tatum At The Crescendo Vol. I

LP | 1975 | US | Original (GNP Crescendo)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Art Tatum / Erroll Garner

Giants Of The Piano

LP | 1975 | JP | Original (Roulette)

13,49 €* 14,99 € -10%

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Mono.
OBI not included.
Includes original insert.

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LP | 1972 | US | Original (Onyx)

God Is In The House

Art Tatum • Lionel Hampton • Buddy Rich

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Original US pressing.

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. . . Again! - The Tatum Group Masterpieces

LP | 1979 | US | Reissue (Pablo)

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | US | Original (Phoenix 10)

Piano Magic

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy with storage wear!

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LP | 1973 | US | Original (Black Lion)

The Genius

9,49 €* 9,99 € -5%

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Art Van Damme & The Singers Unlimited

Invitation

LP | 1974 | JP | Original (Musik Produktion Schwarzwald)

9,99 €*

Arthur Barrow / Thelma Houston

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

OBI is missing!

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In The Mood / Moonlight Serenade

12" | 1985 | EU | Original (MCA)

3,99 €*

Release: 1985 / EU – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1988 | US | Original (Columbia)

Basic Blythe

7,19 €* 7,99 € -10%

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1986 | US | Original (Columbia)

Da - Da

4,49 €* 5,99 € -25%

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Writing on labels

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LP | 1986 | US | Original (Columbia)

Da - Da

7,19 €* 8,99 € -20%

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on labels. Sticker on cover.

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LP | 1985 | US | Original (Columbia)

Put Sunshine In It

5,39 €* 5,99 € -10%

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | US | Original (Milestone)

Arthur Prysock

A Rockin' Good Way

4,49 €* 4,99 € -10%

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1989 | US | Original (I Am)

Arthur Scales

I'm A Believer

5,99 €* 14,99 € -60%

LP | 1972 | UK | Reissue (Mr Bongo)

Release: 1989 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: VG

Cover has a cut-out.

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Arthur Verocai

25,99 €*

Arthur Verocai 2024 Repress

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Few paper scuffs. 2018 reissue.

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Arthur Verocai

LP | 1972 | UK | Reissue (Mr Bongo)

Arthur Verocai Half-Speed Mastered Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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For a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre. Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form. The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly. The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others. The original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.

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Arthur Verocai

LP | 1972 | EU | Reissue (Mr Bongo)

79,99 €*

Artie Shaw And His Gramercy Five

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition for Record Store Day 2017! Seems unplayed.

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I Can't Get Started...

LP | 1974 | JP | Reissue (Verve)

9,99 €*

12" | 1971 | EU (Trading Places)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Atlantic Bridge

I Can't Lie To You

LP | 1971 | EU | Reissue (Holy Basil)

Release: 1971 / EU

Genre: Organic Grooves

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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

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Atmo

Telegiornale

28,99 €*

Djamballà / Beryl's Tune (Colonna Sonora Originale Del Film)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's "Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both evocative and emotionally charged. The title itself, which translates to "newscast" in Italian, hints at the album's concept of offering a musical narrative akin to the ever-changing stories and emotions conveyed through a news broadcast, captured in this beautiful Italian library recording.

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Augusto Martelli

7" | 1971 | IT | Original (Cinevox)

10,99 €*

Release: 1971 / IT – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | JP | Original (Chrysalis)

Auracle

Glider

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | US | Reissue (Real Gone)

Awakening

Hear, Sense And Feel

Release: 1972 / US – Reissue

Genre: Organic Grooves

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LP | 1978 | DE | Original (Vagabond)

Axel Zwingenberger

Boogie Woogie Breakdown

8,99 €*

Release: 1978 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | EU | Reissue (Souffle Continu)

Axolotl

Abrasive

27,99 €*

LP | 1974 | EU | Reissue (Wewantsounds)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born. Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album In spring 1981 three days were just enough to complete »Axolotl«.

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Ayako Shinozaki

Music Now For Harp

32,99 €*

Shadow Dancing Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki"s hard to find LP "Music Now For Harp" released in 1974 by Nippon Columbia. The LP was released on the label"s cult "Master Sonic" series and features Shinozaki"s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. The album has been newly remastered by Nippon Columbia and is reissued here with its original artwork designed by legendary Japanese graphic designer Kohei Sugiura. It includes a 2 page insert with new liner notes by Alan Cummings.

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Azar Lawrence

LP | 1985 | US | Reissue (Tidal Waves Music)

19,99 €*

Shadow Dancing Clear Vinyl Edition

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Saxophonist Azar Lawrence (born 1952) needs little introduction, as a young musical prodigy he was lovingly tutored by his mother, who taught music and led their church choir. At age 5, he played violin in the Los Angeles Junior Symphony, then viola, but his ears were turned to the saxophone at age 13. Azar spent his teen years immersed in jazz at the home of his best friend, none other than the late Reggie Golson, son of the great composer/arranger/saxophonist, Bennie Golson. From then on it was jazz, jazz and more jazz!

Azar Lawrence began his jazz career at the renowned Dorsey High School Jazz Workshop. After high school he played in Horace Tapscott's ‘Pan Afrikan Peoples Arkestra’ and started performing in the Los Angeles club circuit. He soon found himself playing with the Ike & Tina Turner band, the Watts 103rd Street Band and War. At the age of 19, Azar joined John Coltrane’s drummer Elvin Jones for over 3 years before being invited by McCoy Tyner to join his quartet (an alchemy that lasted for 5 exuberant years). During his tenure with Tyner, he also recorded with Miles Davis on the album Dark Magus at the famed Carnegie Hall.

Upon leaving Tyner, Azar Lawrence recorded his own projects on Prestige Records, including Bridge Into The New Age (1974), Summer Solstice (1975) and People Moving (1976). After these three albums it would take over a decade before Mr. Lawrence would record another solo album (Shadow Dancing, released in 1985). Azar went on to record/write and perform with luminaries such as Freddie Hubbard, Busta Rhymes, Roberta Flack, The Headhunters and Mulatu Astatke. His sensational collaborations of the period included writing and performing on Earth Wind & Fire’s highly acclaimed platinum album, Powerlight, and on Marvin Gaye’s Grammy award winning, Hear My Dear. Azar Lawrence’s work was sampled by renowned artists/acts from the likes of Madlib, Cypress Hill…and many others.

In the early 2000s, Lawrence surged back onto the jazz scene and continues to electrify audiences with outstanding original compositions and chart hitting albums. His band, The Azar Lawrence Experience (tale) appears with as many as eight musicians who sizzle to the sounds of Azar's powerful compositions, as well as songs from the Coltrane songbook. To this day Tale dedicates itself to sharing a lifetime of Azar Lawrence’s music, art and spirituality with global audiences.

On the album Shadow Dancing (released in 1985), which we are proudly presenting you today, you can hear the musical versatility only an artist like Azar Lawrence can deliver. Next to his trademark jazz sound, this album is filled with funk, soul and boogie influences. If you’re looking for THE perfect mix of synth filled boogie & jazz-funk where the Sax takes the center stage…then this is a highly recommended gem for your record collection (and a must-have for seekers of rare grooves).

Also featured on these recordings are some serious all-star guest musicians from the likes of Oren Waters (Herbie Hancock, Curtis Mayfield), Roy Galloway (Jimmy Cliff, Gladys Knight), Fred Johnson (The Temptations, George Clinton), James Gadson (Bill Withers, Quincy Jones), Leo Nocentelli (The Meters, Maceo Parker), Marlo Henderson (Gil Scott-Heron, Ahmad Jamal), Denzil Miller (Kurtis Blow, Diana Ross) and Eddie Brown (Stevie Wonder, Dennis Coffey).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released in 1985 on Riza Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) complete with the original artwork.

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Azar Lawrence

LP | 1985 | US | Reissue (Tidal Waves Music)

LP | 1975 | US | Reissue (Craft)

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Azar Lawrence

Summer Solstice

34,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | UK | Reissue (Far Out)

Azymuth

Azimüth

28,99 €*

May I Have This Dance (Concede-Me Esta Danca?)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Reissued on 180 gram vinyl in gatefold sleeve!

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Azymuth

7" | 1982 | US | Original (Milestone)

16,99 €*

LP | 1986 | US | Original (Milestone)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Azymuth

Tightrope Walker

Release: 1986 / US – Original

Genre: Organic Grooves

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LP | 1979 | UK | Reissue (Pure Pleasure)

Babatunde And Phenomena

Levels Of Consciousness

35,99 €*

LP | 1973 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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This reissue of an LP cut for the Theresa label contains plenty of exciting music. Percussionist Babatunde Lea takes stirring solos and constantly inspires the ensembles and soloists during a generally high-powered set. The musicians were all based in San Francisco at the time, including guest soloists trumpeter Eddie Henderson and trombonist Julian Priester. The music is Afro-Cuban jazz with bits of 1970s electronics and funk added to the mix. But despite some R&B-ish vocals (which dominate a bit during the last few tracks) and commercial moments, the music is excellent, there are some strong solos.

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Baden Powell

Images On Guitar

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Souffle Continu)

Baikida E.J. Carroll

Orange Fish Tears

25,19 €* 27,99 € -10%

LP | 1989 | EU | Original (Mercury)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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In 1972, trumpeter Baikida Carroll and some of his colleagues from the Black Artists Group took the advice of their friends in the Art Ensemble Of Chicago and left Missouri to discover the bright lights of Paris. The following year they would even get the chance to record their only album which would rapidly attain mythical status and a collector’s item: »In Paris, Aries 1973«, an essential album if you are a fan of free-wheeling avant-garde music from the Art Ensemble of Chicago to Sonic Youth and including Shabaka Hutchings and Rob Mazurek

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Bar-Kays

Animal

6,99 €*

LP | 1981 | US | Original (Discovery)

Release: 1989 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl close to NM

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Barbara Carroll

At The Piano

4,49 €* 5,99 € -25%

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1976 | US | Original (Blue Note)

Barbara Carroll

6,64 €* 6,99 € -5%

LP | 1976 | US | Original (Blue Note)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Cover has a cut corner.

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Barbara Carroll

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Barbara Thalheim & Streichquartett Jens Naumilkat

Was Fang Ich Mit Mir An

LP | 1980 | GDR | Original (AMIGA)

5,99 €*

Release: 1980 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1976 | JP | Original (CBS/Sony)

Barbra Streisand

Grand Prix 20

15,99 €*

LP | 1976 | JP | Original (CBS/Sony)

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

No obi.

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Barbra Streisand

Grand Prix 20

9,99 €*

LP | 1975 | EU | Reissue (Sommor)

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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Barcelona Traction

23,99 €*

2LP+DVD | 1972 | EU | Reissue (Souffle Continu)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“After recording in 1972 the cult album "We Are Digging The Beatles" with ex-Màquina! sax player Peter Rohr, innovative pianist Lucky Guri decided to form his own band, having jazz as a starting point but taking it to a more electric, eclectic sound with multiple influences. And thus, in 1973, he created the New Jazz Trio, which would become the embryo for Barcelona Traction. Lucky was accompanied by top double bass player Jordi Clua (ex-Dos +Un) and drummer Francis Rabassa (a veteran of the Barcelona 60s beat scene). The New Jazz Trio was the house band at the legendary La Cova del Drac jazz club, where they played every day, even acting as the backing band for international artists that came mainly through the USA-Paris jazz connection.

Performing life on a daily basis gave the trio great skills and the confidence to create a more personal sound through improvisation. But the turning point came when they decided to go electric. Lucky Guri moved to electric piano and even introduced the mini-moog to their sound. Jordi Clua never left the double bass, but started to use an electric bass as well. Add the modern, daring beat of Francis Rabassa and they started delivering a totally electric jazz-rock sound. The resulting mix arose the criticism of their more jazz-purist followers who turned their back on them, but the younger generations and a new audience coming from rock started to follow them instead.

After changing their name to Barcelona Traction, they caught the attention of popular catalan singer-songwriter Joan Manuel Serrat, who arranged for them to sign for his label, Òliba-Edigsa. The resulting LP contains five instrumental tracks. Three are written by Lucky Guri, the other two are fabulous covers of Rubens Serrano's "Sudamérica" and James Taylor's "Fire and Rain", here translated to Catalan as "Foc i pluja".

On Francesc Bellmunt's film about the famous Canet Rock festival, the band appears playing "Sudamérica". Thanks to this footage we can see how powerful the trio was on stage. Barcelona Traction marked an era, and their eponymous debut LP is here to prove it. Modern, fresh music that gets the attention of the listener. Unlike other bands like Música Urbana, more based in sophistication and more technical developments, Barcelona Traction is a combo that stands out due to the apparent simplicity and high energy of their sound, with the quality of being able to appeal and be listened in any situation, taking it beyond strict, pigeonholed mind sets.” - Álex Gómez-Font

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Barney Wilen

Moshi

Barry Miles and Silverlight

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa in order to record the music of the native pygmy tribes. Upon returning to Paris, two years later, he created 'Moshi', a dark, eccentric effort fusing avant-jazz sensibilities with African rhythms, ambient sound effects and melodies rooted in American blues traditions. Cut with French and African players, including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon, this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. The set includes a 20-page booklet with rare pictures, sheet music and original liner notes. The DVD includes Caroline de Bendern's movie 'A L'Intention De Mlle Issoufou A Bilma', documenting this incredible African journey.

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Barry Miles And Silverlight

LP | 1974 | US | Original (London)

11,39 €* 11,99 € -5%

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Barry Miles and Silverlight

Barry Miles And Silverlight

LP | 1974 | US | Original (London)

17,99 €*

Barry Morgan & Ray Cooper

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

punch hole. Original inner sleeve

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Percussion Spectrum (Themes)

LP | 1979 | EU | Reissue (Be With)

22,49 €* 24,99 € -10%

LP | 1974 | UK | Reissue (Matsuli Music)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled with killer drum-breaks and percussion flares. Unsurprisingly it’s one of the most sought-after records from the Themes catalogue. This library LP is a library in itself, with its mix of short themes of single beats, short breaks.

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Batsumi

29,99 €*

Relax, You're Soaking In It

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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BATSUMI’s 1974 classic. Repressed at Pallas in Germany on 180g black vinyl. Cover printed on reverse board and includes printed inner sleeve with liner notes from Francis Gooding. Initial copies shipped with exclusive 30cm x 30cm print of Batsumi performing in 1974. Batsumi is a masterpiece of spiritualised afro-jazz, and a prodigious singularity in the South African jazz canon. There is nothing else on record from the period that has the deep, resonant urgency of the Batsumi sound, a reverb-drenched, formidably focused pulse, underpinned by the tight-locked interplay of traditional and trap drums, and pushed on by the throb of Zulu Bidi’s mesmeric bass figures. The warm notes of Johnny Mothopeng’s guitar complete a soundscape that is at once closely packed with sonic texture and simultaneously vibrating with open space, and in whose shimmer and haze Themba Koyana and Tom Masemola soar. A sonorous echo emanating from an ancient well, reverberant with jazz ghosts and warmed by the heat of soul and pop, Batsumi is nothing short of revelatory. Many groups from this period did not issue recordings at all, and Batsumi are unusual in even having left an official recorded legacy. Out of print since the 1970s, and never issued outside of South African in its entirety, Batsumi is a landmark South African jazz recording, and a key musical document of its time.'

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Belair

LP | 1980 | EU | Reissue (Mad About)

29,99 €*

Bemowe Frazy Yellow Vinyl Edtion

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Private pressings have always been objects of demand and research by record collectors. In most cases, print runs were no more than 300 copies, and despite the total lack of recognition, this movement can be seen as a countercurrent act to the mass music industry. Private presses are non-commercial print runs distributed as a promotion or sold at concerts. This was the case of Belair that, in 1980, recorded and sold the album “Relax, You're Soaking In It” at their own risk and distributed it in the San Francisco area. At the time, 1000 copies were pressed, which have become rare and highly desirable for collectors.

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Bemibem

LP | 1974 | EU | Reissue (Warner)

22,94 €* 26,99 € -15%

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1979 | US | Original (Choice)

Ben Aronov

Shadow Box

6,39 €* 7,99 € -20%

LP | 1978 | US | Original (Arista)

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Ben Sidran

Live At Montreux

9,34 €* 10,99 € -15%

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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For The Guv'nor Volume One

LP | 1985 | PT | Reissue (Yes To Jazz)

Release: 1985 / PT – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

For The Guv'nor Volume Two

LP | 1985 | PT | Original (Yes To Jazz)

Release: 1985 / PT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Ben Webster & Harry Edison

Ben & Sweets

LP | 1981 | US | Reissue (Columbia)

15,19 €* 15,99 € -5%

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is close to VG+!

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In Hot House Record Store Day 2023 Edition

LP | 1972 | US | Reissue (Tidal Waves Music)

35,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2023 first time ever on vinyl exclusive release limited to 500 copies with OBI strip. Rare Private Pressed Dutch Recordings From 1972

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual.

The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra.

Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians.

Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note.

Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others.

On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game.

Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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In Hot House White Vinyl Edition

LP | 1972 | US | Reissue (Tidal Waves Music)

19,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game. Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember). Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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LP | 1974 | UK | Reissue (Pure Pleasure)

Live At Pio's

35,99 €*

Ben Webster Sextet / Corky Corcoran's Collegiates / Albert Ammons And His Rhythm Kings

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A great small club date from Ben Webster – different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums – who really come out swinging, and push Ben to take some of his boldest solos of the period – plenty of bite throughout, and a fire that you don't always hear on his other 60s recordings. Titles include "Cookin For T", "Sunday", "Pennies From Heaven", "How Long Has This Been Going On", and "Gone With The Wind".

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Big Tenors

LP | 1973 | JP | Reissue (Mercury)

10,79 €* 11,99 € -10%

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert

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LP | 1981 | US | Reissue (Discovery)

The Warm Moods

Release: 1981 / US – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1988 | US | Original (Blue Note)

Bennie Wallace

Bordertown

11,99 €*

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Benny Goodman And His Orchestra Featuring André Previn And Russ Freeman

Happy Session

LP | 1973 | JP | Reissue (CBS/Sony)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

King Of Swing (Aurex Jazz Festival '80)

Benny Goodman Band

LP | 1980 | JP | Original (Eastworld)

18,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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LP | 1978 | JP | Original (RCA)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.
Sticker on cover.

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LP | 1981 | JP | Original (CBS/Sony)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover without OBI has tiny wear. Vinyl seems unplayed. Original Japanese pressing.

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LP | 1976 | JP | Original (MCA)

The Benny Goodman Story

8,99 €*

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Gatefold cover has faintest foxing on the inside.

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2LP | 1979 | JP | Original (MCA)

The Benny Goodman Story

8,99 €* 9,99 € -10%

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | JP | Reissue (Century)

The King

4,99 €*

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1979 | EU | Reissue (Sommor)

Benoit Widemann

Tsunami

21,99 €*