Jazz | Fusion Vinyl 2900 Items

Release: 1980 / US – Original

Genre: Organic Grooves, Pop

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Medium: VG, Cover: VG

Junior Walker & The All Stars

Rainbow Funk

LP | 1971 | US | Original (Soul)

6,39 €* 7,99 € -20%

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | EU | Reissue (Black Saint/Eargong)

Joseph Jarman / Don Moye

Earth Passage - Density

LP | 1981 | US | Original (The Boardwalk Entertainment Co)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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An outstanding yet obscure 1981 release by two Art Ensemble of Chicago members, multi reeds player Joseph Jarman and drummer Don Moye along with legendary bassist Rafael Garret (mostly remembered for his presence on Coltrane's masterpiece "Kulu se Mama") and young lion Craig Harris on trombone. Four great individuals digging deep between ancient African rituals and modern urban multidimensional grooves. A tribal ecstatic sound based on a multitude of instruments: reeds, bamboo flutes, didgeridoo, trombone, conch shell, panpipes and a sea of percussion. A beautiful example of Aacm "Ancient to the Future" aesthetic. A magic mixture of elements from the African American music continuum.

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Richard 'Dimples' Fields

Dimples

5,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | EU | Reissue (Sonor Music Editions)

Mandrassi & Zollinger

Rhythm & Sound

28,79 €* 31,99 € -10%

LP | 1971 | EU | Reissue (Four Flies)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Sonor Music Editions proudly announces a previously unknown Italian Library killer session from the golden era - Rhythm AND Sound by the mysterious 'Mandrassi & Zollinger', backed by 'I Beati' studio band. Mandrassi, alias for Anna Maria Assunta Andreassi, is one of the very first female composers of Library Music in Italy while Zollinger is linked to Sergio Pagano, brother of the famed Italian author, composer and singer Mario Pagano. Originally released in 1973 for the private studio label ‘Ludo Record’, this album remained in the obscurity for almost 50 years, it’s so rare that only very few hardcore record collectors know it, we even doubt about its existence at all.. so we're now glad to bring it back to life! A countless breaks galore, filled with outstanding funk grooves and chasing beats. The jam sounds like a missing link between The Fine Machine ‘Habitat’ and the legendary Arawak ‘Accadde a..’ recordings, with its uptempo rhythms allover and the coolest funky instrumentation played by a mysterious studio group.

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The Green Birds

Diapason

23,99 €*

LP | 1971 | EU | Reissue (Be With)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Totally brilliant and obscure psych era Italian library music. Originally released in 1971 for the microsmall label Vi.Di.Elle, the same label as another psych bomb, "The Black Fire - Cream". Behind the mysterious "The Green Birds" name is a marvellous trio of unsung
composers like Franco Bonfanti, Romano Rizzati (Corfull)and Renato Sperduti (Myrval), playing here some really dope jams in the style of the Braen's Machine's Underground LP. The whole album is full of psych effects, synth melodies, wah-wah & fuzz guitars, drum breaks & loungey vibes. Track A4 "Ambiente Elegante" by Franco Bonfanti was compiled in the cultish Speedball Experience in 1996.

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Nucleus

Solar Plexus

30,99 €*

LP | 1977 | US | Original (Horizon)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."

Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.

The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.

The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.

This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.

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Thad Jones & Mel Lewis

Live In Munich

10,99 €*

Live At The Public Theater

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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The Heath Brothers

LP | 1980 | US | Original (Columbia)

8,24 €* 10,99 € -25%

Charlie Shoemake / Bill Holman With The Voice Of Sandi Shoemake

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy white labels

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Collaboration

LP | 1985 | US | Original (Pausa)

9,34 €* 10,99 € -15%

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1983 | US | Original (India Navigation)

Big Nick Nicholas

Big And Warm

7,49 €* 9,99 € -25%

LP | 1974 | US | Reissue (A&M)

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Esther Satterfield

Once I Loved

6,99 €*

The Thad Jones Mel Lewis Quartet

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing.

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LP | 1978 | US | Original (Artists House)

11,99 €* 15,99 € -25%

Charlie Shoemake Sextet Featuring Phil Woods

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Incandescent

LP | 1986 | US | Original (Discovery)

9,74 €* 12,99 € -25%

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | US | Reissue (Jazz Man)

Coleman Hawkins

Jazz Reunion

6,74 €* 8,99 € -25%

Bobby Shew, Chuck Findley

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

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Trumpets No End

LP | 1984 | US | Original (Delos)

8,24 €* 10,99 € -25%

LP | 1974 | US | Reissue (Everest Records Archive Of Folk & Jazz Music)

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

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Charlie Parker

Charlie Parker Volume IV

6,99 €*

12" | 1971 | EU (Trading Places)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US reissue from 1974. Vinyl closer to VG+

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Atlantic Bridge

I Can't Lie To You

11,19 €* 13,99 € -20%

LP | 1985 | US | Original (Rising Sun)

Release: 1971 / EU

Genre: Organic Grooves

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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

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Susan Mazer

The Fire In The Rose

7,49 €* 9,99 € -25%

Hampton Hawes, Martial Solal

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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Key For Two

LP | 1979 | UK | Original (Affinity)

8,24 €* 10,99 € -25%

Release: 1979 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | JP | Reissue (Mercury)

Jimmy Cleveland

Cleveland Style

9,74 €* 12,99 € -25%

Quale Appuntamento... / Magic

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Without OBI

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Eleonora Giorgi

7" | 1980 | EU | Reissue (Sonor)

LP | 1986 | EU | Reissue (Red)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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The magic 80s nostalgia is here! Sonor Music Editions in collaboration with Beppe Savoni and Giuseppe Giammetta, respectively known in the digital space as Disco Bambino and Sovraimpressione announce a special release by the Italian queen of silver screen, actress Eleonora Giorgi. The limited edition 7-inch includes a rework of the 1981 soulful disco track "Quale Appuntamento...", written by Bipap, Cristiano Malgioglio & Pino Presti, originally released on the iconic Ricordi label; on the B-side, restored and for the first time ever on vinyl, "Magic", taken from the 1980 original soundtrack of the film "Mia Moglie È Una Strega", with music arranged and directed by Detto Mariano.

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Cedar Walton

The Trio 3

45,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Brand New Feeling HHV Exclusive Red Vinyl Edition

The Awakening

LP | 1976 | EU | Reissue (Cinedelic)

The Max Neissendorfer Trio

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on red wax, limited to 100 copies.

The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.

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For You...

LP | 1988 | DE | Original (Swingtime)

12,74 €* 16,99 € -25%

LP | 1980 | UK | Reissue (Pure Pleasure)

Release: 1988 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

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John Hicks

Hells Bells

35,99 €*

Steve Clayton / Derek Smith / Milt Hinton / Bobby Rosengarden, Marlene VerPlanck

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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John Hicks (1941-2006) gave much to jazz over several decades but never really received the appreciation he so richly deserved. As a pianist, he proved himself in the Art Blakey and Betty Carter universities. He was also the prototypical musician's musician, a first-call pianist for many jazz greats and a magnificent accompanist to the art's best saxists, including Pharoah Sanders, Arthur Blythe, Chico Freeman, Archie Shepp, and David Murray.
He was often accused of hovering in McCoy Tyner's shadow, which is unfair and untrue. But he evinced a great fondness for Coltrane's music and was often heard on many a Coltrane tribute, showing affection for the saxophonist and his appreciation for Tyner's contribution to Coltrane's finest music.
Another facet of John Hicks' career, which gets even less attention than his wondrous playing, is his ability to craft identifiable compositions that are wandering and melodic, suggestive and malleable yet memorable all at once.
It would be difficult to conceive the ideal tribute to John Hicks. As a jazz contributor, he wasn't easily pigeon-holed. While he was always a (straight) jazz player, he skirted the edges of free jazz and pure romanticism that neither side ever appreciates in the other. But both camps could find moments of joyous life in all the ways Hicks chose to express himself. He was an unmistakably perfect accompanist in any mode.

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All Aglow Again

LP | 1986 | US | Original (Sovereign)

4,49 €* 5,99 € -25%

LP | 1986 | EU | Reissue (Red)

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

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Steve Grossman

Love Is The Thing

45,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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LP | 1986 | EU | Reissue (Red)

Robert Watson Quartet

Love Remains

45,99 €*

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Story Of Wind Behind Left HHV Exclusive Green Vinyl Edition

Masahiko Togashi

LP | 1975 | EU | Reissue (Cinedelic)

A Massy Record Store Day 2023 Clear Pink & White Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on green wax, limited to 100 copies

Recorded in September 1975 at Columbia Studio, “Story Of Wind Behind Left” is a symphonic poem in the shape of a suite. On the album, Masahiko Togashi uses music to communicate the same feelings evoked by nature. The drummer demonstrates unique composition and performance skills in the way he imitates the sounds of nature or takes inspiration from nature itself to make music. With “Story Of Wind Behind Left,” Masahiko Togashi revolutionized the Japanese jazz scene. The record includes an insert with the original liner notes translated into English.

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Archie Shepp

2LP | 1976 | US | Reissue (Culture Factory)

41,99 €*

LP | 1988 | US | Original (Concord Jazz)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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1975 Iconic, Very Rare Live Recording from The Massy in France. Archie "Vernon" Shepp American is a tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement, known not only for his creative improvisation and colorful sound but also for his Afrocentric approach to music. The National Endowment for the Arts named Shepp a Jazz Master in 2016. This double LP set, has deluxe packaging that will include an OBI strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. 1st Opaque Pink & 2nd Opaque White Color Vinyl

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The Concord All Stars

Take 8

6,29 €* 8,99 € -30%

Mike Campbell & Tom Garvin

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines

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Blackberry Winter

LP | 1984 | US | Original (ITI)

6,29 €* 8,99 € -30%

Ruby Braff / George Barnes Quartet

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with cut corner.

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Plays Gershwin

LP | 1975 | US | Original (Concord Jazz)

LP | 1983 | EU | Reissue (Beaumonde)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with ring wear

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Zepiss

Natibel

LP | 1978 | US | Reissue (Verve)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Edmony Krater grew up on the side of Morne Rouge in Sainte-Rose, north of Guadeloupe. His mother sang in church, but Edmony was drawn to the sound of Gwo Ka, which was frowned upon but very present in ceremonies or funeral vigils. As both a fashion designer for the theater and a musician (percussion, trumpet, vocals) in the group Gwakasonné, formed by Robert Oumaou and Georges Troupé, Edmony left Guadeloupe in 1983 to settle in mainland France just after recording their first album. Upon his arrival in Paris, with the desire to give his own version of Gwo Ka, he founded the group Zepiss with Eddy Lebouin, Freddy Tisseur, Philippe Augusty, and Rico Toto and immediately recorded a first album, Natibel. In a singular way, Natibel perpetuates Gwo Ka Modèn, a movement initiated by the iconic jazz guitarist Gérard Lockel, who was the first to theorize and politicize this music previously transmitted only orally. In just six tracks, Natibel combines the sophistication and roughness of its root music, as Gwo Ka combines an intense rhythmic section with intoxicating melodies. In the tradition of other Gwo Ka musicians who took the music further such as Guy Conquet, Fabriano Fuzion, Gwakasonné, Erick Cosaque, and above all legendary drummer Marcel Lollia aka Vélo, Edmony Krater and his group Zepiss have contributed to preserving its heritage and bringing an obvious touch of modernity.

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V.A.

Jam Session #4

9,99 €*

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Itzhak Perlman, André Previn, Shelly Manne, Jim Hall, Red Mitchell

A Different Kind Of Blues (An Album Of Jazz Composed By André Previn)

LP | 1980 | US | Original (Angel)

8,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1976 | US | Original (Columbia)

John Blair

Southern Love

6,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1983 | CA | Original (Not On Label (Bobby Vinson Self-released))

Bobby Vinson

Live At The Railway Club

Release: 1983 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | EU | Reissue (Four Flies)

Gianni Safred

Electronic Designs

27,99 €*

Through The Looking Glass

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Entirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies.

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Midori Takada

2LP | 1983 | EU | Reissue (WRWTFWW)

37,99 €*

I'll Give You Something To Remember Me By White Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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2023 repress, limited to 500 with Original Stoughton Tip On Sleeve!

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John Hicks Trio

LP | 1988 | US | Reissue (Tidal Waves Music)

New Dimensions Record Store Day 2023 Edition

Release: 1988 / US – Reissue

Genre: Organic Grooves

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* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.

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Larry Bright

LP | 1987 | UK | Reissue (New Dimensions Productions)

22,79 €* 23,99 € -5%

LP | 1982 | US | Original (Enja)

Release: 1987 / UK – Reissue

Genre: Organic Grooves

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Having spent the majority of his career in the world of jazz fusion backing up the likes of Sun Ra and Ahmad Jamal, Larry Bright climbed out from behind the kit on his sophomore solo album New Dimensions. Self-released in 1987, an original of the eight-song LP will set you back £150 and finds Bright experimenting with spaced out synths, pop song structures, and drum machine-led electro-funk beat, pushing the boundaries of nu-jazz to the absolute edge. Remastered 180g Heavyweight vinyl.

Accompanied by guitarist John Grant, bassists Tony Bunn and Mark Easley, and dueling trumpeters Jimmy Wilson and Ivan Smart, the resulting album reads like a score to an afro-futurist sci-fi film. Float out into deep space and let Larry Bright’s smooth jazz-terpiece greet you like a warm wind hitting a docking bay in a far-off galaxy. Expertly remastered for your audiophile pleasure. LP in original picture sleeve.

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Slickaphonics

Wow Bag

8,95 €*

LP | 1984 | CA | Original (Sackville)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

writing and stickers on cover

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Sir Charles Thompson

Portrait Of A Piano

4,19 €* 5,99 € -30%

LP | 1986 | DE | Original (City Pigeon Records)

Release: 1984 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with cut corners and promo sticker on the front.

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Crossing Point

Listener Friendly

Release: 1986 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Bill Bergman And The Metro Jets

Bill Bergman

LP | 1988 | US | Original (Gaia)

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Nina Sheldon Featuring David Liebman And Eddie Gomez

Secret Places

LP | 1983 | US | Original (Plug)

4,19 €* 5,99 € -30%

Charlie Persip's Jazz Statesmen

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Yellow labels with writing instead of the original ones. Cover with cut corner. Copy close to VG+.

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Right Down Front

LP | 1978 | US | Original (Bethlehem)

11,19 €* 15,99 € -30%

National Jazz Ensemble, Chuck Israels

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo stamp on back cover.

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National Jazz Ensemble Vol. 1

LP | 1976 | US | Original (Chiaroscuro)

6,99 €* 9,99 € -30%

2LP | 1976 | US | Original (Savoy)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split on bottom spine

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Billy Eckstine

Mister B. And The Band

7,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | EU | Reissue (La Matta)

Stani Labonia

Amarsi

26,99 €*

LP | 1976 | EU | Reissue (Life Goes On)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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La Matta Records proudly presents the First Official Reissue of the unique LP made by Stani Labonia, an Italian Soul-Funk masterpiece originally released in 1978 on Vincenzo Micocci's It/RCA label. This rare album recorded in Naples, finally comes out after more than 40 years, carefully restored from the original tape. Among the talented musicians who worked in the recording of this album we can find names as Jenny Sorrenti of “Saint Just”, Gaio Chiocchio founding member of “Pierrot Lunaire”, Enzo Avitabile and Gianni Guarracino, former “Città Frontale” but most importantly this LP boasts the courtesy arrangement of Pino Daniele in: La Prossima Donna. Labonia, whose real name is Stanislao Smiraglia, is from Bolzano but lived most of his life in Naples, collaborating with the main musicians of that city. He cou ld be compared with the best of the Italian scene, with strong funk and Latin influences. So this is a rare italian gem to anyone interested in Latin Jazz-Funk & Soul. Fully remastered and available as LP and in all digital stores.

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Haki R. Madhubuti

Rise Vision Comin

LP | 1986 | EU | Reissue (Invisible City Editions)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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A breathtaking self-conscious free-jazz masterwork, 'Rise Vision Comin'' summarizes more than 30 years of musical and theoretical/political expression from renowned activist/scholar/free-jazz pioneer Haki R. Standing on the verge of spiritual jazz aesthetic, his music remains timeless & unforgettable after it's longstanding creation. The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on saxophone who also served as creative director. It features 9 tracks with the title track, “Rise, Vision, Comin” a great example of the adhesive comradery between instrumentation and Madhubuti’s spoken-word.

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Jeff Majors

For Us All (Yoka Boka)

27,99 €*

LP | 1981 | EU | Reissue (Souffle Continu)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Private Press Spiritual Jazz from D.C's Jeff Majors. Featuring harp, drum machines and synths. Jeff was one of Alice Coltrane's students at the ashram. He also played in Brother Ah's band. Each song on this album is an inspired vision of the personal and the devotional via the harps universal gilstening range and Linn drums. Comes with info booklet. TIP!

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Axolotl

Abrasive

27,99 €*

LP+7" | 1980 | JP | Reissue (P-Vine)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born. Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album In spring 1981 three days were just enough to complete »Axolotl«.

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Wendell Harrison

Dreams Of A Love Supreme

41,64 €* 48,99 € -15%

LP | 1985 | JP | Reissue (P-Vine)

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Wenha’s inaugural release! From Wenha and Tribe co-founder Wendell Harrison comes Dreams Of A Love Supreme with the never before-reissued 7” single “No Turnin’ Back / Rocket Love” for the first time ever!

Following the untimely collapse of Tribe Records, Tribe co-founder Wendell Harrison established the Wenha record label in 1980, followed that same year by its inaugural release : Dreams Of A Love Supreme. Spirituality and themes of Black Consciousness are apparent throughout, yet compared to the fiery hymnals of its namesake, or even the funky avant-garde jazz of The Tribe, Dreams Of A Love Supreme is mellow - a reflection of the changing landscape of Detroit’s jazz scene. Electric guitars and pianos twinkle behind Harrison’s always impressive playing, with soft tones tempering the fiery spirituality of his solos. Featuring many of Detroit’s greatest musicians, including Tribe co-founder Phil Ranelin (Tb.), Harold McKinney (pf.), and Roy Brooks (perc.), Dreams Of A Love Supreme is filled to the brim with spiritual jazz royalty! Reissued for the first time ever alongside a never before reissued 7” single “No Turnin’ Back / Rocket Love”, as well as one of our iconic obi-strips, everything about this screams deluxe! Don’t miss Dreams Of A Love Supreme (Deluxe Edition) available only from P-vine Records!

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Wendell Harrison

Reawakening

37,99 €*

Dwayne Smith & Art Johnson

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Established in 1985 by Tribe co-founder Wendell Harrison, Rebirth Records would become something of a rebirth for Harrison. The label’s inaugural release, ‘Reawakening’ saw him expressing a renewed interest in jazz, beginning with album opener ‘Winter’. Tribe and Wenha contemporary Harold McKinney’s magnificent piano playing, forms the basis of the rhythm section, over which Harrison plays fiery clarinet lines previously unheard of outside of New Orleans. In sharp contrast to the energizing spiritualism of ‘Winter’, ‘Love Dream’ is a laid-back bossa. The brawny baritone of Leon Thomas, Harrison’s sunny flute, and backing vocals from a who’s who of Detroit’s Jazz scene all combine to make the ultimate Bossa tune. Throughout the album, Wendell Harrison leads a rotating cast of musicians, including Tribe co-founder Phil Ranelin, Harold MicKinney, and Pamela Wise (Harrison’s second wife and the , bringing together their immense talents to create a spiritual jazz album quite unlike anything else. Remastered with contemporary technology and techniques, and reissued with an Obi-strip ‘Reawakening’ is a record you absolutely must not miss!

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Heartbound

LP | 1985 | US | Original (Cafe)

9,74 €* 14,99 € -35%

Release: 1985 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

LP | 1978 | US | Original (Arista Novus)

Ran Blake

Rapport

9,09 €* 13,99 € -35%

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | US | Original (Fantasy)

Keely Smith

I'm In Love Again

6,79 €* 7,99 € -15%

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1988 | US | Original (Milestone)

Richie Cole

Signature

5,19 €* 7,99 € -35%

LP | 1983 | NL | Original (Timeless)

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Close to NM.
Promo stamp on back cover.

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Max Collie Rhythm Aces

The Frontline Vol. 1

3,89 €* 5,99 € -35%

LP | 1984 | NL | Original (Timeless Traditional)

Release: 1983 / NL – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

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Max Collie Rhythm Aces

The Backline VOL.2

3,24 €* 4,99 € -35%

LP | 1988 | US | Original (Antilles)

Release: 1984 / NL – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Cover has a cut corner.

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Władysław Sendecki

Men From Wilnau

3,89 €* 5,99 € -35%

LP | 1985 | US | Original (Landmark)

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover has a cut-out.

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Keith MacDonald

This Is Keith MacDonald

4,54 €* 6,99 € -35%

All-State Honors Jazz Band

Release: 1985 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

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1983 Illinois All-State Jazz Night

2xLP | 1983 | US | Original (Mark)

14,29 €* 21,99 € -35%

1981 Illinois All-State Jazz Night

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with cut corner and writing on the back.

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All-State Jazz Band

2xLP | 1981 | US | Original (Mark)

14,29 €* 21,99 € -35%

LP | 1986 | US | Original (Landmark)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with cut corner and writing on the back.

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Keith MacDonald Trio

Waiting

5,19 €* 7,99 € -35%

LP | 1988 | DE | Original (Enemy)

Release: 1986 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Cover has a cut corner.

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SXL

Into The Outlands

10,39 €* 15,99 € -35%

Art Tatum At The Crescendo Vol. II

Release: 1988 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Art Tatum

LP | 1975 | US | Original (GNP Crescendo)

5,84 €* 8,99 € -35%

LP | 1988 | US | Original (New Artists)

Release: 1975 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: G+

Cover has a cut-out.

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Liz Gorrill, Andy Fite

Phantasmagoria

3,24 €* 4,99 € -35%

Release: 1988 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

LP | 1984 | US | Original (AVI)

Jay Arrigo & Friends

Sounds: Like Fun

6,49 €* 9,99 € -35%

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | US | Original (Blue Ash Records)

Tom Battenberg

Free Rein

5,19 €* 7,99 € -35%

LP | 1986 | US | Original (American Gramaphone)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut corner.

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Checkfield

Water Wind And Stone

4,54 €* 6,99 € -35%

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1978 | EU | Reissue (Disco Segreta)

Lele Patha

Stripiz

17,09 €* 18,99 € -10%

LP | 1973 | UK | Reissue (Goodtime)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Disco Segreta reissues another uber rare 70s Italian disco holy grail ! “Stripiz (Strapazzo)” - a made-up word meaning “Scramble” - was originally recorded in 1978 for the tiny Roman label SGR by Lele Pathà, moniker of musician Emanuele Degni, for what will be his only release, only issued on 45 in just a few hundred copies, specifically targeted to a clubbing environment. “Stripiz” is a truly unique record in the panorama of Italian 1970s disco during its climax years and is nothing short of pure madness: a fully instrumental track made out of synthesizers, moog lines, bells, drums topped by a male voice that goes “Striiiipiiiiiz”, a picture perfect portrait of the immensely free Italian creative outpour in disco music at the end of the 1970s, not to mention the wonderfully lisergic cover art! The first ever 12” reissue of “Stripiz” comes lovingly remastered, respectful of the actual tracks’ 70s vibe, and features the original 45 version plus a contemporary reintepretation by Italian mastermind Marcello Giordani DJ that turns “Stripiz” into a dark disco monster! Note this is a strictly limited edition and - as with all of our 2023 releases - will Never be reissued again.

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Leon Russell

Looking Back

Mystery Man Colored Vinyl Edition

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Looking Back is an instrumental album demonstrating Russell’s virtuosity on the harpsichord. Much of the material arose from recording sessions in the mid sixties. The album has remained a ‘must have’ component of every Russell fans’ record collection. By the time this album was released, he was considered to be the biggest concert draw of 1973 by Billboard magazine. Pressed on heavyweight purple vinyl in special edition orange sleeve.

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Leon Redbone

LP | 1982 | EU | Reissue (Reel)

26,99 €*

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Movin' And Groovin' - Vol. 2

V.A.

LP | 1980 | BE (Groove)

7,79 €* 12,99 € -40%

LP | 1987 | CH | Original (Unit)

Release: 1980 / BE

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has a few hairlines.

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Jacques Demierre

Assemblance

5,99 €* 9,99 € -40%

Release: 1987 / CH – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Antropofagia Red Vinyl Edition

Patrizio Fariselli

LP | 1977 | EU | Reissue (Cramps)

20,99 €*

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Classical Music

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Amarena Red Vinyl Edition

Fabbri Lucio

LP | 1978 | EU | Reissue (Cramps)

20,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1982 | EU | Reissue (High Jazz)

Potter & Tillman

…Space…Rapture

Live In Cleveland 1976 Clear Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. 500 copy LTD edition!
This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.

This gem contains nothing but brilliant tracks like “…Space…Rapture”, “Love Is How”, “New Anniversary Waltz”, “It Must Be E.S.P.” and “(Sing) A Simple Song Of Praise”. Incredible golden lead and backing vocals, a super tight rhythm section, forward thinking arrangements, and an amazing combination of piano, Rhodes and various remarkable synthesizers makes this recording timelessly fresh. The beautiful “Time Is Love”, a tune of positive outlook written during her jazz composition studies, is performed by the one and only Carmen. Killer from the beginning to the end, one of our all-time favorite soul/jazz-funk LPs.

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Gabor Szabo

LP | 1976 | EU | Reissue (Ebalunga!)

31,99 €*

LP | 1982 | UK | Reissue (Shadow World Archive)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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“Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superbly captured for radio broadcast live in 1976 at the 600-seat Agora Ballroom in Cleveland, Ohio. It is a revelation. There is a sense here that concert patrons may have been hearing an altogether different Gabor Szabo than record buyers.

For one thing, Szabo is heard fronting what is likely his own group, rather than an army of studio musicians. In 1976, Szabo was leading a tremendous quartet with George Cables (or Joanne Grauer) on piano, Tony Dumas on bass and Sherman Ferguson on drums. Szabo had not had a band with this much jazz clout since his famed quartet with Jimmy Stewart in 1967-68 – and it is a union worth savoring: Szabo’s records during this period were light, at best, on jazz.

It’s unclear if any of these musicians are on the Agora date, but as Dumas’s “It Happens” opens the program, it’s a good bet, at least, that the bassist is on board here. But as Szabo’s ’76 quartet is not known to have recorded a studio record, Live in Cleveland is the closest thing to what a mid-seventies Szabo jazz album would sound like. Gone, are the strings, vocals, and concessions to commercial consideration so prevalent on so many of Szabo’s studio records at the time. What is present, though, is fine craftsmanship, tremendous interplay, and the exciting improvisation that good jazz always yields.

This particular concert was part of Sansui’s “New World of Jazz,” a series of 13-hour-long jazz concerts recorded at Cleveland’s iconic Agora Ballroom and broadcast over 40 FM radio stations. The series was sponsored by Sansui Electronics, a Japanese manufacturer of audio and video equipment, which previously sponsored a similar series of rock concerts recorded at the Agora as well. Sansui was promoting its matrix QS 4-channel sound system – offering, what was considered at the time, superior diagonal separation and stereo compatibility. The firm, partnering with Agora Ballroom and Agency Recording Studio owner Hank LoConti (1929-2014), was looking to take advantage of what they rightly felt was the then-current jazz renaissance. Each show’s 16-track master tape was mixed through the Sansui QS 4-channel encoder,” according to an August 1976 Billboard article detailing the arrangement, “for distribution to the 40 FM stations throughout the United States that bought the series” – allowing for three commercial spots for local dealers to advertise.”

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Lining Time

Strike

22,39 €* 31,99 € -30%

LP | 1975 | UK | Reissue (Pure Pleasure)

Release: 1982 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Here I AM is the first thing. A powerful incantation sung in full choral style at Dartington College of Arts in 1982 and captured on tape, now in 1s and 0s for all eternity. It’s a bold phrase, this assertion of existence, this permanent claiming of space in time; these three words we were made to sing in church, that we used to recite one after another at the beginning of class. Doing so might seem mundane, or easy, but it’s not. What’s easy is not. Not declaring one’s presence, not showing up at all. Claire Bushe, Cathy Frost, Lisa Halse, Cathy Josefowitz, and Mara de Wit showed up, took a side. They called themselves Lining Time. They were here. ANY Woman CAN SAY I’M A Witch, they said. Strike is the album Lining Time made. It plays out like a freedom spell, like liberatory healing magic. Reveling in the power of the voice, Lining Time sing. Not at us, but for us. As if by putting voice to the traumas inflicted by the patriarchy and capital, they could be made right. As if the whole world might join in and sing along, might join in and take action - might join in and strike.There’s nothing exclusive about the music Lining Time made. Like many of the best and weirdest records of the post-punk era, Strike wears its amateurism as a badge of honour, flies it like a flag to rally around. It is inclusive to the extreme. Which isn’t to say anyone could’ve made Strike. That’s the thing. The music preserved here is too weirdly spare and idiosyncratic - and wildly overconfident in the way that only the young and young at heart can be. Sometimes it’s almost protest folk, acappella or accompanied by a single acoustic guitar, as on ‘It’s Possible’. Sometimes schoolroom auxiliary percussion clunks out a cyclical, ritual rhythm, as on the title track. At no point does it feel less than singular. Still, this is music about and for universal sisterhood. It invites solidarity. Take up an instrument for the cause and sing your own song. Time Passes Time Passes Time Passes Time Recorded music often functions like a time capsule. It’s not rare that an album is “lost”. Rather, it’s rare that a work is heard widely at the time it was made. Often, it’s barely heard at all. It just exists somewhere, a cave painting or an ancient piece of graffiti, waiting to be stumbled upon for whatever reason. The reason, in Strike’s case, is a wonderful posthumous exhibition of Cathy Josefowitz’s artwork, The Thinking Body, a cooperative effort between Kunsthaus Langenthal, Centre Culturel Suisse, Paris, Macro Roma, Les Amis de Cathy Josefowitz, and Elise Lammer. It’s possible that some might be tempted to think of Lining Time as a sideshow curiosity to the main event, but that’d be foolish. Strike, nearly forty years old, is as alive and relevant as it was when it was recorded in the wake of the Reclaim the Night march. If anything, it’s shocking how potent and necessary its message remains today.

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The Piano Choir

Handscapes Volume 2

35,99 €*

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 1988 | US | Original (Sterling Bell Records)

Tony Lada

The Very Thought Of You

6,59 €* 10,99 € -40%

LP | 1984 | US | Original (Celebration)

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl close to NM. Cover with cut corner and writing on the back.

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Jeanne Peterson

Triplicity

12,59 €* 20,99 € -40%

LP | 1984 | US | Original (Pewter Records)

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with saw cut. Vinyl with just a couple of scuffs.

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Jim Pugh

Crystal Eyes

17,84 €* 20,99 € -15%

LP | 1984 | US | Original (PA USA)

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl closer to VG+. Cover with cut corner / sticker

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Armand Boatman

Live At Gregory's

6,59 €* 10,99 € -40%

LP | 1973 | UK | Reissue (Souffle Continu)

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with cut corner, close to VG+

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Perception

Mestari

LP | 1973 | UK | Reissue (Souffle Continu)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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“To finally become oneself: that was the lesson, in the 1960-1970s, that European musicians attracted to improvisation had learned from American free-jazz. Following this idea, the musicians of Perception, whilst individually accompanying Mal Waldron, Slide Hampton, Johnny Griffin or Hank Mobley when they played in Paris, decided early on to break free from what was going on across the Atlantic and seek their own authenticity.

When Mestari, their third and final album, came out, Yochk'O Seffer, Siegfried Kessler, Didier Levallet and Jean-My Truong had four years of questing and originality behind them developing their own individual language. A language in which the spontaneity of the improvisations did not exclude influences taken from European folk or classical traditions.

Balanced, ethereal and structured, Mestari was a return to the original core quartet (the previous album included numerous guest musicians). It opens infinite perspectives and is totally in phase with what was being produced in France at the same time by Cohelmec Ensemble and the Dharma Quintet.”

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Perception

Perception & Friends

Your Prayer Takes Me Off / The Captain Of Her Heart

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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“After their first album which came out in 1971 on Futura Records, Perception wanted to rapidly record a second, but Gérard Terronès did not want to produce another, especially so soon after the first. Therefore, the only solution was to produce it themselves. It is thus completely logical that it came out on the label of the Association for the Development of Improvised Music (A.D.M.I.) created by Didier Levallet with the aim of promoting creative music ( and, on this subject, it was this same label which also produced the excellent Inter Fréquences by the Free Jazz Workshop).

As the album was entirely created from A to Z by Perception, they decided on a more ambitious project, exploring a wider palette of colours by augmenting the original quartet with additional instruments. So, it was with numerous guests including Teddy Lasry, Jean-Charles Capon, Kent Carter and Jean-François Jenny-Clark, that Perception developed still further the apparently contradictory directions which were their specificity. This is further highlighted by the fact that Siegfried Kessler, largely absent on this recording, is temporarily replaced by Manuel Villaroel, a pianist from Chile with a completely different temperament (and, by-the-by, already the name behind the superb Terremoto with the Matchi-oul Septet).

Contrary to the first album, which seems in comparison much more compact and united this second (and second-to last, not counting the live recordings), with the many different options proposed, would seem to predict the different directions that musicians from Perception would subsequently take. One track, by Yochk'O Seffer, who had already been part of Magma two years previously, looks forward to the more structured Neffesh Music, whilst, in the opposite direction, another track, by Didier Levallet, is more evocative of the future arrangements on Swing Strings System. It is, to sum up, a nice paradox that all these different elements, from tightly written pieces to wild improvisation, work so well together and are one the key attributes of a group free like few others.”

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Double

12" | 1985 | DE | Original (Metronome)

3,99 €*

Release: 1985 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | JP | Reissue (Columbia)

Yumi Murata

Himiko

71,99 €*

LP | 1971 | EU | Reissue (Supraphon)

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Pop

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Yumi Murata’s second album with Mariah.
It’s a beautiful, stateless ambient record with its halting vocals, which reflect the sonic experiments of Shimizu Yasuaki.

Mariah, at a time when she was leaning towards hard rock; she used this song as a starting point to steer her into the new wave.

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Olympic

Jedeme, Jedeme

Siegried Kessler / Gus Nemeth / Stu Martin

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Continuation of the successful reissue series, this time in 1971

Olympic’s third album was the result of personnel and author changes. The co-founder, bassist and lyricist Pavel Chrastina left the band. Jan Hauser took his place at the instrument and Zdenek Rytir added lyrics to Janda’s melodies. The arrangements became more colourful, the stylistic Olympic anchorage was preserved. The shift took place in a looser compositional form, allowing for songs in previously unconventional lengths of over five minutes.

Jiri Stivin was a surprise guest, adding flute and saxophone passages to the rock. From today’s point of view, the biggest hit was “Bon soir, mademoiselle Paris”, but you will also remember “Kdyz jsem bejval tramp” (When I Was a Tramp), “Blaznivej Kiki” (Crazy Kiki), “Elixir” or “Strazce majaku” (The Lighthouse Keeper).

Not only the music has changed, but also the cover art. After Pacak’s recession-era Turtle and pop-art Wolverine, Olympic dressed up in historical cycling, motoring or aviation costumes to feature a stylish collage of Alan Pajer’s photographs on the cover and inside.

Reconstructing the fold-out packaging was extremely difficult this time, as the source photos were confiscated by the StB during the raid. The surprise will be the vinyl sound, newly recorded this year from the original tapes. The extensive editorial notes by O. Zamostny also push this release into the ultimate form of Olympic album reissues.

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Solaire

LP | 1971 | EU | Reissue (Souffle Continu)

26,99 €*