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Tom Blankenberg - Et
Tom Blankenberg
Et
LP | 2021 | EU | Original (Less)
10,44 €* 18,99 € -45%
Release: 2021 / EU – Original
Genre: Organic Grooves
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Tampo - Keumgang / Tampomambo
Tampo
Keumgang / Tampomambo
7" | 2021 | UK | Original (We Jazz)
9,99 €*
Release: 2021 / UK – Original
Genre: Organic Grooves
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Tampo is a mystic sextet from somewhere out of the hustle and bustle of the busy Helsinki scene. They operate on a level of their own, performing latin jazz inspired by cumbia and mambo. This 7" single release by We Jazz Records features two high calibre cuts, "Keumgang" and "Tampomambo", making this one a solid choice for all lovers of psychedelic music with character.
The Stance Brothers - Commercial Music
The Stance Brothers
Commercial Music
7" | 2021 | EU | Original (We Jazz)
9,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Drummer/producer Teppo "Teddy Rok" Mäkynen shares two unreleased cuts by his alias The Stance Brothers on We Jazz Records. The 7" color vinyl single goes by the title "Commercial Music", as both tracks are originally commissioned for promotional purposess. The tough-as-nails A-sider "Hard Deal" is an old-school Stance groover made for the Finnish clothing brand Samuji's men's Spring/Summer collection 2015. Stance fans will recognice the signature Teddy Rok groove which cooks and rocks, and displays nice depth as well. The drum break is pure fire like only Teppo can deliver. "Dwayne's Shuffle", known to local Finnish jazz aficionadoes as the opening theme of the popular Yle Radio 1 "Jazzklubi" show is slightly more mellow offering, yet the full swing and intensity is right there in the pocket. The crunchy guitar and minimalist vibraphone melodies carry the tune way beyond your average radio show jingle into a full existence of its own.
"Commercial Music" by The Stance Brothers is released by We Jazz Records on color 7" vinyl single, delivered with heat-pressed old school labels and a stylish plain brown sleeve.
Joona Toivanen Trio - Except For / Keyboard Study No. 2
Joona Toivanen Trio
Except For / Keyboard Study No. 2
7" | 2021 | EU | Original (We Jazz)
9,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Gothenburg-based Finnish pianist Joona Toivanen makes his We Jazz Records debut with his long-standing trio featuring Tapani Toivanen on bass and Olavi Louhivuori of Superposition on drums. Searching for new opportunities on the minimal side of acoustic groove-based free music, the trio introduces a single edit of a hard-driving album track to be, "Except For", and a fresh take on Terry Riley's "Keyboard Study No. 2" on the flip. Fans of introspective jazz piano plus minimalist modern composition take notice.
Otis Sands - Tremendoce Parts 2 & 3 / Skerry
Otis Sands
Tremendoce Parts 2 & 3 / Skerry
7" | 2021 | EU | Original (We Jazz)
9,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Berlin-based Swedish dynamic duo of sax man Otis Sandsjö and bassist/producer Petter Eldh return with new music on We Jazz Records. Remember the hard hitting banger "Tremendoce" from Otis Sandsjö's "y-otis 2"? Well, the saga continues, and the new directions are surprising to say the least, just as we like it!!! Some proper late night / early morning out there vibes on this one, and the flip is yet another step forward, bringing in Kathrin Pechlof on harp. Things are liquid, just as you would guess, but the whole consistency of the substance has flipped and evolved. A new sound. A new idea. Another new day in Mauerpark, Berlin.
Eric Malmberg - Milda Döden Hämtar Oss Alla Till Slut
Eric Malmberg
Milda Döden Hämtar Oss Alla Till Slut
7" | 2021 | UK | Original (We Jazz)
9,99 €*
Release: 2021 / UK – Original
Genre: Organic Grooves
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We Jazz Records is delighted to present the first ever vinyl release for two modern classic tracks by Swedish organist Eric Malmberg. Originally released in 2007 by the label Häpna on Malmberg's second solo album "Verklighet & Beat", the pair of tunes herein serve as proof of Malmberg's remarkable artistic vision, echoing both the pure pastoral beauty and the irresistible groove of his work. This release, part of the ongoing 7" series by We Jazz Records, follows the label's Artistic Director Matti Nives's 10+ years of obsession with the aforementioned Malmberg album after an initial chance encounter with the side A track on a Wire Magazine compilation in 2007.
"Eric Malmberg's music is a small miracle. I don't want to call him a genius, because I don't want to jinx him. But I will say that he's a complete original, in addition to being a vastly talented musician. I will also say that his recordings and the two performances that I saw by Sagor & Swing merit a place on a short list of most enjoyed musical experiences of the last half decade. I could bleat about the quality of the work, but "most enjoyed" to me carries the stronger charge." – David Grubbs, New York, March 2007
"A special mention needs to go out to the phenomenal and totally bonkers 'Till minne av Lilly Lindström' a track which starts with a clean break, builds into dancefloor abusing Hammond-hammering mayhem and then ends up with lush string orchestrations and disco-lite sweeps. Insane and more enjoyable than you could possibly imagine - an album to totally lose yourself in, and one for anyone looking for something just that little different. Huge recommendation." – Boomkat
Antti Lötjönen & Koma Saxo - Erzeben Strasse / Erzeben Koma
Antti Lötjönen & Koma Saxo
Erzeben Strasse / Erzeben Koma
7" | 2021 | UK | Original (We Jazz)
9,99 €*
Release: 2021 / UK – Original
Genre: Organic Grooves
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Helsinki bassist Antti Lötjönen follows up his 2020 We Jazz Records debut LP with a new 7" introducing a fresh version of key album cut "Erzeben Strasse" and throws in a wild treatment by Petter Eldh's Koma Saxo on the flipside. "Erzeben Strasse" presents Lötjönen's Quintet East lineup in fine form, swinging steadily but also adding enough sideways movement to blur the lines just a little bit. The band features a stellar Finnish cast in Lötjönen (bass), Verneri Pohjola (trumpet), Mikko Innanen (baritone sax), Jussi Kannaste (tenor sax) and Joonas Riippa (drums). The Koma Saxo treatment of the track, dubbed here as "Erzeben Koma" is full of fire. Uplifting, a bit hectic, beat-driven and jubilant, Eldh's band of brothers double the ensemble heard on Side A, both sampling and adding new recording into the mix. The entire Koma Saxo live band is featured here: Eldh (bass/production), Otis Sandsjö (tenor sax), Jonas Kullhammar (tenor sax), Innanen (alto sax) and Christian Lillinger (drums). The modern sound of Helsinki meet Mauerpark Liquid Jazz.
Koma Saxo - Port Koma / Fanfarum For Komarum
Koma Saxo
Port Koma / Fanfarum For Komarum
7" | 2019 | EU | Original (We Jazz)
9,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Koma Saxo is a highly potent new five-piece produced by the visionary Berlin-based Swedish bassist-producer Petter Eldh. The lineup brings together five heavy jazz names on the Berlin–Nordics axis, including Eldh on bass, Christian Lillinger on drums and the frontline of three saxes: Otis Sandsjö, Jonas Kullhammar and Mikko Innanen. Despite the top-billing names, make no mistake: this is not just another "supergroup", but a real working band with their own sound and musical trejectory.
Eldh's vision for the Koma Saxo sound is one step ahead of what groovy avantgarde jazz could sound like in 2019, involving postproduction work with the raw material recorded in Helsinki in connection to Koma Saxo's successful debut at the We Jazz Festival. Both studio and live tapes exist side by side, and Eldh goes deep in molding the final music to be heard on the upcoming Koma Saxo releases.
The first introduction into the world of Koma Saxo comes in the form of a 7"/digital single "Port Koma / Fanfarum For Komarum". Side A presents a restlessly dubby beat track, which would be ripe for hiphop sample use. The flip launches into a joyful full-on groovy free jazz fest which is hard to resist. Think Art Ensemble of Chicago at their swingingest but add a little "Nordic Noir" dropped right into the busy streets of Berlin's Kreuzberg.
Paolo Achenza Trio - Chameleon Part 1 / Chameleon Part 2
Paolo Achenza Trio
Chameleon Part 1 / Chameleon Part 2
7" | 2012 | EU | Original (Schema)
9,99 €*
Release: 2012 / EU – Original
Genre: Organic Grooves
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The Big Hustle - Afrorever
The Big Hustle
Afrorever
12" | 2017 | EU | Original (Betino's)
9,74 €* 12,99 € -25%
Release: 2017 / EU – Original
Genre: Organic Grooves
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Betino's Records proudly presents its third release: an EP by the very sharp collective The Big Hustle. The band founded in 2014 by bass player and composer Sébastien Levanneur, brings together 70's old school funk with the hippest actual sound with influences spanning from Steely Dan to Snarky Puppy, from Mandrill to Lettuce and from Herbie Hancock (Manchild era) to Soulive. With mighty horn players, a rock and funky rhythm section, and percussions added to it, The Big Hustle’s music has a very large variety of sound landscapes. Still, the music never loses the groove and always stays close to the funk.
The A side opens with "Afrorever", a tribute to African culture and music. The guest of honor on this song is legendary Malian musician Cheick Tidiane Seck, longtime partner of Salif Keita, and collaborator of Joe Zawinul, Carlos Santana and Damon Albarn to name a few. After Cheick’s introduction, the songs jumps into a typical afrobeat vibe featuring a tight and powerful horn section, suddenly breaks into an electro funk groove and ends in a furious percussive party.
Second track on the A side is "Faure is the Magic Number". It is dedicated to Thomas Faure (co-composer of the track) and François Faure (both featured on this song on tenor sax and keyboards respectively). This piece displays the band’s ability to blend jazz-funk groove with a heavy hip-hop beat. Kind of DJ Premier meets Steely Dan.
The B side starts with "Afrorever (Sun's Up Mix)". Through this mix, one can acknowledge instantly Olivier Portal's touch. From the very first chords, he conveys us into his realm blending warm and melancholy keyboards with an old school deep-house rhythm pattern.
The fourth track is called “1, 2, 1, 2”. It is a purely improvised moment in the studio while the band was sound checking before recording with special guest rapper Raashan Ahmad. Nicolas Gueguen had the good idea to press the R button and what you hear is basically what happened afterwards.
Enjoy!
Gregory Porter - On My Way To Harlem / 1960 What
Gregory Porter
On My Way To Harlem / 1960 What
7" | 2013 | UK | Original (Expansion)
8,99 €*
Release: 2013 / UK – Original
Genre: Organic Grooves
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Now specially edited for the first time for discerning Northern, Modern and Jazz dancefloors on THE only format that matters for DJs and collectors alike, grab your copy now with an exclusive edit of Gregory’s signature song “1960 What?”
Dennis Farnon - Cavendish Series Volume 3
Dennis Farnon
Cavendish Series Volume 3
7" | 2022 | UK | Original (KingUnderground)
8,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
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KingUnderground to release a collection of 8 45s from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners. Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.

This was often a musician’s first opportunity to become a composer, or what most would commonly know now as a producer of music. These composers would work with a stable of musicians to record 100s tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, etc. In the early days of Library Music, there were 3 major companies that acted as publishers. KPM, De Wolfe, and Boosey & Hawkes, which is now known as Cavendish Music. None of this music was made commercially available, so these companies were collecting vaults worth of material, later to be discovered as some of the most influential music for current producers across experimental, dance, house, hip hop, jazz and more. This influence has no doubt infected the KU catalogue of music, and is present in such records as the 2020 release from Robohands ‘Shapes’.

Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45rpm. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

One of the unique things about the genre of Library music is the way that it has stood the test of time. One factor is that Library music was made up of so many different genres, but a key contributor to the timelessness and the reason why so many current DJs and producers have found this important and inspiring to their work is that the music was made over several decades and often depicted to times sonically. There’s a boldness to Library music. It’s in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. Its music beamed in from a different galaxy! The first 45, titled ‘Dramatic’ features tracks from both John Scott and Tony Kinsey. Titling was important to Library music because it needed to clearly represent the emotions being expressed through the music, so it was easy for television and film executives to find what they needed to complete their projects. John Scott wasted no time getting into the dramatics with the opening track “Milky Way”, it displays the importance of grabbing a listener from the top, as well as being concise clocking in at just 47 seconds. Scott was not only a master composer but also known for his work on the Saxophone, including playing on John Barry’s soundtrack for ‘Goldfinger’ in the James Bond series. The juxtaposition of Tony Kinsey’s composition on the record offers a dynamic not present in the two tracks from Scott. Kinsey is more patient in his approach to “Kaleidoscope” building the tension with multiple movements and highlighting several instruments. The way the keys and bass play off each other leaves just enough room for a guitar lick to sneak in as if it is hinting toward something.
Timo Lassy - Teddy The Sweeper
Timo Lassy
Teddy The Sweeper
7" | 2012 | EU | Original (Schema)
8,99 €* 9,99 € -10%
Release: 2012 / EU – Original
Genre: Organic Grooves
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First part in the Schema 7" series. No gimmicks needed here, this jazz is cooking.
The Rongetz Foundation - Simone 421
The Rongetz Foundation
Simone 421
7" | 2010 | EU | Original (Heavenly Sweetness)
8,99 €*
Release: 2010 / EU – Original
Genre: Organic Grooves
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Dennis Farnon - Cavendish Series Volume 4
Dennis Farnon
Cavendish Series Volume 4
7" | 2022 | UK | Original (KingUnderground)
8,54 €* 8,99 € -5%
Release: 2022 / UK – Original
Genre: Organic Grooves
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KU to release a collection of 8, 45’s from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners.
Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.
This was often a musician's first opportunity to become a composer, or what most would commonly know now as producer of music. These composers would work with a stable of musicians to record 100’s of tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, ect.
Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45RPM. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

There’s a boldness to Library music. It's in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. It’s music beamed in from a different galaxy!
Skaset - Skaset
Skaset
Skaset
7" | 2013 | EU | Original (Conrad Sound)
8,24 €* 10,99 € -25%
Release: 2013 / EU – Original
Genre: Organic Grooves
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Johnny Hammond / Quasimode - Los Conquistadores Chocolates
Johnny Hammond / Quasimode
Los Conquistadores Chocolates
10" | 2013 | UK | Original (Expansion)
7,99 €*
Release: 2013 / UK – Original
Genre: Organic Grooves
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Back to back versions, old to the new!
The Revelations - Soul 111
The Revelations
Soul 111
7" | 2013 | EU | Original (Schema)
6,99 €*
Release: 2013 / EU – Original
Genre: Organic Grooves
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Earl-180- Hines - Earl Meets Sweets And Jaws
Earl-180- Hines
Earl Meets Sweets And Jaws
LP | 2019 | US | Original (Documents)
6,99 €*
Release: 2019 / US – Original
Genre: Organic Grooves
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Bluefaced People - Bluefaced People
Bluefaced People
Bluefaced People
7" | 2010 | EU | Original (Conrad Sound)
6,74 €* 8,99 € -25%
Release: 2010 / EU – Original
Genre: Organic Grooves
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