Jazz | Fusion Vinyl Sale 408 Items

Genre: Organic Grooves

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Klabbes Bank

Bnk

LP (Hoob)

17,99 €* 19,99 € -10%

Genre: Organic Grooves

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Peter Ostroushko

Buddies Of Swing

LP (Red House)

15,74 €* 20,99 € -25%

Genre: Organic Grooves

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Fly Away Record Store Day 2022 Vinyl Edition

Electrified A.G.B.

12" | UK | Reissue (Dome City)

15,19 €* 15,99 € -5%

Release: UK – Reissue

Genre: Organic Grooves

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Anyone got a spare $3000.00? That's what it will cost you for the Only available 12" copy in the world right now and one of the world's holy grail independent Jazz-Funk gems.

"Fly Away" by Electrified A.G.B. (All Girl's Band) is a flawless slice of super-rare New Orleans slinky Jazz-Funk which could have come straight out of a ‘70s Lonnie Liston-Smith or Patrice Rushen session. It's literally that good. Previously stymied by it's extreme rarity, we're proud to finally be able to reissue the 12" on the original Dome City label and finally see this hypnotic and infectious jam reach a wider audience. Expect demand from across the board as there will be much interest in this previously unknown classic.

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LP | US | Original (Star-Tone Records)

A Handful Of Harmony

8,69 €* 28,99 € -70%

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover closer to VG+

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Release: US

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Bob Kindred With Strings, Bob Kindred Quartet

That Kindred Spirit

LP | US | Original (Conawago Records)

8,24 €* 10,99 € -25%

Mike Vax And His Great American Jazz Band

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with cut corner.

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Bertha The Blues

LP | US | Original (Sacramento Jazz Records)

11,99 €* 15,99 € -25%

Jammin' With Gene (Gene Ammons Jam Sessions Vol. 2)

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with cut corner and writing on the back.

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Gene Ammons

LP | US | Reissue (Prestige)

11,19 €* 13,99 € -20%

Illinois Jacquet With Wild Bill Davis

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover closer to VG+.

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LP | US | Original (Classic Jazz)

5,59 €* 6,99 € -20%

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

"Deadly" Headley Bennett / Ossie Scott

Deadly Headly Bennett Meets The Magnificent Ossie Scott

LP | JM | Original (Gorgon)

31,99 €* 39,99 € -20%

Gerry Mulligan, Shorty Rogers

Release: JM – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Sleeve has water damage.

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Modern Sounds

LP | US | Reissue (Capitol)

14,39 €* 17,99 € -20%

2LP | Original (Jazz Re:Freshed)

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with promo stamp on the back. Vinyl with scuffs and hairlines.

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Daniel Casimir

Boxed In

28,79 €* 31,99 € -10%

Release: Original

Genre: Organic Grooves

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With Songs About "That Kind Of Woman"

Joe Williams

LP | US | Reissue (Forum)

5,09 €* 5,99 € -15%

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Maynard Ferguson Plays Jazz For Dancing

Maynard Ferguson

LP | US | Original (Roulette)

11,89 €* 13,99 € -15%

The Atlanta Allstar Quartet

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US mono pressing. Stamp on back cover.

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Four Of A Kind

LP | US | Original (Antelope)

25,19 €* 27,99 € -10%

Earl Hines And His All-Stars

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Earl "Fatha" Hines And His All-Stars

LP | US | Reissue (Hall Of Fame)

5,69 €* 5,99 € -5%

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Torun Eriksen

Luxury And Waste

LP (Jazzland)

16,79 €* 20,99 € -20%

Genre: Organic Grooves

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Can You Hear Me / When I'm With You

The Groove Connections

7" (Spinout Nuggets)

18,04 €* 18,99 € -5%

Matek Deronjic, Ziga Golob, Krunoslav Levacic

Genre: Organic Grooves

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Limited to 300 copies.The Groove Connection formed in Medway, Kent during the early '90's, amongst the Acid Jazz heyday, playing clubs, pubs and festivals up and down the land with their urban jazz-funk grooves. Theband comprised of usually six to eight members over the years, including Mark 'Bertie' Gilbert, the former (initial) bass player from The Milkshakes, and was originally an instrumental project, withvocals added later giving the band further appeal.Recording/releasing their first CD EP in 1996 (In Full Pursuit), described by Blues & Soul as 'an impressive debut set', The Groove Connection also released a 7" vinyl single in 1998 (What It Is), whichwas produced by respected DJ and percussionist Snowboy. A year later, their first album 'Infiltration' was released. All releases were via their own NeuJaz label.As well as working with Snowboy, the band also supported Jamiroquai twice in 1997 (at Finsbury's Jam in the Park and the Phoenix Festival), as well as playing to a full house at the Jazz Cafe,Camden on many occasions, and the band toured the UK as part of the Messin' Around Jazz Cotech collaboration.In 1999, the band found themselves on the Verve Records' released compilation 'Messin' Around Presents Root Down', alongside Lalo Schifrin, Jimmy Smith, The JBs, and Roy Ayers to name just afew. In 2001 the band recorded, and released their second album 'Back To Brooklyn', introducing vocalist Laura Knight and guest hammond virtuoso Gary Baldwin, a ten-track full-length, CD-onlyrelease. Other tracks were recorded in the same session…Two tracks that didn't make the last album were 'Can You Hear Me' and 'When I'm With You', both vocal filled, and we've decided to capture them onto two continuous 'grooves'.

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Sunrise Sundown

LP | YU | Original (Croatia)

22,39 €* 27,99 € -20%

Release: YU – Original

Genre: Organic Grooves

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LP | 1956 | US | Original (Emarcy)

Bernard Peiffer

Bernie's Tunes

20,69 €* 22,99 € -10%

The Dick Hyman Trio, Ralph Burns And Leonard Feather And Their Orchestra

Release: 1956 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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The Swinging Seasons

LP | 1956 | US | Original (MGM)

5,69 €* 5,99 € -5%

LP | 1958 | US | Reissue (Roulette)

Release: 1956 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with scuffs, hairlines and a deeper scratch on side 2. Cover with seam splits and writing

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Maynard Ferguson

A Message From Newport

10,79 €* 11,99 € -10%

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

The Shape Of Jazz To Come Crystal Clear / Black Marble Vinyl Edition

Ornette Coleman

LP | 1959 | EU | Reissue (Second)

19,99 €* 24,99 € -20%

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Coltrane Time Clear Vinyl Edtion

John Coltrane

LP | 1959 | EU | Reissue (Sowing)

22,49 €* 24,99 € -10%

LP | 1959 | US | Original (Jubilee)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Recorded in NYC in 1958 and originally released in 1959 as "The Cecil Taylor Quintet - Hard Driving Jazz" this is in fact the only existing document of the meeting between John Coltrane and Cecil Taylor. Even if caught at an early stage in their career the two masters show great personality and deep respect for each other while trumpeter Kenny Dorham sticks more to his familiar bop idiom. Cordially backed up by Chuck Israel on bass and Louis Hayes, Coltrane swings madly on Taylor's dissonant comping producing a rare, fascinating friction between two worlds. A must for every Coltrane maniac out there.

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Della Reese

And That Reminds Me

7,79 €* 11,99 € -35%

A Profile Of Gerry Mulligan

Release: 1959 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: G+, Cover: VG

Vinyl has scuffs and scratches and plays with crackles and background sounds.
Cover has slight storage wear and a few small tears on the front.

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Gerry Mulligan

LP | 1959 | US | Original (Mercury)

11,89 €* 13,99 € -15%

LP | 1960 | UK | Reissue (20th Century Masterworks)

Release: 1959 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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Miles Davis

Sketches Of Spain

22,79 €* 23,99 € -5%

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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Count Basie Orchestra + Neal Hefti

Basie

LP | 1960 | US | Reissue (Roulette)

15,19 €* 15,99 € -5%

Mel Tormé & Margaret Whiting

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with shelf wear and tape

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Broadway, Right Now!

LP | 1961 | US | Reissue (Verve)

17,84 €* 20,99 € -15%

George Shearing And The Montgomery Brothers

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with spine damage

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LP | 1961 | US | Original (Jazzland)

9,49 €* 9,99 € -5%

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl with scuffs and hairlines. Cover with long open seam split on bottom spine

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LP | 1962 | EU | Reissue (Dialogo)

Passaporto Per L'italia

72,74 €* 96,99 € -25%

LP | 1962 | US | Original (Mercury)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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Roland Kirk

We Free Kings

13,59 €* 15,99 € -15%

Frank Frost With The Night Hawks

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: VG

Vinyl with many scuffs, hairlines and some deeper marks. Cover with seam split on bottom spine, shelf wear and writing on the back.

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Hey Boss Man! Clear Vinyl Edtion

LP | 1962 | EU (Destination Moon)

14,99 €* 19,99 € -25%

LP | 1962 | UK | Reissue (Be! Jazz)

Release: 1962 / EU

Genre: Organic Grooves

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"Legendary Sun Records producer Sam Phillips knew talent when he saw it, and when he started up his new Phillips label in the early 1960s, one of the first acts he signed was Frank Frost and his electric Delta blues trio. Now known as one of the greatest harp players of his generation, Frost learned his trade playing with none other than Sonny Boy Williamson and his influence can be heard whenever he blows. Originally released in 1962, Hey, Boss Man! is one of the last great electric blues albums."

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Duke Jordan

Les Liasons Dangereuses

23,39 €* 25,99 € -10%

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Rearward)

Sahib Shihab

Summer Dawm 2024 Repress

21,59 €* 23,99 € -10%

Coleman Hawkins with Orchestra conducted by Frank Hunter

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.

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The Hawk And The Hunter

LP | 1965 | US | Original (Mira)

10,44 €* 10,99 € -5%

LP | 1966 | US | Original (Limelight)

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy

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Oscar Peterson

Blues Etude

13,59 €* 16,99 € -20%

Release: 1966 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: G+, Cover: VG

LP | 1966 | US | Original (MGM)

Mamie Lee

Once In A Lifetime

7,64 €* 8,99 € -15%

Milford Graves / Don Pullen

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with open seam splits on top and bottom spines. Punch hole.

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Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

24,69 €* 25,99 € -5%

Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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Ewa Demarczyk

LP | 1967 | EU | Reissue (Warner)

25,19 €* 27,99 € -10%

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Les Reed and his Orchestra

Love Is All

LP | 1969 | US | Original (London)

7,19 €* 8,99 € -20%

Bravo Pravo Yellow Vinyl Edition

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover close to VG+.

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Patty Pravo

LP | 1970 | EU | Reissue (Rca Label)

28,49 €* 37,99 € -25%

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Mad About)

Majoie Hajary

La Passion Selon Judas

28,49 €* 29,99 € -5%

The Doors Of Perception Record Store Day 2024 Blue Swirl Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Majoie Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”.

The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.

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Dave Pike

LP | 1970 | US | Reissue (Nature Sounds)

31,34 €* 32,99 € -5%

12" | 1971 | EU (Trading Places)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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For RSD 2024 The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full-fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience.

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Atlantic Bridge

I Can't Lie To You

11,19 €* 13,99 € -20%

Junior Walker & The All Stars

Release: 1971 / EU

Genre: Organic Grooves

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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

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Rainbow Funk

LP | 1971 | US | Original (Soul)

7,59 €* 7,99 € -5%

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | EU | Reissue (Four Flies)

Giuliano Sorgini

Scappo Per Cantare

25,64 €* 26,99 € -5%

Takesi Inomata & Sound Limited

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.

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Innocent Canon Black Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

27,54 €* 28,99 € -5%

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Septet Matchi-Oul

Terremoto

25,19 €* 27,99 € -10%

Bird With The Herd - 1951

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful.

Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Manuel left Santiago in September 1970 to participate in the Contemporary Music Workshop in Berlin. To pursue his musical career, he rapidly decided to remain in Europe.

The following year in Paris, Manuel began a quartet with saxophonist Jef Sicard (who would also play with his brother Patricio, in the Dharma Quintet). But the group would rapidly expand: Villarroel and Sicard added Gérard Coppéré (saxophone), William Treve (trombone), François Méchali (bass) and Jean-Louis Méchali (drums). And with the arrival of Sonny Grey, a Jamaican trumpeter heard ten years earlier with Daniel Humair, the Matchi-Oul Septet was complete.

Complete and ready: on May 8th, 1971, Matchi-Oul was in the studio for Gérard Terronès’ Futura label. The septet recorded seven of the pianist’s compositions. A succession of tracks which flow magically from one to the next: from the first drum strokes to the last deep notes of the bass, the successive waves roll over the piano and whistle through the wind instruments. And when they all come together it gives even greater force to Villarroel’s beautiful songs. Terremoto is a masterpiece of collective expression: but what else could we expect from a “supergroup’’ of this stature?

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Charlie Parker

LP | 1972 | US | Original (Alamac)

10,49 €* 13,99 € -25%

In Hot House Record Store Day 2023 Edition

Release: 1972 / US – Original

Genre: Organic Grooves

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Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

28,79 €* 35,99 € -20%

Through The Eyes Of A Horn

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2023 first time ever on vinyl exclusive release limited to 500 copies with OBI strip. Rare Private Pressed Dutch Recordings From 1972

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual.

The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra.

Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians.

Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note.

Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others.

On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game.

Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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Jim Horn

LP | 1972 | US | Original (Shelter Recording Company Inc.)

5,94 €* 6,99 € -15%

LP | 1972 | US | Original (Kama Sutra)

Release: 1972 / US – Original

Genre: Organic Grooves

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Tiny Alice

8,09 €* 8,99 € -10%

LP | 1972 | US | Original (Capitol)

Release: 1972 / US – Original

Genre: Organic Grooves

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Gerry Mulligan Tentette

Walking Shoes

7,59 €* 7,99 € -5%

Release: 1972 / US – Original

Genre: Organic Grooves

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LP | 1972 | US | Original (Capitol)

Swing Exercise

8,54 €* 8,99 € -5%

LP | 1972 | EU | Reissue (Endless Happiness)

Release: 1972 / US – Original

Genre: Organic Grooves

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Christian Zysset

Cosmogonie

20,89 €* 21,99 € -5%

LP | 1973 | US | Original (Shelter)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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French Jazz Library LP with female voices and drum breaks originally released in 1972 on Mondiophone. Stunning composition and wonderfully recorded, this dark, aggressive jazz orchestral vibes, flitting perfectly between the abstract and the structured. Essential.

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Jim Horn

Jim's Horns

5,94 €* 6,99 € -15%

LP | 1973 | US | Original (Fantasy)

Release: 1973 / US – Original

Genre: Organic Grooves, Rock & Indie

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Woody Herman

Giant Steps

14,39 €* 15,99 € -10%

Duke Ellington And His Orchestra

Release: 1973 / US – Original

Genre: Organic Grooves

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The Great Paris Concert

2LP | 1973 | US | Original (Atlantic)

28,49 €* 29,99 € -5%

LP | 1973 | US | Reissue (Friday Music)

Release: 1973 / US – Original

Genre: Organic Grooves

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Billy Cobham

Spectrum

37,79 €* 41,99 € -10%

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Window Of The Mind Ultra Clear Vinyl Edition

Billy Brooks

LP | 1974 | EU | Reissue (Wewantsounds)

30,39 €* 31,99 € -5%

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | Reissue (Nicole)

Jim Marks

Touching Your Feelings

37,04 €* 38,99 € -5%

Release: 1974 / Reissue

Genre: Organic Grooves

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Barry Miles and Silverlight

Barry Miles And Silverlight

LP | 1974 | US | Original (London)

11,39 €* 11,99 € -5%

Release: 1974 / US – Original

Genre: Organic Grooves

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LP | 1974 | US | Reissue (Trip Jazz)

Morgana King

Morgana King Sings

6,64 €* 6,99 € -5%

LP | 1974 | US | Original (Fantasy)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Woody Herman

Herd At Montreux

5,69 €* 5,99 € -5%

LP | 1974 | JP | Reissue (P-Vine)

Release: 1974 / US – Original

Genre: Organic Grooves

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Phil Ranelin

The Time Is Now!

44,09 €* 48,99 € -10%

Voices And Rhythms Of The Creative Profile

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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After Motown left Detroit for Los Angeles in 1972, trombonist Phil Ranelin was largely left without work or direction, until he co-founded Tribe with Wendell Harrison later that same year. Two years after forming Tribe, Phil Ranelin would release his first album as a solo leader, The Time Is Now! The record contains all of the hallmarks of the best Tribe recordings: spiritual-leaning improvisations, soulful grooves, and appearances from Tribe regulars: Wendell Harrison, Marcus Belgrave, Reggie Fields, and more! The album opens with a 13 minute improvisation titled “The Time Is Now For Change”. As Ranelin , Belgrave, and Harrison exchange flurries of notes and squeaks over improvised chaos from the rhythm section, the group builds to a spiritual high that calls to mind the best Albert Ayler recordings. Bebop lines and unison phrases occasionally rise to the surface, offering a glimmer of familiarity in what is largely a harsh soundscape. Yet what sets Ranelin (and indeed, all of his Tribe contemporaries) apart from the larger free and spiritual jazz scene at the time is their sense of rhythm. Even as Harrison evokes sounds that would make a Meditations era Coltrane blush, the drums stay in time, and the looping bass and piano riffs take on an almost hypnotic quality, repeating quietly under a whirlwind of sound. Later tracks see the ensemble veer into soul jazz, and jazz-funk, with “Black Destiny” perfectly highlighting the group’s ability to meld the avant-garde with grooves that you won’t be able to stop yourself from tapping your foot to. Members of the Tribe were well known for their appreciation of African American popular music, and the influence of groups such as Sly And The Family Stone is clear in the song’s edgy rhythms and dense sound. This double LP reissue also contains alternate versions and outtakes that are so good you’ll be wondering why they were originally left out! With modern remastering, three bonus tracks, and an obi-strip, you don’t want to miss the definitive version of Phil Ranelin’s The Time Is Now!

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Harold McKinney

LP+7" | 1974 | EU | Reissue (P-Vine)

46,54 €* 48,99 € -5%

Art Tatum At The Crescendo Vol. II

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The sole solo album from Harold McKinney! Originally released in 1974 from vaunted spiritual jazz label Tribe, Voices & Rhythms of the Creative Profile sees the pianist, who was the backbone of many a Tribe recording, in tip-top shape. Opener “Ode to Africa” is a nine-minute, groove session, with African rhythms that would fit on any Tribe recording. Congas interplay with writhing basslines, for a track that feels as fresh now as it did nearly half a century ago. The Eddie Harris penned “Freedom Jazz Dance” is just as groovy, with amazing showings from the typical Tribe cadre of musicians, including Wendell Harrison (ts.) and Marcus Belgrave (tp.). But from the gospel-inflicted “Heavenese”, to Herbie Hancock’s classic “Dolphin Dance”, the groove never lets up, with eight hard hitting tracks showing exactly why McKinney was the go-to pianist for Tribe. P-vine is proud to be reissuing Voices & Rhythms of the Creative Profile along with a reissue of a 7-inch containing “Ode To Africa (single version)” and “Jelly Loa”, initially also released around the same time. This deluxe edition LP+7-inch is available on limited edition vinyl, now with an obi-strip and modern digital remastering! Make sure to get this while it’s hot!

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Art Tatum

LP | 1975 | US | Original (GNP Crescendo)

7,19 €* 8,99 € -20%

Ruby Braff / George Barnes Quartet

Release: 1975 / US – Original

Genre: Organic Grooves

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Plays Gershwin

LP | 1975 | US | Original (Concord Jazz)

5,94 €* 6,99 € -15%

Barry Miles ' Silverlight

Release: 1975 / US – Original

Genre: Organic Grooves

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Magic Theater

LP | 1975 | US | Original (London)

11,39 €* 11,99 € -5%

Release: 1975 / US – Original

Genre: Organic Grooves

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LP | 1976 | US | Original (Caribou)

The L.A. Express

L.A. Express

11,99 €* 14,99 € -20%

National Jazz Ensemble, Chuck Israels

Release: 1976 / US – Original

Genre: Organic Grooves

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National Jazz Ensemble Vol. 1

LP | 1976 | US | Original (Chiaroscuro)

8,49 €* 9,99 € -15%

Brand New Feeling Black Vinyl Edition

Release: 1976 / US – Original

Genre: Organic Grooves

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The Awakening

LP | 1976 | EU | Reissue (Cinedelic)

23,74 €* 24,99 € -5%

Louie Bellson's 7 - Live At The Concord Summer Festival

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.

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Louis Bellson

LP | 1976 | US | Original (Concord Jazz)

6,64 €* 6,99 € -5%

LP | 1976 | EU | Reissue (Souffle Continu)

Release: 1976 / US – Original

Genre: Organic Grooves

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Machi Oul Big Band

Quetzalcoatl

29,69 €* 32,99 € -10%

2LP | 1977 | US | Original (Verve)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Before coming to Europe, in 1970, pianist Manuel Villarroel was a vet in his native Chilli. A few years later, as leader of the Machi Oul Big Band, he returned to the animal kingdom. A very specific kind of animal, for sure, the Quetzalcoatl, also known as the Feathered Serpent. What is behind this title (also the name of one of the three original compositions on this album released on the Palm label in 1976), is first and foremost a sort of homecoming...

After discovering the jazz of Herbie Hancock, McCoy Tyner, Miles Davis and John Coltrane, Villarroel was taken by the free jazz which was all the rage at the time in America and Europe, and this would inspire the first version of his Machi-Oul, project. This was a septet, with which the pianist would record, in 1971, the tremendous Terremoto (re-released by Souffle Continu Ffl085). After this masterstroke Villarroel was invited to record with Perception (Perception & Friends) and with Baikida Carroll (Orange Fish Tears). While these were notable contributions, Villarroel was already looking into other combinations.

“I had to deal personally with my situation as an expatriate, without disavowing it. I tried not to betray my roots, I tried to translate into my music what was essential to me, to reflect my origins – Latin America, its musical and above all human feelings – while remaining faithful to jazz, which is the mode of expression of the musicians in the group”. This then is the ‘homecoming’ we mentioned, which would incite Manuel Villarroel to compose what he would call “structured free music”. In January 1972 the pianist enlarged his formation to reach the size of a real big band: the Septet became the Machi-Oul Big Band. Three years later in January 1975, with producer Jef Gilson at the helm, fifteen musicians including those from the old Septet (Jef Sicard, François and Jean-Louis Méchali, Gérard Coppéré) worked on a rare form of jazz. From togetherness to dissonance, we danse to it “Bolerito” then shake it up on “Leyendas De Nahuelbuta”. As for the concluding serpent, it is a piece which is impossible to pin down: “Quetzalcoat” is as impressive as it is difficult to grasp. To remind ourselves of this, lets listen to it again.

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Count Basie

Sixteen Men Swinging

9,49 €* 9,99 € -5%

Frankie Baum / Michael Goltz

Release: 1977 / US – Original

Genre: Organic Grooves

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Rhythm & Steel Guitars / Rhythm & Soft Guitars

LP | 1977 | IT | Original (Devega Records)

11,39 €* 18,99 € -40%

Release: 1977 / IT – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Bird And Pres: The '46 Concerts

Jazz At The Philharmonic

2LP | 1977 | US | Original (Verve)

8,24 €* 10,99 € -25%

Release: 1977 / US – Original

Genre: Organic Grooves

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Machito And His Orchestra Special Guest Artist Lalo Rodriguez

Fireworks

LP | 1977 | US | Original (Coco)

13,59 €* 15,99 € -15%

LP | 1978 | US | Original (Arista Novus)

Release: 1977 / US – Original

Genre: Organic Grooves

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Ran Blake

Rapport

11,19 €* 13,99 € -20%

Release: 1978 / US – Original

Genre: Organic Grooves

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Charlie Persip's Jazz Statesmen

Right Down Front

LP | 1978 | US | Original (Bethlehem)

13,59 €* 15,99 € -15%

The Thad Jones Mel Lewis Quartet

Release: 1978 / US – Original

Genre: Organic Grooves

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LP | 1978 | US | Original (Artists House)

14,39 €* 15,99 € -10%

Betty Lou Transparent Red Vinyl Edition

Release: 1978 / US – Original

Genre: Organic Grooves

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Betty Lou Landreth

2LP | 1979 | UK | Reissue (Backatcha)

24,29 €* 26,99 € -10%

LP | 1979 | US | Original (Choice)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Limited to 300 copies. Officially licensed. Reissue on two discs.

Originally released in 1979, Betty Lou Landreth's Betty Lou has been expanded to a 15-song double album featuring the original studio recordings along with bonus material, alternative takes, and extensive liner notes from Joel Palmer, the producer of this Motor City holy grail.

Recorded in Detroit and produced and released by Detroit-born jazz historian Joel Palmer on his YaYa label, the album features many veterans and esteemed Detroit and New Orleans Jazzmen. Alongside Joel, producer and arranger Charlie Gabriel recruited some of the city’s top fellow musicians for the session, including his longtime friend and housemate, trumpeter Marcus Belgrave, drummer J.C. Heard, Motown's Funk Brothers, keys player Emmanuel Riggins, bassist Hubie Crawford, violinist Travis Biggs, the Body sisters and many more.

"Honestly, there were never any commercial expectations or aspirations for the album. We just got together to cook up a gumbo. Detroit, New Orleans, funk, jazz, torch, country and some great, great musicians to bring the flavors together. Our only intent was to create the best work of music possible; one which would allow Betty Lou Landreth to display her extraordinary vocal skills, and that we did. The reissue serves as a monument to all of those who all those long years ago contributed their special magic to creating a unique musical work which has endured the test of time.” (Joel Palmer, 2021).

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Ben Aronov

Shadow Box

7,59 €* 7,99 € -5%

LP | 1979 | US | Reissue (Etats-Unis)

Release: 1979 / US – Original

Genre: Organic Grooves

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Smegma

Glamour Girl

30,59 €* 35,99 € -15%

Hampton Hawes, Martial Solal

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Poo-Bah Records, with its import bins and backroom jam space, attracted the pseudonymous artists forming the initial incarnation of long-running collective Smegma. Early members Ju Suk Reet Meate, Dennis Duck, Cheez-it Ritz, Big Dirty, Amazon Bambiand Dr. Id contributed to various Lafms compilations and combinations before several core members relocated to Portland, Oregon in 1975, where they recorded their debut album Glamour Girl 1941. Originally released on the Lafms label in 1979, the LP combines rock instrumentation with tape, synthesizer, horns and voice in a tempestuous cauldron of anti-academy improv and alien noise. Beyond its roots in Lafms, Smegma would help shape the early Portland punk scene in the late '70s alongside Wipers and Neo Boys. In more recent years, they have collaborated with Merzbow and Wolf Eyes. This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.

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Key For Two

LP | 1979 | UK | Original (Affinity)

9,89 €* 10,99 € -10%

Release: 1979 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Crash I Grazyna Lobaszewska

Senna Opowiesc Jana B.

LP | 1979 | EU | Reissue (Warner)

24,29 €* 26,99 € -10%

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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12" | 1980 | EU | Reissue (Far Out)

Freeez

Keep In Touch (Pinky 1)

13,49 €* 14,99 € -10%

LP | 1980 | JP | Original (CBS/Sony)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Two individually sold Vinyl 12"s. Far Out Recordings presents a double bill of two monumental Brit funk classics. 'Keep In Touch' and 'Stay' were the first two 12" singles by the iconic Freeez, both self-funded passion projects of its founding member John Rocca, for his own Pink Rythm imprint.

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Eric Gale

Touch Of Silk

17,09 €* 17,99 € -5%

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Movin' And Groovin' - Vol. 2

LP | 1980 | BE (Groove)

9,74 €* 12,99 € -25%

LP | 1980 | US | Original (Blue Ash Records)

Release: 1980 / BE

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has a few hairlines.

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Tom Battenberg

Free Rein

6,39 €* 7,99 € -20%

LP+7" | 1980 | JP | Reissue (P-Vine)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut corner.

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Wendell Harrison

Dreams Of A Love Supreme

46,54 €* 48,99 € -5%

Quale Appuntamento... / Magic

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Wenha’s inaugural release! From Wenha and Tribe co-founder Wendell Harrison comes Dreams Of A Love Supreme with the never before-reissued 7” single “No Turnin’ Back / Rocket Love” for the first time ever!

Following the untimely collapse of Tribe Records, Tribe co-founder Wendell Harrison established the Wenha record label in 1980, followed that same year by its inaugural release : Dreams Of A Love Supreme. Spirituality and themes of Black Consciousness are apparent throughout, yet compared to the fiery hymnals of its namesake, or even the funky avant-garde jazz of The Tribe, Dreams Of A Love Supreme is mellow - a reflection of the changing landscape of Detroit’s jazz scene. Electric guitars and pianos twinkle behind Harrison’s always impressive playing, with soft tones tempering the fiery spirituality of his solos. Featuring many of Detroit’s greatest musicians, including Tribe co-founder Phil Ranelin (Tb.), Harold McKinney (pf.), and Roy Brooks (perc.), Dreams Of A Love Supreme is filled to the brim with spiritual jazz royalty! Reissued for the first time ever alongside a never before reissued 7” single “No Turnin’ Back / Rocket Love”, as well as one of our iconic obi-strips, everything about this screams deluxe! Don’t miss Dreams Of A Love Supreme (Deluxe Edition) available only from P-vine Records!

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Eleonora Giorgi

7" | 1980 | EU | Reissue (Sonor)

26,99 €* 29,99 € -10%